#music: genevieve hawkins
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#music: genevieve hawkins#music: henry simpson#music: ben tallmadge#music: caleb brewster#music: edmund hewlett#music: anna strong#music: george washington
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Episode 200 - Library Fiction
Itâs episode 200, which means itâs (finally) time for us to discuss Library Fiction! We talk about the stereotypes and tropes of library fiction, unacknowledged work of library workers,and more. Plus: we talk way more about our actual jobs than we usually do.
You can download the podcast directly, find it on Libsyn, or get it through Apple Podcasts or your favourite podcast delivery system.
In this episode
Anna Ferri | Meghan Whyte | Matthew Murray đŠ | Jam Edwards
Things We Read (or tried toâŠ)
Labyrinths: Selected Stories & Other Writings by Jorge Luis BorgesÂ
The Book That Wouldnât Burn by Mark Lawrence
Ex Libris: Stories of Librarians, Libraries, and Lore by Paula Guran (below are direct links to many of the stories from this collection)
In the House of the Seven Librarians by Ellen Klages
In Libres by Elizabeth Bear
Those Who Watch by Ruthanna Emrys
Paper Cuts Scissors by Holly Black
Summer Reading by Ken Liu
Magic for Beginners by Kelly Link
With Tales in Their Teeth, From the Mountain They Came by A.C. Wise
The Librarianâs Dilemma by E. Saxey
The Green Book by Amal El-Mohtar
A Woman's Best Friend by Robert Reed
If on a Winter's Night a Traveler by Xia Jia, translated by Ken Liu
The Sigma Structure Symphony by Gregory Benford
The Fort Moxie Branch by Jack McDevitt
The Last Librarian: Or a Short Account of the End of the World by Edoardo Albert
How Can I Help You by Laura Sims
Strange the Dreamer by Laini TaylorÂ
Souls in the Great Machine by Sean McMullen
Other Media We Mentioned
The Library of Mount Char by Scott Hawkins
The Empty Crown by Rosemary EdghillÂ
Meghan meant The Abortion by Richard Brautigan (not Trout Fishing in America)
The Midnight Library by Kazuno Kohara
The Invisible Library by Genevieve Cogman
Bookhunter by Jason Shiga
Unshelved by Gene Ambaum and Bill Barnes
Library Comic by Gene Ambaum and Willow Payne
Welcome to Night Vale
Piranesi by Susanna Clarke
Episode 134 - Piranesi by Susanna Clarke
We Have Always Lived in the Castle by Shirley Jackson
Abbott Elementary
Pounded In The Butt By My Handsome Sentient Library Card Who Seems Otherworldly But In Reality Is Just A Natural Part Of The Priceless Resources Our Library System Provides by Chuck Tingle
My Librarian Is A Beautiful Lesbian Ice Cream Cone And She Tastes Amazing by Chuck Tingle
Party Girl
Public Enemy - Fight the Power
Fictional Librarians
50 Fictional Librarians, Ranked
Rupert Giles (Buffy the Vampire Slayer)
Barbara Gordon (DC Comics)
The Librarian (Discworld)
Lucien (The Sandman)
Evelyn Carnahan (The Mummy)
Marian Paroo (The Music Man)
Librarians (Welcome to Night Vale)
âWhile their description is never fully given, minor details of their physical characteristics have been described:â
yellow, gnarled teeth
sharp claws and pincers
Wings
Tentacles
thousands of spiny legs
rattles (that make noise when they move)
thoraxes
Links, Articles, and Things
Two-Fisted Library Stories zines
North Boulder Library is ready to open (thereâs a slide in image 6!)
15 Librarian & Library Fiction by POC Authors
Every month Book Club for Masochists: A Readersâ Advisory Podcasts chooses a genre at random and we read and discuss books from that genre. We also put together book lists for each episode/genre that feature works by BIPOC (Black, Indigenous, & People of Colour) authors. All of the lists can be found here.
The Reading List by Sara Nisha Adams
What You Are Looking for Is in the Library by Michiko Aoyama, translated by Alison Watts
Cora's Kitchen by Kimberly Garrett Brown
The Next Best Fling by Gabriella GamezÂ
The Woman in the Library by Sulari Gentill
The Library of the Dead by T.L. Huchu
The Library of Fates by Aditi Khorana
The Plotters by Kim Un-Su
The Very Secret Society of Irregular Witches by Sangu Mandanna
The Memory Librarian: And Other Stories of Dirty Computer by Janelle MonĂĄe
Our Missing Hearts by Celeste Ng
The Book of Form and Emptiness by Ruth Ozeki
The Library Thief by Kuchenga Shenjé
The Cartographers by Peng Shepherd
Bookhunter by Jason Shiga
Give us feedback!
Fill out the form to ask for a recommendation or suggest a genre or title for us to read!
Check out our Tumblr, follow us on Instagram, join our Facebook Group or Discord Server, or send us an email!
Join us again on Tuesday, October 1st weâll be getting ready for spooky season with the Weird West! (Thatâs Supernatural Horror Westerns)
Then on Tuesday, October 15th itâs time for our âWe All Read the Same Bookâ episode as we discuss A Wizardâs Guide to Defensive Baking by T. Kingfisher.
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The Scarecrow Cast
Alex Fitzalan as ZAK WILSON
Age: 20
College Major: Agricultural Science
College Minor: Art History
Hobby: Golfing
Candice Accola as BETH NELSON
Age: 19
Major: Accounting
Minor: Art History
Hobby: Digital Art
Chris Wood as DAVE ROBINSON
Age: 22
Major: Music Therapy
Minor: Japanese
Hobby: Photography
Dacre Montgomery as MARTY PIKE
Age: 22
Major: Biology
Minor: Animal Science
Hobby: Woodworking
Genevieve Cortese as MELODY HAWKINS
Age: 21
Major: Leadership
Minor: Creative Writing
Hobby: Video Games
Maddie Hasson as GRACE DAVIS
Age: 20
Major: Psychology
Minor: Cognitive Science
Hobby: Stamp Collecting
Rose Leslie as NATALIE MITCHELL
Age: 19
Major: German- Modern Language
Minor: Astronomy
Hobby: Running
Tarjei Sandvik Moe as ERIC BAKER
Age: 21
Major: Mathematics
Minor: Physics
Hobby: Fishing
#the scarecrow#the scarecrow queenclaudiabrown#original story#original work#original character#original content#horror#horror story
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10 novels about fresh starts and new beginnings
With the new year upon us, itâs impossible not to think about clean slates and starting fresh. New year, new possibilities, amirite? These ten Bella novels feature stories just like that: new beginnings and taking chances. Right now, you can also get these ebooks at a reduced price! Â Â Dingoâs Recovery by Genevieve Fortin Newly retired Joyce Allen is ready to push her limits and try some new things, and that includes adopting a dog sheâs always wanted, Dingo. When Dingo is injured, Joyce takes him to Dr. Amanda Carter, the new vet in town who is many years Joyceâs junior. While Joyce is concerned about their age difference, Amanda doesnât seem to see it the same way. Can Joyce get past her fears in order to embrace something real? Â Â Mulligan by KG MacGregor Louise Stevens was dreaming of retirement when her longtime partner suddenly passes away, turning her world upside down. Golf-pro Marty Beck is intruiged by the reserved and hard-to-read Louise and does what she can to try to break down Louiseâs walls and forge a friendship. When love comes along, will they both be ready? Â Â No One But You by Catherine Maiorisi Itâs hard to imagine the pain of being left at the alter, but thatâs exactly what bestselling novelist Lily Alexander is dealing with. Naturally, sheâs cautious about dating again. When wealthy tech playgirl Robin DiLuca comes into her life, their chemistry is hard to deny. The two make the ultimate commitment, but when Lily and Robinâs baby is born prematurely, it awakens terrible secrets from Robinâs past, causing her to leave her wife and child behind in order to protect them. Can these two find a way to heal? Â Â Heartsick by Tracey Richardson ER physician Dr. Victoria Turner and paramedic (and former soldier), Angie Cullen find themselves on the receiving end of serious heartbreak when their respective partners have an affair with each other. Vic and Angie are left to pick up the pieces and become allies in their pain, and maybe the key to learning to love again. Â Â Â Dreams Unspoken by RJ Layer Horse trainer Jo Marchal has returned to her Ohio hometown to try and reconnect with her family and do a little healing herself. While there, she meets Maria West, who dreams of love and family. Could these two women find whatâs been missing in their lives, in each other? Â Â Screen Kiss by Ann Roberts (This is a February release, so put it on your list!) Cinefile Addy Tornado longs to meet a woman like the heroines she sees in her favorite films. When musician Mazie Midnight moves to town and starts fresh with her eyes on a Masters in Music and a job at the Bijou Theater. Now, if she could only deal with the terrible stage fright that is keeping her from her dreams. When Addy and Mazieâs paths cross at the Bijou, they initially clash, but that all changes when Addy hears Mazie sing. Can Addy help Mazie find her voice and follow her dreams? Â Â Â Desert Places by Erica Abbott Trying to escape a broken heart and a painful past, Jean McAllister moves to southern Colorado and takes the job of Deputy County Attorney, in hopes of moving on. When she meets the charming and dedicated Sheriff Lea Hawkins when the two team up on a case, Jean begins to wonder if thereâs something between them. That connection is threatened when the murder of a colleague sends everything into upheavel and casts doubt on everyone, including Lea. Â Â Â Unbroken Circle by Mary Griggs In the tiny town of Pennington, Alabama, Sallie Lee Hybart isnât used to seeing strangers at her diner. However, when the down-on-her-luck Janet Bouton arrives at her establishment, Sallie Lee realizes thereâs something familiar about the women. Janet isnât a stranger to Pennington, and her past still haunts her and the other people of the town. Sallie is drawn to Janet, however. Can they push past bad memories and simmering resentments in the town to make something together? Â Â Â Back To Blue by Dillon Watson A year-long coma has robbed artist Summer Rain Baxby of her own memory, and left her with haunting flashes of someone elseâs memories. When sheâs introduced to author Renny Jamison, Rain feels like she might have a chance to move on to a new life. Dreams and images continue to haunt her however, and the only person who believes in her story is Renny. Â Â Â Making Up for Lost Time by Karin Kallmaker Chef Jamie Onassisâ dream restaurant is turning into a bit of nightmare with endless repairs and delays. Valkyrie Valentine is set to be the next Martha Stewart, but she has a big secret that could ruin things for her. Reporter Sheila Thintowski is determined to learn about more than Valkyrieâs DIY skills. These three women together promises some serious sparks. http://dlvr.it/Qvvy3r
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Masterlist
This is an older list that is no longer updated. Go to my page to see a link to my updated âMobile Masterlistâ.
Also on AO3 as JimJams83
Peaky Blinders - Alfie Solomons
Stranger Things - Jim Hopper
Frontier - Declan Harp
Lawless - Forrest Bondurant
Alfie Solomons x OFC
Choking on Sapphires
Genevieve Durand is a force to be reckoned with. An intelligent, independent, and brutal businesswoman. When she moves to London for a new chapter in her life, she finds herself very interested in the friends the father of her godson has found himself in business with. Surely these new business endeavors will be fruitful for all involved.
Part 1 Thieves & Kings,  Pt. 2 Conquest , Pt. 3 Nail In My Coffin, Pt. 4 60 Feet Tall, Pt. 5 I Bet You Look Good On The Dance Floor, Pt. 6 Stop The World Pt. 7 Making A Fool Of You Pt. 8 lâamour et la violence, Pt 9 Play With Fire Pt 10 Black Treacle Pt 11 These Stones Will Shout Pt 12 Fireside Pt 13 Trouble Pt 14 Tighten Up Pt 15 Sympathy For The Devil Pt 16 Donât Speak (Sorta NSFW) Pt 17 No. 1 Party Anthem Pt 18 Sheâs Thunderstorms Pt 19 Show Me  Pt 20 No You Girls Pt 21 Stand By My Girl Pt 22 You Should Be Glad Youâve Got A Man Pt 23 Fever Pt 24 Every So Often Pt 25 Suck It And See Pt 26 Strange Desire (NSFW) Pt 27 Livinâ In Sin(NSFW) Pt 28 Damned If She Do Pt 29 Iâm Shakinâ Pt 30 Teenage Kicks (NSFW) Pt 31 Hands Pt 32 Growing On Me Pt 33 Dance The Night Away (NSFW) Pt 34 What Are You Afraid Of? Pt 35 Up To No Good Pt 36 Beast of Burden (NSFW) Pt. 37 Filthy/Gorgeous (NSFW) Pt 38 Do I Have To Talk You Into It
**IF YOU ARE HAVING TROUBLE WITH ANY LINKS LET ME KNOW! AND IF YOU FIND YOURSELF STUCK, TRY SWITCHING MY OLD SCREENAME âJIMJAMS83âł IN THE URL WITH âBOOGIEWRITESâ AND IT SHOULD REDIRECT YOU TO THE PROPER PAGE!**
Declan Harp
A Girl Walks Into A Bar Frontier Modern AU. Declan is a bar owner and local urban legend with a reputation heâd like to leave in the past. Bella is a rough around the edges, low key sweetheart that isnât from his part of the woods. After meeting with the help of some bad luck and perhaps a touch of fate, how far will their undeniable chemistry take them until their histories catch up with them?
Chapter 1
Forrest Bondurant
Who We Were & Who We Are Now.Tonya Barrett, or Miss Tawny as Forrest likes to call her, moves back home at the news of her stepfather becoming ill. She left Franklin County almost a decade ago, it feels like everything within her has changed and nothing has changed back home. Will the actions following her stepfathers passing lead the Bondurants to once again take her in? And this time, no longer being on the verge of adulthood but fully grownâŠwhat will she and Forrest decide to do about the lethal combination of history and chemistry they have together?
Chapter 1 CH. 2 CH. 3 CH. 4 CH. 5 CH. 6
Jim Hopper
Donât Call Her Annie (Cont.): Annette Horowitz is Joyceâs younger sister. She hasnât been the perfect sibling or aunt but after she finds out Will is missing, she finds herself crashing back into Hawkins to do everything in her power to help, driven by a need to prove she isnât a bad person. She hasnât been around much in the past 20 or so years, but when she comes back home she finds old friends, old habits and old feelings sheâd thought sheâd finally escaped. Can she really change or is she just kidding herself?
Part 1 Intro, Part 2 Advice & Arrests, Part 3 Bars, blankets & Bonfires, Part 4 Drunk & Discussions, Part 5 Preferences & Propositions, Part 6 Birthdays & Anniversaries, Part 7 Memories & Monologues, Part 8: Dusk & Dawn. Part 9: Valentine & Variation , Part 10 Reflection & Reassurance Part 11 Dancing & Domesticity Part 12 Music & Misunderstanding Part 13 Nostalgia & Now (NSFW) Part 14 Revelation & Revelry (NSFW)
Before & After (Cont.):Dealing with the 1 year anniversary of her almost life-ending accident coming up soon, our main character not only has to deal with how this makes her feel, but also how itâs making Jim feel.
Chapter 1 Before, Chapter 2 The Day Before, Chapter 3 Preparation, Chapter 4 Pt. 1 The Anniversary, Chapter 4 Pt. 2 The Sleepover (NSFW) Chapter 5 The Honeymoon Phase (NSFW), Chapter 6 Control (NSFW), Chapter 7 Losing It, Chapter 8 Finding It Chapter 9 Figuring It Out
Summer of Hopper (Cont.): Hopper is in pieces after coming back to Hawkins after Vietnam. How long will you be able to be the strong one if you are also on the edge from taking care of him? If you both breakâŠthen what happens?
Chapter 1, Chapter 2, Chapter 3
Some Legs Are Meant To Be Broken (Complete):When Hopper breaks both of his legs, and youâre the newest employee at the station, it means you get recruited to be his babysitter. Would he be as frustratingly difficult to deal with as you imagine? (Originated from a request to write Hopper in a similar situation to Andy Dwyer from Parks and Rec when he had two broken legs. This was where that prompt took me.)
Chapter 1, Chapter 2, Chapter 3 (NSFW)
One Shots - Jim Hopper (SMUT NSFW)
An Act of Nature:You move back to Hawkins, luckily you hit it off with a friend of your stepbrothers. When Chief Hopper finally gets around to asking you out, what is it going to take for the two of you to find time alone? An act of nature?
Not the fun kind of Daddy issues:Jim Hopper is your ex-husband. The fire burned bright but you just arenât good for each other, you know it. You both try to deal with divorce and trying to raise Jane together despite your differences. Will she end up bringing you back together, or tearing you apart? Or maybe a little of both?
Long Day, Longer Night:A long day turns into an even longer night after you find yourself alone with the ChiefâŠyet again. (My Valentineâs fic. Tried to make something romantic and wax poetic a bit.) <3
Donât Mess With Jim:Itâs been a long week without being able to see your favorite man, and you intend to make sure he remembers what heâs been missing. Youâre reminded of just how powerful of an affect Jimâs words can have on you (and others).
**IF YOU ARE HAVING TROUBLE WITH ANY LINKS LET ME KNOW! AND IF YOU FIND YOURSELF STUCK, TRY SWITCHING MY OLD SCREENAME âJIMJAMS83âł IN THE URL WITH âBOOGIEWRITESâ AND IT SHOULD REDIRECT YOU TO THE PROPER PAGE!**
#stranger things#fan fiction#fan fic#smut#fluff#reader insert#ofc#stranger things 2#jim hopper#chief hopper#chief jim hopper#david harbour#jim hopper smut#chief hopper smut#jim hopper fluff#chief hopper fluff#stranger things reader insert#jim hopper x reader#jim hopper x reader insert#jim hopper x OFC#stranger things smut#stranger things fluff#chief hopper x reader fluff#chief hopper x reader insert#chief hopper x OFC#jimjams83#jimjamsmasterlist#peaky blinders#alfie solomons#alfie solomons xreader
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i wondered if i could come home
so, the episode 300% killed me dead. on the floor. so this came out of it. straight up shameless fluff. fluff without plot, if you will. anyway, i owe my heart and also this fic to @elsaclackâ and @jakelovesamyâ. title from first day of my life (thx a billion @jokeperatlaâ omg)
Amy slowly comes to, blinking hard against the golden late-afternoon light filtering through her window. She canât quite seem to gather her thoughts - unsurprising, since these random midday crash-naps are the closest thing sheâs gotten to proper rest since the night of the trial. Her eyes are dry and a little red-rimmed, crusty with sleep. She takes a few more moments to relish this calm, taking deep breaths and steeling herself against the long night to come. Itâs been ages since she slept properly, centuries since she took a true deep breath, eons since her bed, with its freshly washed sheets devoid of crumbs and spills and the miscellaneous junk thatâs made its home in her - their - apartment, has felt truly comfortable or familiar.
She rolls over, away from the setting sun wafting through her half-open blinds, in the hopes of catching a few more minutes of sleep before reality sets in, before she has to put back on a pantsuit and reopen Hawkinsâ file and pretend everything is normal--
--and then she lands in an unexpected warm spot on his side of the bed. It smells, quite unmistakably, like him. She groans, curling tighter into the blankets, because sheâs had this dream before. She shuts her eyes tight, feeling that brief jolt of hope ebb away into the familiar numbness thatâs dulled her mind for more than six weeks. Sheâll open her eyes again in a second and the bed will be cold and sheâll get up and find her discarded blouse and Captain Holt will call her with an update and sheâll have ten texts from Charles about how to cry on cue for her upcoming podcast appearance.
But the longer she lays there, steeling herself against the evening of work to come, crouched around Captain Holtâs coffee table with Cheddar safely locked in the upstairs guest room and Kevin bringing out trays of desserts in which sour gummy flourishes are featured with an unusual frequency, the more she notices that something is off.
For one, the warmth isnât going away as her mind slowly emerges from its post-nap fog. For another, the smell is different this time, tinged with sweat and the unmistakable scent she recognizes from the visiting room in South Carolina. She notes the water she can hear running in the bathroom sink. Finally, she registers the feeling of her too-clean sheets against her naked body, and her mind starts to catch up, first slowly then in a flood of images and memories that nearly overwhelms her.
Jake, sprinting out of the prison complex and into the vacant visiting room so fast he trips over a table. Jake, pinning her against the wall and slamming his mouth against hers, teeth clicking together through their smiles before her hands find his cheeks and his fingers tangle in her hair for a proper kiss, with no guards shouting about enough touching or too much contact (that is, until his hands rove to her belt loops, starting to finger with the bottom of her sunniest daisy-patterned blouse, when the guard behind them coughs pointedly, reminding them of their highly public position).
Jake, gripping her hand so tight itâs bruised in the taxi to the airport in Charleston and dropping kisses on her shoulder, neck, cheek, lips, when the driver isnât looking. Jake, at their gate at the airport, so much calmer than JFK or LaGuardia, speaking a mile a minute with a wild look in his red-rimmed eyes about solitary and mashed potatoes and shivs and cannibals over heaving breaths that slow as she puts her hand around his shoulder and pulls him close. Jake, falling asleep against her shoulder, his face buried in her neck, on the first available flight back to New York, the overwhelming whirlwind of the past fifteen hours catching up with him.
Jake, foot tapping and knee jiggling in the cab ride home, face eager and bright as he hears about Holt cuffing Hawkins in glorious detail (he laughs when he hears that Charles arranged specially to leave Genevieveâs smelliest leftovers in the appropriate squad car for the duration of the arrest, ensuring the car was so cloaked in scent it was nearly visible, causing a severe bout of carsickness for one corrupt lieutenant on the way to the Metropolitan Detention Center).
Jake, slamming the door behind her and pushing her up against it as her purse and her keys clatter to the floor below the carefully positioned rack theyâre intended to hang on. Jake, his eyes dark as he groans into her mouth while her hands search blindly for his belt. Jake, stopping as she backs him towards the couch to comment about how jumpsuits made him realize the fundamental uselessness of belts, causing her to laugh so hard she topples them both over the armrest of his massage chair.
Jake, his head curled into the crook of her neck, his breath tickling her bare shoulder as his arms hold her so tightly sheâs not sure sheâll ever be able to get out, not that sheâd ever want to.
As her whirling thoughts slow and the last remnants of sleep clear from her mind, the thought hits her: Jake is in her - their - bathroom. And suddenly, she jumps out of bed like someone lit a fire under her mattress, so quickly she trips over the sneakers sheâd brought to South Carolina for him (quickly discarded when they made it back home in New York).
She snags his tactical village tshirt - oversized and soft and a little wrinkled from the plane - off the pile of clothes on their carpet and pulls it hastily over her head as she moves towards the bathroom, each step quicker than the one before, keeping pace with her heartbeat pounding in her ears.
Finally, after what can only be a few seconds but feels like an eternity, she skids around the doorframe of their tiny bathroom to find Jake in his Teenage Mutant Ninja Turtles boxers (she hadnât realized they sold those in adult sizes until he pulled down his jeans after their eighth date). She hears music - if sheâs not mistaken, itâs Taylor Swiftâs âState of Graceâ - filtering quietly through her headphones, plugged into his battered phone held together with packing tape, perched on his bag of toiletries precariously close to the edge of the sink.
âYou should move that,â she says, her voice replete with the unique mixture of reproach and laughter that always seems to tinge it when sheâs talking to him.
He moves to turn around, a little startled, and manages to knock his phone onto the tiled bathroom floor in the process. Amy winces a bit, taking a moment to be thankful that at least itâs (mostly) dry, before sheâs overcome with the overwhelming normalcy of the moment. This could be any other day in their lives, almost as though her new normal had never existed. She watches the muscles of his back move as he bends down to pick up his phone, checking it for new cracks, and sees his shoulders quake with laughter under mussed curls that he kept surprisingly well-groomed in prison.
And before he can turn around to face her, before he can acknowledge her comment beyond the gentle laughter forcing its way out of his chest, before she even really knows what sheâs doing, her arms are around his chest and sheâs leaning into his back, resting her cheek up against his shoulder and taking in the warm feel of him all around her. Itâs comforting and warm and still a little overwhelming, but she can feel the emptiness, the numbness and hard edges that have filled her for nearly two months, start to dissipate and soften within her, leaving light and warmth and pure, unadulterated happiness so filling sheâs sure sheâll burst with the sensation.
She feels him start to move, can feel the muscles tensing and shifting beneath the sleeves of her overlarge shirt, but she just clutches him tighter, part of her still nervous that if she lets go, he might disappear again. She whines, just a little bit, as he unsuccessfully tries to pry her fingers apart, and sheâs so focused on the feel of her face against his shoulder blade that she doesnât immediately notice when his hands leave hers, reaching back to tickle under her arms.
Surprised, she squeals and pulls her elbows down to her sides, forcing her hands just loose enough for him to turn around. She buries her face against his chest, more careful to keep her arms close to her body now, and feels his laughter shaking both of them. On any other day, sheâd be pressing him to get ready, reminding him that they have plans and tardiness would be considered unbelievably rude and yes, even Charles would care, Jake, but instead, she lifts her face up, eyes already closed as she moves to kiss his cheek.
And she gets a mouthful of shaving cream.
In retrospect, she shouldâve known. Shouldâve seen the water running, noticed his razor on the sink, shouldâve looked at his face in the mirror instead of staring at the Ninja Turtle on his butt, but instead, all she can do is spit (perhaps a tad dramatically) into the sink, shaving cream coating her lips and chin, while she watches a half-bearded Jake laugh at her from behind in the mirror.
âYou jerk!â she finally chokes out between handfuls of water to clean out her mouth (who knew shaving cream tasted so gross).
His only response is more laughter. âI saw it coming, but Ames--it was just--that was too good to pass up,â he gasps.
She pushes his chest gently, not hard enough to actually send him out of her space, rolling her eyes at this goofball. She takes a moment to wonder at the hope and the light that sparkles so familiarly in his eyes - somehow, remarkably, prison didnât quench even a bit of it. She canât begin to imagine what it was actually like, and sheâs sure the coming days and weeks and months will be full of times to talk and cry and be scared for each other. But for now, heâs here and the light in his eyes is making the whole apartment seem just a tad brighter, as though he literally makes the colors around her more vivid.
She wants to find words for this feeling, for the way that her heart seems to have settled back into its proper cavity and her stomach has calmed and her hands have stopped shaking and her lungs can expand fully again, but itâs a little bit scary, this idea that she canât breathe without him, and thereâll be time for that later. It is the most relieving thought in the world that there will be time to be vulnerable and desperate and honest and joyful and intimate and silly and everything that falls between - no more hour-limited conversations across a cafeteria table in a prison.
So when he moves fully beside her, pressing his shoulder into hers until she moves away from the mirror to make room for him, she just smiles and shifts right instead. Thereâs a draft on her bare legs (she blames her perpetually-hot boyfriend, who mustâve turned down the AC a thousand times since he moved in, much to her chagrin), so she inches closer, taking advantage of the warmth radiating off Jakeâs bare chest.
Their conversation is small and light as he picks up his razor again - the thoughtless banter sheâs enjoyed ever since she learned to live with his garbage dump of a desk has returned without a single hitch or break, with an ease that shocks her. So as she dries her face and pulls out her makeup bag, she canât manage to wipe the smile off her face long enough to properly apply her foundation.
âCanât believe youâre shaving the beard already,â she comments lightly, elbowing his side, somehow still soft despite all those days in prison. âTook you weeks to shave the tips after Florida.â
âYeahâŠâ his voice trails, hitches a little bit at the memory of Florida and all the lost time theyâre still mourning. Then, the thought of a retort lights up his face, easing the sadness behind his eyes. âI just figured your thighs would thank me.â
She rolls her eyes, trying to think of a retort, but the chafed skin between her legs is suddenly at the forefront of her mind, her tired quads groaning protest while her skin burns, and despite her best efforts to hold still and deny her goofball boyfriend the satisfaction, she shifts her weight.
âHa! Told ya so!â he shouts triumphantly, and he dives onto one knee, wincing as his tired joints hit the tile floor. His mostly-bearded face, still covered in shaving cream, goes right for her thighs, exposed below the suddenly too-short hem of his t-shirt, and she reacts on instinct, jumping back so that she trips down onto their closed toilet, laughing as she clenches her thighs tight, muscles screaming in protest as she squeals.
Heâs so taken aback by her fall that he pauses before lunging at her again, shoulders shaking with laughter, and itâs then that she sees her opportunity. While his eyes are squeezed shut, his arms against the cabinets, bracing himself to keep his balance on his toes, she grabs his uncapped shaving cream off the counter and squeezes.
Immediately, a jet of white foam coats his hair and face. His eyes open in shock as she shifts her aim to his chest. He laughs and jumps for her arm, but her hand-to-hand combat training kicks in and she shifts sideways, tossing the can to her other hand and letting Jake slide past her, spraying his shoulders as he passes.
âNo fair!â he gasps, coughing a little bit as he aspirates some shaving cream. Their laughter mingles, filling up the air in their otherwise-silent apartment, lighting up corners and expanding the rooms that had been growing oppressively smaller, threatening to suffocate Amy without Jakeâs personality to prop up her walls.
Her eyes are screwed shut, her arms crossed over her stomach with the shaving cream can clutched against her side, all pretenses at a proper defense forgotten. Jakeâs eyes light up at the opportunity for retaliation, but at her bright face, harsh worry-lines eased into a scrunched-up smile in his presence, he takes a few seconds of pause to drink in the sight of her. Heâd stared at her picture for hours every day, trying to imbue himself with her bright smile and her silly grimace in a Hawaiian t-shirt, but no mashed-potato art or grainy printout could compare to Amy Santiago, radiantly happy and hysterically laughing in front of him, a left hand with an invitingly bare ring finger clutching his shaving cream.
Finally, after an eternity that must last only a few seconds, in which thoughts of white dresses and bigger apartments and hours spent actually fitting a car seat into a much safer car (but never a minivan) and a hundred thousand more moments like this one flash through his mind, he remembers why he ended up crouched on his bathroom floor in the first place, so he scrapes some shaving cream off his chest and throws it at her face.
It lands with a splat and a gasp from its target, who immediately holds up her can defensively.
âDonât you dare, Peralta.â She attempts to sound menacing, puts on the face that has perps quaking at the sight of her, but he knows better, so he just scrapes another handful off his left shoulder and prepares to throw.
As she watches, bracing for impact, a calculating look crosses her face. âYou donât wanna do that,â she starts slowly. âCheck the t-shirt youâre about to ruin.â
She watches, satisfied as his eyes notice, apparently for the first time, his favorite t-shirt, cloaking her smaller frame. He mutters a curse under his breath as she continues, âYou wouldnât wanna mess up your favorite t-shirt.â She raises her eyebrows, clearly thinking sheâs won the argument.
âI mean, you already ruined my favorite boxers,â he retorts, gesturing down to Leonardoâs face on his shorts, nearly entirely obscured by the white foam sheâd smothered him with only a few minutes earlier. He does his best to imbue his voice with hurt, trying to guilt her into allowing a retaliatory hit.
âGood.â
She looks so serious, so entirely thrilled that his Teenage Mutant Ninja Turtles boxers have been rendered entirely unwearable, that he canât maintain his hurt facade. Instead, he breaks down laughing once again, taking her down with him at the sheer ridiculousness of their situation. She tries with a shaking hand to wipe the shaving cream off her face, muttering through scarce gasps about having to reapply her foundation, but he lets his sit, having far too much fun to try to clean up.
Slowly, Amy regains her breath, her body weak with the force of her laughter. Her abs are sore, and she lets the shaving cream can clatter to the floor. The sound startles Jake, bringing him back to the reality of his rosy-cheeked, mostly-naked girlfriend. The look on his face sends a blush onto Amyâs cheeks and up through the tips of her ears - the vulnerability of the blatant adoration on his face makes her want to simultaneously laugh, cry, propose, and grab him for a kiss.
She settles on the final option, thinking to herself that thereâll be an eternity for the others. So Amy pulls him up onto his knees and towards her, wrapping her legs around his waist as she wipes his mouth free of shaving cream before pulling him in for their billionth lingering kiss of the day. Sheâd missed these, almost more than sheâd missed the desperate, passionate kisses heâd spent the morning on. His lips move against hers languidly, his shaving-cream-covered hands finding her back and dirtying his shirt, although heâs careful to stay away from her hair.
She smiles against his mouth and he pauses, just for a second, breaking away to look up at her. âGlad to be back,â he says, clearly and loudly, as though he wants to make sure she hears it, understands just how much he means it.
She smiles, but before she can even begin to find the words to reply, to tell him just how much it means that heâs kneeling on the bathroom floor covered in shaving cream, making dumb jokes and wearing her least favorite underwear, heâs gone in to kiss her neck. She lets herself enjoy it for a second, tilts her head back and digs her fingers into his shoulders, before using her hands to push him off.
âCome on - we only have 20 minutes before we have to leave, and thereâs way too much clean up to do,â she reminds him, surveying the bathroom.
Jake looks at her, with the puppy dog eyes that melt her heart and her resolve every time he pulls them out, and whines, âBut Charles wonât care if weâre lateâŠâ
She plants a softer kiss on his forehead before standing and grabbing her hairbrush, tossing him a hand towel in the process. âBut Captain Holt will. And anyway - we have forever for that.â
#b99#brooklyn 99#b99 fanfic#jake peralta#amy santiago#peraltiago#my writing#yall#i wrote a thing#SO MUCH FLUFF#god i missed fluff
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To Build a Fire from Fx Goby on Vimeo.
TO BUILD A FIRE a film by Fx Goby
In the harshness of midwinter, a trapper is crossing the Yukon with his dog. Struggling to survive, he attempts to build a simple fire. To Build a Fire is widely recognised as a Jack London masterpiece and is a classic of American literature.
Based on the short story by Jack London
"To Build A Fire" is this week's Staff Pick Premiere! Read more about it here: vimeo.com/blog/post/to-build-a-fire
Directed by Fx Goby
A Composite Films production Executive producer Samuel François-Steininger Line producer Marie Corberand
In coproduction with Nexus Productions Charlotte Bavasso Chris OâReilly
Fx Goby Films & Pictures
Carabine Productions Christel Delahaye
Lead animator Christian Boving-Andersen
Animation Paul Dabout Martin Hurmane Leni Marotte Juliette Peuportier Landariu Tinubu Sidonie Vidal Emmanuelle Walker
2D FX animation Matt Timms
Animatic Fabrice Fiteni
Art director Tristan MĂ©nard
Background artists Antoine Birot Linus Carlson Damien Colbolchevik Joe Dennis Tonet Dura Guitty Mojabi
Visual Researches Colin Bigelow Fx Goby Oren Haskins HĂ©lĂšne Leroux Thomas Roisland Tristan Menard Guitty Mojabi Marthe Strand Mourier Marie Thorhauge
Clean up production supervisors David Blanche Jessica Lewis
Clean up artists Rosie Andrews Rosie Baker Joshua Barlow Danielle Bethel Lena Blaschek Kasia BrzeziĆska Georgina Cook Mohamed Fadera Leila Foong Rhian Jones Tom Legg Jessica Maple Leni Marotte Sara Moon Lewis Nash Toby Parry Juliette Peuportier Jamie-Lee Reynolds Andy Stevens Marthe Strand Mourier Joe Strange Riu Niyi Tinubu Adam Malcom Waters
3D modelers Dorianne Fibleuil Michal Firkowski
3D rig Pete Addington
Compositing Abel Kohen Fx Goby Quentin Pointillart Alexia Provoost
Editing Fx Goby
Narrated by Tony Fish
Original music Mathieu Alvado
Composed and recorded with the support of the SACEM in association with ALCIMĂ (Aubagne International Film Festival)
Performed by Members of the LONDON SYMPHONY ORCHESTRA
Conductor Mathieu Alvado
Orchestra manager Sue Mallet
Recorded at AIR Studios
Sound engineer Geoff Foster
Pro Tools Assistant Tom Bailey
Preparation Pro Tools session David Menke
Copyist Norbert Vergonjanne
Music mixing Samy Cheboub
Sound post-production FONIC
Sound supervisors Jake Roberts Barnaby Templer
Sound design and mix Barnaby Templer
Sound effects editing and recording Chris Swaine
Foley artist Sue Harding
Sound engineer voice JM Finch
Editor voice Marty OâBrien
Colour grading Jack McGinity / Time Based Arts
Administration ACC Caroline Garmirian Christophe Sanlaville
Communication BenoĂźt Berthe Ălodie MoĂŻsa Emmanuelle Rodeghiero Marine Wong Kwok Chuen
Community Manager Alexander Lawrence Genevieve Stow Interns Chloé Mazzani Robin Soulisse Camille Jacques
Acknowledgements to all the backers of our Indiegogo corwdfunding and in particular: James Allen et Mike Skrgatic, Charlotte Bavasso, Paolo Polesello, HĂ©lĂšne BĂ©jat, BenoĂźt Berthe, Celyn Brazier, Patricia Claire, Xavier Egurbide, Angela Kaper, Brendan McCann, Scott Dresden, SĂ©bastien Fournier, Philippe François-Steininger, Emilie et Jean-SĂ©bastien Michelet, Nathalie François, Miguel Sanz, Renaud Futterer, Dominique Goby, Julien Goby, Vincent Guy, Paulette Hawkins, Jean-Marie Keene, HĂ©lĂšne Leroux, Tristan MĂ©nard, Chris OâReilly, Paolo Polesello, Janet Smith, Paul Tempelman, François Turquety, James Tomkinson, Samuel Colin, Emmanuel Tenenbaum, Nathan Goldenberg, Etienne Semelet
Acknowledgements to our sponsors Light My FireÂź â Christian Ludwig KatadynÂź â Steven Le Guellec LeathermanÂź â Roger Bjorklund & Julie Knapp A.R.T. SURVIE & ThĂ©o
The director wishes to thank the artists involved in this film, their artistic contributions, the time and energy they spent on this project, from several hours to several months, has been both fundamental and remarkable.
Christophe Taudiïżœïżœre Arts university Bournemouth Paul, Ward & Peter Symons Natalie Busutil, Jo Bierton, Julia Parfitt, Luke Youngman PĂŽle Pixel et RhĂŽne Alpes CinĂ©ma Marie Le Gac, GrĂ©gory Faes, Emmanuel Bernard, SĂ©bastien Thomas, Lauriane MĂ©gny LumiĂšres NumĂ©riques Pierre-Loic PrĂ©causta, Camille Geoffray Les Gobelins Moira Marguin & Aida Del solar, Sophie Lascoux, Valentine, Julien & Dominique Goby HĂ©lĂšne & Jean-Louis Rodeghiero Catherine & François Corberand, CĂ©cile NĂ©dĂ©lec, Claire Ageneau Saul Nash
With the participation of France Télévisions
Head of Acquisitions â Short Film Programming Christophe TaudiĂšre
International distribution France Télévisions Distribution
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Goal: Tag 9 people to get to know them better.
Was tagged by @darkelf19! Thanks for that X3 I'm never tagged in anything! lol
Relationship Status:Â Married happily! *insert sappy music*
Favorite Color:Â Purple! (like my hair is currently, even though you can't see it... >.>)
Lipstick or Chapstick:Â Lipstick *blows kiss*
Last Song:Â Theif by Imagine Dragons (currently listening to it actually XDD)
Last Movie:Â Okay... that's a tough one... What was the last movie I watched... *only remembers watching GOT recently* ...I've got nothing.
Top 3 Shows: Is there a reason why it has to be three?? Can't I do more than three? And this is in no particular order...
*Game of Thrones
*Avatar: the Last Airbender
*Gargoyles
*Sailor Moon
*Stargate SG1
*Charmed
*Batman: The Animated Series
*Vampire Diaries (actually, let's be honest, I only watch it for Damon)
*Supernatural
Top 3 Ships: Again with the three! Is this the Holy Trinity?? >.> Or is it like Lord of the Rings Trilogy? Well... I REBEL! Again, no particular order...
Zuko x Katara - Always and foreeever will I be a Zutara fan. ALWAYS.
Anina x Seth - *coughs* you wouldn't know them X'DD They're, uh... from my book that I'm trying to get published >///< MOVING ON!
Kara Kal-El/Supergirl x Logan Howlett/Wolverine â Odd couple, yeah? X'D I love them... Me and my bestie, VulpeProductions, came up with them in an rp ;D They're lovely together. Their ship name is FlyWolf X3 AndIwilllovethemforeverandifyouhaveaproblemwiththat,biteme!
Femshep x Kaidan Alenko â Fell in love with them during, what became, my canon play through... Shepard never dated anyone else and their reunion was the sweetest... I have so many headcanons for them that I just... gaaah... want to write them, but I get distracted XD
Sara Ryder x Reyes Vidal â YES! I love that smuggler! I don't care if you hated that he lied to Ryder, Sloane is way worse. Hate that stupid... * grumbles and then coughs*
Scott Ryder x Gil - Eeeven though I havenât finished that play through... they stole my heart!
Ariel x Jim Hawkins â In crossover vids I have done and seen, and etc. I haven't done video editing in almost forever, BUT this couple is what got me started XD
Alistair x Atrina Tabris â I know she can never be queen because of how the game works, but I can't help but love him more with her than with my Denisia Cousland who I had made for him so she could be his queen... It's hard going back to that world state, I kid you not X'D
Cullen x Genevieve Lavellan â I knoooow, it's my girl again... I can't help it... I love them twooo! They're just so sweet... and my first play through of DAI so it's more special.
Iâm Tagging: @vulpeproductions (haha! ;D), @lykris, @andrastini, @gugle1980, @tevinternet, @vorchagirl, @xxamity0parkxx, @thenamelessdoll, (and Idk who else to ask, I was being random with this... XâD just, yeah)
#getting to know yoooou#tagging 9 people#idk never seriously done this before#*goes back to her own little corner*
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One Shot thing. Pairing: Adrienne/Aziz (Mentions of Amber/Juniper) Title: The Sadie Hawkins Dance
To say the least, Aziz was nervous. This was the first dance he had ever been invited to and he didnât want to mess things up between him and Adrienne. He stared at himself in the mirror for a few moments. He had a red bow-tie tied neatly around his neck with a black dress shirt. He looked good. He brushed his hair back taking a breath. âIts only a dance,â Ahmed, his little brother, said. Ahmed stood in the doorway with their other brother, Amir. âYou both donât understand. Sheâs the first girl Iâve ever really liked and I donât want to screw this up,â Aziz said. The two brothers looked at each other. âWell,â Amir said. âDad told us that heâs leaving in fifteen minutes if you want a ride.â âThat was about ten minutes ago,â Ahmed said. Aziz froze and turned to his brothers slowly. âAnd you little punks said nothing til now, why?â Aziz asked slowly. He saw Amir gulp and Ahmed pale. âWe were busy!â âWe forgot!â came from their mouths at the same time. Aziz rolled his eyes and pushed past the twi, searching for his converse. If he was going to dance the entire time, he wanted to be comfortable. Besides, Adrienne told him itâd be fine. âAziz!â his dad called up the stairs. âAre you coming or not?â âYeah! Hold on father! Iâm coming!â Aziz yelled back. Aziz dashed down the stairs quickly and out to the car, following the figure of his dad He sat in the passenger side, fidgeting nervously. His dad said nothing. Soon they arrived at the all girls school, Penitent Angels. Aziz knew Beckett would be there, invited by Genevieve. And Sasha invited as a friend by Vivian Lee. âPick me up at eleven, okay, father?â Aziz said. His dad grunted in reply. Aziz turned away and moved towards the entrance of the school in search of his date. A blush came to his cheeks at the thought of being her date. âAziz! Over here!â someone called. Aziz looked over to the source of the voice. It was Amber, joined by Juniper and Genevieve. Juniper wore an outfit similar to his own. She wore a gold tie with a black button-up. He smiled a bit at her outfit choice, admiring her bravery. Amber stood next to her wearing a gold strapless dress to match. Her curly hair was tied back in a bun and she wore black flats. Lastly, Genevieve worse a black and white high-low dress with white flats and a bedazzled headband in her silver hair. âHey guys,â Aziz smiled. âYou are looking great tonight.â âThanks bud,â Juniper said. âThank you, Aziz,â Amber chirped. âDo you know when Beckett is supposed to get here?â Genevieve asked. âYouâre welcome, Amber and Juniper,â Aziz said. âAnd no, I donât, Genevieve.â Aziz looked around sighing softly. His eyed landed on Adrienne making her way towards them. His mouth fell open from how utterly beautiful she looked. Her dress was red and black with sequins and a black satin sash at her middle. There was a red and black lace material that was open around her legs. Her pink hair was down around her shoulders, curled perfectly. Her makeup was what tied everything together. It was subtle. It wasnât caked on her face. Juniper nudged his shoulder. âClose your mouth or a flyâll get in there or somethinâ,â She joked. Aziz looked up at her, then over at the other two. âIâm not worthy,â he said. He was in complete and utter awe. Adrienne finally reached them. âHey guys,â she chirped. âI-uh⊠Hi,â Aziz stammered. Adrienne giggled. âHi.â A blush tinted Azizâs cheeks darkly. âYou look⊠You are⊠Uh⊠You look beautiful,â Aziz said, taking her hand in his. Adrienne blushed slightly. âDonât be a looser.â âIâm not the looser,â Aziz said. âThe looser is whomever wanted you, but didnât get to have you.â Adrienne looked away, smiling bashfully. âY'all are disgustingly cute,â Juniper said. âC'mon, Amber. Letâs go in and dance. I want everyone to see how beautiful my girlfriend is.â Amber blushed and let Juniper lead her into the gymnasium. âLets go inside,â Adrienne said. Aziz nodded, but said nothing, afraid his last comment scared Adrienne away. He let himself be pulled into the school. Fir a while they danced. The songs were all fast paced, then they slowed down to âAll of Me,â by John Lennon. Aziz took her right hand in his left, and placed his left hand gently on her waist. Adrienne took his left hand and placed her left hand on his shoulder. Together they swayed to the music. âThis may sound crazy,â Adrienne said after a while. âI like crazy,â Aziz said softly. âI think I like you,â she said. Aziz stared at her for a moment. âI think I like you too,â he said, smiling at her. For a moment, they stared at each other. One thing lead to another and soon they were kissing. It was an eventful night, and one Aziz would remember forever. ~Fin~
(The pictures at the top are what I imagined the dresses looked like.)
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TO BUILD A FIRE a film by Fx Goby In the harshness of midwinter, a trapper is crossing the Yukon with his dog. Struggling to survive, he attempts to build a simple fire. To Build a Fire is widely recognised as a Jack London masterpiece and is a classic of American literature. Based on the short story by Jack London "To Build A Fire" is this week's Staff Pick Premiere! Read more about it here: http://bit.ly/2nYxggt Directed by Fx Goby A Composite Films production Executive producer Samuel François-Steininger Line producer Marie Corberand In coproduction with Nexus Productions Charlotte Bavasso Chris OâReilly Fx Goby Films & Pictures Carabine Productions Christel Delahaye Lead animator Christian Boving-Andersen Animation Paul Dabout Martin Hurmane Leni Marotte Juliette Peuportier Landariu Tinubu Sidonie Vidal Emmanuelle Walker 2D FX animation Matt Timms Animatic Fabrice Fiteni Art director Tristan MĂ©nard Background artists Antoine Birot Linus Carlson Damien Colbolchevik Joe Dennis Tonet Dura Guitty Mojabi Visual Researches Colin Bigelow Fx Goby Oren Haskins HĂ©lĂšne Leroux Thomas Roisland Tristan Menard Guitty Mojabi Marthe Strand Mourier Marie Thorhauge Clean up production supervisors David Blanche Jessica Lewis Clean up artists Rosie Andrews Rosie Baker Joshua Barlow Danielle Bethel Lena Blaschek Kasia BrzeziĆska Georgina Cook Mohamed Fadera Leila Foong Rhian Jones Tom Legg Jessica Maple Leni Marotte Sara Moon Lewis Nash Toby Parry Juliette Peuportier Jamie-Lee Reynolds Andy Stevens Marthe Strand Mourier Joe Strange Riu Niyi Tinubu Adam Malcom Waters 3D modelers Dorianne Fibleuil Michal Firkowski 3D rig Pete Addington Compositing Abel Kohen Fx Goby Quentin Pointillart Alexia Provoost Editing Fx Goby Narrated by Tony Fish Original music Mathieu Alvado Composed and recorded with the support of the SACEM in association with ALCIMĂ (Aubagne International Film Festival) Performed by Members of the LONDON SYMPHONY ORCHESTRA Conductor Mathieu Alvado Orchestra manager Sue Mallet Recorded at AIR Studios Sound engineer Geoff Foster Pro Tools Assistant Tom Bailey Preparation Pro Tools session David Menke Copyist Norbert Vergonjanne Music mixing Samy Cheboub Sound post-production FONIC Sound supervisors Jake Roberts Barnaby Templer Sound design and mix Barnaby Templer Sound effects editing and recording Chris Swaine Foley artist Sue Harding Sound engineer voice JM Finch Editor voice Marty OâBrien Colour grading Jack McGinity / Time Based Arts Administration ACC Caroline Garmirian Christophe Sanlaville Communication BenoĂźt Berthe Ălodie MoĂŻsa Emmanuelle Rodeghiero Marine Wong Kwok Chuen Community Manager Alexander Lawrence Genevieve Stow Interns ChloĂ© Mazzani Robin Soulisse Camille Jacques Acknowledgements to all the backers of our Indiegogo corwdfunding and in particular: James Allen et Mike Skrgatic, Charlotte Bavasso, Paolo Polesello, HĂ©lĂšne BĂ©jat, BenoĂźt Berthe, Celyn Brazier, Patricia Claire, Xavier Egurbide, Angela Kaper, Brendan McCann, Scott Dresden, SĂ©bastien Fournier, Philippe François-Steininger, Emilie et Jean-SĂ©bastien Michelet, Nathalie François, Miguel Sanz, Renaud Futterer, Dominique Goby, Julien Goby, Vincent Guy, Paulette Hawkins, Jean-Marie Keene, HĂ©lĂšne Leroux, Tristan MĂ©nard, Chris OâReilly, Paolo Polesello, Janet Smith, Paul Tempelman, François Turquety, James Tomkinson, Samuel Colin, Emmanuel Tenenbaum, Nathan Goldenberg, Etienne Semelet Acknowledgements to our sponsors Light My FireÂź â Christian Ludwig KatadynÂź â Steven Le Guellec LeathermanÂź â Roger Bjorklund & Julie Knapp A.R.T. SURVIE & ThĂ©o The director wishes to thank the artists involved in this film, their artistic contributions, the time and energy they spent on this project, from several hours to several months, has been both fundamental and remarkable. Christophe TaudiĂšre Arts university Bournemouth Paul, Ward & Peter Symons Natalie Busutil, Jo Bierton, Julia Parfitt, Luke Youngman PĂŽle Pixel et RhĂŽne Alpes CinĂ©ma Marie Le Gac, GrĂ©gory Faes, Emmanuel Bernard, SĂ©bastien Thomas, Lauriane MĂ©gny LumiĂšres NumĂ©riques Pierre-Loic PrĂ©causta, Camille Geoffray Les Gobelins Moira Marguin & Aida Del solar, Sophie Lascoux, Valentine, Julien & Dominique Goby HĂ©lĂšne & Jean-Louis Rodeghiero Catherine & François Corberand, CĂ©cile NĂ©dĂ©lec, Claire Ageneau Saul Nash With the participation of France TĂ©lĂ©visions Head of Acquisitions â Short Film Programming Christophe TaudiĂšre International distribution France TĂ©lĂ©visions Distribution
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â To Build a Fire TO BUILD A FIRE a film by Fx Goby In the harshness of midwinter, a trapper is crossing the Yukon with his dog. Struggling to survive, he attempts to build a simple fire. To Build a Fire is widely recognised as a Jack London masterpiece and is a classic of American literature. Based on the short story by Jack London "To Build A Fire" is this week's Staff Pick Premiere! Read more about it here: https://vimeo.com/blog/post/to-build-a-fire Directed by Fx Goby A Composite Films production Executive producer Samuel François-Steininger Line producer Marie Corberand In coproduction with Nexus Productions Charlotte Bavasso Chris OâReilly Fx Goby Films & Pictures Carabine Productions Christel Delahaye Lead animator Christian Boving-Andersen Animation Paul Dabout Martin Hurmane Leni Marotte Juliette Peuportier Landariu Tinubu Sidonie Vidal Emmanuelle Walker 2D FX animation Matt Timms Animatic Fabrice Fiteni Art director Tristan MĂ©nard Background artists Antoine Birot Linus Carlson Damien Colbolchevik Joe Dennis Tonet Dura Guitty Mojabi Visual Researches Colin Bigelow Fx Goby Oren Haskins HĂ©lĂšne Leroux Thomas Roisland Tristan Menard Guitty Mojabi Marthe Strand Mourier Marie Thorhauge Clean up production supervisors David Blanche Jessica Lewis Clean up artists Rosie Andrews Rosie Baker Joshua Barlow Danielle Bethel Lena Blaschek Kasia BrzeziĆska Georgina Cook Mohamed Fadera Leila Foong Rhian Jones Tom Legg Jessica Maple Leni Marotte Sara Moon Lewis Nash Toby Parry Juliette Peuportier Jamie-Lee Reynolds Andy Stevens Marthe Strand Mourier Joe Strange Riu Niyi Tinubu Adam Malcom Waters 3D modelers Dorianne Fibleuil Michal Firkowski 3D rig Pete Addington Compositing Abel Kohen Fx Goby Quentin Pointillart Alexia Provoost Editing Fx Goby Narrated by Tony Fish Original music Mathieu Alvado Composed and recorded with the support of the SACEM in association with ALCIMĂ (Aubagne International Film Festival) Performed by Members of the LONDON SYMPHONY ORCHESTRA Conductor Mathieu Alvado Orchestra manager Sue Mallet Recorded at AIR Studios Sound engineer Geoff Foster Pro Tools Assistant Tom Bailey Preparation Pro Tools session David Menke Copyist Norbert Vergonjanne Music mixing Samy Cheboub Sound post-production FONIC Sound supervisors Jake Roberts Barnaby Templer Sound design and mix Barnaby Templer Sound effects editing and recording Chris Swaine Foley artist Sue Harding Sound engineer voice JM Finch Editor voice Marty OâBrien Colour grading Jack McGinity / Time Based Arts Administration ACC Caroline Garmirian Christophe Sanlaville Communication BenoĂźt Berthe Ălodie MoĂŻsa Emmanuelle Rodeghiero Marine Wong Kwok Chuen Community Manager Alexander Lawrence Genevieve Stow Interns ChloĂ© Mazzani Robin Soulisse Camille Jacques Acknowledgements to all the backers of our Indiegogo corwdfunding and in particular: James Allen et Mike Skrgatic, Charlotte Bavasso, Paolo Polesello, HĂ©lĂšne BĂ©jat, BenoĂźt Berthe, Celyn Brazier, Patricia Claire, Xavier Egurbide, Angela Kaper, Brendan McCann, Scott Dresden, SĂ©bastien Fournier, Philippe François-Steininger, Emilie et Jean-SĂ©bastien Michelet, Nathalie François, Miguel Sanz, Renaud Futterer, Dominique Goby, Julien Goby, Vincent Guy, Paulette Hawkins, Jean-Marie Keene, HĂ©lĂšne Leroux, Tristan MĂ©nard, Chris OâReilly, Paolo Polesello, Janet Smith, Paul Tempelman, François Turquety, James Tomkinson, Samuel Colin, Emmanuel Tenenbaum, Nathan Goldenberg, Etienne Semelet Acknowledgements to our sponsors Light My FireÂź â Christian Ludwig KatadynÂź â Steven Le Guellec LeathermanÂź â Roger Bjorklund & Julie Knapp A.R.T. SURVIE & ThĂ©o The director wishes to thank the artists involved in this film, their artistic contributions, the time and energy they spent on this project, from several hours to several months, has been both fundamental and remarkable. Christophe TaudiĂšre Arts university Bournemouth Paul, Ward & Peter Symons Natalie Busutil, Jo Bierton, Julia Parfitt, Luke Youngman PĂŽle Pixel et RhĂŽne Alpes CinĂ©ma Marie Le Gac, GrĂ©gory Faes, Emmanuel Bernard, SĂ©bastien Thomas, Lauriane MĂ©gny LumiĂšres NumĂ©riques Pierre-Loic PrĂ©causta, Camille Geoffray Les Gobelins Moira Marguin & Aida Del solar, Sophie Lascoux, Valentine, Julien & Dominique Goby HĂ©lĂšne & Jean-Louis Rodeghiero Catherine & François Corberand, CĂ©cile NĂ©dĂ©lec, Claire Ageneau Saul Nash With the participation of France TĂ©lĂ©visions Head of Acquisitions â Short Film Programming Christophe TaudiĂšre International distribution France TĂ©lĂ©visions Distribution | http://www.nicolasrosso.com
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To Build a Fire from Fx Goby on Vimeo.
TO BUILD A FIRE a film by Fx Goby
In the harshness of midwinter, a trapper is crossing the Yukon with his dog. Struggling to survive, he attempts to build a simple fire. To Build a Fire is widely recognised as a Jack London masterpiece and is a classic of American literature.
Based on the short story by Jack London
"To Build A Fire" is this week's Staff Pick Premiere! Read more about it here: vimeo.com/blog/post/to-build-a-fire
Directed by Fx Goby
A Composite Films production Executive producer Samuel François-Steininger Line producer Marie Corberand
In coproduction with Nexus Productions Charlotte Bavasso Chris OâReilly
Fx Goby Films & Pictures
Carabine Productions Christel Delahaye
Lead animator Christian Boving-Andersen
Animation Paul Dabout Martin Hurmane Leni Marotte Juliette Peuportier Landariu Tinubu Sidonie Vidal Emmanuelle Walker
2D FX animation Matt Timms
Animatic Fabrice Fiteni
Art director Tristan MĂ©nard
Background artists Antoine Birot Linus Carlson Damien Colbolchevik Joe Dennis Tonet Dura Guitty Mojabi
Visual Researches Colin Bigelow Fx Goby Oren Haskins HĂ©lĂšne Leroux Thomas Roisland Tristan Menard Guitty Mojabi Marthe Strand Mourier Marie Thorhauge
Clean up production supervisors David Blanche Jessica Lewis
Clean up artists Rosie Andrews Rosie Baker Joshua Barlow Danielle Bethel Lena Blaschek Kasia BrzeziĆska Georgina Cook Mohamed Fadera Leila Foong Rhian Jones Tom Legg Jessica Maple Leni Marotte Sara Moon Lewis Nash Toby Parry Juliette Peuportier Jamie-Lee Reynolds Andy Stevens Marthe Strand Mourier Joe Strange Riu Niyi Tinubu Adam Malcom Waters
3D modelers Dorianne Fibleuil Michal Firkowski
3D rig Pete Addington
Compositing Abel Kohen Fx Goby Quentin Pointillart Alexia Provoost
Editing Fx Goby
Narrated by Tony Fish
Original music Mathieu Alvado
Composed and recorded with the support of the SACEM in association with ALCIMĂ (Aubagne International Film Festival)
Performed by Members of the LONDON SYMPHONY ORCHESTRA
Conductor Mathieu Alvado
Orchestra manager Sue Mallet
Recorded at AIR Studios
Sound engineer Geoff Foster
Pro Tools Assistant Tom Bailey
Preparation Pro Tools session David Menke
Copyist Norbert Vergonjanne
Music mixing Samy Cheboub
Sound post-production FONIC
Sound supervisors Jake Roberts Barnaby Templer
Sound design and mix Barnaby Templer
Sound effects editing and recording Chris Swaine
Foley artist Sue Harding
Sound engineer voice JM Finch
Editor voice Marty OâBrien
Colour grading Jack McGinity / Time Based Arts
Administration ACC Caroline Garmirian Christophe Sanlaville
Communication BenoĂźt Berthe Ălodie MoĂŻsa Emmanuelle Rodeghiero Marine Wong Kwok Chuen
Community Manager Alexander Lawrence Genevieve Stow Interns Chloé Mazzani Robin Soulisse Camille Jacques
Acknowledgements to all the backers of our Indiegogo corwdfunding and in particular: James Allen et Mike Skrgatic, Charlotte Bavasso, Paolo Polesello, HĂ©lĂšne BĂ©jat, BenoĂźt Berthe, Celyn Brazier, Patricia Claire, Xavier Egurbide, Angela Kaper, Brendan McCann, Scott Dresden, SĂ©bastien Fournier, Philippe François-Steininger, Emilie et Jean-SĂ©bastien Michelet, Nathalie François, Miguel Sanz, Renaud Futterer, Dominique Goby, Julien Goby, Vincent Guy, Paulette Hawkins, Jean-Marie Keene, HĂ©lĂšne Leroux, Tristan MĂ©nard, Chris OâReilly, Paolo Polesello, Janet Smith, Paul Tempelman, François Turquety, James Tomkinson, Samuel Colin, Emmanuel Tenenbaum, Nathan Goldenberg, Etienne Semelet
Acknowledgements to our sponsors Light My FireÂź â Christian Ludwig KatadynÂź â Steven Le Guellec LeathermanÂź â Roger Bjorklund & Julie Knapp A.R.T. SURVIE & ThĂ©o
The director wishes to thank the artists involved in this film, their artistic contributions, the time and energy they spent on this project, from several hours to several months, has been both fundamental and remarkable.
Christophe TaudiÚre Arts university Bournemouth Paul, Ward & Peter Symons Natalie Busutil, Jo Bierton, Julia Parfitt, Luke Youngman PÎle Pixel et RhÎne Alpes Cinéma Marie Le Gac, Grégory Faes, Emmanuel Bernard, Sébastien Thomas, Lauriane Mégny LumiÚres Numériques Pierre-Loic Précausta, Camille Geoffray Les Gobelins Moira Marguin & Aida Del solar, Sophie Lascoux, Valentine, Julien & Dominique Goby HélÚne & Jean-Louis Rodeghiero Catherine & François Corberand, Cécile Nédélec, Claire Ageneau Saul Nash
With the participation of France Télévisions
Head of Acquisitions â Short Film Programming Christophe TaudiĂšre
International distribution France Télévisions Distribution
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Video
vimeo
To Build a Fire from Fx Goby on Vimeo.
TO BUILD A FIRE a film by Fx Goby
In the harshness of midwinter, a trapper is crossing the Yukon with his dog. Struggling to survive, he attempts to build a simple fire. To Build a Fire is widely recognised as a Jack London masterpiece and is a classic of American literature.
Based on the short story by Jack London
"To Build A Fire" is this week's Staff Pick Premiere! Read more about it here: vimeo.com/blog/post/to-build-a-fire
Directed by Fx Goby
A Composite Films production Executive producer Samuel François-Steininger Line producer Marie Corberand
In coproduction with Nexus Productions Charlotte Bavasso Chris OâReilly
Fx Goby Films & Pictures
Carabine Productions Christel Delahaye
Lead animator Christian Boving-Andersen
Animation Paul Dabout Martin Hurmane Leni Marotte Juliette Peuportier Landariu Tinubu Sidonie Vidal Emmanuelle Walker
2D FX animation Matt Timms
Animatic Fabrice Fiteni
Art director Tristan MĂ©nard
Background artists Antoine Birot Linus Carlson Damien Colbolchevik Joe Dennis Tonet Dura Guitty Mojabi
Visual Researches Colin Bigelow Fx Goby Oren Haskins HĂ©lĂšne Leroux Thomas Roisland Tristan Menard Guitty Mojabi Marthe Strand Mourier Marie Thorhauge
Clean up production supervisors David Blanche Jessica Lewis
Clean up artists Rosie Andrews Rosie Baker Joshua Barlow Danielle Bethel Lena Blaschek Kasia BrzeziĆska Georgina Cook Mohamed Fadera Leila Foong Rhian Jones Tom Legg Jessica Maple Leni Marotte Sara Moon Lewis Nash Toby Parry Juliette Peuportier Jamie-Lee Reynolds Andy Stevens Marthe Strand Mourier Joe Strange Riu Niyi Tinubu Adam Malcom Waters
3D modelers Dorianne Fibleuil Michal Firkowski
3D rig Pete Addington
Compositing Abel Kohen Fx Goby Quentin Pointillart Alexia Provoost
Editing Fx Goby
Narrated by Tony Fish
Original music Mathieu Alvado
Composed and recorded with the support of the SACEM in association with ALCIMĂ (Aubagne International Film Festival)
Performed by Members of the LONDON SYMPHONY ORCHESTRA
Conductor Mathieu Alvado
Orchestra manager Sue Mallet
Recorded at AIR Studios
Sound engineer Geoff Foster
Pro Tools Assistant Tom Bailey
Preparation Pro Tools session David Menke
Copyist Norbert Vergonjanne
Music mixing Samy Cheboub
Sound post-production FONIC
Sound supervisors Jake Roberts Barnaby Templer
Sound design and mix Barnaby Templer
Sound effects editing and recording Chris Swaine
Foley artist Sue Harding
Sound engineer voice JM Finch
Editor voice Marty OâBrien
Colour grading Jack McGinity / Time Based Arts
Administration ACC Caroline Garmirian Christophe Sanlaville
Communication BenoĂźt Berthe Ălodie MoĂŻsa Emmanuelle Rodeghiero Marine Wong Kwok Chuen
Community Manager Alexander Lawrence Genevieve Stow Interns Chloé Mazzani Robin Soulisse Camille Jacques
Acknowledgements to all the backers of our Indiegogo corwdfunding and in particular: James Allen et Mike Skrgatic, Charlotte Bavasso, Paolo Polesello, HĂ©lĂšne BĂ©jat, BenoĂźt Berthe, Celyn Brazier, Patricia Claire, Xavier Egurbide, Angela Kaper, Brendan McCann, Scott Dresden, SĂ©bastien Fournier, Philippe François-Steininger, Emilie et Jean-SĂ©bastien Michelet, Nathalie François, Miguel Sanz, Renaud Futterer, Dominique Goby, Julien Goby, Vincent Guy, Paulette Hawkins, Jean-Marie Keene, HĂ©lĂšne Leroux, Tristan MĂ©nard, Chris OâReilly, Paolo Polesello, Janet Smith, Paul Tempelman, François Turquety, James Tomkinson, Samuel Colin, Emmanuel Tenenbaum, Nathan Goldenberg, Etienne Semelet
Acknowledgements to our sponsors Light My FireÂź â Christian Ludwig KatadynÂź â Steven Le Guellec LeathermanÂź â Roger Bjorklund & Julie Knapp A.R.T. SURVIE & ThĂ©o
The director wishes to thank the artists involved in this film, their artistic contributions, the time and energy they spent on this project, from several hours to several months, has been both fundamental and remarkable.
Christophe TaudiÚre Arts university Bournemouth Paul, Ward & Peter Symons Natalie Busutil, Jo Bierton, Julia Parfitt, Luke Youngman PÎle Pixel et RhÎne Alpes Cinéma Marie Le Gac, Grégory Faes, Emmanuel Bernard, Sébastien Thomas, Lauriane Mégny LumiÚres Numériques Pierre-Loic Précausta, Camille Geoffray Les Gobelins Moira Marguin & Aida Del solar, Sophie Lascoux, Valentine, Julien & Dominique Goby HélÚne & Jean-Louis Rodeghiero Catherine & François Corberand, Cécile Nédélec, Claire Ageneau Saul Nash
With the participation of France Télévisions
Head of Acquisitions â Short Film Programming Christophe TaudiĂšre
International distribution France Télévisions Distribution
0 notes
Video
vimeo
To Build a Fire from Fx Goby on Vimeo.
TO BUILD A FIRE a film by Fx Goby
In the harshness of midwinter, a trapper is crossing the Yukon with his dog. Struggling to survive, he attempts to build a simple fire. To Build a Fire is widely recognised as a Jack London masterpiece and is a classic of American literature.
Based on the short story by Jack London
"To Build A Fire" is this week's Staff Pick Premiere! Read more about it here: vimeo.com/blog/post/to-build-a-fire
Directed by Fx Goby
A Composite Films production Executive producer Samuel François-Steininger Line producer Marie Corberand
In coproduction with Nexus Productions Charlotte Bavasso Chris OâReilly
Fx Goby Films & Pictures
Carabine Productions Christel Delahaye
Lead animator Christian Boving-Andersen
Animation Paul Dabout Martin Hurmane Leni Marotte Juliette Peuportier Landariu Tinubu Sidonie Vidal Emmanuelle Walker
2D FX animation Matt Timms
Animatic Fabrice Fiteni
Art director Tristan MĂ©nard
Background artists Antoine Birot Linus Carlson Damien Colbolchevik Joe Dennis Tonet Dura Guitty Mojabi
Visual Researches Colin Bigelow Fx Goby Oren Haskins HĂ©lĂšne Leroux Thomas Roisland Tristan Menard Guitty Mojabi Marthe Strand Mourier Marie Thorhauge
Clean up production supervisors David Blanche Jessica Lewis
Clean up artists Rosie Andrews Rosie Baker Joshua Barlow Danielle Bethel Lena Blaschek Kasia BrzeziĆska Georgina Cook Mohamed Fadera Leila Foong Rhian Jones Tom Legg Jessica Maple Leni Marotte Sara Moon Lewis Nash Toby Parry Juliette Peuportier Jamie-Lee Reynolds Andy Stevens Marthe Strand Mourier Joe Strange Riu Niyi Tinubu Adam Malcom Waters
3D modelers Dorianne Fibleuil Michal Firkowski
3D rig Pete Addington
Compositing Abel Kohen Fx Goby Quentin Pointillart Alexia Provoost
Editing Fx Goby
Narrated by Tony Fish
Original music Mathieu Alvado
Composed and recorded with the support of the SACEM in association with ALCIMĂ (Aubagne International Film Festival)
Performed by Members of the LONDON SYMPHONY ORCHESTRA
Conductor Mathieu Alvado
Orchestra manager Sue Mallet
Recorded at AIR Studios
Sound engineer Geoff Foster
Pro Tools Assistant Tom Bailey
Preparation Pro Tools session David Menke
Copyist Norbert Vergonjanne
Music mixing Samy Cheboub
Sound post-production FONIC
Sound supervisors Jake Roberts Barnaby Templer
Sound design and mix Barnaby Templer
Sound effects editing and recording Chris Swaine
Foley artist Sue Harding
Sound engineer voice JM Finch
Editor voice Marty OâBrien
Colour grading Jack McGinity / Time Based Arts
Administration ACC Caroline Garmirian Christophe Sanlaville
Communication BenoĂźt Berthe Ălodie MoĂŻsa Emmanuelle Rodeghiero Marine Wong Kwok Chuen
Community Manager Alexander Lawrence Genevieve Stow Interns Chloé Mazzani Robin Soulisse Camille Jacques
Acknowledgements to all the backers of our Indiegogo corwdfunding and in particular: James Allen et Mike Skrgatic, Charlotte Bavasso, Paolo Polesello, HĂ©lĂšne BĂ©jat, BenoĂźt Berthe, Celyn Brazier, Patricia Claire, Xavier Egurbide, Angela Kaper, Brendan McCann, Scott Dresden, SĂ©bastien Fournier, Philippe François-Steininger, Emilie et Jean-SĂ©bastien Michelet, Nathalie François, Miguel Sanz, Renaud Futterer, Dominique Goby, Julien Goby, Vincent Guy, Paulette Hawkins, Jean-Marie Keene, HĂ©lĂšne Leroux, Tristan MĂ©nard, Chris OâReilly, Paolo Polesello, Janet Smith, Paul Tempelman, François Turquety, James Tomkinson, Samuel Colin, Emmanuel Tenenbaum, Nathan Goldenberg, Etienne Semelet
Acknowledgements to our sponsors Light My FireÂź â Christian Ludwig KatadynÂź â Steven Le Guellec LeathermanÂź â Roger Bjorklund & Julie Knapp A.R.T. SURVIE & ThĂ©o
The director wishes to thank the artists involved in this film, their artistic contributions, the time and energy they spent on this project, from several hours to several months, has been both fundamental and remarkable.
Christophe TaudiÚre Arts university Bournemouth Paul, Ward & Peter Symons Natalie Busutil, Jo Bierton, Julia Parfitt, Luke Youngman PÎle Pixel et RhÎne Alpes Cinéma Marie Le Gac, Grégory Faes, Emmanuel Bernard, Sébastien Thomas, Lauriane Mégny LumiÚres Numériques Pierre-Loic Précausta, Camille Geoffray Les Gobelins Moira Marguin & Aida Del solar, Sophie Lascoux, Valentine, Julien & Dominique Goby HélÚne & Jean-Louis Rodeghiero Catherine & François Corberand, Cécile Nédélec, Claire Ageneau Saul Nash
With the participation of France Télévisions
Head of Acquisitions â Short Film Programming Christophe TaudiĂšre
International distribution France Télévisions Distribution
0 notes
Video
vimeo
To Build a Fire from Fx Goby on Vimeo.
TO BUILD A FIRE a film by Fx Goby
In the harshness of midwinter, a trapper is crossing the Yukon with his dog. Struggling to survive, he attempts to build a simple fire. To Build a Fire is widely recognised as a Jack London masterpiece and is a classic of American literature.
Based on the short story by Jack London
"To Build A Fire" is this week's Staff Pick Premiere! Read more about it here: vimeo.com/blog/post/to-build-a-fire
Directed by Fx Goby
A Composite Films production Executive producer Samuel François-Steininger Line producer Marie Corberand
In coproduction with Nexus Productions Charlotte Bavasso Chris OâReilly
Fx Goby Films & Pictures
Carabine Productions Christel Delahaye
Lead animator Christian Boving-Andersen
Animation Paul Dabout Martin Hurmane Leni Marotte Juliette Peuportier Landariu Tinubu Sidonie Vidal Emmanuelle Walker
2D FX animation Matt Timms
Animatic Fabrice Fiteni
Art director Tristan MĂ©nard
Background artists Antoine Birot Linus Carlson Damien Colbolchevik Joe Dennis Tonet Dura Guitty Mojabi
Visual Researches Colin Bigelow Fx Goby Oren Haskins HĂ©lĂšne Leroux Thomas Roisland Tristan Menard Guitty Mojabi Marthe Strand Mourier Marie Thorhauge
Clean up production supervisors David Blanche Jessica Lewis
Clean up artists Rosie Andrews Rosie Baker Joshua Barlow Danielle Bethel Lena Blaschek Kasia BrzeziĆska Georgina Cook Mohamed Fadera Leila Foong Rhian Jones Tom Legg Jessica Maple Leni Marotte Sara Moon Lewis Nash Toby Parry Juliette Peuportier Jamie-Lee Reynolds Andy Stevens Marthe Strand Mourier Joe Strange Riu Niyi Tinubu Adam Malcom Waters
3D modelers Dorianne Fibleuil Michal Firkowski
3D rig Pete Addington
Compositing Abel Kohen Fx Goby Quentin Pointillart Alexia Provoost
Editing Fx Goby
Narrated by Tony Fish
Original music Mathieu Alvado
Composed and recorded with the support of the SACEM in association with ALCIMĂ (Aubagne International Film Festival)
Performed by Members of the LONDON SYMPHONY ORCHESTRA
Conductor Mathieu Alvado
Orchestra manager Sue Mallet
Recorded at AIR Studios
Sound engineer Geoff Foster
Pro Tools Assistant Tom Bailey
Preparation Pro Tools session David Menke
Copyist Norbert Vergonjanne
Music mixing Samy Cheboub
Sound post-production FONIC
Sound supervisors Jake Roberts Barnaby Templer
Sound design and mix Barnaby Templer
Sound effects editing and recording Chris Swaine
Foley artist Sue Harding
Sound engineer voice JM Finch
Editor voice Marty OâBrien
Colour grading Jack McGinity / Time Based Arts
Administration ACC Caroline Garmirian Christophe Sanlaville
Communication BenoĂźt Berthe Ălodie MoĂŻsa Emmanuelle Rodeghiero Marine Wong Kwok Chuen
Community Manager Alexander Lawrence Genevieve Stow Interns Chloé Mazzani Robin Soulisse Camille Jacques
Acknowledgements to all the backers of our Indiegogo corwdfunding and in particular: James Allen et Mike Skrgatic, Charlotte Bavasso, Paolo Polesello, HĂ©lĂšne BĂ©jat, BenoĂźt Berthe, Celyn Brazier, Patricia Claire, Xavier Egurbide, Angela Kaper, Brendan McCann, Scott Dresden, SĂ©bastien Fournier, Philippe François-Steininger, Emilie et Jean-SĂ©bastien Michelet, Nathalie François, Miguel Sanz, Renaud Futterer, Dominique Goby, Julien Goby, Vincent Guy, Paulette Hawkins, Jean-Marie Keene, HĂ©lĂšne Leroux, Tristan MĂ©nard, Chris OâReilly, Paolo Polesello, Janet Smith, Paul Tempelman, François Turquety, James Tomkinson, Samuel Colin, Emmanuel Tenenbaum, Nathan Goldenberg, Etienne Semelet
Acknowledgements to our sponsors Light My FireÂź â Christian Ludwig KatadynÂź â Steven Le Guellec LeathermanÂź â Roger Bjorklund & Julie Knapp A.R.T. SURVIE & ThĂ©o
The director wishes to thank the artists involved in this film, their artistic contributions, the time and energy they spent on this project, from several hours to several months, has been both fundamental and remarkable.
Christophe TaudiÚre Arts university Bournemouth Paul, Ward & Peter Symons Natalie Busutil, Jo Bierton, Julia Parfitt, Luke Youngman PÎle Pixel et RhÎne Alpes Cinéma Marie Le Gac, Grégory Faes, Emmanuel Bernard, Sébastien Thomas, Lauriane Mégny LumiÚres Numériques Pierre-Loic Précausta, Camille Geoffray Les Gobelins Moira Marguin & Aida Del solar, Sophie Lascoux, Valentine, Julien & Dominique Goby HélÚne & Jean-Louis Rodeghiero Catherine & François Corberand, Cécile Nédélec, Claire Ageneau Saul Nash
With the participation of France Télévisions
Head of Acquisitions â Short Film Programming Christophe TaudiĂšre
International distribution France Télévisions Distribution
0 notes