random ass transformers headcanons that suck (some is for AUs ive made)
-Megatron is a big back
-Sunstorm has the most angelic most ethereal most soul-levitating most beautiful sounding singing voice ever (Jazz invites him for karaoke a lot)
-Starscream and Thundercracker know Vostos (Vosian language ig idk) very well leaving Skywarp to be the plastic one only understanding swear words and yes and no
-Even though they can speak it, Cybertronians CANNOT read English (ignore anytime they did in shows and comics please and thank you)
-Jazz has the most inconsistent music taste ever like EVER ever like you can legit catch him listening to jpop
-Despite Starscream not being a big fan of animals, the only one he ever actually slightly enjoys being with is Buster (he also hates snakes)
-Optimus has dad humour, Elita has 'today' humour but isnt cringe about it, and Meg has Polynesian humour (projecting ethnicity onto favourite characters fr)
-The seekers like volleyball
-Sunstorm is the tallest seeker
-Cybertron is more blocky and geometric while Caminus is more organic shaped
-Jazz cannot go one minute without pure silence, he NEEDS the music
-If Megatron was a student his best subject would be English
-(got this from @ask-a-bot) Starscream really enjoys drawing landscapes and scenery
okay thanks for reading through my really bad headcanons
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Jazz's "Apology Tour" ramble
Episode was trash, let's go.
First off, the whole "Fuck Blitzo" party is so stupid to me, like you're telling me this 30-something year old man had intimate relationships with ALL these demons and HE was the sole thing that ruined ALL of them?
And how did Verosika even find out about Stolas? Like I know Ozzie's happened, but how'd she hear about their "breakup" (they weren't together but whatever, show)?
Why the FUCK does Verosika care about Stolas being an uwu sad victim of mean old Blitzo aside from everyone being written to want to huff Stolas' sad boi farts?
Why is no one trying to kill Stolas like in Loo Loo Land, like suddenly we're just cool with the oppressive racist now (who am I kidding, the rank system doesn't exist anymore unless the "meanie supremacist" characters bring it up I guess)?
Don't think I'm trying to be "Blitzo's#1Bitch69" or anything, but Season 2 is just so gross in how they've written him. Either he's the big bully meanie for hating his abuser, or they've had him commit the most out of pocket atrocities (like possibly SAing Stolas since he was technically drunk or the circus incident or the shit he pulled with Verosika because what the fuck kinda trauma makes you steal someone credit card for horse riding lessons???) that they just gloss over because fuck having Blitzo actually progress normally or Stolas taking actual responsibility for his own actions, let's just speed through everything so it's back to Stolitz City, don't think about the implications. I just can't stand itttt, I still like and pity Blitz to an extent but his writing is killing meeee
Stolas, stop whimpering about being wanted YOU HAVE A KID WHO HAS STILL NOT APPEARED SINCE SEEING STARS WHERE IS SHE?
Am I really hearing that people are hating the dude flirting with Stolas like come on yall STOLITZ IS NOT OFFICIAL YET CHILL
I've honestly started skipping through episodes, like I can't fucking listen to "WAHHHHH BLITZO I WANT YOU TO WANT ME" for the millionth time, I wish this episode could've just been Blitzo and Verosika facing their issues or something I just don't wanna see this owl loser act like a victim anymoreeee
Man really said "when have I ever been condescending?" SEASON ONE???? How about every time you grab his face and call him out of his name and watch him be shot at while demanding he come over one a month? Oh, but when Blitz starts doing it back it's "Oh I'm uncomfortable ooOoOoo stop it Blitz hnnghhh I don't like it :C :C :C", like whatever man.
The Striker comment was dumb and wrong but that's because Stolas is dumb and wrong
Honestly I feel like I'm repeating the same points I and others have made in the past so all imma say is, I hope Octavia and Stella are enjoying their off-screen and better written adventures together. I'm gonna draw some AU stuff now to give my eyes something better to look at.
OH I forgot to talk about Verosika, uh, she was there? I honestly think she should just get over herself at this point, idk when she and Blitz broke up but what the fuck is it about this clown that she was so enamored over where she's this hurt? I can get being mad about her credit card and Blitz being a lazy partner but if that's the case, I fail to see how they got to a point where she got his name tatted on her arm. Idk it's weird
The Mayweather shit or whatever her name is was pointless and made no sense, like "I want you to kill this woman who made me attempt to kill her and myself but now we're dating" like? Hey Vivzie if yall can callback to that why can't yall call back to Stolas being a creep huh?
EDIT: They really made that fuckass "it's hell" excuse canon, huh? Like, it doesn't even make sense in the context of Blitz saying that, like people say "it's hell" because Biblically speaking, it's where those who truly oppose God in order to live a life of wickedness go as just punishment. Blitz the equivalent of a regular guy in Hell unlike the Hazbin characters, he shouldn't understand that there's a better alternative to Hell because he's not human and never had any opportunity to learn about Heaven or God (unless it's just in their DNA or something idk who knows with this show)
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Loose thoughts/somewhat of a messy personal analysis Year One Scarecrow bc my god it's been eating at my brain cells, but also I find it a little bizarre that I can't find a single analysis of the comic available??? So uhh strap in bois it's unstructured yapping time B')
Oh yea just to preface: I've not read any of the other Year One comics yet? I have no clue if the others are actually connected?? While reading this tho, everything felt like it was a standalone comic so I'm looking at it as such
Parallels between Crane and Bruce: Two of the most important things to both Scarecrow and Batman throughout the story are their usage of fear and control. Both using it as means for vengeance. When either happen to lack control, they may get more aggressive. For Bruce it could be lashing out more than usual at criminals, while for Crane it's smashing a table out of spontaneous anger. What differentiates the two however is that for Crane, fear and control are meant to punish those he felt have personally hurt him- a method taught and learnt through the abuse he received from his Grandmother.
For Bruce, his entire original intent in becoming Batman was to help others, and he uses intimidation/punishment as a tool to achieve that goal. Lamar in ways serves as proof of the effectiveness within the story that it has indeed worked. Bruce throughout the story however, can't realize that difference until the moment he finally meets Crane, and finally confirms the killer's "insanity". It becomes a major internal obstacle for him, and an insecurity that weighs heavily on his mind. (I mean imagine hunting a serial killer and slowly noticing how similar the two of you are,, I don't think it'd weigh lightly on anyone's conscience, let alone Bruce Wayne's of all people ksdfs- In ways it's also really similar to Arkhamverse's and the adjacent A Serious House on Serious Earth's Joker? With how they try and "prove" that Batman is just as insane as they are by attempting to repeatedly break him?)
Robin: Grayson as Robin throughout the story serves as a person to ground Bruce when he begins to start silently spiraling- questioning him, but never actually holding him back. I just really like how Grayson and Bruce's relationship is written within this comic. They're really close and crack jokes with each other, but it's revealed Grayson's been silently harboring internal fears of Bruce/Batman for a while. All completely unknown to Bruce until Dick's struck by the fear toxin. Throughout the story, Grayson sees Bruce's tactics and it's pretty clear both visually and through text that he seems to disapprove? Yet even then, he can't seem to bring himself to outwardly stop Bruce, supposedly out of fear? Despite that tho, Grayson still clearly cares about Bruce and tries to help him out, as seen in that discussion between the two where Bruce starts having his insecurities get to him again. (Also the way Dick is written here really reminds me of my boi Timbo from TNBA, and my favourite episode where he has to stop Bruce after he got dosed by Scarecrow's no fear toxin kdfkd- I think I'm just biased towards stories where robin isn't afraid to sass/take down Batman when needed??)
guhgh.. the way Bruce hesitates while asking Grayson if he's afraid of him...........
The final portion of the story is where it breaks down for me however, because I can't tell what exactly certain scenes are trying to convey? Which is why I'm also kinda making this post, bc I haven't found any other analysis of this comic that explains it/ this comic at all????? (Please if someone else reads the comic and gets it, tell me bc I'm,, just confused??? and I can't seem to find anything on this comic????)
Post-Bruce finding out Grayson fears him somewhat in a "god-fearing kinda way", I don't get why he becomes so aggressive with robin? Perhaps it's because he already had a plan in motion to catch Scarecrow and didn't want Grayson to interfere?? But then why not tell him the plan if that's the case???? And what's up with Bruce pinching Grayson's neck?? or the pinch paralleling the next domestic abuse panel? (My best guess is that it's meant to be a transition??? But if that's the case, I dunno odd choice imo)
And my final bit of confusion is why the fear toxin still affected Batman briefly if he made it so that it would work "specifically and only for scarecrows"???? Because that couldn't have just been a pretend fake-out if we see Bruce hallucinating his parents right?????
Overall tho, love this comic's story and art- Sean Murphy's angular, straight-edge, grittier, yet dynamic artstyle lends itself to the story so damn perfectly it's wonderful- Not gonna delve into it, but the visual parallels between the flock of crows and bats, and both Bruce and Crane reaching for the book were so cool to me dkfkd,, or the way Murphy's artstyle conveys Batman's brutality when taking people out mghhfghgj- Always a massive fan of these short story/series comics
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guys imagine Thundercracker was a director for every transformers show and movie ever
just think about it
humans would want to make films about them, but they dont know crap about otherworldy beings, then Thundercracker just helped them I guess
(he probably begged everyone to act in it too)
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