#must dig

[trashgoblinzimmeh]

*Sniffs the ground, then starts digging* GRUBS. GIMMIE THE GRUBS... *Digs more ferociously*

*Trills, using her claws to help dig* COME OUT, GRUBS!

*Digs in an entirely different spot than his dad and sister...*

*Digs for the heck of it*

[samglyph]

I’m not immune to slasher comedy coming of age musicals. Apparently

[correctopinionhaver]

god forbid women do anything

[dollarstoreartsupplies]

okay so steph is definitely a music purist?

we can all agree on that right? like she's a 'said she was born in the wrong generation in middle school' fleetwood mac, david bowie, the mamas & the papas, niche modern indie artists and also chappell roan kind of music listener. obviously. but.... i dont think we've really considered pete's music taste?

pete, who is a science, left-brained kind of kid, so he probably does not actively go out to look for music and is instead just provided music by the people around him?

pete whose older brother is theodore spankoffski and so his earliest and most fond and nostalgic music influences from his childhood would have come directly from ted's cd collection???

basically what im saying is peter spankoffski has the most trashy, early 00's ke$ha, black eyed peas my humps era, all american rejects ass music taste in the world

that boy had bowling for soup's 1985 memorized at age four, his guilty pleasure music is hollywood undead's everywhere i go, ted did his first decent person move in years when pete came out as trans as a kid and stopped listening to grow a pear by ke$ha and pete forcibly made him play it because it's a bop

and then his only friends are a weeb and a theatre kid.

steph gives him the aux cord on a date to be nice, as a sign of trust, and is blasted in the face with the most uncurated mess of j-pop, sondheim, weezer, and like... owl city's fireflies and that's just a fact

[luminarai]

Me, sprinting around my flat with a handful of treats to hide in weird places to enrich my indoor cat: The things I do for this strange creature…

My cat, sprinting after me: The things I do for this strange creature…

[uncanny-tranny]

The thing that gets me about history and humanity is that you never know what is immortalized, and the things that will be immortalized are things you would never think.

I saw a person sharing a new tattoo, and it was one of Onfim's drawings. A boy who lived so long ago he is barely a blip now, but his drawings meant so much to people that somebody is now permanently marked in their skin with one of those drawings. Do you ever look at the things you make and just sit there and wonder if this is the thing that future people look at? Do you ever look at your art, your writing, your schoolwork, or anything that is yours and just wonder who will find it, who will fall in love with a piece of your humanity and become overwhelmed with emotion over? It's not unlikely. It's not totally unlikely that somebody will find a piece of you in the distant future and devoid of any other context of who you were will still love you because you were here. You were here, and you are still here, even hundreds or thousands of years later. Treat yourself with the same love that so many have for dear Onfim.

[icriedforthemoon]

[tapakah0]

[menlove]

yknow i fully respect ppl that think mcbeardy is too masculine & thus don't find it attractive but this always baffles me bc To Me i'm like. no that's still my pretty princess. he's just depressed and you can see the lack of sleep and mania in his eyes. it's like how his pepper's mustache somehow just made him more feminine. he was TRYING to do hyper-masculinity as a shield (which he's even talked about growing the beard to hide) but it did not work. that's still a pretty pretty woman. look at him with his big doe eyes that have seen The Horrors. he is climbing up equipment and being a cunt and singing "build me up buttercup" while crying. what else could i ask for in a man.

[trashgoblinzimmeh]

*Starts digging...and keeps digging until the hole is about 20 feet deep* Where is it WHERE IS IT- *Digging intensifies*

*Trills and starts digging out the sides of the hole*

[johnslittlespoon]

Tough And Sweet (Like You And Me)

Ch. 4/? – 'Who's Gonna Drive You Home Tonight?'

[WC: 46K | Gale Cleven/John Egan, College AU, The Bikeriders AU, Age Gap, Emotional Slowburn, Hurt/Comfort, Set in 2005ish]

College student John Egan ends up in an old pub on the other side of his small town, where he has a chance encounter with biker and mechanic Gale Cleven. Unconventional circumstances be damned, John is a lovesick fool.

[AO3 LINK]

[yuwuta]

I LOVE UR BRAIN SO BAD 😭😭😭 YOU ALWAYS POST THEBBEST HEADCANONS AND THOUGHTS LIKE. WORK HUSBAND GOJO. AND JUST HAVING A WHOLE IMAGINATION OF THE OFFICE W NANAMI AND HIGURUMA AND TOJI I?????? I WANT TO LIVE IN YOUR BRAIN

TEEHEEEE you’re so sweet <33333 the work husband to actual husband to househusband gojo pipeline is so so real to me and the office au that comes with it truly does take up space in my brain, so here’s some more loosely established points 

satoru has been your work husband since you got your first job in undergrad. you two met in your dorms, and became friends, and eventually you thought a job would help with your time management skills, so you got a very low-maintenance position at the front desk of the library. satoru applied right after you and schmoozed the two little old librarians into giving him the same shifts as you. that was probably the first moment satoru knew he was a little bit in love with you—because he had no reason to have a job while in school, but this small change in your schedule made him miss you so much that he was moved to get his very first job, probably ever, just to spend more time with you. 

he wasn’t bad at his library receptionist job, but he technically wasn’t good at it, either. if a student asked him for a laptop charger or to check out a book or something, he could do that, but anything else he’d just smile and say, “oh, you’ve gotta ask the pretty girl right there about that, she knows way more than me,” and bat his eyelashes at you. except, then, when you did need to get up to grab something for someone, satoru would just spring up instead, and tell you he’s got it. it’s like… he was incapable of helping anybody else unless he got to flirt with you, and then help you out to help them out……… strange boy 

anyways, satoru makes it a habit to assist you through your student jobs throughout undergrad, and then follows you to the same law school and repeats the process there. (also not to elle woods-ify him a bit but his father heavily questions him going to law school btw because satoru has never showed any interest in working, let alone following in his footsteps to be a lawyer, and now he’s going to law school? his mom is a bit sharper though, because when satoru tells his parents he’s going to the same law school as you, she just smiles and sips her tea and wonders if her son has already made a trip to their family jeweler). 

the firm is large, but the floor you work on is a pretty close knit group. there’s hiromi’s office at the tail end, which is the largest because he’s managing partner and he practically lives in there. on the other end, both you and nanami have decently sized offices. satoru doesn’t like hiromi at first because he thinks he’s mean. then satoru watches him play a little prank on kento, and suddenly the two of them are best friends. it would be a surprisingly wholesome friendship if their common denominator wasn’t irritating kento, and acting as guard dogs for you. 

kento’s office used to be just the bare necessities—law books, his degree, basic furniture, maybe a fancy paperweight, until satoru got his hands on it and decked it out. which is not something kento asked for, nor he thinks is necessary, but that doesn’t stop satoru from continually adding little trinkets and decorations and art to his office to make it livelier. when kento first meets you, he’s surprised when you tell him satoru gojo is going to be your secretary because kento interned for satoru’s father for two summers during law school, but when kento sees you and satoru together for the first time, it answers all of his questions. satoru couldn’t be more of a lovesick fool if he tried. 

listen the ex-convict to single father to janitor to lawyer toji pipeline is so real to me. while toji is working as a janitor at the firm, satoru slips once and then jokes that toji shines the floors too aggressively on purpose to make him slip, toji tells him to fuck off and he can sue for harassment. they truly don’t like each other at first, but once satoru steals toji’s masterkey to get into your office one night after you’re gone to leave flowers, and handle some paperwork to lighten your load in the morning, toji is sort of impressed. he still almost hits him with a broomstick, but even someone as gruff as him can see that satoru had pure intentions. toji is a lot of things, but he’s not immune to or devoid of love or passion. so, eventually he and satoru develop a weird sort of banter and respect for each other. one day someone actually tries to accuse toji of not putting the wet floor sign down and how it’s gonna be a lawsuit because some lowlife janitor fucked up his $3000 suit. satoru catches the argument as he’s heading upstairs and recognized the schmuck as the stuck up lawyer on the other side of kento’s case. satoru’s ready to jump in, but toji’s displaying an impressive amount of physical restraint and legal knowledge that when the dust is all settled, satoru asks him if he ever considered being a lawyer. toji laughs at it at first, but after a month of serious consideration (and megumi becoming a college freshman), he figures it can’t be all that bad. and turns out, toji’s a half-decent lawyer—once you’ve spent so much of your life skirting (or blatantly breaking) the law, you become pretty good at getting people out or around it, too. and with his life experience, he’s a pretty good judge of character; so when it comes time to lock up the bad ones, toji makes sure they get the maximum sentence.

except he has a bad habit of sending out emails with “URGENT: NEEDS ATTN” in the subject, which prompts you, kento, and hiromi to rush to his office, just to see toji with his feet up on his desk tell you that, “the emergency is i hate the opposing counsel, and now that i work on this side of the law i’d really like to not kill him, so somebody else should take this case.” 

anyways back to work husband secretary satoru. he pulls you out of boring meetings under the guise of an urgency, just for him to admit that the emergency is that he missed you, and you two were gonna be late for your lunch reservation. because he’s actually a licensed attorney, he can actually carry out duties an associate otherwise would, which saves you a lot of time and trouble; and it means that satoru gets to work even more closely with you, which is always an upside for him. sometimes you ask him to hand you documents and instead he just hands you his hand. and then pretends to blush and preen like a schoolgirl which always draws way too much attention to the two of you, but there’s no way to stop him either. he takes your coat off of your shoulders when you arrive in the morning, and helps you put it back on in the evening. when you tell him you’re looking for an apartment closer to the firm, he has eight places lined up for viewing, and one surprise at the end which happens to be the other vacant penthouse suite in his apartment building; which, conveniently, would make you satoru’s neighbor. he claims that it’ll be just like in college, but it certainly doesn’t feel that way when you finally move in and satoru can now loudly and proudly proclaim, “see you at home!” in the halls at work now. 

[toa-archive]

Interview articles tend to go offline at any time so want to make sure this screenshot is preserved particularly as there's a lot of half remembered/half whispered about what exactly was said.

Marc Guggenheim was the Producer on RotT and has writing credits for multiple parts of the franchise:

This screenshot is from his interview with Collider. It can be found here.

[jtl-fics]

Fluent Freshman - Part 16

PREVIOUS

Sweeties is very busy tonight but they get a table relatively quickly. He sees some people looking at their group all dressed in the ‘required’ attire for going out to Eden’s and reminds himself that maybe it’s for the best that people remember him tonight. It MAY help the police find his body in a shallow grave somewhere if they can piece together his last few hours.

Nicky stops by the salad bar and grabs three packs of crackers. He hands one pack to FF who just stares blankly at it before shrugging and figuring his stomach needs something so he opens the pack and just eats the crackers.

Nicky looks at him with an abundance of fondness that he doesn’t understand but shakes his head and hands a laminated menu over to him to order dinner from. “I know you’re not drinking but you still gotta take your meds before we leave.” Nicky reminds and FF nods. He reaches into his pocket to confirm that they’re there and feels something cheap and plastic.

Oh god, he forgot to take his Happy Meal Toy out of his pocket. No one needs to know that.

He shoves his hand into his other jacket pocket and the sandwich baggy with his single dose for his Ulcer is right there.

He starts to look at the menu when he realizes that everyone else already knows what they’re going to order since they apparently come here regularly. He tries his best to never be a regular at any place where they can see him and repeat his order back to him (Hello CVS girl, yes thank you for holding some Pepto for him. No he is very brand loyal and would not like to try Tums thank you.)

FF stands behind the art of the panic pick.

He has cultivated this ability over his many years of panicking. He can look at a menu and pick an item that might not be the thing he most wants on that menu it is something that he can eat or drink. Then while he has that pick queued up and ready to fly if a member of the waitstaff comes over before he’s actually read what’s on offer he has his panic pick.

A place like this has GOT to have a burger.

He finds it under the sandwich section easily enough and now he has his panic pick as he peruses the rest of the menu.

The waitress comes far faster than he had anticipated and slams waters down at each of their spots. “What can I get you?” She asks and before anyone says anything Nicky and Aaron slide over the two packets of crackers that she takes before looking at the empty packet in front of FF, “Just two?” She asks.

WHAT KIND OF CODE IS THIS?

“Just two.” Nicky says grabbing his trash and handing it over to her.

She shrugs, “Anything else on the menu I can get you boys?” She asks.

They all make their orders and Nicky, bravely, steps in to remind him he likes his burgers well done when the waitress asks.

“Sorry, I should have warned you.” Nicky laughs bumping his shoulder against FF’s “This place has this stuff called cracker dust, it gets you high but it’s not addictive.” He says.

Every single 80’s PSA goes off in FF’s head all at once.

NICKY “FLIPS TURTLES BACK ONTO THEIR FEET” HEMMICK DOES NOT LOOK LIKE HOW THE ‘JUST SAY NO’ ADS HAD SAID HE WOULD.

There’s not a trench coat! He wasn’t even wearing a hoodie with the hood up! There’s no sunglasses! Nicky had given him a baggie for his ulcer meds but IT WAS A SANDWICH BAG.

“I see.” He says out loud.

“Do you wanna try some.” Aaron asks. He double checks and yeah Aaron is still in the same club clothes he had left the house with. He has on a hoodie but the hood is down.

He does as any 80’s teen sitcom protagonist does by the end of the episode.

“No thank you.”

He thinks Mr. T would be happy that he said No. That ad had been especially nerve wracking as a kid when Mr. T ‘shakes some sense’ into the camera.

“Alright, no worries. Neil and Andrew don’t do any either.” Nicky says quickly.

The drugs come with the food and Nicky and Aaron pocket them before handing over cash to the waitress who just counts it right there. He focuses on digging into his burger and realizes it has jalapeños on it but Nicky volunteers to eat them with his nachos and lets the conversation weave around him as he polishes off his burger and takes his ulcer meds. “Oh cool, hand me the bag so I can keep our stuff in there.” Nicky makes a grabbing motion with his hands and FF just hands it over.

He zones out as he eats his fries. He wonders if Great Gran is upset watching him or if she’s happy that he said no to drugs. Maybe he should have said yes, then he could at least be blasted out of his mind when Andrew dragged him to the basement.

Well, it’s too late now.

The waitress comes and clears out their plates but picks up her notepad and pen again. “So, what ice cream do you boys want tonight?” She asks and looks straight at FF.

But FF is prepared.

Ice cream places are easy. His panic pick is a given, it’s Vanilla. Every ice cream joint has it so he barely even notices how his heart rate kicks up to 190 BPM and his palms grow instantly sweaty.

“Vanilla.”

“Sorry Hun, we’re fresh out.”

OH GOD. QUICK, SAY SOMETHING ELSE.

“Surprise me.”

NO YOU IDIOT SAY CHOCOLATE.

“Surprise you?”

RETRACT, IT’S NOT TOO LATE.

“Yeah. Surprise me.” He repeats and he can FEEL Nicky vibrating with laughter next to him.

“Alright Hun, I’ll surprise you.” She winks at him and he blinks back at her.

The rest of the table all order (They’re all normal people who order strawberry (neil), the special with chocolate (Nicky), Lemon Sorbet (Aaron), and Brownie Fudge (Andrew).

“Surprise me.” Nicky whispers to him.

“I panicked.” He whispers back.

“Yeah obviously.” Nicky snorts but pats him, “It’s fine. The worst is you might end up with Pistachio or something.” He pats FF on the back.

FF likes Pistachio and the world loves to make FF suffer.

“Here you go hun. We just got this in, it’s Mango.” She says setting down two scoops of a bright orange ice cream down in front of him, “With a little surprise.” She winks again as she sets the other ice cream down.

They all get started.

Why is the Ice Cream kind of spicy?

He eventually puzzles out that the waitress has served him a Mango and some kind of pepper (probably habanero) ice cream. She smiles when he thanks her for the surprise, tries not to let it show how much the spice is KILLING his stomach let alone the acid of the mango.

Andrew has his eyes narrowed on him and he’s sure the man doesn’t want him to make a scene at a place that seems to be a frequent haunt for the family. So he eats every last bite and ignores how his lips tingle.

“Ohhh it must have been good. Maybe we should get you her number.” Nicky says looking at his empty bowl.

“No, I’m good.” She was pretty but considering the acid currently swirling in his stomach she probably thought he was an asshole for asking for her to ‘surprise him’. Even if that wasn’t the case, what if she thought it’d be cute to serve him this spicy ice cream as a cute couple thing? His stomach can’t take that.

“Aw man you’re no fun.” Nicky pouts.

They pay for their meals and the waitress hands him his receipt with a wink. He nods back at her before shoving the receipt into his pocket next to the Megamind toy. “Have a good night.” He says.

“You too Hun.” She says.

They head out for Eden’s and in a way the ice cream is a blessing because his stomach hurts enough that he barely even notices his anxiety about being at the place where Andrew most certainly is going to stab him at least once by the end of the night.

MASTERPOST FOR ALL PARTS OF FLUENT FRESHMAN AU

NEXT

Per your requests:

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The requests to be added to the tag list got spread out across a few  different mediums on this one so if I missed you I swear it wasn’t malicious I’m just brunch dumb at the moment. Remind me in the replies!

As stated before if you’re up here and I spelled it  right but you  didn’t  get a notification there might be something  switched around in  your settings that won’t let me tag you properly?

[queenlua]

i read a couple national/international news publications regularly, but i'd gotten kind of lazy/bad about local news, in that i was relying on a combination of "sporadically circumventing paywalls" + "the free alt-weekly" + "various random word-of-mouth sources"

however, the city council got up to some fuckshit lately that compelled me to finally pay for a subscription to the local paper and. unfortunately i must report this rules & is worth the money & yeah i absolutely should've been doing this all along sorry. highly endorse doing the same if that's financially feasible for you & you're fortunate enough to live in a place that still has a local paper of somes ort

[drifting-pieces-blog-blog]

LET’S TALK ABOUT THE GENIUS OF THE INTRODUCTION! 

So I don’t think I’ve talked about this yet, and shame on me for not doing it in depth if I have. 

The pure beauty of the story telling when it come to character introduction in this show. 

As has been said many times by the writers/directors/Oscar: They originally planned to start with Marc but then realized that the story needed to be about Steven introducing Marc to us. Introducing this world to us. 

And this is a classic approach to storytelling. You typically have someone that doesn’t know anything so that the audience can learn about the world with them on this adventure/journey. 

So why start with Steven? 

Let’s go back to the comics! 

In the comics, we start with Marc. We get Marc’s story. We see Marc’s life, his regrets and mistakes. We see him die and come back and act drastically to change. 

But when we leave all of that behind, our first look at the new established life in New York is with Steven and then immediately into Jake. We don’t officially come back to Marc for some time. But that’s done at a very fast pace and you get to know Steven and Jake’s life very quickly in an introductory blurb before you even see it.

Not exactly something that can be done in a show. So we have to pick someone that the audience can follow. Someone that the audience can fall in love with and trust.

That certainly isn't Marc Spector. (It's interesting that they chose Steven over Jake, considering the personality from the comics... But that's a meta for a different day, as I have a lot to say on that).

So in the show, we first meet Steven. 

(Look at this bundle of perfection) 

We follow Steven and we get to know Steven. We love Steven. We would follow Steven anywhere and do anything for him. 

Then we see something/someone throwing a wrench into Steven’s life and causing him problems and stress and ruining everything for Steven. 

And we get our first look at Marc through Steven’s eyes. 

In fact! We don’t even see Marc at first. We just see the result of Marc. The displaced jaw and people shooting at him. The bloody bodies, the car chase, the gun, the violence, the stress. We see the ruined love life, the lonely life, and the dead fish. 

So we know that whatever this thing is that is causing him problems is dangerous and not to be trusted. We feel Steven’s stress and expect the worst. 

Even when we first hear Marc, it’s a stressed out voice demanding that he stop. We just get to see a ghost of a man. Something dark lurking in the shadows and acting menacing. This is Steven’s view of what’s going on and this is Marc’s view of what he is to Steven at this point. 

(SIDE BONUS META: The first time we hear Marc actually talk to Steven is directly after the phone call with Layla. Marc has been ghosting her and ignoring her and playing dead with her for a while now and suddenly Steven talks to her and in that one brief confusing phone call for Steven and Layla, Marc is triggered out and everything he has been setting up for both of them in what, he views, to be a perfect life without him is going down the grain. He’s stressed, he’s watching everything spiral down the same way he has been spiraling down for months now… In that one moment, of course he lets his frustration out and he yells at Steven to stop. He just wants Steven to cooperate and go back to how things used to be so that Steven can live the normal life and Marc can sit back and watch and pretend that things are okay.) 

NOW we as the audience get our FIRST good look at Marc before Steven does. 

What do we have here? Marc lingering behind Steven. Marc watching Steven run into danger and looking anxious, worried, and like he wants to do anything to take it all back and protect this man. Marc even looks back to check Steven’s 6. Menacing and in the shadows? Or a man that is about to risk everything just to protect Steven? 

Years… YEARS of work put into making sure Steven doesn’t know about him and is happy and safe and secure… And he knows that he has to risk it all. Perhaps at this moment he is contemplating if he should. If Steven will get out of it on his own or if he really needs to find a way to step in and force Steven to black out. But Steven is scared and on to him. He knows he has to talk to Steven. Something he probably hasn’t done since they were just children. 

(BONUS META: If you zoom in real good, that second reflection? The expression is just a little different than the first. The mouth is pulled just a wee bit tighter. Jake easter egg? Probably not, since the show was so careful about only hinting at a ghost of Jake… But I choose to think that we see Jake there behind Marc, much like Marc is behind Steven, looking back to watch their 6 and making sure they are safe.) 

So in classic Marc fashion, he appears as a disaster and Steven sees a disaster. 

Okay. That was a bad day. Marc was stressed and they were in danger. The absolute carnage that happened (Marc you really lost your cool there, buddy. You could have easily finished that jackal off and moved on. You were just angry and you lost your temper. That bathroom did not have to be so trashed.) was not Marc’s best work. 

So let’s meet Marc again from Steven’s eyes now that he isn’t scared and about to die. 

Yeah. Steven does not have a very good view of this man. Funnily enough, he’s seeing him in black and white, which is how he’s being presented to him at this point. He sees a violent man that is stealing his life and ruining it. All he can see is the black and white. He knows nothing else about this man. 

And Marc looks right back from the black and white of himself. A man that wishes he wasn’t there. A man that only knows pain and violence. It’s almost like he’s giving up here. He’s saying “Well, I told you to stop looking and now here we are. Look all you want. You see me. Bet you wish you didn’t. If you keep going, this is what you get.” 

And our previous Steven? He keeps looking. So we get a calmer less dumpster fire Marc. 

No. I take it back. More of a dumpster fire somehow. He’s tired. He’s stressed out beyond reason. He’s watching everything fall apart and he has no control over any of it for the first time in his life. The one thing he thought he could control is now on fire. 

And Steven sees a disheveled (handsome) man that sits alone in his storage room with his illegal things and weapons. Not a good picture. Not to mention the whole Khonshu troll bit that comes along with Marc. 

Steven is not seeing Marc in good light. And the Audience feels for Steven even more. Who is this man that’s ruining this sweet cinnamon roll’s life? 

So let’s give the audience another perspective. 

Would you look at that! An upside down shot to show us that we we are seeing is going to be flipped upside down soon. 

(I would do anything for her.) 

And what cleaver writers... We see Layla instantly from Steven’s point of view. This lonely love starved man meets HER and the audience has no choice but to fall head over heels for her. 

But now we are looking at Steven from Layla’s point of view. 

But she isn’t seeing Steven. She’s seeing Marc being ‘Not Marc’. 

We see her return to the flat and she examines Steven’s life. Before we saw everything from Steven’s point of view, but now we get to see her explore it and not just gloss over things but pick them up and examine them. Question them. Question his life. 

And while she’s looking for Marc in Steven, we see Steven looking at Marc watching Layla. 

She watches the fish, alone and unaware. Marc watches her, alone and mesmerized by her, desperate to see her, wanting everything in the world to be with her but too afraid to get closer. He’s in the tank for a reason here. This isn’t Steven’s fish. This is Marc’s fish. This is the replacement fish. And now, Steven is aware of what’s going on outside of his tank and Marc is the one that’s trapped. 

And as the audience, we find a flicker of sympathy for this intruder. This man that watches her with the look of longing etched across his face. 

But it’s quickly dashed as Marc tries to get rid of her and Steven finds out about the divorce papers. Marc’s a disgrace to try to toss aside someone as lovely as Layla. Steven has no sympathy for him. 

From here we see the rift between them. We see them argue. We see Steven lash out at the images of Marc with insults. He judges Marc and Marc does nothing to try to dissuade him. Marc thinks he deserves it. He just wants to finish the mission. 

But then something changes for just a moment as Steven enters into Marc’s world. 

Sure, there’s the scene with the suit. The scene with the bus where he compliments Steven and acts like the impressed older brother and reasons with Steven to get control. 

What changed? I’ve talked in depth about it before… But here it is again: 

Harrow started talking about killing children and then asked to speak to Marc. And Steven expects Marc to demand the body again. He expects Marc to fight him for it and to be loud and complaintive like he was with Layla or like he was in the car. Clearly he can tell Marc is there and he even sees Marc watching them and Marc is talking to him too. 

Yet the second child murder comes up and Harrow starts going after Marc, Steven watches Marc step back. Maybe he can sense there’s something there. Maybe he can sense that Marc needs him. 

Because suddenly Steven goes on the attack. The tables flip and Steven shows his true strength. He starts to reason and show that he is always thinking things through and always picking up the little things. 

In this one motion of protecting Marc, we see Marc calm down a little. This lets Marc take a minute to let Steven have his time. 

And when Steven gives Marc back control, we take another look at Marc from Layla’s eyes. 

She just watched who she thought was her husband having a break down and then become a different Moon Knight, solidifying that this was NOT her husband, but something ‘different’. 

But suddenly Marc is there before her and she can’t pretend that maybe she really did have the wrong guy. That maybe he’s a doppelganger and Marc is out there somewhere else. Because Marc is right there before her and he’s speechless.

Yeah, that’s the look that lets him know that he fucked up. 

But here we are again, not looking at Marc. We see the man in the suit with powers and control and strength. 

And then he fails his mission. Not only is everything he’s been working on his whole life breaking down, but now the people he cares about are in danger and the whole reason he ran off was to keep this from happening. 

And Steven comes back and the audience gets a full view of not just how Steven sees Marc, but how Marc sees Marc. 

And from here, we get the hand off. The audience is now taking Steven’s perceptions of Marc and stepping over to Marc’s views of himself.

In fact, in the next episode we see the struggle between Marc and Steven, but this time we only see Marc’s side of it. Before we saw Steven and blacked out with him. Now we see Marc and we black out with him. We know Marc is trying to get things done. We see him trying to do things right and Steven is the one getting in the way. 

We see a glimpse of Marc being vulnerable when he goes before the Ennad. We see that he’s a man barely in control of anything in his life. We find him broken and abused. He’s just an open wound but you don’t have the full picture. You wonder what it is about this man that tells us to trust him? 

We see him fail over and over again in everything he’s been doing since we first met him! 

If this was all we had, we would only see the picture of a frustrated, angry, and disaster of a man. 

So what keeps us from finding Marc as despicable as he sees himself? 

She’s looking at him there with new eyes. She doesn’t know what’s going on with him, but now she knows that he’s hiding things and after all his running, she’s finally cornered him and she isn’t about to give up on him. 

Her persistence gives us the need to know who he is. Why does she love him so much after everything he did? She only knows part of this world and we are still going on this journey of discovery with her now. 

And through her, we start to see Marc’s pain. 

And honestly, it’s this scene right here that is the biggest turning point in how we see Marc. 

She loves him and he loves her. You can see how much he loves her. With every fiber of his being he’s radiating such deep pain and longing as he still pushes her away and closes himself off. 

And she doesn’t push back. She’s in pain too. She wants to help him and love him. Perhaps in their relationship they had struggled with this before. Him coming back from a mission with Khonshu and being in pain and pushing her away when she tries to help. She’s fallen into a pattern of letting him pull away because she knows that if she pushes too hard, he shuts down so completely. 

And we go into the next scene with her letting him hold her at a distance. She’s angry at him and confused and hurt. 

We see him walling himself off and she can’t reach him. 

And then Steven starts to fight back again. He wants to help. He wants to prevent the violence he knows Marc can do. He wants to go home. We start to see Steven sticking up for himself, REALLY pushing back, and asserting himself. 

And this next scene is still my most favorite scene there is. The first time she really sees Steven and since we, the audience, are now following Layla, this is our first time seeing Steven from her point of view. And… I would argue that this is the first time that we really see him. 

(I could fall in love with both of them over and over again with this scene)

And now we are seeing Steven new all over again. We see him standing up to take on the mission instead of trying to just run back home. We see him talking to Layla and showing off his knowledge and skills. We see her falling for him and he struggles to understand what she sees in Marc, but he’s happy to be with her. 

We trade off a bit when Marc and Steven continue to argue over the body. Their views of one another start to suffer again. Steven has found his strength and now he’s pushing Marc around a bit. He’s tired of being kept in the dark and pushed away. 

We even get to witness Layla’s strength and that she can kick ass on her own. 

And in that one scene with her and Harrow, we watch her perception of Marc shift and we follow her with new eyes. We see his guilt and regret but we see him not fight back. He is willing to throw it all away and admit to everything that she thinks of him if it means that he finally gets to keep her safe by pushing her away. 

Welcome to the Duat! Or, as I like to think of it: The place where Marc’s walls are ripped away and we get to see unfiltered and pure Marc Spector. (I’ve talked about this before too). 

And our perception as the audience is now playing tug of war. We follow Steven and we follow Marc on his desperate attempts to make Steven stop. He doesn’t want Steven to see him and he tries to prevent Steven, and us, from knowing him. 

The more we follow Marc, the more we see his absolute terror in letting himself be known. 

And at last… At long last…. Steven sees Marc for who he is for the first time. 

Now, we are the audience, can see Marc. We know him. We’ve seen the real him and we know his story. 

And it’s Marc’s turn to let us see Steven. 

Steven the protector. Steven the capable. Steven the mighty. 

And because we now know them, we can see Layla’s love. 

And through them, we see her in her pain and strength. 

Her determination to carry on and finish the mission for them and get a little revenge too. Because as angry and hurt by Marc as she was, she still loves him so deeply. 

We’ve just watched a whole episode of Marc being hated and loathed and denied love and of Steven being lonely and without love, and now we open on Layla showing that love was always there waiting for them.

Hey look! A call back! 

Only this time, she’s right-side up! 

And he isn’t curled up in a little ball! 

And this time, he runs to her, instead of standing at a distance. 

The look on his face. Pure relief. Pure love. 

The absolute desperation on her face. He’s there and the last argument they ever had isn’t the last word. 

And in this moment, we are seeing them all from the same viewpoint. We see Layla the hero, Steven the hero, and Marc the hero. All three of them with their own strengths and their own love. They know the pain of the other and they can see more than what was presented to them and us at the start. 

Oh… And a little bonus. 

The first time Layla saw Jake:

We’ll just keep that one in mind for…you know… season 2…someday… someday… 

So after all that? After all that, the audience is taken back to the start to look at them all over again. To meet them. To hold these characters in their hands so gently. 

They wake up together, confirming that they aren’t alone. We see two people here working together now. (though they are very sleepy). 

But They are still trapped. Two fish now, keeping one another company, but still stuck in the little tank. 

At least they aren’t lonely anymore. And at least now they have love. 

But maybe… Maybe the ending scene wasn’t for them. They are happy in their little tank. They aren’t the man that is lonely in a world without love. 

What about the one that’s stuck outside of the tank? What about the one that is still very much alone….?

And now the audience gets the first time we see Jake: 

We see him so small, framed in a little rectangular mirror watching and waiting. 

We don’t yet know his story. What we do know? 

His name is Jake Lockley and no one hurts his system.