#my writing: it's all about perspective

[anachronismstellar]

Zoro in my fic: I don't fucking care what the Cook thinks about me, why should I care for number four opinion? Also Zoro: Does,,,, Does Cook thinks my hands are ugly bc they have scars?

[anachronismstellar]

Ooooh fun! Job and college still kicking my butt this week, but feel free to send me some asks! :D

I’m Bored and Anxious So I Slapped Together a List of Fan Fic Writer Asks

1. Share a song that makes you think of [fic title] 2. Do you read/reread your own fics? 3. What’s your favorite fic that you’ve written? 4. How many WIPs do you have right now? 5. What’s a fic idea you’ve had that you will never write? 6. Are there any fics from others you reread all the time? 7. How many ideas for fics do you have right now? 8. What project(s) are you currently working on? 9. Do you write every day? If you wrote today, share a sentence of what you’ve written! 10. Is there a fic that got a different response than you were expecting? 11. Do you have specific playlists for writing fics? 12. Do you have a playlist for your current WIP(s)? Share it! 13. How much planning do you do before writing? 14. If you could see one of your fics adapted into a visual medium, such as comic or film, which fan fic would you pick? 15. How do you come up with titles for your fics/chapters? 16. At what point in the process do you come up with titles? 17. What’s something you’ve learned about while doing research for a fic? 18. What’s one of your favorite lines you’ve written in a fic? 19. Give us a small teaser from one of your WIPs. 20. What’s a favorite title for a fic you’ve written? 21. Have you ever deleted an entire scene after spending hours laboring over it? If so, why? 22. Do you know how your fic will end before you start writing? 23. How do you choose where to end a chapter (if you have multi-chapter works)? 24. Share a moodboard for (one of) your current WIP(s). 25. Have you ever upset yourself with your own writing? 26. Is there something you’ve written that you would never want your family to see? 27. Is there a fic you were nervous to post/share? Why? 28. Have you ever tagged a fic “Dead Dove: Do Not Eat”? 29. Share a bit from a fic you’ll never post OR from a scene that was cut from an already posted fic. (If you don’t have either, just share a random fic idea you have that you don’t plan on getting to.) 30. Ask anything!

[crimeronan]

i've seen a couple people in the notes of this very good post about fictional polyamory by @thebibliosphere say things along the lines of "oh, i've been doing it wrong :(" or "how do i know if i did this right??" or "i should probably give up and start over, i wrote this badly :(" and. no!!!!

(i AM seeing far MORE people say "oh, this clarified and helped me so much, i think i know how to fix issues i've been having with my own story" which. YES!!!!)

listen. if you're a monogamous person who's writing a polyamorous relationship, and you've been focusing mainly on The Triad and All Three Together All The Time as the endgame, that's literally fine. that's a perfectly acceptable and strong starting point for your plotting, imo. you do not need to give up on a story that you've started like this.

but the things discussed in the post Can and Should improve your execution!

you can keep the same plot beats and overall relationship arc 100%. polyamorous relationships are infinite in their formations, every one is unique. "basically a monogamous romance but with three people" Does exist, as a relationship type. you're not hashtag Misrepresenting (TM) poly people with it

BUT i do think it will help to read up on some poly people talking about how their relationships Differ from monogamous ones.

so i have outlined some basic important concepts about polyamory.

MORE IMPORTANTLY though, i've broken down some questions that you can answer throughout the writing process to strengthen your individual dyad relationships, your individual characterization, & your characters' individual feelings/experiences. this is a writing resource have fun

future kitkat butting in to say i spent over two hours writing this and it definitely needs a readmore. it is also NOT comprehensive. but everything should be pretty simple to follow! feel free to reblog if you find it helpful yourself or just want to reward me for how gotdan long this took KSLDKFJKDL.

i've grabbed quick links for a couple of the important concepts, some have SEO pitches in them but the info largely seems to be good. (if i missed anything Egregiously Gross on these sites i should be able to update the links with better ones later, since they're under the readmore.)

sidenote: this is NOT meant to be overwhelming, despite the length. if you can't read all of this, that's Okay. you do not need to give up on your writing.

here we go:

compersion!

compersion is a BIG thing in a lot of polyamorous relationships. it's joy derived from seeing two (or more) of your partners happy together, or joy derived from seeing your partner happy with someone else.

compersion is really important as a concept because it highlights that every individual relationship within a polycule is different -- and that that's a GOOD thing. it's sort of the inverse of jealousy.

by the "inverse of jealousy," i mean that instead of feeling left out and upset and possessive, you feel happy/joyous/content.

i can use personal experience as an example: it's a Relief for me when my partners receive joy/support/sex/romance/etc that i can't (or prefer not to) give them. and i love seeing my partners make each other laugh and be silly together.

it's 100% okay for a poly triad not to be together 100% of the time, it doesn't mean that the third member is being left out or not treated equally when two people do things alone together.

(i have individual dates with my partners all the time! PLUS larger 3-and-4-person date nights.)

if the third member DOES feel jealous or left out, then the polycule can have a conversation to figure out what needs/wants aren't being met, and solve that. this happens semi-regularly in my polycule, as it will happen in any relationship (including monogamous ones)! it's just part of being an adult, sometimes you have to talk about feelings.

metamours!

a metamour is someone who is dating your partner, but ISN'T dating you. this may not be relevant for people writing closed three-person romantic sexual triads, but it's a super helpful term to know.

the linked article also lists different types of metamour relationships with some fun phrasing i hadn't heard before. the tl;dr is: sometimes you'll be domestic cohabitation friends, sometimes you'll be buddies with your own friendship, sometimes you might not interact much outside of parties, every relationship is different.

there's no one-size-fits-all requirement for metamour relationships. sometimes polyamorous people will end up dating their metamour after a while (has happened to me), sometimes polyamorous people will break up with one partner for normal life reasons, but remain friendly metamours.

the goal of polyamory is NOT for EVERYONE to fall in love. it is 100% okay if this happens in your story, it happens in real life too! but it is also 100% okay for characters to be metamours without ever becoming "more than friends."

(sidenote: try to kill any internalized "more than" that you have when it comes to friendship. friends are just as important and special and vital as partners.)

of course there are a million ways for messiness to occur with metamours within a complex polycule, exactly like with close-knit platonic friend groups. however this post is not about that! there's enough "here's how polyamory can go wrong" stuff out there already, so i'm focusing on the positives here :)

open versus closed polyamorous relationships!

i'm struggling to find an online article that reflects my experience without directly contradicting at least SOME stuff. so i'll give a quick rundown

google has a bunch of conflicting definitions of open relationships and whether open relationships are different from polyamory. the general consensus seems to be that an open relationship prioritizes one partnership (often a marriage), but that each partner can have extraneous flings or long-term commitments (most often sexual in nature).

this is not typically how i use the term wrt polyamory. the poly concept is pretty simple. a closed polyamorous relationship is one with boundaries like a monogamous one. there are multiple partners in the polycule, but they are not interested in having anybody new join said polycule.

an open polyamorous relationship tends to be more flexible -- it just means that IF someone in the polycule develops mutual feelings for a new person, it's fine for them to become part of said polycule if they want to! the relationship/person is open to newcomers.

some groups will need to negotiate this all together, others will just go "haha, you kids have fun." just depends on the individuals!

with open AND closed polyamorous relationships, the most important thing is making sure that there's respectful communication and that everyone is on the same page. but there's no one-size-fits-all way to do that.

i wish i could give you guys a prescriptive "You Must Do It This Way" guide, but that's.... basically the opposite of what polyamory is about, HAHA.

feelings for multiple people!

i was gonna tack this on to the previous section but decided it warranted its own lil bit.

a defining feature (....i'm told?) of monogamous relationships is that a monogamous person only has feelings for One individual at a time. they only want a relationship with one individual at a time. or, if they DO have feelings for multiple people simultaneously, they're still only comfortable dating one person at a time & being exclusive with that one person.

this is perfectly fine!

the poly experience is generally different from this. but once again..... polyamorous people all have different individual perspectives on this.

for me, i have never been able to draw hard boxes around romantic vs sexual vs platonic relationships, & i love many people at once. my personal polycule lacks many strict definitions beyond "these are my chosen people, i want to forge a life with them indefinitely, whatever shape that life takes"

some poly people feel explicit romantic or sexual attraction to multiple people at once, some poly people feel almost no romantic or sexual attraction at all. i'd say that MOST poly people feel different things for different partners, which is not a bad thing!

some poly people are even monogamous-leaning -- they have just chosen one romantic partner who is themselves part of a larger polycule. (so this monogamous-leaning person has at least one metamour!)

or alternatively, they might have one romantic partner AND a qpr, or other ways of defining relationships. (this is a factor in my own polycule!)

i made this its own point because if you're writing a straightforward triad, this is unlikely to come up in the story itself -- but it's worth thinking about how your characters develop/handle feelings outside of their partnerships.

like, is this sort of a soulmateship, 'these are the only ones for me' type deal? in which they won't fall in love with anyone else, and can be fairly certain of that?

that's pretty close to typical monogamous standards but you Can make it work. just be thoughtful with it

alternatively, can you see any of these characters falling in love Again after the happily-ever-after? and how would the triad approach it, if so? what would they all need to talk about beforehand, and what feelings would everybody have about the situation?

it's worth considering these questions even if the hypothetical will never feature in your actual canon, because knowing the answers to these questions will help you understand all of the individuals & their relationship(s) MUCH better.

i've been typing this for nearly two hours and there's a lot more i COULD say because... there's just a lot to say. i'll close out with some quick questions that you can ask yourself when developing the dyad dynamics within your triad

first, take a page and create a separate section for each individual dyad. then answer these questions for every pair:

how does each pair act when alone?

how do they act differently alone compared to when they're with their third partner?

are there any elements of this dyad (romantic, sexual, financial, domestic, etc) that these two people DON'T have with the third partner?

if so, what are they?

are there any boundaries or hard limits within this dyad that aren't shared with the third partner?

if so, what are they?

partner 3 goes out of town alone for a few weeks. what are the remaining two doing in their absence?

(doesn't have to be anything special, it's just to get a sense of how the two interact on a day-by-day basis without the third there)

what is something that each partner in the dyad admires about the other -- that they DON'T necessarily see in the third partner?

what problem do These Two Specifically need to solve in the story before their relationship will work?

how is that problem DIFFERENT from the problems being solved within the other two dyads?

doing this for ALL THREE dyads is VITAL imo. that way, you develop complex and nuanced and different relationships that all have unique dynamics.

those questions should be enough to get you started, i hope

then After you've charted the differences in relationships, you can start to jot down similarities in the overarching triad. what does one person admire in Both of their partners? what are activities that all three like to do together? what are boundaries or discussions that all three share?

but the main goal is to figure out how to Differentiate each relationship!

a polycule is only as strong as the individual relationships within it. if two people are struggling with their own relationship, adding a third person won't fix that.

(UNLESS the third person is the catalyst for those two to, like, Actually Communicate And Work Their Shit Out. i just mean that the old adage of "maybe if we just add a third-" works about as well to fix a miserable non-communicative marriage as, uh, "maybe if we have a baby-")

AND FINALLY.

if you're not sure whether your poly romance reads organically to poly people, you can hire a sensitivity reader with poly experience. if you can't afford that, you can read up on polyamorous resources like a glossary of terms & articles actually written by poly people. (and stories written by poly people!)

you can also just.... ask poly people questions, if they're open to it. i like talking about polyamory and my own relationships so you're welcome to send asks if u want, i just can't guarantee i'll answer bc my energy levels fluctuate a lot and i don't always have time.

polyamorous people are in an uphill battle for positive representation right now & so the LAST thing i want to see is authors giving up on their stories bc they're worried about getting things Wrong. well-meaning and positive stories that treat this kind of love as normal, healthy, & aspirational are So So So Needed. even if you guys end up with some funky-feeling details.

seriously, if you're monogamous then you probably don't have a full idea of Just How Nasty a lot of people can get about polyamory. i wish it DIDN'T mean so much for you guys to want to write nice stories about us, but it does mean a lot. and it means a lot that you want to do it WELL.

in conclusion. this is not a prescriptive guide, it's just a way to raise questions. and also, you all are doing FINE.

[irisbaggins]

In rewatching the season, I'm noticing how clever Aabria and Brennan were in crafting Tula's story. How well thought out everything was.

Specifically, the bear. It's been mentioned so many times before, but with the context of the completed season, I cannot help but be in awe at the skilful storytelling at display here. The way in which the Blue is described to appear wrong only in reference to Tula and her heart, the way in which Tula talks about curiosity and and having experienced knowing someone who died because of it. Of how Aabria describes to Izzy how Tula looks when she heals the bear, of how Aabria specifically points out that Tula recognises the commonalities between herself and the bear. These breadcrumbs that mean little in the beginning, that tell everything at the end. It's amazing, stunning, masterful storytelling. I am in awe.

[anachronismstellar]

*shows up months later with some coffee and Tylenol*

Yoooo long time no see! So. The ficwriter curse is real. BUT I'M NOT GIVING UP OK-

thank u Kedreeva for not giving up on me and tagging me even after all this time ❤️

Anyway here's my snippet:

“We're not funny, Cook doesn't know what fun is, even if it hits him in the face with a pan,” Zoro grunted, crossing his arms. That made Sanji go off again, crossing the distance from the kitchen to the table in a blink, getting face to face with the Marimo. “I'm very fun, it's not my fault that plant life doesn't understand refined jokes!” They kept on with their bickering while Luffy laid back again, a soft shishishi~ bubbling up now and then between their squabbling.

And the files I'm working on:

It's all about perspective (ZoSan)

I'm tying to get back slowly so only this file for now.

Thank you for sticking around and pls send me some asks! ❤️

WIP Wednesday Game

It’s WIP Wednesday, time for a little accountability, sharing your work, and getting a kick in the pants.

Here’s how it works:

In a reblog of this post (so people can find you in the notes) or new thread (w/ rules attached) if you want to play on your own, post up to five (5) filenames of your WIPs; not titles, file names.

Post a snippet from one of them. Snippet must be words you wrote in the last 7 days. We’re posting progress here. If you haven’t made any, go make some and come back to play!

After you’ve posted, people can send you an ask with one of your file names. You must then write 3 sentences in that file. If the filename is one you can't share from (for example, an event or gift fic), write 3 sentences on it anyway, and then 3 more on another to share.

That’s it! You can invite others to join in, or just post. I’ll be searching the reblogs to find people to send asks to!

If you’re reading this, you’re invited!

If you see someone posting a WIP Wednesday Game snippet, send them an ask! Make them write.

Requested/Friend event mentions under the cut! If you'd like to be pinged next week, let me know!

Friends @fiore-della-valle @redbirdblogs @greenbergsays @idkfandomwhatever @luckyspike

@obaewankenope @mad-madam-m @anonymousdandelion @geometricfractal @prettybirdy979

@eriquin | Requests @aparticularbandit @madnessfromthemountains @makeroftherunes @1attheedge

@whimsicalmeerkat @kidsomeday @lizhly-writes @skyderman @adhdavinci

@owlbearwrites @anachronismstellar @anyctibius @rilannon @lazinesswrites

@zyrafowe-sny @dreaminghour @blue-eyedbeta @candyskiez @dreamerking27

@kalira @virgulesmith @i-want-delfeur @selkies-world @exceedinglygayotter

[teethkid67]

PAYDAY

aka a valentine for the lovely @itsnotmystic / @corvids-calling - fanart for stars fic of the same name, which you can read here !!! i really enjoyed this concept and wanted to do some art for it :3 hope you like it because i REALLY loved your work & i hope this shows that !!! HAPPY VALENTINES DAY !!!!

this is also a loose love-letter to the wonderful @arginnit 's crazy background-drawing-ability and style/skill at portraying environments . wadds your stuff is insane and i love it

happy @mcyt-valentines exchange !!!!

[m1d-45]

will you promise that i'll see you again?

summary: your people refuse reason, and their damage refuses to heal. when it seems as if the whole world has left you, your dutiful knight still remains by your side.

word count: 2.3k

-> warnings: implied suicidal ideation (reader + unnamed side character), reader's previous deaths are mentioned in somewhat graphic detail

-> gn reader (you/yours)

taglist: @samarill || @thenyxsky || @valeriele3 || @shizunxie || @boba-is-a-soup || @yuus3n || @esthelily || @turningfrogsgay || @cupandtea24 || @genshin-impacts-me || @chaoticfivesworld || @raaawwwr || @yuryuryuyurboat || @undrxtxd || @rainswept || @wanderersqt || @rozz-eokkk

< masterlist >

“you’re one of the only things keeping me going, you know.”

dainslef turned to you in surprise, the even neutrality to your tone a sharp contrast to the rapid pace of his heart. he wasn’t a fool, he knew that the hunt had to be taking a heavy toll on you, but this…

this was more than he expected.

he knew he was one of a pitiful few who saw through celestia’s false puppet, who knew you for you and not their mirage. he knew that the entire world was hellbent on erasing you from existence, that you’d been forced through your own death countless times as teyvat pulled you apart and pushed you back together far from the scene of your would-be murder. he saw the golden scars across your skin, the dried remains of blood lining the wounds you hadn’t been able to patch yet. he’d been the one to wash them away, not minding the refuse soaking into his gloves if it meant your hands could be clean.

he recognized the dull exhaustion in your eyes, the same as the ones he saw in the reflections of lakes. tired, worn, barely there, hanging on by one solitary string that was wound so tightly around a desperate hand.

you had always been his reason for continuing. when the traveller broke down and the ruler of the abyss hid from the sun, you were there. when the chasm’s mud clung to his boots and the memories in his head burned as nails forced between his eyes, you were there. his rosary was kept tight to his chest at all times, familiar prayers pulling him up in the morning and forcing him to sleep at night. he was alive for far, far too long, but you made it bearable. you were his duty, his promise.

he never once thought that he’d be yours. then again, he never thought that he’d have to defend you from the ones you once called friends. time never did pass how he expected it to.

“…leading light?”

you looked down, twirling blades of grass around your fingers. he had led you up to a mostly desolate area of sumeru, west of bayda harbor. it close enough to the sea, forest, and desert that you could reasonably make an escape through any of those routes if need be, while also providing a rather pleasant view. the sky was bleeding red and gold as the sun sank below the horizon, a remarkable sight that fell on blind eyes. there was no use trying to enjoy nature’s beauty when he still kept one hand on his sword and both ears pricked for the slightest sign of danger.

you shouldn’t have to worry about your safety. you shouldn’t have to prioritize based on how likely you are to get hurt, or how easily it would be to make an escape. you still flinched when the wind blew a little too quick, used to it heralding armored footsteps and battle cries. in another life, you were welcomed with open arms, able to enjoy yourself without constantly being on high alert. teyvat did what it could to adapt; the air was still, frozen in time, barely a bird chirping for miles. it was meant to be comforting, he thinks, but dead silence was more unnerving than any breeze.

“i mean it.” he could hear every shift in his cloak around your shoulders, the heavy fabric doing little to soothe your stress. it was yours more than it was his now, to the point he felt claustrophobic wearing it. how long had he been traveling with you? the days blurred.

“i don’t doubt you.” he never would. never could. he’s not sure, even if he somehow wanted to, that his body would allow him to treat your words as anything less than fact. “but i don’t understand what you mean.”

you were a god. the creator, the first, the one that shaped the sovereigns scales and laid the foundations of earth. you predated the archons, celestia, the very skies themselves…

and he, somehow, was a driving motivation for you?

his words must have been funny, a sharp laugh tumbling out of your mouth. it was bitter, humorless, and somewhat raspy. he made note to find some water for you later. “what else could i mean?” you turn to him, some of his confusion lost as your eyes found his. even this burnt out, deep bags set beneath them, you still managed to steal the very air in his lungs. “you’re the only reason i’m still here.”

he didn’t know what to say. what was there to be said, when you were you and he was him? when the world had abandoned you, it made sense you’d cling to what remained faithful. it was merely coincidence he happened to find you first, that’s all. coincidence that you trusted enough not to run from, coincidence that you allowed to care for your injuries. there was nothing to say, because you held nothing for him in particular, only leaning on him out of need. he had to believe that. what was he left with if that wasn’t true? an awkward truth hid beneath his well-known lies, too large for him to see the edges, let alone to contain.

“please… do not say such things again.” to ask of his god what he could not ask of himself was surely some form of heresy, as was willingly laying aside his guard when he was the only one who was tasked with protecting you. he pulled his attention from the tide below, from the rustling trees, holding faith that the world would not be needlessly cruel. he stepped forward, kneeling beside you. even up close, you still seemed painfully small. “it is your own resilience that has allowed you to persevere.”

it’s the earth that leads you from danger.

it’s the water that follows you wherever you go.

it’s the leylines that whisk you to safety.

it’s the wind that warns you of what’s to come.

it’s the you from the past that protects the you in the present.

it’s the you in the present that provides for the you in the future.

it’s you, from everywhere and everywhen, continuing to fight.

and yet you sigh. you look away, across the sea, tracing fontaines skyline. “it really isn’t. i was lucky to run into you when i did.”

you had just crossed the wall back into the forest, burning hot and shaking. he was the lucky one, in truth, to be able to pick your figure out from the sand below. perched on a high cliffside, even mitachurls were reduced to small brown flecks.

you had worn a cryo mage’s cloak, which was what initially drew his attention. abyss activity wasn’t uncommon in the area, but a cryo mage in the desert… that was cause for intrigue. he stepped forward and slid down the steep face in front of him, a slight puff of dust marking his landing in the desolate sand of old vanarana.

he didn’t know what to expect. you stumbled around the jagged remains of a tree, heading for the statue of the seven. he followed, only growing more confused. cryo and dendro did not react with each other, and there was no way to “slow” a statue. a scouting mission, maybe? but why a cryo mage, when pyro would have been far more advantageous in the case of an attack?

he leaned around the corner carefully, prepared for the sight of a staff or the chanting of abyssal magic filling the air. the entire world seemed to be holding its breath, frozen in place and waiting for some trigger to continue.

he saw none of that. you were collapsed at the foot of the statue, faint wheezing only making it to his ears by virtue of the standstill around him. you held no staff, commanded no magic, your chest barely moving with air.

he’d never seen a mage seek out the archons when dying. one hand squeezed the handle of his sword as he crept forward, ready to strike should the situation turn against him. the sand barely shifted beneath his feet, his own heart sounding too loud to his ears. you did not move, showing no signs that you had noticed his approach. he still didn’t trust it.

your cloak was tattered and torn, with thick gloves atypical of a mage. they reminded him more of hilichurl wraps, which was strange considering you wore no mask. your face was instead covered by what looked like eremite cloth, just as stained and dirtied as the rest of your clothes. what he could see looked almost human; in another life, he could believe you were a weary traveller, lost amidst the sand.

he was acting foolish. if the abyss had a human tool, he needed to figure out why. he reached down, undoing the sloppy knot of your veil and letting the brocade fall limply to the grass.

…grass. he blinked, eyes flickering between the ground and your face, not sure which was harder to believe. flowers had bloomed around you, protecting your body from the blazing sands, and he’d be a fool not to recognize the face plastered all over every bounty board.

he didn’t understand. if nothing else, he thought the archons would have enough respect for their creator to know when they were being lied to, yet before him was barely living proof of the inverse. sweat beaded along every inch of exposed skin, deep-set heat exhaustion burning you from the inside out. how could you be a threat? how could they be so blind?

he looked again, the shine of elemental sight straining his eyes, catching flickers of the dendro energy pouring from the statue. you were the only one the archons would feed. you were the only one to make the very earth break its own rules, allowing lotuses to bloom from barren soil. something painfully similar to rage threatened what remained of his rationality, and it took all he had to push it aside.

that didn’t matter. if he went off on some banal revenge quest, he’d be no better than them. your safety mattered more. he picked you up and set aside how calm his curse felt, beginning the trek back to his camp. behind him, the flowers already began to wither, losing their persistence without you to foster it.

perhaps that initial meeting was luck. but these was no luck involved in your trust in him. when you woke up and saw him at your side, you chose to trust him. you chose to believe that he was not like the others, that he would protect you, and he was forever grateful for that trust. nobody could fault you for being angry, for being spiteful about what you were put through and choosing to lash out. nobody would have the right to be upset if you chose to vent your wrath against those that had hurt you.

but you didn’t. you chose, again and again, to believe in the world. you chose to let them live their lives, even if it meant getting hurt again in the process. you chose a quiet life traveling with him over the comfortable life on your throne. to willingly choose to travel with a disgraced knight to spare your people guilt… he couldn’t decide if it was noble or reckless. either way, he was selfishly happy that he was the one to stay by your side.

“i won’t try to convince you. but, please.. do not give up on yourself so easily.” i know far too many who have died by the same hand. “the world and its opinion does not define you. only you get to decide where fate leads.”

you lean towards him, and he thinks you might have passed out- but no, your head lands on his shoulder with far too much precision. he stiffens, not used to existence without a constant pain beneath his skin. “how motivational. you tell all your soldiers that?”

his heart is beating too quickly, thoughts unusually hard to grasp. you’re the only one who could have this effect on him. he only wished it wasn’t now, when your belief in yourself was on the edge. “i mean it. none of this is your fault, and neither are celestial actions the people’s fault. i know that you are hurt, but i don’t want you to accept that main needlessly. you shouldn’t have to view your creation with such pain.” slowly, carefully, he raises the hand closer to you, doing his best not to disturb you as he settles it on your arm. he’s can only hope that the contact brings you as much comfort as it does him. “if nothing else, believe me. promise you’ll at least try.”

he doesn’t think you’ll agree. why would you make a promise to one who represents the heaven’s betrayal? why would you let him hold you close at all, when you can surely sense the bindings of those who tried to kill you wrapped tightly around his soul? he doesn’t know. all he can do is hope.

“…alright, dainslef. i promise.”

twilight has long since fallen, and yet he smiles for the first time in centuries.

[kastheory]

steve did not bully eddie in "the past" steve was a grade below him for 3 out of 4 years of his high school career freshman steve heard this weird loudass sophomore talking w his friends at 100 decibels in the hallway about fighting elves in the woods or something (steve did not know what larping was nor care to find out) and then he went to class bc are you insane hes not fucking w a sophomore you dont normally fuck w people ahead of your grade especially if they yell at people and wear chains and get into fights in the woods (with elves?) and you dont even have classes w them. you dont even care much about them in the first place beyond passing gossip like HAVE YOU GUYS EVER BEEN IN HIGH SCHOOL. sorry. anyway.

then steve keeps catching this guy in his periphery over the next two years shouting about board games and controversial food opinions and metal bands that steve likes a few songs from but could not ever imagine giving that much of a shit about. like at all. and by (steve's) year 3 the motherfucker is bouncing off the walls giving speeches about what the hell ever and saying he cant fucking WAIT to get out of this FUCKED UP PLACE!!!! YEP ITS TRUE IN LESS THAN ONE MEASLY YEAR ILL BE SAYING MY SWEET SWEET GOODBYES TO THIS BRAINLESS CONFORMIST PRISON!!!! and hardly anyone reacts beyond rolling their eyes or snickering to their friends about it and this includes steve because who cares literally who cares. this guys been causing a ruckus since the beginning of time and hes weird and unpredictable and not worth trying to shove in a locker he would probably evade the attack anyway like a nimble mouse or squirrel he might even try to bite you. and steve didnt shove anybody in lockers in the first place so who cares and yeah he has pretty eyes and a funny way of talking and moving around but WHO CARES

and then steve goes through the first round of nightmarish shit that would become a yearly ordeal and then wraps up junior year in a perfectly normal not haunted whatsoever fashion. and then hes a senior and in his subtly cringefail era (ongoing) and that freak guy is STILL HERE for some reason and kinda pissed off and possibly a bit devastated about it so okay great now steve has a few classes with this angry weirdo loudguy but. crucially. he has had a lot of OTHER SHIT to deal with lately (MONSTERS ARE REAL) (GIRL DIED IN HIS POOL) (GF RESENTS HIM) (HAS NO FRIENDS) (COLLEGE APPS) so the only effect eddie's constantly loudmouthed & often unwarranted input during class ever has is that it adds a little flavor to the constant metaphorical and literal headache of steves life.

and then he goes through round 2 of shit and finishes his senior year with little hope for a satisfying future ahead of him and never once thinks about that guy again except when his fellow grads whisper about oh my godd did you hear that the freak flunked out again hahaha and yep sure enough eddie's not there at the graduation ceremony. and he thinks huh i wonder what his fucking problem is and then he MOVES ON. the end. thats the extent of """their past""" at least in terms of any actual interactions btwn the two of them i promise okay listen to me. i was there

[anachronismstellar]

Oh yay is wip Wednesday time

My file as always is IAAP:CH5!

Here's a snippet from it:

“Did you know that staring is considered impolite in some cultures?” Robin finally raised her eyes from her book to look at him, chuckling as Franky’s cheeks got too warm. “Sorry, sorry,” he said as he raised both his hands. Of course he got caught, he shouldn't have expected anything less from Miss All Sunday. “Got lost in my head. The book is any good?”

Send as many asks as you want! And it doesn't need to be just today fjshwkd :D

Happy writing everyone!

WIP Wednesday Game

snatching from @kedreeva because have been given permission!

Here’s how it works:

In a reblog of this post (so people can find you in the notes) or new thread (w/ rules attached) if you want to play on your own, post up to five (5) filenames of your WIPs; not titles, file names.

Post a snippet from one of them. Snippet must be words you wrote in the last 7 days. We’re posting progress here. If you haven’t made any, go make some and come back to play!

After you’ve posted, people can send you an ask with one of your file names. You must then write 3 sentences in that file. If the filename is one you can't share from (for example, an event or gift fic), write 3 sentences on it anyway, and then 3 more on another to share.

That’s it! You can invite others to join in, or just post. I’ll be searching the reblogs to find people to send asks to!

If you’re reading this, you’re invited!

If you see someone posting a WIP Wednesday Game snippet, send them an ask! Make them write.

@eriquin, @adhdavinci, @post-and-out, @stonemaskedtaliesin, @princescar, @auburnlaughter, @captaintoomanybattles, @lingeringmirth, i know there are more of you but you are the ones i remember off the top of my head

I'll put mine in a separate note!

[isbergillustration]

What’s the perfect follow up to doing lineart to the point of not insignificant hand pain? Detailed pencil work, the thing that once in art school I did so much I couldn’t draw for two weeks because of hand pain.

[anachronismstellar]

CHAPTER 5 IS HERE!!!

I hope y'all like it!! :D

[fishofthewoods]

Oh my god I woke up this morning and my Stardew Valley meta post had almost 150 notes????? Hello?????????? Anyways I started writing this last night because @moon-is-pretty-tonight left nice tags on the original so thank you so much!!

We know from the starting scenes of the game that the farmer's grandfather loved Stardew Valley. So why did he leave? Pelican Town is a good place to grow old; George and Evelyn are just fine. It's a fine place to raise a kid, but maybe he just wanted to raise his child closer to real schools and other children.

Or maybe, just maybe, he understood.

Was there a day when he was in his thirties where he looked at his friends and realized they weren't like him? That he could run faster than them, work longer, explore deeper into the hidden places of the valley?

Was there a day when he went to the wizard to ask him for help, for knowledge if nothing else? Did he learn then that his family was different? Special? Chosen? And how did he react? He couldn't possibly raise a child in the valley if they would be as strange and fey as him. He had to leave. There was no other way.

But years later, on his deathbed, did he regret that choice?

Is that why he gave the farmer the letter?

Is that why they went back home?

When the farmer steps off the bus that first day, the valley is still on the cusp of winter, just barely tipping over into spring. The flowers are starting to bloom, but a chill still hangs in the air. As soon as the farmer's boots touch the soil there's a change. The air gets warmer. The trees get greener. Not by too much, not all at once, but it changes.

The junimos watch the farmer as they do their work. They're new to farming, but take to it with frightening speed; their first batch of crops is perfect. None of the townsfolk tell them that parsnips don't normally grow in less than a week, that cauliflowers don't grow to be ten feet tall, that fairies don't visit when the sun goes down and grow potatoes and beans and tulips overnight. The junimos talk amongst themselves in their strange, wild language, and agree: this is the one. They're back. The valley recognizes its own, even when they've left for a generation. The farmers have come home.

Things change fast in the valley. The community center, empty and decrepit for so many years, is rejuvenated. (Lewis says it was abandoned only a few weeks after the farmer's grandfather left. Strange coincidence, he says, that it both came and went with the farmer's family.) The mines and the quarry, similarly abandoned, are explored for the first time in ages. The town becomes cleaner, brighter, more vibrant, happier.

And it is happier. Not just the environment, but the people. It's the talk of the town for weeks when Haley does her first closet purge. Leah's art show in the town square is a huge success. Shane's smiling for the first time since he moved to the valley. All of them, when asked, say it's all thanks to the farmer.

People love to ask why Lewis didn't fix the community center on his own. Why Willy never repaired the boat to ginger island. Why Abigail or Marlon never went down to fix the elevator in the mines, or why Clint didn't fix the minecarts.

But isn't it so much more interesting to ask how those things were there in the first place? How they got so broken down? If the stories the townspeople tell are true, the valley was once a beautiful place, flourishing and full of life; why did that change? When did it change?

Was it when the farmer's grandfather, the locus of the valley, its chosen representative, left town?

And if so, what happens when the farmer comes back?

[anachronismstellar]

Hello everyone, and welcome to another week of Wip Wednesday! The file of the week still is IAAP:CH4! I just need to finish this one scene to connect things, and the chapter is done, so send as many asks as you want!

Here's the snippet:

When Robin sneaked inside the Going Marry, with the sands of Alabasta still on her heels as she revealed herself to the StrawHat crew, she knew she had set herself as an outcast. It didn't bother her. As a matter of fact, she felt comfortable in such a position, keeping at arm's length, not even bothering to use the crewmates' names in day-to-day life.

I know I said Usopp's pov but this fanfic has a mind of its own :p

Good luck to everyone participating!

WIP Wednesday Game

It’s WIP Wednesday, time for a little accountability, sharing your work, and getting a kick in the pants.

Here’s how it works:

In a reblog of this post (so people can find you in the notes) or new thread (w/ rules attached) if you want to play on your own, post up to five (5) filenames of your WIPs; not titles, file names.

Post a snippet from one of them. Snippet must be words you wrote in the last 7 days. We’re posting progress here. If you haven’t made any, go make some and come back to play!

After you’ve posted, people can send you an ask with one of your file names. You must then write 3 sentences in that file. If the filename is one you can't share from (for example, an event or gift fic), write 3 sentences on it anyway, and then 3 more on another to share.

That’s it! You can invite others to join in, or just post. I’ll be searching the reblogs to find people to send asks to!

If you’re reading this, you’re invited!

If you see someone posting a WIP Wednesday Game snippet, send them an ask! Make them write.

Requested/Friend event mentions under the cut! If you'd like to be pinged next week, let me know!

@fiore-della-valle @redbirdblogs @greenbergsays @idkfandomwhatever @luckyspike

@obaewankenope @mad-madam-m @anonymousdandelion @geometricfractal @prettybirdy979

@eriquin @aparticularbandit @madnessfromthemountains @makeroftherunes @1attheedge

@whimsicalmeerkat @kidsomeday @lizhly-writes @skyderman @adhdavinci

@owlbearwrites @anachronismstellar @anyctibius @rilannon @lazinesswrites

@zyrafowe-sny @dreaminghour @blue-eyedbeta @candyskiez @dreamerking27

@kalira @virgulesmith @i-want-delfeur @selkies-world @exceedinglygayotter

@oitreewrites @post-and-out @writingattheedge @qqaba @ykthefancyclamwiththepearlinside

@princescar @tigerdragon1001 @@agent-p-writes

[pokimoko]

The fact that Main-verse Ooo is as good and as kind as it is (relative to the other universes shown so far, at least, it's obviously not perfect) all because of the same character that starts off as the OG series' antagonist, the person we were made to see as the bad guy (albeit an often ineffectual one) for several seasons, is making me lose my mind.

Imagine finding out the guy you spent your childhood beating up and saving princesses from is in fact a driving catalyst behind you being able to exist, and not only exist but also live in a world that knows what kindness is. All because that man, the same man who you've witnessed do terrible things, once met a little girl and taught her how to be good.

Simon's story really shows us that even if you lose your way and forget how it is to be good yourself, the world keeps the memory for you. That act of love Simon showed Marcy by protecting her and seeing her as more than the monster she thought herself to be created ripples upon ripples, small at first but eventually enough to help give their wreckage of a world—a world that easily could have been forsaken, its goodness overlooked because of its inhospitable remains—a chance to grow into something beautiful. Because of those very same ripples Simon created, the people of Ooo grew up in a world where they know enough about kindness that they were able and willing to spare the 'bad guy' some, to see beyond the wreckage and allow him to grow too.

In saving Marceline, Simon helped to not only to save the world, but also himself.

[mayasaura]

Going into Alecto, I think it's important to expect that the series won't conclude with a clear lesson. Either about morality—what makes a good person, evil getting their just desserts, ect—or a thesis on decolonization. It's not that kind of story.

Deep down, this series is two drunk girls bearing their souls in a dark corner of the bar. An hours-long conversation that wheels wildly through pop culture, past trauma, theoretical physics, dreams and aspirations, global warming, hairstyling, friends, family, gender, personal insecurities, world history, favorite foods. It has a lot to say, and a lot of it profound, but it's not trying to teach anything. At the end of the night, the point was how fucking cool that girl was, and the potent electric potential for something lgbt to happen

[time-is-restored]

do you guys every think abt death vs immortality as a thoroughline in like. literally all of the mechs albums.

old king cole is explicitly warped by immortality (never to forgive he would eternal live, his hands dyed red by gore - can be read a few ways depending on where u place the emphasis, but at the very least communicates that his wrath is facilitated By his immortality), and the olympians commit attrocities in order to hold onto their wealth and the immortality that it grants them (murdering arachne, yanking heracles' chain the second he tries to go freelance, having a monopoly on the acheron etc). the value they put on immortality and living forever, and the fear they have of ever possibly losing it, has completely warped their morals and priorities.

and while it comes up less in tbi, there's still significant emphasis placed on how odin has been in power for a century (both thor + the narrator bring it up, and there's also an emphasis on how long ago the bifrost project was started, and how 'no one left living' can explain its science). her villain monologue in rangarok iv places the extinction of asgard as an honour - a ruin that no one can possibly rebuild from is called 'apotheosis'. and as she says at the end, the idea that no one can possibly outlive her is a key draw for odin. asgard dies with her.

in hnoc, the only really immortal character is brian (and we only really know that bc of knowledge we get from outside the album), but the axis of life and death as a privilege vs a curse is still very present. 'mordred's gift to Arthur could be love in his own eyes / fating him alone to keep the life to which he clings', not only posits that the gift of survival isn't inherently good + kind (which the audience would immediately recognise as love, not possibly love), but places emphasis on the fact that arthur is now utterly alone. the station's death at the hands of mordred is hardly a happy one ('Its people damned, doomed by a man who's lost all his regrets'), but arthur's fate is arguably worse. severed from the finality and closure of death, what does he become? [insert that one cool theory abt hnoc arthur becoming old king cole here]

it's like. on a meta level, the reason we as fans don't put much emphasis on the depravity + cruelty of the mechs is bc the people portraying the mechs are all charismatic + skilled performers. in live gigs they're all portraying the fun side of their characters - roasting each other, bantering with the audience, making fun of the characters they're singing about, referencing off-screen violence - bc if they portrayed their lore too literally they'd be comitting felonies LMAOOO

but narratively, its like. literally every album is a meditation on the ways that the glorification of immortality can ruin civilisations - can ruin galaxies. whether its rooted in the fear of you specifically dying, or of being outlived, or overpowered or forgotten, or if its done for the sake of someone else's survival... it's all corrosive. if u refuse to accept the indisputable impermanence of life, you lose the ability to value it, and u numb urself to the reality of just how fucked up it is to cut another person's life short for any reason.

like. i do think some of the mechs started as good people, and some of them even might still have ethical standards, but i REALLY cannot stop thinking about how fucking. fascinating it is that this group of immortals who are KNOWN for basically considering nothing but how fun and/or violent any given activity will be, have basically filled their entire discography with songs about how their continued existence is corrosive and brings tragedy + ruin wherever they go.

so how self-aware are they? do you think those old morals + ethics still linger in their mind, when they're writing down these tragedies? they willingly self identify as liars + thieves + bastards, etc etc, and they seem to have no trouble identifying the 'bad guys' in the various albums (ie: humanising snow + cinders + rose, but not king cole), but do those concepts actually mean anything emotionally, or even theoretically, for them all beyond their dramatic potential? do they remember their lives before they were mechanised as it actually happened, or do they remember it as lyrics to a song? is it possible to be entirely self aware abt ur own capacity for violence (as jonny in paticular claims to be), if you no longer relate to violence as anything other than a narrative device - a means to an end, whether comedic or dramatic?