#new indian songs 2019

[dailyanarchistposts]

India witnessed the rise of two large protest movements in last 2 years which saw millions taking to streets against the oppressive laws passed by the government. These were the Anti-CAA protests against the discriminative Citizenship Amendment Act (CAA), and the farmers protests against the 3 pro-corporate farm laws. During the Anti-CAA protests, the loudest voices of dissent have been the women, from housewives to grandmothers, lawyers to students, women across India have been at the forefront of this struggle. This female-driven political awakening has been most jubilantly epitomized by the sit-in protest at Shaheen Bagh, drawing a cross-generational, largely female crowd never seen in India before [1]. Then came the farmer protests, where millions of farmers took to streets to fight the anti-farmer legislation that was passed in the Indian parliament and to highlight the issues of agrarian crisis which has been growing in India for the last few decades. In these protests, there is an unprecedented solidarity being displayed in the daily rallies that draw out thousands of people all over Indian cities. There are no visible leaders calling out to people to protest in one mode or another, yet the country has found a way to speak truth to power [2].

The Shaheen Bagh protest was led mostly by Muslim women, in response to the passage of the discriminative and unconstitutional CAA passed by Parliament of India and the police attack on students of Jamia Millia Islamia University. Protesters agitated not only against the citizenship issues of the CAA, National Register of Citizens (NRC) and National Population Register (NPR), but also against economic crisis, rising inequality, police brutality, unemployment, poverty and for women’s safety. The protesters also supported farmer unions, unions opposing the government’s anti-labour policies and protested against attacks on academic institutions. The protest started with 10–15 local women, mostly hijab wearing Muslim housewives, but within days drew crowds of up to a hundred thousand, making it one of the longest sit-in protests of this magnitude in modern India. The Shaheen Bagh protest also inspired similar style protests across the country, such as those in Gaya, Kolkata, Prayagraj, Mumbai, Chennai and Bengaluru. The protesters at Shaheen Bagh, since 14 December 2019, continued their sit-in protest in New Delhi using non-violent resistance for 101 days until 24 March 2020 when it ended due to COVID-19 pandemic outbreak.

Most of the women who came to Shaheen Bagh protest were first-time protesters, mostly homemakers, who were standing up to the government [3]. This was the first time they came out on a national issue which cut across religious lines. Some came with their newborns and children and some were grandparents. The women were center of protests and men supported them from the sidelines. They were creative and strategic. They governed their worlds quietly from the background and knew when a crisis needed them to cross invisible boundaries and step into the foreground. They emerged into the public space to collectively confront a looming crisis [2]. Armed with thick blankets, warm cups of tea and songs of resistance, these women have braved one of the coldest winters Delhi faced in the last 118 years [4]. These women were drivers of this protest, joining in irrespective of caste and religion, taking turns to sit-in at the site. They broke down the historically prevailing gender binary of patriarchy and took control. They also destroyed the popular imagination claiming Muslim women as powerless and lacking agency.

Shaheen Bagh in many ways typifies the protest movement that erupted across India as it was leaderless. No political party or organization could claim to be leading the protest. Instead, it was fueled primarily by these women who were residents of working-class neighborhoods of Shaheen Bagh. Since it was a leaderless protest, it could not be terminated by a few prominent organizers [5]. When they tried to “called off” the protest citing interference of political parties and security threats, the women of Shaheen Bagh rejected it and decided to continue the protests. The movement had no formal organizers and thrived on a roving group of volunteers and the local women’s tenacity alone. The lack of leaders also confused the police who are clueless on whom to approach to make these women vacate the site.

The protesters were supported and coordinated by a diverse group of more than hundred volunteers, including local residents, students and professionals. These volunteers organized themselves around different tasks such as setting up makeshift stages, shelters and bedding; providing food, water, medicine, and access to toilet facilities; installing CCTV cameras, bringing in electric heaters, outside speakers and collecting donations [6]. Donations includes mattresses, an assortment of tables that form the foundation of the stage and endless cups of steaming tea that provide warmth on cold winter days. Local residents formed informal groups which coordinated security, speakers, songs, and cultural programs that happened on these makeshift stages. People distributed tea, snacks, biryani, sweets and other eatables at the protest site. Some donated wood logs to keep the protesters warm. Collection drives for blankets and other essentials were organized through social media. A health camp was also set up beside the camped protesters which provided medicines for them. Doctors and nurses along with medical students from different medical institutes and hospitals voluntarily joined for the purpose [7]. A group of Sikh farmers from Punjab came and set up a langer (free community kitchen) in the area.

The space was decorated with art and installations [8]. Stairways leading to the closed shops in the vicinity of the protest circle were transformed into a public library and art centre by student volunteers from Jamia along with the young children of Shaheen Bagh. Protest art became the voice of resistance and dissent during the event, and the area was covered in murals, graffiti, posters and banners [9]. A reading area called “Read for Revolution” had been set up with hundreds of crowd-sourced books as well as writing materials [10]. A nearby bus stop was converted into the Fatima Sheikh-Savitribai Phule library, which provided material on the country’s constitution, revolution, racism, fascism, oppression and various social issues [11]. Public reading spaces were created for the cause of dissent and to amplify the idea of education amongst the protesters of Shaheen Bagh. Since a majority of women of Shaheen Bagh have stepped out of their homes for the first time, this was an attempt to bring these women closer so that they read and facilitate the social change they exemplify. Besides young children, senior citizens, working people, domestic workers and many from Shaheen Bagh and nearby areas were occupying the area, choosing books or picking up colors and chart paper, while some also come to donate their old books and stationery.

लड़ो पढ़ाई करने को, पढ़ो समाज बदलने को (Fight To Read, Read To Change)

The children who were present alongside parents also participated in the protest. Most of these children would visit school in the morning before joining their parents at the protest site, which became an art space for many children [12]. They would express their thoughts and join in the protest through storytelling, poetry, puppetry, singing and painting. Student volunteers engaged the local children in reading, painting and singing, and held informal reading lessons.

Speeches, lectures, rap and shayari poetry readings were held every day [13]. Activists, artists and social workers came and gave talks on various issues faced by Muslims, Dalits, Adivasis, the disabled, LGBTQ people, and all those who are oppressed. The stage is democratic and hosts poets and professors, housewives and elders, civil society groups and civic leaders, actors and celebrities and of course students – from Jamia, JNU to the local government schools. A large number of women participate in open-mics to express their thoughts, many speaking in public for the first time. The protestors read the Preamble of the Constitution which reminds them of their rights of Liberty, Equality and Justice. If the Shaheen Bagh stage had a bias, it is towards women and those, from academia and elsewhere, who can educate them not just on CAA-NRC-NPR, but also the freedom struggle, Ambedkar, Gandhi and the ideas that animate the preamble to the constitution [13]. The chants of “inquilab zindabad (long live the revolution!)”and “save the Constitution” filled the site. At night people would watch films and documentaries which were screened on the site, about refugee crisis, anti-fascist struggles and revolution. Musical and cultural events were also conducted in solidarity with anti-CAA protests. This occupy protest provided an example of how to create a community without government support by voluntary association and mutual aid, make decisions in a democratic way where everyone takes part and decentralize power by having no organizers or leaders who control everything. These elements of anarchist organizing is also visible in the farmers’ protest.

Small and marginal farmers with less than two hectares of land account for 86.2% of all farmers in India, but own just 47.3% of the crop area. A total of 2,96,438 farmers have committed suicide in India from 1995–2015 [14]. 28 people dependent on farming die by suicide in India every day [15]. India is already facing a huge agrarian crisis and the 3 new laws have opened up door for corporatization of agriculture by dismantling the Minimum Support Price (MSP) leaving the farmers at the mercy of the big capitalist businesses.

The farmers protest began with farmers unions holding local protests against the farmer bills mostly in Punjab. After two months of protests, farmers from Punjab and Haryana began a movement named Dilli Chalo (Go to Delhi), in which tens of thousands of farmers marched towards the nation’s capital [16]. The Indian government used police to attack the protesters using water cannons, batons, and tear gas to stop them from entering Delhi. On 26 November 2020, the largest general strike in the world with over 250 million people, took place in support of the farmers [17]. A crowd of 200,000 to 300,000 farmers converged at various border points on the way to Delhi. As protest, farmers blocked the highways surrounding Delhi by sitting on the roads [18]. Transport unions representing 14 million truck drivers also came out in support of the farmers. The farmers have told the Supreme court of India that they won’t listen to courts if asked to back off. They organized a tractor rally with over 200,000 tractors on the Republic day and stormed the historic Red Fort [19]. The government barricaded the capital roads with cemented nails and trenches to stop farmers and electricity, Internet, and water supply were cut off from the protest sites.

Scores of langars, i.e. free community kitchens have been set up by farmer’s organizations and NGOs to meet the food needs of the hundreds of thousands of farmers in the farmers-camps that have sprung up on the borders of Delhi [20]. The farmers came fully equipped to prepare mass meals in these community kitchens with supplies coming from their villages daily. Tractors and trucks with sacks of vegetables and flour as well as cans of oil and milk arrive daily from villages and towns where pooling resources for community meals is a way of life. These langars work round the clock and provide free food without distinction of caste, class, or religion. Supporters of the farm protest often bring almonds, apples, sweets, and packaged water. They even supplied a machine that rolls out a thousand “rotis” every hour. Social media is used to collect blankets and other essentials for these protests who are braving the harsh winter. Many protestors camp on the roadside in the cold Delhi winter and spending nights curled up in tractor trailers. Volunteers have set up solar-powered mobile charging points, laundry stalls with washing machines, medical stalls for medicines, arranged doctors and nurses, dental camps and brought foot massage chairs for elderly protesters [21].

A makeshift school has been set up at the camp, called “Sanjhi Sathh” (a common place) to recreate a village tradition of holding discussions on important issues. Children from underprivileged families who are unable to attend school due to financial issues and the ongoing Covid-19 pandemic come to this tent. It has library, which displays biographies of Indian freedom fighter Bhagat Singh, revolutionary Che Guevara, and other books of various genres and newspapers in English, Hindi and Punjabi languages. Dozens of posters with slogans written on them cover every inch of the tarpaulin tents [22]. Farmers also installed CCTV cameras to keep a watch on the protest site and keep a record of what is happening and counter any narrative to discredit their protest. Farmers protest also saw participation of women coming out to protest in large numbers. Women farmers and agricultural workers were riding tractors from their villages and rallying to the protest sites, unfazed by the gruesome winter.

Just like Shaheen Bagh protest, this is a decentralized leaderless protest by hundreds of farmer unions. Even though the negotiations with the government are being attended by representatives of 32 farmer unions, they act as spoke persons who present the collective demand of all farmers. Whenever Government introduces a new proposal, the representatives come back to the unions where they sit together, discuss, debate and decide the future course of action together in a democratic way. Farmers are conducting Kisan Mahapanchayats (public meetings) which are attended by hundreds of thousands of people in villages around Delhi, UP, Punjab, Rajasthan and Haryana to discuss strategies and ways to put pressure on the government. It was this decentralization that made the protest robust and overcome the condemnation around violence during Republic day Truck Rally. Even though many farm union leaders called for ending the protest, the farmers remained steadfast in their decision to not go back till the laws were repelled.

The sites of the two protests mentioned above can be compared to the Capitol Hill Autonomous Zone (CHAZ) that was set up in Capitol Hill neighborhood of Seattle, Washington by Black Lives Matter (BLM) protesters during the aftermath of the murder of George Floyd by Police [23]. CHAZ was a nascent commune, built through mutual aid where no police was allowed and almost everything was free.

CHAZ, Shaheen Bagh and Farmers’ protests were occupation protests where the protestors set up a community themselves and created an autonomous zone. If one was against racism and police brutality, others were against religious discrimination and agrarian crisis. The protests were mostly self-organized and without an official leadership. The sites were filled with protest art, paintings, film screenings and musical performances [24]. Just like the mutual aid cooperative in CHAZ, free food, water, snacks and other supplies were provided to everyone. Areas were set up for assemblies and to facilitate discourse [25].

CHAZ was a leaderless zone, where the occupants favored consensus decision-making in the form of a general assembly, with daily meetings and discussion [26]. They slept in tents, cars and surrounding buildings, relying on donations from local store owners and activists. They collected donations for the homeless and created community gardens [27]. Medical stations were established to provide basic health care.

Anarchism tries to create institutions of a new society “within the shell of the old,” to expose, subvert, and undermine structures of domination but always, while doing so, proceeding in a democratic fashion, a manner which itself demonstrates those structures are unnecessary [28]. Anarchists observe what people are already doing in their communities, and then tries to tease out the hidden symbolic, moral, or pragmatic logic that underlie their actions and tries to make sense of it in ways that they are not themselves completely aware of. They look at those who are creating viable alternatives, try to figure out what might be the larger implications of what they are already doing, and then offer those ideas back, not as prescriptions, but as contributions [28]. They understand that people are already forming self-organized communities when the state has failed them and we can learn a lot about direct action and mutual aid from these communities.

Direct democratic decision making, decentralization of power, solidarity, mutual aid and voluntary association are the core principles of anarchist organizing. Anarchists employ direct action, disrupting and protesting against unjust hierarchy, and self-managing their lives through the creation of counter-institutions such as communes and non-hierarchical collectives. Decision-making is handled in an anti-authoritarian way, with everyone having equal say in each decision. They participate in all discussions in order to build a rough consensus among members of the group without the need of a leader or a leading group. Anarchists organize themselves to occupy and reclaim public spaces where art, poetry and music are blended to display the anarchist ideals. Squatting is a way to regain public space from the capitalist market or an authoritarian state and also being an example of direct action. We can find elements of these in all these protests and that is the reason for their robustness and success. It bursts the myth that you need a centralized chain of command with small group of leaders on top who decide the strategies and a very large group of followers who blindly obey those decisions for the sustenance and success of large scale organizing. All these protests were leaderless protests where people themselves decided and came to a consensus on the course of action to be followed in a democratic way. When people decide to take decisions themselves and coordinate with each other in small communities by providing aid to each other, it creates the strongest form of democracy and solidarity.

The fact that these protests happened, with so many people collectively organizing and cooperating, for such a long duration, shows us that we can self-organize and create communities without external institutions and it can be civilized and more democratic than the autocratic bureaucracy and authoritarian governments which concentrate all power and oppress people. These protests were driven by mostly by uneducated women, poor farmers and people from other marginalized communities, who showed that they can create communities which are more moral and egalitarian, than those that exist in hierarchical societies with the affluent and highly educated. They showed that people who are oppressed and underprivileged can organize themselves into communities of mutual aid and direct democracy which eliminates a need for coercive hierarchical systems of governance which exist only to exploit them.

What these occupy protests show us is that we can form communities and collectively organize various forms of democratic decision making simultaneously providing everyone their basic needs. There protests show us models of community organizing in large scales comprising hundreds of thousands of people. Even though they are not perfect we can learn the ideas these protests emulate – of solidarity, mutual aid, direct democracy, decentralization of power and try to recreate these in our lives and communities.

References

[1]

H. E. Petersen and S. Azizur Rahman, “‘Modi is afraid’: women take lead in India’s citizenship protests,” The Guardian, 21 January 2020.

[2]

N. Badwar, “Speaking truth to power, in Shaheen Bagh and beyond,” Livemint, 17 January 2020.

[3]

B. Kuchay, “Shaheen Bagh protesters pledge to fight, seek rollback of CAA law,” Al Jazeera, 15 January 2020.

[4]

“Shaheen Bagh: The women occupying Delhi street against citizenship law — ‘I don’t want to die proving I am Indian’,” BBC, 4 January 2020.

[5]

K. Sarfaraz, “Shaheen Bagh protest organiser calls it off, can’t get people to vacate,” The Hindustan Times, 2 January 2020.

[6]

“The volunteers of Shaheen Bagh,” The Telegraph (Culcutta), 24 December 2019.

[7]

“Behind Shaheen Bagh’s Women, An Army of Students, Doctors & Locals,” The Quint, 14 January 2020.

[8]

R. Venkataramakrishnan, “The Art of Resistance: Ringing in the new year with CAA protesters at Delhi’s Shaheen Bagh,” Scroll.in, 6 January 2020.

[9]

A. Bakshi, “Portraits of resilience: the new year in Shaheen Bagh,” 2 January 2020.

[10]

J. Thakur, “Shaheen Bagh Kids and Jamia Students Make Space for Art, Reading and Revolution,” The Citizen, 11 January 2020.

[11]

F. Ameen, “The Library at Shaheen Bagh,” The Telegraph (Culcutta), 20 January 2020.

[12]

A. Purkait, “In Shaheen Bagh, Children Paint Their Protest while Mothers Hold Dharna,” Makers India, 22 January 2020.

[13]

S. Chakrabarti, “Shaheen Bagh Heralds a New Year With Songs of Azaadi,” The Wire, 31 December 2019.

[14]

P. Sainath, “Maharashtra crosses 60,000 farm suicides,” People’s Archive of Rural India (PARI), 21 July 2014.

[15]

R. Sengupta, “Every day, 28 people dependent on farming die by suicide in India,” Down to Earth, 3 September 2020.

[16]

“Dilli Chalo | Farmers’ protest enters fifth day,” The Hindu, 30 November 2020.

[17]

S. Joy, “At least 25 crore workers participated in general strike; some states saw complete shutdown: Trade unions,” Deccan Herald, 26 November 2020.

[18]

“Farmers’ Protest Highlights: Protesting farmers refuse to budge, say ‘demands are non-negotiable,” The Indian Express, 1 December 2020.

[19]

G. Bhatia, “Tractors to Delhi,” Reuters, 29 January 2021.

[20]

“Langar Tradition Plays Out in Farmers Protest, Students Use Social Media To Organise Essentials,” India Today, 2 December 2020.

[21]

J. Sinha, “Protest site draws ‘Sewa’ – medicine stalls, laundry service, temple & library come up,” Indian Express, 11 December 2020.

[22]

B. Kuchay, “A school for the underprivileged at Indian farmers’ protest site,” AlJazeera, 24 January 2021.

[23]

D. Silva and M. Moschella, “Seattle protesters set up ‘autonomous zone’ after police evacuate precinct,” NBC News, 11 June 2020.

[24]

C. Burns, “The Capitol Hill Autonomous Zone Renames, Expands, and Adds Film Programming,” The Stranger, 10 June 2020.

[25]

H. Allam, “‘Remember Who We’re Fighting For’: The Uneasy Existence Of Seattle’s Protest Camp,” NPR, 18 June 2020.

[26]

K. Burns, “Seattle’s newly police-free neighborhood, explained,” Vox, 16 June 2020.

[27]

h. Weinberger, “In Seattle’s CHAZ, a community garden takes root | Crosscut,” Crosscut, 15 June 2020.

[28]

D. Graeber, Fragments of an Anarchist Anthropology, 2004.

[sprouseandall]

𝒀𝒆𝒉 𝑫𝒐𝒐𝒓𝒊𝒚𝒂𝒏 𝑴𝒂𝒔𝒕𝒆𝒓𝒍𝒊𝒔𝒕

sʏɴᴏᴘsɪs: Inspired by the song with the same name and the movie Five Feet Apart.

Set in 2019. It is the story of a young Indian girl named Asher who had a dream of becoming a singer since the age of twelve when she wrote her first song along. Her world was turned upside down when she got diagnosed with Cystic Fibrosis (CF), a lung disease. Making her live on borrowed air, through oxygen cylinder with pipe throwing air inside her lungs and the day she gave up on her dreams she even gave up on her hope and life.

She was 17, when on a regular weekend she caught the eye of Cole Sprouse as she played guitar alongside her friends in the central park of New York.

It started off as friendship but eventually love found its way into Asher's heart despite her efforts. She tries to distance him away thinking she was saving him from a heartbreak by breaking her own heart. She thought she was being brave soldier as she stood alone in this battle when inside of her, she was scared but the almighty had sent someone for her to hold onto. He wouldn't leave her no matter how hard she try because he's meant to love her. No matter what.

𝐒𝐨 𝐡𝐨𝐰 𝐥𝐨𝐧𝐠 𝐰𝐢𝐥𝐥 𝐬𝐡𝐞 𝐩𝐮𝐬𝐡 𝐡𝐢𝐦 𝐚𝐰𝐚𝐲 𝐭𝐢𝐥𝐥 𝐡𝐞 𝐥𝐨𝐯𝐞𝐬 𝐡𝐞𝐫 𝐝𝐞𝐬𝐩𝐢𝐭𝐞 𝐭𝐡𝐞𝐬𝐞 𝐝𝐢𝐬𝐭𝐚𝐧𝐜𝐞𝐬?

A/N: It's really special story to me as for first time I put myself into the shoes of the female protagonist. As an acting student it is really important to feel and become that person and respect and appreciate them so that's what l'm gonna do. It's gonna be challenging but worth it to write and I can't wait to see how the story goes but I can assure you that it's going to be a emotional roller coaster and this new story is my way of giving the characters their happy ending or as I say "happy beginning".

I recently watched "Five Feet Apart"... again and it is movie that hits me in my core and make me cry more than Stella as the movie reaches its climax. Also I got inspired by a Hindi song "Yeh Dooriyan" which means "These Distances" I'm a Indian for those who don't know so I understand that depth in the song and two nights ago I got this storyline stuck in my head.

I'm really excited and nervous, l'm doing a lot of research on the disease to make the story as accurate as possible but still if there's a mistake then I'm sorry in advance, I'll try to write as detailed as possible but since l'm not a professional writer go easy on me and at the same time feel free to reach out to make suggestions and recommendations. My DMs are also open forever 💗

On a serious note, I wanna show my respect to all those people who deal with serious diseases like CF and all of other sorts. It's not easy and if you're moving forward everyday with it, YOU ARE BRAVE. And I'm SO PROUD of you guys! I'm always there.

I'll be updating my new story every weekend as college as officially started. So the story isn't just mine anymore, it's ours.

Catch early updates on Wattpad

Prologue (posted on July 23rd, 2024)

Chapter 1 (posted on July 23rd, 2024)

Chapter 2 (26/7) (published on Wattpad)

Chapter 3 (29/7)

Chapter 4 (01/8)

Chapter 5 (04/8)

Chapter 6 (08/8)

Chapter 7 (12/8)

Chapter 8 (15/8)

Chapter 9 (TBD)

[nix-whythisfilm]

Movies and Shows to watch this Women's History Month

Coming from a culture where women are only celebrated selectively, and worshipped as a goddess but also are the majority of victims in the crimes here, I hope we can take back our power and find equality in this world that's meant for us all. From naive young girls to wise older women, from tomboys to prep girls, from emo girls to it girls, from straight girls to lesbian women, from ciswomen to trans women; a very happy women's day, including the identities I might have missed out on.

You are all valid. You are all worth it. You are all powerful. You are all more beautiful than any words can describe. You are more than what you look like. You are more than what other people see you as. You are so much more than any wild imagination. 

Bridgerton (2020)

With a new upcoming season about the fictional Queen from the first two seasons, the series has everyone biding time in anticipation. The series is based on the books written by Julia Quinn, eight books for the eight Bridgerton siblings. The show is said to be adapted a little differently, focussing on different details and following a different narrative. The first season is set like a typical chick flick, with the oldest daughter having regal confidence and feminine finesse with everything expected of her. The second season takes on a bolder tone, showing us the perspective of the older brother, known to be a rake, looking for a gentle wife, only to meet a pair of siblings opposite in their natures, both challenging his opinion of love.

I initially found this series through the buzz on social media and the modern aesthetics it appeals to despite being set in Regent England. The music was what drew me in, being classical adaptations of modern songs, but what kept me was the way women were not shown in any distinctive way but as themselves. The show highlighted the little details people forget are a part of being a woman, such as not being educated on the duties of a marriage or the quiet strength we all possess through our social capabilities and gossiping skills. It was amusingly empowering to watch how the women took power by not doing anything special but only by being a typical women.

Gangubhai Kathiawad (2022)

Based on the story of Gangubhai Harijeevandas, this film involves a girl running away with her lover only to be sold to a brothel and forced to work there. While the story is all too common to an Indian and gives us a chill every time we hear of something similar, this film brings us a side of the story that is often shunned and not accepted. Gangubhai was a prominent figure in Mumbai in the 1960s, fighting for the rights of sex workers and orphans rising from the red light districts. She has been shown to change as her life demands and took charge of the brothel she was sold to and was very well known in Kamathipura.

Chilling and raw, this film gave us the reality of sex workers in a barely romanticized narration. Alia Bhatt's performance is startling, and by the end of the film, we can find ourselves having a different opinion of the women in that profession. They have made it widely clear that she not only promoted their commercial prospects but also highlighted the confidence and sense of power in the women there to give them a choice in their lives. She fought for her life, her freedom, and the freedom of choice for other young girls who found themselves in her place. While many others would say that the film glorified the dangerous space that women and children could be stuck into, I will go ahead and say that things that cannot be erased or changed should at least be provided with the space to adapt as required.

Rookie Historian Goo Hae-ryung (2019)

Set in Joseon, this series is about the historians who worked in the Royal Courts of Korea, noting everything that happened, from simple interactions to actions taken concerning state matters. They were to be present at all places, documenting silently, around the King and the Court Officials. While politics and patriarchy were present nearly everywhere in that era, this show features a fictional prince who presented the idea of having female historians who would record everything that happened around the Queen while also providing challenging work opportunities to women of that era, who were always held back from higher education.

This series is remarkable for anyone interested in Journalism and gender equality. The main character is a modern thinker who goes out of her way to make people have uncomfortable conversations. Another thing that stood out to me from this show was the way they resolved the major conflict using non-violent methods, and the strike of honest intellectuals was justified from their perspectives. The series highlighted the importance of honesty and the way history is recorded. It focuses heavily on dramatic politics and simple romance, but they equally discuss the importance of literature and history, in the process.

Tribhanga (2021)

Another jewel is this list, this film was written and directed by women, with a story involving mothers and daughters. The movie appears to break the fourth wall, where the characters seem to be talking directly to the audience, but as a start, the story begins with a prominent self-made dancer who hears of her mother being in the hospital. The scenes quickly cut to her hurrying there with her newly married daughter to the hospital, where her estranged mother has slipped into a coma. The film continues with Milan, a follower of Nayantara's work, pleading with everyone to talk more about her story as the mother, who was an author, was in the process of writing her autobiography.

The movie was entertaining, to say the least, and a caressing memoir at its best. Through tears and yelling, fights and hardships, the entire story of three generations of women comes to light in the span of this film. It starts with the mother who separated from her family to be a writer and raised her daughter as a single mother, who then grew up through her hardships to become an accomplished dancer and celebrity. Anuradha was a single mother who raised a confident, poised daughter who then chose to marry into a large family to have the life her grandmother had abandoned. The story picks and talks about the nuances of being a woman while feeling like a personal story to every woman who watches it.

Happiness (2021)

An unlikely genre for this list, this series is a horror-thriller show involving a fast-spreading disease that turns humans cannibalistic. Set in South Korea, this disease spreads much like Covid and the authorities take quick action to control the spread. The story mainly focuses on an unusual couple who move into an elite gated community of apartments. With their jobs being a challenge and being discriminated against for their job benefits, the show quickly focuses on the disease and the ripples of fear it has in the community. I put this show here in this list because the character Park Hyungsik plays, who is an unwavering feminist who goes above and beyond for his wife.

With not much buzz about this show, I discovered it in my interest in watching Hyungsik's work and was pleasantly surprised by the way they captured people's reactions to their epidemic. It was accurate with how the Covid pandemic happened and the trauma a disease can bring to any community through its horror elements. While there are numerous female characters in this show, some antagonistic in nature and others part of the complete story, the series can easily be categorized into a work that captures the story through the female gaze. It's a surprise how well the movies and series can be perceived differently when the perception of the director is guided by their gender.

Bell Bottom (2019)

A Kannada film set in the 1980s, the story follows a man struggling to be recognized as a detective and finally finds a crime that seems like a mystery. Rishab Shetty and Haripriya come together to show us a fresh story that scratches the back of our necks until the end. With their romance bringing an easy laugh and dynamics around the small town that keep us engaged, this film is sure to leave the audience thoroughly entertained.

Curious about the actors' work, I found this film a unique slice of entertainment. The cultural details of this story are highlighted excellently, and the feminist factors need to be dug into passionately. But through it all, the film can be called an easy and entertaining watch. Interesting with narratives that audiences are unfamiliar with, this quirky film brings us a unique set of feminists and characters that cannot be put into stereotypes.

Wheel of Time (2021)

Honestly, underrated for the breathtaking show that it is, this series deserves a much bigger audience. Following a prophecy that was foretold and fighting wars that are beyond humanity, this show is filled with beautiful visuals and meaningful narratives. It starts with one woman guiding five others through the trials for the people they are predicted to be and the story takes us through a journey beyond our imagination. With simplified concepts of fantasy and a world of politics, this show is ruled by the many women who control the stories of numerous others in the show.

A show that was exhilarating and left me wanting more, it was led by women in places of power who decided the fate of people with magic. A unique concept of only women having magic, this series brings us a tale that was written decades ago and gives us characters of various cultures coming together to fight against unfamiliar darkness. With every character holding the potential to be a game changer and everyone hustling to be in places of power, this series presents us with an intimidating world, quite similar to the one we are living in right now. And through it all, it also shows us women finding themselves and bonding with other women in ways that are not highlighted in reality nearly enough.

Kahaani 2: Durga Rani Singh (2016)

Raw and magnetic, this film is about a woman who defies odds thrown in her direction that are beyond ordinary. It starts with a haunting accident and leads a police officer to investigate it, only to find a woman he never expected to see with a daughter. With her daughter missing and criminal charges against her that make no sense, this film takes us on a sombre journey of her past and the things she faced. The movie has a grip over us with Vidya Balan playing Durga Rani and Arjun Rampal playing the police officer. This film is a slap of honesty and mostly focuses on the various women involved in this story who might not always be loyal to their gender.

Shocking me beyond imagination when I first watched it, this story managed to grip me even today with the narrative of a terrified woman facing the world by herself while also taking on responsibilities that were not hers to begin with. With dangerous people always around her, Durga Rani manages to do the right thing by herself and everyone who depends on her. This film empowered me on the struggles of being a survivor and ways one can push themselves to be more than their ruinous experience. Rooted in India and navigating the clutches of patriarchy, this film is a wake-up call to the silent bystanders and people who believe ignorance is better.

How to get away with Murder (2014)

Following the story of Annalise Keating prominently, this show is a dynamic punch for any audience. The show focuses on murders every season, involving the diverse characters of the show, who all grow through the six seasons. While the first season starts off with a student's narration, the following seasons involve the lives of the main characters and conclude with a full-circle story of Annalise. An intimidating woman to most, and a terrific teacher and lawyer to the rest, Annalise is a complex character who can be studied through various approaches. This show was unique with the narration having a feminist approach and having main characters that do not belong to the mainstream crowd.

I began this show hesitantly, expecting it to be a slow watch that would take me aeons to finish. Instead, I finished the entire series in three weeks and was left reeling on how they managed to involve a plethora of ordeals the characters experienced. From losing loved ones to doing the right thing, from being a single mother to experiencing health complications, from menopause to the struggles of being a part of countercultures, this show has managed to put it all together. Women in this show have been shown as the people they are, with their faults and quirks. Women from all stereotypes have been a part of this show, and somehow, the show manages to empower us with its dark truths and dangerous struggles.

Pieces of a woman (2020)

A heartbreaking film on the experience of losing a child, this film focuses heavily on the woman who lost her baby after birth due to complications. While movies exist about the loss of a child and the many labours of miscarriages, a film had never been made before about the experience. The directors, a couple who experienced this personally, brought out this script after surviving the struggle that was never spoken aloud about. Vanessa Kirby has played the character so beautifully it leaves us speechless on the woes a human being could go through.

Having found this film through a friend, we later wrote a paper on this and nuances that would be commonly missed out. The film is incredibly insightful on the details of motherhood and the changes a woman's body goes through post-pregnancy. It focuses on the way loss can affect a woman and a man, and how both adapt to it differently. The most important element highlighted throughout is the way a woman is expected to cope after a miscarriage. While we all hear the numerous pressures a woman goes through in her life, this film sheds light on the way a woman is expected to behave a certain way even through uncertain, hopeless times.

Bombay Begums (2021)

Starting with women in powerful positions this mini-series takes us on a ride with the stories of four women at different times of their lives. They belong to different social classes and have different aspirations, but they all are shown to have challenges that only someone would experience as a woman. While some are struggling for power and money, others are grappling to hold on to relationships and personal-social ties. Some women here are stumbling to balance everything as women are always portrayed to be doing, while others are exploring their options and finding themselves in the midst of everything.

I was confounded when I finished this series, only having imagined it to be a dramatic show with a plot carried by women. It had nuances to their struggles that couldn't have been explained in mere words and brought out their personalities in ways a male director could never. The series humanized the women to the people they were while also shedding light on the experiences that women are privy to. I recommend this show to every woman as it has captured something that has never been done before. The dialogues hit home as the story moves in an unpredictable direction leaving us with a sharp sting of reality over 6 episodes.

Easy A (2010)

A very typical American chick flick, this film is light-hearted and packs a powerful message. It starts with Olive, a seemingly normal high school girl, making up one lie about having a college boyfriend to appease a nagging best friend. The story then spins out of control quickly with wild rumours about her spreading all over her school making her a subject of gossip and school scandals. Being the good-hearted girl she is, she helps out anyone she can with the attention that she now commands, and once again the narrative is taken for a spin to paint her as a girl with loose characters and a nympho.

I watched this film years ago on television and thought about how people could miss the entire point of the film and only focus on the romantic ending of her story. Having "Scarlet Letter" as the prescribed text in the film, the students all witness their scandalous woman, when she starts dressing as they painted her in spite and to claim her power. A film aimed at teenage girls, this film can easily be watched by anyone who enjoys humour. We see a perspective that is often missed out in chick flicks and a main character who takes power in the stereotype she is pushed into. All in all, time spent watching this would be well entertaining.

[everything-is-crab]

Two memes-

rules- tag 10 (or less) people you want to get to know better. Thanks for tagging me @robertpattinsonimdb .

I am Indian and more familiar with my own culture so there's stuff here from which you may not get to know me well 😅 but I hope that's okay.

relationship status- Single 😬 but not open yet, just wanna figure myself and my goals out more

favorite color- grass green, black, pastel blue

song stuck in my head- Celebrity Skin by Hole

three favorite foods- 😲😫 no this unfair. I am a huge foodie and I can't choose....but just for the sake of doing it- pani puri, mysore masala dosa and warm chocolate chip cookies :)

Last song I listened to- Kabhi Kabhi Aditi 💜💜 I love this song sm it's one of my favorites and I listen to it whenever I feel down.

Dream trip - Idk I really don't have one but I have been to Dubai and it was a beautiful place and definitely would take the chance to go back again.

Last thing I Googled- "Who is the spot spiderman?" (After watching the second trailer)

Rules- Post 10 of your favorite movies and then tag 10 different people to share theirs. Tagged by same user.

Bollywood-

3 idiots (2009)

Drishyam (2015)

Sholay (1975, sorry but this will never get old)

Pink (2016)

Hollywood-

Joker (2019)

It (2017)

Predator 2 (1990)

The Matrix (1999)

Jurassic Park (1993)

South Korean-

Train to Busan (2016)

Tagging @r-ish-i @mottamadhan @lilithian-labyrinth @iamadamdemigod @chopnuts @infelizjueves @brand-new-uterus @bloomfish @menalez @ve6a and anyone who wants to participate. And if you're tagged no pressure to post if you don't want to 😊💜

[imhvm]

Real-Life Royalty - Disney Princesses in Live-Action Spectacle

By Harshita Verma

★ ★ ★ ★ ★

Every girl fantasises about meeting her beloved Disney princess in person, but is it ever the case that your favourite princess actually differs from your actual image of her? In this following article, I will compare the live-action films of two of my all time favourite characters - Cinderella and Jasmine.

Casting and Authenticity

Aladdin (2019) starred Naomi Scott as Jasmine, Mena Massoud as Aladdin. Naomi Scott, who is of British and Indian origin, gave the character of Jasmine a broad and cosmopolitan flavour. Furthermore, she resembled the cartoon character in appearance, just like Mena Massoud and his athletic ability aided the action sequences. This was well received by spectators, who saw it as a positive step towards more diverse casting in Hollywood. The casting of Will Smith as the genie, however, sparked great debate, following Robin Williams' renowned performance in the cartoon version.

The movie, overall, gathered a favorable reception from viewers and critics.

Cinderella (2021) casted Camila Cabello as Cinderella and Nicholas Galitzine as Prince charming. The reviews were mixed, but mostly leaning on the negative side. Camila Cabello is a Cuban woman, contrary to the original Cinderella, who was Caucasian. People immediately compared Cabello's casting to past Cinderella actors, such as Lily James in Disney's 2015 live-action remake. Some debates centred on how Cabello's portrayal differed from earlier interpretations. Additionally, Camila Cabello is a singer by profession, lacking some of the crucial skills an actor must posses.

Overall, the movie received mixed responses, as some people did not like the alteration of plot.

Plot and script 

Aladdin sticks to the original storyline of the film. However, In order to further explore and provide depth to the characters and their motivations, the movie incorporates new songs.

A famous dialogue, recited by Jasmine, "How dare you. All of you. Standing around deciding my future. I am not a prize to be won," is kept unchanged, which brought the animated movie to my mind; It felt as if I was present in the scene.

On the contrary, due to Camila Cabello's personal perception of the movie and the message she wants to convey to young girls, the live-action "Cinderella" differs significantly from the animation version of the classic tale. The main alterations included Cinderella's appearance, her behaviour towards her family, and her fashion style. While a few phrases were modified, the well-known "Bibbidi-Bobbidi-Boo" remained unaltered. I liked the message the movie gave and how the changed scenes made it unpredictable and not repetitive, but the overall modernization of my favorites princess movie did not sit right with me.

Music and quality

Most of the tunes from the animated movie, such as "A Whole New World," "Friend Like Me," and "Prince Ali" are still present in "Aladdin". Fans are familiar with these tunes, providing them with nostalgia.

A few new songs are included in the live-action adaption, notably "Speechless," which Princess Jasmine sings. This song develops Jasmine's persona and explores her desire for autonomy and an identity.

In contrast to the traditional Disney melodies, "Cinderella" features modern pop songs. Some of the songs on the soundtrack are "Million to One" and "Dream Girl."

The directors' intentions for the adaptations and the tone they want to express have an impact on the music choices in both movies.

Conclusion

To sum up, I would prefer it if Princess Tales kept to the original storyline and used actors that fit the roles. With that said, I think "Aladdin" is better than "Cinderella" because I feel more at ease with the characters' original conceptions than I do with a modernised rendition. The only alterations I like would be the songs featured in the movie, as it does not take away the essence of the plot line. Which one would you prefer?

[brookston]

Holidays 6.5

Holidays

Apple II Day

Arbor Day (New Zealand)

Atlantis Day

Barricade Day

Blackberry Prophecy Day (If it rains today, it means the blackberries will be small and full of seeds)

Breonna Taylor Day

Elderberry Day (French Republic)

Family Yahtzee Day

Father's Day (Denmark)

Ferris Bueller’s Day Off Day

Festival of Popular Delusions

Flag Day (Turkey)

Global Jewish Unity Day

Grundlovsdag (Constitution Day; Denmark, Faroe Islands)

HIV Long-Term Survivors Awareness Day

Hot Air Balloon Day

Indian Arrival Day (Suriname)

International Day for the Fight Against Illegal, Unreported and Unregulated Fishing

Khordad Movement Day (Iran)

The King’s Birthday (New Zealand, Niue)

Liberation Day (Seychelles)

National Attitude Day

National Cancer Survivors Day

National Coworking Day (UK)

National Janet Day

National Jenny Day

National Joyce Day

National Lincoln Loud Day

National Report Stark Violations Day

National Shut Up Day

National Unity Day (Hungary)

National Women Chiropractors Day

One Plastic Free Day

Pansexual Day

President’s Day (Equatorial Guinea)

Reclamation Day (Azerbaijan)

605 Day

Walt Powell Memorial Day

Wiltshire Day (UK)

World Campaign for the Biosphere Day

World Day Against Speciesism

World Environment Day (UN)

Food & Drink Celebrations

Gingerbread Day

National Gingerbread Cookie Day

National Ketchup Day

National Love Island Day (UK) [1st Monday]

National Veggie Burger Day

Sausage Roll Day

1st Monday in June

Crop Over begins (Barbados) [1st Monday Until 1st Monday in August]

Jefferson Davis Day [1st Monday] (Alabama)

Meitheamh begins (Ireland) [1st Monday]

National Thank God It’s Monday Day [1st Monday; also 1st Monday in January]

Western Australia Day [1st Monday]

World Orthoptic Day [1st Monday]

Independence Days

Constitution Day (Denmark)

Feast Days

André Lhote (Artology)

The Bicycle and Helmet (Muppetism)

Boniface (Roman Catholic Church; Saint) [brewers, German brewers, innkeepers] *

St. Boniface (Positivist; Saint)

Dorotheus the Theban (Christian; Saint)

Dorotheus of Tyre (Christian; Saint)

Doughnut Day (Pastafarian)

Festival for Hercules Custos (Ancient Rome)

Genesius, Count of Clermont (Christian; Saint)

Illidius, Bishop of Auvergne (Christian; Saint)

Media Ver V (Pagan)

Meinwerk (Christian; Blessed)

Nones of June (Ancient Rome)

Whit Monday [50 days after Orthodox Easter] (Orthodox Christian) a.k.a. ... 

Doua Zi de Rusalii (România)

Holy Spirit Monday

Kataklysmos (Cyprus)

Monday of the Holy Spirit

Pentecost Monday

Valeria (Christian; Saint)

Wild Man Fletcher Day (Church of the SubGenius; Saint)

Lucky & Unlucky Days

Lucky Day (Philippines) [33 of 71]

Tomobiki (友引 Japan) [Good luck all day, except at noon.]

Unfortunate Day (Pagan) [31 of 57]

Premieres

Arctic Antics (Disney Cartoon; 1930)

Away We Go (Film; 2009)

Be-Bop-a-Lula, by Gene Vincent (Song; 1956)

The Comeback (TV Series; 2005)

Come Blow Your Horn (Film; 1963)

For the Birds (Pixar Cartoon; 2000)

The Hangover (Film; 2009)

Harry and the Hendersons (Film; 1987)

Little Boy Boo (WB LT Cartoon; 1954)

Lovestoned, by Justin Timberlake (Song; 2007)

Lush Life, by Zara Larsson (Song; 2015)

Memory Almost Full, by Paul McCartney (Album; 2007)

Mulan (Animated Disney Film; 1998)

Patriot Games (Film; 1992)

Peter Grimes, by Benjamin Britten (Opera; 1945)

Pleading Guilty, by Scott Turow (Novel; 1993)

Rachel, Jack and Ashley Too (Black Mirror TV Episode; 2019)

Rififi (Film; 1956)

Rock of Ages (Film; 2012)

The Sea Wolves (Film; 1981)

Sixkill, by Robert B. Parker (Novel; 2011)

Spy (Film; 2015)

The Truman Show (film; 1998)

Uncle Tom’s Bungalow (WB MM Cartoon; 1937)

Uncle Tom’s Cabin (Novel; 1852)

The Untouchables (Film; 1987)

What's New Pussycat?, by Tom Jones (Song; 1965)

Yankee Doodle Dandy (Film; 1942)

You’ve Got a Friend, by James Taylor (Song; 1971)

Today’s Name Days

Erika, Winfried (Austria)

Bonifacije, Bono, Darinka, Valerija (Croatia)

Dobroslav (Czech Republic)

Bonifacius (Denmark)

Vilimo, Viljar, Viljer, Viljo, Vilju (Estonia)

Sulevi (Finland)

Igor (France)

Bonifatius, Erika, Winifried (Germany)

Apollon, Dorotheos, Kinthia, Nikandros, Ploutarhos, Selene (Greece)

Fatime (Hungary)

Bonifacio, Ferdinando, Igor, Irene (Italy)

Igors, Ingvars, Margods, Margots (Latvia)

Kantautas, Kantvydė, Marcė (Lithuania)

Torben, Torbjørg, Torbjørn (Norway)

Bończa, Bonifacy, Dobrociech, Dobromir, Dobrymir, Nikanor, Waleria, Walter (Poland)

Dorotei (România)

Laura (Slovakia)

Bonifacio (Spain)

Bo (Sweden)

Dora, Dorothea, Dorothy, Ihor (Ukraine)

Boniface, Sancho, Santino, Santos (USA)

Today is Also…

Day of Year: Day 156 of 2024; 209 days remaining in the year

ISO: Day 1 of week 23 of 2023

Celtic Tree Calendar: Huath (Hawthorn) [Day 22 of 28]

Chinese: Month 4 (Ding-Si), Day 18 (Jia-Wu)

Chinese Year of the: Rabbit 4721 (until February 10, 2024)

Hebrew: 16 Sivan 5783

Islamic: 16 Dhu al-Qada 1444

J Cal: 6 Sol; Sixday [6 of 30]

Julian: 23 May 2023

Moon: 97%: Waning Gibbous

Positivist: 16 St. Paul (6th Month) [St. Boniface]

Runic Half Month: Odal (Home, Possession) [Day 11 of 15]

Season: Spring (Day 77 of 90)

Zodiac: Gemini (Day 15 of 32)

[brettyimages]

January Record Review below

Elastica - Elastica - 10 Of course it's a 10. If I loved it less I could talk about it more. Highs: Vaseline is my favourite but so is 3/4s of the album. Lows: It's all great but these ones are less great than the others: S.O.F.T and Never Here (the long ones), Blue, and Indian Song (the only one I can't play on guitar/bass)

Summer 2019 mixtape - 10 I made this to listen to on my little Walkman at work and it's full of bangers. Side 1 is upbeat and mostly Britpop and late 80s alt, and Side 2 is all dreampop and hazy ballads. It's a masterpiece, honestly, and the fact I am still saying it's a 10 in 2023 says something about my tastes not changing, I suppose. Highs: I included a few of my favourite Suede tracks: Introducing The Band to start, Lazy on side 1, and The Living Dead and The Asphalt World (although it cuts off mid-solo) to finish. Also Fade Into You and Nothing's Gonna Hurt You Baby are back to back on the dreampop side. Lows: I went with Spastica by Elastica which is by no means bad but I should have cut off Justin's silly intro bit.

New Order - (the best of) NewOrder - 9 I love New Order as a singles band and I listened to this a lot this time last year. Everything here is great, even perfect, to me. Highs: I cannot stress enough how much I love Blue Monday (the 1988 mix appears here) Lows: Ruined In A Day doesn't match up to the others

The Smiths - Hatful of Hollow - 9 This was donated to the charity shop I worked in, the 10" double vinyl pressing, with white-tack stuck in the grooves. I've rehabilitated it and now it's one of my favourites. Highs: 10/16 of these songs are perfect pop records: William It Was Really Nothing, What Difference Does It Make?, This Charming Man, How Soon Is Now?, Still Ill, Heaven Knows I'm Miserable Now, Hand In Glove, Girl Afraid, Reel Around The Fountain and Please Please Please Let Me Get What I Want Lows: the slower ones were less engaging: This Night Has Opened My Eyes, You've Got Everything Now and Back To The Old House

Suede - Bloodsports - 9 This is an album of two halves and I find the last four tracks a bit slow compared to the first six but it has two of my favourite Suede songs on so still, 9/10 thanks for coming back babies Highlights: Barriers is one of my favourite post-reunion songs that they never play (🙁) and For The Strangers makes me feel invincible Lowlights: the last four songs slow things waaay down and I don't love Snowblind either but I think they're all still great songs

Nancy Sinatra & Lee Hazelwood - Nancy & Lee - 8 I love this album, it's magical to me. It was top of my wishlist and then one day I went down into the basement of the charity shop I worked at and there it was, an original vinyl copy donated and left on a stool. She's so special 💖 Highs: both Summer Wine and Some Velvet Morning are among my all-time fave songs, they're cult classics I know but they deserve it. Honorable mention to Jackson too. Lows: there's nothing bad on here but my least faves are You've Lost That Lovin' Feelin', Elusive Dreams, Storybook Children and I've Been Down So Long (It Looks Like Up To Me).

Depeche Mode - Music For The Masses - 8 I love Depeche Mode and this is from their great period, but my CD is a thrifted 80s pressing where they tacked on some b-sides and remixes which lets down the overall quality. Highs: almost the entirety of the standard album - I think Never Let Me Down Again, The Things You Said, Strangelove, Sacred, Behind The Wheel, I Want You Now and Nothing are all perfect records Lows: Agent Orange and the To Have And To Hold Spanish Taster are not worthy of being here

7"s 2486 - 2490 - 8 All Depeche Mode singles, acquired via eBay in the era when I was deep in my DM obsession. 2486. Everything Counts (Live) 2487. Personal Jesus 2488. World In My Eyes 2489. I Feel You 2490. John The Revelator/Lilian remix picture disc Highs: Personal Jesus, World In My Eyes, I Feel You and One Caress all perfect songs. Lows: John The Revelator (UNKLE Dub) - the remix does nothing for me and bears no resemblance to the album track, which I do like

Good Charlotte - The Young & The Hopeless - 8 This album was essential for me growing up, they were the first 'proper' rock band I got into as a 10 year old and my brother and I played this album constantly. Highs: Lifestyles of the Rich and Famous, Wondering, The Story of My Old Man, My Bloody Valentine, Riot Girl Lows: Hold On and Emotionless (the ballads) and the intro, good but not as great as the rest

Suede - The Blue Hour - 8 The album that hooked me in as a Suedegirl and I've rated it based on the average rating of the individual songs, which is why it's only an 8. It should probably be a 9 because it's one of those that needs to be looked at as a whole piece rather than a collection of songs, sorry I have been so unfair to you TBH I love you. Highlights: Tides!!!! I love her! Especially live, the build-up of that song is incredible. Lows: There are none, really - I considered ranking Dead Bird lower but then Brett's grunt as he shovels dirt got me.

Lily Allen - Alright, Still... - 7 I got this in the supermarket when it came out and I listened to it quite a lot despite being a certified emo girl. It's still really good. Highs: Smile, Knock Em Out, LDN and Friday Night are my faves. Lows: none, the rest are all good songs!

Elvis Presley - Elvis' Golden Records - 7 Elvis is obviously an icon with loads of great records. This is a repress of an old compilation that my dad had in his collection, with early hits. Highlights: Hound Dog and Jailhouse Rock, naturally Lowlights: the ballads, there's 5 on here

#148 - January 2015 pt. 2 - 7 First off can I just say I don't know how some of these songs managed to be relegated to pt. 2 of my monthly mix CD series because some of my favourite songs of all time are on here!!! Pt 1 is probably what I was listening to a lot at the time but didn't make a lasting impression. Highs: Animal Nitrate is on here!!! And so is Angels of Porn by Nicole Dollanganger which is also a perfect record. But the absolute number one, possibly my favourite song ever which I didn't appreciate at the time, Menswear by the 1975. Lows: the set opens with Nightcrawler by Kids In Glass Houses who I was listening to a lot at this time but it's not one of their hits.

Elastica - Weekend Swingers - 6 This was the first Elastica bootleg I bought on eBay and it's a good one, with a full 1994 festival set, 2 Peel Sessions and a couple of demos on the end. Rarely is a live version ever as good as the album though and bless Justine but her stage banter is always cringe. Highs: the demo of Vaseline is great and also the live version of Hold Me Now that they play here is also important - the guitars are played at double speed and there's an Ants-esque Burundi beat to the drums which I wish they'd kept for the album! Lows: there's none - it's a good set.

Elastica - Glastonbury Festival 25 June 1995 - 6 Another eBay bootleg, this time of their Glasto set. Again, it's all good but nothing special. Highs: Stutter Lows: n/a

#116 - 6 A mix CD that's largely devoid of theme; just me backing up songs I had downloaded that I didn't have any other place for. Highs: Ghost Town by The Specials is the highlight of any mix CD, I think Lows: Sonic Boom Six's cover of Addicted To Bass. I love the original and this version doesn't add anything so I don't need it.

7"s 2581-2585 - 6 I bought these as part of a box of about 50 cheap singles from Discogs where I was just racking up a cart of everything I might like to reach the free shipping amount. Some of the choices are unhinged. 2581 - Piero Umiliani - Mah-Na Mah-Na 2582 - The Fun Boy Three - The Telephone Always Rings 2583 - Lene Lovich - Say When 2584 - Shaggy - Oh Carolina 2585 - The Supremes - Baby Love Highs: Baby Love is a perfect record, of course, but I also have a soft spot for Mah-Na Mah-Na purely for the chaos factor. Lows: none, actually - I expected to say goodbye to Lene Lovich but I warmed to the song. Same with FB3 but the b-side is cool.

#145 - November '14 - 6 This was a month of very mixed vibes, fuelled by The Blackout's Wolves EP tour - a mix of pop, nu metal and a lot of Die Antwoord. Highs: two Die Antwoord songs that I will still listen to - Rich Bitch and Orinoco Ninja Flow - plus Break Stuff by Limp Bizkit, Twisted Transistor by Korn, and Blank Space by Taylor Swift Lows: Limp Bizkit's cover of Faith is bad.

#102 - 6 This is another mix CD that's just me backing stuff up so not very well put together although it includes some EPs and punk themes I suppose. Highs: The entire Dear Boy EP - 5 perfect songs that make me feel like I'm home. Also R U Mine? and Road Runner. Lows: Angel With A Shotgun by The Cab sounds engineered for the credits of some YA action movie and I think people used to put it in their fandom playlists on here a lot so it just sounds like really annoying Tumblr to me.

The Housemartins - London 0, Hull 4 - 5 This is another that I feel I might have been unfair to because I quite liked it, it's just that the songs are all kind of the same. There's 2 vibes - the jangly indie tunes and the ballads that are grasping at soulfulness. All of the former are good, all of the latter are not for me. Highs: Happy Hour was a hit single for a reason Lows: Flag Day is the ballad that drones on the longest, they're trying to be ambitious but I didn't like it.

Hyro Da Hero - Birth, School, Work, Death - 5 I saw Hyro a few times when he was promoting this album because of his feature on The Blackout's record and his subsequent support slot on their tour. I was really into it at the time but it doesn't do anything for me now. I didn't actually buy it at the time (I ripped it to iTunes from a friend's CD) but I found it in an Oxfam music shop years later. It's going back into the charity shop circuit now though. Highlights: Grudge, Ghetto Ambiance, Section 8 and Beam Me Up Scotty are my keepers Lowlights: The World's Stage was my least favourite - I find his misogyny really gross.

Mix CD #8 - 5 I think this dates to about 2007, maybe even 2006, when I would download anything and everything that was popular on PureVolume or Kerrang TV. The 20 tracks are split between decent rock songs and average ones. Highlights: By The Way by Red Hot Chili Peppers and In Too Deep by Sum 41 - both music TV staples Lowlight: Sinking Ships by Only Innocent Die, which would have been OK as a normal length song but it was 7 and a half minutes long and I got very bored waiting for it to end.

Propaganda - A Secret Wish - 4 I bought this at one of those charity shops in the Central Belt where CDs are 10p each, on the basis of them being on ZTT. I didn't enjoy it though, unfortunately, and I've not kept it in my collection. Highs: Duel was the only song I liked Lows: none of the rest was *bad*, just dull

From First To Last -Heroine - 4 I loved the first FFTL album so I was excited that this one came out as I was getting into them, but I never really gelled with it in 2006 and I still don't, sadly. Highs: The Latest Plague is the only song that does it for me. Lows: the rest is average quality.

Pixies - Come On Pilgrim - 4 I inherited this from a family member who emigrated so I don't feel like I can get rid of it even though I didn't enjoy it much. It doesn't have any of the well-known Pixies songs on it, or even anything that feels like it could have been a single. Highs: The Holiday Song and I've Been Tired Lows: everything else was a bit boring.

Top of the Pops 2000 - Vol. 2 [disc 2] - 4 This was so much worse than I remembered! It's mostly UK garage and really dull house music with a bit of mainstream rock on the end. The pop music on disc 1 may save this from donation. Highs: All The Small Things by Blink-182 is the sole attempt at greatness Lows: I was really unimpressed by the opener - A New Beginning (Love II Infinity Mix) by Stephen Gately. I don't understand why they would put remixes on a pop hits compilation when the remix wasn't the hit version (there's a remix of The Bad Touch on here too). I also didn't like Masterblaster 2000 by DJ Luck & MC Neat, but the worst thing on here was Who Feels Love? which is Oasis having a go at psychedelic Beatles and it's fucking dogshit.

[musicverse11]

Behind the Scenes: The Making of Stebin Ben's Music Videos

The world of music is filled with artists who carve their unique paths to stardom, and Stebin Ben is a shining example. With his soulful voice and a knack for connecting emotionally through his songs, he has emerged as one of India’s most cherished singers. His journey from a budding cover artist to a celebrated playback singer is nothing short of inspirational. Through talent, hard work, and strategic choices, Stebin has become a household name in the music industry. This article delves into his remarkable journey, exploring the key milestones and challenges he faced along the way.

Early Life and Passion for Music

Born on March 9, 1993, in the culturally rich city of Bhopal, Madhya Pradesh, Stebin Ben exhibited a passion for music from a young age. Growing up in a supportive environment, he was exposed to various forms of art and music. His early days were spent honing his vocal skills, experimenting with melodies, and developing a unique style that would later become his trademark.

Stebin’s initial foray into music was driven by sheer curiosity and love for the art form. Like many aspiring singers, he found his starting point in covering popular songs. These covers allowed him to explore his vocal range and gain confidence while sharing his work on platforms like YouTube and SoundCloud. His covers quickly resonated with audiences, garnering attention for their emotional depth and the personal touch he infused into each rendition.

The Rise to Popularity

Stebin Ben’s journey to fame was not an overnight success. It was a gradual process of building a fan base, improving his craft, and seizing the right opportunities. His big break came when his cover of the evergreen classic “Ye Jo Halka Halka Suroor Hai” gained significant traction on YouTube, amassing millions of views. This success set the stage for his transition into mainstream music.

In 2017, Stebin ventured into playback singing with contributions to web series like Class of 2017 and Kaisi Yeh Yaariaan. These opportunities marked a shift in his career, showcasing his ability to adapt his voice to different genres and contexts. By 2019, he made his Bollywood debut with the song “Humein Bharat Kehte Hain” from the film Hotel Mumbai, a milestone that validated his potential as a playback singer.

Breakthrough Hits and Chartbusters

What truly set Stebin Ben apart was his ability to produce chart-topping singles. Songs like “Rula Ke Gaya Ishq,” “Mera Mehboob,” and “Thoda Thoda Pyaar” struck a chord with audiences across the country. These tracks showcased his versatility and his gift for conveying deep emotions through music.

Each song brought with it a unique flavor. For instance:

“Rula Ke Gaya Ishq”: A heart-wrenching tale of love and loss, it became an anthem for those nursing broken hearts.

“Mera Mehboob”: A romantic ballad that captivated listeners with its soulful melody.

“Thoda Thoda Pyaar”: A light-hearted track that dominated social media trends and playlists alike.

His collaboration with prominent composers and lyricists further cemented his position in the industry. By 2023, he had become a go-to artist for romantic and emotional tracks, consistently delivering hits that resonated with audiences across age groups.

Challenges and Lessons

Despite his successes, Stebin Ben’s journey was not without challenges. Breaking into the highly competitive Indian music industry required perseverance and resilience. As a relatively new artist, he faced the dual challenge of establishing his brand while also ensuring that his music stood out in a crowded market.

However, Stebin turned these challenges into opportunities. He embraced social media as a tool to connect with fans and promote his work, creating a loyal community that eagerly awaited his releases. His ability to adapt to changing trends while staying true to his musical identity became one of his greatest strengths.

Strategies for Success

Several factors have played a pivotal role in Stebin Ben’s rise to fame:

Consistency: By regularly releasing covers and original tracks, Stebin maintained a steady presence in the music industry.

Collaborations: Partnering with renowned composers and actors enhanced his visibility and broadened his appeal.

Social Media Engagement: Platforms like Instagram and YouTube allowed him to interact directly with fans, fostering a sense of community.

Emotional Connectivity: His ability to convey raw emotions through his voice ensured that his songs resonated deeply with listeners.

These strategies not only helped him build a successful career but also inspired countless aspiring musicians.

Stebin Ben’s Global Reach

In addition to his popularity in India, Stebin’s music has gained recognition among international audiences, particularly within the Indian diaspora. His soulful melodies and universal themes of love and heartbreak transcend language and cultural barriers, making his music accessible to a wider audience. This global appeal has opened doors to collaborations and performances on an international stage, further expanding his reach.

Conclusion

Stebin Ben journey from a passionate cover artist to a chart-topping sensation is a testament to the power of hard work, talent, and determination. His story serves as an inspiration for aspiring artists, proving that success is achievable with the right blend of passion and persistence. As he continues to evolve as an artist, Stebin remains a beacon of hope for those looking to make their mark in the music industry.

Are you a fan of Stebin Ben’s music? Dive into his discography and experience the magic firsthand. Follow his official YouTube channel and social media accounts to stay updated on his latest releases. Let Stebin Ben’s journey inspire your own path to success!

[my-music-1460]

Zahrah S Khan: Bridging Cultures Through Music

Zahrah S Khan, the multifaceted artist who has made waves in both Bollywood and the music industry, is a name that resonates with talent, versatility, and resilience. Known for her melodious voice and captivating performances, Zahrah has carved a unique niche for herself. Her journey from being an actress to becoming a celebrated singer is a testament to her determination and artistic legacy. In this article, we will delve into the life, challenges, and achievements of Zahrah S Khan, showcasing how she emerged as a star in her own right.

Early Life and Background

Born on January 1, 1992, in London, Zahrah S Khan comes from an illustrious family deeply rooted in the arts. She is the daughter of the legendary Salma Agha, an iconic singer and actress, and Rehmat Khan, a squash player. With a lineage that boasts cultural and artistic brilliance, Zahrah was naturally inclined toward performing arts from a young age. Her upbringing exposed her to diverse forms of expression, providing the foundation for her multifaceted career.

The Acting Debut That Launched Her Career

Zahrah made her acting debut in 2013 with the Bollywood film Aurangzeb, produced under the prestigious Yash Raj Films banner. She portrayed the character Ritu, earning praise for her natural performance and screen presence. While the film received mixed reviews, Zahrah’s potential as an actress shone through, setting the stage for her future endeavors in the entertainment industry.

The Transition: Discovering Her Passion for Music

Though acting provided her with a platform, Zahrah’s true passion lay in music. Coming from a family with a strong musical heritage, Zahrah felt a deep connection to this art form. In 2019, she officially stepped into the music industry with her debut single “Khud Se Zyada,” a soulful track that highlighted her vocal prowess and emotional depth. The song was well-received, marking her transition from acting to singing and establishing her as a promising new voice in the industry.

Key Milestones in Zahrah S Khan’s Musical Career

Zahrah S Khan’s journey in music has been marked by several milestones that demonstrate her growth as an artist:

“Kya Karte The Saajna”: Zahrah’s Bollywood playback debut came with this emotional track from Shubh Mangal Zyada Saavdhan (2020). Her heartfelt rendition added depth to the movie’s narrative.9089

“Kusu Kusu”: Released in 2021 as part of Satyameva Jayate 2, this song became a viral hit. Zahrah’s dynamic vocals brought the peppy number to life, earning widespread acclaim.

“The Punjaabban Song”: A highlight of her career, this track from the film Jugjugg Jeeyo showcased her ability to energize listeners with her powerful and engaging singing style.

Musical Style and Influence

Zahrah S Khan’s music is a blend of modern pop influences and traditional Indian melodies. Her ability to convey deep emotions through her singing has made her stand out in a competitive industry. Drawing inspiration from her mother, Salma Agha, and iconic artists worldwide, Zahrah has crafted a style that is uniquely her own. Her versatility allows her to explore a wide range of genres, appealing to diverse audiences and expanding her creative horizons.

Challenges Faced and Overcoming Them

Breaking into the music industry is never easy, especially when carrying the weight of a famous family name. Zahrah faced the dual challenge of living up to the expectations set by her mother’s legacy and carving out her unique identity. However, her relentless pursuit of excellence, coupled with her passion for music, helped her overcome these hurdles. Today, she is celebrated not just as Salma Agha’s daughter but as a talented artist in her own right.

Future Aspirations

Zahrah S Khan shows no signs of slowing down. She has expressed her desire to experiment with various musical genres, collaborate with international artists, and explore innovative ways to connect with her fans. Her journey is one of constant evolution, promising exciting new projects that will further cement her status as a versatile artist.

Conclusion

Zahrah S Khan’s remarkable journey from a Bollywood actress to a celebrated singer underscores her dedication to her craft and her ability to adapt and excel in diverse artistic fields. As she continues to captivate audiences with her music, Zahrah S Khan serves as an inspiration to aspiring artists, proving that with determination and passion, success is within reach. Whether through her soulful tracks or energetic numbers, Zahrah has undoubtedly left an indelible mark on the music industry.

[desicinema2]

"The Global Rise of DesiCinema: How Indian Films are Conquering the World"

Indian cinema, also known as DesiCinema, has long been a force to reckon with, captivating millions of viewers both in India and abroad. In recent years, however, DesiCinema has exploded onto the global stage, earning accolades and achieving unprecedented success in international markets. From awards at prestigious film festivals to record-breaking box office numbers worldwide, the influence of Indian cinema has reached new heights. But what is behind this growing global recognition, and why are international audiences flocking to desicinema in droves?

A New Era of Global Storytelling

DesiCinema has historically been known for its larger-than-life spectacle, songs, and dances, but the new wave of Indian filmmakers is pushing the boundaries of storytelling. Directors are increasingly creating content that resonates not only with Indian audiences but also with global viewers. The success of films like Gully Boy (2019), which was inspired by the Indian rap scene, and RRR (2022), which broke records worldwide, signals a shift in Indian cinema's approach to narrative, style, and themes.

These films tackle universal themes—such as self-expression, rebellion, and friendship—that resonate across cultural boundaries. RRR’s success, in particular, is a testament to the power of DesiCinema to appeal to global audiences. The film's combination of jaw-dropping action, compelling storytelling, and emotional depth earned it widespread praise, not only in India but across the world, culminating in a win for Best Original Song at the 2023 Academy Awards.

Social Media & Streaming Platforms: Catalysts of Change

The rise of streaming platforms like Netflix, Amazon Prime, and Disney+ Hotstar has played a crucial role in making DesiCinema accessible to international audiences. These platforms offer a convenient way for non-Indian viewers to explore Indian cinema, often with subtitles in multiple languages. This accessibility has democratized Indian films and allowed viewers from all corners of the world to explore the diverse narratives of DesiCinema.

Films like The Lunchbox (2013) and Dangal (2016) have garnered massive global audiences through these platforms, showcasing India's rich culture and unique storytelling style. The availability of regional films from industries like Tamil, Telugu, Malayalam, and Bengali on international streaming services has opened up a whole new world of cinema that was previously inaccessible to non-Indian viewers.

Moreover, social media has played a pivotal role in spreading the word about DesiCinema. Hashtags like #Bollywood, #Tollywood, and #RRR have trended on Twitter, Instagram, and TikTok, creating viral moments and attracting global attention. The use of social media platforms to engage with fans directly has allowed Indian filmmakers to cultivate a global fanbase that is enthusiastic and vocal about their work.

The Appeal of DesiCinema: A Fusion of Tradition and Innovation

So why are global audiences falling in love with DesiCinema? One of the key reasons is its ability to blend traditional cultural elements with modern cinematic techniques. Indian films are renowned for their rich music, vibrant dance sequences, and colorful visuals, but they also tackle complex and relatable issues. Whether it’s the human struggles depicted in Barfi! (2012), the socio-political commentary in Article 15 (2019), or the celebration of identity in Dil Dhadakne Do (2015), DesiCinema finds a way to connect deeply with audiences.

Furthermore, Indian cinema’s unique form of storytelling—whether it’s through fantasy, action, drama, or romance—offers something distinct from Hollywood and other global film industries. Desi films have a way of immersing viewers in their worlds, blending emotion, spectacle, and culture in a way that feels fresh and exciting.

International Film Festivals and Recognition

The international recognition of DesiCinema has been marked by an increasing presence at prestigious film festivals around the world. Films like The Lunchbox, Court (2014), Masaan (2015), and Gully Boy have all made waves at major festivals such as Cannes, Toronto, and Berlin. Additionally, Indian filmmakers like Satyajit Ray, Anurag Kashyap, and Zoya Akhtar have earned critical acclaim for their work, helping put desicinemas on the global map.

This visibility has helped Indian cinema break through traditional cultural and language barriers, making it a respected part of the global film landscape. The Indian diaspora, which spans continents, has been instrumental in spreading the love for DesiCinema, but the appeal is no longer limited to them. Non-Indians are now discovering the joy of watching Indian films, and their global success is evidence of the growing influence of DesiCinema worldwide.

Conclusion: A Cinematic Revolution

DesiCinema is in the midst of a revolution. From the groundbreaking work of contemporary filmmakers to the global embrace of Indian stories, the future of Indian cinema is brighter than ever. As Indian filmmakers continue to experiment with new forms of storytelling and embrace global sensibilities, DesiCinema is poised to captivate audiences worldwide for years to come.

In a world where cinema is becoming increasingly globalized

[musicindustry123]

Regional Music Availability on JioSaavn vs Spotify: Which Has More?

India's diverse musical heritage and language variety make regional music an essential aspect of music streaming services. For many users, the choice of a streaming platform often hinges on its ability to offer a vast selection of regional songs, from Tamil and Telugu hits to Punjabi beats and Marathi folk music. JioSaavn and Spotify, two leading streaming platforms in India, recognize the importance of regional music in appealing to a broader audience, but they each bring different strengths to the table. This article dives into the "JioSaavn vs Spotify" debate, focusing specifically on which platform best caters to India’s regional music audience and helps listeners connect with local artists and songs.

1. Regional Music Catalog: JioSaavn’s Focus vs. Spotify’s Expansion

JioSaavn has established itself as a regional music powerhouse. As a homegrown streaming platform with deep roots in the Indian music industry, JioSaavn has formed partnerships with multiple regional labels and artists, creating an extensive library of songs in various Indian languages. Its catalog covers a range of languages, including Hindi, Tamil, Telugu, Punjabi, Kannada, Bengali, Gujarati, Marathi, Malayalam, and Bhojpuri, catering to listeners across India.

Spotify entered the Indian market in 2019 and initially focused on international and Bollywood content. However, in recent years, Spotify has recognized the value of regional music in India and has made significant investments in expanding its catalog to include regional tracks. Today, it offers a diverse library with songs in languages such as Hindi, Punjabi, Tamil, and Telugu, though it still lacks some of the depth in regional music that JioSaavn provides.

2. Curation of Regional Playlists

Both platforms understand that playlists are powerful tools for music discovery, and they have developed various curated playlists to enhance the user experience. JioSaavn has an extensive selection of regional playlists, many of which are updated regularly to reflect the latest hits. It provides genre-based playlists within each language category, such as Tamil Love Songs, Punjabi Beats, Telugu Blockbusters, and Bengali Classics, ensuring that users can easily find music that suits their mood and preferences.

Spotify has also increased its focus on regional playlists in recent years, but it takes a different approach to curation. Spotify’s playlists like “Desi Hits,” “Top Hits Tamil,” and “Punjabi 101” combine both mainstream Bollywood hits and regional tracks, making it easy for listeners to discover songs in multiple languages without having to search by language alone. Additionally, Spotify’s personalized playlists, such as “Daily Mix” and “Discover Weekly,” often include regional tracks for users who show an interest in Indian music. While Spotify’s approach to regional music curation is broader, JioSaavn’s playlist structure is more targeted, catering directly to each language and genre within the Indian music scene.

3. Regional Language Integration and User Experience

JioSaavn’s focus on regional music extends beyond its catalog, as the app itself is designed with an Indian audience in mind. Its user interface (UI) highlights popular regional genres and languages on the home screen, allowing users to jump directly into their preferred regional language categories. This is especially helpful for older users or those new to digital music platforms who may find language-specific navigation essential.

Spotify, being an international app, has a more generalized approach in its interface. However, it has started to cater to Indian audiences by offering language options and regional playlists prominently on the app’s homepage. In recent updates, Spotify has also introduced a Hindi language interface, which allows users to navigate the app in Hindi. While Spotify’s interface may lack the cultural specificity found in JioSaavn, it is still accessible for users looking for regional music, especially if they are familiar with the app’s navigation.

4. Collaborations with Regional Artists and Exclusive Releases

JioSaavn’s position as an Indian platform gives it an advantage when collaborating with regional artists. Through partnerships with Indian labels and emerging talent, JioSaavn regularly features exclusive releases, new albums, and regional hits. Many up-and-coming Indian artists launch their music on JioSaavn first, and the platform often promotes these artists through exclusive playlists and recommendations. This gives users the opportunity to discover the latest regional hits before they are available on other platforms.

Spotify, though relatively new to India, has made strides in supporting regional artists. With initiatives like Spotify RADAR, which highlights emerging talent worldwide, and the creation of playlists such as “Radar India,” the platform is making efforts to promote Indian artists. However, Spotify’s emphasis is often on more mainstream and international-friendly regional tracks, which can sometimes limit its offerings compared to JioSaavn’s expansive catalog of local talent and exclusives.

5. User Perception and Regional Popularity

The popularity of JioSaavn and Spotify within the regional music space varies across India. For listeners who prioritize a more India-centric experience, JioSaavn is frequently the preferred choice, largely due to its strong association with Indian music and greater language-specific content. Many Indian users report that they find JioSaavn better suited to their music needs, particularly for language-dedicated playlists and artist recommendations.

Spotify has a reputation for its algorithm-driven recommendations and playlist curation, which some users find beneficial when exploring both regional and international music. While Spotify may not have the same level of regional integration as JioSaavn, its personalized playlists offer users a good mix of Bollywood, regional, and Western hits based on their listening history, which many listeners enjoy for its diverse appeal.

6. Comparing Offline Mode and Accessibility for Regional Music

For many listeners in India, offline mode is crucial to enjoy music without interruption in areas with poor connectivity. Both JioSaavn and Spotify offer offline downloads to premium users, allowing users to save songs, playlists, and albums for offline listening. In JioSaavn, offline access includes all regional music content, and users can download songs in high quality without limitations. This feature is especially useful for rural users or those with limited data access who prioritize regional music.

Spotify also provides offline access to its entire catalog, including regional songs. However, the quality of regional content might vary, as some regional tracks are not available in high-definition audio. Despite this, Spotify’s offline functionality is smooth and easy to use, making it a strong competitor in the offline accessibility space. For listeners specifically focused on regional music, JioSaavn’s broad catalog and data-efficient offline downloads make it a more convenient choice.

7. Algorithm-Driven Regional Music Recommendations

Spotify is known for its algorithm-driven recommendations, which include personalized playlists like “Discover Weekly” and “Daily Mix.” These playlists adapt to the user’s music preferences, so users who frequently listen to regional music will likely see a good mix of their preferred regional tracks alongside popular global hits. Spotify’s data-driven recommendations are a highlight for users who appreciate a mix of curated and algorithmically recommended songs.

JioSaavn also offers music recommendations, but its focus is more on curating playlists than relying solely on algorithms. While JioSaavn does suggest songs based on user history, it emphasizes regional playlists curated by experts, making it more suitable for users who prefer handpicked music over algorithm-driven playlists. This curated approach aligns with JioSaavn’s commitment to promoting Indian and regional music while meeting local tastes.

Conclusion In the “JioSaavn vs Spotify” debate around regional music, each platform offers unique advantages. JioSaavn’s regional music focus, language-specific playlists, and strong partnerships with local artists make it a prime choice for Indian listeners who want easy access to a wide array of regional music. Spotify, with its international influence and innovative algorithm-driven playlists, brings a different appeal, offering regional music along with a rich catalog of global songs. For users who prioritize regional music and cultural relevance, JioSaavn is an excellent choice, while Spotify remains a strong option for those who enjoy a mix of local and international hits. Ultimately, the best choice between JioSaavn and Spotify will depend on individual music preferences and how strongly users value regional language diversity in their streaming experience.

[dealgemeneverwarring]

De Algemene Verwarring #120 - 14 October 2024

Episode one hundred and twenty of De Algemene Verwarring was broadcast on Monday, October 14, 2024, and you can listen to it by clicking on the link below that will take you directly to the Mixcloud page:

Ok so I completely forgot about this, I'm so sorry, but you all are waiting for the much needed duiding, I got hundreds of mails asking me WHERE IS THE DUIDING?? Ok so no I didn't, but here it is.

Pictured below is the Vancouver, Canada band Sex Church, a band that I have already played several times in the show. I got to know them via my good friend Dries during one of those De Radio Is Gek Geworden episodes, and I was completely floored by the track he played back then, which was one of the Somnambulist EP. In the meantime I have bought their last two albums, Flowers from 2015, and very recently also Growing Over, released in 2011. Still looking for the debut album + two singles released on Sweet Rot Records and Hozac Records. But what amazes me the most is that this band is not at least as famous as for instance Laughing Hyenas, or Mule, or Cheater Slicks. They are a dirty rock'n roll band like all those above, and have some monstrous hits on their albums. So go check them out.

Also on the show new music from Neutrals, Rixe, Ekin Fil, and a great new compilation of European primitive guitar music, and old hits by The Lowest Form, Metal Urbain, White Void, Communions, Hydroplane, Section 25, Tramhaus, Girls At Our Best, and more. And beneath the photo you can find the playlist for the show. Enjoy!

Playlist:

The Lowest Form: Droppin’ Badboys (LP “Negative Ecstasy” on Iron Lung Records, 2014)

Rixe: La Clé II (7” “Tir Groupé” on La Vida Es Un Mus Records, 2024)

Metal Urbain: Paris Maquis (2LP V/A “The Frist Wave Of French Punk 1977-1980. Les Punks: The French connection” on Soul Jazz Records, 2016, originally released on a 7” in 1977 on Rough Trade)

Neutrals: That’s Him On The Daft Stuff Again (LP “New Town Dream” on Static Shock Records & Slumberland Records, 2024)

Sex Church: Waking Up (LP “Growing Over” on Load Records, 2011)

White Void: Stillborn Saviour (LP “We’re Falling” on Posh Isolation, 2014)

Communions: Cobblestones (2LP V/A “Dokument #1” on Posh Isolation, 2013)

TV Personalities: Meanwhile In a Luxury Dockland Home (7” “Time Goes Slowly when You’re Drowning” on Little Teddy Recordings, 1995)

Tramhaus: Minus 20 (7” “Minus 20/Erik’s Song” on Subroutine Records, 2023)

Section 25: Haunted (7” “Charnel Ground/Haunted” on Factory Benelux, 1980)

Girls At Our Best: Fast Boyfriends (7” “Fast Boyfriends” on Happy Birthday Records, 1981)

Automatic: Highway (LP “Signal” on Stones Throw Records, 2019)

Chumbawamba: That’s How Grateful We Are (CD “Slap!” On One Little Indian Records, 1994, originally released in 1990 on Agit Prop)

Hydroplane: Completed Extract From The Previous 7” (LP “Hydroplane”, reissue on Efficient Space, 2022, originally released in 1997 on CD by Drive-In Records)

Roberto Menabo: Il Retorno Dell’Enola Gay (2LP “European Primitive Guitar (1974-1987)” on NTS Records, 2024)

Ekin Fil: Stone Cold (LP “Sleepwalkers” on The Helen Scarsdale Agency, 2024)

[brookstonalmanac]

Holidays 8.20

Holidays

Bad Hair Day

Bamboo Celebration Day

Dial the Phone Day

Dogfight Day

Father’s Day (Nepal)

Feast of Asmá’ (Bahá'í)

First Onam (Parts of India)

Indian Akshay Urja Day (India)

International Amy Adams Day

International Andrew Garfield Day

International Day of Medical Transporters

International FinOps Day

John Deere 820 Day

Meitei Language Day (Manipur, India)

Missy Elliot Appreciation Day

Moon’s Birthday (Aztec)

National Accessible Air Travel Day

National 820 Day

National Exotic Dancer Day

National Fintech Day

National Latina Day

National Radio Day

National Scientific Temper Day (India)

Nepali Bhasa Manyata Diwas (Sikkim, India)

Neymarzetes Day (Brazil)

Nuremberg Code Anniversary Day

Puffball Day (French Republic)

Renewable Energy Day (India)

Rest Day (Hungary)

Saint Stephen’s Day (Hungary)

1619 Day

Southern HIV/AIDS Awareness Day

Stop and Smell Your Dog Day

Virtual Worlds Day

World Issue Day (Lagos)

World Mosquito Day

World Union Day

Food & Drink Celebrations

Chocolate Pecan Pie Day

International Hawaiian Pizza Day

Lemonade Freedom Day

National Bacon Lover’s Day

National Honey Day (Sweden)

National Lemonade Day

World Day of French Fries (Spanish-speaking Countries)

Independence & Related Days

Anniversary of the FALINTIL (East Timor)

Candalia (Declared; 2019) [unrecognized]

Estonia (from USSR, 1991)

Iska Akaliazen (Declared; 2018) [unrecognized]

Lucena City Charter Day (Philippines)

Revolution Day (Morocco, Western Sahara)

3rd Tuesday in August

International Chalk the Walks Day [3rd Tuesday]

Taco Tuesday [Every Tuesday]

Tapas Tuesday [3rd Tuesday of Each Month]

Target Tuesday [Every Tuesday]

Tater Tot Tuesday [Every Tuesday]

Trivia Tuesday [Every Tuesday]

Trusting Tuesday [3rd Tuesday of Each Month]

Two For Tuesday [Every Tuesday]

Weekly Holidays beginning August 20 (3rd Full Week of August)

Friendship Week (thru 8.26)

Festivals Beginning August 20, 2024

DakotaFest (Mitchell, South Dakota) [thru 8.22]

Dutchess County Fair (Rhinebeck, New York) [thru 8.25]

MUTEK Montreal (Montreal, Canada) [thru 8.25]

Nice Jazz Festival (Nice, France) [thru 8.23]

Peterborough Beer Festival (Peterborough, Great Britain) [thru 8.24]

Feast Days

Alan Lee (Artology)

Amadour (Christian; Saint)

Benvenuto Cellini (Positivist; Saint)

Bernard of Clairvaux (Christian; Saint)

Birth of the White Buffalo (Lakota)

Boil-Over Thursday (Shamanism)

Cuitlahac Day (Church of the SubGenius; Saint)

The Day of Total Victory (Unification Church)

Expensive Rum Day (Pastafarian)

First Light Altar Day (Starza Pagan Book of Days)

Georg Häfner, Blessed (Christian; Saint)

Glam Dicind (Celtic Book of Days)

Greg Bear (Writerism)

Harpo Day (Church of the SubGenius; Saint)

Helena (Muppetism)

Heliodorus of Bet Zabdai (Christian; Saint)

H. P. Lovecraft (Writerism)

H. R. Van Dongen (Artology)

Maria De Mattias (Christian; Saint)

Media Aestas II (Pagan)

Oswine of Deira (Christian; Martyr)

Philibert of Jumièges (Christian; Saint)

Samuel (Christian; Prophet)

William and Catherine Booth (Church of England)

Lucky & Unlucky Days

Taian (大安 Japan) [Lucky all day.]

Tycho Brahe Unlucky Day (Scandinavia) [28 of 37]

Unfortunate Day (Pagan) [43 of 57]

Unglückstage (Unlucky Day; Pennsylvania Dutch) [21 of 30]

Very Unlucky Day (Grafton’s Manual of 1565) [37 of 60]

Premieres

Angie, by The Rolling Stones (Song; 1973)

The Black Stallion, by Walter Farley (Novel; 1941)

Coonskin (Animated Film; 1975)

1812 Overture, by Pyotr Ilyich Tchaikovsky (Concert Overture; 1882)

Elias: The Little Rescue Boat (Animated TV Series; 2005)

Feather Finger (WB MM Cartoon; 1966)

Garden State (Film; 2004)

Graffiti Bridge, by Prince (Album; 1990)

Hot Dogs (Ub Iwerks Oswald the Lucky Rabbit Disney Cartoon; 1928)

I Never Changes My Altitude (Fleischer Popeye Cartoon; 1937)

Islandia, by Austin Tappan Wright (Novel; 1942)

A Kiddie’s Kitty (WB MM Cartoon; 1955)

Lego DC Batman: Family Matters (WB Animated Film; 2019)

Mice Follies (WB LT Cartoon; 1960)

Mickey Blue Eyes (Film; 1999)

Oh, Johnny, Oh, Johnny, Oh, by Orrin Tucker (Song; 1939)

Perfect Blue (Anime Film; 1999)

Picnic at Hanging Rock, by Joan Lindsay (Novel; 1967)

Pocket Full of Kryptonite, by The Spin Doctors (Album; 1991)

Scary Crows (Color Rhapsody Cartoon; 1937)

Scooby Doo! Stage Fright (WB Animated Film; 2013)

Slow Train Coming, by Bob Dylan (Album; 1979)

The Talk of the Town (Film; 1942)

Teaching Mrs. Tingle (Film; 1999)

Trailer Life, featuring Farmer Al Falfa (Terrytoons Cartoon; 1937)

Valley of the Dolls, by Jacqueline Susann (Novel; 1966)

Yo Gabba Gabba! (Children’s TV Series; 2007)

Today’s Name Days

Bernd, Bernhard, Ronald (Austria)

Samuil (Bulgaria)

Bernard, Samuel (Croatia)

Bernard (Czech Republic)

Bernhard (Denmark)

Benno, Bernhard, Päärn, Pääro, Pärn, Pärno, Pearn, Pearu (Estonia)

Sami, Samu, Samuel, Samuli (Finland)

Bernard, Samuel (France)

Bernhard, Bernd, Ronald, Samuel (Germany)

Samouel (Greece)

István (Hungary)

Bernardo (Italy)

Bernhards, Bierants, Biernis, Boriss (Latvia)

Bernardas, Neringa, Tolvinas (Lithuania)

Bernhard, Bernt (Norway)

Bernard, Jan, Sabin, Samuel, Samuela, Sieciech, Sobiesław, Świeciech, Szwieciech (Poland)

Anabela (Slovakia)

Bernardo, Samuel (Spain)

Bernhard, Bernt (Sweden)

Eustace, Ostap, Samuel (Ukraine)

Barnard, Bernard, Bernardo, Filbert, Philbert, Rey, Reyna, Reynalda, Reynaldo, Reynold (USA)

Today is Also…

Day of Year: Day 233 of 2024; 133 days remaining in the year

ISO: Day 2 of Week 34 of 2024

Celtic Tree Calendar: Coll (Hazel) [Day 18 of 28]

Chinese: Month 7 (Ren-Shen), Day 17 (Bing-Chen)

Chinese Year of the: Dragon 4722 (until January 29, 2025) [Wu-Chen]

Hebrew: 16 Av 5784

Islamic: 14 Safar 1446

J Cal: 23 Purple; Twosday [23 of 30]

Julian: 7 August 2024

Moon: 99%: Waning Gibbous

Positivist: 8 Gutenberg (9th Month) [Benvenuto Cellini]

Runic Half Month: As (Gods) [Day 13 of 15]

Season: Summer (Day 62 of 94)

Week: 3rd Full Week of August

Zodiac: Leo (Day 30 of 31)

[chrisryanspeaks]

Dumbo Gets Mad: Psychedelic Pop Pioneers Return with New Single “The Depth Of An Answer”

Dumbo Gets Mad, the brainchild of Luca Bergomi, has been captivating listeners since its inception in 2011. Launching from Los Angeles, the debut album *Elephants at the Door* quickly amassed a global following. The breakout single, "Plumy Tale," earned a spot among Pitchfork's top 50 tracks of 2011, while NPR hailed "Marmalade Kids" as their song of the day. With the release of *Quantum Leap* in 2013, Dumbo Gets Mad delved deeper into the realm of psychedelic jams, with tracks like "Indian Food" solidifying the project's presence in the U.S. music scene. Their 2015 album, *Thank You Neil*, paid homage to astrophysicist Neil deGrasse Tyson, blending soulful influences with a minimalist production style. Recorded live, this album once again garnered international critical acclaim. Fast forward to 2019, the single "Makes You Fly" emerged under the French label Nice Guys, setting the stage for the 2021 album *Things Are Random And Time Is Speeding Up*. This release led to a successful North American and Mexican tour. That same year, Dumbo Gets Mad collaborated with Marracash on the album *Noi Loro Gli Altri*, further expanding their artistic reach and influence. Check out his new single “The Depth Of An Answer” below:   Read the full article

[audiofuzz]

Dumbo Gets Mad: Psychedelic Pop Pioneers Return with New Single “The Depth Of An Answer”

Dumbo Gets Mad, the brainchild of Luca Bergomi, has been captivating listeners since its inception in 2011. Launching from Los Angeles, the debut album *Elephants at the Door* quickly amassed a global following. The breakout single, "Plumy Tale," earned a spot among Pitchfork's top 50 tracks of 2011, while NPR hailed "Marmalade Kids" as their song of the day. With the release of *Quantum Leap* in 2013, Dumbo Gets Mad delved deeper into the realm of psychedelic jams, with tracks like "Indian Food" solidifying the project's presence in the U.S. music scene. Their 2015 album, *Thank You Neil*, paid homage to astrophysicist Neil deGrasse Tyson, blending soulful influences with a minimalist production style. Recorded live, this album once again garnered international critical acclaim. Fast forward to 2019, the single "Makes You Fly" emerged under the French label Nice Guys, setting the stage for the 2021 album *Things Are Random And Time Is Speeding Up*. This release led to a successful North American and Mexican tour. That same year, Dumbo Gets Mad collaborated with Marracash on the album *Noi Loro Gli Altri*, further expanding their artistic reach and influence. Check out his new single “The Depth Of An Answer” below:   Read the full article