#murk daddy flex

[nathankerce]

Best Local Releases of 2017

10. Murk Daddy Flex - Bring on the Major Leagues Unbelievably talented producer temporarily opens up the Disney Vault just enough to leak out his first major release in three years.  9. Tunabunny - PCP Presents Alice In Wonderland Jr This double album from Athens’ best experimental pop band is a grab-bag of brief but memorable tunes.  8. Isaac Pancake - DRUMS OLO Athens (now Philly-based I think) producer Garrett Burke makes heavy electronic noise fun again.  Imagine a collab album between DJ Rashad and Scott Walker. 7. Art Contest - Two Songs Another project from Garrett Burke who plays drums in this math rock duo with Cole Monroe on guitar. Very good math rock record, actually way more than two songs on the album. 6. Five Eight - Songs for St. Jude A formative band in Athens initial independent music boom, the discussion around Five Eight has always centered on how underrated they are compared to the mega-stars to rise from that era. Their new album shows that not only are they not defined by being the ones who “didn’t make it” they are damn-near the only band left from that time still kicking ass today. 5. VHS Collectors Club - Sweet Sleep Sleepy bedroom electronic tailor-made for Adult Swim bumper cards. Doesn’t break a ton of new ground sonically but producer Conor Lacey already shows immense promise for someone who is relatively brand new to the game. A notable step-up over last year’s Amateur Hour. 4. Lingua Franca - Lingua Franca Revelatory hip-hop from Mariah Parker who has quickly become one of the most recognizable and active faces in Athens music today while putting a lot of work into blurring the imaginary bullshit line that certain venues and tastemakers put up to try and separate Athens hip-hop from the rest of the Athens music scene. This self-titled debut features socially aware and deeply confessional tracks that also happen to have hooks and melodies that are catchy as fuck. If you can, try to pick up the album at a live show, Parker’s stage banter and energy makes most of the other bands in this town seem catatonic by comparison.  3. Under a Sky So Blue - The Spectacle Provides Heavy screamo music with a progressive bent, Under a Sky So Blue’s wall of noise presentation will probably scare a few people away but those willing to dive in will be handsomely rewarded. Anyone who spent their youth as a bleeding heart, bleeding ears hardcore kid should find something to love in an EP that responds to a frightening political climate with an unfettered and unafraid act of musical aggression. 2. Harlot Party - I Want To Be Recalcitrant, I Am Just Exhausted Deeply personal rock from self-described “friends and lovers” KyKy Renee Knight and Garrett Knighton. The one-two punch of “Whop” and “Preemptive Apologist” (a scathing epic about Knight’s strained relationship with her father followed by a real voicemail from him with some ambient noise underneath) carries an emotional punch that is simply unmatched by another record to come out of Athens this year. Knight’s honest and brutal navigation of difficulties in her life and in American society as a whole makes this a necessary listen. 1. Double Ferrari - Double Ferrari Long overdue debut release from guitarist Jace Bartet’s instrumental metal-ish band. Double Ferrari takes all the best remnants of the hair metal genre and repurposes them into a joyful modern-day package that calls to mind the likes of positive rock icons like Andrew W.K. and former indie-blog rock darlings Fang Island. Though the album is completely devoid of lyrics, Double Ferrari is a downright emotional and often genuinely healing experience. With some material on this album being in the works in some form for more than half a decade, at some points it feels like you can literally hear the weight being lifted off Bartet’s shoulders as he releases his brilliant rock to the masses. No other local album this year will put a bigger smile on your face.

[dubersbutt]

What about the first time you call Kirby and you do it jokingly but he instantly stiffens and tries to avert your gaze and you realize it turns him on 👀

Warnings: Smut, choking 

Kirby had a habit of calling himself daddy. You didn’t know why or how it started but he regularly referred to himself as daddy. When he was playing video games you’d hear him mumble daddy fucking murked you. Or when he was cooking, daddy’s making some boss ass chicken. Even when he puts his laundry away you can hear him murmuring under his breath, you’re not sure what he says but it’s probably questionable. He’s never mentioned a daddy kink to you before, but you’ve decided to try anyway. 

“Thanks for doing the dishes,” you say, hugging him from behind, “Daddy.”

You hear a dish drop, “What did you say?”

“I said, ‘thank you for doing the dishes.’”

“That’s not what I meant and you know it,” he says turning around. His hand cups the side of your face as he walks you back until your back hits the other counter.

“Daddy?” you feign innocence, “You like that?”

“Obviously,” he says leaning down to kiss me.

“Fuck me daddy?” you plead and he groans.

“I-yeah, but I have a question,” he starts to blush, “Can I, maybe, choke you?”

“Kirby, I’ve gagged on your fingers, you don’t have to be shy with me.’ “Is that a yes?”

“It’s a yes, kirbs.”

He leads you to his bedroom, slamming the door closed behind you. He throws you on the bed, making quick work of your sweatpants and throwing them on the floor. He leans forward, sucking on your clit through your panties. 

“Fuck, daddy, don’t tease me,” you plead, reaching down and pulling at his hair.

“Geez,” you hear him groan  as his fingers curl into the waistband of your panties.

His large hands spread your legs apart, holding your thighs and digging his fingers in. He takes his time working you up, kissing your inner thighs before pressing a kiss to your clit. He licks a stripe up your pussy and you let yourself get lost in his movements. He adds a finger with his tongue, not deciding whether he wants to tease you or give you what you want. 

“Daddy,” you whine, “let me cum, please.”

 And really, how is he supposed to deny your request when you sound like that. He knew exactly what to do you to make you scream. He adds another finger, curling it exactly the why you like it as he sucks down on your clit. Your nails dig into his scalp, but he keeps going doing speeding up ever so slightly to make you writhe in the bed. 

“Daddy,” you pant, chest heaving, “I’m gonna cum. Let me cum.”

“Of course, baby,” he says and that's all it takes for you to tumble over the edge. 

You’re still trying to catch your breath when he lifts himself up and thrusts into you. He catches your chin before sliding his hand down to rest on your throat.

“Are you sure this is okay?”

“Choke me, Kirby,” 

“Fuck, okay,” he says.

He pulls out slightly before his grip tightens ever so slightly around your throat. He flexes his fingers as he fucks into you, but he’s still a little hesitant. 

“Harder, daddy,” you ask, and his starts to move his hips faster, “No, choke me harder. You won’t break me, daddy.”

You hear him swear under his breathe and then his grip tightens, but only for a brief moment before it’s gone and he’s holding the back of your thigh to hoist it over his shoulder. As soon as he maneuvers you into place the hand is back on your neck with strong pressure. The pad of his finger presses down on your clit in unison with his hand, cutting off your air supply.

“Feel good, baby?” he asks, letting his hand off your throat, thrusts coming to a momentary halt.

“Yes, daddy,” you nod, “fuck me.”

His hips slam into you, fingers tightening on your throat again. It’s a lot, and you’re still sensitive from your first orgasm. He lets you take one breath before he continues fucking you. 

“I can feel your pussy around me, baby,” he grunts in your ear, “You’re such a slut for me.”

You clench on him when you hear the new name, “You like that baby? Like when I call  you my little slut.” 

A few thrusts later you try to scream out, but Kirby’s hand remains firmly clamped on your throat. You dig your nails into his forearm as you cum, chest heaving up closer to him. He lets go of your throat, instead gripping your hip as leverage so he can fuck you harder. With his hand off your throat there’s nothing holding back your moans.

“Kir-ir-ir-by,” you pant with each thrust.

“That’s not what you’re supposed to call me, now is it?” he taunts. How he’s managing coherent sentences, you have no idea. 

“Fuck- ‘m sorry daddy,” you pant, raking your fingers against his back. 

“s’okay, baby,” he says, grabbing one of your ass cheeks.

You’re overstimulated as hell, but you don’t mind Kirby using your body. His fingers are digging into your hips painfully, but the pain is barely registering in your brain. 

“Daddy, cum in my pussy,” you plead.

“Fuck!”

He cums with a final thrust, spilling into you and his head falling into the crook of your neck. His breath tickles your neck as you run your hands up and down his back, feeling his breath even out. 

“So were you gonna tell me about your daddy kink?” you ask after awhile.

“I didn’t want you to think I was weird,” he murmurs.

“Kirby, I’ve had my finger in your ass while your dick was in my mouth. We’re way past that point.”

He groans, “Don’t say that right now. I’m too tired to get hard again.”

You can't help the honk of laughter that leaves your mouth, “Get up big boy, you’re crushing my ribs.”

[ssvgawara]

Haikyuu characters as things said in the hhcu

a/n: this is pure humor and just something fun, the hhcu is wild and says stupid shit more than once a day so i complied a ridiculously long list of quotes and put them together in this list to share with yall so please enjoy, read more because again this is so long also pt 2. some of these r pretty nsfw so uh yeah <3

Oikawa: When he gives up his torso 😍 

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Nishinoya: Fisherman daddy

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Bokuto: I trust no condiments

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Osamu: YELLOW BAD OIKAWA IS NOT ALLOWED IN MY KITCHEN

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Tendou: Give ass in shiratorizawa?

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Atsumu: Garlic air freshener

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Nishinoya talking about his sex life: ITS THE GOOD OL FASHIONED POW POW GRUNT GRUNT WINDOW WASHER ULTIMATE FRISBEE DICK CONNECTOR 

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Hinata: thank you!! also my oven melted??? and caught on fire 😰 

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Yaku probably thinking abt kuroo while saying this: not gonna front im terrified of the live action grinch and if i ever see him its on sight

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Kageyama: Except that one mustard faze I had

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Lev after yaku kicks him yet again: NO INCH ACTIVE INCH VERY ACTIVE

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Suga after Kiyoko holds his hands: premarital eye contact is already a sin

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Iwaizumi realizing Oikawa probably wouldn’t know the difference between hawaiian rolls and milk bread: when he says hit it till it breaks, he means the packaging of hawaiin rolls

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All of Seijoh to Oikawa: You know whats really sexy? Self care.

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Hoshihumi: like a three year old. still baby but also evil at times🤡 

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Oikawa right before his death: "MORNING HAJI!~" slaps tiddie

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 Anyone falling on love with haikyuu boys: hey a good reverse harem never hurt anyone

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Idk who says it but terushima would do this: places his hand to my heart but then hes like heh heh boob squishy

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Tendou: centrepical force saved my bag of chocolate!!

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Lev thinking it was a literary masterpiece: *reads about a fourth of the bee movie*

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Hinata making fun of Kageyama: milk is better than the feeling of the ball touching your fingertips during a perfect set

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Hinata and Kageyama failing tests: thats just the dumbass in me babey!!!

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Atsumu simply trying to annoy Osamu: Are y’all meaning to tell me you DON’T take your raw chicken on walks through the city?

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Yahaba: PUSSY ALWAYS LEAVES

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Mattsun just to annoy everyone: yall ever think about how in the 50s and 60s they just put raw hotdogs or shrimp into jello and ate that shit and enjoyed it???

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Suga: i am now crying and my boyfriend is concerned and i can’t tell him that I’ve lost my husband and children

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Kenma; Smh my head

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Bokuto: Sorry not all of us can have double decker extra stuffed bottoms up extra large super sized t n a like me🥰🥰💅💅

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Everyone to bokuto: titty enthusiast ✨✨

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Me to kuroo: sorry babe youre a scorpio you dont have any rights anymore

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Tendou: i accidentally lit a  baby on fire

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Atsumu: This feels real human centipede

Bokuto: theyre not ass to mouth

Atsumu: Close enough

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Bokuto when a minor inconvience happens: Why are we still here? Just to suffer? Every day, I wake up....

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Sakusa: Remove your lips from my penis

Atsumu: I use a gluestick as chapstick i cant

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Goshiki: Arson or boot in my book, set fire to something live a little

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Tsukishima: I don’t like recieving pain. It hurts

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Kenma annoyed w kuroo: Put your dick in the fucking catfish’s pussy then

Kuroo being annoying: How deep is catfish pussy

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Makki to Mattsun: Ayo babe what if we fucked on the catfish tank

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Kiyoko tiredly, to Tanaka: I’m not putting salt and pepper on my pussy lips

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Saeko: I’ve got that Deep dish, super soaker, wet, succulent dripping honey suckle like sweet marinated mooseknuckle, extra thick, slip n slide, water park, waterbender, extra ribbed, the seven seas, gorilla grip, flex tape, primordial soup Dwayne the Rock Johnson, Cardi B, Megan Thee Stallion pussy

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Atsumu not really knowing what cooch means: I got the body builder cooch

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Oikawa after not sleeping to train, extremely sleep deprived: youre got unending

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Goshiki; Commit arson

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Akaashi: I leave for 10 minutes and Bokuto is 240v (mouth edition) fuckmaster pro 4000 with semen drip collection tray, automated self-lubricating 6 speed pulsating pussy and built in Polycrystalline floatable silicon

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Oikawa; I’m coming to murk your ass xoxo

Iwa: I will literally shiv you bitch

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Kindaichi: ✨ bob duncan exterminates you asmr✨

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Makki: I’ll try to find my favorite about Jacob sartorius vampire babies with Hillary Clinton

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Kenma after playing some obscure video game: also i can’t sleep😔 too busy thinking about human sized bats

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ME fuck yall im carpetting my bathroom: you already put rugs in the bathroom might as well carpet that bitch

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Kuroo talking abt something sciency idk: LIKE A BODY WIG

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Seijoh when iwa throws balls at oikawa: spousal abuse right in front of my salad

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Hinata making up some new stupid song: Ants on a log ants on a log

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Atsumu to piss off Osamu once more: world f amous allegra chicken

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Semi: Gay little Ushijima’s left hand

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Bokuto: Are you disagreeing with the fact that I am thicc as phuck

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Kiyoko: Guys is it uh... is it possible to sprain a titty cause.... Uh....

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Terushima: He laughed at the end of his own joke what a fuckin chad

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Bokuto: IS THAT THE DOG FROM ZOOTOOIA

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Kageyama: milk is kinda like organ paint huh

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Nishinoya: i don’t think socks taste good

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Tendou: out of your mummy, into my tummy

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Hinata; shout out to me who thought chickens had four legs until last summer

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Oikawa Hanger: I WANNA HANG MY CLOTHES ON HIM 

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Kenma: What a little pissbaby

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Yamaguchi: i am literally so curious about what it's like to kiss a boy that it's almost killing me

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Daichi about Suga: he may be cute, but istg there’s some kind of raging devil trapped in him

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Saeko: fuck society my titties are out

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Hinata after getting lecture by everyone for sneaking into the training camp: GOOD NEWS MY DAD IS NOT GOING TO PUT ME IN THE OVEN

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Just me thinking abt any first years: children. toddlers. Tikes.

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Me waiting for the fever: When is malaria?

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Uhhhhh probably tendou his vibes: Ill electrocute his cock

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Akaashi just go w it probably about bokuto: Why is he shoving cheese up the pussy

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Osamu tiredly: Ooey gooey cheesy chicken vagaina

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Nishinoya trying to catch a very large fish: Dom the Crab

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Bonus crabagraph: The crabs death reverberated and struck fear into the hearts of all crabs in existence because of this one 60+ year old mans volatile universe-crunching swing. Dude defied the laws of gravity by simply getting pinched by the crab. Man just reinvented the laws of physics and all of science due to the sheer force of will and untapped wellsprings if potential unleashed by the crab. If aliens show up it’s because the supersonic radio waves released by the banging of the crab against the cabinet are the first ever created in the universe. Man could cause a ripple in space-time with his crab launching abilities. Guy probably opened a gateway into another universe when he launched the crab. You see how the cabinet door opened and stayed open? It’s because this elder tore a hole through the fabric of reality to the Other Side simply because he experienced a minor bit of pain. The way he released a defeated roar of agony. The ancient gods awoke from their deep slumber and this old man single-handedly revived all his ancestors. New wars are about to start because of the way this man broke the barriers containing this reality into one fixed area. This universe is now expanding at such a rapid rate the the geosphere will now be reshaped. This man probably unknowingly blasted a hole in the other side of the planet because the shockwaves of the aggressive rippling effect of this poor crustacean slamming at lightning speed into a small wooden frame. The crabs insides were probably fused into the shell because this man’s angry, rage filled, pain filled battering ram of an arm throwing him through every known dimension and re-arriving in this one at the mere moment to experience the most pain a crab ever has or will in the rest of the existence of crabs. This elderly man probably has phased through and broken every human limiter known to man just because he got a minor pinch by a crab. He probably is bio-medically fused with crab DNA at this point. A legend.

[donaldtrumpsrightear]

I was tagged forever and two days ago by @chutzpahhooplah so here-a we go! it’s the music tag game. go into your library and find a song for every letter in your url

Slow Down Love - Louis The Child/Chelsea Cutler

Angela - The Lumineers

Up the Wolves - The Mountain Goats

Slip - Elliott Moss

Alternate World - Son Lux

Glass Music - Murk Daddy Flex

Electric - Alina Baraz/Khalid

Dirty South - Gurbax/Beats Antique

Release The Bats - The Birthday Party

Acid Rain - Lorn

Third Eye Sixth Sense - Ritualz

this is a real fuckin spread, gotta say. Rules say to tag as many people as there are letters in your url but there are for sure not that many people on my site who can stand my shit so i apologize in advance @jadedmeatbag, @zombiecafe, @benjaminbreeg, @cha0tician, @ghostmage, @fatbutchsera, @liaraliara, @alinnsurana@anexhaustedbitch @glowinthedarkyoyo, @jangojips

[hellbloomer]

murk daddy flex is so underrated

[rapfornication]

A List of a Bunch of Songs We Liked by Siya Mbatha & Norman

2016, what a year. Included in this list are the emotions and memories that came with these songs. Here is a list that attempts to consolidate a most uniquely strange year .Fuck Donald Trump and enjoy the links to other pieces we thought you might enjoy too. And also fuck Donald Trump. 

Danny Brown – When It Rain 

Produced By Paul White Album: Atrocity Exhibition

One of the more left field songs that still somehow has an underlying jitty foot-light feel to it. It sounds like ‘Dip’ if it grew up in a dark basement and suffered from crippling anxiety. Danny Brown matches the atmosphere with some of his most vivid, impressive writing to date as he describes Detroit as a city that sees no change but gentrification, grannies getting robbed and more guns than necessary. Unforgettable.

Kendrick Lamar - untitled 02 | 06.23.2014.

Produced By Yung Exclusive & Cardo Album: untitled unmastered.

Cornrow Kenny brought out the circus tricks without losing his seriousness. The build-up is one captivating performance but once his voice swings into high pitched, the stunting and trumpets go into overdrive and you’re left pleasantly stunned. Get God on the phone.

Fat Joe & Remy Ma Feat. French Montana & Infa Red - All The Way Up

Produced By Cool & Dre & Edsclusive Album: Plata O Plomo

They say regionalism is dead but this all NY affair begs to differ. Cool and Dre provide the bass and unforgettable horns and the legends (plus Montana) rip it apart like a swaggier version of The Avengers. Remy Ma came back and ignited desperately needed fire.

Fat Joe & Remy Ma Feat. Infa-Red, Jay Z & French Montana -  All The Way Up (remix)

Produced By Cool & Dre & Edsclusive

 Lean Back left a lasting legacy, even for the millennials like my whack self who remembers slogans like Terror Squad, before Khaled was Billy Ocean, back when Fat Joe had the red parka in the video

"Lemonade is a popular drink and it still is". Lemonade the album that I still haven't listened to has just dropped and every beyhive fan on Twitter was up in arms mad that Jay Z was getting his lemonade from a woman named Becky -if you're into that kinda thing. And that’s all Hov was gonna do in terms of speaking on it. One more time, let it sink in. Lemonade is a popular drink and it still is. He pretty much ethered Beyoncé if you think about it.

Rihanna – Needed Me

Produced By Kuk Harrell & DJ Mustard Album: ANTI

For the first time in her long career, Rihanna sounded liberated. ‘Needed Me’ amplifies the dark, sexual charisma she always displayed in ways that feel less put-on (Rated-R, basically) and more like self-expression. A fantastic wonky Mustard beat gives her room to remind her past flame who really was doing who a favour. Savagery personified in one song. Oh, that shot of Robyn in a lacy blue dress, gun in hand, looking out to the beach? Iconic

BBNG Feat. Samuel T. Herring – Time Moves Slow

Produced By BADBADNOTGOOD Album: IV

It’s been great watching BBNG grow into their own. The legendary Sam Herring lends his heartfelt voice to this perfectly crafted number. Personally, it got me through a messy situationship. Unreciprocated love makes it feel like time is moving slow.

Kid Cudi Feat. Travis Scott - Baptized In Fire

Produced By Mike Dean & Plain Pat Album: Passion, Pain & Demon Slayin'

This is the most Kid Cudi Kid Cudi has sounded for a long time. And it's scary to figure that your preference for an artist is derived in their articulation of their personal pain and struggles, I mean it's why we fuck with a Basquiat right? But here, here it's like Cudi just wanted to make his number one fan Travis Scott happy. The reserved role that La Flame takes in this feels like that, like he's soaking the moment in. The production overall sound is very reminiscent of Man On The Moon, if not a remake considering Plain motherfucking Pat, Mike Dean, La Flame and Cudder were all on this, SQUAD.

Schoolboy Q – JoHn Muir

Produced By Sounwave Album: Blank Face LP

Deadly basslines and triumphant horns score Q’s coming of age tale to churn out one of the best songs on ‘.Blankface’. Can’t help but poorly crip walk when this album cut comes on.

Kemba – Already

Produced By Frank Drake Album: Negus

Honestly, one could have chosen any song on Kemba’s often brilliant LP, ‘Negus’ but ‘Already’ takes the cake for two reasons: it’s Frank Duke’s hardest beat since ‘Fuckin’ Up The Count’ and the artist sounds angry, dissatisfied and wounded by the awful recurring problems surrounding race. Isn’t that how we all felt in this bizarre year?

Samiyam Feat. Earl Sweatshirt - Mirror

Produced By Samiyam Album: Animals Have Feelings

This song was supposed to come right after Faucet but looking in this in totality it's fitting that it only dropped in 2016, a year later. A resolute Earl spits his way through his insecurities and imperfections "despite how they praising your face I'mma make do!". Earl's raps are never really about us, mans just telling his story and again we find ourselves in it. Looking in the mirror, seeing the only the nigga we wanted to be. It's not angry, it's aggressively encouraging.

Isaiah Rashad – Park

Produced By Park Ave. & D. Sanders Album: The Sun's Tirade

Trying to follow the topics Rashad dives into is genuinely exciting. In lesser hands, it just wouldn’t work but he’s always saved by the mere fact that he’s a compelling writer. Over fluttering hi hats and knocking sparse bass, he compares himself to Nicki Minaj and Guwop, reveals sexual infidelity while denouncing his savagery and still sneaks in discerning bars about fatherhood and religion. What really trips one out is how effortless it all sounds.

Noname – Freedom Interlude

Produced By Phoelix & Saba Album: Telefone

Out the shadows, Noname took her spot as one the more talented rappers of her generation. ‘Freedom Interlude ‘  is all her strengths wrapped in one warm song. Her intricate soliloquies spill over some steady drums and calming chords as she wanders and aches about Bill Cosby, perception, motherhood, becoming and everything in between.

Jeff Chery – Salty

Produced By Stefan Green

The cliché goes: if you don’t have haters, you aren’t doing anything noteworthy. So, naturally, songs about them are probably my favourite. Nothing like glorious flexing as a defence mechanism to truly propel a song and Chery leans into his naysayers over woozy bass and autotune.

J. Cole – Neighbors

Produced By J. Cole Album: 4 Your Eyez Only

Certain people will always let prejudices rule their perception of others. As a young black man, the hurtful reminders creep up on you every time who walk pass a car and the white person inside frantically locks their door or when you call your friends for a get together and your racist nearby residents bring the police to your doorstep to break it up. Cole explores this reality in a way that’s both relatable and fittingly hopeless. No matter who or where you are, the burden of being black is sometimes too heavy.

DJ Khaled Feat. Drake - For Free

Produced By Jordan Ullman & Nineteen85 Album: Major Key

I didn't want Khaled and Drake to have another anthem so they made another anthem. And as audacious as Drizzy Drake Rogers might be, as irritating as his love "Serana, Rihanna and JLo in one year" life might be, this is a really nice song. Like those moments after when you're feeling yourself, appreciating your agility wanting to ask the person next to you “... Is this sex so good I shouldn't have to fuck for free?"

Ma-E & AKA – Lie 2 Me

Produced by: Brian Soko, Mr Kamera & Ma-E 

Ma- E is basically your uncle who tries way too hard to look/sound ‘hip’ but still somehow pulls it without coming off corny. This ‘Township Counsellor’ gem hides the lingering insecurity of being rich/famous and always wondering if people like you for you or what you offer. Roping in SA’s erratic egoistic makes perfect sense as the pair smash this one out the park.

Ka – Just

Produced By Ka Album: Honor Killed the Samurai

Gangster turned firefighter, Ka writes like how one would imagine if they found themselves in a ‘I Am Legend’ type world. Even the pragmatic, bare-knuckle beats can’t dull the emotionally profound bars about backstabbers, dead loved ones, poverty and unfulfilled potential. Guilt more than anything invades this samurais’ nightmares.

Lil Yachty - One Night (Extended) 

Produced by TheGoodPerry Album: Lil Boat

It's really the most pleasant mean way to tell a hoe she ain't no wifey, matter of fact to tell anyone she ain't no wifey. But the video is tight tho, very Odd Future 2011-esq and very much Lil Yachty's assertion that he's pretty much here to do whatever the fuck he wants with this hip hop thing, and even scarier is that you actually can't stop him. Hook hella catchy tho.

Cousin Stizz Feat. Larry June – Down Like That

Produced By Puff Daddy Album MONDA

Billed as a showcase of star potential, Stizzy breaks out of the seriousness that drives ‘MONDA’ for some old fashioned hijinks. But Larry June truly murks this sizzling beat with one of the verses of the year. Who else can deliberately rap off beat, admit and end the bar with cold ‘fuck rap’?

Belly Feat. 2 Chainz, The Weeknd & Yo Gotti - Might Not (Remix)  

Produced By Merlin Watts, DaHeala & Ben Billions

Between the time the original and now Belly had delivered consistently cold bars embodied in solid projects twice. And hip hops heavy hitters and OGs aren't asleep to this, Belly's signed to Roc Nation. Everyone on here does their part but it's 2 Chainz who steals the show with his playful but vicious flow with audacious lines like, "IF YOU LOVE ME TAT MY NAME ON YOUR UTERUS!". Belly comes through cold tapping into the drug taking, model fucking persona The Weeknd had before he went full pop on us. And while Yo Gotti's verse is otherwise forgettable, mans didn't go down without a fight. 

Young Thug - Digits/Swizz Beats

Produced By Wheezy Album: JEFFERY

Thug’s output makes it hard to pick a favourite but these two highlight why I love Slime’s style. He’s a unique, eccentric singular voice that constantly defies rap norms and conjures up memorable hooks with ease.

A$AP Mob Feat. A$AP Rocky, A$AP Ant, A$AP Ferg, A$AP Nast, A$AP Twelvyy & Juicy J  - Yamborghini High

Produced By Hector Delgado Album: Cozy Tapes Vol. 1: Friends

First off, s/o and daps to A$AP Mob for executing skits on a tape the way we remember skits on a tape, niggas too fucking cozy. It's the type of contextualising taking us back to Pesos. A corner store in Harlem. Second, you gotta want to believe that Yams in heaven tripping the fuck out not only watching the most tumbler-esque video but fact that the whole tape is not only an ode to Yams but also the preservation of his legacy.

Denzel Curry – ULT

Produced By Finatik N Zac, Nick Leon & Ronny J Album Imperial

The most gifted pick on 2016’s XXL Freshmen List. ‘ULT’ is the perfect song if you’re unfamiliar with Curry’s work. It’s high tempo and ferocious coupled with unyielding intelligence. Denzel sounds unflinching in the face of racial profiling and police brutality as he basks in the idea of unity. The chorus carries its 2Pac influence proudly. Revolt music.

Chance The Rapper feat. Saba - Angels 

Produced By The Social Experiment & Lido   Album Coloring Book

Chance is that guy, he either irks you or like Obama he's on your playlist(s). So this song found its way onto mine. This is the soundtrack to my success, the background music to scenes of triumph, the sound of joy, a thugs prayer of gratitude ..that's this song. Pain is beautiful but it takes real skill to articulate happiness. 

 ASAP Mob - Telephone Calls Feat.  Yung Gleesh, Playboi Carti, Tyler, The Creator & A$AP Rocky

Produced By Plu2o Nash Album Cozy Tapes Vol. 1: Friends

The best thing about this song outside the quotable, outside Tyler stepping his flow up, outside walk Gleesh walk and outside "POST MAN, who dis?" is A$AP Rocky's verified lyrics where he writes about Tyler "I wish I knew this nigga my whole life" ❤

Frank Ocean Feat. KOHH – Nikes

Produced By Malay Ho, Om'Mas Keith & Frank Ocean Album: Blonde

Frank’s writing displays vulnerable humanity that we all try and tap into on our best days. ‘Nikes’ is filled with hilarious shit talking, short eulogies to passed peers and kin, lines about doing lines and trying to stay young. Life in your 20’s captured in 5 minutes.

Isaiah Rashad - Free Lunch

Produced By Cam O'bi Album: The Sun's Tirade

 Damn, I hate to say this but drugs and depression gave depth to this man’s music and made it interesting. After Clivia Demo, I had feared that under the shadow of TDE/Kendrick hype, that like other almost kinda famous sorta artists we were going to lose him, collateral damage so to speak. But instead Rashad in the most cliche of ways turned tragedy into triumph. 

Skepta – Man(Gang)

Produced By Skepta Album: Konnichiwa

The appeal of grime is its ability to be entertaining and aggressively haughty simultaneously. Skepta comes for everyone’s head on this ‘Konnichiwa’ standout. Fake fans and friends, washed rappers &wannabe fashionstas; no one is spared. London boyz made noise in 2016.

Childish Gambino – Me & Your Mama

Produced By Ludwig Göransson Album: "Awaken, My Love!"

The signal to the stars. Sitting through this ever mortifying gospel-rock joint feels transient. A shift from dick inspired punchlines to channeling Parliament Funkdelic; Donald Glover is proof of the rewards of artistic progression.

Danny Brown - Dance In The Water 

Produced By Paul White Album: Atrocity Exhibition

I'd like to think that this song would fit perfectly in a Tarantino film that's already been made, maybe that one about the car with Rosario Dawson and the lady who did stunts for Uma Therman. I'd like to think those things, a perfect middle between the old world and new. Danny Brown, at his peak, paints the most perfect picture of curated chaos.. 

Saba & Noname – Church/Liquor Store

Produced By Cam O'bi Album: Bucket List Project

Two of Chicago’s more gifted writers take us on a ride through their hometown. Saba is insightful, sorrowful and clear headed as he tackles addiction, gang violence, gentrification and the school to prison system. Noname acts as the perfect foil. It soars with gorgeous keys and beautiful choir worthy voices that only add to the misery

Earl Sweatshirt & Knxwledge – Balance

Produced By Knxwledge Album: 2016 Adult Swim Singles

A sensible union. Two talented non stars whose styles fit each other like big feet & AF’s 1.Earl’s attention to detail add a personal touch to universal gripes of being young, black & confused. His mumblings feel at home over Knxwledge’s lush, anxious phrases.

AKA ft Yanga – Dream Work

Produced by KJ Conteh

Sampling ‘Street Fighter’ should already make this a classic but AKA takes it a step further by rightfully staking a claim to SA rap’s crown. The hook is masterful; Yanga’s voice complements the thumping bass perfectly and AKA sounds focused, sharp and agitated. A continuation of a 5 year streak that doesn’t seem to be ending anytime soon. Long Live Supa Mega.

Terrance Martin – Valdez off Crenshaw

Produced by Terrace Martin Co-Produced by Robert “Sput” Searight

Modern music would be less great without Terrace Martin. One could go on an endless tangent listing countless accolades and contributions but rather we stick to this one moment on “Velvet Portraits”. It’s a mesmerizing piece of jazz leaning funk that contains an electric guitar solo that’s so beautifully over the top you can’t help sit in awe. An experience.

D.R.A.M Feat. Lil Yachty – Broccoli

Produced By J Gramm Beats Album: Big Baby D.R.A.M.

There's this phenomena taking place where new kids want to be their own, don't want to inherit problems, keen to dictate their own narrative. This song is a prime example of this. D.R.A.M is on here with his puppy hugging positive healthy outlook on life bars and Lil Yachty is here in his whole self. The millennials Big Pimpin', I’m calling it.

Kadhja Bonet – Honey Comb

Produced By Kadhja Bonet Album: The Visitor

‘Classical music’ can be an off putting label. But Bonet puts a modern spin on the genre and breathes new life into it. It sounds so good it possess the power to you cleanse all your proverbial sins. Gorgeous piece of music.

 Solange Feat. Lil Wayne - Mad 

Produced By Troy "R8DIO" Johnson, David Longstreth, Sir Dylan, Solange &Raphael Saadiq Album: A Seat at the Table

Very rarely are us folk, black folk, worldwide given the space to be angry. Our sorrow, our pain and small glimmers of happiness have their time, designated hours. So when you're mad, you're mad on your own, you're carrying it on your own .. and when you finally exhale it's a lot. Mad about inabilities and inadequacies of the self. It's always just too much to never have someone ask "why you mad son?". It's a relief to have a song like this affirm that anger. Affirming the experience of holding on anger only for it to be dismissed, invalidated to be "why you always be so mad"-ed. I praise Solo for speaking this truth. 

Rae Sremmurd Feat. Gucci Mane – Black Beatles

Produced By Mike WiLL Made-It Album: SremmLife 2

Mannequin challenge aside, ‘Black Beatles’ was destined to be a hit. Swan Lee sounds like a fallen angel; cautious and courageous. Jimi admirably keeps up and Gucci is his outrageous melodic self. Mike Will brings out the trademark ear wormy tunes and you’ve got a stellar song that celebrates youthful exuberance like no other this year. Rae Sremmurd > The Beatles

Rich Chigga - Dat $tick 

Easily the hardest bars and hardest beat of the year, or the 2nd Quarter.  Upper Echelon bars. YOUR FAVORITE RAPPER WAS SHOOK WHEN HE HEARD IT. 

DJ Esco Feat. Future & Rae Sremmurd - Party Pack 

Produced By Southside & DJ Esco Album: Project E.T. Esco Terrestrial

 If you questioned the longevity of Future's "glow up" or how Rae Sremmurd would navigate beyond being the cute small guys then this song stands as testament. On this song Future sounds energized, he sounds damn near competitive on a song that features another well executed Swae Lee hook and a very well placed Slim Jxmmi.

Boogie – Nigga Needs

Produced By Keyel Album: Thirst 48, Pt. 2

Boogie has a knack of simplifying nuanced thoughts and conflicting feelings. Coupled with a video of him as a bleeding centrepiece in an art gallery, The Thirst 48 rapper tries to come to terms the difficultly of self-improvement in a world that conspires against him.

Travis Scott Feat. NAV - Beibs in the Trap

Produced By NAV Album: Birds In The Trap Sing McKnight

 Ay, millennials finally get our own cocaine raps, that tight. But say no to drugs. Drugs ruin lives. Drugs also cost way too much money to pick it up as a habit. Also, who actually does cocaine anymore. Isn't tripping on anxiety meds, though troubling cos clearly in the purest sense of self we have proved incapable of dealing with the realities of this world, the wave? I dunno, just don't do crack kids. That's not glamorous. Neither is crushed up Ritalin on your gums. Great song though 5/5 shout outs NAV for the harmonies and production s/o Justin Beiber.

Westside Gunn & Action Bronson – Dudley Boyz

Produced By The Alchemist Album: Flygod

Wrestling and food references? Boasting about hardness and superior garments over velvet soft chords? Why didn’t this collaboration happen sooner? Old heads need to pay more attention to Westside and stop complaining about mumble rap.

DJ Khaled Feat. Jay Z & Future – I Got Keys

Produced By Jake One, G Koop & Southside Album:Major Key

The God MC came down a couple of times this year to bless his subjects but this Future – assisted joint was a highlight. Not a world beater but admirable considering it is a 42 year old taking a jab at a relentless Southside banger.

2Chainz – Ounces Back

Produced By DJ Spinz Album Daniel Son; Necklace Don

This Christmas, I’m thankful that the most entertaining rapper on earth was inspired all throughout the year. A performance littered with ludicrous lines about forgotten apartments in Jupiter(???), expensive jewelry and his upper echelon sex game. The flow is never forced or out of pocket over dreamy bass and stuttering keys. How is he over 40 and more inventive than rappers half his age?

21 Savage – No Heart

Produced By CuBeatz, Southside & Metro Boomin Album: Savage Mode

The line between fantasy and realism grows blurry with each social media update. We continue to laud rappers who seem to draw from real life experiences more than the ‘posers’ and that what makes ‘No Heart’ so great.21 is way too specific & menacing not mean any of his threat- filled lines. Metro Boomin’ matches the dead eyed feel with his most minimalist work to date and the end product is as enthralling as it is terrifying. 

Chance The Rapper Feat. 2 Chainz & Lil Wayne - No Problem 

Produced By BrassTracks Album: Coloring Book

Chance The Rapper Feat. 2 Chainz & Lil Wayne - No Problem Produced by: Album: Coloring Book  Coloring Book is one of those polarizing projects, you either felt it or you didn't .. I didn't. But he made songs like this that didn't make you feel like you were at Christian Rap Camp, some menacing statements were made on here echoed by your mum’s church choir. Wayne told us about freeing the choir, Chance threw threats about labels meeting the real south side and 2 Chainz? Man that man effortlessly floated just right on this pleasant song that even this weird iPhone class project video even is enjoyable.  ZBo8QA/K2O8

Migos Feat. Lil Uzi Vert – Bad & Boujee

Produced By Metro Boomin Album: CULTURE

An ode to classy fly women that even Uzi Vert couldn’t ruin. Offset’s show-stealing hook sticks in your mind like a deferred exam. A shining example of the power of Migos as a hit-making collective.

Kanye West Feat. Kendrick Lamar -No More Parties in LA

Produced By Kanye West & Madlib Album The Life of Pablo

It's only fitting that the most flagrant and audacious bars would find themselves sitting on this masterpiece. It's almost felt like a battle rap, Kendrick urging Kanye to rap again and Ye coming the fuck thru, "that God for me!" Pablo declares triumphantly and the song is so good, it's such a Kanye signature sample old heads the energy in the recording studio is crazy with McDonald's and Hennessy. Crazy. Fucking magical is what it is.

G.O.O.D Music Feat. Kanye West, Big Sean, Quavo, Gucci Mane, 2 Chainz, Travis Scott, Desiigner & Yo Gotti - Champions

Produced By Kanye West, A-Trak, Lex Luger & Mike Dean Album: Cruel Winter

Briefly, for but at least a second it looked like Kanye, Pusha T, fucking Kid Cudi, La Flame, 2 Chainz and even Big Sean .. it looked like the gang were back together. This single came as a result of hysteria, a just released Gucci, Kanye West finally releasing an album, a Quavo in his prime on a fucking MIKE DEAN track. In this moment, with the whole world in a frenzy doing everything they could do to somehow get their hands on these super stars, we were reminded that this label, GOOD Music, is a home to champions.

[voodoochili]

My Year in Music - Albums

You guys know how 2016 was an atrocious year that everybody hated and wanted to end months before it was over? Let’s revisit it so I can talk about some music I liked!

Thanks to the magic of Spotify Premium and the horror of the outside world, I listened to more new albums in 2016 than I ever have before in a single year. I was able to rank 50 albums worthy on putting of a best list, and I left out a ton that either did not make the cut or I haven’t spent enough time with. Yet it was such a fantastic year for music that I am sure there are plenty of excellent albums that I missed. While 2016 did not boast a singularly transcendent album like 2015′s To Pimp a Butterfly or 2014′s Black Messiah, it boasted a deep bench of excellent albums--an onslaught so overwhelming that my Spotify listening list nearly collapsed under its own digital weight. Anyway, enough jibber-jabber, here are the albums that stuck out to me as the cream of the crop (Yes, I left off Blonde on purpose).

Check ‘em out after the jump:

THE TOP 20:

20. Radiohead – A Moon Shaped Pool: A typically beautiful record from the world’s foremost paranoid androids, A Moon Shaped Pool is the first Radiohead album to fully integrate the arranging powers of guitarist Jonny Greenwood into the group’s sound. After spending much of the past decade as Paul Thomas Anderson’s go-to film scorer, Greenwood’s orchestral mastery nearly overtakes Thom Yorke’s falsetto as the record’s focal point. Marrying the glitchy electronics of the band’s early ‘00s output with soaring strings and minimalist piano, highlights like “Glass Eyes,” “Present Tense,” and “Daydreaming” stand up to the best material of the group’s career. The best moment of the record for me: finally hearing the impossibly sad studio version of “True Love Waits,” after spending nearly a decade obsessing over the live recording.

19. Beyoncé – Lemonade: In which pop culture’s most infallible figure opens up about her marital woes, enlisting the full power of some of the biggest names in the music industry to affirm her greatness. Lemonade is an album with towering singles (“Formation,” “Sorry”), but also a collection of spectacular moments, from the New Orleans-style horn rave-up at the beginning of “Daddy Lessons,” to the moment Jack White comes in at the chorus of “Don’t Hurt Yourself,” to her pained vocal runs towards the end of my favorite track, “All Night.” An audacious follow-up to the artistic and strategic brilliance of BEYONCÉ, Lemonade proves that Beyoncé will never simply rest in the limelight, but that she will forever use her station to empower, experiment and push music forward.

18. Isaiah Rashad – The Sun’s Tirade: “I got the music for the vibers,” chants Isaiah Rashad on “Rope/Rosegold,” and he’s not kidding. But it’s such a unique vibe, simultaneously laid-back and aggressive, with liquid, jazzy production that evokes the Dungeon Family at its most introspective. Isaiah invites us into his head, and whether he’s fighting off fans impatient with his long break between albums, reflecting on his nearly fatal battle with drugs and alcohol, or simply talking shit, his evocative pen and pronounced drawl bring out the best in each instrumental.

17. Kanye West – The Life of Pablo: Enough people have written enough about Kanye West in 2016, but here I go anyway. Whether or not the man has completely lost his rocker, he remains one of our greatest sonic architects. Each track on TLOP flows seamlessly into the next, building an exhilarating sense of forward momentum hurdling toward the tragic triptych of “FML.” “Real Friends,” and “Wolves” (keep Frank, I can take or leave Vic and Sia). If Kanye could just rein in his grossest impulses (I don’t need to hear about bleached anything, thank you very much), the album would place much higher on my list. Then again, if Kanye had any impulse control, he wouldn’t be Kanye, would he?

16. YG – Still Brazy: When YG emerged several years ago with “Toot It and Boot It,” who could have predicted that the charismatic, but seemingly- dunderheaded rapper from Compton could become one of our most reliable purveyors of political rage? A paranoid masterpiece of modern G-Funk with 4K production value, Still Brazy is a worthy follow up to My Krazy Life, my second favorite album of 2014. Still Brazy lacks the narrative cohesion of its predecessor, making up for it with a seething anger against the police, haters, the people who shot him outside his studio, and especially Donald Trump. We live in brazy times, and we’re lucky to have YG to give voice to our fear, confusion, and righteous fury.

15. Maxwell – blackSUMMERS’night: In a hype-driven, fast paced music industry that churns through artists as fast as it produces them, Maxwell works at his own pace. Released seven years after the confusingly titled BLACKsummers’night, Maxwell’s latest is a blissful oasis, a “Lake By The Ocean” if you will (you will!), tucked away from trends in mainstream urban music. Forever concerned with matters of the heart, Maxwell eschews the neo-soul of his early work. He refracts the sound grown-and-sexy icons from Seal to Sade, masterfully flexing his divine falsetto over liquid future-funk on “All The Ways Love Can Feel,” wallowing in bluesy murk on the epic “Lost,” and lamenting his devotion to an unfaithful lover on “Gods.” It’s been over two decades since Maxwell first introduced us to his Urban Hang Suite, yet Maxwell remains a unique and mysterious presence—one who lets his considerable talent speak for himself.

14. Shearwater – Jet Plane & Oxbow: Shearwater’s Jonathan Meiburg uses his intricately-crafted songs as bedrock for orchestral, ornate arrangements. Jet Plane & Oxbow finds Meiburg enlisting the services of composer Brian Reitzall (the man behind the original scores for Lost in Translation and the Friday Night Lights movie, among others) to create a tapestry of arresting synthetic sounds. Together, Meiburg, Reitzall and the band create a modern near-masterpiece of synth rock. Standout tracks include the gurgling, slowly-building “Backchannels,” the menacing bassline and disorienting orchestra of sound effects on “Filaments,” the Unforgettable Fire-style bombast of “Radio Silence,” and especially the gorgeous, generational power-ballad “Wildlife in America,” a soaring rumination on the seeming impossibility of the American dream.

13. Young Thug – JEFFERY: Possibly the most eccentric and enigmatic figure in the world of modern Hip-Hop (which is saying a lot), Young Thug’s decision to name his latest “mixtape” after his government name seemed to indicate a more personal approach to his art. Turns out, it didn’t really happen that way, with JEFFERY bringing the same gonzo melodies and glorious non-sequiturs of his previous releases. What’s new?: the dude levels the fuck up when it comes to his rhyming, especially on the opening and closing tracks. JEFFERY is a revealing look into Thugger’s mind and possibly into his artistic process. Each track on the tape is named after an influence or personal hero (and one named for “Harambe” because in order to be a meme, you have to be aware of memes I guess), and many of them consciously ape and inhabit the styles of the namesake. “Future Swag” imitates Future’s clipped, rhythmic cadence over a bouncing 808 Mafia production. “Wyclef Jean” is steeped in the music of the Caribbean, creating a thrilling hybrid of trap music and roots reggae. My favorite track on the project changes every day, but right now it’s probably “RiRi,” which boasts Jeffery’s most affecting, impassioned vocal to date. “IF YOU WANT IT YOU GOTTA EAAAAARN IT,” Thug barks (like a goddamn seal), and by God I think he’s earned it.

12. Field Music – Commontime: The long-standing project of brothers Peter and David Brewis, Field Music performs angular, fractured pop songs that often buck standard songwriting conventions. They have melodies for days, buried under addictive herky-jerk rhythms and droning keys. The result is a disorienting but addictive swirl of distinctly British art rock, echoing the dueling songwriter avant-pop of XTC, the fanciful working-class heroics of Roxy Music, and the pop adventurism of the Synchronicity-era Police. Commontime features some of the catchiest guitar-based music I heard all year, with the choruses from “The Noisy Days Are Over,” “Disappointed,” and “It’s a Good Thing” occupying a disproportionate amount of real estate in my cerebral cortex since January.

11. Danny Brown – Atrocity Exhibition: The dominant story in much of Hip-Hop is a rags-to-riches narrative, a triumphant tale from bricks to Billboards, from grams to Grammies, etcetera. Nobody in Hip-Hop, however, makes you feel the rags part of the story as deeply as Danny Brown. To Danny Brown, extreme poverty is not merely a life stage to overcome, but a trauma with aftershocks that never go away. “Some people think I think to much/I don’t think I think enough,” raps on “Rolling Stone.” His third straight classic since 2011’s XXX, Atrocity Exhibition, named after the discordant opening track to Joy Division’s notoriously bleak Closer, is a typically gritty expedition into Danny Brown’s consciousness, with outrageous punchlines counterweighting visceral depictions of debauchery and dark observations about his rough early life. Teaming up with production partner Paul White for 10 of the 15 tracks, Atrocity Exhibition finds Danny weaving his rhymes through an appealing industrial murk, equally reminiscent of RZA’s production on Liquid Swords and This Heat’s darkest sound collages. He soberly recalls his life as a low-level crack dealer on “Tell Me What I Don’t Know,” seethes a quiet despair on “Downward Spiral,” and frenetically proclaims his rhyming supremacy on “When It Rain.”

10. Chance The Rapper – Coloring Book: In 2016, Chance The Rapper finally shunted his label as the Next Big Thing to embrace his destiny as one of the Current Big Things. Few artists of any age, genre, or era can match his contagious exuberance, charisma, and skill. All of these attributes come out in full-force on Coloring Book, his third mixtape. Supercharged with gospel choirs, heavenly brass, and an assist from an assortment of music superstars and talented local friends, Coloring Book was a ray of light in a dark year. Coloring Book lacks much of the impish charm of Acid Rap, and trades much of that album’s social consciousness for earnest biblical pronouncements, but it radiates a special type of warmth and instills a sense of hope that I could not find elsewhere this year. I do not have the same relationship with God that Chance The Rapper does, but I can appreciate the way his spirituality informs his intense, infectious love for his friends, his family, and his infant daughter. The world is a better place for having Chance in it, and, remarkably, this is still just the beginning.

9. Cymbals Eat Guitars – Pretty Years: The best band to spring from Staten Island since the dawn of the Wu-Tang Clan, Pretty Years is the fourth and best album from Cymbals Eat Guitars. Long-time purveyors of surround sound shoegaze pop, this album finds the group demonstrating their songwriting chops, ranging from the hardcore stylings of “Beam,” to the Explosions in the Sky meets jangle-rock of “Have a Heart,” to the “Spirit in the Night”-esque saxophone stomp of “Wish”, to the titanic slow build of closer “Shrine.” On Pretty Years, the band embraces a more personal style of lyricism, writing songs about specific days and events. With producer John Congleton collecting the band’s ringing guitars and stampeding drums into a formidable explosion of sound, the epic expanse of the instrumentals combines with the specific and personal lyrics to illustrate the divine beauty of everyday life.

8. Kendrick Lamar – untitled unmastered: Though the songs that comprise untitled unmastered emerged from the To Pimp a Butterfly sessions, it does them a disservice to call them outtakes. They have no names, just numbers and dates, and they do not quite fit into the intricate TPAB narrative; but these songs, especially the four in the record’s incredible back half, are among his most musically adventurous and sharply written tracks to date. Less frenetic and more laid back than much of its parent album (the Thundercat basslines have more room to breathe, the strings and horns are sparing, but effective), untitled unmastered is a thought-provoking and often humorous reflection on Kendrick Lamar’s career and a meditation on a young black man’s position in society today. My favorite track: the swirling, gorgeously odd, Cee-Lo Green-assisted “untitled 06,” a triumphant ode to the artistic spirit.

7. Noname – Telefone: Noname is an inspiration, an old soul trapped in the body of a 25-year old rapper from the South Side. She rocks a conversational, poetic flow, rhyming about grief, violence in Chicago, and abortion with an earned wisdom and a feather-light touch, illuminating a perspective too often ignored in the media today. Produced by a cadre of fellow Chicago prodigies, including Saba, Phoelix, Cam O’bi, and Monte Booker, Telefone is one of the most beautiful albums I heard all year; warm, jazzy, and forward-thinking. Chiming bells and schoolyard xylophones intersect with steel drums, handclaps and sine waves, providing an ideal bedrock for Noname’s plainspoken wisdom: “When the sun is going down/and the dark is here to stay/I picture your smile/like it was Yesterday.”

6. Anderson .Paak – Malibu: After building his name the L.A. rap underground and finally breaking through on Dr. Dre’s Compton, Anderson .Paak introduced himself to a rapt national audience in 2016 with countless guest spots and two excellent albums. Anderson .Paak was probably my favorite live act of the year; a charismatic combination of James Brown and Clyde Stubblefield. I saw him in front of a good-sized crowd at a side stage Austin City Limits, leading his crackerjack group of Free Nationals as an energetic frontman and a virtuosic drummer. With Malibu, .Paak proves to be the rare superlative live act to fully translate his talent and energy to the recorded realm. Malibu is a summery slice of Anderson’s Southern California, blending funk, Hip-Hop, and R&B into a signature style, complete with an infectious half-sung/half-rapped delivery and a pro’s sense of songwriting classicism. The cascading chorus on “Heart Don’t Stand a Chance” is one of the soaring musical moments of the year, and Brian Cockerham’s bassline on “Come Down” transforms Hi-Tek’s unlikely sample of the Israeli national anthem into a funk monster. Joyful and endlessly replayable, Malibu is the ideal soundtrack to L.A.’s everlasting summer.

5. David Bowie – Blackstar: It is impossible to discuss Blackstar without mentioning this, so here it goes:

Blackstar is the final album from one of the most original and iconic artists of the past century, a goodbye letter to his fans that he recorded knowing full well that he might not live to see its release.

Bowie littered his lyrics with abstruse references to his impending demise, making an already haunting album even more profound. However, even if Bowie survived the year, the unapologetically strange and experimental Blackstar would rank among his greatest releases. The epic, atonal title track is one of Bowie’s masterstrokes, twisting through effortless tempo and mood shifts, accompanied by terrifying, yet often darkly funny lyrics. Bowie’s pitch black sense of humor also elevates “Lazarus” from maudlin to essential, as Donny McCaslin’s saxophone mournfully accents the artist’s depiction of his final days. Bowie’s final transmission to ground control is “I Can’t Give Everything Away,” a poignant, discordant ballad that illuminates Bowie’s single regret: that he will not be able to gift the world anymore art.

4. Schoolboy Q – Blank Face LP: 2016 was an amazing year for L.A. rap, and while Anderson .Paak, Kendrick, and YG released some of the year’s most exciting music, Schoolboy Q surpassed them all with the epic Blank Face LP. Working with many of the game’s brest producers (The Alchemist, DJ Dahi, Cardo, Tyler, The Creator, etc.) on this expansive, cohesive sound collage, Schoolboy Q snarls his way through 72 near-flawless (sorry “Overtime) minutes of straight gangster shit. Still a master of declarative, rhythmic hooks, Q refines his stream-of-consciousness verses, painting a gritty, and often terrifying, picture of Figueroa Street and South Central with humor, viciousness, and pathos. Blank Face boasts one of the year’s best basslines on the title track, two of the year’s broadest and best guest verses of the year in E-40’s “Dope Dealer” spot and Kanye’s batshit takeover of “THat Part,” and a convincing rap/rock hybrid on opener “TorcH.”

3. KING – We Are King: Bolstered by songwriting brilliance and gorgeous vocal harmonies, Los Angeles trio KING makes velvety, 1800-threadcount R&B. Comprised of sisters Paris and Amber Strother and “musical soulmate” Anita Bias, KING compiled extended mixes for five years worth of singles, plus some stellar original tracks, into We Are King, a powerful introductory statement. Theirs is a special brand of dreamlike soul, with genius-level chord progressions and angelic vocal harmonies, finished with a sumptuous production value. With its gentle groove and inviting lushness, We Are King is the perfect balm to melt away stress at the end of the day (it’s also a pretty decent hangover cure).

2. A Tribe Called Quest – We Got It From Here, Thank You For Your Service: When Phife died in March 2016, it seemed like a particularly cruel way for the story of A Tribe Called Quest to end. Little did we know that Q-Tip, Phife, and Ali Shaheed Muhammad had another trick up their sleeves. The fact that this album is exists--and is this amazing--is a miracle. The key, as always, is the interplay between Q-Tip and Phife. The two genius emcees bounce phrases off one another, finishing each other’s thoughts with witticisms and profound statements of truth. Jarobi White, formerly a glorified hypeman, makes us wonder why he didn’t rhyme on more tracks to begin with. The group dynamic extends to the guests such as Busta Rhymes, Consequence, Kendrick Lamar, and more, who seamlessly join Tip and Phife’s mindmeld for some of the best work of their careers. We Got It From Here… is the apotheosis of Tribe’s career, as the collective shows righteous anger towards racism and authoritarianism (“We The People,” “Conrad Tokyo”), sees hope in the future of music (“Dis Generation”), and, most touchingly, mourns the loss of their brother Phife Dawg (”Lost Somebody”). Despite the shadow of loss that hangs over the album, it’s a remarkably fun, engaging, and thought-provoking listen, and it was my most played album in the aftermath of the election.

1. Pinegrove – Cardinal:

“I’ll be sitting on the outskirts if you wanna talk about it/Things in there are getting so loud”

In a year when nearly every major pop and rap star released an album and some of the greatest artists of all time said goodbye, the album that hit me the hardest was a 30-minute debut by a modest band from my dad’s hometown of Montclair, NJ. The group, led by frontman/songwriter Evan Stephens Hall, mines a homespun blend of 00’s indie rock, emo, and alt-country—a nostalgic, yet novel approach, which when coupled with Hall’s voice creates a frisson that I felt from no other band this year. The eight songs on Cardinal twist and turn, avoiding traditional verse-chorus structure, instead building emotional peaks and valleys around Hall’s stories, dotted with pearls of matter-of-fact wit and wisdom. The centerpiece is “Aphasia,” a jaw-dropping feat of songwriting about the struggle to put feelings into words—it gradually builds up steam until it reaches a brilliant little song-within-a-song (!) and culminates with a cathartic guitar solo. “Aphasia,” and much of the rest of Cardinal, is so casually brilliant that it almost angers me, but hopefully there are many more moments like that in this young band’s future.

THE REST:

21. Kaytranada – 99.9% 22. The Avalanches – Wildflower 23. Terrace Martin – Velvet Portraits 24. BJ The Chicago Kid – In My Mind 25. Big Thief – Masterpiece 26. Ultimate Painting - Dusk 27. Skepta – Konnichiwa 28. Solange – A Seat at the Table 29. School of Seven Bells – SVIIB 30. Kevin Gates – Islah 31. Cass McCombs – Mangy Love 32. Jessy Lanza – Oh No 33. Underworld – Barbara Barbara We Face a Shining Future 34. Kaitlyn Aurelia Smith – Ears 35. Badbadnotgood - IV 36. Sturgill Simpson – A Sailor’s Guide to Earth 37. ANOHNI – Hopelessness 38. Leonard Cohen – You Want It Darker 39. King Gizzard & The Lizard Wizard – Nonagon Infinity 40. Crying – Beyond The Fleeting Gales 41. Leon Vynehall – Rojus 42. Mitski – Puberty 2 43. Saba – Bucket List Project 44. Joyce Manor – Cody 45. Black Mountain - IV 46. Kornel Kovacs – The Bells 47. Lambchop – FLOTUS 48. Japanese Breakfast – Psychopomp 49. Nao – For All We Know 50. D.R.A.M. – Big Baby D.R.A.M.

[redline-and-brickwall-blog]

reveiew of Genesis - murk daddy flex

my thoughts: my 1st thoght was murk daddy flex is a sick name. any name with daddy in it u know its gona be good plus the guys from goergia so hes derty south like me. so 5 songs in and stil no raps goin on so i guess its instamentil music and thats ok every1 needs somethin to rap to. asimov souns like a good song for a clasy nite out cruisen with the top down then go to chilis for diner. also im gona listen to hair kreshna universal place later while smoken a blunt that woud b so cool. i think murk dady uninspectedly blends rock with hip hop and some other wierd foregn music thats prety cool.

most badass lyric: none rlly but most of the skits where abot boxing i think so thats kina cool

funniest lyric: from crayon "ive got rythem yes i do..." not rlly funy lyrics but the voice was funny.

dopest beat: the beginning part of sidewinder was a total banger before it got all weird

rate songs 1-10 stars: 4 stars. good for ppl who are tired of lissenin to everything they have and need a new thing

rate cover art 1-10: 1 just some colors. i think the songs diserve better than that maybe like pictures of turntables would be cool or maybe a close up of some1s hand holden a blunt

overal 1-10 stars: 4 stars prety good productoin and workmanship but i just got so disapointed when theyre wasint any raps in it. but look to the bright side...every1 can aford this at 0$ to downlode but if u got any spare money layen around theyll let u pay any amount (just dont pay for rythem fighter its just 7 seconds and daddy murk prolly woudint mind if u just downlode that1 for free)

[joelrosenburg]

Joel Rosenburg: poster for MDF, 2014

[ohnoimlateforschool]

Band: murk daddy flex

Band location: Athens, Georgia

Why we like it: The other day I went to a Capacities show in New Brunswick. Upon arriving there i meet the dudes from Nurture who are this really tight post hardcore/emo band. We all got food (the vegan chicken cheesesteak from Tata's is pretty tight, plus they sell Don Giovanni records) and then we went to Cinco (yo lemme stop for a minute and tell you how great their burritos are. i went back that night to get some since i was too full from that cheesesteak).

ANYWAYS I started talking to Terence from Nurture and he was telling me about this instrumental jazzy hip hop stuff he makes. Nujabes came to mind when he gave me that description. The next day I checked it out and Nujabes came to mind again which is more than enough of a reason for me to like it.

Oh and the song your listening to if you hit play is this really cool track he made sampling American Football's The Summer Ends. All his stuff is pay what you want on bandcamp so you should follow in my footsteps and listen to it everyday on your way to work.

Where to get it: Bandcamp

[sixthpence]

I wrote a rap

this is about my friend darian

love me.

[michaellaudenii]

read more here: flagpole.com/blogs/homedrone/posts/hear-an-explosive-new-track-from-uncle-pizza-feat-jubee-murk-daddy-flex

Playing with Uncle Pizza @ Freekfest, Jan 25 @ New Earth (Athens, GA), rsvp here http://www.facebook.com/events/188896834638207/