#my friends were talking about queer eye while i was rewatching mulan
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ashina-suns-penmanship · 6 years ago
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Wow the new season of Queer Eye looks so good
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sternbilder · 4 years ago
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Camille Has Many KDrama Thoughts
As some of you have possibly noticed, I have recently fallen into a KDrama hole and I can’t get up, and I have just finished my 10th drama, which seems like less of an accomplishment than I thought now that I say it out loud, but anyway,
As a checkpoint/thinly veiled plug of some shows I love very much, here is a very long post with some of my thoughts on all the KDramas I’ve seen so far, as well as what’s next on my list, in case you too were interested in joining me in nonexistent fandom hell!
So firstly, all of the dramas I have watched to completion, in the order of how much I like them. First, my top five:
1. Sungkyunkwan Scandal (2010). My #1 favorite drama to date. I’ve probably watched it in full 4-5 times, and it’s still an absolute treat every time. Is it the best drama I’ve ever seen? Probably not. But it’s so fun and charming that it’s just gotta be at the top of my list. 
The best way I can describe this drama is Ouran High School Host Club, except in Joseon era Korea, and instead of flirting with girls the main characters learn about Confucianism and solve mysteries and play sports (twice) and end up accidentally involved in a complicated political scandal. Also, that one text post about how Shang from Mulan is bi because he falls for Mulan while he thinks she’s a man...This drama has that, except actually canon. And while I won’t pretend this is show is a shining beacon of representation, there are multiple main characters who are explicitly not heterosexual and several others with very plausible queer readings, which earns it a very special place in my heart.
As for the actual premise of the show, it’s basically about a wonderfully determined and kind and clever but lower-class girl whose writing skills catch the eye of the most stubbornly strait-laced but idealistic aspiring politician-type on the planet. She ends up getting a one-way ticket to the most prestigious school in the country, except she has to pretend to be a man the entire time because women aren’t allowed to be educated at this time. 
It’s a bit of a silly, cheesy show, and here are many wacky shenanigans, but the main cast is full of incredibly highly endearing and multifaceted characters, there is a lot of sexual confusion, the slowburn roommate romance has an incredible payoff, and it’s also full of deeply moving social commentary about class, privilege, and gender roles. This drama is a blast and I could go on and on about what I love about it, I absolutely adore it to pieces.
2. Six Flying Dragons (2015-2016). I debated between this and Tree With Deep Roots (next on my list, to which SFD is a prequel) as my #2 but I do think I want to place SFD higher just because it's the drama that I keep thinking about even after finishing it. of course, it has the dual advantages of 1) being released chronologically later (and having better production value, etc., because of this) and 2) being twice as long, but there’s just so much stuff to unpack with SFD that it makes me want to keep coming back to it. 
The show is about the founding of the Joseon dynasty, and six individuals (half of whom are based on real historical figures and half fictional) whose lives are closely tied to the fall of the old regime and the revolution that brought in the new. It has an intricate, intensely political plotline based on the actual events that happened during this time, and though this may sound kind of boring if you’re like me and not super into history (admittedly, the pacing in the beginning is a tiny bit slow), it quickly picks up and becomes this dense web of character relations and political maneuvering. Though none of the major events should come as a surprise if you’ve seen TWDR or if you happen to already know the history it was based on, the show adds such a depth of humanity and emotion to every event and character that nothing ever feels boring or predictable. As a matter of fact, there are several events that were alluded to in TWDR that, when they actually happened in SFD, left me breathless--because although I 100% knew these were foregone conclusions that were coming up at some point, I still had a visceral moment of, “oh no, so that’s how that came to happen.” 
But though I really enjoyed following the story of SFD and learning about the history behind it, the highlight of the show for me is definitely the great character arcs. I loved TWDR’s characters, too (especially Yi Do, So Yi, and obviously Moo Hyul), but with double the episode count SFD just has so much time for rich, dynamic character development, and I absolutely loved seeing how these characters grew and changed over time when their ideologies and fates collided in this turbulent and violent age: How young and ambitious Yi Bang Won eventually spiraled into a ruthless tyrant, how the naive and kind-hearted Moo Hyul struggled to retain his humanity in a bloody revolution that challenged his values and loyalties to the core, how the fiercely determined and idealistic Boon Yi grew into a pragmatic and capable leader who comes to realize what politics and power mean for her and her loved ones. 
SFD was also everything I wanted as a prequel to TWDR--I loved seeing the contrasts between some of the TWDR characters and their younger selves in the SFD timeline: The hardened and ruthless Bang Won as a passionate and righteous adolescent, the cynical and resigned Bang Ji as a cowardly boy who grows into a traumatized and bitter young man, and my personal favorite character, the comically serious bodyguard Moo Hyul as the very model of the dopey, lovable himbo archetype. And though the ending was controversial among fans (particularly those who watched SFD first), I loved how it closed all the loops and tied it back to the events of TWDR, both providing that transition I wanted but also recontextualizing and adding new meaning to the original work. I think it's still a very good drama on its own, but this hand-off is what really sealed the deal for me personally, because it was not only super emotionally satisfying to watch how the stories connected, but it elevated TWDR to something even greater (suggesting that Yi Do and the events of TWDR was the culmination of everything the six dragons fought so long and hard for), which is exactly what I expect from a good prequel. 
I’ve already talked so much about this drama but I also do need to mention that the soundtrack to SFD is A+, and the sword fights are sick as hell. There is also some romance, though it’s not really a focus--and all the pairings that do exist are extremely tragic, which is exactly up my alley. Overall, this is a hell of a historical drama, coming of age, villain origin story, and martial arts film in one, and I highly recommend it.
3. Tree With Deep Roots (2011). The sequel to SFD, though it aired first chronologically. Although this show isn’t one of those shows that I could rewatch once a year like SKKS or keep ruminating on like SFD, TWDR (much like Les Mis, or Fata Morgana) is thematically the kind of story that just makes my heart sing.
The story centers around the creation of Hangul, the Korean alphabet, by Yi Do (a.k.a., King Sejong the Great, who is the son and successor of Yi Bang Won, the main character of SFD) as well as two fictional childhood friends whose backstories and ambitions become central to the story of how and why this alphabet came to exist. Not only is the actual process of creating this alphabet absolutely fascinating from a linguistic and scientific POV, but the show dramatizes Yi Do’s motivations in a way that’s so incredibly touching and human--portraying the king as a soft-hearted and extremely charismatic yet fundamentally flawed and conflicted figure who tries so desperately to do right by his people. 
The show explores both a number of personal themes like redemption, atonement, and vengeance, as well as broader societal themes such as the ethics of authority, the democratization of knowledge, and the power of language and literacy. Though the show never forgets to remind the audience of the bitter reality of actual history, it’s still a deeply idealistic show whose musings on social change and how to use privilege and power to make the world better are both elegant and poignant. 
Romance definitely takes a backseat in TWDR, even more so than SFD, though this isn’t something I personally mind. There are, however, a lot of interesting politics surrounding the promulgation of the alphabet, including a string of high-profile assassinations--if SFD is historical/political-thriller-meets-action-film, then TWDR is historical/political-thriller-meets-murder-mystery, and it’s an incredibly tightly written and satisfying story whose pieces fall into place perfectly. Though not the sprawling epic that SFD is, TWDR is an emotional journey and an extremely well-written story with a TON of goodies if you’re as excited about linguistics as I am. 
4. White Christmas (2011). My first non-sageuk on this list! White Christmas is, in a lot of ways, an odd drama. It’s an 8-episode special, and featured largely (at the time) new talent. it’s also neither a historical work nor romance-focused, but instead a short but intense psychological thriller/murder mystery. 
The premise is this: Seven students at a super elite boarding school tucked away in the mountains receive mysterious black letters that compel them to remain on campus during the one vacation of the year. The letters describe various “sins” that the author accuses the students of committing, as well as the threat of a “curse” as well as an impending death. The students quickly find that they’re stranded alone at the school with a murderer in their midst, as they are forced to confront their shared histories and individual traumas to figure out 1) why they’ve been sent the letters, and 2) how to make it out alive. At the center of the survival game the characters find themselves in is a recurring question: “Are monsters born, or can they be made?”
If you’ve been following me for a while, it’s easy to see why I was drawn to this drama. In terms of setup and tone, it’s Zero Escape. In theme, it’s Naoki Urasawa’s Monster. It’s Lord of the Flies meets Dead Poets Society. or as one of my mutuals swyrs@ put it, Breakfast Club meets Agatha Christie. The story is flawlessly paced with not a scene wasted. There’s so much good foreshadowing and use of symbolic imagery, and though I’ve watched it at least 3-4 times, I always find interesting new details to analyze. The plot twists (though not so meta-breaking as ZE) are absolutely nuts, and aside from the somewhat questionable ending, the story is just really masterfully written.
Above all, though, WC is excellent for its character studies. Though I typically tend to stay away from shows that center around teenagers because I don’t find their struggles and experiences particularly relatable, WC does such an excellent job of picking apart every character psychologically, showing their traumas, their desires, their fears, and their insecurities. We see these kids at their most violent and cruel, but also their most vulnerable and honest. Their stories and motivations are so profoundly human that I found even the worst and most despicable characters painfully sympathetic at times, as cowardly and hypocritical and unhinged as they became. 
Like I said, it’s only 8 episodes long with probably the best rewatch value on this list. My only complaints about it are its ending, as well as its relative lack of female characters, but otherwise I would absolutely recommend.
5. Signal (2016). Okay, this might be the recency bias talking because I just finished this series but I'm sure but I'm still reeling at the mind-screw of an ending and I feel like it deserves a place on this spot just for that.
Signal is a crime thriller based on a number of real-life incidents that happened in Korea in the last 30 or so years. In short, a young profiler from the year 2015, who has a grudge against the police after witnessing their incompetence and corruption twice as a child, happens to find a mysterious walkie-talkie that seems to be able to send and receive messages from the past. on the other end is an older detective from 2000 who tells him that he’s about to start receiving messages from his younger self, back in 1989. Through the seemingly sporadic radio communications, the two men work together to solve a series of cold cases, which begin to change the past and alter the timeline.
As they solve these cases, expose corruption within the police department, and correct past injustices, the two men (along with a third, female detective who has connections to both of them) also begin to unravel the mysteries of their pasts, as well as why and how they came to share this connection.
Like WC, the story and pacing of this drama were flawless, reminding me of an extended movie rather than a TV series. I was on the edge of my seat the entire time, and the 16-episode run went by in no time at all. I always love timeline shenanigans and explorations of causality and fate and the consequences of changing the past, and this show has oodles of that peppered with the heartbreakingly tragic human connections and stories that the main characters share. The main pairing has great chemistry and gave me exactly the pain I crave from a doomed timeline romance, and the cinematography and soundtrack were also beautiful, which also contributed to the polished, cinema-like feel.
My only complaint is that I wish that the ending felt more like an ending, such that the drama could stand on its own. I do realize this is because there’s a second season coming, but right now the show feels somewhat incomplete, ending on a huge, ambiguous cliffhanger/sequel hook and with several loose ends. I obviously can’t give a final verdict until the entire thing airs (and I typically don’t like multi-season shows, so I will wait for the next season to come out both reluctantly and begrudgingly), but even where the show leaves off I still did enjoy it immensely.
...And now, some brief thoughts on the other 5 shows I’ve watched, because I ran out of steam and have less to say about these:
6. Healer (2014-2015). It’s been a few years since I’ve seen this show, but I remember being really impressed by this drama at the time, especially the storyline. Unfortunately though I don’t remember too much about the drama itself, which is a shame. It’s a mystery/thriller, I think, and there is hacking and crimes involved? The main character is a very cute and sweet tabloid writer and she falls in love with a mysterious and cool action boy who helps her uncover the truth behind a tragic incident that relates to her past, or something. Judging from my liveblog it seems like this was an extremely emotional journey, and I enjoyed the main couple (who are both very attractive) a lot, and it was just overall a cathartic and feel-good experience. I feel like I should rewatch this drama at some point?
7. Rooftop Prince (2012). It’s also been forever since I watched this show but I remember thinking it was hilarious and delightful and I definitely cried a lot though I do not remember why (probably something something time travel, something something reincarnation/fated lovers??). I do remember that the premise is that a Joseon-era prince and several of his servants accidentally time travel into modern-day Seoul and end up meeting the main character who is the future reincarnation of his love (?) and he is hilariously anachronistic and also insufferably pretentious, which the MC absolutely does not cut him any slack for, and they have an extremely good dynamic.
8. Coffee Prince (2007). I watched this around the same time as Rooftop Prince and I remember really enjoying it! it’s basically just SKKS, but the modern cafe AU, and I mean that in the best way possible? It definitely shares a lot of the same tropes--crossdressing/tomboy female lead, sexually questioning male lead who falls in love with her despite being “straight,” very good chemistry and also extremely charming secondary characters.
9. Shut Up Flower Boy Band (2012). This show...Was just OK. I enjoyed it at the time, but I can’t say I found it particularly memorable. As I said, I don’t typically find stories about high school students particularly relatable, and the battle of the bands-type plot was interesting enough at the time but didn’t really leave a lasting impression. As expected, the music was pretty good. I kind of watched this mostly to hear Sung Joon sing tbh?
10. Rebel: Thief Who Stole the People (2017). I wanted to like this show. I really did. I wouldn’t say it was bad, but the beginning was painfully slow, and I only really enjoyed the last 10 episodes or so, when the vive la révolution arc finally started kicking off. The pacing was challenging--the pre-timeskip dragged on about twice as long as it needed to, and I just wasn’t really interested in the Amogae/Yiquari storyline very much. I also really, really disliked all the romances in the show, especially the main pairing, since I didn’t particularly love either the male or the female leads until pretty late in the show. Overall I think I would have enjoyed the show more if the first 2/3 of it was about half as long, and it either developed the romance better or cut it out altogether.
What I’m thinking of watching next:
1. Chuno (2010). Mostly because the soundtrack to this show is so goddamn good, but also because I’m craving more historical dramas with good sword fights after SFD. I was kind of hoping Rebel would fill that need but I was a little disappointed tbh?
2. Warrior Baek Dong Soo (2011). Same reasons as above, honestly. also has a very good soundtrack, and Ji Chang Wook, who is a known nice face-haver, doing many very cool sword fights.
3. Mr. Sunshine (2018). Late Joseon era is something I’ve never really seen before in media so I’m pretty intrigued? Also Byun Yo Han was one of my favorites from SFD and I definitely want to see him in more things.
4. Rookie Historian Goo Hae Ryung (2019). A coworker recommended this to me and the trailer looks delightful. first of all it’s a sageuk with the gorgeous and talented Shin Se Kyoung in it playing a smart and plucky female lead, which have historically been extremely good to me, but also it gives me massive SKKS vibes, so how could I not.
5. My Country: The New Age (2019). This caught my attention because it’s based on the same historical events as SFD, so it features some of the same characters. I am very very interested in Jang Hyuk’s take on Yi Bang Won, even if he is less of a main character here compared to SFD, and he’s already an adult so he’ll already be well on his way to bastardhood. I also hear it’s very heartbreaking, which is instant eyes emoji for me?
6. Chicago Typewriter (2017). It’s about freedom fighters from the colonization era, which I’m very intrigued by after The Handmaiden and Pachinko, plus a reincarnation romance. I am very predictable in my choice of tropes. Also, Yoo Ah In is in it.
7. Arthdal Chronicles (2019-). Ok, it’s a gorgeous-looking historical fantasy set in Korea written by the same writers as TWDR and SFD, plus it has not just one but TWO Song Joong Ki characters, one of which is a pure, doe-eyed soft boy and the other an evil long-haired fae prince looking asshole who I hear is a complete and utter Unhinged Bastard Supreme. Nothing has ever been more Camille Bait than this, but unfortunately this show hasn’t finished airing, which does pain me deeply. speaking of,
8. Kingdom (2019-). It’s a fantasy sageuk with zombies, is about the extent I know about this show. The fact that it also hasn’t finished airing turns me off a bit but it looks absolutely gorgeous and I also just found out it was written by the same writer as Signal, so,,,,,,,,,
9. Gunman in Joseon (2014). I honestly don’t expect too much from this drama but I just enjoy its premise a lot? From what I understand it’s just Percy from Critical Role, but make it Joseon era.......Like, they just straight up took a Shadow the Hedgehog, “let’s make a sageuk, but guns,” approach, and I kind of unironically love that. Also the soundtrack kicks ass, which like...you can really see where my priorities lie here, huh,
10. Misaeng (2014). I don’t remember at this point why this is on my list but I found it in the Keep note I have of all the media I want to watch?? I have no idea what this show is about, except that it takes place in an office. Apparently Byun Yo Han is also in this one? I’m sorry this is the only non-sageuk or sageuk-adjacent show in this list, I know what I’m about, and it’s fancy old-timey costumes and cool braids.
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Gush about some of your favorite ships please
Sorry for the long wait, but I think I might be ready for this now. (and before anybody wonders, of course it is in the middle of the night and I should go to bed now! Cause it’s the best time to gush over your ships!)
Okay lets begin with Spirk - man I was raised being a Trekkie and to be honest I never saw the great appeal of Kirk, cause my fucking younger than 10 year old heart already belonged to that vulcan! And I bailed my eyes out when he died! But after Kirk and the crew did everything to bring him back, I was like: Okay Kirk is a good one, okay! Nobody will ever be able to seperate them, only over my dead body. Back then it was more about the friendship but I’ll be dammned if I didn’t become a Spirk shipper some 10 years later when rewatching it. But why stop there, get Bones into the fun, too! Try to provoke that human side of Spock, trigger some unlogical feelings, try to beat him in 3d chess!
Okay bear with me there are three other Star Trek ships I wanna gush about!  I pretty much watched the series in the order they came out, so next was TNG that I saw, and although I loved data to every bit and byte of his android being, I was at a loss for a love interest for him. Okay there is always Geordie I guess or Picard, but TNG never hold a deep appeal for me in that field. So on to DS9. When I saw it as a kid, is was boring shit with all that politics and religion. I was around 18 when I rewatched and then in only the fourth episode I became suddenly aware of how motherfucking much Garak flirted with Julian Bashir! And I fell so deeply in love for their weird dynamic of a young and easily impressible human doctor with a mysterious cardassian spy tailor. I ran around showing scenes with them to people who were not shippers and they agreed, that there was tension. And right there was my first time finding background informations about my ship. It was there! I didn’t just interpret too much!  Andrew Robinson, the actor said himself he thought of Elim Garak as an omnisexual character who had a certain interest in Julian. It was absolutely mindblowing to me (also I started to google what omnisexual meant and found about pansexuality, so this is kinda part of finding my own identity, thanks to the closeted representation of a queer alien in sci-fi show from the 90s)
Okay two more and I’m done with Star Trek. But both are from Voyager. Throughout the series I loved the chemistry between Janeway and Chakotay. The slightly forbidden, the pressure, the loneliness of being captain of a ship so far away she probably would never see her husband again. Tragic shit and so perfect set up.  And then came Seven of Nine and manged to shake things up. Suddenly I was a multi shipper, because I couldn’t decide if she or Chakotay should be with Kathryn. The one was loving, supporting and the other was awkward, learning new things about finding humanity again. One was frowned upon because of their ranks and the other because Seven was still more borg than human in how she behaved. So pretty cold, while also confused a ton of times and Janeway ALWAYS had the time and nerves to explain it to her. Just like the doctor (who speaking between us is also a solid shipping option for Seven!)
Damn I tricked you by forgetting myself, that I did develop a shipping crush on Q x Picard. Damn have you ever seen those two interacting. The cockiness in the room, the mocking tone, the resistance. Have you seen those scenes you could perfectly take out of context and already have a “morning after sex” scenario?
Good now let’s take a deep breath and come to the Harry Potter fandom. Or in my case Severus Snape’s playground to be shipped to literally everybody! If it had Snape in it, I would read Everything during that time. Snarry was my most favourite, followed by Snape x Lucius, Remus, Sirius. But I also was looking into x Hermione, Draco, Lily, James, McGonagall, Dumbledore, Ron, Neville (Oh what a small and angsty ship), Bellatrix, Voldemort, Narcissa, Tonks, hell I even read one with Hagrid! (Okay I admit I didn’t enjoy that). Snape was my shipping bitch. Beside that I was of course loving Sirius x Remus.
Okay we move a tiny bit backwards in my life timeline, because before I started to excessively ship my ship bitch with everybody that was breathing, I had a rare ship in Final Fantasy (VII to be more precisely). Hojo x Vincent. You know just your ordinary crazy, mentally instable old (as in probably 60 years old) mad scientist having his way with a young agent from a special task force who canonly had a love interest in his wife… yeah. You know the totally normal stuff you ship every day!  ¯\_(ツ)_/¯  
I mean I also had the regular Cloud x Sephiroth, Cid x Vincent, Cloud x Tifa, Tifa x Aeris, Reno x Rude or Rufus and so on, but hell yeah I wrote one of my longest fanfictions with most of my OCs for Hojo and Vincent and someone commented on it. That person became my fucking best friend for now over 13 years who went with me through so much shit but is still my shipping partner in crime till now.
Together we discovered the movie Megamind and watched it more than 10 times in one week! We were so instantly on board with Megamind x Roxanne that it nearly hurt. And when we started an rpg, we shipped the fuck out of them, gave Minion a mermaid to love and that was the most perfect and sweet shit. They are just adorable! He’s such a goofball, sick with love only hold back because of his supervillain image.
I also met my second girlfriend via fanfiction comment. I had written a smut one shot about Tarrant Hightopp, the mad Hatter with ‘his’ Alice. That was also the first one I attempted to translate into English. When we met for the first time, we also watched Alice in Wonderland around 10 times together and we were in love with the lovely dynamic. We were frustrated when we found out, there was even a kiss in the script that never made it to the fucking screen! It was outrageous! I started to learn how to write a scottish accent and strew in some scottish words in our rpg to make it more authentic.
(And after that I managed to pull her into the pit of the Harry Potter fandom, hell I even pulled her into the pit of shipping mlm which she didn’t like until Snupin. But our main ship was suddenly Snape with her OC and we wrote a lot. Like between 2-8k word for one single post in our rpg! In the end we had enough to fill two books. We did even cosplay as them.)
Let’s get back to the Final Fantasy fandom a bit and let me gush over the other ships I had over the years. I’m still a huge Squall x Quistis shipper from part 8 and Laguna x Kiros! I also have an eye on Cifer x Fu-Jin (hah one eye, cause she has a an eyepatch, urgh I know that was a bad joke). And while I started as a big Auron x Tidus shipper, it shifted more to Auron x Rikku. I shipped them when I was about 15 (her age) and I thought I wasn’t allowed to do that, so I made a whole fucking AU where she was older and it developed into a totally original story of my own, which I have never ever written down even one page). With X-2 I satisfied myself with Paine x Rikku, they were such cute opposites of each other, I couldn’t resist! Only some years ago I played FF 15 and damn it was a shipping paradise again for me. Like all of the four protagonists are a match for each other! And then Ardyn appeared and made me weak in the knees. So Ardyn x Noctis but also just because those the truly most favorite characters: Ardyn x Ignis. Not exactly the fluffy happy stuff, I can tell you that. Manipulation, angst, abuse it had it all.
I can’t talk about Final Fantasy and leave Kingdom Hearts out, so yeah I started as a typical Sora x Riku (not Rikku from FF 10) fangirl and with part 2 I also feel for Axel x Roxas. I know, I know but at least with Organisation 13 you had a whole bunch of shippable characters. Just make one or two of them your shipping bitch, in my case Xemnas and Xigbar and ship the shit out those guys with everybody you can think of in the organisation.
And when we are already talking about Kingdom Hearts, I just jump into Disney a bit. Like every girls dream was to find their prince, ect and I was like: yeah Mulan and Shan Yu seem to fit nicely… Frollo is a fucking ass creep, but damn that scene in the cathedral when he sniffs Esmeraldas hair… Jasemine you look good in that red slave outfit for Jafar to be honest and dear Adam, you should have stayed a beast for Belle. Happy ruining your childhood. You’re welcome. :D Not that I shiped those during seeing those movies the first time, but you know I rewatch stuff!
Good okay let’s check the watch… good 1 hour later…. I’m not gonna finish this any time soon…. I’m sorry. I just tried to make a list of ships that seem important to me and I would probably write another hour or two. I just hope this satisfies you for the moment ;)
If you or anybody else wants to hear about more video game, movies or series ships and me writing an essay about that shit… feel free to ask I guess LMAO
Good Night dear people (or maybe not I see 15 messages on my dash)
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