#musicus

[kinoglossia]

[musicollage]

Vivaldi + Bruggen - Concertos for Recorder. 1968 : Teldec.

[adioloops]

How to download Utopia

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Key Features:

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Product Details:

ACIDized WAV Files

APPLE Loops/AIFF Files

Ableton Live 8.1.3+

Loops Synced to BPM

PC/Mac Compatible

100% Royalty-Free

Size: 1.41 GB

Immerse yourself in the serene and peaceful soundscapes of "Utopia." Download now from Utopi and transform your audio projects with this blissful collection.

[sonyclasica]

CHORUS MUSICUS KÖLN, DAS NEUE ORCHESTER & CHRISTOPH SPERING

BACH CANTATAS

Ya disponible el volumen final de las elogiadas grabaciones de las cantatas corales de Bach 1724/1725.

El álbum de 2017 del experto en Bach Christoph Spering J.S.Bach: Luther-Kantaten recibió el premio alemán Echo Klassik en la categoría Grabación de Obra Coral del Año. Los cuatro álbumes anteriores del ciclo de cantatas que Bach escribió entre el Domingo de la Trinidad de 1724 y la Pascua de 1725 recibieron excelentes críticas (los álbumes se llamaban Alabanza, Eternidad, Cantatas de Bach y Was mein Gott will). Esta nueva y última grabación de las cantatas corales 1724/25 se llama Bach: Wie schön leuchtet der Morgenstern, un álbum triple que incluye las cantatas BWV 1,8,92,101,107,114,123,133,139. El elaborado plan de Bach de escribir un ciclo de cantatas corales se completó con la cantata "Wie schön leuchtet der Morgenstern", BWV 1 de 1725, que destaca por su hermosa y colorida apertura instrumental. Igualmente alegre es el coro de "Ich freue mich in dir", BWV 133, con sus jubilosos movimientos de cuerda en cascada. “Ach, lieben Christen, seid getrost” BWV 114 se caracteriza por contrastes llamativos que se reflejan en las letras. Mientras que un tema confiado se deriva de la melodía coral y aparece en los oboes y primeros violines, un tema ansioso y tembloroso es interpretado por los segundos violines, el continuo y el aria de soprano.

SOBRE LOS ARTISTAS

Chorus Musicus Köln

Chorus Musicus Köln fue fundado en 1985 por Christoph Spering. El amplio repertorio abarca desde el Barroco hasta el siglo XX, con especial atención a las obras menos conocidas de los periodos Clásico y Romántico. Son aclamados por la crítica por su virtuosismo, dinámica fresca, sonido equilibrado y entonación.

Das Neue Orchester  

Fundada en 1988 por Christoph Spering, Das Neue Orchester se ha abierto camino a través de las épocas desde el Renacimiento hasta el Romanticismo. Tanto las obras maestras más conocidas como las injustamente olvidadas centran el trabajo musical de la orquesta, cuyos miembros han adquirido todos una amplia experiencia en el campo de la instrumentación histórica.

Christoph Spering

Christoph Spering es un reputado especialista en la práctica de la interpretación histórica. Spering y sus conjuntos recibieron el premio ECHO Klassik en 2017 por su grabación de las Cantatas de Lutero de Johann Sebastian Bach.

Contenido Del Set

CD 1

Wie schön leuchtet der Morgenstern BWV 1

01 Coro: Wie schön leuchtet der Morgenstern

02 Recitative (Tenore): Du wahrer Gottes und Marien Sohn

03 Aria (Soprano): Erfüllet, ihr himmlischen göttlichen Flammen

04 Recitative (Basso): Ein irdscher Glanz, ein leiblich Licht

05 Aria (Tenore): Unser Mund und Ton der Saiten

06 Choral: Wie bin ich doch so herzlich froh

Was willst Du mich betrüben BWV 107

07 Versus I (Coro): Was willst du dich betrüben

08 Versus II (Recitative Basso): Denn Gott verlässet keinen

09 Versus III (Aria: Basso): Auf ihn magst du es wagen

10 Versus IV (Aria: Tenore): Wenn auch gleich aus der Höllen

11 Versus V (Aria: Soprano): Er richt´s zu seinen Ehren

12 Versus VI (Aria: Tenore): Drum ich mich ihm ergebe

13 Versus VII (Choral): Herr, gib, daß ich dein Ehre

Liebster Immanuel, Herzog der Frommen BWV 123

14 Coro: Liebster Immanuel, Herzog der Frommen

15 Recitative (Alto): Die Himmelssüßigkeit, der Auserwählten Lust

16 Aria (Tenore): Auch die harte Kreuzesreise

17 Recitative (Basso): Kein Höllenfeind kann mich verschlingen

18 Aria (Basso): Laß, o Welt mich aus Verachtung

19 Choral: Drum fahrt nur immer hin

CD 2

Ich freue mich in Dir BWV 133

01 Coro: Ich freue mich in dir

02 Aria (Alto): Getroßt, getroßt, getroßt!

03 Recitative (Tenore): Ein Adam mag sich voller Schrecken

04 Aria (Soprano): Wie lieblich klingt es in den Ohren

05 Recitative (Basso): Wohlan, des Todes Furcht und Schmerz

06 Choral: Wohlan, so will ich mich an dich, o Jesu halten

Ich hab in Gottes Herz und Sinn BWV 92

07 Coro: Ich hab in Gottes Herz und Sinn

08 Choral e Recitative (Basso): Es kann mir fehlen nimmermehr

09 Aria (Tenore): Seht, seht! Wie reißt, wie bricht, wie fällt

10 Choral (Alto): Zudem ist Weisheit und Verstand

11 Recitative (Tenore): Wir wollen nun nicht länger zagen

12 Aria (Basso): Das Stürmen von den rauen Winden

13 Choral e Recitative (SATB): Ei nun, mein Gott, so fall ich dir

14 Aria (Soprano): Meinem Hirten bleib ich treu

15 Choral: Soll ich denn auch des Todes Weg

Nimm von uns, Herr, Du treuer Gott BWV 101

16 Coro: Nimm von uns , Herr, du treuer Gott

17 Aria (Tenore): Handle nicht nach deinen Rechten

18 Recitative (Soprano): Ach! Herr Gott, durch die Treue dein

19 Aria (Basso): Warum willst du so zornig sein

20 Recitative (Tenore): Die Sünd hat uns verderbet sehr

21 Aria (Duetto, Soprano/Alto): Gedenk an Jesu bittern Tod!

22 Choral: Leit uns mit deiner rechten Hand

CD 3

Ach, lieben Christen, seid getrost BWV 114

01 Coro: Ach, lieben Christen, seid getrost

02 Aria (Tenore): Wo wird in diesem Jammertale

03 Recitative (Basso): O Sünder trtage mit Geduld

04 Choral (Soprano): Kein Frucht das Weizenkörnlein bringt

05 Aria (Alto): Du machst, o Tod, mir nun nicht ferner bange

06 Recitative (Tenore): Indes bedenke deine Seele

07 Choral: Wir wachen oder schlafen ein

Wohl dem, der sich auf seinen Gott BWV 139

08 Coro: Wohl dem, der sich auf seinen Gott

09 Aria (Tenore): Gott ist mein Freund

10 Recitative (Alto): Der Heiland sendet ja die Seinen

11 Aria (Basso): Das Unglück schlägt auf allen Seiten

12 Recitative (Soprano): Ja, trag ich gleich den größten Feind in mir

13 Choral: Dahero Trotz der Höllen Heer

Liebster Gott, wann werd ich sterben BWV 8

14 Coro: Liebster Gott, wenn werd ich sterben

15 Aria (Tenore): Was willst du dich, mein Geist, entsetzen

16 Recitative accompagnato (Alto): Zwar fühlt mein schwaches Herz Furcht

17 Aria (Basso): Doch weichet, ihr tollen, vergeblichen Sorgen

18 Recitative (Soprano): Behalte nun, o Welt, das Meine

19 Choral: Herrscher über Tod und Leben

[oblitusglacies]

(liar, liar)

Phil... Why did you help me kill myself? -wilburminecraft

I don't know.

I don't know. It was just... it was like suddenly I was outside my own head and watching the worst mistake I ever made. Like someone grabbed my shoulder and put the idea in my head instead of any basic, rational thinking.

I shouldn't have, Wil. I really shouldn't have. Your death was more accident than suicide, between the two of us. I keep calling it murder, but that's not true. You weren't meant to die, just the person you'd become.

[realfable]

FABLE - BLACK (Official Vocal's)

FABLE - BLACK (Official Vocal's)

[pietroalviti]

Il Requiem di Mozart a Casamari, in un tripudio di commozione, bravura, gioia e spiritualità

Il Requiem di Mozart a Casamari, in un tripudio di commozione, bravura, gioia e spiritualità

La commizione per le note scritte da un morente, quasi a rappresentare tutti noi di fronte al dramma della morte, la bravura degli esecutori del Requiem mozartiano, i solisti soprano Vittoria D’Annibale, mezzosoprano Fabiola Mastrogiacomo, tenore Enrico Talocco, basso Michele Migliori, due cori, il Concentus Musicus Fabraternus Josquin Des Pres, diretto da Mauro Gizzi e il Coro Polifonico…

[herpsandbirds]

Taiwan Scimitar Babbler (Pomatorhinus musicus), family Timaliidae, endemic to Taiwan

photograph by ZW Young

[eeveecrittersau]

Officially handing over my Musicus Pegasus OC to you @eeveecrittersau. I hope you will use the character in a good way! From tomorrow you can use him as your own character. I will get deleted. One last think, draw Musicus Pegasus sad because of my delete, please.

They’re you have it folks...don’t worry he’ll be okay...

[gasparodasalo]

George Frideric Handel (1685-1759) - Overture from "Giulio Cesare" for 2 Oboes, Strings and Basso continuo in A-Major, HWV 17. Performed by Nikolaus Harnoncourt/Concentus Musicus Wien on period instruments.

[oblitusglacies]

The one thing Phil hadn't expected was honesty.

Maybe it ran in his family, the avoidance he'd come to expect; gods knew he'd left his son and friend both with dodges and omissions enough to dig his grave a few times over. Wherever it came from, honesty was a currency, and not one Phil would turn away.

"I'm your father," he answers simply, "there's nothing you could do to make me stop wanting to save you. I held you through nightmares you were too young to remember and I saw you off in tears. The only way I wouldn't be able to bear seeing you would be in your own blood."

But he'd killed Wilbur anyway, a sword-slash through the chest that pierced the heart and lungs both, made possible by anatomical knowledge only a scholar or soldier would have.

"Guess I didn't do too good of a job on that myself."

(liar, liar)

Phil leaned against the railing next to his son.

(His son? He should be sure, shouldn't need to ask, but after all this--after everything they've been through... he's not sure. Whatever Wil is, he's the closest Phil's ever going to get.)

"We need to talk about a few things." He refused to meet Wilbur's eye, instead staring out across the field into the middle distance. He swallowed painfully and sighed. "Why don't we start with the letters?"

There's a folded and re-folded letter tucked in his pocket. There's also a crumpled, nearly illegible letter next to it, but Phil's not in a place to read that one right now. The first letter, sure; even bittered by time and lies, the first letter he got from his son in a new land meant something close to his heart. The last was just a reminder of how they both failed.

"Why'd you lie to me?"

-- oblitusglacies

Wilbur had nearly forgotten about the whole letter debacle when he'd beseeched Phil to let him stay with him in his new arctic cabin. After years of pasting on a smile whenever Phil returned from his months-long disappearances, white lies were nothing more than a routine necessity, one he'd learned before he could count higher than one hundred.

Wilbur pressed a smile to his face, the motion unpracticed after thirteen and a half years without having to perform. He meant to explain with some metaphor about sending kids off to summer camp--something clean that would placate Phil and assuage any fears.

Instead, unwilled words spilled from Wilbur's heart. "I fucked up, Phil, yeah? I was handed the golden reins and crashed the chariot through the Earth." Wilbur swallowed. "I didn't want you to have to see me like that."

[enstarsmusic-en]

Hello ensembulu stazu musicu!!!! :)))))

are you okay.

producer. they got me again.

[lesser-known-composers]

Thanks to b-d-e for this submission :-

Requiem in do minore per Coro e Orchestra di Luigi Cherubini (1760-1842), Introitus et Kyrie.

Esegue un ensemble composto da: Coro Grande del Concentus Musicus Patavinus, Coro Polifonico di Piove di Sacco, Coro Polifonico Vincenzo Gianferrari, Orchestra i Filarmonici di Trento, Orchestra del Concentus Musicus Patavinus. Dirige il Maestro Fabrizio Cunial.

[landrysg]

New on YouTube: Magnificent music for a Monday evening

Mozart, Symphony No. 39 in E-flat major, K. 543, performed by Nikolaus Harnoncourt and Concentus Musicus, some of them playing period instruments

[alonglistofbirds]

[906/10,977] Black-and-white Shrike-Flycatcher - Bias musicus

Order: Passeriformes Suborder: Passeri Superfamily: Malaconotoidea Family: Vangidae (vangas)

Photo credit: Lars Petersson via Macaulay Library