#netflix feel the beat

[rroaddkill]

Birthday gift for Carina Battrick <3 :D

[always-a-king-or-queen]

there are literally so many reasons why we don't need a third Narnia adaptation

first of all, while they might not be the most accurate, the Disney movies are actually so good and, in my opinion, still manage to capture the heart and soul of the series and what it's truly about. The characters are each perfectly portrayed; the Pevensies act like actual siblings and yet love each other dearly and would die for each other even through all the petty arguments; the music creates perfect atmosphere and emotion and never fails to make me tear up or get shivers down my spine; and the CGI is honestly just absolutely stunning.

I really do not feel like we need another adaptation by Netflix.

Especially not through Netflix.

Netflix has already been known to mess up so many shows and movies by completely changing the source material or adding in unnecessary things that completely take away from the purpose of the story. I can already see them warping Narnia into something that barely even resembles the books, that strips it of its purpose and simply makes it about a fantasy world, nothing more. I've already seen posts saying that the new movies just can't end the way the books end, that heaven must be explained away, that Susan never forgets and falls down a dark path, that the faith aspect must be taken out so as not to offend new viewers.

Here's the thing.

If you take faith out of Narnia, you remove the very heart of the series. you remove the entire purpose. Because Narnia is entirely about faith, and trust, and Someone greater than yourself who sacrifices everything to save your own traitorous soul. the Disney movies did not shy away from portraying this faith as openly as possible. if anyone was offended, I've never seen proof. I have seen many nonbelievers talk about how much they were affected by Aslan's death, which goes to show that you simply don't have to be Christian to understand what Narnia is about, and to love and enjoy it.

So if these new remakes remove the faith aspect, then what is the point? four siblings go to a magical land and save it from a witch and befriend a talking lion with nothing special about him and live there as kings and queens and return home and live happily ever after? there is no sacrifice, there is no "he's not tame, but he is good," there is no creation, there is no redemption, there is no last battle, there is no "in your world, I have another name", there is no sister straying down a dark path because she has forgotten how to hope, and then returning because her story is unfinished and the road to heaven is paved with flowers that symbolize her name.

so then, what are you left with? Aslan is just a talking lion, nothing more. the stone table never cracks, the sun never rises. "That by knowing me here for a little, you may know me better there" is forgotten entirely, because why would Aslan exist in our world if he is merely a talking lion in Narnia? Aslan's country is changed to be something else, and there is nothing about how Aslan suddenly no longer looks like a lion, and how the things that happened after are more great and beautiful than can be described. Edmund's life is never threatened because of his traitorous deeds; Aslan never offers his own life in place of a guilty boy, is never killed, is never resurrected.

the very core of Narnia is removed, and what you are left with is emptiness.

sure, it might make for a good fantasy story nonetheless. you might still have sweeping views and epic music and an intriguing plotline, but something will always feel like it is missing. like there is an empty hole, desperately needing to be filled.

of course, I don't know that all of that will happen; it's just speculation at this point. But I am fairly sure that it is safe to predict these upcoming movies as such. I highly doubt the producers will want to include the faith that shapes Narnia, because according to them, having a faith aspect means less viewers since too many people would be offended.

but if only they would look at the already wonderful existing adaptations, they would know that is simply not the case.

[whack-patty]

Noodlemoon ofc, if nobody's asked yet >:]

I also need to give the movies a rewatch too, you're not alone 😭 [they removed Sing 2 off of Netflix recently and I'm still going through all the stages of grief]

This is them to me

[arcanemadman]

Netflixvania fans will hate Mariacard because one's 16 and the other's an adult after shipping and continuing to ship Trephacard, which has a teenager shipped with two adults

EDIT: Okay I know this isn't obvious but it needs to be said, Netflix Maria uses the design of 12 year old Maria, but she's actually 16. SOTN Maria is 17, which makes her a year older than Netflix Maria. If there was a 5 year time skip in the show, that would make Maria 21.

[hussyknee]

Two weeks ago, female wrestler Vinesh Phogat became the first woman from India to make the Olympic finals—and was promptly disqualified for being 100 grams overweight.

On August 9, Vinesh Phogat announced her retirement from the sport of wrestling in a post on X. After the previous day’s incidents, it was a message that many had been expecting.

Vinesh experienced the highest of highs at the Paris Olympics. She defeated an unbeaten Olympic champion wrestler who was considered not just the favourite in her weight division but across every weight division at the quadrennial event. She became the first Indian woman wrestler to reach an Olympic final. However, Vinesh also faced the lowest of lows at the Olympics. No one had ever reached an Olympic final only to be denied the chance to compete because they had failed to make weight on the day of the competition.

Vinesh had taken her case to the Court of Arbitration for Sport, seeking at least to be awarded a silver medal by virtue of reaching the final. If she had succeeded, she would have set a precedent, but, much to the disappointment of the nation, her appeal was turned down by the sole arbitrator, Annabelle Bennett.

...

Vinesh has always been a fighter. Tragedy has followed her, yet somehow, against the odds, she has emerged victorious.

When she was nine, her father was shot dead by someone in her village, believed to be a mentally disturbed relative, just outside their front door. Her mother, a young widow, refused the custom of marrying her husband’s brother. She battled cancer single-handedly. Through it all, she raised a firebrand daughter, who refused to back down.

Her cousins, who grew up near her home, were the more famous girls of the family. Geeta and Babita were among the first to win gold at the Commonwealth Games. They had a movie made about them — Dangal — which made the ‘Phogat sisters’ iconic in Indian sports.

Vinesh didn’t feature in that movie. The events described in it took place too early in her career. But she wouldn’t be satisfied with being one of the Phogat sisters — she would become ‘The Phogat’ sister.

Talk to any of her peers .— and even some of her rivals in Indian wrestling – and there is, in some cases, grudging, genuine respect. She is considered the most instinctive and natural wrestler India has ever produced in women’s freestyle wrestling.

Her career is as much a highlight reel as anything out of a movie. No one in women’s wrestling compares. No Indian woman wrestler has won three Commonwealth gold medals as she did in 2014, 2018, and 2022. No one has won an Asian Games gold medal as she did in 2018. No one has won two World Championships medals as she did in 2019 and 2022.

The one medal missing from her collection is the Olympic medal — which she fought bitterly for.

...

Vinesh has had terrible luck at the Olympics — the only competition that seems to matter to Indians. In 2016, she was one of the favourites in the Indian team before her knee was bent out of shape in the quarterfinals. In 2020, she was one of the world’s favourites to medal in the women’s 53kg weight class. Then, suddenly, a freak weight cut left her physically and psychologically broken, unable to coordinate her movements on the mat. She lost to a wrestler she had beaten comfortably just a month before. Now, in Paris, another poor weight cut left her at the lowest point of her wrestling career.

Her battles, though, haven’t been restricted to the mat. Perhaps the most significant one Vinesh has fought has been for the safety of young girls in the sport. In pursuing this fight, she took on one of the most powerful men in Indian sports — Brij Bhushan Sharan Singh.

When her rivals were preparing for the Olympics, Vinesh was fighting on the streets of New Delhi, where she, and few other fellow wrestlers, accused Brij Bhushan, a five-time member of parliament and the long-time president of the Wrestling Federation, of sexual harassment.

The longer she stayed on the streets, the slimmer her chances on the mat became. Yet, she continued to prioritise what she felt was right. In doing so, Vinesh showed the kind of courage almost uniformly lacking in most sportspersons in India. Most of them, as the saying goes, “crawl when asked to bend.” Vinesh’s spine has been ramrod straight. She had the courage to take on the system without caring about the consequences. She displayed it even though it cost her what she loved the most — the chance to wrestle.

Only when her protest was forced off the streets and entered the court did Vinesh finally get a chance to compete.

This article delves into her struggle to rein in her weight as the Olympic timeline unfolded. It's horrifying to read.

TW for fatphobia and people with eating disorders and body dysmorphia: fatphobia:

Even as she had been winning, Vinesh’s nutritionist had been nervously monitoring her food and fluid intake.

She had a celebratory glass of juice in the morning right after she had first made weight – 300 grams. She had another couple of litres of fluid to rehydrate herself before her bout - another 2000 grams of body weight gained. A couple of light snacks throughout the day to keep her energy up meant 700 grams more.

By the time Vinesh was done with her day’s competition, she weighed 52.7 kg.

August 7:

As the hours rolled into the night, it was clear that something had gone very wrong. After weeks of dehydration, the human body, once it gets rehydrated, simply refuses to give up water. Even urination becomes impossible.

Vinesh didn’t sleep all through the night of August 6. She was on the treadmill for six hours and in the sauna for another three. She didn’t consume a bite of food or drink a drop of water. Every few hours, she stood on a weighing scale. The numbers were getting smaller but not fast enough. In desperation, her coaches trimmed the elastic in the bottom of her costume. They thought of chopping her hair and then did it.

But the scale didn’t budge.

The function of weight classes is to prevent outsized mismatches in strength due to body mass and minimize injury. Pathologizing what is clearly water weight to this extent and subjecting athletes to this kind of psychological torture due to minute variables is simply making what is essentially a safety measure into a punitive arbitrary criteria that has huge implications for racialized fatphobia for female athletes and the reinforcement of toxic diet culture across the board. It's misogynistic, unscientific and fucked. This article goes into more detail about Phogat's career-long battle with her weight— a yo-yo of losing too much, and then too little. Indistinguishable from an eating disorder, only one imposed by the standards of international sports.

You will never convince me that a white athlete would have been disqualified in the lightest weight category for a weight less than a bar of soap. The disqualification retroactively places her dead last, which is added cruelty. The refusal to revise this and even award her a joint silver is just adding racist insult to racist injury.

Phogat spoke two days ago about her devastation at being disqualified by racism and fatphobia with a three page post on twitter.

And on top of all of this, because the Indian National Congress political party welcomed her with a road show that outshone the alt-right BJP's own planned welcome, the Hindutvas in her own country have launched a hate campaign against her.

This copy-paste has "disqualified in Rio 2016" trending on twitter. It's doubly cruel and fatphobic because she wasn't disqualified for being overweight, she sustained a knee injury.

After the witch hunt against Imane Khelif and Lin Yu-ting, I'm just so fucking done with the Olympics. The outsize importance of this competition is nothing but an anvil to break entire careers on and offers female athletes of colour on a platter for all the world's vultures.

[peppermintpegis]

netflix one piece live action feels a little like fanfic in that it makes sure it hits all the important notes but doesnt do all the work to make them hit which works in fic where the reader is supposed to bring all the emotional story investment from the original but doesnt work in a multi million adaptation that is supposed to be able to stand on its own or even serve as an intro to the series. it even does this in service to have more koby and helmeppo gay moments in this essay i w

[thetimelordbatgirl]

Live Action Last Airbender really said in order to get rid of the sexism, some other sexism had to take its place but unlike Sokka learning sexism was bad, the new sexism is never addressed and treated like its okay.

[toss-a-coin-to-your-stan-account]

"well I can see why s2 felt rushed because they don't think they're getting a season three so they're putting all the fan favorite parts in now!" how the fuck have we gotten to the point where this is normal to say

[iaf]

Is the scene where Rafael gets beat up in the cafeteria supposed to be comedic? No. Will I giggle everytime I see it? Yes.

Its just funny. What more can I say?

[justtorzaplease]

Feel the Beat was an amazing movie, it was so fun to watch. My favourite part, however, was as the movie went on, April transitioned into using sign language. This was because one of the students in her class, Zuzu, was deaf. (Don't forget, Zuzu was played by Shaylee Mansfield, a deaf actress!) Now, I'm not familiar with ASL, and I hope someone who is can tell me if it was accurate, but to see April go from someone who saw Zuzu's deafness as a weak point, to someone who actively learnt how to communicate with her, was peak writing!

[sonknuxadow]

sorry but i do find it a bit strange that people are acting like shadows characterization is completely fixed and hes super well written in sonic prime. and im not even criticizing the way hes written there because. theyre not much to criticize. the first batch of episodes had very little shadow in it and half the shadow scenes were just him randomly appearing to jumpscare sonic and then disappear again how do you know hes back to the way he used to be. i just think people are celebrating too soon idk

[jesskasb]

rewatching the witcher episode six and catching a lot of things i didnt the first time and look at me in the eyes.

this is crazy to me like he just straight up directly tells geralt "let's run away together" and he says this is an attempt to work out what pleases him? and of course right before this scene geralt almost dies so it's like jaskier is revaluating what he wants and values and determines that his ideal future is living in the coast with geralt. but like obviously this is not possible because jaskier may be a free man able to do what he wants considering he is more of a side character but geralt has a world changing destiny to fulfill with ciri and a romantic fate with yen. even without that i dont think theres any universe where they could end up together seriously like "geralt has two hands" sure but i dont think he wants jaskier's (i dont remember what happens in season 2 but as far as i know i am right) and honestly in comparison to yen i get it. she is everything

i also cant believe he wrote this about her like jesus he needs to stop being a hater and find a new guy to fall for cause girl he doesnt want you and thats that. get over it no need to blame yen for it "im weak my love and i am wanting" jesus fucking christ get it together

[asleepinawell]

compare and contrast: Emet-Selch (ffxiv) and Claudia Tiedemann (dark) for their mission to wipe out an entire world and group of people in the name of restoring the old world and people they lost through its creation. in this essay I will--

[mathmusicreading]

Xiè Lián: My surname is Xiè, my first name is Lián. Huā Chéng: You can call me your third husband. Xiè Lián: What happened to my first two husbands?!

I learned Huā Chéng was having Xiè Lián call him "husband" from Ty the Canasian on Kictor's YouTube, I found this when I was trying to corroborate the linguistics, and I indulged and bought the official Seven Seas Entertainment (translator and editor are on Tumblr!) English translations of the books so here's further confirmation from Volume 1:

ETA:

I made this post private because I was unhappy with it (misspelling/misformatting Wúmíng, knowing I wouldn't have good reach for larger and less biased sample size even if I could have tagged better for the fandoms and characters if Tumblr organized by more than the first five tags), but I'm making it public again since it finished and so did the similar poll that fun-mxtx-polls was kind enough to make for me.

Not to bias towards the first option, just to explain it, the first option and why I wanted this poll come from the naming pattern trivia for MXTX's love interests/male leads/gongs, which I think you can best read on Huā Chéng's page on the Heaven Official's Blessing/Tiān Guān Cì Fú wikia. I'm just using that as my citation given:

I'm not sure if MXTX has discussed this meta in-joke somewhere and if so, where.

The SSE Glossary: Terminology note (all volumes of all three MXTX novels) only explains the second and third gongs, and implies MXTX is doing this purposefully. Lán Wàngjī's wikia page explains only the three published gongs, and implies this started from fandom phenomena creating a proto-stage pattern (if you subscribe to "one is chance, two is coincidence, three is a pattern"). Huā Chéng's page linked above is the odd man out and so probably incorrect about Lán-èr-gē vs. Lán-èr-gēge, but it goes above and beyond by explaining the fourth gong, and it uses the most neutral language regarding this trivia.

I think citation is unnecessary for "gē" (哥 | 哥) meaning "big brother" and in certain contexts having the connotation or meaning of "eldest brother" (admittedly my unverified inference), "èr" (二 | 二) meaning "two", and "sān" (三 | 三) meaning "three".

I actually like so much because I like to think if it could use more wordplay and less literalism. Please forgive me for being a poor reader not remembering exactly, not buying the TGCF raws yet, not being able to buy the SVSSS and MDZS raws, and only being able to find old fan translations/interpretations of MXTX's fourth novel preview, but let me explain:

I believe Luò Bīnghé isn't being called "Luò Bīnghé-gē" (or rather "Bīng-gē" since I think? it's more usual to use the suffix with the single/first character of a person's given name, not with their full name, especially when the full name is three (or more? some of my reading has mentioned two-character last names but I didn't find if culture was strict about then making the given name be only one character) characters) for the usual reasons to address someone with "gē", but actually the PIDW!Luò Bīnghé is being called Luò Bīnggē (or "Bīng-gē") because he's more aggressive than canon/SVSSS!Luò Bīnggē who when being differentiated gets called Luò Bīngmèi (or "Bīng-mèi"), and I love that "very fitting reasoning for the naming, not strictly literal and not so bound to literal".

Then with Lán Wàngjī, I see the opportunity that his nickname could have used the natural naming of "erhua is used as a diminutive suffix", and the "er" would have been homophonous with "èr" (二 | 二) for "two" for him being the second gong, and homophonous to the potential "proper address for him as the second Lán son/brother".

In the most literal sense, you'll notice that the gongs so far have had their nicknames be using "(big) brother" and Huā Chéng's uses láng (郎 | 郎) "son" (his stated meaning, although it can also mean "man" and "husband" and the latter is how we can interpret he wanted it to be when coming from Xiè Lián). There's nothing wrong with that and the numbers are perfectly probable, and would still be so as they grow, but also they could feel more like "contrived" coincidence, which is part of my wanting to get away from literalism a little bit, not just my loving clever wordplay. With Huā Chéng, I don't have a homophone I can use for punning like with Lán Wàngjī, or really the "cultural language use where literal suffixes/honorifics get used figuratively for XYZ purposes", but I can make it fit with character interpretation. To me, Sān Láng doesn't have to be "Third Son" because "he has two older brothers" and in fact we aren't sure that he was telling the truth about that—instead, I think Huā Chéng could be being clever with not just getting Xiè Lián to call him (Third/surname "Three") Husband but in saying his name is "Third Man" because this is the third alias he gives Xiè Lián. (Some additional feels this gives me: It's like he's saying he's the same person Xiè Lián met before, that they shared all of that experience and it mattered, that he's the final form of that person wanting to be with Xiè Lián, that he's like a fairy-tale character with many names and forms and a true name and form and all along there was a trick or thread to follow in knowing and identifying him.) It just works out so perfectly because of the third way he introduces himself to Xiè Lián matching him being the third gong, and also the fairy-tale significant number of "three".

Finally, with the fourth gong, I've looked at Suika's TGCF Afterword translation, a NovelUpdates MDZS spoilers forum post by K.san crossposted to the Grim Reapers Have No Days Off spoilers forum by alexfilia, a reply to this post in r/tianguancifu by u/chenmochou, and also this post in r/tianguancifu by u/Loud_Daikon6167 which cites a TikTok I can't see either because of TikTok's thing about opening to a random page/the homepage or I assume the TikTok being removed or locked. Given the first NovelUpdates post maybe having more of a direct translation compared to the first Reddit post, it's still not definitive to me whether this is "actually more of a fandom thing, with MXTX acknowledging and participating in it enough to help make it possible" or it's "MXTX doing this on purpose with her name choices and character traits, whether she meant to have the pattern from the start or later, and yes could have been influenced by fandom" because I think "Other: 四少" is probably about the male lead(s) compared to it following "Protagonist: the uke's name is not determined yet" so it doesn't seem like the fandom came up with a nickname out of whole cloth. "Four young masters" is perfectly probable and could be equally reasonable, and "four ikemen" could even follow in reasonability; in fact it could be more likely and realistic since this is a modern setting, which would have different use of "young master" to me, and because we believe the gong to be the regular human and the shou to be the grim reaper. But for the wordplay, I would have liked it if the gong were the grim reaper and the "four theme naming" came from the famous "sì" (四 | 四) meaning "four" is homophonous with "sǐ" (死 | 死) meaning "die/death" and the latter being used in the Chinese for "grim reaper"/"death god".

[heavenbarnes]

in an alternate universe, you meet older bf!simon through a friend- well, a friend’s brother.

your friend’s brother, johnny. he overhears you whinging to his sister about how fucking hard it is to find a place to live. so he tells you about this guy he serves with.

‘L.t’ he calls him.

since he and L.t are on deployment so often, there’s a tidy re-purposed council flat that’s often empty. johnny says he’ll chat L.t about your predicament and see what he thinks.

L.t allows you to live in his home- problem is he’s leaving on deployment literally tomorrow so you have to exchange agreements by text.

you’ve got money going into his account, some basic agreements about no parties, no partners, no smoking, and no mucking about.

L.t gives the key to johnny, who gives it to his sister, who gives it to you- opening the door to an almost pristine little home. not a thing out of place.

military precision.

so you move in and you’re shocked to find more than a flat pillow and plaid duvet cover. there’s 3-in-1 in the shower but easily replaced with your own products.

the pantry and fridge are bare but soon filled with your favourites. your undies are drying over the dining chairs and your blanket is draped across the couch.

you’ve got your own profile on the netflix and your toothbrush is in the holder. you’ve done what you were told.

“make yourself at home”

so much so that you almost forget deployment will end at some point, hard to remember when you don’t even have the faintest idea when that’ll be.

johnny said it could be weeks, maybe months. he didn’t tell you that it could be at any moment.

you think you hear the door in the deep of your sleep but your brain reassures you it’s in the back of your dream- you don’t even wake.

it’s actually the weight dropping beside you on the mattress and shuffling up to your back that gets you. it’s a miracle you don’t scream.

L.t lands a rough hand on your back, something about “calm down, s’only me”

only him? he who’s name you don’t even know?

as if he can read your mind, he’s following up with a grumbled “simon”

simon ‘sans-last name.’

before his breathing begins to even out.

your heart is beating out your chest- perfect stranger climbing into bed with you?

the voice in your head that always wants you to be polite reminds you that this is actually his house, after all.

he was also kind enough to let you stay, charging a rent way below going rate.

he had just been away serving this country, duty to protect and all.

and johnny knows him, vouched for him- sure johnny can be a bit of a perv but he’s harmless.

simon must be too, right?

you decide to settle back under the duvet, telling yourself it’s you that’s being weird. you need to be more grateful!

mans tired, if he wasn’t absolutely shattered he would’ve taken the couch.

right?

you’re almost entirely convinced until you feel a strong arm loop around your waist, pulling you back into something unbelievably hard.

harmless.

right.

[hiddenwashington]

@maya-delucabishop said : Was that [SOFIA CARSON]? Oh no no, that was just [APRIL DIBRINA], a/an [CANON CHARACTER] from [FEEL THE BEAT]. They are [TWENTY-TWO] years old, use [SHE/HER], and [ARE NOT] aware that they are not actually from Washington DC. Too bad they can’t stray from this city for long.{kae}

accepted! welcome to washington d.c. april dibrina [sofia carson]! please send in your account within 24 hours! please be sure to take a look at the checklist now that you've arrived! we look forward to seeing you around the city!