#nancy linehan charles

[adamwatchesmovies]

The Manor (2021)

I’ll grant The Manor some points. At its core, it showcases a relatable fear. Its focus on an older actress as the main character makes it stand out, as does the ending. What’s not so good are the complete lack of scares, some sloppy bits of writing and certain character motivations that don’t quite add up. For me, this lands it smack-down in the middle. It’s ok.

After suffering a stroke, 70-year-old Judith Albright (Barbara Hershey) is moved into a nursing home and soon after, diagnosed with Parkinson’s disease. There, she is confronted by another resident, who insists something sinister is happening before dying. Though her 17-year-old grandson, Josh (Nicholas Alexander), wants to believe her, Judith’s stories of a strange tree-like demon appearing at night sound exactly like the symptoms of dementia.

It’s nice to see Barbara Hershey in a starring role. She may be 75 but there’s no reason she shouldn’t still be performing and The Manor is an ideal film for her. The doctor may have diagnosed Judith with an incurable brain disease, but she doesn’t seem ill at all. She’s sharp, likable and perfectly capable of taking care of herself. She might need someone to check up on her occasionally but she’s not like those residents who can’t even tell what day of the week it is and are waiting for people who are long dead to visit them. This is what makes her suspicions frightening. Try as she might, Judith will never convince anyone she isn't hallucinating. The idea of being stuck at the manor is similar to the nightmare scenario of being mistakenly incarcerated in a mental asylum. This is an area where the movie could have been improved. If Judith was a little less stable, a little more frail, we might question whether the creature that appears at night is real. As is, you know something shady is going on in this place. More than that, you can probably tell who is behind it as well - the movie isn’t hard to figure out.

I’m being nice to The Manor because there are some good ideas at its core. In execution, however, this movie isn’t all there. The first problem is that it just isn’t frightening. There are plenty of shots late at night that might make you jump when something scary suddenly appears, but what is actually happening at the manor is pretty obvious, which dissipates your interest in the plot significantly. 

What’s going on, exactly? Turns out Ruth (Fran Bennett), Roland (Bruce Davison) and Annette (Nancy Linehan Charles) are actually much older than everyone else at the manor. At night, they revert to their younger selves so they can live it up and transform back to normal when the sun rises. To keep this magic going, they’ve been sacrificing the other residents to a tree-like demon. After Judith and her grandson manage to dispatch Roland, the remaining witches tempt her with an offer: “Why not join us?” Shockingly, she and Josh agree! It’s an unsettling turn of events, but I’m not sure it’s in character for them to go along with it. Even if it is, this revelation raises several questions. At one point, Judith finds a list of the residents who’ve just had their lives drained away by the demon and her name is next. Where did this piece of paper come from? If it lists all the nefarious trio’s victims, shouldn’t it be way, way longer? It’s just a clumsy way to keep the plot moving, is what it is. Going back to that “Join us!” proposition, you can easily see how this could’ve been an enticing prospect for Judith if the film was written a little better; if we saw her genuinely worried about getting old and having her mind fall apart, or if we saw some residents die for non-magical reasons.

The Manor features a different protagonist than we’re used to seeing in a horror movie and the ending is memorable but the lack of scares, predictable story and clunky writing make it hard to get too excited about it. You could do much worse if you’re looking for something to watch “for free” from home, but there are many other movies I’d point you toward first. (December 4, 2023)

[ulkaralakbarova]

A former basketball all-star, who has lost his wife and family foundation in a struggle with addiction, attempts to regain his soul and salvation by becoming the coach of a disparate ethnically mixed high school basketball team at his alma mater. Credits: TheMovieDb. Film Cast: Jack Cunningham: Ben Affleck Dan: Al Madrigal Beth: Michaela Watkins Angela: Janina Gavankar Doc: Glynn Turman Marcus Parrish: Melvin Gregg Brandon Durrett: Brandon Wilson Kenny Dawes: Will Ropp Sam Garcia: Fernando Luis Vega Chubbs Hendricks: Charles Lott, Jr. Bobby Freeze: Ben Irving Devon Childress: da’Vinchi Father Edward Devine: John Aylward Russ: T.K. Carter Diane: Rachael Carpani Kurt: Todd Stashwick Anne: Nancy Linehan Charles Gerry Norris: Dan Lauria Sal: Chris Bruno Coach Lombardo: Matthew Glave Matty (Bartender): Jeremy Ratchford Susan Norris: Jayne Taini Father Mark Whelan: Jeremy Radin Ryan: Nico David Sarah: Emelia Golfieri Sarah: Layla Golfieri Miguel: Sal Velez Jr. Sofia: Yeniffer Behrens Sully – Ref #2: Eric Tate Doctor: Christine Horn Construction Worker #1: Josh Latzer Construction Worker #2: Manny Streetz David: Justice Alan Liquor Store Owner: Jay Abdo Lead Referee: Joshua Hubbard Burly Man: James P. Harkins Employee: Mike G. Betty: April Adams Haley: Chieko Hidaka Student: Bronwen O’Connor Student: Charlotte Evelyn Williams Student: Kayla Diaz Trinity Coach: Doc Jacobs Gale: Marlene Forte Ken: Shay Roundtree Pat: Chad Mountain Summit Coach: Sandy Fletcher Opposing Coach: Noah Ballou Female Friend – Nancy: Cynthia Rose Hall Referee: Calvin Barber Fish Scale Operator: Dino Lauro Bishop Bench Player: Roman Mathis Bishop Bench Player: Herbert Morales Bishop Bench Player: Mateo Ortiz Bishop Bench Player: Tyler O’Malley Ethan (uncredited): Tom Archdeacon Basketball Player 7 (uncredited): Brian Nuesi Denise (uncredited): Edelyn Okano Cheerleader (uncredited): Carly Schneider Mike Ball Boy (uncredited): Caleb Thomas Eric (uncredited): Hayes MacArthur Basketball Player: Alexander Tassopoulos Birthday Party Guest (uncredited): Mason Blomberg Film Crew: Producer: Gavin O’Connor Producer: Jennifer Todd Producer: Gordon Gray Sound Mixer: Steven A. Morrow Producer: Ravi D. Mehta Set Decoration Buyer: Ellen Dorros Boom Operator: Craig Dollinger Utility Sound: Bryan Mendoza Art Direction: Bradley Rubin Costume Design: Cindy Evans Director of Photography: Eduard Grau Editor: David Rosenbloom Executive Producer: Brad Ingelsby Executive Producer: Mark Ciardi Unit Production Manager: Bob Dohrmann Executive Producer: Kevin McCormick Executive Producer: Aaron L. Gilbert Executive Producer: Jason Cloth Executive Producer: Kaitlyn Taaffe Cronholm Executive Producer: Madison Ainley Production Design: Keith P. Cunningham Casting: Wendy O’Brien Co-Producer: Brittany Hapner Original Music Composer: Rob Simonsen Music Supervisor: Gabe Hilfer Unit Production Manager: Victor Ho Second Assistant Director: Kevin Lum First Assistant Director: Jamie Marshall Visual Effects Supervisor: Bruce Jones Set Decoration: Douglas A. Mowat Set Designer: Paul Sonski Assistant Art Director: Linia Marie Hardy Assistant Art Director: Brittany Bradford Graphic Designer: Stephanie Charbonneau Graphic Designer: Andrew Campbell Art Department Coordinator: Michael LaCorte Leadman: Fred Haft Set Decoration Buyer: Jane Madden Stunt Coordinator: Tom McComas Stunts: Oliver Keller Stunts: Courtney Farnsworth Stunts: Allan Graf Stunts: Craigory Glen Hunter Stunts: Lauren Shaw Stunts: B R Lamar Stunts: David Rowden II Property Master: J.P. Jones Assistant Property Master: Rick Chavez Script Supervisor: Steve Gehrke “A” Camera Operator: Peter Rosenfeld Still Photographer: Richard Foreman Jr. “B” Camera Operator: Michael Merriman First Assistant “A” Camera: Stephen MacDougall Second Assistant “A” Camera: Jordan Pellegrini First Assistant “B” Camera: Jesse Cain Second Assistant “B” Camera: Seth A. Peschansky Digital Imaging Technician: Jesse Tyler Music Editor: Curt Sobel Assistant Editor: Anna Rottke First Assistant Editor: Joe Rosenbloom Soun...

[moviemosaics]

The Manor

directed by Axelle Carolyn, 2021

[brokehorrorfan]

Tone-Deaf will be released on Blu-ray and DVD on October 22 via Lionsgate. Written and directed by Richard Bates Jr. (Excision), the genre-bending home invasion thriller is currently available on VOD.

Amanda Crew and Robert Patrick star with Hayley Marie Norman, Johnny Pemberton, Nancy Linehan Charles, AnnaLynne McCord, Ray Wise, Kim Delaney, Ronnie Gene Blevins, Tate Ellington, Ray Santiago, and Nelson Franklin.

Read on for the special features, trailer, and synopsis.

Special features:

The Struggle Is Real: Making Tone-Deaf

After being dumped by both her boss and her boyfriend, Olive (Amanda Crew) flees the city for the weekend and rents an ornate country house from an old-fashioned widower named Harvey (Robert Patrick). She’s hoping for a few days of peace. What she gets is a weekend of sheer terror, as Olive awakens Harvey’s darkest urges—and is plunged into a blood-soaked fight for her life.

[whatsnextmovies]

Tone-Deaf

August 23, 2019

[jamesrodayrodriguezpresents]

Into The Dark: Treehouse Interviews

[darkmovies]

8 Found Dead (2022)

[davidosu87]

[fearsmagazine]

8 Found Dead wins Top Honors at Screamfest LA

8 Found Dead, a horror film from Director Travis Greene, earned the award for Best Director and Best Picture at the 2022 Screamfest Horror Film Festival Awards Ceremony on Wednesday October 19, at the Montalban Rooftop in Hollywood.

The debut feature from Greene is a home invasion flick for the Airbnb generation. It follows two couples who drive to a secluded house in the desert for a weekend getaway, each carrying their own baggage, expectations, and secrets. Upon arrival, they're met by an older couple who claim to have rented the house themselves.

Told from four different point-of-views, the film is less about "whodunnit" and more about "who survives." What starts as a misunderstanding ends in an all-night bloodbath.

Starring Alisha Soper, Ali Trasher, William Gabriel Grier, Eddy Acosta, Laura Buckles, Patrick Joseph Rieger, Rosanne Limeres, Tim Simek, with Jenny Tran and Nancy Linehan Charles.

The film is a production of Sparkle Bear Inc., in conjunction with Palm 9. Written by Jonathan Buchanan and cinematography by Ryan Valdez. Produced by Travis Greene, Jonathan Buchanan, Ryan Valdez, Hannah, Risinger, Nathaniel Upshaw, Elliot Murphy, Laura Buckles, Neal Evans, and Rick Blakely.

[baronvonriktenstein]

Ok so the realtor is played by Nancy Linehan Charles. Not sure what I know her from but she is in several episodes of Huff, so I've seen her in it. Don't remember that but still.

omg Allison Janney was in "Rooftop Kisses"

:o

an, i think, unreleased short.

Or rather, it was. It's on Vimeo. this is my first time seeing it.

She plays Anton's mom.

[mrmichaelchadler]

Into the Dark: Treehouse

The latest installment in Hulu’s monthly series of original horror films, “Into the Dark: Treehouse,” is just good enough that you wish it was better. Not only does it contain the best ensemble yet in one of these Blumhouse-produced films, but it couldn’t be more topical as more and more men face a reckoning for their awful past behavior with women. Horror has often turned to stories of justice for past wrongs, but it will be interesting to see how the #MeToo and #TimesUp era impacts the genre over the next few years. “Treehouse” is an early entry in a genre I expect to get pretty crowded—tales of abusers getting what’s coming to them.

The Harvey Weinstein of this situation is a celebrity chef named Peter (the great Jimmi Simpson of “Westworld”), clearly modeled after Gordon Ramsay. He’s the kind of TV personality who yells at more inexperienced chefs on national television. In other words, he’s made a career out of being an abusive asshole. And that’s because that’s what he is in his private life too, although “Treehouse” struggles sometimes with how we’re supposed to see Peter. At first, the extent of Peter’s villainy is unclear. After all, he’s nice to the daughter he doesn't spend enough time with and he IS the protagonist of “Treehouse,” even if it’s clear he’s going to learn a lesson or two before the movie is over.

Peter heads home to lie low as conversations about another looming controversy that's about to break hang in the air. He runs into his sister Gwen (Amanda Walsh) for the first time in ages and interacts with his irascible housekeeper Agnes (Nancy Linehan Charles). On the way to his family’s vacation house, he also sees a face from the past in the creepy Lonnie (Michael Weston), who still runs the local bait shop. At first, it appears that “Treehouse” may be a riff on Joel Edgerton’s “The Gift,” in which a cocky man is tormented by someone he bullied in the past.

This is not that movie. It shifts when Peter is visited by a girl named Kara (Julianna Guill), who tells him that their bachelorette party nearby has hit a snag—they’ve lost power. First, Peter just gives them some candles and flashlights, but then he decides to be magnanimous enough to cook them dinner. The party comes over to Peter’s house and includes the bride (Shaunette Renee Wilson), her mother (Mary McCormack), and friends played by Sutton Foster, Sophia Del Pizzo, and the great Stephanie Beatriz of “Brooklyn Nine-Nine.” As Peter gets drunker and drunker, his truly awful side turns up to 11. He makes uncomfortable jokes at everyone’s expense, and it’s clear that the tables will be turned on Peter before long. However, exactly how those tables flip won’t be spoiled here.

Let’s just say that “Treehouse” is about a man being forced to answer for his past abusive behavior. Peter isn’t just a jerk. He’s a criminal. And he’s the kind of criminal just rich and famous to keep getting away with it. Until now. The reckoning for Peter is interesting in the way it’s pulled from the headlines, but it’s not that engaging cinematically. Simpson is typically great, but director James Roday (star of “Psych” and “A Million Little Things”) can’t quite manage the tone and the film looks depressingly flat (and sometimes even worse). “Treehouse” is interesting from afar instead of ever being actually tense or scary. One also has to wonder if it’s told from the wrong side. Imagine this story from the perspective of the women seeking vengeance instead of from the man being taught a lesson. In other words, imagine a much darker, more vicious version of this story that says violence will be met with violence and feels like the stakes are higher than a “jerk learning a lesson.”

Far more than last month’s “Down,” there’s a lot to like here. Simpson is a fantastic actor, and Beatriz, McCormack, and Weston are always welcome faces, even if they all feel kind of wasted here (especially Beatriz). Almost every other scene in “Treehouse” gives you that feeling of “Yeah, that’s a good idea, but ...” It’s halfway there, which is more than you can say about some of the installments of “Into the Dark” but less than this story deserves.

from All Content https://ift.tt/2H9YRmA

[ramascreen]

TONE-DEAF Poster And Trailer Starring Robert Patrick and Amanda Crew

TONE-DEAF Poster And Trailer Starring Robert Patrick and Amanda Crew

Saban Films has unleashed this trailer and this poster for writer/director Richard Bates Jr’s TONE-DEAF starring Robert Patrick, Amanda Crew, Hayley Marie Norman, Johnny Pemberton, Nancy Linehan Charles, AnnaLynne McCord, Keisha Castle-Hughes, Ray Wise, Kim Delaney 

After losing her job and imploding her latest dysfunctional relationship, Olive (Amanda Crew) flees the city for the weekend,…

[thesonnetman]

View this post on Instagram

A post shared by Devon Glover (@thesonnetman)

Nancy Linehan Charles and @theburningmilkman doing what they do best!!! #SaltyShakespeare #SantaMonica (at Santa Monica College)

[tannertoctoo-blog]

Untitled Document

April 7, 2017

Apeiron, Vol. 50, #2, 2017 Canadian Journal of Philosophy, Vol. 47, #2-3, 2017 Erkenntnis, Vol. 82, #2, 2017 Hume Studies, Vol. 41, #1, 2015 Journal of Business Ethics, Vol. 141, #4, 2017 Journal of the History of Ideas, Vol. 78, #2, 2017 Journal of Speculative Philosophy, Vol. 31, #2, 2017 Judgment and Decision Making, Vol. 12, #2, 2017 Mind & Language, Vol. 32, #2, 2017 Philosophia, Vol. 44, #4, 2017 Philosophical Studies, Vol. 174, #5, 2017 Philosophy of Science, Vol. 84, #2, 2017 Philosophy, Psychiatry, & Psychology, Vol. 24, #1, 2017 Phronesis, Vol. 62, #2, 2017

Apeiron, Vol. 50, #2, 2017 Research Articles Margarita Vega. Bridging the Gap between Aristotle’s Use and Theory of Metaphora. Carries Swanson. Aristotle on Ignorance of the Definition of Refutation. Justin Humphreys. Abstraction and Diagrammatic Reasoning in Aristotle’s Philosophy of Geometry. Ignacio De Ribera-Martin. Unity and Continuity in Aristotle. Fei-Ting Chen. A Hylomorphic Reading of Non-Genuine Qualitative Changes in Aristotle’s Physics VII.3. Back to Top

Canadian Journal of Philosophy, Vol. 47, #2-3, 2017 Special Issue: Ethics and Future Generations Articles Richard Yetter Chappell. Rethinking the Asymmetry. Jake Earl. A Portable Defense of the Procreation Asymmetry. Melinda A. Roberts. Is a Person-Affecting Solution to the Nonidentity Problem Impossible? Axiology, Accessibility and Additional People. Pranay Sanklecha. Our Obligations to Future Generations: The Limits of Intergenerational Justice and the Necessity of the Ethics of Metaphysics. Tim Meijers. Citizens in Appropriate Numbers: Evaluating Five Claims about Justice and Population Size. Eric Brandstedt. The Savings Problem in the Original Position: Assessing and Revising a Model. Tim Mulgan. How Should Utilitarians Think about the Future? Janna Thompson. The Ethics of Intergenerational Relationships. Elizabeth Finneron-Burns. What's Wrong with Human Extinction? Johann Frick. On the Survival of Humanity. Stephen M. Gardiner. The Threat of Intergenerational Extortion: On the Temptation to become the Climate Mafia, Masquerading as an Intergenerational Robin Hood. Catriona McKinnon. Endangering Humanity: An International Crime? Brian Berkey. Human Rights, Harm, and Climate Change Mitigation. Back to Top

Erkenntnis, Vol. 82, #2, 2017 Original Articles Luca Sciortino. On Ian Hacking’s Notion of Style of Reasoning. Kevin Reuter. The Developmental Challenge to the Paradox of Pain. Matthew Frise. Internalism and the Problem of Stored Beliefs. Jeroen Smid. Material Constitution is Ad Hoc. Justin A. Capes. Freedom with Causation. Jakob Koscholke. Carnap’s Relevance Measure as a Probabilistic Measure of Coherence. Megan Henricks Stotts. Understanding the Intentions Behind the Referential/Attributive Distinction. Patrik Hummel. Against the Complex versus Simple Distinction. Edward Elliott. Probabilism, Representation Theorems, and Whether Deliberation Crowds Out Prediction. J. B. Paris, A. Vencovská. Combining Analogical Support in Pure Inductive Logic. Liam Kofi Bright. Decision Theoretic Model of the Productivity Gap. Book Review Florian Boge. Simon Friederich: Interpreting Quantum Theory: A Therapeutic Approach. Back to Top

Hume Studies, Vol. 41, #1, 2015 Articles Lisa Ievers. The Method in Hume’s “Madness”. Jennifer Welchman. Self-Love and Personal Identity in Hume’s Treatise. Book Symposium: Andrew Sabl’s Hume’s Politics: Coordination and Crisis in the History of England Willem Lemmens. “Sweden Is Still a Kingdom”: Convention and Political Authority in Hume’s History of England. Mark G. Spencer. “Distant and Commonly Faint and Disfigured Originals”: Hume’s Magna Charta and Sabl’s Fundamental Constitutional Conventions. Ryu Susato. “Politics May Be Reduced To a Science”?: Between Politics and Economics in Hume’s Concepts of Convention. Andrew Sabl. Reply to My Critics. Back to Top

Journal of Business Ethics, Vol. 141, #4, 2017 Special issue on Moral Emotions and Ethics in Organizations; Issue Editors: Dirk Lindebaum, Deanna Geddes, Yiannis Gabriel Editorial Dirk Lindebaum, Deanna Geddes, Yiannis Gabriel. Moral Emotions and Ethics in Organisations: Introduction to the Special Issue. Original Papers Steven A. Murphy, Sandra Kiffin-Petersen. The Exposed Self: A Multilevel Model of Shame and Ethical Behavior. Adriana Wilner, Tania Pereira Christopoulos. The Online Unmanaged Organization: Control and Resistance in a Space with Blurred Boundaries. Marie Dasborough, Paul Harvey. Schadenfreude: The (not so) Secret Joy of Another’s Misfortune. Srinath Jagannathan, Rajnish Rai. Organizational Wrongs, Moral Anger and the Temporality of Crisis. Fahri Karakas, Emine Sarigollu, Selcuk Uygur. Exploring the Diversity of Virtues Through the Lens of Moral Imagination: A Qualitative Inquiry into Organizational Virtues in the Turkish Context. J. J. de Klerk. Nobody is as Blind as Those Who Cannot Bear to See: Psychoanalytic Perspectives on the Management of Emotions and Moral Blindness. Carol Linehan, Elaine O’Brien. From Tell-Tale Signs to Irreconcilable Struggles: The Value of Emotion in Exploring the Ethical Dilemmas of Human Resource Professionals. Paul Harvey, Mark J. Martinko, Nancy Borkowski. Justifying Deviant Behavior: The Role of Attributions and Moral Emotions. Benjamin R. Walker, Chris J. Jackson. Moral Emotions and Corporate Psychopathy: A Review. Back to Top

Journal of the History of Ideas, Vol. 78, #2, 2017 Articles Jacomien Prins. Girolamo Cardano and Julius Caesar Scaliger in Debate about Nature’s Musical Secrets. Henrique Leitão, Antonio Sánchez. Zilsel’s Thesis, Maritime Culture, and Iberian Science in Early Modern Europe. Wiep van Bunge. Spinoza’s Life: 1677–1802. Amos Bitzan. Leopold Zunz and the Meanings of Wissenschaft. Mark Bevir. John Rawls in Light of the Archive: Introduction to the Symposium on the Rawls Papers. David A. Reidy. Rawls on Philosophy and Democracy: Lessons from the Archived Papers. P. MacKenzie Bok. “The Latest Invasion from Britain”: Young Rawls and His Community of American Ethical Theorists. Daniele Botti. Rawls on Dewey before the Dewey Lectures. Andrius Gališanka. Just Society as a Fair Game: John Rawls and Game Theory in the 1950s. Back to Top

Journal of Speculative Philosophy, Vol. 31, #2, 2017 Articles Arvi Särkelä, Justo Serrano Zamora. John Dewey and Social Criticism: An Introduction. Arvi Särkelä. Immanent Critique as Self-Transformative Practice: Hegel, Dewey, and Contemporary Critical Theory. Italo Testa. The Authority of Life: The Critical Task of Dewey’s Social Ontology. Arto Laitinen. Dewey’s Progressive Historicism and the Problem of Determinate Oughts. Roberto Frega. A Tale of Two Social Philosophies. Federica Gregoratto. The Critical Nature of Gender: A Deweyan Approach to the Sex/Gender Distinction. Emmanuel Renault. Dewey’s Critical Conception of Work. Justo Serrano Zamora. Overcoming Hermeneutical Injustice: Cultural Self-Appropriation and the Epistemic Practices of the Oppressed. Back to Top

Judgment and Decision Making, Vol. 12, #2, 2017 Articles Yuanchao Emily Bo, David V. Budescu, Charles Lewis, Philip E. Tetlock and Barbara Mellers. An IRT Forecasting Model: Linking Proper Scoring Rules to Item Response Theory. Paul M. Krueger, Robert C. Wilson and Jonathan D. Cohen. Strategies for Exploration in the Domain of Losses. Matteo Ploner. Hold on to it? An Experimental Analysis of the Disposition Effect. Nathaniel J. S. Ashby. Numeracy Predicts Preference Consistency: Deliberative Search Heuristics Increase Choice Consistency for Choices from Description and Experience. Onurcan Yilmaz and S. Adil Saribay. The Relationship between Cognitive Style and Political Orientation depends on the Measures Used. Michał Białek and Wim De Neys. Dual Processes and Moral Conflict: Evidence for Deontological Reasoners’ Intuitive Utilitarian Sensitivity. Rostislav Staněk. Home Bias in Sport Betting: Evidence from Czech Betting Market. Anna Katharina Spälti, Mark J. Brandt and Marcel Zeelenberg. Memory Retrieval Processes Help Explain the Incumbency Advantage. Tessa Haesevoets, Alain Van Hiel, Mario Pandelaere, Dries H. Bostyn and David De Cremer. How much Compensation is too much? An Investigation of the Effectiveness of Financial Overcompensation as a Means to Enhance Customer Loyalty. Back to Top

Mind & Language, Vol. 32, #2, 2017 Original Articles Glyn Humphreys (28 December 1954 – 14 January 2016). Martin Davies. Glyn Humphreys: Attention, Binding, Motion-Induced Blindness. Casey O'Callaghan. Grades of Multisensory Awareness. Tom Cochrane and Keeley Heaton. Intrusive Uncertainty in Obsessive Compulsive Disorder. Robert Schroer. Hume's Table, Peacocke's Trees, the Tilted Penny and the Reversed Seeing-in Account. Chiara Brozzo. Motor Intentions: How Intentions and Motor Representations Come Together. Back to Top

Philosophia, Vol. 44, #4, 2017 Special Issue contents: Forgiveness and Conflict / Guest edited by Paula Satne (pp 999-1124); Constitutive arguments and Kantian Constructivism / Guest edited by Sorin Baiasu and Christoph Hanisch (pp 1125-1246); Ineffability and Religious Experience: A Symposium (pp 1247-1438) Original Papers Xingming Hu. A Critical Survey of Some Recent Philosophical Research in China. Paula Satne. Introduction: Forgiveness and Conflict. Oliver Hallich. A Plea against Apologies. Geoffrey Scarre. Forgiveness and Identification. Paula Satne. Forgiveness and Moral Development. Monica Mookherjee. Healing Multiculturalism: Middle-Ground Liberal Forgiveness in a Diverse Public Realm. Maša Mrovlje. Forgiveness, Representative Judgement and Love of the World: Exploring the Political Significance of Forgiveness in the Context of Transitional Justice and Reconciliation Debates. Bill Wringe. Punishment, Forgiveness and Reconciliation. Christoph Hanisch, Sorin Baiasu. Constitutivism and Kantian Constructivism in Ethical Theory: Editorial Introduction. Christine Bratu, Moritz Dittmeyer. Constitutivism About Practical Principles: Its Claims, Goals, Task and Failure. Christoph Hanisch. Constitutivism and Inescapability: A Diagnosis. Caroline T. Arruda. Constitutivism and the Self-Reflection Requirement. Sorin Baiasu. Constitutivism and Transcendental Practical Philosophy: How to Pull the Rabbit Out of the Hat. Jochen Bojanowski. Kant’s Solution to the Euthyphro Dilemma. Carla Bagnoli. Kantian Constructivism and the Moral Problem. Thaddeus Metz. Is Life’s Meaning Ultimately Unthinkable?: Guy Bennett-Hunter on the Ineffable. David E. Cooper. Music, Nature and Ineffability. Guy Bennett-Hunter. Ineffability: Reply to Professors Metz and Cooper. Richard Brook. Berkeley and the Primary Qualities: Idealization vs. Abstraction. Shlomo Cohen. Are There Moral Limits to Military Deception? David Deming. Do Extraordinary Claims Require Extraordinary Evidence? Dylan B. Futter. Philosophical Anti-authoritarianism. Christos Kyriacou. Are Evolutionary Debunking Arguments Self-Debunking? Vanessa Lam. On Smilansky’s Defense of Prepunishment: A Response to Robinson. Ole Martin Moen. An Argument for Intrinsic Value Monism. Graham Renz. It’s All in your Head: a Solution to the Problem of Object Coincidence. Benjamin Yelle. In Defense of Sophisticated Theories of Welfare. Aleksandar Fatić, Ivana Zagorac. The Methodology of Philosophical Practice: Eclecticism and/or Integrativeness? Back to Top

Philosophical Studies, Vol. 174, #5, 2017 Original Papers Jens Kipper. Propositional Apriority and the Nesting Problem. Davide Bordini. Is there Introspective Evidence for Phenomenal Intentionality? Nicholas Smyth. The Function of Morality. David H. Glass. Science, God and Ockham’s Razor. Hilary Greaves, Harvey Lederman. Aggregating Extended Preferences. Stephan Krämer, Stefan Roski. Difference-Making Grounds. Amy Berg. Abortion and Miscarriage. Maarten Steenhagen. False Reflections. Jonathan Brink Morgan. Naïve Realism and Phenomenal Overlap. Oisín Deery, Eddy Nahmias. Defeating Manipulation Arguments: Interventionist Causation and Compatibilist Sourcehood. Michael Bertrand. Fundamental Ontological Structure: An Argument against Pluralism. Santiago Echeverri. How to Undercut Radical Skepticism. David Rose. Folk Intuitions of Actual Causation: A Two-pronged Debunking Explanation. Erratum Mihaela Popa-Wyatt. Erratum to: Go Figure: Understanding Figurative Talk. Back to Top

Philosophy of Science, Vol. 84, #2, 2017 Papers Glauber De Bona, Julia Staffel. Graded Incoherence for Accuracy-Firsters. Michael Baumgartner, Lorenzo Casini. An Abductive Theory of Constitution. Sarita Rosenstock, Justin Bruner, Cailin O’Connor. In Epistemic Networks, Is Less Really More? William Bechtel. Explicating Top-Down Causation Using Networks and Dynamics. W. Ford Doolittle. Making the Most of Clade Selection. John P. Jackson Jr. Cognitive/Evolutionary Psychology and the History of Racism. Bryan W. Roberts. Three Myths about Time Reversal in Quantum Theory. Leif Hancox-Li. Solutions in Constructive Field Theory. Discussion Note Nevin Climenhaga. How Explanation Guides Confirmation. Essay Reviews P. Kyle Stanford. Bending toward Justice. Michelle Pham. Review of Making Medical Knowledge. Back to Top

Philosophy, Psychiatry, & Psychology, Vol. 24, #1, 2017 Feature Articles Jarkko Jalava, Stephanie Griffiths. Philosophers On Psychopaths: A Cautionary Tale in Interdisciplinarity. Raymond M. Bergner, Nora Bunford. Mental Disorder Is a Disability Concept, Not a Behavioral One. Line Ryberg Ingerslev, Dorothée Legrand. Clinical Response to Bodily Symptoms in Psychopathology. Brian D. Earp, Olga A. Wudarczyk, Bennett Foddy, Julian Savulescu. Addicted to Love: What Is Love Addiction and When Should It Be Treated? Commentaries Walter Glannon. Psychopathy and Responsibility: Empirical Data and Normative Judgments. Derek Strijbos. What Is the Philosopher’s Role in Interdisciplinary Research? Gary J. Gala, Sarah L. Laughon. Conceptualization of a Mental Disorder: A Clinical Perspective. Peter Zachar. Mental Disorder, Methodology, and Meaning. René Rosfort. The Opacity of Bodily Symptoms: Anonymous Meaning in Psychopathology. C. S. I. Jenkins. ‘Addicted’? To ‘Love’? Neil Levy. Hijacking Addiction. Responses Jarkko Jalava, Stephanie Griffiths. Call Me Irresponsible Is Psychopaths’ Responsibility a Matter of (Data) Preference? Raymond M. Bergner, Nora Bunford. Mental Disorder Is Disability: In Support of Our Design. Line Ryberg Ingerslev, Dorothée Legrand. Responding to Incomprehensibility: On the Clinical Role of Anonymity in Bodily Symptoms. Brian D. Earp, Bennett Foddy, Olga A. Wudarczyk, Julian Savulescu. Love Addiction: Reply to Jenkins and Levy. Back to Top

Phronesis, Vol. 62, #2, 2017 Research Articles Thomas Kjeller Johansen. Aristotle on the Logos of the Craftsman. Patricio A. Fernandez and Jorge Mittelmann. ἡ κίνησις τῆς τέχνης: Crafts and Souls as Principles of Change. Andreas Anagnostopoulos. Change, Agency and the Incomplete in Aristotle. Hermann Weidemann. Potentiality and Actuality of the Infinite: A Misunderstood Passage in Aristotle’s Metaphysics (Θ.6, 1048b14-17). Other Christopher Gill. Hellenistic and Roman Philosophy. Back to Top

[lithium89]

Nancy Linehan Charles as Bette Davis

Norma Jean & Marilyn, 1996.

[tomwaitslinks]

Tommy Wisseau

1. Tommy Wiseau was in The Room with Kyle Vogt.

2. Kyle Vogt was in Charlie Wilson’s War with Nancy Linehan Charles.

3. Nancy Linehan Charles was in Bram Stoker’s Dracula with Tom Waits.