#must see Paris

[micheltaanman-blog]

Parijs- restaurant/ brocante/ treinstation met pensioen

[kanjichris]

"why don't you want him to know how much you love him?" "that's a little personal. he knows." "uh-huh."

[the-rainbow-of-doom]

been to my favourite park again

[waspstar]

love my boring space soap opera

[redeemed-wren]

I'm only halfway through it, will finish it...later. but my biggest gripe so far with Troy (2004) is how much they are butchering Menelaus. And not just by mispronouncing his name. He's portrayed as a cruel brute and I'm like bro. He does not deserve this treatment 😔

I understand some changes due to cultural shift and the nature of a different medium but. Why'd you gotta do Menelaus like that?

[ratatatastic]

icb theres a seperate angle of the fuckery mikksy sasha and matthew got up to and somehow it destroys me more how easily they both slot their arm around matthew

the world revolves around matthew and its so beautiful

also it kills me the mikksy and sasha were in their own world and matthew comes bounding up and puts his hand on sashas shoulder to alert him of his presence and both sasha and mikksy turn towards him to add him into the cuddle GOD

[oneminutefiftysixseconds]

it's Lombardia soon so...

[wigglesforsquiggles]

astrid and tetsuo are my new otp. the show runners know that for every scene we have to see the prosecutor prick mattias, they have to reward us w a tanaka scene instead

[cto10121]

r&j clownery corner: Unless you want to receive immense psychic damage, never check out the webcomic Go Away, Romeo. It contains every single r&j clownery you could ever imagine.

The Capulets are known for their kindness.

The Capulets are known for their kindness.

The Capulets are known for their kindness.

THE CAPULETS ARE KNOWN FOR THEIR KINDNESS—

[theseimmortalcoils]

The Palais Garnier, also known as the Opéra Garnier photographed in 1889. Photographer unknown.

A must see if you're in Paris; you can go on a guided or a self-directed tour. There is a library-museum and more, as well as the performances.

[soufre-de-paris]

you would think my love of replaying elden ring and my recent foray into playing every dark souls ever would have prepared me for a fucking zelda game

[sassygwaine]

my red flag is that i frequently spend real people money on silly phone games

[mishkakagehishka]

when shu was little he thought he was french and bragged about it to his classmates and they were all like "no youre not" so he got mad and asked his parents to tell them and his parents just. they told him that he was not french and ws in fact japanese and he yelled at them and stomped ip to his room

bob l'éponge watching guy tbh

[arcimboldisworld]

Olga de Amaral - Fondation Cartier pour l'art contemporain Paris

Olga de Amaral - Fondation Cartier pour l'art contemporain Paris #exhibition #ausstellung #kunst #mustsee #paris #textilekunst #art

[cakemoney]

i don't want to die on any hills but i sometimes feel like I'm the only person who read the last scene of romeo and juliet

paris stands between romeo and juliet's tomb. he is not part of the audience; he has no idea juliet and romeo had secretly fallen in love and gotten married; he is not privy to the plot of the story. all he knows is that tensions between capulets and montagues are at an all-time high, and now a banished criminal is breaking into the capulet mausoleum. he does what anyone with the information that he has would think is honorable. romeo approaches, rambles at him unhinged and doesn't explain anything, and calls him a boy; a youth, the same way everyone else talks about romeo throughout the play. in fact, he does it again after he's killed him and come closer to see who it is:

this isn't meant to be a defense of paris, really; i think paris's character very much varies based on how his lines are performed, and depending on the production he could be anywhere between outright sleazy to obliviously presumptuous. it's certainly true that many of his lines are possessive of juliet, and that he is incredibly pushy about pursuing marriage, but no, he is not way older and definitely an adult. and i think that detail matters, because i think the real thesis of the play is unveiled when we reach the end and check the tally and realize that all five people who died—mercutio, tybalt, paris, romeo, and at last juliet—were all explicitly or implicitly referred to as young at some point.*

i see the point in the original post! the enforcing of patriarchy is absolutely a part of romeo and juliet, but it's woven into the greater premise; the social order and power that maintains the rivalry between the two houses is the same social order and power that disregards the opinions and agency of all the women in the play, starting from the very beginning when both ladies capulet and montague fail to deescalate the brawl. montague doesn't show up again until the end, but we see a lot of capulet, arguably responsible for setting most of the wheels in motion. in act 1 scene 2, he's in a good mood; he says outright that it's time to put the rivalry to rest, and tells paris that if he wants to marry juliet, "my will to her consent is but a part", that it matters whether or not juliet likes him. it's clear in his initial resistance to the marriage that he cares for her. but then tragedy strikes, he's reeling and upset, and though he was hesitant, he decides that the best course of action is for juliet to marry paris; and, having decided that, he flies off the handle when juliet disagrees. he had promised juliet to someone, so if juliet doesn't follow through, it will reflect poorly on him, and that's the last thing that he needs right now. his behavior is inconsistent; sometimes he's jovial and chill, but sometimes he's overtaken with fury and lashes out at people he has power over. his wife, just as before, is powerless and falls in line quickly; the nurse attempts to defend juliet, but once they are alone, she counsels juliet to accept her father's decision as the best outcome she can hope for. they live in a patriarchal society, and in this specific society, the patriarchy manifests in the form of a rivalry based on nothing but pride.

the patriarchs themselves are fully grown adults. they know that the rivalry is frivolous and perhaps even in bad faith. capulet is able to threaten violence (over some random servants crossing paths on a public street?) during the day and then dismiss romeo montague crashing a party in his house as not a big deal that very night (tybalt tells capulet about romeo's presence, and capulet tells tybalt to take no note of it). montague's first lines on first appearance are "let me at him!!!" but then once the crowd has dispersed, he has to ask benvolio what happened and who even started it; he was starting a fight for no reason, and he knows that. but the young men in the play have grown up in the shadow of this nebulous hatred; they take it seriously, because they don't know any better, because they don't have the life experience and context to understand that they shouldn't. they take their cues from the leaders of their society—men who, instead of controlling their anger, blow up at random things and then call it honor. in act 1 scene 1, the first time tybalt picks a fight, he's saying dramatic shit like "turn thee, benvolio, look upon thy death"; more grandstanding than combat. he brandishes his sword because it's what his uncle capulet does, so it's the honorable thing to do, so he tries to do it again at the party that night and is so confused when his uncle berates him and calls him a "saucy boy". he's belittled and dismissed, and he doesn't understand why, so in act 3 scene 1, desperate to prove himself, he's now talking completely differently. he ignores benvolio who he had claimed to hate, does not rise to mercutio's taunts and even says "peace be with you"; he states his challenge to romeo plainly, uses formal language and frames it as defending the honor of his house, and does not even draw his sword until mercutio did it first.

romeo is repeatedly described as sensitive and well-mannered by other characters; he tries to keep his cool, keep the peace, he resists tybalt's challenge. but then tragedy strikes; his love is no match for the expectations of hatred and violence that surround them. o sweet juliet, thy beauty hath made me effeminate, he says, and kills tybalt, because that is what masculine honor demands. he's devastated, grieving, angry for how unfairly tybalt had targeted him, horrified at what he's done, terrified of what this means for his future and the life he had wanted with juliet, and he doesn't know how to process any of this except as hatred, for others and for himself; he spends the rest of the story desperate to die, threatening to kill himself when his execution is converted to banishment, because violence, as always, is the only honorable path open to him. his love for juliet was the only thing that stopped him, and then again his love isn't enough, because juliet is dead. in the last scene of the play, in a graveyard, paris calls romeo a villain and challenges him, exactly the way tybalt did, and romeo sees him for what he is: just another boy playing at being a man, in a neverending cycle. do not urge me to fury, he says. i'm a man, i've killed before, and i cannot control what i will do.

that's what the play is about. if you raise your children in a hateful environment, they will destroy themselves. the future of the noble houses, even the prince's, is ruined, because this society is unsustainable, because the men (the boys) that it creates don't know how to function as adults; they don't know how to mediate and resolve conflicts and compromise, they don't know how to express emotion and assert their personhood except through violence, and even when there is no longer anyone around to inflict violence upon, they turn it upon themselves. when the carnage is discovered in the morning, both capulet and montague vow to personally make amends, because both of them know intimately that the tragic, wild, seemingly unpredictable actions of these children were their fault.

*mercutio is the only one for whom i can't recall any lines regarding age. his behavior and friendship with romeo seem to indicate that they are peers, but mercutio and benvolio also have the air of older guy friends (boyfriends?) who are dragging their depressed younger cousin with them on outings because romeo's mom asked them to cheer him up. relatedly, i think there is a viable interpretation (although i'm not married to it) that when mercutio is killed and curses both houses, it's because he's flabbergasted that his goading on of tybalt and romeo's fight led to real consequences. like "wtf, did you just kill me for real, i thought we were playing around"

It’s always so funny to me when people push the “Romeo was grooming Juliet” theory, especially when Paris is right there.

Romeo is around Juliet’s age and we can tell by his lines that Paris is way older and definitely an adult. Like. Look at R + J’s banter, it’s two total equals having fun with each other. They kiss and then Juliet asks for another kiss!! They match each other’s weird vibe!! Romeo says shit like “I wish I was your pet bird” and Juliet responds that she would literally crush it to death because she’d love it too much. Weirdos!!! They match each other’s freak!!!

Compare that with how Juliet interacts with Paris. He’s predatory and possessive over her, and it’s pretty obvious she’s uncomfortable. He pushes her dad to let him marry her even though he knows she’s too young!! Instead of playful banter we get Juliet being quiet and subdued, the complete opposite of her fiery, weird self she is with Romeo!!

“Oh, Juliet should’ve just married Romeo” No! If she did she would have ended up just like her mother, forced to marry an adult man and have a baby way too young, rendering her unable to connect with her child, and then the cycle would continue!

The theme of men preying on young girls and the patriarchy leading to destruction is there!! But Romeo is not the problem!!! He’s actually the opposite of the problem !!!!

[evaskjew]

Visiting my artist grandmother at the hospital, I show her my watercolour of Tom Riddle (as she taught me the basic techniques and helped me a lot –especially with my drawing of Sebastian and Ominis–)

My grandmother: Wow, that's beautiful! You're good, do you post your drawings on the internet?

Me: Yes, I do.

My grandma: With your talent, I'm sure you'll be in demand for commissions on your Harry Potter theme!

...

So, what can I say, mamie? I clearly don't have the talent to take on commissions 😂 (And what I do as art isn't that exceptional either, other artists are much more talented)