#my favorite vincent film ever

[ilovemesomevincentprice]

These guys, I swear... 😆

Vincent Price and Peter Lorre

The Comedy of Terrors (1964) dir. Jacques Tourneur

[wrtingsoftheunknown]

Vincent Sinclair HC

Vincent Sinclair hc SFW and NSFW

I’ve haven’t  been seeing my boy get repped recently so I have to do it myself. My first time writing something on here or towards this character ,I promise I will get better y'al,l I made this super quickly not proofread oops.

SFW

-While he can be insecure about his face he definitely has an ego from being the favorite child and having perfected his craft.

Lester drags him out to go for a ride around town or force him to come to his place for some quality brother time (Bo joins every now and then but wants peace and quiet dammit )

‘I know a lot of people have him learn sign language but I think he either writes what he wants to say, speaks as best as he can, or gestures, ( he was born in the south to parents that I don't think cared about communicating with him too much but he could have picked it up later in life maybe in his teen years or middle school era)

More sadistic than Bo when it comes to killing, he doesn't care if they are dead or alive when working on them and takes satisfaction in the result of his work

He prefers to work in silence but you can catch him humming now and then some country song or a guilty pleasure pop song from the 80’s( I see you Vince)

I think he partakes in multiple forms of art besides wax work.We see he’s able to paint, draw, but he also  takes pictures, , sews, writes, makes videos, anything artistic he’s learning and keeping up with new techniques.

Since he takes video of the killings at times I think they sell them as snuff films to make extra cash on top of stealing and selling victims stuff. (At least that’s what I thought when I first watched the film anyone else or just me)

Rarely happens but will keep victims that interest him like Bo ,but dispose of them when they get boring  or no longer match up the ideal version of them in his head.

-Does want a lifelong partner, the white wedding and picket fence, kids,  but knows it might be difficult with the line of work he does.

- He can talk but only does when it’s important or to emphasize something. He does have a southern draw like Bo and I imagine his voice to sound similar but raspier, maybe deeper/ quieter from not using it as much.

-like I said earlier you have to really catch his attention and be able to hold it for more than a week, if that happens then he’s obsessed and protective maybe a little too over protective.

Does indeed have a hair care routine I believe this full throttle and no one can can tell me otherwise I'm not listening.

NSFW

I don't know if he’s a virgin, I don't think he is something is telling me he isn't, but i’m not sure

He has no problem with nudity, bodies are seen as art, there's not as much of a sexual connotation with them as with Bo and Lester .

He wants to be in love with the person he is intimate with, he wants to be worship and worship his muse.

Drawings  of his partner naked as well as in the midst of a passionate night, he might tease them all night to make sure the sketch is as life like and accurate as possible

Good size and thick that's all I gotta say

Praise kink hard core, hearing his partner call him a good boy or how he makes them feel so good he will crumble

He starts slow and sensual, enjoys the control he has and having someone at his power.

I think he will edge you and leave you high and dry when you act out but he always caves by the end of the day and gives you what you need.

Can last a long time surprisingly

Mainly a giver but someone please for the love of god give this man the nastiest had he’s ever received will make the prettiest noises 

Is down to try anything new and more open about sex than you would think.

When he’s horny he comes up behind his partner and starts caressing every inch he can reach, while resting his chin on their shoulder acting as innocent as he can.

[bogleech]

well, you made a fighting roster for one of your favorite things, bugs, so why not do your second favorite? HALLOWEEN.....but you don't have to if you want.

I actually did that of my own accord with concept sketches once but it was two years ago so a lot of people haven't seen it.

It started when I made up a Darkstalkers fan character; a "scream queen" (type of horror movie actress in the 50's) and Bug Eyed Monster duo, with some more move ideas:

But then I decided to just make a dozen monster fighter characters of my own like it was its own distinct game and not Darkstalkers:

Mermaid who was partially eaten by people who thought it would make them immortal, instead it killed them because she was poisonous but she doesn't know that so her ghost is stuck on a revenge killing spree that can never be satisfied

Cartoon werewolf in a zoot suit and punk rock vampire with boombox coffin, I didn't come up with storyline for them, I just needed a werewolf and a vampire

Frankenstein's daughter who put her brain into her own monster in order to defend humanity against her dad's creations and other supernatural threats, I decided on this partly because I'm not really into superheroes but they're one of the top most common Halloween costumes so I tried to make a Halloweeny one that I'd like

Nurse who accidentally transfused herself with cursed mummy blood. I made this one because there's a picture I drew when I was real little of a bleeding mummy with the words "MUMMY BLOOD" on it that child-me thought was the scariest picture ever, and also because I love the (mostly Japanese) trope of medical themed mummies. Also based on the fact that "sexy nurses" are a top selling Halloween costume and then that easily ties into a Silent Hill reference. This all felt creepypasta-like so she's also like a slendersman

Old fashioned Halloween mascot pumpkin man with a vegetable ghost gang, actually the ultimate villain of the setting and a monster that eats children

"Bogeyman" fighter inspired by edgy 90's comic books, a ragdoll scarecrow grim reaper clown. She's a manifestation of the fears of children, but in the sense that she exists to destroy whatever threatens them so her main goal is to kill all other monsters and especially the pumpkin guy

Entire zombie outbreak as one fighter, represented by a cute little fungus mascot, but every fighting move is performed by zombies coming and going from the ground

shapeshifting space alien disguised as a generic housewife, the human disguise would animate like a doll being played with by invisible hands

Ideas for extra-weird, secret unlockable fighters:

Photorealistic giant insect

Vincent Price parody and all his moves are obvious special effects performed by a film crew in the background the whole time

Mysterious entity in a "morph suit" because that's become such a staple of Halloween costumes. Changes into all manner of colors and printed textures for different moves or is the token "mimic" character.

Completely normal middle aged office worker who was on his way to work when he was accidentally caught in the monster brawl, battles on the power of pure blind panic. The tournament put his name down as "I'M NOT SUPPOSED TO BE HERE"

[thealmightyemprex]

Top 10 Favorite Classic actors

So I was thinking of doing a top 10 actors list....But the list was dominated by classic actors ,so doing that list .Might do more modern actors too.Also this is both actors AND actresses

Rule to clasify for classic actor ,I went exclusively with actors who have passed on

10.Christopher Lee-Guy with a long and very varied career,Lee brings a dangerous villanous yet sophisticated and even seductive vibe to most roles

9.Peter Lorre:Arlene Francis once described Lorre as "Our favorite sad eyed villain" and that sums him up well .He brings both a creepines and yet a sense of sadness to many roles while also being an underrated comic talent .Even though type cast as villains he could play diffrent types of villains ,as shown by his three breakthrough performances in M ,Man Who Knew Too Much and Mad Love,where he plays a tormented pathetic childkiller ,a cool levelheaded kidnapper and a obsessed mad stalkerish surgeon with equal pinache

8.Roddy McDowall-Theres a sad cliche that child actors often have bad careers ,Roddy McDowall is a big exception,transitioning from child star to one of the most praised character actors of the 20th century with a six decade career .Be it film,television ,theater or voiceover,McDowall conquered it ,and be it a historical epic , a horror film,a cartoon or a certain franchise about talking apes .....McDowall NEVER phones in ,he brings the sauce

7.Vincent Price : Vincent is one of my favorite personalities of the 20th century ,known for his sophistication and wicked sense of humor .He started out as a matinee idol before finding his niche playing villains ,usually in horror.What I find interesting about Vincent is he is really good at playing the "Man drivent to villainy ",he can play a right evil bastard but his villains tend to be either sympathetic to an extent or they are clearly having a ball so you cant help but like them .Whether villain ,protagonist or even a side role hes just a hoot to watch

6.Boris Karloff -Karloff for YEARS was my go to answer for favorite actor .Of the classic horror stars Karloff is so understated,like he could go big if he wanted to but the little inflections and movements he does are effective enough.PArt of my love for him is his voice,like watch the GRinch or him telling the story of Death and the Servent in Target and you are just pulled in .He can do sinister very well,(I will always remember his slimey grin in The Body Snatcher) but of course his greatest legacy is being the FRankensteinMonster which if you ask me is one of the greatest performances in cinema ,he is brutal and vacant but at the same time sad,frightened and child like

5.Ingrid Bergman -So while I adore Casblanca and she is great in it....It is her performances in Gaslight ,Murder on the ORient Express and especially Anastasia that put her so high.I have never seen a performer just ....."Go there" as well as she does ,so consistantly and I kind of forget Im watching a movie .Shes not higher cause I just havent seen enough of her

4.Humphrey Bogart-Bogart is cool,and while Ive always thought he was cool,i wasnt initially impressed by ol Boagey .......The more stuff Ive seen with him the more I realize beneath that coolness is a really good actor who can do comedy,romance,be a tough guy and even be the second most paranoid nervous wreck of a villain I have ever seen (Behind Tony Goldwyn in Ghost ),theres more to him then just being cool

3.Katherine Hepburn;.....DO I have to explain placing one of the greatest performers of the 20th century so high? .....Just watch Philidelphia Story,African Queen and Lion and Winter,youll get it

2.Eli Wallach-I pretty much love this guy anytime he appears in something .Hes another guys who can play vilains but add a layer .Hes always entertaining and he played one of my favorite film characters ever Tuco in The Good the Bad and the Ugly

1.Claude Rains.....I think Claude Rains should be called the greatest actor of the 20th century over the likes of Charles Laughton,LAurance Olivier and John Gielgud.....Cause this guy TRAINED Charles Laughton,Laurance Olivier and John Gielgud !!!!!He is one of the greatest character actors of the 20th century .He has possibly the greatest voice of any actor (The competition is James Earl Jones and James Mason ) which was so striking,his big break was the Invisible Man ,a movie where you dont even SEE HIM .Man did horror,adventure ,sci fi ,musical ,dramas and was in both Casablanca (As my favorite film character ever Louis Renault ) AND Lawrance of Arabia ,AKA two movies considered pretty darn good .And if you want more proof ,watch his death scene in Deception where he is shot by Bette Davis ....And just smirks and says "You fool ".I stand by Rains being my absolute favorite actor

So thats my list,share your favorits if you want ,or just share your thoughts on mine

@piterelizabethdevries @the-blue-fairie @ariel-seagull-wings @themousefromfantasyland @theancientvaleofsoulmaking @princesssarisa @countesspetofi @amalthea9 @barbossas-wench

[jadedbirch]

I finally watched the 2023 French fanfic of my favorite book, i.e. The Three Musketeers: Milady, part deux of Martin Bourboulon's two-part adaptation of the Alexadre Dumas' novel. I talked about part 1 - The Three Musketeers: d'Artagnan - earlier, but I like to think of them of them together as one oeuvre, since they were shot as one film and then split into two cinematic releases.

Those of you who know me, understand by now that my movie reviews predominantly judge these movies not as standalone works of cinema but as adaptations. I don't ever ask for historical or canonical accuracy (which I have long ago accepted is much too much to ask for), but what I look for is that the plot and the characters serve the underlying spirit of the original Dumas novel. And perhaps this is why, more so than with other - admittedly much more terrible - adaptations, this one just makes me blind with rage. I don't know when filmmakers decided that how we like our morally gray characters is somehow justified, redeemed, and generally de-clawed. If what they were going with here was to make Milady de Winter, the murderous villainess of the novel, into some kind of a post-feminist hero, then they have failed miserably. (Lots of spoilers below the cut)

I don't usually feel the need to put SPOILER warnings on adaptations of the 3 Musketeers, but this ones veers so far off plot that I'm putting it here just in case.

Let's start by saying that it is certainly not Milady who is the main villain of these movies. It's not even Cardinal Richelieu, the man who seems to pull her strings. Rochefort, sadly, does not even appear in this adaptation, and honestly, I feel like docking a point just for that. Apparently M. Bourboulon decided that Dumas' masterpiece just wasn't interesting enough on its own, so he felt the need to "beef" it up, i.e. rewrite the narrative by taking out critical characters like Rochefort and Lord Winter and substituting them with new characters like Mathilde (Aramis' knocked-up sister), Benjamin (Athos' Protestant!!! brother) and maligning poor Gaston le duc d'Orleans by making him the main villain of the duology. Which is a damn shame, because these were all one-note characters foisted upon us at the expense of delightful assholes who made the original novel so fun to read.

And that goes for all the main characters here, including the titular Milady herself. Book!Musketeers are young, reckless assholes, who wench, fight, gamble and generally engage in very questionable behavior. You know, "boys will be boys" - and I do mean that with every possible connotation, i.e. they're horrible. By taking away their youth (excuse moi but Vincent Cassell, who plays Athos, is in his 60's LMAO), Bourboulon would have stripped their bad behavior of any of the benefit and charm of youth. So, I guess, Bourboulon decided to get rid of the bad behavior entirely, instead. Other than Porthos having an occasional bisexual threesome (bless), and Athos drinking while brooding, we don't really see any of the musketeers being the delightful assholes that I, for one, expect them to be. Strip away everything else, but do not ever take the assholery away from me! Here, they are old and they are boring, and honestly, it makes absolutely no historical or narrative sense that any of them are still in the service.

As for d'Artagnan, our hero, he is painted with such a chaste and faithful brush that I'm not actually sure - is this the same shithead who in the book fucks Milady's maid so that he can pretend to be Milady's boyfriend in the dark and sleep with her without her consent??? Hm... nope. This d'Artagnan is so faithful to his Constance, even though they barely touched hands, that he rebuffs Milady's (very assertive) attempts at (inexplicably) seducing him. Oh dear, oh dear, you might say. How is she supposed to spend the rest of the movie trying to get her revenge against him for raping her? Oh, that's right. She's not!

This Milady is no villainess but she's certainly no post-feminist heroine either. Her backstory is so cliche, it is for to weep, and I raged and ranted at great length about it here. She was forced to marry at 15! To some unnamed man who beat and raped her! And whom she killed - a totally justifiable homicide - before somehow falling in love and marrying Old Man Athos and bearing him a child (future Mordaunt? I see you, cutie!). But alas, Old Man Athos learned of her past crime - because she told him - and turned her over to the authorities, resulting in her being branded (natch) and then hanged (convenient how Athos doesn't actually get his own hands dirty). This Milady has literally Never Done A Thing Wrong. Since there's no Lord Winter, there's no poisoned husband. She never succeeds in killing Buckingham or having him killed. She never tries to even so much as look at d'Artagnan wrong, in fact, they keep saving each other's lives for Reasons of the Narrative, none of them particularly compelling. And finally, our poor Constance, I was really rooting for her to survive this AU, but alas. She ends up once again doomed by the narrative, but so stupidly, that I honestly don't know what to say. It made absolutely no sense for Queen Anne to hide her in England with the Duke of Buckingham since doing so would have implicated her in both treason and adultery. BUT WHAT IS LOGIC? Anyways, suffice to say, it's not Milady's fault that Constance ends up dead in d'Artagnan's arms by the end of the movie.

Don't get me wrong. This Milady is very hot (she is played by Eva Green, after all). But there's really nothing interesting or compelling about her as a character. She's a survivor, determined to survive. WHICH SHE DOES. Yay, it's a Milday-is-alive-at-the-end AU! And, honestly, good for her. By all means, girl, you kill that old man who betrayed you and handed you over to be hanged! He doesn't deserve you! And you abduct your own son and smuggle him out of France to teach that old man a lesson! But for the love of all that is holy, can you please, PLEASE raise him to be at least a tiny bit evil???? Please???

I am begging, can we just let villains be villains? Milady's original character was so much more fabulous not because some man beat and raped her but because of her ability to bend men to her will and whim throughout the novel. She outwits and outmaneuvers all of our "heroes," leaving a titillating trail of bodies and broken hearts in her wake, and it takes TEN MEN in the end to hunt her down and execute her. And listen, Athos spends the rest of his life trying to atone for it. THAT IS HER POWER. This Milady? Blah. And while we're here, this Athos? Double blah. I don't care, let her kill him. There's absolutely nothing interesting about this man. (And yes, I think hanging your wife for lying to you and then becoming a murderous alcoholic about it is very interesting, Athos. Very interesting, indeed.) I'd rather watch Vincent Cassell in Eastern Promises 20 more times - now THAT was a character worth his acting skill!

As for the movies themselves, it's sad to say that the only time both my wife and I felt ANY level of investment was close to the very end, when we were waiting to find out whether Constance was going to die. And most of that was due to the extremely convoluted narrative bending that defied logical sense and occasionally space and time. We did not give a shit about anything else, which does not, generally speaking, a great cinematic experience make. And where Part I at least gave us a few moments of levity and a great win for humanity in bisexual Porthos, Part II is merely dark, drab, and joyless.

Final grade for both parts: I give it a C- as a film and a D as an adaptation, in which the only thing that saves it from being an F is Eva Green's hotness.

[fivecharactersinsearchofanexit]

what are your favorite horror movies/movies that you'd rec?

Yayyyyy okay this is a preddy long list all off the top of my head so I might reblog later with more lol. Some of these aren't exactly horror but everything on here is at least a thriller which for my money counts

Screenlife, faux broadcast, & found footage

Host (There's a couple pictures with this title, look for the COVID era film it's about an hour long. I believe it's on Shudder)

The Collingswood Story

The Blair Witch Project

The Last Broadcast

Creep & its sequel

Milk & Serial (recent microbudget horror, full film is on youtube)

This House Has People In It (technically not a Movie but look for the full version on youtube and you can watch it like one)

Lake Mungo (!)

Ghostwatch

The Bay

Give Me Pity!

We're All Going to the World's Fair

Sorry everything else is gonna be by decade instead of genre 😔

50s/60s

Look up anything produced by Roger Corman

What Ever Happened to Baby Jane?

Seconds

Village of the Damned

Rosemary's Baby although I really prefer the novel and recommend that with a little more enthusiasm

Night of the Hunter

The Bad Seed

Really anything with Vincent Price is going to be a good time

Persona

70s

Obviously Night of the Living Dead is a classic for a reason but Dawn of the Dead is one of my favorite movies of all time. Watch this movie.

The Texas Chainsaw Massacre

Invasion of the Body Snatchers

The Brood

Don't Look Now

Carrie

Alien

PLEASE double feature Let's Scare Jessica to Death and Robert Altman's Images

Deliverance

Jaws

Eraserhead

80s

Sole Survivor

Pick a Cronenberg. Any Cronenberg. My favorites are Scanners, the Dead Zone (good option if you're not into body horror), and Dead Ringers!

Poltergeist

The Changeling

Possession (!)

The Vanishing/Spoorloos (!!!!!!!)

Please double feature Blue Velvet and River's Edge in any order for an upsetting night in with Dennis Hopper

Reanimator

The Child's Play franchise gets worse with every installment but is always really, really fun

The Shining

The Thing

Blow Out

The Seventh Continent

90s

Benny's Video

Funny Games

IT (the miniseries)

Misery

Candyman

Jacob's Ladder

In the Mouth of Madness

Wes Craven's New Nightmare (great even if you don't like Nightmare on Elm Street)

Lost Highway

The Silence of the Lambs

Night Breed

Cure

Ring (original Japanese version)

The Sixth Sense

Se7en

Fire in the Sky

Stir of Echoes

2000s

Mulholland Drive

Inland Empire

A Tale of Two Sisters (remade in America as the Uninvited, also pretty good!)

Pulse

May

Ginger Snaps

The Descent

Signs

Dead End

The War of the Worlds

The Others

One Hour Photo

2010s

Get Out

Us

Midsommar

The Witch

The Lighthouse

Suspiria

Mandy

Beyond the Black Rainbow

Climax

The Wailing

Possum

Luz

2020s

Trap

Possessor

Nope

M3GAN

Malignant

Barbarian

The Night House

The Beast

Talk to Me

Watcher

The First Omen

I Saw the TV Glow

I'm Thinking of Ending Things

Cuckoo

Crimes of the Future

Nightmare Alley (the original is also very good!)

[filminghere]

I was tagged by @norashelley, as well as @chantalstacys and @marciabrady (on my main) to post my to share my nine favorite first watches of 2023 (I know January's almost over alksdjfa). Thank you to all three of you for tagging me! I look forward to doing this every year :). I didn't watch that many new films in 2023 and most of the ones I watched were pretty darn bad lol. These were definitely the nine I enjoyed best, in chronological order.

💖 One Way Passage (1932), dir. Tay Garnett | A super well-directed film that's very somber in a good way. Bill Powell is also probably the most charming actor I've ever seen. 💖 Top Hat (1935), dir. Mark Sandrich | I just casually watched this on an airplane because I don't usually care much for 30s musicals or the kinds of characters I see Fred Astaire usually play, but I really loved him in this. I also don't usually like misunderstandings (a huge part of the plot is one big misunderstanding), but the film handled in it in such a comedic and engaging way. 💖 Daughters Courageous (1939), dir. Michael Curtiz | Literally the perfect romance movie made for me minus the absolutely heartbreaking ending :(. 💖 Mr. Skeffington (1944), dir. Vincent Sherman | I really love watching Old Hollywood romantic melodramas haha. Bette Davis and Claude Rains never fail to entertain, and this movie was also way sadder than I expected it to be (in a good way). 💖 Mrs. Parkington (1944), dir. Tay Garnett | A historical romance story made for me :'). Greer Garson is also perfect in everything, and I was so shocked to see Walter Pidgeon play such a domineering yet likable character. He did it so well. 💖 The Picture of Dorian Gray (1945), dir. Albert Lewin | I enjoyed watching this movie more than reading the book 😅. Very well-directed. The cinematography is a work of art, and I love how so many things are conveyed visually instead of through words. 💖 Marty (1955), dir. Delbert Mann | I'd say that this is the only movie on this list that knocked me off my feet because it's so darn good. So beautifully understated and lowkey in its tone and subject and so tight in terms of acting and pacing. 💖 The Nightmare Before Christmas (1993), dir. Henry Selick | Yes, I've gone this many years of my life without ever having seen this movie in full, and it was very good! I'm very impressed with how pleasant, likable, and simple it is. I love that it doesn't try to be anything more than what it is. It's so lovely and earnest. 💖 The Most Reluctant Convert (2021), dir. Norman Stone | I don't usually like movies with long monologues or dialogue, but Max McLean is a very engaging actor, and I like the extensive use of long shots. I also really enjoyed the scenery and sets; they're very pretty.

Tagging @sonnet77, @valsemelancolique, @glamourofyesteryear, @audreytotter, and anyone who wants to do it!

[not-wholly-unheroic]

The Many Faces of Captain James Hook

With the release of the first promotional images of Jude Law’s Captain Hook for Disney’s upcoming Peter Pan and Wendy, there’s been a lot of complaints about both the costuming choices made and the fact that Law’s Hook bears little physical resemblance to the captain’s more “traditional” look and seems to be older than most versions with his graying locks. Some have even gone so far as to call Law’s Hook “ugly”—which I find rather unfair and even laughable. (If you find Jude Law in any role ugly, your male beauty standards are ridiculously high and I hate to think how hideous you must think most average people are.) Further, it’s a bit shallow to reduce a character completely to his physical attractiveness—especially a character as complex and complicated as Captain James Hook. Barrie’s Hook was described as being handsome, yes, but the popular vision of Hook as being an inherently “sexy” character is a fairly modern phenomenon in the story’s history—probably largely due to Jason Isaacs’ performance in the 2003 Peter Pan and, more recently, Colin O’Donoghue’s “Killian Jones” (who isn’t even technically James Hook) for Once Upon a Time. But the character has existed for close to 120 years, and in that time, he has borne many faces—some instantly recognizable as our favorite captain; others less so. He has worn a variety of colors and clothing styles, had nearly every shade of hair, and possessed varying degrees of facial hair. In fact, you may be surprised to find that the iconic waxed mustache, red coat, and ostrich plumed hat likely didn’t become mainstream until around the time Disney put out their version of the film. (That’s not to say other, previous Hooks didn’t ever have these characteristics. Only that Disney was probably the catalyst that solidified the look into the mind of the fandom.) For those who may not be as familiar with the history of the Hooks, let’s take a quick look at some of the lesser known versions of the character…some of whose influences can still be seen in Law’s Hook.

Here we see the costume design for Captain Hook by William Nicholson for the first production of Peter Pan, Duke of York's Theatre, 1904. You’ll notice the concept art doesn’t feature the bright red coat or any pluming on the tricorn hat.

You can see how this costume idea might have translated onto an actor in this image of one of the earliest actors to play Hook on stage, Robb Harwood.

Notice, he has no facial hair at all and although he looks like a gentleman, he’s far less “frilly” than the standard Hook is today.

The iconic mustache is also conspicuously absent in the silent film’s Hook, played by actor Ernest Torrence. He also still has the tricorn hat without any plumage. Note that Barrie was still alive at the time of the silent film when it came out in 1924, and some of his suggestions made it into the film.

Another early Hook, played by famed horror actor Boris Karloff for the 1950 Bernstein musical looks downright terrifying.

He has the mustache and the hair going on but I don’t know if I’d call him exactly “handsome” here.

Then we get to the 1960s. This seems to be about the time that we get the bicorn hat that Law’s Hook wears in the promotional photo. It shows up both in some scenes with Cyril Ritchard’s version of the character (notably, Ritchard was in his 60s when the film version was recorded, and his Hook has gray hair)—though he also has the red plumed hat we associate with most modern Hooks—and in Vincent Price’s stage Hook (sadly, not recorded to my knowledge).

Of course, we also get Disney’s version of Hook in 1953, and after that, we start to see more of the “iconic” Hook look that we’re used to with a few exceptions, such as Fox’s Hook from the 1990 series Peter Pan and the Pirates, who has white hair, no facial hair, and a dark navy blue/black outfit.

Despite looking more like an angry Quaker Oatmeal man than the usual Captain Hook, this guy gets a lot of love from the fandom because Tim Curry’s voice acting knocks it out of the park and personality wise, his Hook is both refined and threatening.

We also have to remember that even Hoffman’s 1991 version of the captain is likely much older than (and not quite as good looking as) he comes off as when he’s fully made up. Recall the scene near the end when he loses his wig:

And Rhys Ifans’ “prequel” Hook in SyFy’s Neverland (2011) hardly looks like a Hook at all when we first meet him.

Even after his transformation into the pirate we’re more familiar with, he still has the “wrong” hair color and no mustache.

Yet he manages to get the right “feel” for Hook, which makes up for everything else, epitomizing the messed up father figure in Peter’s life, inspiring both our sympathy and revulsion.

My point in saying all of this is not to explicitly praise Law’s Hook or make any kind of judgement—for that, we’ll have to see the film itself—but to simply remind folks that Hook has worn many faces over the years, and ultimately, what he looks like matters less than the actor and director’s grasp of who he is as a person. Hook, as a fan favorite, has some incredibly large boots to fill and whether or not Law will live up to those expectations remains to be seen. But let’s give the guy (and his character) a chance to speak for himself before we go judging too much. Some of the greatest Hooks haven’t always looked like what we’d expect him to.

[power-chords]

Heat rewatch #324 (shockingly I have not actually seen it this many times) and going OHHH yes well of course this film is about Fathers and Daughters in such an anxiogenic, spectral way that I barely wanted to acknowledge it at first, and it was only when the novel came out that this element became unignorable and targeted at me personally. (JESSICA Matzoukas, oh my god.) I was thinking about how the photographs on the wall in the Gustafson home were taken by Jessie Mann; that the initials on the stolen truck are of his four daughters (RAJA). He casually points this out in the director's commentary and you're like Oh, OK!!! This is so baked into the structure of the film that even Mann, who is diligently tightlipped about his own neuroses, is like, "Just FYI I am going to ensure this whole thing is haunted from the ground up :)"

The concept I find myself circling around in trying to make sense of it is Derrida's reading of Kierkegaard and the Akedah. Or like a hybrid of that + the Oresteia. One of the many fascinating things about Lt. Hanna as a character is his CONSTANT, frankly obsessive awareness of the precarities specific to teenage girlhood. Obviously part of this inevitably stems from his line of work. But the way he compartmentalizes it with respect to his own personal role as a stepfather...... it's almost as if he fears contamination, even if only subconsciously. Men are dangerous to girls; by extension, he is dangerous to girls, particularly since he has this Will Graham-esque empathic approach to criminal investigation. (My own conjecture: I think those creepy blink-and-you'll-miss-them doll parts that are hanging above the dining room table in the Gustafson house are Mann riffing on the aesthetic dread of Hans Bellmer.) By severing himself from the domestic sphere in this crucial emotional way, he is, like most Mann protagonists, Doing Risk Management. In this case it's more of a psychological, symbolic exercise than the practical kind McCauley concerns himself with, where the consequences of interpersonal attachment are more direct, tangible, and perilous. But the irony of course is that this "protective" disengagement is a significant catalyst for Lauren's suicide attempt, and it's his attention she is soliciting, his facsimile of the home (hotel room) that she invades. "She chose you."

Curiously, Hanna occupies "Fatherhood" almost exclusively in this abstracted, civic dimension and even his subjective experience of obligation (I.E., of guilt!) stems more from duty than blood instinct. (Peripherally related but significant is that Hanna apparently first tried to BECOME A LAWYER before realizing he was too fucked up from Vietnam to do anything except relive the brutal destructive thrill of Senseless Carnage Over and Over Again, Forever. So he became a cop. LOL.) One of Mann's favorite literary tropes that he transposes onto his cinematic storytelling is reproductive failure and everything that this metaphorically represents. Vincent Hanna cannot become a biological father and the novel frames this as a curse he mistakenly displaces on some mysterious anomaly that is nevertheless conveniently localized within the woman. (It is the wife who miscarries and at no point does he ever wonder about matters of, say, virility. LOL again.) He is desperate to prevent the destruction and dissolution of other families because he cannot abide the damage wrought upon Women and Girls — note the phrasing when he threatens McCauley at the diner, "if it's between you and some poor bastard whose wife you're going to turn into a widow" — but the Derridean trade-off is that he sacrifices his own. By pursuing the responsibility to one he necessarily denies that which he owes to the others; to heed the call to justice by a grieving mother and her dead daughter — both strangers to him — he defaults on the debts incurred by the marriage contract. MICHAEL, why would you do this to me.

[ilovemesomevincentprice]

Vincent Price and Basil Rathbone

The Comedy of Terrors (1963) dir. Jacques Tourneur

[twistedtummies2]

The Price May Be Right - Number 2

Welcome to “The Price May Be Right!” I’ve been counting down My Top 31 Favorite Vincent Price Performances & Appearances! The countdown will cover movies, TV productions, and many more forms of media. It’s time for our penultimate pick! Today we focus on Number 2: Professor Ratigan, from The Great Mouse Detective.

If you know me very well, this choice and its ranking will not be even a remote surprise. If you don’t me as well…it probably still won’t be a remote surprise. Partially due to the fact it’s a Disney film, and partially due to the time when this film was released (it’s one of the more recent entries on the list), AND partially due to its family film status, this is quite likely the introduction most people my age had to Vincent Price, and it’s very likely how most people younger than me will often be introduced to the long-departed actor’s work in times to come. “The Great Mouse Detective” is also, I would imagine, how many young people end up being introduced to Sherlock Holmes. Because, in essence, that is what this movie is: it’s Sherlock Holmes, but with rodents in the roles. The story focuses on the madcap genius detective, Basil of Baker Street (voiced by Barrie Ingham), on his first case with his future partner, Dr. Dawson. The two have to work together to save a young mouse girl and her father, when they are kidnapped by Basil’s nemesis: the unhinged criminal mastermind, Professor Ratigan, Price’s role in the story. Ratigan plans to use the father’s special skills to help him assassinate the Queen of Mousedom, and then – you guessed it – take over the kingdom. It’s a race against time to stop Ratigan’s evil plan, save the victims, and spare the Queen and the kingdom alike from a hideous fate. This role came fairly late in Vincent’s career, and perhaps that’s what made it so special to him. He said more than once, in his waning years, that Ratigan had become his all-time favorite part…and considering all the incredible movies and characters he played before this slimy, contemptible sewer rat, that’s got to be saying a lot! Price described Ratigan as someone “playing the Great Villain, while also BEING the Great Villain.” There’s a sort of self-awareness to Ratigan and his melodramatic evil that I think makes him so fun to watch: he just so utterly ENJOYS all of his own wicked ways, and seems to self-consciously do things with the intent of making them as nasty and as grand as he possibly can. Intriguingly, there’s a hint of empathy to Ratigan, however: it’s hinted that the reason he’s become so evil is because he’s been prejudiced by society, since rats are seen as scummy, dirty, verminous things. He dresses himself in the finest clothes and puts on foppish manners in an attempt to seem more debonair and sophisticated…but ironically, his twisted nature only furthers the very stereotype he despises. Vincent’s voicework is a huge part of what makes Ratigan so wonderful. You can tell the man was having an absolute ball with every SYLLABLE he utters, and the animation and his voice blend together so seamlessly it’s impossible to imagine him in the booth whenever you watch the character. That’s something that’s difficult for even the very best celebrity voice artists, but the combination of Vincent’s dedicated performance and the artful animation makes it work brilliantly. His Ratigan is the Joker of Disney: a character who can flip on a dime from humorously evil and infectiously gleeful in his villainy…to a genuinely menacing, threatening, and thoroughly despicable character. He’s one of the finest portrayals of the character of Professor Moriarty ever put to the screen; I’m honestly surprised Vincent never played the character in live-action, especially considering both Peter Cushing and Christopher Lee played Holmes himself at different points in their own careers. Maybe somewhere in that big movie studio in the sky, the three of them are putting on the greatest Sherlock Holmes film ever made. Here's hoping a lot of us down here get to see it someday. One last thing: a funny story about Price in this movie. Apparently, when Price found out about the film, he outright called up the management and Disney and asked if he could take part in it. They responded by saying he would have to audition. “If anyone but Disney had asked me to do that,” Vincent said, “I would have been insulted!”   Tomorrow, the countdown concludes with my Number One! Who will it be? What will it be? Stay tuned to find out!

[thenightling]

I never had any children but here are some of my favorite baby names I've come across and considered for if I ever had a child.

Traditionally masculine:

Roderick - Can be shortened to Roddy, Rick, or Ricky. Roderick means Glory or Ruler. Roddy McDowall's full first name. Also the name of one of the main characters from Edgar Allan Poe's Fall of the House of Usher. Roderick is also the name of the man who summoned and trapped Morpheus in the first issue / chapter / episode of Neil Gaiman's The Sandman. And a more obscure reference, Roderick is the name of Dr. Craven's father in the 1963 film, The Raven, starring Vincent Price. I would use this as a "King" name. ;-)

Jareth - A combination of Jerold and Gareth. David Bowie's character's name in Labyrinth.

Pipkin - An unrecorded Middle English name, possibly derived from Phillip. It is also the surname of one of the main characters in Ray Bradbury's The Halloween tree. Ray Bradbury used it as a cross between Pip, the hero from Charles Dickens' Great Expectations, and Pumpkin. Kin also means family. So you are saying "Pip is family." which is very sweet if you know the plot of The Halloween Tree. Kin can also mean "To be like" or "connected to." So the name (in reference to Great Expectations) also means "Like Pip."

Percy or Percival - One of King Arthur's knights, Percival, and the famous poet, Percy Shelley, husband of Mary Shelley (author of Frankenstein.)

Kit - Very old nickname for Christopher. Once was the nickname of the writer, Christopher Marlowe. Now heavily associated with the actor Kit Harington from Game of Thrones.

Jaskier - Polish. Actually means "Buttercup" but actually is considered a boy's name. Pronounced as Yas-key-er. The original Polish name of the bard from The Witcher novels. HIs name is sometimes translated to Dandelion in some of the English adaptations.

Vladislaus - I'd probably never really use this name except in absolutely very specific circumstances. This name comes from an early renaissance war hero and Prince of Eastern Europe. Vladislaus the Third of Wallachia.

________________________

Gender-free names that I like.

Loki - Means Mischief Maker. From the Norse God of Mischief, Fire, and invention. (and sometimes also ice). Marvel depicts him now as God of Stories which fits his mythological roots as God of Invention. In the Poetic and Prose Eddas Loki invented fishing nets. Loki is also the patron of orphans and outcasts, a sympathizer of the outsider. In mythology Loki can be any gender and in Marvel Loki has been portrayed by a man and a woman.

Rowan - The Rowan plant is supposed to be good luck and a pentacle made of Rowman and tied at the points with red string or ribbon protects against black magick.

______________________________

Traditionally feminine:

Gretchen - Old Germain Nickname for Marguerite and similar names. Marguerite was my mother's name, Rita being her nickname.

Gretchen was also the love interest in Goethe's Faust and ultimately saved his soul in Faust Part 2.

Jessamy - can be shortened to Jess or Jesse or even sometimes May. It's similar to Jessica but derives out of Jasmine.

Evie - Eve was (according to the Abrahamic mythos) the first woman. Evie is also short for "evening." Evie was the name of the hero in the 2022 film The invitation. It can also be short for Evelyn but I prefer Evie to Evelyn.

Shelley - Traditional girl's name and the married name of author Mary Shelley, writer of Frankenstein. Also the surname of the poet Percy Shelley.

Wilhelmina - The old version of Wima. Can have the nickname Mina or Will. And I think Will is a cute nickname for a girl ever since I heard the song "The Will to love" from W.I.T.C.H. ________________________________ Twin names: Masculine Twins: Jareth and Geralt. Geralt is the first hero of The Witcher novels. _________________________ Feminine Twin names: Gretchen and Jessamy _______________________ Masculine / feminine twin names: Percy and Shelley for the pun in creating the name Percy Shelley (the nineteenth century poet and husband of Mary Shelley, author of Frankenstein). ___________________________ Gender-free: Loki and Rowan

[thealmightyemprex]

Monday Horror Marathon Intermission thoughts

I have watched 3 films,am taking about half an hour break before I start the next film

Random House on Haunted Hill thoughts

This is a campy classic ,Vincent Price is suavely sinister in the way only he could be .Honestly my favorite part of the film is Elisha Cook Jr ,who uses his nervous energy to perfection as the drunken ghost beliving owner of the house .Also theres a legit scary jumpscare in the movie

Random Friday the 13th thoughts

I am so mixed on this film.....Cause it is not a well made film structurally.Like its a whodunnit where you meet the killer AT the reveal .Its got a lot of boring scenes ,the characters arent that interesting......Why have I seen this multiple times though ?!Like it is very watchable,effects are good ,music is great,theres some really solid scares and Betsy Palmer is HORIFYING .I dont love it,Im not sure I even LIKE it but I can watch it

Random Young FRankenstein thoughts

One of the best horror comedies ever if not one of the best comedies .The Ensamble is perfect ,the jokes are funny ,the film captures the vibe of the classic Frankenstein films beautifully and the film understands and not only satirizes but builds on the themes of both the 31 film and Mary Shelleys book

@ariel-seagull-wings @themousefromfantasyland

@the-blue-fairie @theancientvaleofsoulmaking

@countesspetofi @princesssarisa

@piterelizabethdevries @amalthea9

@barbossas-wench @filmcityworld1

[radondoran]

Happy birthday to my favorite radio actor, Larry Dobkin (September 16, 1919 – October 28, 2002)!

Character actor Lawrence Dobkin was a frequent supporting player in radio, with hundreds of credits across dozens of different programs. He appeared in over 170 episodes of Gunsmoke, playing all kinds of characters from gunmen to gentlemen. Other shows where he was often heard include Escape; Romance; Yours Truly, Johnny Dollar; The Whistler; Let George Do It; Frontier Gentleman; Fort Laramie; Have Gun, Will Travel; NBC University Theatre; etc.

Larry Dobkin's only leading role in a radio series was the title sleuth in Ellery Queen from February 1947 to April 1948—and even there he wasn't exactly a headliner, because, in keeping with the pseudonymous source material, the show tended to be coy about identifying the actors who played Ellery. You might recognize him as Lieutenant Matthews on The Adventures of Philip Marlowe, the first of three main Archie Goodwins on The New Adventures of Nero Wolfe, Dave on The Man From Homicide, or Pat McCracken (usually) on Johnny Dollar—and if you ask me, his most memorable and lovable radio character was Louie, the Brooklyn cabbie who sometimes played sidekick to Vincent Price on The Adventures of the Saint.

A graduate of the Yale School of Drama, Dobkin also played numerous roles on stage, film and television, and later did writing and directing work for television.

Here are a few of my favorite radio episodes featuring Larry Dobkin:

Ellery Queen 1947-12-04 "Man in the Street": A swindler is murdered before Inspector Queen and Ellery can put him in jail. Whodunit? There were only about ten thousand people with a motive!

The Saint 1950-11-19 "No Hiding Place": The Saint tries to help a young man who has escaped from prison after several attempts on his life. Who framed him, who's out to get him, and why? (Louie isn't in this episode as much as in some others, but the lines he does get include some of my favorite lines ever, and anyway I think it's one of the strongest episodes of the series.)

Escape 1949-07-07 "The Fourth Man": Dobkin narrates this classic story of three "civilized" men adrift on a raft in the tropics, battling thirst and one another while their "savage" pilot calmly sits by.

Richard Diamond, Private Detective 1949-07-09: An escaped convict, bent on revenge against Richard Diamond, kidnaps Diamond's girlfriend.

Philip Marlowe 1950-01-21 "The Bid for Freedom": A woman has escaped from an asylum, and now her husband is in danger. Or maybe it's not that simple.

Philip Marlowe 1950-07-28 "The Glass Donkey": Lieutenant Matthews calls to ask about a girl Marlowe used to date—a girl who's just been murdered. It's real personal as Marlowe offers his services to find out why a nice girl had to die.

Philip Marlowe 1951-08-18 "The Young Man's Fancy": There's no murder in this somewhat atypical Philip Marlowe episode by Kathleen Hite. Marlowe goes out for Moscow Mule ingredients, and gets involved in the family troubles of the nice old man from whom he buys his limes.

The Story of Dr. Kildare 1951-02-16: A madman with a gun is holed up inside a school building. Dr. Kildare goes in after him, while Dr. Gillespie scrambles to remotely diagnose a mental illness without ever talking to the patient.

Gunsmoke 1952-06-28 "The Ride Back": This recently rediscovered Gunsmoke episode is almost entirely a radio play for only two voices, as Marshall Dillon brings a twisted killer through hostile Indian country.

Gunsmoke 1952-08-02 "Renegade White": Matt goes after a white man who's been selling guns to Indians, and winds up a prisoner of the Indians himself.

Gunsmoke 1953-02-21 "Meshougah": Matt and Chester find a whole town held hostage by a crazed killer and his gang of outlaws.

Fort Laramie 1956-05-13 "War Correspondent": A smart newspaperman from the East tags along with Captain Quince, hoping to show the folks back home a fair picture of life on the frontier. He's got a lot to learn!

Fort Laramie 1956-06-03 "Don't Kick My Horse": One of Captain Quince's soldiers is a meek little man whose only friend is his horse. He's been in the cavalry ten years, and it's time for a new horse. Dude is not ready to accept this. Tragedy ensues.

Yours Truly, Johnny Dollar 1956-01-09 – 1956-01-13 "The Todd Matter": A tip on an old burglary leads Johnny into a very fresh shooting. Dobkin plays five roles in this story, and what always strikes me is that he doesn't do five radically different voices—he doesn't even change his accent very much! He just acts each character so completely that you're not even inclined to notice the actor.

Have Gun, Will Travel 1958-12-14 "The Outlaw": Paladin makes a deal with a convicted killer who wants to see his newborn son before being hanged.

Suspense 1954-07-27 "Destruction": "And it had a kind of warmth to it, this dying…" A strange, melancholy, poetic script by radio noir greats Fine and Friedkin, about a pathetic little man at the end of his rope.

[whataweirdfeeling]

HELLO welcome to WAWF WEDNESDAY your monthly WAWF update [1st Wednesday of each month]

Considering it is now the month of May @whataweirdfeeling favorite short film is at its 6th & final of the ongoing hexalogy that is 'CLAIR' Find out more about the film and check out what else WAWF has been up to and more

Read below to find out what else WAWF has been up to this month

WAWF NEWS: LVL 6

CLAIR is a bi-annual/seasonal short film by our curator @vyngak [Half released Nov 30 & half May 3] based on clairaudience and the paradoxical nature of music and history symbolically repeating itself through quicker stronger and faster natures The path of CLAIR is a journey all told as a true story of real world events intuitively experienced then reimagined in a glamorously exaggerated fictional universe All for the love of music All for the love of art Walk through CLAIR’s plethora of tastes mediums and discoveries Grow with it as it has and will continue to grow with the ever changing universe Watch and listen to each CLAIR on our curators Instagram @vyngak as we approach the official release of clVIr [lvl 6]

WAWF’s CRANKING

Recent: Hyperdrama [Album] - Justice

Bars ~ WE STILL DON’T TRUST YOU [Album] - Future, Cold Visions [Album] - Bladee, The Coldest [Album] - Skilla Baby,

Alt ~ All Born Screaming [Album] - St. Vincent, Teething [Album] - Porij, Your Day Will Come [Album] - Chanel Beads

Smooth ~ PARTYNEXTDOOR 4 [Album] - PARTYNEXTDOOR, Jeremy [Album] - Yung Bleu, Boundaries [Album] - Sinéad Harnett

Lowkey: BRODIE WORLD [Album] - AG CLUB

Bars ~ My Gift To You [Ep] - Hardrock, Molly Santana [Album] - Molly Santana, BORN2BEGREAT [Single] - Untiljapan

Alt ~ Still Corners [Album] - Dream Talk, Save The World [Album] - AceMo, Dennis [Album] - Sega Bodega

Smooth ~ Two Star & The Dream Police [Album] - Mk.gee, Still [Album] Erika de Casier, Fabiana Palladino [Album] - Fabiana Palladino

Still in Rotation: 99.9% [Album] - KAYTRANADA

Bars ~ The Life of Pablo [Album] - Ye, Whole Lotta Red [Album] - Playboi Carti, Birds In The Trap Sing McKnight

Alt ~ The Slow Rush [Album] - Tame Impala, City Club [Album] - The Growlers, Thunder [Single] - Roy Blair

Smooth ~ Blonde [Album] - Frank Ocean, “Awaken, My Love!” [Album] - Childish Gambino, Heaven or Hell [Album] - Don Toliver

Throwback: Kala [Album] - M.I.A.

Bars ~ Stankonia [Album] - OutKast, The Shining [Album] - J Dilla, #1 Girl [Album] - Mindless Behavior

Alt ~ Contra [Album] - Vampire Weekend, The Lumineers [Album] - The Lumineers, Plastic Beach [Album] - Gorillaz

Smooth ~ 4 [Album] - Beyoncé, Corinne Bailey Rae [Album] - Corinne Bailey Rae, Comin' From Where I’m From [Album] - Anthony Hamilton

WAWF’s MAKING

Welcome to #WAWFsmaking where you can check out new @whataweirdfeeling creations or join in on the fun

In honor of the official release of clVIr [lvl 6] this Friday [May 3rd] @whataweirdfeeling wanted to keep it animated with the official release of the new show/mini series we have been working on.. STAY TUNED

Join WAWFie [WAWF internet Explore] on his first adventure! Through 'The Adventures of WAWFie' #WAWF will grow and learn about each and every one of the intricacies the World Wide Web has to offer..through animation of course

See Ep 1 of 'The Adventures of WAWFie' on Instagram @whataweirdfeeling and let us know in the comments where you would like WAWFie to venture in the next episode

WAWF’s Wearing

In honor of 'CLAIR' check out our new @whataweirdfeeling x T33n Ang$t article '#WAWFt33n' styled with some specific editorial T33n Ang$t pieces similar to those of past CLAIR films

Also be sure to check out our new @whataweirdfeeling x Backtracking Film collab drop for WAWF Shop Drop 004 - 'Keep Calm and #WAWF'

Backtracking will be showing May 4th at the Grace St. Theatre

Along with promoting/supporting growing artists like these WAWF magazine pushes fashion culture and much more

Words/Curated by

[therevengeoffrankenstein]

@madphantom

horror recs aaww yeahhh. mostly a peter cushing, christopher lee, and vincent price show bc i tend to fixate on them and their films a lot.

note: it kinda goes without saying that some of these have problematic elements and themes. i consume media critically, which should also kinda go without saying!!

feel free to hmu me for trigger warnings, but i can't guarantee i'll remember everything in the films.

HAMMER HORROR RECS

+ 'the curse of frankenstein' (1957) and just. the whole hammer frankenstein series, especially 'the revenge of frankenstein' and 'frankenstein created woman.' ('created woman' leans more heavily into the sci-fi aspects, but is more of a revenge slasher at heart.)

you can skip 'evil' and 'horror' (unless you're a completionist) bc they are the worst and aren't super important continuity wise ('horror' is totally outside of the main continuity bc it's a reboot!!)

+ 'horror of dracula' (1958) and 'the brides of dracula' (1960) are two of my fave films ever. they perfectly encapsulate that distinctly hammer-y gothic horror atmosphere, and are full of frills (pretty women) and thrills (scared silly men.)

most of the sequels are kinda meh BUT

'dracula ad 1972' (1972) is somewhat of a cult classic. it asks the vitally important questions 'what if dracula was fucking around in modern (aka 1972) london? and what if the writers absolutely detested hippies?' johnny alucard is a #bisexualking.

'satanic rites of dracula' (1973) isn't very good, but it is funny, and a somewhat direct sequel to 'ad 1972' so it's worth it imo.

and i wouldn't recommend any of the other sequels unless you're a completionist (like me,) but 'taste the blood of dracula' is pretty good.

+ 'the mummy' (1959) more gorgeous hammer decadence set and costume wise. christopher lee is insanely good in this, acting totally through his eyes and body language (which he also does a lot in some of the weaker dracula sequels when he refused to say lines he hated in the scripts lmao.)

+ 'the hound of the baskervilles' (1959) is a thriller take on a classic sherlock holmes story. not totally book accurate (hammer usually doesn't do super accurate adaptations,) but peter cushing is absolute fire as holmes. it's one of his career-best performances imo.

+ cash on demand (1961) is a christmas movie/pseudo-scrooge tale about a bank heist. it's more of a claustrophobic psychological thriller than a horror movie, but it has a bunch of strong performances and it really makes the most of itself. one of my personal top ten movies ever.

+ captain clegg (1962) is more of a swashbuckler/mystery than a horror film, but it's so much fun and a big 'comfort' movie of mine. i love pirates and parsons and smugglers ❤

+ 'the vampire lovers' (1970) evil canon lesbian/bi vampire ladies and pretty period fashion. it's part of the karnstein trilogy, and is probably the most accurate to the source material, 'carmilla.’

i do not recommend ‘lust for a vampire’ unless you are a completionist. it doesn’t even have peter cushing in it.

'twins of evil' (1971) is the final karnstein film and is a prequel. it might be the horniest and most gruesome tbh? but it's pretty good 👍

+ 'fear in the night' (1972) is a sneaky favorite of mine. psychological thriller that handles the topic of mental illness and its mentally ill characters pretty well, imo.

+ 'captain kronos - vampire hunter' (1974) do you like swashbuckling vampire hunters and fabulous twin nobles? then you'll like this one. 'kickass' and 'badass' are the main adjectives i'd use to describe it.

AMICUS RECS

(NOTE: amicus borrowed a lot of actors from hammer, so they are kinda similar vibe-wise on occasion.)

+ 'dr. terror's house of horrors' (1965) horror anthology with tarot card readings as its framing device, which is such a whipass concept.

+ 'the house that dripped blood' (1971) horror anthology about a cursed house or smth :) and while it is pretty good over all, i'm recommending this one mainly bc the 'waxworks' segment is one of the finest pieces of cinema i've ever seen.

+ 'tales from the crypt' (1972) horror anthology based on 'tales from the crypt' comics, and it has a couple of really good ones. great primer for getting into their anthologies.

+ 'madhouse' (1974) one of my lowkey favorite movies bc i love gay old horror actors hamming it up and having fun and making fun of themselves. and i love projecting onto herbert flay and paul toombes so much <333 #lovewins

OTHER RECS

+ 'frankenstein' (1931) and 'bride of frankenstein' (1935) if u haven't seen these two you have got to fr fr. 'bride' is a perfect score in my book and just. holy fuck. one of the most insane, profound, beautiful movies ever. stg. dr pretorius is everything 2 me <33 i ❤ heart gay old men.

+ the invisible man (1933) i get the feeling you've seen this one? but it's lots of fun :) claude rains is amazing as the titular invisible man. honestly i kinda prefer this movie to the book.

+ 'psycho' (1960) a classic, one of the og slashers. i'm assuming you're seen this one just bc it's so popular? but it really is That Good.

also 'psycho ii' is fucking amazing. i haven't seen any of the other sequels yet, but 'ii' is just. so so heartbreaking. a near perfect sequel that really dives into the aftermath of the events of the first film.

+ 'corruption' (1968) absolutely not the best but it starts strong and is just damn fascinating. about a dysfunctional couple tearing each other to shreds at its core.

+ 'the abominable dr. phibes' (1971) a revenge slasher kinda considered to be a precursor to 'saw?' idk lol. but it has some fucking epic kills. vincent price really delivers here emotionally as the title character and it drives me up the wall.

'dr. phibes rises again' (1972) is also pretty good. weaker kills imo but a stronger protagonist.

also while i don't think you Have To watch 'dr. phibes' first (i didn't,) 'madhouse' is kind of an homage to it.

+ 'the wicker man' (1973) folk horror/musical masterpiece about a devoutly religious cop investigating the disappearance of a young girl on an island inhabited by pagans. if you haven't seen this just know that it is a 10/10 must watch.

+ 'house of the long shadows' (1983) about an author who's dared to spend the night in a creepy house that was once owned by a super fucked up family. doesn't really kick into gear until all the old people start showing up, but it's fun.

+ fright night (1985) epic vampire movie pastiche B) peter vincent means the world to me fr. it makes me cry sometimes. the sequel is pretty good too!! but i wouldn't really recommend the 2011 remake.