#need a place for gaming

[joshuamj]

Okay, but what if EoW!Zelda had to impersonate Link

[artcalledmusica]

Ex Note Add Extension Add words play on the notes En between the same songs Who runs who Bring it back before middle or end Like the Doors Get together again He held himself from singing Let the band jam Will get back into it My words are bleeding for you Stop requiring all songs Of hits The greatest have plenty Wouldn’t it be better For improvisation on N rock Korn did it bunches Love hate On albums Some bands played the same way always Kernels Popped Pop pop pop pop pop pop On stage POp those kernels mainstreams add the Likes missed of stairs below Even Miley said grown on UR YouTube snuffed by algorithm Stuff Well I saw you play the same songs Please add more Not buy new album It’s all single stuff these days Go with my timez Ex add notes or words How hard is it! Did I bring it back ! What’s that MMybsDroW They infiltrated My PS5 Just now! Rather tool chimes in on last update It’ll be corn growing soundtrack slows Aging in sounds RdR2 I’m only in chapter three Will play soon Extra added notes & words

[ravenpureforever]

On one hand, Young Justice is kind of neglected by the actual superheroes that should be looking out for them in a lot of crucial ways and very much failed by the adults around them

But on the other hand Red Tornado straight up hosts a parent-teacher conference where their respective legal guardians all show up, barring Batman who’s in traffic so Nightwing fills in instead because Robin’s dad does not know he’s a vigilante which is objectively hilarious

[egophiliac]

me: okay, I did the 350k points thing ONCE for pink Last Note Hayate, I'm never ever in a million years going to do it aga --

dkmn: blue digimon Fralio :)

me: oh DAMNIT

(I did eventually get the card too, even though trying to pull him felt basically like...)

[dykedvonte]

I think depictions of Anya being cruel to Curly or drawing out his suffering are artful and chilling but completely miss the point of the story and her character.

I'm not saying she doesn't deserve to have that "I told you so" moment with him but not in something callous or cold. Even if that is how it happened, she'd immediately feel guilty cause at that point she's not tormenting her tormenter or even the person truly at fault. She's doing something cathartic, similar to how Jimmy likely hits Curly to release rage he can't against the rest of the crew. She'd see herself as no different when she'd come back from the moment and see Curly cowering at her. She wants someone to take responsibility but how does being cruel to the defenseless help? Why would she want the power Jimmy has over her over Curly?

The idea of her extending someone else's pain is just so against the struggles she already faces and how she can't even bring herself to cause someone pain even to help them. Her very desire is to release herself from her own suffering and I doubt she'd even fine some sort of guilty release in being cruel to another.

[phoenixcatch7]

Okay but it's super interesting how

Din = Power = Ganondorf

Naryu = Wisdom = Zelda

Farore = Courage = Link.

Because Din, in the hylian creation myth, created the physical world. Naryu then created the laws - gravity, time, etc. And Farore finally created life - plants and people.

Din created the body, naryu the mind, Farore the soul.

And the triforce and its wielders so perfectly reflect that.

Ganon is physical power, he is big and intimidating and he breaks things. He is cunning and determined, but that's not what he focuses on. He is might makes right.

Zelda is wisdom and cleverness. She is stall tactics and information and team work. She is a powerful mage with a spine of steel, but that's not how she'll win. She is the pen being mightier than the sword.

Link is courage and persistence. He is the wild card sneaking behind enemy ranks, always moving, plunging into terrifying situations head first. He's a phenomenal fighter with a keen wit, but that's not what will get him through his challenges. He is bravery not being the absence of fear but the triumph over it.

They sit in perfect parallels to each other.

And ganon is reborn through his body - his resurrection is immortality. No matter how low he is cast, as long as he has a body he can claw his way back. He can cling to his power, build it ever higher.

Zelda is reborn through the magic of her bloodline. It's the accumulated knowledge handed down for generations, the unique power she must master, the skills she must develop to survive and get her kingdom out the other side intact. Even her name, the knowledge of herself, is handed down from all the way from the very first. Her ancestors knowledge of her future presence, her stability, is what gives her the edge.

Link is reborn in spirit. He is not bound by flesh or blood. Just like his wanderlust soul he can reappear in any time or place. His variation, his unpredictability, is exactly how he fights. It's what makes him so hard to pin down.

Ganons need to build strength means he can't chase after link. Links impulsiveness means zelda can outwit him. Zeldas stationary predictability means she's an easy target for ganon.

But the other direction?

Fire melts ice, ice redirects lightning, lightning burns fire.

And that's the very essence of the triforce.

[anonymocha]

WE ARE SO BACK

[vaguely-concerned]

huh. you know something I just consciously put together for the first time about caterina and lucanis' relationship is that through the game we get to hear them talk about each other a lot, but we get very few chances to hear them speak with each other at any length at all. contrast it with other companions whose storylines have elements of 'believed lost/long time no see relative returns!' like bellara and davrin, where we get to see both of them have several pretty in-depth conversations with cyrian and eldrin. hell I think even rook talks with varric longer in the regret prison scene than we ever get to see lucanis and caterina interact directly.

(and when we do see them interact, it's mostly one-sided -- it is, perhaps unsurprisingly, caterina who is doing most of the talking and giving all the orders, as he ruefully observes is her wont after murder of crows. including jumpscaring him with 'you're first talon now btw' and the shocked pikachu face in five acts he goes through in response lmao. perhaps it's more accurate to say that she talks at him and he reacts, than that they talk to each other much.)

it has such an interesting effect too, because in deliberately denying us direct insight or experience and only having this mosaic of description from each of them to go on, as well as forcing us to pay attention to the negative space of what is carefully not said, it's evocative along the same principle that you never actually show the monster in a horror film. if you've read the wigmaker job you have a clearer image of the more uh. worrying elements at play here going in, but there is something fascinatingly insidious and naturalistic in the way it's 'hushed up' in the game itself. she has his complete loyalty both as a member of her house and, more importantly, that of an abused child to a parent figure. he readily admits several times that she's a difficult person to live with, an even more difficult person to be loved by ("even for me. and I was her favourite")... but never once does he actively blame her nor truly conceptualize that he has every right to do so (that he can be angry with her and still love her, because whether he should or not he unavoidably does), or that she might have acted differently than she did, that she made a choice every time to hurt him. even affectionately he speaks of her as a force of nature, an act of god -- something that can't be reasoned or pleaded with or resisted, something you can only hope to navigate with as little pain as possible and pray to survive. let yourself get carried away by the riptide, resisting it will only make it worse. you don't compromise with a hurricane, you just try to find the best shelter you can and cross your fingers while you wait for it to pass and be calm again.

love is that hurricane. you do whatever she asks. you earn her continued affection day by day by never letting her down. you only want the things she tells you it's okay to want and cut everything else away preemptively. ("A wyvern tooth dagger?? I loved wyverns as a boy --Caterina would never let me have one of these, though." and as we have all wept and gnashed our teeth over, it never even OCCURS to him that he's a like thirty-five year old adult man who can buy himself any dagger he wants at any time. she said he couldn't have one. so he'll never have one. that's just how it works. and maybe if Illario could just accept that and find his peace with it like I have, this whole thing wouldn't be so difficult. oh lucanis.)

such is the price -- and the cost -- of being loved by her, it's a loan on which the interest will never stop piling up. you have to keep paying it down in perfection every day if you want to keep it. who got the worse deal there: the grandson who has abandoned everything else in life to live up to that and mostly succeeded, until the day he's so burned out and broken it threatens to no longer be an option, or the grandson who can never seem to scrape together enough worth in her eyes no matter how he begs, borrows or steals it, how he hustles and plays dirty?

one of the worst things that can happen to anyone is to be loved by a selfish god. another one of the worst things that can ever happen to anyone is to not be loved by a selfish god. (hope that helps, boys!) even in betraying everything else, Illario can't bring himself to hurt his grandmother, because that would defeat the whole point. who would he defiantly be proving himself worthy to, without her. in love, devotion, submission, hatred, frustration, bitterness, everything is defined in relation to her, you can spot the gravitational force of it through how the dellamorte family move through time and space. she -- her love and regard and attention -- is still the sun both of their worlds orbit around, even as adults. the game might never tell you outright 'she used to beat and starve them growing up. for their own good you see, so they'd be strong (and broken down enough for her to build them up again however she wanted but I'm sure that's incidental)', but if you know even a little bit about how these dynamics can work the writing is on the wall everywhere you look and all the more unsettling for it.

follow lucanis' freeze-logic and fraught interpersonal catch 22 irreconcilable mixed emotions problems back far enough, looong before the ossuary entered the picture, and you start to see caterina's ghost around every fucking corner. she is so proud of him. (well, she would be. she made him. she forged exactly the knife she needed and it rests willingly, devotedly, in her hands, it would return to her every time because it doesn't know love as anything but to be a knife. his tama never taught him how to be anything else. his biggest fear with her is that she won't even want him back, the way he is now.) to the best ability of her soul, whatever parts of it survived a lifetime of crow politics and 'five children, eight grandchildren, only Illario and me left now', I think she really does loves him. he certainly loves her, with all the sincerity and artless desperation of a child, of the little boy he was once. and what she's done to him (and to illario, for all his shitty gremlin scar-ass antics lol) is awful. the harm is real, and the love is real, and trying to find a way for these two truths to exist in the same space is driving all three of them their own individualized forms of insane. you know. the way only family can and so often does lol.

through implications and short glimpses and having to put the pieces together yourself, you can have the feeling that there is very genuine mutual love and attachment in this relationship... and that beneath that there is something so profoundly wrong. and the sneaking '...oh shit it gets worse the longer I think about it' horror of that is more effective for me at least than the stark in-your-face presentation of the facts of the matter could have been. the love is here. the love is here. it only ever makes it worse.

[soft-cryptids]

“Nice.”

[daily-beau]

Day 16: My saviour

[gummi-ships]

Kingdom Hearts 3 - The Land of Departure

[moonsnqil]

Kevin watching Jean ask Jeremy if he's okay, watching Jean offer to hold Laila's bag so she can fix her shoe, watching Jean hand Cat a granola bar before a game because she looked a little unsteady. He's not jealous, he had his time by Jean's side. Maybe it's grief. Grief for something that was never so innocent, never so untouched by cruel hands, something that could've been better if they were anyone else. Grief for something that's long passed and can never be fixed to be made better than before. He had his time at the receiving end of Jean's concerned glances. Maybe he's just a little sad that when he's at an away game, he no longer buys post cards for a friend. Maybe he just misses this person who used to always be by his side but they both knows it's better this way. Jean is happy, it's not with Kevin, and that's okay.

[megamagimugi]

He's-a Gone

Luigi time! To suffer, that is.

(CW: character death)

This is obviously a sort of comlementary piece to I Was-a Too Late. But it's more than just that as it also illustrates a certain fun, dark what-if idea I had. Please keep reading if you're intrigued!

Lore:

Luigi's Mansion, the first game. Everything goes the same as in canon until the final boss fight, when Luigi defeats King Boo in his Bowser costume. After King Boo comes out and Luigi intends to suck him in, the villain laughs and reveals the truth: Mario's painting was an illusion, so was everything Madame Clairvoya saw. All just to mess with Luigi. Meanwhile the real Mario wasn't just captured by the Boos, he was immediately killed by them on their King's orders. The only physical thing that's left of him in this realm is the five items Luigi found - hidden by the Boos for Luigi to find, another part of King Boo's sick game.

Luigi is able to finish the fight despite his shock and grief, fueled by the anger King Boo never expected from him. After getting out of the painting the plumber discovers that it is indeed empty, no Mario or anyone else in the portrait.

Heartbroken and guit-ridden, Luigi goes back to Professor E. Gadd's lab and gives him back the Poltergust 3000. He doesn't even want to stay long enough to see what is going to happen to the ghosts. Of course the Professor tries to offer some semblance of comfort, but we all know it's not his forte.

So Luigi leaves, only taking Mario's five items with him. He notices that the mansion has disapeared without a trace. The reality of it all finally hits him, and he practically collapses onto a nearby tree's large root protruding from the ground, putting down the precious items around himself, only leaving the matching red hat and the letter in his hands. He should have known something was off. After all, the Mario he saw in the painting was wearing his hat and both gloves.

Looking at all these items, to his growing horror he can't help but imagine what exactly might have happened to his brother and what his last moments might have been like. He hugs the hat to his chest and rereads Mario's note several times, knowing that the brief warning was his brother's last words to him.

Luigi can do nothing but cry for the beloved brother he couldn't save, desperately wishing it was his warm, living and breathing body pressed to his chest rather than just a couple of his belongings.

But Mario is truly gone, apparently having met such a horrific fate that not even a single part of his body is left in the physical world.

[Good night]

…I'll leave the rest up to your imagination ;) Sorry if I got carried away with my description. Occasionally even I enjoy being a little dramatic, though I'm no writer whatsoever.

Yeah, I'm not apologizing for making this one - I was nicer to Luigi than to his bro, at least here the Mushroom Kingdom and everyone in it (except for Mario lol) is still okay!

But alas,

You can no longer play as Mario (warning: this is a video with sound)

Rest in spaghetti, funny wahoo man.

@federthenotsogreat I'm tagging you because you said you wanted more Mario art like I Was-a Too Late, thought you might like this one too!

@drones-of-innocence Also tagging you because you were interested in my idea.

Edit: Tagging a few more mutuals who might want to see this based on their reaction to my previous angsty work just in case, feel free to ignore. Or ask me to remove the tag if you want, no problem.

@silenzahra (remember, no rush) @c-lavanda @jell-o101 @stripetkattelalala54-gf

@luigixfanxayjay @itsavee4117

And you @giddlygoat just because you have a Luigi's Mansion AU and I thought you might appreciate this... Also because I'm a fan 👉👈

[syn0vial]

also, i love how astarion spends the entire time leading up to his confrontation with cazador fantasizing about how much he wants to kill him, snarling his name whenever he has to speak it, talking about how good it will feel to finally see him dead. you suggest that maybe he might experience some complicated emotions once the deed is done and he's like, "no, how dare you, it's going to be the greatest moment of my life!!! i can't even think of it without smiling!"

and then astarion finally kills him. and immediately bursts into tears.

love that for him. genuinely.

[duriens]

so we all agree that kirkwall is both horrifying and fascinating and i wish they'd delved more into its bloody history beyond the snippets we get from the codexes of the band of three. like hello?? three seekers of truth - among which a dalish mage - scurrying about the sewers and lower passages of the city, discovering that kirkwall was designed as some sort of magical symbol, has grooves in the sewers allowing the flood of blood downward for blood magic purposes, and last but not least realizing that its circle of magi had a much higher number of failed harrowings & episodes of blood magic hysteria than basically any other circle in existence??? you cant leave me hanging like that. why was the veil so thin there even before tevinter came? why were they weakening it further?? what was tevinter doing with all those disappeared slaves every year and the huge blood magic ritual involving thousands of slaves and the city itself being a magic symbol??? did the band ever find out if the Forbidden Ones are the same Forgotten Ones of dalish lore??? why was xebenkeck called 'forgotten one'??? hello????? what the fuck is up in kirkwall??????

[lavendorii]

long-term nuclear waste warning messages/subnautica