#nekosnicker

[drafthorses-official]

HAPPENING TOMORROW!

We got Punkitt! We got Big Mac! We got like 20 other people! We're gonna be going for 8 god damn hours!

Come help us support access to abortion and other reproductive health, at a time where it's coming under attack!

twitch.tv/timsplosion

1pm EST, 10am PST, 6pm GMT, 2pm Nova Scotia! (that last one is a note-to-self)

Including, but not limited to: @punkitt-is-here @horsewizardart @pastacrylic @fizzlefer @wavecipher @therealakineko @melodymelancholyart @timsplosion @deepforestdarling @neko-snicker @anotherpony @thebirdgang @thedenofravenpuff @falloutfurret @amynewblue @caspia-hibiscus @cassettepony @peternew-blog

[peachpaws0]

As the fangs we once would bear are dulled [You know how we do it]

[frosting-surfeit]

Zim Sings: A Song About Life

by Escape The Fate Vylet Pony

I really couldn't help it its been floating around in my head these last few days

INSPIRED BY VYLET PONY'S ALBUM "CUTIEMARKS" AND NEKOSNICKER'S COVER ART

[vyl3tpwny]

My new album is out.

It's called "Carousel (An Examination of the Shadow, Creekflow, and Its Life as an Afterthought)"

—

Album Website

Bandcamp

Spotify

Tidal

Apple

Lyrics

—

All music and vocals* by me

Album cover by Stereo Flier

Alternative art by CalamariSpider

*Featuring vocals from GalaxySquid, NekoSnicker, AstroEden, Jesse Nowack, CalamariSpider, & Namii

[ratethisalbum]

#53) Carousel (An Examination of the Shadow, Creekflow, and its Life as an Afterthought)

Vylet Pony

Suggested by: @sunset-shimmy

-

Bandcamp ~ Spotify ~ Youtube

(Remember to listen first, then rate!)

-

Tracklist:

1 Let's Fly to the Castle!

2 Pony Rock! (ft. GalaxySquid & NekoSnicker

3 Constellation Cradle

4 How to Talk to Your Shadow? (ft. AstroEden)

5 Brohoof

6 Bass Cannon (ft. Jesse Nowack)

7 Crush Kill Destroy Swag

8 The Carrion Child (ft. CalamariSpider)

9 Hush!

10 Examining the Afterthought

11 Flair for the Dramatic

12 Carousel (ft. Namii)

13 Futura

14 Creekflow

[horsemusicherald]

Over half a year in the making, and actualizing concepts from the last five years, Vylet Pony's new album is jaw-dropping, awe-inspiring, and breathtaking. It is an album shroud in mystery as its narrative follows the protagonist and their shadow through a plethora of genres, each track morphing seamlessly into the next, starting with heavenly soundscapes before descending into darkness and death, only to turn around and ascend back to its harmonious beginnings. Much of the story is incomplete, and the listener is invited to theorize more about it. Throughout the album you'll hear samples from previous Vylet songs, the classic "Sing a song about life" clip, as well as a new carousel motif.

Get a song-by-song breakdown after the break

Track one, "Let's Fly to the castle," starts out as a lovely house tune, with fluffy synths creating an incredibly warm tone and vocal chops floating effortless around the mix before dropping into a jazzy, chiptune like section. The piece then builds up anticipation with its marching snare and ends with a gorgeous violin solo backed by piano.

Track two, "Pony Rock!" quickly jumps into pony chops taken from the iconic "Winter Wrap Up" from Season 1. GalaxySquid's vocals add so much warmth to the sound and NekoSnicker's performance on top of piano is heart wrenchingly beautiful. Then the drop hits back into the main groove, and just when you think the sound couldn't be any fuller, it drops out and comes back in with insane 16th note chiptune synth runs! Absolutely stunning!

Track three, "Constellation Cradle", travels away from the warm synths and into glitchy, hyper pop vocals. But it doesn't stay there for long, whiplashing to ambient electronic, reminiscent of Vylet's previous album, only to drop a jazzy interlude for three seconds before dropping into heavier dubstep. There's even some baroque harpsichord in there! Honestly, this track is such a flex as Vylet Pony commands mastery of an incredible variety of different sounds.

Track four, "How to Talk to Your Shadow?" rings heavily with carnival music as an announcer introduces the listener to the shadow, building up anticipation for what's to come as the carnival music creepily dies down. A radio bumper throws us some early fandom memes before introducing the next track, "Brohoof!" This certified brony classic is complete with pony chops galore and an infectious beat that will surely have you dancing forever likes the lyrics say /)

Track six, "Bass Cannon", takes the intensity up a notch with its avant-garde hardcore sections paired against gorgeous bossa nova. Its dissonant chords ring loudly as the lyrics start probing… "Is it a bliss? To forget" and "Is it so wonderful?" The carousel is turning, and it's taking us to a very different place than where the album started.

Track seven, "Crush Kill Destroy Swag", in contradiction to the YouTube video it references, begins with beautiful pads, pianos, and strings, establishing a heavenly orchestra-like sound before switching to a funkier, bass heavy groove. It takes a darker turn in the middle with a mesmerizing darkstep beat accompanied by Vylet's vocals which eventually fade into the ether, leaving us in a void of scratchy, glitchy, eerie ambience…

…aren't you excited?…

Track nine, "Hush!" begins with Vylet delivering an intense vocal performance which feels like a cross between rap and spoken word before dropping back into a gorgeous synth-scape leaving you in awe. But don't let your guard down because it's just the eye of the storm and the intensity ramps back up into a grungy, heavy metal section. It might be the longest track on the album, but it will keep you on the edge of your seat the whole time.

Track ten, "Examining the Afterthought", is reflective in nature as its title suggests, giving the listener a break with some lighter synths playing over a radio broadcast of someone who sounds very much like Obama. The sound design is stunning with arpeggios rapidly speeding up and slowing down in waves, giving the track a very relaxed, ocean like feel.

Track eleven, "Flair for the Dramatic" features a slightly darker but incredibly deep sound which will leave you feeling exposed as the narrator confronts her shadow in the lyrics. Its chorus is one of the most rallying anthems of the whole album, and in its final iteration, it modulates up a half-step to given it even more intensity! In the second half, the synths give way to just an acoustic guitar and the vocals, creating a really vulnerable and special moment for the listener.

Track twelve, "Carousel", with its dark piano, violin solos, and its angelic vocals is hauntingly beautiful, building up to an incredible moment of catharsis. The track then turns into a moodier ballad with its bitter lyrics before turning again to a more hopeful sound with Namii's beautiful voice accompanied by piano. Much of the song is in 3/4, which gives it the perfect sensation of a Carousel spinning round and round.

After much of the album has explored darker themes and sounds, track 13, "Futura", is a departure from that to a brighter place. Its starts with just a few mellow synths, bass, and vocals before fully opening to a warm and hopeful sound complete with synthetic bells, guitar, and even a Theremin! Lyrics such as "no healing without pain; no clear skies without rain" also reflect this tonal shift and mark the restoration of balance.

Thus we arrive at track 14, "Creekflow", which opens with the glitchy carousel motif looping on itself, soon to be joined by acoustic guitar and strings. The texture is fluid and crisp like the sound of a brook of light flowing and made complete by Vylet's blissful vocal performance. Not to leave without a bang, the sounds explodes at the halfway mark before fading back into the sound of the creek. The end of "Creekflow" immediately leads back into "Let's fly to the Castle!" to complete an entire spin around the carousel.

The album stands as an incredible accomplishment! The concept is stellar, its execution wondrous, and there's so many genres and idea packed into it that it will keep you engaged well beyond your first listen through. Great work Vylet!

[sarcosmiiic]

watching random my little pony shitpost animations on yt (specifically nekosnicker :3)

Quick what are you doing RIGHT now (besides scrolling Tumblr)

[namiisalamii]

cover of My Cadence by Matthew Mosier, feat. Ocean Breeze. Art by NekoSnicker.

[str8aura-no-not-that-one]

An unearthly amount of pressure has fallen on me. This isn't even my art blog. Fuck.

Love u @neko-snicker

[nya-thing]

you can like. listen to it. because it’s a beautiful and most awesome sounding meditation and narrative about what art means to the artist, where art comes from, and more, and it’s by vylet pony. this album is one year old now i think. i really really love this album.

happy birthday can opener’s notebook fish whisperer. coolest album of all time.

[a-drinking-pegasus]

sometimes it feels like me vs. the world, @asksketchyskylar

[glimglam-does-things]

Gift art for @neko-snicker​ ! Presented in both vanilla and sharkpone flavors. She was really fun to draw!

Bonus doodle:

[whirlwindflux]

Flux: Don’t be shy! What will you pick?

About two weeks ago I saw that @neko-snicker​ started this Horse Artist Dating Simulator thing over on Twitter and it caught my attention. Took me a bit to figure out how I wanted to put it together, hope I’m not too late to join the game!

[bkfisher]

DAMN NEK'!

Lullay moon princess,

Goodnight sister mine

(If shared, please source back to my twitter)

Twitter│More Art

[cassettepony]

comm for nekosnicker