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meimi-haneoka · 3 years ago

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Cardcaptor Sakura Clear Card Chapter 56: Comments + JP-ENG translation differences

AT LAST! I can finally write this post! 😂 I've been waiting for the japanese raws all today, because the site where I usually buy them decided to release them one day late. In the meantime, I've read the chapter in Japanese on Youtube, so I could start my post as soon as possible. The wait for this chapter felt so short...so pleasant...after the previous drought of 3 months, it's just normal! 😂

Sooooo the truth is finally out, isn't it? At least, one truth... But it's quite big, you know? Sakura knowing that Kaito is a magician and having the certainty that nobody can take that knowledge away from her anymore is surely satisfying.

The gif of the month this time is in honor of the wonderful art. Starting from the color page, to Akiho's curls drawn in such a skillful way, this chapter was a triumph of gorgeous art. I still find myself staring at some panels, from time to time.

But let's see how the talk between SyaoSaku and the guardians went! Under the cut!

The color spread

I've been talking with some friends on discord and it was a common idea that this time we would have Syaoran on the chapter cover...which turned out to be true! And what a special feature: Syaoran joins Kaito in the club of the characters who managed to 'steal' a double color spread all to themselves, with no Sakura around (I remind you that before Kaito broke the pattern, any color spread always featured Sakura, even together with other characters) This probably goes to show how we're getting into a very special part of the story, very close to the climax. Also my dear friend Chibiyuuto pointed out how even this time, like with Kaito, we have a totally black background. Which isn't quite common with CCS. Another thing worth to be pointed out, thanks to my other friend Cutesherry who made a "study" over it, is that there's quite a difference in saturation and hue in some of the translated versions, as if each edition corrected the colors as they wanted. As a result, Syaoran's hair and eyes in the ENG version look too dark and reddish, compared to the JP one. The text over the Japanese version says: "Sakura told him the truth. Syaoran holds up his sword for his loved one!!" I found particularly interesting two words in this text. "Loved one" is actually 想い人, omoibito. It's neither "koibito" nor "taisetsuna hito", but a word formed with the verb 想う, lit. "to think" but often with romantic connotation. It's often translated directly with "to love". I find it a very apt choice because there isn't the weight of a word like "koibito" ("koi" is kind of a more "advanced love" compared to the young and innocent love these kids are feeling), but also it's apparent that, with everything that is at stake, "taisetsuna hito" (important person) might not convey enough how much Syaoran loves Sakura. So omoibito it is. The other word is 掲げる, kakageru, which literally means "to hold up, to raise, to display", and in connection to the sword, I found it very knightly. Syaoran is showing his sword as to say "I'm going to protect her with this sword of mine , even if it'd cost me my life" .

A truth that cannot be rewound

We start the chapter exactly where we left off last time, with the kids talking, protected by the safe environment of Siege. Sakura starts saying that they might not believe her (poor girl, she doesn't really have much faith in her capabilities) but Syaoran, firmly and without a trace of doubt, says:

JP: "I believe you. If it's coming from you, I believe it"

I wanted to put the JP version here because it feels like it's even more powerful, more intense than the ENG one! Syaoran's faith in Sakura is unwavering and strong. Furthermore, Syaoran is finally able to say what he's been dying to tell her ever since chapter 33 (yeah, for a total of 23 chapters) but was unable to: he already knew that Kaito can use magic, he just was unable to undo the spell that Kaito put on him to prevent him from blurting out everything. Syaoran confirms to Sakura that her magic keeps getting strong, and so do her Cards: Siege became pratically impenetrable, and that's why Kaito's magic probably didn't work anymore while she was inside of it.

It's time for confessions, and Kero tells Sakura that actually even her guardians knew about Kaito having magic, thanks to Eriol's information, but he and Yue discussed about it and decided it was best not to tell her anything for the moment...Suppy chimes in by saying that probably, even if they wanted to tell her, they wouldn't have been able to (likely seeing what happened to Syaoran, and this is something he suspected too). Kero apologizes to Sakura, and Sakura isn't mad or anything, because she knows that they did it thinking about her.

You see, we could stay here for days talking about how this was such a bad move from Kero and Yue, that they're her guardians who swore to protect her, and they should've known better...but they made a decision based on what was best at that moment in time: Kaito didn't make any move towards Sakura yet, they didn't know anything of his intentions and there was also the friendship with Akiho involved. They made a faux pas and that happens to everyone, magical creatures included. Luckily Sakura has got a big heart and is maturing emotionally really quickly, so she isn't mad or anything. She can see the good intentions of the creatures who love her and that's enough for her. And she will still need their support from now on, as my friend Steh-chan said on her blog in portuguese (very good point!).

I just want to point out a very little detail that I noticed, and loved to bits: Syaoran keeps holding the shoulder strap of his bag throughout his conversation with Sakura, and that shows how nervous he is. When he's telling Sakura of how he couldn't beat Kaito's spell, he keeps both hands on it, as if that was the peak of his restlessness.

Syaoran takes one hand off the shoulder strap to fetch something important in his pocket: his cellphone, to show to Sakura that too little time passed since he came to her house, and it's impossible that in 16 minutes they went to the botanical garden, met Kaito, had a confrontation and came back home, with their memories erased (which was Syaoran's first guess, remember when he said that he had the impression someone was making them forget things?). So the kids immediately guess that Kaito must be able to manipulate time magic.

We switch to the Shinomoto residence, with Momo talking to herself (since Kaito and Akiho are still out on their date, while all of this is happening!). And here, in this scene, I have to point out a difference in translation (to me it's actually a mistake) that bothered me quite a lot because of the usual reasons: when a character talks in a mysterious way because it's supposed to sound vague, they actually end up forcing an interpretation in a certain way, because they have to needlessly embellish their translation. And, believe it or not, it always happens when there's Momo or Kaito involved.

ENG: Well! Look at you, Yuna D. Kaito. You've been caught red-handed. JP: Here we go...they grabbed your tail, Yuna D. Kaito.

This part is still fine. I don't like the tone of that "look at you" in the ENG version (why do they always make it sound like Momo revels in seeing Kaito in trouble? There's a big misunderstanding here), but "caught red-handed" works fine to translate Momo's endearing and funny way to explain that the kids have realized that he can use time magic. Still, I wanted to report here the literal translation because it's so funny to me...I've always imagined Kaito like a black cat (and I know many of my friends who are reading this actually agree 😂) so imagining the kids grabbing Kaito's tail made me crack up 😂😂😂

Momo explains that once a spell gets recognized for what it is, it comes apart. That is especially valid for Time magic, and if the opponent is someone with a very strong magic, then all the more. Everything that Kaito tried to undo by stopping, rewinding time...everything that couldn't go forward because of this, is now beginning to move once again. I was particularly impressed by this sentence in Japanese, because it used the verb 進まなかった, "did not proceed", and it reminded me of all the times I've seen the JP fandom complaining, just like us, that Kaito didn't allow the plot to move forward with his time rewindings. It almost seems like....CLAMP were perfectly aware of this, of all of our complaints, and it was all part of their story. It's like, through Momo, they're telling us "Don't worry. NOW the story will move forward". And now, the part with the mistake.

ENG: Into the final act of your story. JP: Towards the conclusion of the story.

Now, I have no idea why they had to add that "your". Momo makes no reference to him, she doesn't use "anata no". I know he's all looking dark and in danger in the background, but still, Momo's speech was meant to be mysterious. It was meant to leave to us the "fun" to imagine whose story she's talking about. What if it's the two Alices' story? Or what if this is CLAMP just being meta and telling us that Clear Card is approaching its climax? Why forcing the interpretation on Kaito, even giving the idea that Momo is talking about his death??? I just don't understand and it irks me a lot.

Anyway, we go to the next day. Akiho is coming to school and Sakura notices her by the classroom window. She's reminded of the rest of the conversation with Syaoran, Kero and Suppy of the day before: they brought up Akiho, wondering if she knows Kaito is a magician (slight addition in the JP text that was left behind in the ENG one: Kero "Do you think Akiho knows about this, since she lives with him?"). Syaoran doesn't know, and he says he can't feel any magic coming from her. This is when Sakura, ONCE AGAIN during that morning, surprises everyone (readers included): she says she's got the feeling there's "something" inside Akiho. Suppy tries to ask her to explain what that "something" is, but Sakura says: JP: "I'm sorry. I suddenly thought so just now...but I don't understand it very well"

Kero repeats something Syaoran already said, "Your magic is becoming stronger even now", and that's probably why she's was able to notice that thing inside Akiho. Syaoran poses the question that probably all of us wanted to hear, at some point:

JP: "Sakura. Would you want to try to ask Shinomoto about that person's magical power?"

In this scene, we have a panel of Kaito holding his watch and....his body crumbles away in shards. Okay, I will say it: this particular image gave me terrible TRC war flashbacks, and I wonder what it is meant to represent....the fact that his time magic is eating his life away...? Or.....?

Important people

Akiho calls Sakura, and she realizes she's been spacing out. She notices that Akiho seems a little bit happier than usual, so she asks her if something nice happened.

Hehehe....of course. Sakura is always very observant with Akiho, and she's learned to know her in these past three months....

Isn't she absolutely adorable and beautiful in this panel? With both cheeks red and the cutest smile ever, she tells Sakura...

ENG: Kaito-san took me out yesterday... JP: I managed to go out with Kaito-san...

And here unfortunately I have to change my starry-eyed expression into a scowling one, because the ENG translation managed, in one swift move, to completely obliterate Akiho's efforts and all the assertiveness she's been having in the past few chapters.

Akiho was the one almost dragging Kaito out of their house, so why they changed it like this? What about all the preparations? The courage she had to muster to go up to him after that disgraceful scene in chapter 52? What about all of that? If you say "Kaito-san took me out" you make it seem like Kaito proposed to her to go out. Yeah, sure, for those like me this would be a great thing, but Kaito actually taking her out would mean that he's also understood many things. And that didn't happen yet, unfortunately.

Translation ramblings aside, at the mention of Kaito, Sakura remembers more of her talk of the day before. This is her reply to the question Syaoran posed before:

JP "I still don't know what kind of person Kaito-san is. But what I know is...that Akiho-chan thinks of him in a very special way. Because I also have someone special to me."

The verb 想う comes back. It literally translates to "think" but usually it implies a sort of special feelings with romantic connotations. This is why I would've wanted for them to translate it in a bit more specific way, rather than just "he's special to her". Besides, 大切に想う is exactly the way Yelan used in the Mini Book manga to describe Sakura (and her feelings for Syaoran). In that occasion, I translated it as "the person who loves you so dearly" so I'm already holding back here, with Akiho.

And I'm not sure why they wanted to translate that 大切な人がいる into a plural, when it's clear Sakura is drawing a parallel between her feelings for Syaoran and the feelings Akiho's got for Kaito. That is precisely what makes her understand Akiho's position, and therefore taking the subsequent decision: "I want to wait for her to come to me and tell me" with a very pensive expression on her face (very beautiful, I must say). Back to the present, Akiho apologizes because she thinks she talked too much (probably, while Sakura was absorbed in her thoughts, Akiho kept talking enthusiastically about the date), and that's when Sakura says something...interesting: "I want to listen. I want to listen to anything you want to tell me" Was Sakura including a double meaning, here? Was she somehow sending out the message that, in case one day Akiho had something really important to tell her, she'd be all ears to listen to her? Akiho's surprised face kinda.....pushes towards that direction. I also want to spend a few words about what a wonderful friend Sakura is, for putting herself in Akiho's shoes and not wanting to wreak havoc on her relationship with Kaito, in case Akiho doesn't know anything. It's not her place to force events in that way. She can find a way to deal with this on her own, without involving Akiho and her relationships. In fact, Sakura is so sure of her decision, that everyone else had to agree with it, this time around.

We find it out in a fun meeting among all four guardians, transformed in their true forms, at Yukito's place. Seems like Kero is still feeling quite guilty for how they went about all of this. He mentions that all of them did their own thing without telling Sakura anything...even if in the end, this is Sakura's problem first and foremost. I can feel in his words "we acted in a very unfair way" and that's enough to me. Spinel Sun adds "So Syaoran Li said that this time we should prioritize the wish of the person concerned". Even Syaoran is still clearly feeling guilty about not telling her anything, and he learned his lesson well, because he kinda "ordered" everyone else to follow Sakura's wishes this time around. I'm sure, now that they're being transparent with her and following what she wants to do, everything will go fine. Not telling her was part of the story, it allowed Kaito to arrive to the point where he got, sure, but it also went to show that the people we love....don't make always the best decisions in our interest, even if they mean no ill will. I'm really happy to see Sakura finally taking agency and leading them in the direction she wants to take.

There's a fun comedy part with Ruby Moon teasing Kero and Yue over her praise of Syaoran, for having really grown up not only magically, but also mentally. Kero shouts that he will always consider Syaoran a "brat", even though he recognizes that he indeed grew up, while Yue says that he's not upset at him, but he also thinks there's no such a hurry to grow up. This earns him a "you're really following the pattern of a tsundere" (JP) from Spinel 🤣🤣🤣 "someone sure warmed up" (ENG) doesn't convey the same thing at all, to me!

Her decisions are hers to make

Ruby says "Her decisions are hers to make" and I swear this is a very important thematic here in Clear Card. There are also other characters who aren't interfering more than they should, even though they'd have the power to, because they understand that it's not their place to make decisions for others. People have to make their own decisions. And take care of the matters regarding their hearts, too....

We go back at school, all the main kids are reunited in the music classroom, with Yamazaki playing on the piano the score for Naoko's play. Everyone praises the piece, Tomoyo describes it as mysterious (the word 神秘的 actually has also got the meaning of "mystical") and sad...(if these are the premises....) Yamazaki then proceeds to play the music for Tomoyo's solo song and I need to point out another mistake in the ENG translation: the speech they translated as "what about Daidouji-san's solo song?" was actually Yamazaki still talking and simply saying "as for Daidouji-san's solo song..." "here" (and not "Oh!", it's because he passed the sheet music to Tomoyo) "I thought something like this". And he starts to play.

Sakura and Akiho are completely captivated by the beautiful music, and this moment gifted us with one of the most beautiful panels of not only this chapter, but I'd dare say of the entire Clear Card arc...they're so pretty. And they're such good friends. This prompts Naoko to make the one big offer that they can't refuse (and that we all were waiting for): she asks them if they want to take up the roles of the two Alice in her play! We find out that the script is pretty much all done, and Chiharu asks what kind of story it is....

"It's the story of a girl named 'Alice' who wanders into a word of 'dreams'...and 'another girl named Alice' who couldn't go back to the world she came from"

Ladies and gentlemen...the red flags are flashing everywhere, as this play will certainly be replicating what will happen in their real life....and since Sakura & Akiho will certainly accept the offer, we will inexorably be led to the conclusion of this story... through one more story.

Now the bets are open: who, between Sakura and Akiho, is the wandering Alice? And who's the one who couldn't go back to the world she came from? Is this to be taken literally, or is it something that will happen in the future...? While we think about all the possible theories, I wonder how many of you remember that the Alice featured in these pages is always her, the Alice CLAMP have drawn not only for the old anime (episode 55), but also the same appearing in episode 18 of the Clear Card anime:

Indeed, her dress is exactly the same Akiho wore when she was little, save for the color.

The chapter ends like this, with an editorial text that says "Sakura and Akiho have been selected for the double leading role! As if they were lead by destiny...."

These are the release dates for chapter 57: October 30th (presumably), on Comixology (digital, ENG) October 31st, on Clamp-fans and Comic-days (digital, JP and other languages) November 2nd, on Nakayoshi (paper and digital, JP)

This post has already become long enough so I will keep more thoughts for other posts/replies to asks that I will receive about this chapter....but. I will just say that I don't really see this ending with volume 12 anymore. We barely scratched the matter of the play and Sakura+Akiho have just received their offer for the roles, the remaining 100 pages composing the future volume 12 aren't enough to develop decently the play + alllll the stuff that remains to be unveiled. The pace certainly quickened (the proof is in the length of this post, there's lots to talk about) but it's not enough to end it within volume 12. I think they'll be 13. And, after all, as my friend Steh-chan said on her blog, 12(old volumes)+ 13(new volumes) = 25 volumes total, like the 25th anniversary. Sounds good enough to satisfy CLAMP's passion for numbers, right? Well, I really have to thank you if you were brave enough to read till the very end, and I will wait for your questions or matters you want to talk about in my ask box! 😊

#card captor sakura #cardcaptor sakura #ccsakura #ccs spoilers #clamp #clear card arc #chapter 56 #sakura card captor #translation differences

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mideza · 3 years ago

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Samishigari ya / HoneyWorks (English Lyrics)

さみしがりや feat. 柴崎健×柴崎愛蔵（CV：江口拓也・島﨑信長） (Video CW: None)

Title: Samishigari ya / You Seem Lonely Lyrics: HoneyWorks Composition: HoneyWorks Arrangement: HoneyWorks Vocals: Ken & Aizo Shibasaki (CV: Takuya Eguchi & Nobunaga Shimazaki)

KAN / ROM / ENG:

おめでとう何がだよ俺と同じ学校来るって？他人のフリでよろしくなハイハイ、了解兄弟の約束

omedetou nani ga da yo ore to onaji gakkou kurutte? tanin no furi de yoroshiku na hai hai, ryoukai kyoudai no yakusoku

Congratulations What for? You’re starting at the same school as me Pretend you’re a stranger for me, okay? Yeah yeah, I gotcha It’s a promise between us brothers

母さん(あの人)は今日もいない二人だけなのはいつものことパスタ作るけど食べるか？そろそろ飽きたわがまま言うな

ano hito wa kyou mo inai futaridakena no wa itsumo no koto pasta tsukuru kedo taberu ka? sorosoro akita wagamama iuna

What’s up with mom?* Gone again today It’s always like this, just us I'll make pasta, you gonna eat some? I’m getting tired of it Don’t be selfish

このバラバラな現状慣れちゃった恋愛ごっこで退屈　しのぎしてた

kono barabarana genjou narechatta renai gokko de taikutsu shinogi shiteta

I'm used to this inconsistent situation I’m bored with make-believe love, it was just to pass the time

誰にも話していないのに君だけが知ってる気がしてる怖がりの子猫のように少し震えながら温もりに触れてる

dare ni mo hanashite inai no ni kimi dake ga shitteru ki ga shiteru kowagari no koneko no you ni sukoshi furue nagara nukumori ni fureteru

Even though I haven’t told anyone I feel like only you know I seem like a scared kitten Trembling a little while Feeling your warmth

行ってくるまた女？別にお前に関係ないし今更なに照れてんだか… 服借りてくぞもう着てるし…

ittekuru mata onna? betsu ni omae ni kankeinai shi imasara nani terete nda ka... fuku kariteku zo mou kiterushi...

I’ll be back later Going to see another woman? That’s none of your business Why are you so embarrassed all of a sudden...? I’m gonna borrow this jacket You’re already wearing it...

このドキドキな関係嬉しくて大切なものに出会えて　愛を知る

kono dokidokina kankei ureshikute taisetsuna mono ni deaete ai o shiru

I’m happy with this heart-pounding relationship I meet someone important to me and learn of love

言葉で伝えきれないのに君だけが分かった顔してる気まぐれな子猫のように時々優しくて　そっぽを向いて

kotoba de tsutae kirenai no ni kimi dake ga wakatta kao shiteru kimagurena koneko no you ni tokidoki yasashikute soppo o muite

Even though I can’t express myself with words Only you understand my expressions I’m like a temperamental kitten Sometimes gentle, sometimes turning the other way

誰にも話していないのに君だけが見つけてくれた鳴いている子猫のように少し震えながらここだよと歌う

dare ni mo hanashite inai no ni kimi dake ga mitsukete kureta naite iru koneko no you ni sukoshi furue nagara koko da yo to utau

Even though I haven’t told anyone Only you found me I’m like a crying** kitten Trembling a little while singing “I’m over here”

おめでとう何がだよ

omedetou nani ga da yo

Congratulations What for?

~☆~

Notes:

* ”Mom” is written but “that person” is sang, I wrote it as mom for clarity

** The word used here is sort of just a word to say “making animal noises (naite iru)” but it’s homophonous to “crying (naite iru)” (and that’s also a noise animals make), so I used that because I felt it fit well

#I started working on GOOD BYE. I took a break. I started working on Engagement War. I took a break #I listened to this song again like one time and went if I don't translate this I'll die #and now here we are!#Artist: HoneyWorks #Vocal: Ken Shibasaki #Vocal: Aizo Shibasaki #honeyworks #haniwa #english translation #translations #english lyrics #samashigari ya #love this song tbh #it's really just #mona & sena: lovey dovey #ken & aizo: I am going to kill you with my bare hands (affectionate)#this is the point where I admit I didn't know they were siblings until this song came out #Like the last names just never registered #さみしがりや

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vstranslations · 4 years ago

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Local Connect - 想い願い歌う (Omoi Negai Utau) - Lyrics

song (spotify) Japanese/Romaji/English lyrics under the cut

Title: Think, Wish, Sing

僕は君が思うほど強い人じゃないよ

大人になるたび輝いていた「夢」や「未来」が錆びついて見えるなぁ違うレンズで自分を覗くことに必死になってさ

違うなぁ…辞めようか…曖昧な気持ちとくだらない世間につぶれそうだよ立ち止まってしまいたくもなるけど

想い、願い、歌う　想い、願い、歌う　僕にできるたった一つこの両手には何もないけど情けないけど君の一秒が変わりますように

怒りに怯え涙流し　涙にそっと微笑んだ鏡の前じゃできやしないなぁ僕も同じ一人じゃ表情もつくれないんだ

存在価値なんて知れば知るほど傷ついてしまうんだ

僕は君が思うほど強い人じゃないよ大切なものなのに失いそうになって気付く愚か者さほんとはうつむく君を笑顔にできるほど大きな存在じゃないのかもなぁ

だけど君は笑うんだ救われたって言うんだ生きている意味なんてそれだけでいい

ねぇ　君がいて僕がいるそれだけでいい

想い、願い、歌う　想い、願い、歌う　僕にできるたった一つこの両手には何もないから得ることも失う意味もつながるように

君の一秒が笑えますように

感情の交差点僕らは出会うよ

Boku wa kimi ga omou hodo tsuyoi hito ja nai yo

Otona ni naru tabi kagayaiteita yume ya mirai ga sabi tsuite mieru naa chigau renzu de jibun o nozoku koto ni hisshi ni natte sa

Chigau na, yameyou ka, aimaina kimochi to kudaranai seken ni tsuburesou da yo tachi domatte shimaitaku mo naru kedo

Omoi, negai, utau, omoi, negai, utau, boku ni dekiru tatta hitotsu kono ryoute ni wa nanimo nai kedo nasakenai kedo kimi no ichibyou ga kawarimasu you ni

Okori ni obie namida nagashi, namida ni sotto hohoenda kagami no mae ja dekiya shinai naa boku mo onaji hitori ja kao mo tsukurenainda

Sonzai kachi nante shireba shiru hodo kizu tsuite shimaunda

Boku wa kimi ga omou hodo tsuyoi hito ja nai yo taisetsuna mono na no ni ushinaisou ni natte kizuku oroka mono sa honto wa utsumuku kimi o egao dekiru hodo ookina sonzai ja nai no kamo naa

Dakedo kimi wa waraunda sukuwareta tte iunda ikiteiru imi nante sore dake de ii

Nee, kimi ga ite boku ga iru sore dake de ii

Omoi, negai, utau, omoi, negai, utau, boku ni dekiru tatta hitotsu kono ryoute ni wa nanimo nai kara eru koto mo ushinau imi mo tsunagaru you ni

Kimi no ichibyou ga waraemasu you ni

Kanjou no kousaten bokura wa deau yo

I’m not as strong of a person as you think

As one grows up, your glittering dreams and vision of the future seem to rust away It makes you desperate to see yourself from a different lens

No… maybe I should quit… I feel like I’ll be crushed by our worthless society and my unclear feelings It makes me want to stop where I am

Think, wish, sing; think, wish sing; that’s the only thing I can do I’m pitiful and have nothing to offer, but I hope to change even one second of your life

You cower and cry at others’ anger, unable to smile at yourself in the mirror through the tears I, too, can’t change how I feel so easily on my own

The more you know about your value to society, the deeper it hurts

I’m not as strong of a person as you think I’m a fool who only realizes what’s important when I’m about to lose it Maybe I’m not really some great presence that can bring you joy when you’re down

But I’d say that when you did smile, it saved me I’m fine with that alone being my reason for living

As long as you and I are here, that’s all I need

Think, wish, sing; think, wish sing; that’s the only thing I can do I have nothing at all, but I’ll connect the things I’ll gain and meaning I’ll lose

And hope to make you smile for that one second,

When we meet at an emotional crossroads

#local connect #song translation

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visualkeilyrics · 6 years ago

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[translation] 0 [zero] - kizu (only the questions from the MV)

People asked me to translate the questions from the MV, I’ve posted a comment in the KIZU’s official channel, and I’ll put the same post here:

問-0:あなたが大切にしているものはなんですか？

toi-0: anata ga taisetsu ni shite iru mono wa nan desu ka?

Q 0: What do you think is important?

問-2:あなたはタイムマシンに乗っています行くのは過去？未来？

toi-2: anata wa TAIMUSHIN ni notte imasu iku no wa kako? mirai?

Q 2: If you are inside a time machine where do you go? Past or future?

A: Past / future / future / future

問-7:人生が2度あるならば今のあなたは2度目？それとも1度目？2度目なら前世1度目なら来世とお答えください

toi-7: jinsei ga ni do aru naraba ima no anata wa ni dome? soretomo ichi dome? ni dome nara zansei ichi dome nara raisei to okotae kudasai

Q 7: If you have two lives is this the first one? Or the second one? Please, answer if this is the first or second life after death.

問-9:死神が現れて言いました「大切な人の寿命を代わりに差し出せばその分だけ生かす。ただし本当に大切な人でなければ駄目だそして大切な人がいなくてもあなたは生きられる」さてあなたは今生きていますか？

toi-9: shinigami ga arawarete iimashita “taisetsuna hito no jumyou wo kawarini sashidaseba sono bun dake ikasu tadashi hontoni taisetsuna hito denakereba dame da soshite taisetsuna hito ga inakute mo anata wa iki rareru” sate anata wa ima ikite imasu ka?

Q 9: Q 9: A God of Death [A Grim Reaper] comes and say “if an important person give you their life-span, then you will come back to life, but it will be useless unless this person is really important to you, and if you go back to life you’ll can not stay with this important person” would you go back to life?

A: No / yes / ~ / can’t read

問-11:あなたのまわりの世界は平和ですか？

toi-11: anata no mawari no sekai wa heiwa desu ka?

Q 11: Is the world around you peaceful?

問-11:理想の追求は我執の言い換えに過ぎない？

toi-11: risou no tsuikyuu wa gashuu no iikae ni suginai?

Q 11: ‘search for ideals’ are just another words to ‘egotism’?

A: Yes / No

問-12:あなたは何故生まれ何故幸せを求めるのでしょうか？

toi-12: anata wa naze umare naze shiawaze wo motomeru no deshou ka?

Q 12: Why were you born and why do you search for happiness?

You can read the song translation on my blog: http://bit.ly/2S0HNCd

#kizu #zero #translation #キズ #ゼロ

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amyure · 6 years ago

Audio

Title: Present for You Artist: 4U Lyrics: SATSUKI-UPDATE Composer: sakutaro

Such a beautiful song. 4U are such good friends with each other. Makes me remember that day Emoko said, “Goodbye. But I love you.” in 4U episode. Those 3 really do love each other so much in their own way. - Esh

Love this one (even before knowing the lyrics). - Nab

Translations I said, “you see, and then…” an arrangement, to pretend that I forget it’s the anniversary of our meeting

“When was it again?” I asked insisting that I don’t remember, I try to run away as best I could That’s just an insignificant message

“I’m sorry,” that I could not say Projecting the world of cowards If we can become one, I am satisfied I could finally say, “Thank you.”

Don’t forget I won’t forget The moment we walked with our hearts connected The sugar covered sky is beautiful today too

I want to tell you I want to make it reach you of these irrepressible feelings Attaching heart beat, saying “See you, good night” to hide

“Do you want anything?” I asked. I keep on thinking of someone other than myself I want to see your happy face

“Anything is fine,” I wrote Since I know that you always care about me That alone is already enough

face the camera, “Hey, smile!” I missed out on the shutter chance If that will make you smile, I would have said ‘congratulations’ fifty thousand years earlier

There is no end to it, huh? There is no end. I can’t explain this overflowing hot feeling with just saying ‘special thread’

while looking at the lining up dreams Please praise me, who am able to stand here smiling maybe without saying stuff like ‘it’s a miracle, or something’

It seems it came up to my heart a bit Everything that has happened up until now, is fulfilling

I am sure, from now on too we will see the same stars Together forever Together forever, right Until the end

This feeling of gratitude that can’t be expressed enough just by “thank you” or “congratulations” Must be conveyed to that important person

Don’t forget I won’t forget the time we walked with our hearts connected I made sounds out of these packed heartbeats in place of a present

How irreplaceable are those days of living with you The sugar covered sky is more beautiful than ever

I want to say so much I want to convey so much of these feelings that have grown uncontrollably Please embrace this present made to sound out these packed heartbeats I send these accumulated heartbeats to your place Please embrace them “For you”

Romaji “Ano ne, sore de…” tte itta no wasuretetatte gomakashite arenji deatta koro no kinenbi yo

“Itsudeshitakke?” tte kiitano oboetenai to iihatte hisshi de nigeta nakenashi no messeeji dawa

iidasenakatta “gomen ne” yowamushi sekai tobidashite hitotsu ni naretara goman'etsu youyaku ieta “arigatou”

Wasurenai de Wasurenai yo kokoro tsunagete aruita jikan wo Konpeitou no sora ga kyou mo mata kirei da wa

tsutaetakute todoketakute osaekirenakunatteta kimochi wo kometa haato biito kakusutame no “jaa ne, oyasumi”

“Nani ga hoshii?” tte kiitano itsumo jibun igai no koto kangaeteru kimi no yorokobu kao ga mitai yo

“nandemo ii” tte kaita no itsumo ki ni shitekureru koto shitteiru kara sore dake de juubun da yo

Kamera mukete “hora waratte” shattaa chansu minogashite kimi ga warau nara goman'en saki mo iu yo “omedetou”

tomedonakune tomedonai ne afuredetekuru hotto na kimochi wa “tokubetsuna ito” ja setsumei mo dekinai wa

narabeta yume nagamenagara koko ni tatte waraeteru jibun wo homete agete tabun kiseki nante iwazu ni

chotto mune ni kita mitai dawa ima made no koto ga mina mitasare

kitto onaji hoshi miteru kara kono saki mo zutto issho yo zutto issho ne hateru made

“arigatou” toka “omedetou” ja tsutaekirenai kansha no kimochi wa taisetsuna hito he todokenakya dame nanda

wasurenai de wasurenai yo kokoro tsunagete aruita jikan wo kometa haato biito narashita no yo purezento gawari

kakegaenai ne kimi to ikiteru hibi konpeitou no sora ga itsumo yori kirei da wa

tsutaetakute todoketakute osaekirenakunatteta kimochi wo kometa haato biito narasu tame no purezento daite kasaneta haato biito kimi no moto he “foo yuu” wo daite

Kanji 「あのね、それで…」って言ったの忘れてたって誤魔化してアレンジ出会った頃の記念日よ

「いつでしたっけ？」って聞いたの覚えてないと言い張って必死で逃げたなけなしのメッセージだわ

言い出せなかった「ごめんね」弱虫世界　飛び出してひとつになれたらご満悦ようやく言えた「ありがとう」

忘れないで忘れないよ心繋げて歩いた時間をコンペイトウの空が今日もまた綺麗だわ

伝えたくて届けたくて抑え切れなくなってた気持ちを込めたハートビート隠すための「じゃあね、おやすみ」

「なにが欲しい？」って聞いたのいつも自分以外のこと考えてる君の喜ぶ顔が見たいよ

「なんでもいい」って書いたのいつも気にしてくれること知っているからそれだけで十分だよ

カメラ向けて「ほら笑って」シャッターチャンス見逃して君が笑うなら五万年先も言うよ「おめでとう」

とめどなくねとめどないね溢れ出てくるホットな気持ちは “特別な糸”じゃ説��もできないわ

並べた夢眺めながらここに立って笑えてる自分を褒めてあげてたぶん奇跡なんて言わずに

ちょっと胸にキたみたいだわ今までのことがみな満たされ

きっと同じ星見てるからこの先もずっと一緒よずっと一緒ね果てるまで

「ありがとう」とか「おめでとう」じゃ伝え切れない感謝の気持ちは大切な人へ届けなきゃダメなんだ

忘れないで忘れないよ心繋げて歩いた時間を込めたハートビート鳴らしたのよプレゼント代わり

かけがえないね君と生きてる日々コンペイトウの空がいつもより綺麗だわ

伝えたくて届けたくて抑え切れなくなってた気持ちを込めたハートビート鳴らすためのプレゼント抱いて重ねたハートビート君の元へ“フォー・ユー”を抱いて

#t7s #Tokyo 7th シスターズ #tokyo 7th sisters #4U #Saeki Hina #Wanibuchi Emoko #Kujyo Ume #song lyrics #song translations #eshtarwind #ナナシス

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spookysharkwonderland · 4 years ago

Text

That is the important brink of living or dying

(4 ) Kono, marude ubai tora reru yō ni jibun o watashite yuku no wa, ikanimo muryokude aware ni mieru kamo shirenai. Shikashi kirisuto ga sono junan no michi o ayunda no wa, shikataganai to iu akirame karade wanai. Kono ten ni tsuite mo, Sei Tomasu wa tsugi no yō ni oshiete iru. `Mō nantomo naranai tokoro o, gaman shite jitto taeshinobu no wa, kokoro no tsuyo-sa to iu ka, ikita chikaradearu. Kono tsuyoi chikara wa, mō nantomo dekinai tokoro de, soredemo jibun no mesa reta zen no michi ni jitto fumitodomari, soko kara ippomohikanai. Sore wa kokoro ni mo karada ni mo kizu o ukete, tsuini wa shinu yōna koto ni natte mo, soredemo danjite hirumanai chikara ni made sodatte yuku' (shingaku taizen 2/ 2/ 123/ 6/ 2). Mō sore ijō nantomo naranai no wa, kurushī ikidzumaridearu. Soko e mesa reta hito ga sore demo fumitodomaru no wa, hikyōde yowaikarade wanai. Sore koso ikita ai no hatarakida to iu nodearu. Shikashi kono ura ni, mōhitotsu no koto ga aru. Hito wa mō nani demonai tokoro ni oitsume rarete shimau to, taitei no baai sono nan demonai koto ni narete shimau. Sorede nani mo shinaku naru. Dōse ikizu marida, nani o shite mo shikata ga nai to iu kimochi ni naru. Wherever I hang my hat is home, nantoka tabete yuku koto dake ni ochitsuite shimau. Shikashi Sei Tomasu wa, sore dakede wa tarinai to iu. Nantoka tabete yuke sae sureba yoi to iu yōna kimochide wa,-shin o aishi rinjin o aisuru nado dekinai to iu. Kaette, dore dake ikidzumatte mo, mada nanika dekiru koto ga sukoshi demo nokotte oreba, sore o nigasanai. Sukoshi dakedakara, sore kurai shite mite mo shikataganai to, nagedashite shimawanai. Jibun ni nokosa reta sono sukoshidake o, sonobade sukasazu hatashite yuku. Kami to rinjin e no ai ni ikiru tame ni wa, kono nebaridzuyo-sa ga zehi hitsuyōda to iu nodearu. Konoyo ni wa, jibun no omou yō ni ikanai to, sekkaku hajimeta michi o akiramete,-gai e iku hito ga angai to ōi. Kore ga seikatsu no tame toka, shigoto ya jigyō dake no kotonara, sore mo warukunai kamo shirenai. Mushiro sonokata ga yoi baai mo aru. Shikashi sore ga, iyoiyo hito ga jibun o kami ni tewatasu to iu rinjin no koto ni naru to, mondai wa betsudearu. Sore koso hito no jinsei ga seikō suru ka dō ka to iu, ikiru ka shinu ka no taisetsuna setogiwadearu. Soredemo bakarashī to itte saru hito o, hikitomeru koto wa dekinai. Shikashi fukuonsho mo pōru no tegami mo, seken ippan no kangaekata kara sureba mattaku kumikomi no nai, kirisuto no jūjika ni todomatte hoshī to yobikakete iru. Kono men kara mite mo, rinjin ni oite kami o aisuru to iu koto wa, hito no kokoro to chikara no zenbu arittake o hitsuyō to suru, taihen'na kotodearu. Iroiro jibun no sukinakoto o shite oite, sorekara kami no koto o sukoshi wa omou, to iu yō ni dekiru monode wanai.さらに表示volume_up1150 / 5000

翻訳結果

(4) It may seem powerless and pitiful to hand over yourself as if you were robbed. But Christ went on his path of suffering not because he gave up. In this regard as well, St. Thomas teaches: "It is the strength of the heart, or the living power, that endures what is no longer possible. This strong power stays still in the path of good that I have been called, where I can do nothing anymore. , I will not take a step from there. Even if it is damaged both physically and mentally and eventually dies, it will grow to a power that is absolutely unflinching. " (Summa Theologica 2/2/123/6/2). What can't be done anymore is a painful deadlock. It is not because they are cowardly and weak that those who are called there still stay. That is the work of living love. But behind this, there is one more thing. When people are cornered in something that is nothing more, they usually get used to it. So he doesn't do anything. It's a dead end anyway, and I feel like I can't help doing anything. Wherever I hang my hat is home, I just manage to eat and settle down. But St. Thomas says that's not enough. He says he can't love God and love his neighbors with the feeling that he only has to eat. On the contrary, no matter how much he gets stuck, if there is still something he can do, he will not let it go. It's only a little, so if you can't help it, you won't throw it out. I will fulfill only the little that I have left on the spot. This tenacity is absolutely necessary to live in love for God and his neighbors. In this world, there are unexpectedly many people who give up the path they started and go outside unless they go the way they want. If this is for life, or just for work or business, it may not be bad either. Rather, it may be better. But when it comes to neighbors who finally hand over themselves to God, the problem is different. That is the important brink of living or dying, whether or not a person's life succeeds. Still, I can't stop someone who leaves because they say it's stupid. But both the Gospels and Paul's letters call for them to stay on Christ's cross, which is completely unincorporated by the general public. From this point of view, loving God in our neighbors is a great thing that requires all the heart and power of a person. You can't do a lot of things you like and then think a little about God.

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eshtarwind · 7 years ago

Text

4U - プレゼント・フォー・ユー Lyrics and Translations

Lyrics: SATSUKI-UPDATE Music: sakutaro

Translations I said, “you see, and then…” an arrangement to pretend that I forget it’s the anniversary of our meeting

“when was it again?” I asked insisting that I don’t remember, I try to run away as best I could That’s just an insignificant message

“I’m sorry,” that I could not say Projecting the world of cowards If we can become one, I am satisfied I could finally say, “thank you.”

Don’t forget I won’t forget The moment we walked with our hearts connected The sugar covered sky is beautiful today too

I want to tell you I want to make it reach you of this irrepressible feelings Attaching heart beat, saying “See you, good night” to hide

“Do you want anything?”, I asked. I keep on thinking on someone other than myself I want to see your happy face

“Anything is fine,” I wrote Since I know that you always care about me That alone is already enough

face the camera, “hey, smile!” I missed out the shutter chance If that will make you smile, I would have said “congratulations” fifty thousand years earlier

There is no end to it, eh? There is no end. I can’t explain this overflowing hot feeling with just saying “special thread”

while looking at the lining up dreams Please praise me, who is able to stand here smiling maybe without saying stuff like it’s a miracle, or something

It seems it came up to my heart a bit Everything that has happened up until now, are fulfilling

I am sure from now on too we will see the same stars Together forever Together forever, right Until the end

This feeling of gratitude that can’t be expressed enough just by “thank you” or “congratulations” Must be conveyed to that important person

Don’t forget I won’t forget the time we walk with our hearts connected I made sound out of these packed heart beat in place of a present

How irreplaceable are those days of living with you The sugar covered sky is more beautiful than ever

I want to say so much I want to convey so much of these feelings that has grown uncontrollably Please embrace this present made to sound out of these packed heart beat I send these accumulated heart beat to your place Please embrace “For you”