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absolutebl · 2 years ago

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This Week In BL - I Am SALTY

June 2022 Wk 3

A very disappointing week and I’m loopy on cold meds.

Being a highly subjective assessment of one tiny corner of the interwebs. Organized by which ones (in each category) I’m enjoying the most.

Ongoing Series - Thai

Triage (Mon AISplay) Ep 8 - the romantic growth in this show is really well done and natural, especially from Tol’s side, you can see him go from extremely wary to actively in love, it’s very well acted. He’s a complex character so I’m not sure I like him, but I definitely like THEM especially the domesticity moments. Also cute momentum on the side couple, SingGap. Gap is gonna have to get over uke tendencies and do the heavy lifting on this one tho, or nothing will happen. We have 5 more eps to go. This is a crazy ride.

KinnPorsche (Sat iQIYI) Ep 11 - Big Daddy interrupting a BDSM scene for the worse = a new one on me. Chay demonstrating my “please don’t make Thai actors cry” request. VegasPete was great. But frankly I probubly would have just preferred them as the leads in a Thai remake of Sei no Gekiyaku, and yes, I actually mean that. So now Kin’s dad killed Porsche’s parents and that’s the relationship doom drama or something? What is this nonsense? Thai BLs of Our Lives? Also BJ in a helicopter much? *grumbles about shark jumping in a corner*

Sky in Your Heart (Fri YouTube) Ep 3 - GMMTV putting the big guns in this one. Always happy to see TTJ. That said, Mek clearly can’t hack BL. I get no chemistry from these two. Not a very good kiss.

Check Out (Sat IQIYI) Ep 2 - basically this is giving me the messy cheating bisexual meets long suffering gay I was expecting from Love Mechanics but the plot is naff. Whatever.

My Secret Love (Sat YouTube Sat) Ep 4 - there’s nothing WRONG with this show, per say. There’s nothing right with it either.

Love Mechanics (Sun WeTV) Ep 1 - I am well over trying to find stuff that should be available international. What are they doing? It’s not like they lack for distribution options for BL these days when even China is playing in the field. Get your shit together. Why do they always squander YinWar? I LIED IT’S THERE. Messy cheating. Drunken dub-con. No sugarcoating. Ho boy. We in for a ROUGH RIDE.

Ongoing Series - Not Thai

To My Star 2 (Korea Viki) Ep 3-4 - So she is a childhood sweetheart ex? Bah. ANNOYED. That said, I did love the way she touches Ji Woo and he instantly checks with baby to make sure he’s OK. For someone who’s instinctive words always cut, Ji Woo’s physical instincts are always the opposite. He’s a great character and must be a lot of fun to act. But ho boy, Korea sure does like to D.W.E.L.L. Seo Joon’s sweaters = killing me softly. Also, catfight! Good musical score on this show. Poor Seo Joon he lost his foundation. Of course, this is going to be an exploration about how he is actually Ji Woo’s foundation. But obvs that’s poetry to come. Why is this show so painfully good?

Old Fashion Cupcake (Japan Mon Viki) Ep 1-2 - We’re gonna have to talk about something up front with this one. And it has to do with the fact that I’m a huge fan of the movie Tampopo. It’s got nothing to do with BL and everything to do with Japanese cinema. Why am I bringing this up? Because what this show does out the gate (and Japanese romance does a lot) is use the most intimate filming techniques (close shots, soft focus, etc...) to portray food and eating (not people/faces). Which means the food = a metaphor/stand in for sexual intimacy, repressed desires, and sexual awakening. I could not be more here for this showing up in a BL. It’s one of my favorite things about Japanese cinema. Add that to genuine mature characters? And I already love this show to peaces, and it’s going to be hard to be objective about it. Nozue + Togawa forever!

Senpai, Danjite Koidewa! AKA Senpai, This Can’t be Love! (Japan Fri Viki) Ep 1 - What is this with JBL opening on a kiss but not closing with one? The par de deux music mouse click thing was cute, and I like we get a JBL from both character’s POV from the start. And they were right, this is a Utsukushii Kare style worship only not whipping boy or attack dog more stalker like SCOY. (Uh oh.) All in all, this is a tense little show. I like THAT but I’m not sure i like this show yet.

Plus & Minus (Taiwan Viki *rec* & GaGa Fri) Ep 11 - Classic ep 11 DOOM. But it will all be okay. Cute side dishes were cute.

Want to See You (Vietnam YouTube) Ep 2 - It’s good, better with the brother character. You should read @squeakygeeky’s analysis of the pronouns, and how they shift, it makes for a much more comprehensible, significant, and flirtatious episode.

Love in Spring (Korea grey) Ep 9-10 - Can’t find subbed anymore. So I guess it’s on hold until I can or it gets distribution.

Kimi no Koto Dake Mite Itai AKA I Only Want To See You (Japan Thurs Hulu JP) Ep 1 - Not available inter.

Getaway (Singapore Mon YouTube) Ep 4 - The acting is just too terrible. DNF

Gossip

Korean gay novel Star Struck to be adapted into a BL. Looks bog standard messy gay long term pining friends-to-lovers, but novel is a good thing, tends to have more meat to work with then a manwha. I wonder if they will do a full length series?

PT is Love announced, this (like Peach of Time) is another Korean/Thai collab project. Looks interesting: moot pining besties, enter university together. investigate MURDER, fall in love. As ya do.

Looks like BounPrem (Until We Meet Again’s WinTeam) have a new project: Even Sun series. Looks like a tourist board promo adjacent thingy.

In Case You Missed It

There’s a new Vietnamese BL (or just gay) movie coming out which looks pretty good, called Tie the Not. LONG trailer here.

Dear Doctor I'm Coming for Soul looks like it’s being made available on YouTube. (Maybe only in part?) I liked this one, recommended with some reservations around an amorphous ending. Doctor and Reaper fall in love.

Next Week Looks Like This:

Unforgotten Nights starts on GaGa, thank fuck, clearly I need to get this snark out of my system. TRASH WATCH awaits.

This week’s best moments?

I love it when a show reviews itself.

(last week)

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tuseriesdetv · 3 years ago

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Guía de series: Estrenos y regresos de octubre 2021

Una considerable cantidad de series se nos presentar��n en la tele próximamente. Como siempre, habrá que ver si cantidad es lo mismo que calidad.

¡Feliz octubre!

Leyenda:

Verde: series nuevas.

Negro: regresos de otras series.

Naranja: miniseries o series documentales.

Amarillo: tv movies, documentales, especiales o pilotos.

Morado: season finales.

Púrpura: midseason finales.

Calendario de series

1 de octubre:

SWAT (5T), Magnum PI (4T) y Blue Bloods (12T) en CBS

The Many Saints of Newark en HBO Max

Maid (1T completa), The Guilty, Forever Rich y Diana: The Musical en Netflix

3 de octubre:

Ridley Road (1T completa) en BBC One

The Walking Dead: World Beyond (2T y última) en AMC

4 de octubre: On My Block (4T y última) en Netflix

5 de octubre: Escape the Undertaker y Dave Chapelle: The Closer en Netflix

6 de octubre:

CSI: Vegas (1T) en CBS

Brassic (3T) en Sky Max

La venganza de las Juanas (1T completa) y There's Someone Inside Your House en Netflix

7 de octubre:

Young Sheldon (5T), United States of Al (2T), Ghosts (1T) y Bull (6T) en CBS

One of Us Is Lying (1T) en Peacock

The Billion Dollar Code en Netflix

The Outpost (series finale) en The CW

8 de octubre:

Nancy Drew (3T) en The CW

Leverage: Redemption (1bT) en IMDb TV

Pretty Smart (1T completa), Family Business (3T y última completa), Mio fratello mia sorella y Grudge en Netflix

Acapulco (1T) en Apple TV+

Madame X en Paramount+

Justin Bieber: Our World en Prime Video

10 de octubre: The Equalizer (2T) y SEAL Team (5T) en CBS

11 de octubre:

The Baby-Sitters Club (2T completa) en Netflix

We're Here (2T) en HBO

The L Word: Generation Q (2T finale) en Showtime

12 de octubre:

Chucky (1T) en Syfy

The Oval (3T) en BET

13 de octubre:

Dopesick (1T) en Hulu

The Sinner (4T) en USA Network

Legends of Tomorrow (7T) y Batwoman (3T) en The CW

Sistas (3bT) y Twenties (2T) en BET

Just Beyond (1T) en Disney+

Hiacynt y Distancia de rescate en Netflix

14 de octubre:

B Positive (2T) en CBS

Guilty Party (1T) en Paramount+

Legacies (4T) en The CW

Aquaman: King of Atlantis (1T) en HBO Max

Another Life (2T completa) en Netflix

15 de octubre:

You (3T completa), I onde dager y De slag om de Schelde en Netflix

I Know What You Did Last Summer (1T) en Prime Video

Day of the Dead (1T) en Syfy

Cobra (2T) en Sky Max

Puppy Place (1T) en Apple TV+

Halloween Kills en Peacock

16 de octubre: Misfit: The Series (1T completa) en Netflix

17 de octubre:

Succession (3T) en HBO

Fear The Walking Dead (7T) en AMC

Hightown (2T) en Starz

19 de octubre:

Queens (1T) en ABC

Runt en Apple TV+

20 de octubre: Found, Night Teeth y Stuck Together en Netflix

21 de octubre:

The Blacklist (9T) en NBC

The Girl in the Woods (1T) en Peacock

Sex, Love & Goop en Netflix

One of Us Is Lying (1T finale) en Peacock

22 de octubre:

Invasion (1T) en Apple TV+

Inside Job (1T completa), Locke & Key (2T completa) y Maya and the Three (1T completa) en Netflix

Dune en HBO Max

24 de octubre: Insecure (5T y última) y Curb Your Enthusiasm (11T) en HBO

25 de octubre: All American (4T) y 4400 (1T) en The CW

26 de octubre:

Todo lo otro (1T) y Dolores en HBO Max

The Last O.G. (4T) en TBS

27 de octubre: Sintonía (2T completa), Hypnotic y W lesie dzis nie zasnie nikt 2 en Netflix

28 de octubre:

Luis Miguel: La serie (3T y última completa) en Netflix

Walker (2T) en The CW

Love Life (2T) en HBO Max

29 de octubre:

Colin in Black & White (1T completa), El tiempo que te doy (1T completa) y Army of Thieves en Netflix

Swagger (1T) en Apple TV+

Paranormal Activity: Next of Kin en Paramount+

Estrenos de series

Maid (Netflix)

Para lidiar con la pobreza y la falta de vivienda, una madre soltera (Margaret Qualley; The Leftovers, Once Upon a Time... in Hollywood) comienza a trabajar como criada en casa de una exitosa abogada (Anika Noni Rose; Roots, Assassination Nation). Con Nick Robinson (Love, Simon; A Teacher), Andie MacDowell (Four Weddings and a Funeral, Groundhod Day), Billy Burke (Revolution, Twilight), Tracy Vilar (House, M.D., Partners), Xavi de Guzmán (The 100, Take Two), BJ Harrison (Chilling Advenures of Sabrina, Motherland: Fort Salem) y Rylea Nevaeh Whittet.

Basada en las memorias de Stephanie Land (2019). Escrita por Molly Smith Metzler (Shameless, Orange Is the New Black). Dirigen John Wells (Shameless, Animal Kingdom), Helen Shaver (Vikings, Orphan Black) o Nzingha Stewart (Little Fires Everywhere, Black Monday). Diez episodios.

Estreno: 1 de octubre

Estreno en España: 1 de octubre en Netflix España

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Ridley Road (BBC One)

Vivien (Agnes O'Casey) es una joven judía que, en 1962, abandona su vida cómoda en Manchester e, inspirada por el Grupo 62, una coalición militante antifascista que combate el neofascismo en Reino Unido después de la guerra, se infiltra en el NSM, un movimiento neonazi que está creciendo en Londres, tras la desaparición de su novio. Completan el reparto Rory Kinnear (Years and Years, Penny Dreadful), Tracy-Ann Oberman (It's a Sin, After Life), Eddie Marsan (Ray Donovan, Gangs of New York), Tamzin Outhwaite (New Tricks, EastEnders), Samantha Spiro (Sex Education, Me Before You), Rita Tushingham (In the Flesh), Danny Hatchard (Our Girl, EastEnders), Tom Varey (Ackley Bridge, No Offence), Julia Krynke (The A Word, Line of Duty), Gabriel Akuwudike (1917, Hanna), Danny Sykes (Bulletproof) y Hannah Traylen (Harlots, Unforgotten).

Basada en la novela de Jo Bloom (2014), escrita y producida por Sarah Solemani (Barry) y dirigida por Lisa Mulcahy (Years and Years, Blood). Cuatro episodios.

Estreno: 3 de octubre

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CSI: Vegas (CBS)

William Petersen (Grissom), Jorja Fox (Sara), Wallace Langham (Hodges) y Paul Guilfoyle (Brass) vuelven a esta secuela de CSI (2000-2015) a la que se unen Matt Lauria (Friday Night Lights, Kingdom), Paula Newsome (Chicago Med, Barry), Mel Rodriguez (The Last Man on Earth), Mandeep Dhillon (After Life, Bulletproof), Jamie McShane (Bloodline, SEAL Team), Robert Curtis Brown (The Handmaid's Tale, Station 19), David Paladino (You), Sean Alexander James (The Morning Show) o Johnny Rey Diaz (Pam & Tommy).

Escrita por Jason Tracey (Elementary, Burn Notice). Diez episodios.

Estreno: 6 de octubre

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La venganza de las Juanas (Netflix)

Cinco mujeres con la misma marca de nacimiento, y todas llamadas Juana, deciden investigar sobre su pasado y descubren una red de mentiras montada por un poderoso político (Carlos Ponce; Devious Maids, Julie and the Phantoms). Protagonizada por Juanita Arias (El señor de los cielos, Como tú no hay dos), Sofía Engberg, Oka Giner (Señora Acero, Gossip Girl: Acapulco), Renata Notni (Mi adorable maldición, Sueño de amor) y Zuria Vega (Mi marido tiene familia, Que te perdone Dios). Completan el reparto Carlos Athié (Mi adorable maldición, Que te perdone Dios), Federico Espejo (La casa de las flores, La jefa del campeón) y Pablo Astiazarán (Ingobernable, Club de Cuervos).

Adaptación mexicana de la telenovela colombiana Las Juanas (1997-1998). Escrita por Jimena Romero (Más sabe el diablo, ¿Quién eres tú?). Dieciocho episodios.

Estreno: 6 de octubre

Estreno en España: 6 de octubre en Netflix España

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Ghosts (CBS)

Comedia monocámara adaptación de la serie británica en la que una pareja hereda una casa de campo destartalada y llena de fantasmas. Protagonizada por Rose McIver (iZombie, Woke), Utkarsh Ambudkar (The Mindy Project, Brockmire), Brandon Scott Jones (The Good Place, The Other Two), Rebecca Wisocky (Devious Maids, For All Mankind), Danielle Pinnock (Young Sheldon, Get Shorty), Richie Moriarty (The Tick), Asher Grodman, Sheila Carrasco (Jane the Virgin) y Román Zaragoza (Austin & Ally).

Escrita y producida por Joe Port y Joe Wiseman, productores de Zoey's Extraordinary Playlist o New Girl.

Estreno: 7 de octubre

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One of Us Is Lying (Peacock)

Cinco estudiantes de instituto son castigados y enviados a la sala de detención, de la que solamente cuatro salen vivos. Todos son sospechosos y todos tienen algo que ocultar. Protagonizada por Marianly Tejada (The Purge), Cooper van Grootel, Annalisa Cochrane (Cobra Kai, Heathers), Chibuikem Uche, Barrett Carnahan (Cobra Kai, Alexa & Katie), Jessica McLeod (You Me Her), Melissa Collazo (Swamp Thing), Mark McKenna (Wayne, Sing Street), Martin Bobb-Semple (Pandora, Free Rein), Karim Diané (StartUp), Sara Thompson (The 100, Burden of Truth), George Ferrier (Dirty Laundry), Miles J. Harvey (American Vandal), Zenia Marshall (Date My Dad), Hugo Ateo (Siren, The Terror) y Alimi Ballard (Queen of the South, CSI).

Basada en la novela de Karen M. McManus (2017). Escrita y producida por Darío Madrona (Élite, Los protegidos) y Erica Saleh (Evil, Instinct). Dirige y produce el piloto Jennifer Morrison (Euphoria). Ocho episodios.

Estreno: 7 de octubre

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The Billion Dollar Code (Netflix)

En los años 90, dos pioneros de la informática alemanes fueron a juicio con una demanda multimillonaria para luchar por sus derechos como inventores del algoritmo de Google Earth. La historia real de la dura batalla de dos grandes amigos contra un oponente aparentemente invencible cuenta con el mundo del hackeo en Berlín y el idealista mundo de los inicios de Silicon Valley como telón de fondo. Con Mark Waschke (Dark, Tatort), Mišel Matičević (Babylon Berlin, Tatort), Leonard Scheicher (Das Boot, Das schweigende Klassenzimmer), Marius Ahrendt, Lavinia Wilson (Deutschland 86, Deutschland 89) y Seumas Sargent (Spy City).

Creada y producida por Oliver Ziegenbalg y Robert Thalheim, escrita por Ziegenbalg y dirigida por Thalheim.

Estreno: 7 de octubre

Estreno: 7 de octubre en Netflix España

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Pretty Smart (Netflix)

Comedia multicámara centrada en Chelsea (Emily Osment; Young & Hungry, Hannah Montana), una altanera e ingeniosa intelectual sin habilidades sociales para vivir en el mundo real que, cuando su novio la deja inesperadamente, se ve obligada a vivir con su despreocupada y jovial hermana Claire (Olivia Macklin; The Young Pope, Filthy Rich) y sus amigos: Grant (Gregg Sulkin; Runaways, Wizards of Waverly Place), un dulce y romántico entrenador personal; Solana (Cinthya Carmona; Greenhouse Academy, East Los High), una antigua abogada que ahora se dedica a la sanación; y Jayden (Michael Hsu Rosen; Tiny Pretty Things, Jessica Jones), un influencer de las redes sociales.

Creada, escrita y producida por Jack Dolgen (Crazy Ex-Girlfriend, Diary of a Future President) y Doug Mand (How I Met Your Mother, Crazy Ex-Girlfriend). Producida por Kourtney Kang (How I Met Your Mother, Fresh Off the Boat) y dirigida por Pamela Fryman (How I Met Your Mother, Frasier). Diez episodios.

Estreno: 8 de octubre

Estreno en España: 8 de octubre en Netflix España

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Acapulco (Apple TV+)

Comedia bilingüe centrada en Máximo (Enrique Arrizon; Las hijas de Abril, La jefa del campeón), un joven mexicano que en 1984 consiguió el que creía que sería el trabajo de sus sueños en un resort pero que resultó ser un puesto mucho más complicado que le haría cuestionarse su moral y sus creencias. Eugenio Derbez (No se aceptan devoluciones, Dora and the Lost City of Gold) producirá y narrará la serie interpretando a la versión actual del joven. Completan el reparto Damián Alcázar (Narcos, Señora Acero), Camilla Pérez (A Teacher, Gotham), Raphael Alejandro (Once Upon a Time, Bunk'd), Jessica Collins (The Young and the Restless, It's Always Sunny in Philadelphia), Chord Overstreet (Glee), Vanessa Bauche (Luis Miguel: La Serie, Rosario Tijeras), Rafael Cebrián (Las aventuras del capitán Alatriste, Narcos), Fernando Carsa, Regina Reynoso (La rosa de Guadalupe), Regina Orozco (La casa de las flores, Mi marido tiene familia) y Carlos Corona (El señor de los cielos, Doña Flor y sus dos maridos).

Inspirada en la película How to Be a Latin Lover (2017). Creada por Austin Winsberg (Zoey's Extraordinary Playlist, Gossip Girl), Eduardo Cisneros (No se aceptan devoluciones) y Jason Shuman (Anger Management) y escrita por Winsberg y Chris Harris (How I Met Your Mother). Diez episodios.

Estreno: 8 de octubre

Estreno en España: 8 de octubre en Apple TV+ España

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Chucky (Syfy)

Serie continuación de la saga cinematográfica protagonizada por Chucky (Brad Dourif) en la que Jake (Zackary Arthur; Transparent, Kidding), un adolescente gay solitario que sufre acoso y busca su sitio tras la muerte de su madre, encuentra al muñeco diabólico en una venta de garaje. Alex Vincent, Christine Elise McCarthy y Jennifer Tilly volverán a interpretar a Andy Barclay, Kyle Simpson y Tiffany Valentine. Completan el cast Devon Sawa (Final Destination, Casper), Teo Briones (Ratched, Pretty Little Liars), Alyvia Ayn Lind (Daybreak, Masters of Sex), Fiona Dourif (True Blood, The Blacklist), Barbara Alyn Woods (One Tree Hill; Honey, I Shrunk the Kids: The TV Show), Björgvin Arnarson (The Seventh Day) y Lexa Doig (Continuum, Arrow).

Creada y escrita por Don Mancini (Child's Play, Bride of Chucky), que también dirigirá el primer episodio. Ocho episodios.

Estreno: 12 de octubre

Estreno en España: Enero en Syfy España

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Dopesick (Hulu)

Limited series que explorará el inicio de la crisis del opio en Estados Unidos y cómo afectó a varias familias, cuyas historias se cruzaron, desde el lanzamiento al mercado del fármaco OxyContin a finales de los 90 con una promoción que obviaba los altos índices de adicción que generaba. Protagonizada por Michael Keaton (Birdman, Beetlejuice), Peter Sarsgaard (The Killing, The Slap), Kaitlyn Dever (Last Man Standing, Unbelievable), Rosario Dawson (Luke Cage, Jane the Virgin), Will Poulter (The Maze Runner, Midsommar), Michael Stuhlbarg (Boardwalk Empire, Call Me by Your Name), Jaime Ray Newman (Veronica Mars, Bates Motel), Will Chase (Nashville, Smash), John Hoogenakker (Jack Ryan, Castle Rock), Phillipa Soo (Hamilton, Smash), Jake McDorman (Shameless, Greek), Ray McKinnon (Deadwood, Sons of Anarchy), Cleopatra Coleman (The Last Man on Earth, In the Shadow of the Moon), Andrea Frankle (Cloak & Dagger, The Purge), Rebecca Wisocky (Devious Maids, For All Mankind), Meagen Fay (Agent Carter, Malcolm in the Middle) y Trevor Long (Ozark, Low Winter Sun).

Adaptación del libro de no ficción de Beth Macy (2018), escrita por Danny Strong (Empire, The Butler) y dirigida por Barry Levinson (Paterno, Rain Man). Producen Strong, Levinson y Keaton. Ocho episodios.

Estreno: 13 de octubre

Estreno: 12 de noviembre en Disney+ Star España

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Just Beyond (Disney+)

Antología que adapta Goosebumps, las historias gráficas de R.L. Stine en las que distintos personajes realizan viajes de autodescubrimiento en mundos llenos de brujas, aliens, fantasmas o universos paralelos. Podremos ver en la serie a Mckenna Grace (The Haunting of Hill House, Designated Survivor), Nasim Pedrad (Scream Queens, New Girl), Lexi Underwood (Little Fires Everywhere, The First Lady), Henry Thomas (The Haunting of Hill House, E.T. the Extra-Terrestrial), Christine Ko (Dave, Upload), Malcolm Barrett (Preacher, Timeless), Sally Pressman (Army Wives, Good Girls), Cedric Joe (Space Jam: A New Legacy), Riki Lindhome (Another Period, Enlightened), Tim Heidecker (Moonbase 8), Gabriel Bateman (The Mosquito Coast, Outcast), Cyrus Arnold (The Exorcist), Arjun Athalye (Are You Afraid of the Dark?), Jack Gore (Billions, The Kids Are Alright), Logan Gray (Vengeance), Elisha Henig (American Vandal, Mythic Quest), Rachel Marsh (Before We Go), Jy Prishkulkni (The Birch), Izabela Vidovic (The Fosters, Supergirl) y Megan Stott (Little Fires Everywhere).

Escrita y producida por Seth Grahame-Smith (Pride and Prejudice and Zombies, The Hard Times of RJ Berger). Produce R.L. Stine. Ocho episodios.

Estreno: 13 de octubre

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Guilty Party (Paramount+)

Comedia negra en la que Beth Burgess (Kate Beckinsale; Underworld, Serendipity), una periodista sin prestigio, trata de salvar su carrera siguiendo la historia de Tony Plimpton (Jules Latimer), una joven madre que está en prisión y condenada a cadena perpetua por asesinar a su marido aunque ella dice ser inocente. Beth tendrá que lidiar con contrabandistas de armas, la cultura del clickbait o su propio pasado. Con Geoff Stults (Enlisted, Little Fires Everywhere), Laurie Davidson (Will, Cats), Andre Hyland, Tiya Sircar (The Good Place, The Fugitive), Alanna Ubach (Euphoria, Girlfriends' Guide to Divorce) y Madeleine Arthur (The Family, Snowpiercer).

Creada por Rebecca Addelman (Dead to Me) y dirigida por Trent O'Donnell (No Activity, New Girl). Producida por Addelman, O'Donnell y Beckinsale. Diez episodios.

Estreno: 14 de octubre

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I Know What You Did Last Summer (Prime Video)

Un año después del accidente mortal que estropeó la noche de la graduación, un grupo de adolescentes es perseguido por un asesino. Mientras averiguan quién es, descubren el lado secreto de su pueblo aparentemente perfecto y de ellos mismos. Con Madison Iseman (Jumanji, The Next Level), Bill Heck (The Old Man, Locke & Key), Brianne Tju (Light as a Feather), Ezekiel Goodman, Ashley Moore (Popstar: Never Stop Never Stopping), Sebastian Amoruso (Solve), Fiona Rene (Stumptown), Cassie Beck (Connecting, Good Joe Bell), Brooke Bloom (Homecoming, Alpha House), Sonya Balmores (Inhumans), Spencer Sutherland (Afterlife of the Party), Chrissie Fit (Awkwafina Is Nora from Queens)

Basada en la novela de Lois Duncan (1973) en la que se inspiró la película de 1997. Escrita y producida por Sara Goodman (Preacher, Gossip Girl). Produce James Wan (Saw, The Conjuring). Ocho episodios.

Estreno: 15 de octubre

Estreno en España: 15 de octubre en Prime Video España

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Misfit: The Series (Netflix)

Tras la trilogía cinematográfica neerlandesa, Julia (Djamila) y las misfits trabajan en las canciones y las coreografías de un musical que la nueva directora quiere prohibir para que se centren en la disciplina, las notas y los estudios. Julia idea un plan para sabotear las reglas de dirección y trabajar en el musical en secreto.

Estreno: 16 de octubre

Estreno en España: 16 de octubre en Netflix España

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Day of the Dead (Syfy)

Oda a la película de George A. Romero (1985) en la que seis extraños intentarán sobrevivir en las primeras veinticuatro horas de una invasión zombie. Con Keenan Tracey (Bates Motel, The 100), Daniel Doheny (Brand New Cherry Flavor, Alex Strangelove), Natalie Malaika (The Color Rose), Morgan Holmstrom (I Still See You), Kristy Dawn Dinsmore (Vikings), Miranda Frigon (Aurora Teagarden Mysteries), Mike Dopud (Power, Arrow), Dejan Loyola (Saving Hope, iZombie), Marci T. House (iZombie, Julie and the Phantoms), Kevin O'Grady (Julie and the Phantoms, You Me Her), Matty Finochio (Once Upon a Time in Wonderland, The Order), Trezzo Mahoro (Van Helsing), Christopher Russell (UnREAL, Dirk Gently) y Lucia Walters (The 100, The L Word).

Escrita por Jed Elinoff y Scott Thomas, creadores de Raven's Home. Diez episodios.

Estreno: 15 de octubre

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Queens (ABC)

Cuatro mujeres de cuarenta y tantos se reúnen para intentar recuperar la fama y el estilo que tenían en los 90 cuando se convirtieron en leyendas del hip-hop con el grupo Nasty Bitches. Protagonizada por Eve (Eve, Feel Good), Naturi Naughton (Power, The Client List), Nadine Velazquez (My Name Is Earl, Six), Taylor Selé (P-Valley, The Deuce), Pepi Sonuga (Famous in Love, Ash vs. Evil Dead), Brandy Norwood (Moesha, Star) y Precious Way (Days of Our Lives, Partners in Rhyme).

Escrita y producida por Zahir McGhee (Scandal, Stumptown). Dirige el piloto y produce Tim Story (White Famous, Prince of Peoria).

Estreno: 19 de octubre

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The Girl in the Woods (Peacock)

Hay una colonia de carácter sectario en el noroeste del Pacífico que protege al mundo de los monstruos escondidos tras una puerta secreta en pleno bosque. Carrie (Stefanie Scott; A.N.T. Farm, Insidious: Chapter 3), una misteriosa guerrera, huye de esta colonia y trata de mantenerse a salvo en el pequeño pueblo de West Pine, donde se da un debate medioambiental entre mineros y activistas. Allí, Nolan (Misha Osherovich; Freaky, NOS4A2) y Tasha (Sofia Bryant, I Am Not Okay with This), mejores amigos aunque formen parte de distintos bandos, reaccionan de diferente manera ante la llegada de Carrie y de las fuerzas extrañas que comienzan a acechar el pueblo. Además, el antiguo mentor de Carrie (Will Yun Lee; The Good Doctor, Altered Carbon) tiene ahora la misión de encontrarla y obligarla a regresar a la colonia, donde deberá enfrentarse a las consecuencias de su deserción. Completan el reparto Kylie Liya Page (Ninja Assassin), Reed Diamond (Agents of S.H.I.E.L.D., Designated Survivor) y Leonard Roberts (Heroes, Buffy the Vampire Slayer).

Adaptación de los cortometrajes de Crypt TV The Door in the Woods (2018) y su secuela The Girl in the Woods (2020). Escrita por Casey Modderno (The Birch). Krysten Ritter (Jessica Jones) dirige los cuatro primeros episodios y Jacob Chase (Come Play), el resto. Producen Modderno, Ritter, Chase y Jack Davis y Darren Brandl, de Crypt TV. Ocho episodios.

Estreno: 21 de octubre

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Invasion (Apple TV+)

Cuenta una invasión alienígena desde distintos continentes, con el punto de vista de un sheriff a punto de retirarse (Sam Neill; Jurassic Park, Peaky Blinders), un soldado en Afganistán (Shamier Anderson; Wynonna Earp, The Next Step), un matrimonio de inmigrantes sirios que viven en Long Island (Goldshifteh Farahani y Firas Nassar) o una inteligente miembro del control de las misiones del programa espacial japonés (Shioli Kutsuna, Deadpool 2).

Escrita y producida por Simon Kinberg (X-Men: Days of Future Past, The Twilight Zone) y David Weil (Hunters). Dirigida y producida por Jakob Verbruggen (The Alienist, The Fall). Diez episodios.

Estreno: 22 de octubre

Estreno en España: 22 de octubre en Apple TV+ España

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Inside Job (Netflix)

Para los empleados de esta organización secreta, las conspiraciones no son teorías, son hechos. Precisamente, es su trabajo mantenerlas en secreto. Cuenta con las voces de Lizzy Caplan (Masters of Sex, Castle Rock), Christian Slater (Mr. Robot, Dr. Death), Clark Duke (Greek, I'm Dying Up Here), Andrew Daly (Silicon Valley, Veep), Bobby Lee (MADtv, Love), John DiMaggio (Mythic Quest, Disenchantment), Tisha Campbell (My Wife and Kids, Dr. Ken) y Brett Gelman (Stranger Things, Fleabag).

Comedia de animación creada y escrita por Shion Takeuchi (Disenchantment, Gravity Falls). Producida por Alex Hirsch (Gravity Falls). Veinte episodios.

Estreno: 22 de octubre

Estreno en España: 22 de octubre en Netflix España

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4400 (The CW)

Reboot de la serie The 4400 (2004-2007) en la que 4400 personas ignoradas, menospreciadas o marginadas que han desaparecido durante los últimos cien años aparecen en un instante sin haber envejecido ni un solo día y sin recuerdos de qué les ha ocurrido en todo este tiempo. Mientras el gobierno corre a analizar la potencial amenaza y contener la historia, los 4400 deben afrontar su nueva vida y hacerse a la idea de que es probable que hayan vuelto por una razón específica. Con T.L. Thompson, Cory Jeacoma (Power Book II: Ghost), Ireon Roach (Candyman), Derrick A. King (Call Your Mother), Autumn Best, Joseph David-Jones (Arrow, Nashville), Khailah Johnson, Brittany Adebumola (Grand Army), Jaye Ladymore (Empire) y Amarr Wooten (Knight Squad, American Housewife).

Creada, escrita y producida por Ariana Jackson (Riverdale, UnREAL).

Estreno: 25 de octubre

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Colin in Black & White (Netflix)

Limited series que sigue los años formativos de Colin Kaepernick, el quarterback de los San Francisco 49ers y activista que durante la temporada de 2016 se arrodilló antes de los partidos mientras sonaba el himno nacional. Jaden Michael (The Get Down) interpretará una versión adolescente del jugador. Completan el reparto Nick Offerman (Parks and Recreation, Devs), Mary-Louise Parker (Weeds, The West Wing), Klarke Pipkin, Amarr Wooten (Knight Squad, American Housewife) y Mace Coronel (Nicky, Ricky, Dicky & Dawn).

Escrita y producida por Michael Starrbury (When They See Us). Producida por Ava DuVernay (When They See Us, Queen Sugar) y Kaepernick, que narrará la historia. Seis episodios.

Estreno: 29 de octubre

Estreno en España: 29 de octubre en Netflix España

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Swagger (Apple TV+)

Drama que explorará el mundo del baloncesto juvenil centrándose en los jugadores, sus familias y los entrenadores. Tocará temas como los sueños, la ambición, el oportunismo o la corrupción inspirándose en los años de juventud del jugador Kevin Durant. Protagonizada por O'Shea Jackson Jr. (Obi-Wan Kenobi), Isaiah Hill, Shinelle Azoroh, Quvenzhané Wallis (Beasts of the Southern Wild, Annie), Caleel Harris (When They See Us, Castle Rock), James Bingham, Solomon Irama, Ozie Nzeribe (Shameless), Tessa Ferrer (Grey's Anatomy, Mr. Mercedes), Tristan Mack Wilds (The Wire, 90210) y Jason Rivera.

Escrita, dirigida y producida por Reggie Rock Bythewood (Shots Fired, Players). Produce Durant. Diez episodios.

Estreno: 29 de octubre

Estreno en España: 29 de octubre en Apple TV+ España

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#series tv #television

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glqwberries · 4 years ago

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Sep 19 2020

- among us

- AUUUUUUUUUUUUUUGH

- nsr nsr

- ellie imposter streak

- fnaf music white noise

- SLENDERMAN VS FREDDY

- the nsr kinnies are taking over

- elliot outs himself like a fool

- "EVERYONE HERE KINS JANUS"

- "NOTHING BAD EVER HAPPENS TO THE HOMESTUCKS!" *dies*

- "woah swearing" "bro did you not hear the bj line?? Did you not hear it??" "Whoah"

- emmit is bad at among us

- identity theft

- violet indigo purple argument

- absolutely not homestuck

- mask. Mask mask mask mask

- neon j is andrew hussie?

- http://games.jackbox.tv/artifact/TeeKOGame/ace7a00516d0e9120ff701a5e3152fa3/

- http://games.jackbox.tv/artifact/TeeKOGame/3acecb50439f01186d25993f009fd153/

- robots are forced to participate in cannabalism

- sibling supremacy

- Incel rights... to shut the fuck up !

- how many leets is a bethal dose

#ink speaks #vc recaps #cursed crew

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vonlipvig · 4 years ago

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Jfksjsjs this might be easier then top five musicals!

sdfhj at least i KNOW five musicals, but easy? NEVER, i have chidi anagonye syndrome

Top 5 Musicals:

5. Jekyll & Hyde:

I can have little a Serious Musical. As a Treat. But yeah, I love PotO but J&H is my dramatic bitch musical. I just think the music slaps so hard, I really love it. The moment I got accepted into uni I blasted This Is The Moment to feel emotions, and of course at any moment I’ll be internally throwing a performance to Alive feeling my best evil self. Also, glad tiktok caught up with how fucking BADASS AND FUN Confrontation is, I perform to it in my room all the time, big fun.

4. A Gentleman’s Guide to Love and Murder:

Love me some fun musicals! Love me some murder! Really, what’s not to love here? GGLaM is absolutely hilarious and the music is so much fun as well (Also, I just love how one actor plays all of the D’Ysquiths, so cool!). It still haunts me that I had the chance to see it but I didn’t know about it so I didn’t, but oh well. I love lip syncing to Stop! Wait? What!? so much and i’m monty kin i too wanna have two gfs and go on a murder spree.

3. Beetlejuice

The Ghost with the Most! I had the absolute fortune of being able to go see the show with the OG cast, and what a fantastic night it was! I love having fun, and BJ was fun from start to end. The music is so energetic and catchy, the stage is KILLER and it was just so entertaining, even for my parents who don’t speak english and hadn’t seen the movie! Alex Brightman is a king, and oh my god Leslie Kritzer AN ICON.

2. Come From Away

Another musical I had the opportunity to go see, and I just...I love CfA. It’s such a feel good musical, it really makes you believe in the inherent goodness of human beings. It’s a wonderful story based on true events and I guarantee you that you’ll have a great cathartic cry listening to it. Me And The Sky is...just amazing, and the finale gives me goosebumps every single time. It’s incredibly powerful and just a little gem that deserves to be experienced.

1. Legally Blonde

IT REALLY IS THE MUSICAL TO END ALL MUSICALS, SORRY. It has it all: a great story we all know and love, music that’s incredibly catchy and fun, it’s engaging and captivating, and it’s just pure Broadway fun! I love it so much, I love how they make Elle and Emmett’s relationship so much better and deeper here (I LOVE THEM SO MUCH OH GOD), and it’s the perfect adaptation, honestly. Also after I got accepted into uni I blasted So Much Better, which is my go-to confidence boost song. BONUS POINTS FOR A PROFESSIONAL FILMING GODDAMIT FUCKING ELITIST PRICKS.

Ask me my Top 5 Anything!

#ah man shout out to something rotten it's a MUSICAL! A MUSICAL!#juli answers #ask game #petrosapian

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fictionkinfessionsarchived · 5 years ago

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Me in literally any other shift; beetlejuice? Not me at all. Why am I kin with him? // 5 minutes later after listening to a single verse from the musical and shifting bj; YEAH THATS ME!!!!!!

#fictionkinfessions #fictionkin #beetlejuicekin #musicalkin #Anonymous #mod party cat!

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hopeishappinessff · 7 years ago

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Chapter 30

The end of the year was quickly approaching and everyone from our group agreed on a strategic plan to meet up and head downtown to enjoy the New Year’s Eve festivities. Though I was thrilled to be bringing in the New Year with all my friends, I couldn’t help but feel remorseful throughout the day because I knew there was one important person who I wouldn’t be able to enjoy the occasion with… Trey. Unbeknownst to me, I wore every bit of my emotions on my sleeve and the one person in the world to read me better than I could read my own self was right by my side to notice… “What’s the matter with you girl?” Destani asked as she stood behind me, brushing my hair up into a slick poof at the very top of my head. I hadn't noticed that I’d fallen into a trance with the deepest frown to show for it “What? Oh… nothing.” Wrapping her hand around the end of my ponytail, she gently tilted my head to one side and peered down at me with a raised brow “And why are you lying? I see it all in your face… something ain’t right with you. What’s up?” Sighing, I stared down at my twiddling thumbs and silently wished that sometimes she didn’t know me so well. “Well, let’s just use you for an example. Let’s say that tonight you were going out with one particular guy to celebrate the New Year, but there was this other guy that you’ve been spending a lot of time with that you’re not gonna be with to bring in the New Year. How would you feel about that?” With a huff, she stopped what she was doing altogether and glared down at me “Well first of all, my attention would be all on the guy that I know I’ll actually be with and not the guy who I won’t be with… even though it’s quite sad to know that he’s not gonna be bringing in the New Year with me,” She shook her head sadly and shut her eyes momentarily before continuing on, “And second of all, I’m pretty sure Trey will be alright. Besides, you’ve been so wrapped up in him for the past month that you’ve barely had any sort of time for the one who really matter’s in this situation.” “Who?” I asked. “Chris!” “But that’s the thing Dez, I have been spending time with Chris since Christmas and I haven’t talked to Trey at all since then.” “Sy’Diyah, you don’t get it do you? You’ve been down with Chris since you were eight years old and now all of a sudden, some random nigga who looks good snatches your attention away. There is something wrong with that picture if you ask me… especially since Chris’s fine yellow ass is a single man now.” With a deep sigh I shut my eyes... I was beginning to feel the first signs of a looming headache “It’s not about how long I’ve been friends with Chris, Destani. It’s about the fact that he’s had all this time to make up his mind and make something happen with us, but has he approached me yet to tell me exactly how he feels? No, he hasn’t.” “So why does he have to be the one to make the first move?” She asked with an exaggerated smack of her lips. “What do you mean?” “I mean, I’m pretty sure you also haven’t told him how you feel so why are you sitting around waiting on him to make the first move? If you can’t handle seeing him gallivanting around in your face with other females, then maybe it’s time for you to make your move and go claim your man… shit, maybe he’s waiting on you.” With yet another sigh, I decided to clamp my mouth shut and claim defeat in this argument, because I knew that she was ultimately right. Once Destani was done with my hair, I headed for my closet to gather up my outfit for the night. “I hope you not mad boo.” She blurted. “No, I’m not.” “Well why are you so quiet?” “Just… thinking.” “You know what,” She started, following me into my closet, “New Year’s resolution for you… stop thinking about shit so much. It clouds your mind and you end up missing out on what’s really going on around you.” “Okay Dr. Phil, I’ll stop thinking.” I snickered as she rolled her eyes. -- Nearly half an hour later, Destani and I were dressed and waiting down in the den for the remainder of the group to arrive. We sat there, lightly conversing and watching the beginning of a few New Year’s countdowns on the television when the doorbell finally rang. “Hey hoes… oh, girl that purse is cute.” I could hear Destani’s loud voice from the foyer as she greeted Tameka and Nalay. “Hey Sy, you look so cute!” Nalay commented once she made her way into the den. “Thanks Nay, so do you.” I noted as I stood to greet her with a hug. Planting ourselves on the plush couches in the den, we engaged in small talk as we waited for the boys to show. As if on cue, the doorbell rang once more and within minutes everyone from our group finally stood altogether in the den, arguing over who would ride with who. Standing off to one side of the room, I held back my laughter as I watched them fuss amongst themselves and I gasped and nearly choked at the sudden feeling of a strong pair of hands gliding along my hips. “You riding with me right?” I heard his voice and smelled the sweet mint on his breath before I saw him, but I instantly grinned at the thought of that picture-perfect face. Without hesitation, I nodded in agreement and followed his lead as he grabbed my hand and led me toward the front door. “Where the hell ya’ll going?” Tameka asked as we passed her. “To my truck,” Chris replied without pausing to look back, “And whoever else is riding in it better come the fuck on.” The simplicity of his statement triggered a chain reaction and soon, it was decided that Destani and Rashad with ride with Chris and I, and BJ and Dontay would ride with Nalay and Tameka. We cruised along down the road to the tune of Meek Mill’s B-boy and Destani and Rashad entertained themselves in the backseat by rapping along to the song as loud as they could. I could feel the truck creeping to a stop and I didn’t even bother to look up to see if we’d made it downtown… my mind was completely consumed with the dilemma I’d discussed with Destani earlier. I twitched and immediately snapped out of my daze once I felt the warmth of Chris's hand hovering over mine. “What’s the matter?” “Oh… nothing.” I mumbled, glancing at him only to find him already staring right back. He stared for a few more seconds until the light became green then finally returned his attention to the road “You can tell me about it later.” I stared at him utterly amazed at his ability, much like Destani’s, to understand when there was something bothering me. It didn't take long for me to become immersed in the sight of him and in that instance, I could truly appreciate the relationship that we shared. I gazed at him, mesmerized by the way he wore his simple blue fitted hoodie and dark denim fitted jeans. He wore stark white Jordan’s to match the white fitted resting perfectly atop his head and the glistening watch on his right wrist accentuated the Charlie Brown chain resting peacefully around his neck… “Sy’Diyah!” I blinked back to reality and peered through the windshield to see that the entire group had exited the truck, leaving Chris and I as the only two still inside. “Huh?” I muttered stupidly. “We’re here now, come on.” He smirked. With a nod, I pushed my door open and climbed down out of the truck then carefully shut it behind myself. Chris moved swiftly around to my side and tossed an arm loosely over my shoulders, pulling me securely to his side “You wanna tell me what’s bothering you now or later?” “I don’t want to tell you what’s bothering me ever because there is nothing bothering me.” I countered. “Hope,” He uttered, nudging his hip against my side, “You know damn well you can’t lie for shit right?” I giggled and rested my head against his arm “Well then I guess I’ll tell you later.” -- “Ohhh, look!” I cooed, pulling away from Chris’s protective grasp to make a beeline directly toward a shelf full of New Year’s glasses in a quaint corner store we’d come across. He watched with twinkling eyes full of humor as I snagged a pair and headed for the nearest mirror to view myself. I snickered at my own reflection and instantly doubled over with laughter as Chris approached me with a matching pair of strobe light glasses. “These hoes are fly right? We should get em.” He stated with a wide grin. “Yes… you get those and I’ll get these.” “Cool.” He smiled giddily as he bit into the center of his bottom lip. The most feminine squeal fled his lips the moment he turned to faced yet another shelf piled with New Year’s hats, crowns, and a plethora of other items. By the time we left the store, Chris was sporting a pair of bright blue flashing glasses while I wore all white glasses and a red and gold tiara. We sauntered on along through the crowded streets of downtown Richmond and I could feel Chris dancing around behind me to the boisterous music blaring all around us. I looked up as the music grew louder to see an illuminated sign that read Club Illusion. I gawked at the brilliant sign of the club, failing to notice that we were moving directly toward the entrance. “Wait Chris, where are we going?” I asked once I felt him press a hand firmly against my lower back, ushering me closer to the club. “In here.” He said, reaching around behind me to point up at the sign. “We can’t go in here, look at the line. And I’m pretty sure it’s an eighteen and up club… Chris I can’t go in there.” Panic was beginning to set in as he aligned both hands against my hips, gripping tightly as he guided me directly toward the front of the line. Glancing up from the clipboard resting in his hands, the bouncer grinned immediately and held out a hand almost too eagerly to greet Chris “Aye, what’s up Kin?” Chris slid the glasses down from his face and stepped forward to return the handshake “What’s happening Bigga?” I stood at his side, curious by his exchange with the large black man. I wasn’t sure if I was hearing things or if this man was seeing things, but I was sure he’d mistaken Chris for someone else. “Aye Kin, you know the spot is poppin big time tonight man. You head on in my nigga, cause I’m tellin you,” He paused, leaning in closer to Chris with a sly grin, “The bitches is bad as hell and they already know you gonna be in the building tonight.” Chris chuckled along with this “Bigga” person and tossed an arm over my shoulder, pulling me into place at his side “Nah man, I’m not on that tonight. Just tryna bring in the New Year with my lady.” With an understanding nod, the bouncer smirked and winked in my direction before reaching over and unlatching the red rope leading into the club “I respect that boss man. You two enjoy yourselves.” I followed closely behind Chris as he walked through the open entrance and tried to tune out the merciless comments from the sea of females behind me. We journeyed through a small hallway leading to one of the main areas of the club and the deeper into the building we traveled, the more people lingered against the walls of the hall. I watched everyone around me carefully and rolled my eyes with irritation at the sight of nearly every single female in the near vicinity gawking at the guy latched possessively onto my arm. “Say lil mama, why don’t you let lil pretty boy go and come fuck with a real nigga?” An unfamiliar voice called out off to my side, but I prepared to keep moving into the club because I was sure he wasn’t referring to me. “How about you watch who the fuck you talking to bruh.” Chris barked, barely turning his attention to our bold intruder. “And how about you watch who the fuck you talking to, fuck ass nigga? I believe I was speaking to the beautiful young lady here.” The exchange happened quickly and before I knew it, Chris had turned his full attention to the guy and whipped me around to stand behind him. He eyed the man menacingly, lining his face up directly in front of his. Within seconds the once tense shoulders of the man relaxed and if I wasn’t mistaken… a strike of fear flashed in his eyes. “Or how about I stick my foot so far up your fucking ass it fills your big ass mouth so it can help you shut the fuck up, homeboy?” His tone hadn’t raised an octave, but the look in his eye was deadly and not to be questioned. “Aye man, I was just fucking with you dawg. I ain’t mean to disrespect you or your woman Kin… I swear I was fucking with you man.” He stumbled back away from us and once he was out of Chris’s arm reach, he moved full speed for the club’s exit. I stood stock still and frozen with fear as I watched Chris, unaware that for the first time I had encountered a side to him that would make more of an impact on my life than I could ever imagine... TBC...

#chrisbrown #chrisbrownff #chrisbrownfanfic #jasminesanders #chrisbrownfanfiction #jasminesandersff #teambreezy #teambreezyff #fanfiction #fanfic

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mrscorpio · 5 years ago

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Download: http://bit.ly/DL-HF206 All my previous shows: http://bit.ly/ScorpioPodcasts Name/Artist/Album Lima (Reber Remix)/Alex Mota/Lima Theme 10/Frits Wentink/Two Bar House Music & Chord Stuff Vol. 3 Positive Mind (Original Mix)/Chris Stussy/Positive Mind That Vibe /The Journey Men/That Vibe Beat For U (Original Mix)/Dj Steaw/Beat For U You Cant Understand (David Kassi Remix) /BiG AL Feat. Kiano & Below Bangkok/You Cant Understand Do It Like This (Extended Mix)/Biscits/Do It Like This Mirada (Jansons Remix) /Oliver Schories/Mirada Yo Body (JT Donaldson Remix) /CPEN/ Bluey/Yo Body Blessed (Virgil Abloh Future-Jazz Remix)/Tiga;The Martinez Brothers;Virgil Abloh/Blessed Cleopatra Remixes Tiff Freestyle/GoldLink/Diaspora YAYAYA (Feat. Omega Sapien)/Colde (콜드)/Wave Like Nothin'/Iamsu! & Skipper/Next of Kin II. Kentia/Past Palms/Past Palms EP I Don't Do It Anymore/Moka Only/Patina Gettin It/Georgia Anne Muldrow/VWETO II Do You (Nas One Love) #LeeMix/Aleisha Lee/Do You Glad I Lived/Alfa mist/Structuralism Easy on Yourself (feat. Phoniks)/Awon/Soulapowa The Point (Instrumental)/Funky DL/Dennison Point Instrumentals Head over Wheels II (An Ode to G Dep)/Your Old Droog/Transportation Box Talk/Salaam Remi & Joell Ortiz/BoxTalk tetanus shots (feat. Ab Soul)/Mac Miller/i’m so sorry i couldn’t fix or take your pain away No Sunshine Tomorrow (Sunset Version)/Children of Zeus/Excess Baggage Take It Slow (feat. BJ the Chicago Kid)/Casey Veggies/Organic Body Needs Healing/Yazmin Lacey/When the Sun Dips 90 Degrees Lame (feat. Wiz Khalifa & Rick Ross)/Gucci Mane/Delusions of Grandeur Bundy & Sincere (Instrumental)/The Alchemist/Fetti Instrumentals Speak/Jordan Rakei/Origin Send me your tracks at Soundcloud: http://soundcloud.com/mr_scorpio Check out all your tracks on my show THE HOUSE FIRE/ every other Friday @6-8 PM GMT on InvaderFM: http://invader.fm Stream the podcasts at my Mixcloud: http://tinyurl.com/3kkfgzp Friend me up on Facebook: http://www.facebook.com/mrscorpio247 Look me up on Tumblr: http://mrscorpio.tumblr.com Shoot me your videos on YouTube: http://www.youtube.com/user/MrScorpio Peace, Scorp

#MrScorpio's House Fire #House/beats/Hip-hop #Detroit #Podcast #invader.fm

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jamforestapp · 8 years ago

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| ITS COMPTON IN THE HOUSE |

Kendrick Lamar;

arguably Comptons finest son (what up Jayceon). I have been a fan since I heard the title track from his sophomore album, Good Kid m.A.A.d city.

I could lie and say I knew him from the jump, wax lyrical about his mixtapes and his first album, Section 8.0, but in truth I came to all that after listening to Good Kid m.A.A.d city, it was everywhere in 2012, it was named the best album of 2012 by BBC, Complex, New York and Pitchfork

It reminded me of illMatic, in so far as I thought it was an instant classic, and it took you right into the belly of the beast of the hood, the Compton streets where Lamar was raised.

Punctuated with dialogue laden samples, “Where yo Grama stay at?” “These kids ready to eat, bring back them food stamps” it was a tour de force, a combination of intelligent reflection of life of the disenfranchised and switched up with the chilled joints like “The Recipe” & “Bitch Don’t Kill my Vibe”, and the sultry Drake collaboration, “Poetic Justice” as soon as the subject matter got too heavy. An all-rounder if ever I heard it.

When I found the wealth of material that preceded this release, it was like finding a can of Coke in the fridge after a night out. Joyous stuff indeed.

His next release, to pimp a Butterfly was an anomaly, artistic progression at its finest.

Political consciousness, the complicated factors of black identity (not that I’d know) teased out over jazz (what?) in a multi layered musical continuity.

It is not immediately enjoyable, nor is it a ‘grower’ but it is important. Kendrick expands his sound and examines themes of straddling the thug life with the artistic life, which is seriously minimising it, that seems far more genuine (dare I say it) than Pac could ever do it. [1]

It engages the listener and has them scratching their heads.

Which is what art is all about. And haters of it will be silenced as it was just announced that to Pimp a Butterfly will be admitted to the Harvard ‘these are the breaks’ hip hop archive, joining Nas Illmatic, (see I called it) Lauryn Hills the Miseducation of Lauryn Hill and ATCQ The Low End Theory. I actually think it might be a little premature considering there is only two hundred spots in total. But shur look.. this is it.

I could be here all day but this is all well traversed territory. What I want to talk about is his appearances.

The first that hit me hard was F**kin Problems with New York’s new wave g.o.a.t.s ASAP Rocky. Mmm mm, Daddy like.

Loathe as I am to be bumpin’ some superficial stuff like that I cannot deny its catchy AF, its pop rap and it is undeniably good.

It was until last year I reconsidered how often he contributed verses and a lot of it was non hip hop music, Sia, Taylor Swift Maroon Five to name but a few.

Parlaying his presence to a wider consciousness without diluting his integrity. It is a far cry from pops rent a rapper scene (reference any verse that Tyga, vomit face emoji, has appeared on) that we have been thus far subjected to.

The following are some of his lesser known collaborations that I think are worth a lend of your ear.

Sidewalks: The Weeknd

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In an album laden with contributors, indicative of The Weeknds newly liberated flow that still contains some of his old secretive egotistical style, albeit somewhat watered down.

Kendrick combines a simple yet effective hook Say/Say/Say with a speedy flow that comes full circle referencing the cosmos to weave in Starboy. You mad clever son!

God is Fair, Sexy Nasty: Mac Miller

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This is actually a deadly album, well worth checking out in its entirety. I am not a huge fan of Mac Miller, he is a little too poppy for me and I find his verses bland (although I said the same about Asher Roth and look how he turned that all around). This album is tightly produced with a psychedelic vibe, hip hop meets Stone Roses not a million miles from A.S.A.P. Rockys second album or Frank Oceans for that matter so I am definitely feeling it AND some decent appearances by Ty Dolla Sign and my new fave Anderson .Paak. This is dreamy Kendrick at his best, it reminds me of Poetic Justice, big fan.

Collard Greens: Schoolboy Q

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This beat goes off, no bother to Kendrick he picks up the pace, throwing a little Espanol to make it interesting upping the arrogance to fit into Schoolboy Q’s self centred/ drug centred narrative and somehow it does not seem disingenuous.

The New Cupid: BJ The Chicago Kid

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Chi town stand up! I only found this whilst researching this article. Crumbling soul over some old school horns, a little harp and tender ass drums all carefully and delicately put together over the sounds of “Cupids too busy in the club” using Raphael Saadiqs classic Oh Girl. Lamar is used subtly throughout the song repeating hook just audible enough to be certain it is Kendrick. He riffs on modern love As I play out the Commodores/my faith destroyed/My heart don't work, I'm unemployed/The feeling is void/don't know what I need/Some pussy, some paper/some counseling/Maybe some Henny, some weed.

This song has many elements that make it great but Kendrick plays a big role.

You’re welcome,,you all welcome! (KanYe voice)

Author : Fenagh O’Mahoney Instagram: @feengurrl_/

#harvard g.o.a.t. compton thegame whatupjayceon hiphop rap drdre thebestwhoeverdoneit yalbeensleepinonmehuhhadagoodsnooze #@drake #@kendricklamar #@theweeknd #@schoolboyq

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