#myra smith

[myearts-uwu]

Happy Birthday, Nanami 👔🎂

[lxdymoon0357]

Myra Smith

"Why do I have so many husbands? I have now.... Nanami, Ana, Roger and now..Sir. Welt..."

@myearts-uwu

[ceo-of-jennette-de-alger-obelia]

Fancy Myra✨️

Oc owned by @myearts-uwu

[damedianariggalbumphoto]

[burningexeter]

[WHAT COULD HAVE BEEN]

Believe it or not, originally even when they were making the utter insanity that was Bebe's Kids, it was going to be revealed later that Jamika and Dorothea were actually a married couple that had a falling out and coincidentally met/used Robin as a way of moving on. The catch is they were still married as Dorothea refused to divorce.

Plus it was ALSO going to be revealed that Jamika and Dorothea aren't black but are white women who were permanently tanned in an accident and changed their names.

All of this would've been towards the end of the movie in a now cut scene where Dorothea goes to Jamika's house and having a change of heart shockingly, convinces her to go back to Robin and even gives her the location of where he's at — the bar that he's in during the wraparounds. Which explains how Jamika somehow knew he was there at the end of the movie.

But when Jamika asks what about the two of them, Dorothea says she still won't divorce but at the same time wants Jamika to be happy. Therefore when the time is right and the two of them are ready, she'll show right back up and join them, flat-out implying they'll be a fucking polyamorous couple before she gives Jamika a long goodbye kiss similar to the one Jamika gives Robin at the end right down to the spinning camera around them and walks off into the night.

All of this ends up putting their few interactions in the actual movie in a whole new light as they act like they absolutely don't know each other nor reveal their connections.

[hillside-dangler]

Ian Brady: Literary Indulgences

All men are divided into ‘ordinary’ and ‘extraordinary.’ Ordinary men live in submission and don't have the right to transgress the law, because, don’t you see, they are ordinary. But extraordinary men have a right to commit any crime and to transgress the law in any way, just because they are extraordinary

)c(

There are certain persons who can... that is, not precisely are able to, but have a perfect right to commit breaches of morality and crimes, and that the law is not for them.

)c(

but never try to answer for what is between a husband and his wife, or a lover and his mistress. There is always one little corner which remains hidden from all the world, and is known only to the two of them. Crime and Punishment Fyodor Dostoevsky

Ian Brady's childhood was one of loss and instability. His birth was eclipsed by the death of his father which left his mother unable to care for him. She worked as a waitress for hours a day, but couldn't afford a babysitter to watch her new born. This meant she'd be forced to leave Ian home alone, and after several months she decided to give her son away. With the truth of his identity protected by lies, young Ian struggled to trust authority and had no respect for the rules. He was nicknamed Dracula, for his solemn appearance and love of horror movies. His praise of Hitler didn't win him any friends and he'd learn to survive as an outsider. He despised weak people and loved power. He looked down on society and called them all maggots. Ian became his own god and would create his own kingdom. Without the restraint of common law or morality, Brady was free to act on all his sordid desires.

The discovery of Brady's photography, literature and music provided an insight into his sadistic world. There seemed to be a code between the two killers. Photos of Myra posing on the moors, led police to the burial sites of 3 victims. Were they taken as trophy pics to gloat of their conquests or markers for murder locations ?

Before each murder, Brady would buy Myra a new pop record. This was his way of telling her, he had the urge to kill again.

▶️ Theme from 'The Hill' movie

▶️ Theme from The Legion’s Last Patrol: Ken Thorne and His Orchestra.

▶️ 24 Hours From Tulsa: Gene Pitney

▶️ It’s Over: Roy Orbison

▶️ Girl Don’t Come: Sandie Shaw

▶️ Joan Baez: It’s All Over Now, Baby Blue

[pitch-and-moan]

Peep Shoo

A dark comedy in which Jez from Peep Show is the star witness in a serial murder trial in Northern England (based on the parody of the Sonic Youth album cover for Goo.)

[the-black-mask]

〰️ T H E S M I T H S 〰️

David & Maureen (Hindley) Smith

The Smiths: Band Name

David Smith: Moors Murders

Sonic Youth: 'Goo' album cover

[perfettamentechic]

19 luglio … ricordiamo …

19 luglio … ricordiamo … #semprevivineiricordi #nomidaricordare #personaggiimportanti #perfettamentechic

2022: William Richert, William John Richert, regista e attore statunitense noto soprattutto per aver scritto la sceneggiatura del film Legge e disordine e aver diretto e scritto Le ragazze di Jimmy. Come attore è noto per aver interpretato il ruolo di Bob Pigeon nel film Belli e dannati del 1991 e quello di Harry Bono ne Il cliente del 1994, oltre che essere apparso in serie TV come Angeli…

[driptape]

relationships part two

[persistentplums]

More Venture bro future thoughts p2:

With the timeline as a factor in Venture bros I think Hank would ride the wave of 2000s reality tv and still be an adventurer. After somehow falling into trainings and becoming certified he would probably get the attention of someone who likes his moxy (how can you not) and get him a show.

He runs around the world with a camera guy, and it’s another person pulled into the whirlwind of Hank/ventures. I would like to think bc Dermont is OSI he shows up sometimes. In classic adventure movie fashion there’s always a woman who’s antagonistic (Hank has a type what can we say).

I believe Hank would have an impact culturally like his dad and Jonas but a larger scale. He would be closer to a wrestler/Gordon Ramsey Hell’s Kitchen etc (2000s tv I can’t remember reality tv), dabble in acting, movies, tv, music. Rise of the internet means Hank Nation is a real thing, kids would imitate his stunts, Halloween costumes would be made of him, etc.

Hank would be a bachelor for his life, Hank is great! It’s just he doesn’t slow down, always “on” and all the women he likes kinda want to kill him or he’s into women who aren’t compatible. I would like to think, in a sweet Disney tv show way, Dean kids are trying to set Hank up with someone. Kids can be sweet, and they would love Hank. Even when the kids get older, but whether or not Hank settles down I don’t know. Hank feels like he would grow old and be weird worldly old man in the neighbourhood who has stories upon stories that has loved every inch of the world.

Hank is suited to the quick entertainment output internet put a pedal on so I genuinely think Hank is set for a while. He would make enough to retire still doing everything he does but with the less flashy lifestyle of his career gave him.

Dean definitely hates the idea of being on reality tv so no go for him. Dean helps at Bobbi ranch also with Hank, I’m sure they visit her never officially calling her grandma but it’s the same in energy. Dean gets motivated to help the animals on the ranch, leaning harder into science+biology. Funny enough he ends up in school longer than any Venture but still graduates.

He has bureaucratic messes happening to him, again following timeline of the show we are leaving the classic ages of heroes and villains. 2000s comics were edge on edge, we have anti heroes, villains who do psychological damage (even more) and don’t draw the line. I would like to think Dean who’s already over it, is SUPER over it. A heckler of a “hero”, who weirdly in a Brock sense is a critic of what’s “classy” villainy and gets under a lot of people skin that way. If his Monday night is ruined then EVERYONE Monday night is ruined too.

I think the boys “team up” a lot Hank is never in the same place but his adventures end up crossing Dean’s a lot. If Dean is sent to the moon to examine the water, Hank is there because he heard there might be massive worms only for both to find a villain who is trying to destroy the moon by digging into parts of it with robot worms. Stuff like that!

Dean is the type of person who has a child with a woman who is his arch. Did he know? Nope. Does she love him? Hm. But I think it would be funny that’s how Dean has kids and how a real villain would ensure their spot as Dean Arch. Visitation and “going to moms” is the most elaborate and dramatic part of each week. The kids probably don’t care, mom has a flying lair they get snatched up by.

It’s a little funny to ME, the whole set up that Dean in an effort to ignore this life he’s in has kids with a person he saw the most of and still didn’t put two and two together. Mr and Ms smith esq except we never really know if Ms.Arch loves Dean or not.

They both love their kids deeply and in a weird way Dean is glad the arch who keeps taking his kids isn’t scary to them she’s incredibly harmless to the kids just dramatic. Unlike Myra or any arch/person that has kidnapped Dean, Hank, or even Doc as kids she makes sure the kids are taken very safely and in fun ways. Then cranks up the heat for Dean for seemingly no reason.

(It’s also against my personal belief that Dean is just straight but I want to believe Jared and Dean get together but I like to think Jared and Dean still have a thing going on even when they get older.)

Dean Arch having his kids was a move nobody would do but she committed to the whole thing with glee idk what he did to her but I think it’s a move Monarch would like so that’s my reasoning. Monarch was trying to fuck RobotDoc I think he would respect the underhanded approach of marrying your nemesis and having his kids but would 100% be so aghast.

Monarch obviously believes in love, the show is all about love so I think it would be a good problem of “modern villainy” mindset. How the game is changing and things don’t stay the same. (She isn’t devoid of love, but with every joke you gotta have a consequence ykwim) with that in mind OSI also has the problem with modernization.

Nobody respects the classics anymore but we can’t keep recycling them, things need to keep moving on and I would think this is a fun problem for all characters to deal with in some aspect. Hank leaning into reality tv, Dean technically married and divorced to his arch, the new wave of villains, what heroes exist organically anymore etc

That’s it! For now!

[myearts-uwu]

Villains

I just had to draw them together because of their black and red combo fit as villains.

[myearts-uwu]

UWASSHAHAHSHSHDHDHDHD

THIS IS SO PRETTY IM CRYING THANK YOU FOR MAKING A MYRA MOOD BOARD!

I really do appreciate the small bits of details you put into it! Like the fact that Myra still has that motherly aura to her which shines most with Jennette awww… and honestly? Even I’m not so sure about what aesthetic Myra fits best with. She kind of blends with whatever mood I wanna put her in lol.

And ahdhdhhs the quote you gave Myra is perfect I love it.

And also funny that you thought that Myra was a ginger lol. It’s definitely because of the lighting I often put her in as well as the fact that I have been colouring her hair with a lighter shade of brown as of late.

Myra Smith

"Why do I have so many husbands? I have now.... Nanami, Ana, Roger and now..Sir. Welt..."

@myearts-uwu

[ceo-of-jennette-de-alger-obelia]

Myrana: Sunflowers and stolen kisses

{When we pass on, may our souls become sunflowers sitting side by side}

{Let us forever be bathed in that golden light, the cool wind caressing our faces}

{I bend down and kiss your cheeks}

For @myearts-uwu

[damedianariggalbumphoto]

[rubykgrant]

Hi! I'm not sure if somebody asked you this before, but what types of music do you think the Reds are into? Maybe you have some examples of artists you think they like?

Sarge definitely likes a lot of country-western and classic rock/folk rock, but surprisingly loves more soulful music as well, jazz and blues (he wishes it wasn't called that, but oh well), and isn't afraid to give any musical genre a listen, which leads him to liking many songs that are funk/hip-hop/rap (he's also secretly a huge fan of Stevie Nicks and Dolly Parton). Some of his favorite songs are "Fortunate Son" by Creedence Clearwater Revival, "War" by Edwin Starr, "Ring of Fire" by Johnny Cash, "I Won't Back Down" by Tom Petty and the Heartbreakers, "Twilight Zone" by Golden Earring, "Lean on Me" by Bill Withers, "99 Red Balloons" by Nena, "September" by Earth Wind and Fire, "Country Roads" by John Denver, "The Gambler" by Kenny Rogers, "The Devil Went Down to Georgia" by the Charlie Daniels Band, and "Hit 'em High" by B-Real/Coolio/Method Man/LL Cool J/Busta Rhymes

Simmons tries to play-up being a fan of classical music to seem impressive... and he DOES like it, but he's also a big dork who loves songs that are specifically made for movies (Ghostbusters, everything Will Smith did for his films, etc), and collects soundtracks for whatever he likes (he really digs musical scores, like Jurassic Park and such). He also really likes 80s bops and techno/synth music, but doesn't want to admit he's into "nerd music". He also likes oldies and "soda fountain hits" from the 50s and 60s. Some of his favorite songs are "Take on Me" by A-ha, "Mad World" by Tears for Fears, "Sh-Boom" by the Chords, "Get in Line" by the Bare Naked Ladies, "The Impression That I Get" by the Mighty Bosstones, "Rocket Man" by Elton John, "I'm Gonna Be (500 Miles)" by the Proclaimers, "Yoda" by Weird Al Yankovic, "It's the End of the World as We Know It" by REM, "Carry On" by Kansas, "Weird Science" by Oingo Boingo, "Johnny B Goode" by Chuck Berry

Grif will just say he likes "whatever", because he doesn't focus too much on one genre (and he doesn't want to admit he likes a lot of "oldie" rock, some pop and hippie music), and plays up liking chill zone-out songs more. He does enjoy a few weird/experimental/alt music (grunge and what-not). Some of his favorite songs are "We're Not Gonna Take It" by Twisted Sister, "Baba O'Riley" by the Who, "White Rabbit" by Jefferson Airplane, "Sweet Dreams" by Eurythmics, "Stay Home" by Self, "I Get Around" by the Beach Boys, "I Wanna Be Sedated" by the Ramones, "If I Had a Million Dollars" by the Bare Naked Ladies, "Here I go Again" by Whitesnake, "Rock and Roll All Nite" by Kiss, "Headstrong" by Trapt, "But Anyway" by Blues Traveler

Donut does indeed love a lot of pop songs/dance music, but randomly likes more edgy stuff, but usually not too dark (some hip-hop in there, some alt rock, punk, and glam metal). Basically anything really catchy, which he WILL play over and over again when it is his turn to control the radio. Like Grif and Simmons, stuff he enjoys were in the soundtracks for movies he watched, and he has an appreciation for disco. Some of his favorite songs are "Cele-B-R-A-T-E" by Russell Velázquez, "Shake Your Groove Thing" by Peaches and Herb, "Car Wash" by Rose Royce, "Barbie Girl" by Aqua, "Dancing in the Street" by Myra, "Cherry Bomb" by the Runaways, "Walking on Sunshine" by Katrina and the Waves, "Wanna Be" by the Spice Girls, "Foot Loose" by Kenny Loggins, "Changes" by David Bowie, and "Ballroom Blitz" by the Sweet, "Baby One More Time" by Bowling For Soup

Lopez mostly enjoys more serious music, soulful love songs, and the occasional power-ballad... but he is not immune to a catchy tune with fun lyrics, including pop and salsa, and electronic music (though, he'll probably lie and insist somebody ELSE put it on the radio, and he just hasn't bothered to change it). Some of his favorite songs are "I'd Do Anything for Love" by Meat Loaf, "You Sang to Me" by Marc Anthony, "Bailamos" by Enrique Iglesias, "On Melancholy Hill" by Gorillaz, "Harder Better Faster Stronger" by Daft Punk, "Should I Stay or Should I Go" by the Clash, "Radioactive" by Imagine Dragons, "Satellite" by Smash Mouth, "No Children" by the Mountain Goats, "The Final Countdown" by Europe, "I Will Survive" by Gloria Gaynor, and "I Love You Too Much" by Diego Luna