#movie explained in telugu

[hindustanreporter]

Bichagadu-2 movie Business Analysis | Vijay Antony | Vijay Antony | Kav...

[pariaritzia]

Queerness in Indian Media

↳Film: RRR (2022, Telugu), dir. S.S. RAJAMOULI

RRR is a historical fantasy action drama that follows Bheem (NTR Jr), a Gond warrior who is in search of a Gond girl who was taken away from their home, and Ram (Ram Charan), the British Army officer assigned to catch him. Ram and Bheem meet under false identities and quickly grow closer, but everything is thrown into chaos once the truth is revealed and Ram is forced to choose between his ambitions and his attachment to Bheem.

Long before any white person had ever heard of RRR, queer Indians were cautiously optimistic that there would be something for us in this movie. There was the song Dosti, which felt more romantic than the average song about friendship; Bheem's intense declaration toward Ram in the trailer; Rajamouli explaining that there is no boy-girl romantic song (a staple of masala Indian cinema in any language) because "the romance angle is between these two guys only...bromance...they are the heroes, they are the hero and heroine, and they are the hero and villain"; the lead actors repeatedly questioning interviewers who referred to Jenny and Seetha as Bheem and Ram's love interests; and the writer, V. Vijayendra Prasad, being a huge fan of Salim-Javed movies, particularly Sholay, whose homosocial pairing has been read as queer by queer Indians for decades.

The movie itself gave us more than we could have hoped for from a project made on such a huge scale. Ram and Bheem mimic many of the "hero and heroine" pairings in so many masala movies, doing everything from the "slow-mo staring" for the first meeting, to getting a whole montage song for the progression of their bond, to dressing each other up, to dancing together at a party, to carrying each other, to rescuing each other.

The final rescue scene is perhaps the most telling, as it twists a well-known myth from the Ramayana by putting Ram and Bheem in the position of heroine and hero. It is not Hanuman who tells Rama where to find Sita in Lanka, but instead Seetha who tells Bheem where to find Ram. Bheem, upon finding him, promises to get him out 'even if [he has] to burn this Lanka down to do it'--then promptly carries him on his shoulders the way Hanuman carried Rama, to do away with any suspicions from homophobic audiences.

Those homophobic audiences still made their complaints--a glance at the oldest comments on any clip or behind the scenes video for RRR will make that clear--but they were drowned out by the many fans of the movie. Ultimately, like with any coded movie, the interpretation is up to the individual, but it is undeniable that a number of queer Indians felt that there was a romantic bond between Ram and Bheem. To dismiss that would do a disservice to the many queer people who have, are, and always will work quietly behind the scenes to write our stories, even if they can never say so directly.

[aliyahwritings]

I can totally see y/n forcing rafe to watch bollywood films like zindagi na milegi dobara and yeh jawaani hai deewani and them being so invested sharing popcorn while watching, and then y/n having to explain some of the jokes and romantic dialogue cause it doesn’t translate to english properly

YESYESYES!!!! i can totally see them watching those movies but i feel like during her period YN forces Rafe to watch romance movies with her (his favorite is Padmaavat) HE LOVES DEEPIKA DOWNNNNN!!!!!

sometimes YN pauses the movie to say some fun fact abt actor drama and even some stuff she relates to/reminds her of her country

(Rafe being a clueless white boy learning that South Asia isn't just India and that there's other languages like Tamil, Hindi, Marathi, Gujarati, Urdu, Telugu, Bengali, etc...)

At the end of movies, they debate about their favorite parts and she teaches him some stuff to say.

Rafe puts JJ, Barry and Pope on Bollywood movies.

DESIS FOR RAFE 🇵🇰🇮🇳🇧🇩🇱🇰🇳🇵🇧🇹🇦🇫🇲🇻

[jezebelgoldstone]

RRR (2022, dir S. S. Rajamouli)

things i am not now and likely never will get over from RRR

DRIFT COMPATIBLE BATTLE COUPLE DETECTED

queer? platonic? queerplatonic? who gives a shit no matter what it was it was AWESOME

Colonialism Is Bad Actually: The Musical

the symbolism. holy shit. every BIT of it was absolutely amazing.

wow all the mains in this movie are just, really hot? my poor lil pan heart had a rough time with this one ngl

the fact that someone (likely many someones) watched this movie about Colonialism Is Bad Actually and said 'you know what let's dub this whole thing into Hindi and English and then not give an option to watch it with the original Telugu dialogue' sure was,,,,,,,,, A Choice

THE MUSIC

by which i mean the actual song-and-dance numbers as well as the like story soundtrack all of it is going on my playlist asap

listen the spirk-behind-glass scene is awful. spock and kirk can't even touch. they can hear. they can see. but they cannot touch. and i in my sweet ignorant bliss thought that was as bad as it could get.

tonight i learned that holding someone in your arms through the bars of their cell is so much worse

I watched it on Netflix but i looked it up on a few other ahem websites and on EVERY SINGLE ONE Telugu audio wasn't even an option.

there was not one single chance to tie things together or make a connection or do a setup/payoff or callback that was not taken. not a single one.

everything about this movie is 100% Extra

in short: this movie is a masterclass

aaaaaand the rest below a cut because WOW i have a lot to say actually

which brings me to the dancing oh my gods. not sure i've ever seen such enthusiastic dancing in anything in my entire life. seriously by the final number i was exhausted just watching them

in general, this movie is: stunning

"RAM." "BHEEM." "SEETHA." IT'S ABOUT THE SYMBOLISM.

also this was kinda hilarious because i watched it in hindi [the least disorienting option] and they kept SAYING "ram" but in the subs it was always fuckin RAJU so like. again with the Choices. like seriously what was the thought process there. WAS there a thought process.

FIRE. WATER. STORY. I JUST. I. HELP ME.

i ADORED jenny. with my whole entire heart. she is one of the very BEST examples of Ignorance Is A Privilege and also At What Point Does Ignorance Become Malicious that i have ever ever seen. i loooooooooved it. i mean i hated it a whole lot while it was happening but also i am SO GLAD that now rather than trying to explain all of this to people i can just tell them to watch this movie and then sit them down and be like, so what are your thoughts on jenny's culpability in literally everything?

oh and how you can be a kind person and still do atrocities! like jenny is so sweet and so kind and you just like her so much and yet. and yet.

t h e s y m b o l i s m

i cannot remember the last time i saw a movie so visually stunning. the cinematography is breathtaking. pause on just about any random frame and it could be a movie poster or hanging in an art gallery or what have you.

they also dubbed all the lines that were actually in english? i mean i get it for the characters who spent most of the movie speaking Telugu because you'd need their voices to stay the same through the whole movie yeah fine whatever. but like. they dubbed all the ENGLISH characters, too? like literally dubbed them from english into english??? the dialogue matched their mouths except the timing was veeeery sliiiiiiiightly off but it SOUNDED really obviously dubbed??? Y THO???

HOLY SHIT THE FIGHT SCENES OH MY GODS

Malli. Malli honey i love you. i'm just realizing i don't know if that's your actual name gods damn it. but whatever your name is child i love you.

and did i mention that everyone in this movie is beautiful? like. seriously. Ram and Bheem especially holy SHIT.

Physics Does Not Work Like That And I Do Not Care Because That Was AWESOME: The Musical

oooohhhhh they re-recorded and dubbed the fucking SONGS too. i am so pissed about this y'all i can't even tell you.

oh i want to do a whole entire post that's even longer than this one about the symbolism. hell i could probably do a whole entire post just on the fire/water symbolism even without everything else. It was AMAZING.

okay ram is fire and bheem is water and ram's people go to a valley on the shores of a river and the river is in literally every shot of the village and just ram BEING fire but water being a place of HOME and SAFETY for ram

i'm not crying shut up

MALLI AND HER MOTHER TRY TO REACH EACH OTHER BUT THEY CANNOT TOUCH THROUGH THE GLASS

BHEEM AND MALLI HOLD EACH OTHER THROUGH THE BARS OF HER CONFINEMENT AND HE HAS TO LET GO AND LEAVE HER

BHEEM AND RAM HOLD EACH OTHER THROUGH THE BARS OF HIS CONFINEMENT AND BHEEM RIPS THE DOOR RIGHT OFF

ooooooohhhhhhh and people holding hands right before they part. oh that hurts. all of those hurt so bad.

how every single time people held hands when they parted they always held on till the last possible second EXCEPT FOR RAM'S MOM.

she lifts her hand away from him and then pulls back and it was devastating

Predators Do Not Work Like That But I Do Not Care Because That Was Awesome And Also They Ate A Bunch Of Colonizing Cops: Queercoded Edition (ACAB)

bheem with his arms spread and rope or chains around his wrists or in his hands. i just. the way it flipped back and forth from 'he has the power' to 'he is helpless' to 'he should be helpless and isn't' was just. breathtaking.

AND THEN. AND THEN RAM. CHAINED UP THE SAME WAY. DOING THE SAME GODDAMN THING AND USING THE FACT THAT HE'S CHAINED UP FOR HIS OWN FUCKING PURPOSES BECAUSE HE SAW BHEEM DO IT FIRST DON'T TOUCH ME

okay listen this movie would've been good no matter what but like. they really are just SO beautiful. and. when ram. with like the long hair. and. beard. and like. you know? like. his. his hair. his general. everything. um.

literally at the most emotionally inappropriate moment i literally thought about that whole 'i saw a man so beautiful i started crying' thing and like that almost literally happened literally

Why There Can't Be Any Such Thing As Good Cops: The Romance (ACAB)

and like here's the thing i'm not sure i would've even NOTICED this had it not been for the linguistic chauvinism with the audio and everything but like both of them were hindu and a lot of the symbolism though awesome was also really strongly hindu and i just i don't know nearly enough about hindutva to have any kind of opinion BUT i also feel like maaaaaaaybe there was something a little uncomfy about some of this

oh no wait the suspenders dance. that might've actually been the best part. yeah.

oh all the british actors did SUCH a good job being so eminently punchable

throw cheetahs at each other! and snakes! somehow have upper body strength greater than the force exerted by a 800+ lb tiger lunging! throw those motorcycles! punch through those walls without breaking your fingers! use herbal paste to heal broken bones in a matter of a minutes! break solid stone with nothing but the strength of your shoulders and gay love! i am so here for all of this!!!

Throw Rocks Marble Pillars Live Tigers Cops At Cops: The Movie (ACAB)

i love that jenny felt bad for the poor little girl who got kidnapped enslaved and imprisoned so she. bought her a dress and a toy.

you know, to make her feel better about the whole 'being kidnapped enslaved and imprisoned' thing.

instead of doing, i don't know know, literally anything else. like even just saying to her aunt 'hey this makes me sad' or something. #solidarity.

the violence was violent and the romance was sweet

okay so during the fight at the midpoint like i know that by the end of it ram and bheem are literal fire and water BUT ALSO. Ram enters the scene in a flaming carriage and from that point forward the fountain is in pretty much every shot of bheem. just sayin.

love that lachu (or whatever his name really is) told ram that there was no cure. like yes! you go man! ram may be so beautiful that in forty minutes i'm going to be in tears but that's no reason to tell a cop the truth about anything! you lie to that cop man!

A BRITISH SOLDIER HIT LOKI IN THE HEAD WITH A BRANCH AND THEN STOLE MALLI AWAY

BHEEM HIT RAM IN THE HEAD WITH A BRANCH AND THEN STOLE MALLI AWAY

i know other people got hit in the head with tree branches too but STILL

honestly i really like that ram and bheem were, well, ram and bheem. but i mean im glad they weren't like ram and lakshman or bheem and arjun or something. not even just because that would've been brotherly like i'm glad they weren't arjun and krishna or something either. i liked that their names weren't from the same story. i liked it better this way and i can't even articulate why.

i am never ever ever going to get over the progression of part of bheem's introduction being something going wrong and him holding two ropes (he has all the power) with his arms spread and that being used to show us how incredibly strong he is -> something going wrong and bheem with ropes around his wrists (he shouldn't have any power at all) holding his arms spread and that being used to show how incredibly strong he is in a completely different way

like every time there were ropes or chains in bheem's hands or around his wrists it meant something, and it was a beat in the rhythm of a discernable arc, but now i can't remember all of them gdi

oooohhhhh there was SO much more symbolism i wanted to talk about but it's so late that i have a headache and this post is so long my computer's lagging like two sentences behind so i should stop and go to bed. sigh.

just go watch this movie, okay? pleae? I cannot IMAGINE who would've read this whole thing,m but if you did, just watch it, all rigth? (and if you happen to know of any site - ANY site - where i can watch it in FUKIN TELUGU kindly drop a link please and thank)

[euphreana]

Screen Direction in RRR

Okay so as a cinematography nerd, it bewilders me that during the flogging scene, there is no screen direction.

Let me explain.

In visual media, we have the 180 Rule, which basically means that stuff on the left side of the camera stays on the left, and stuff on the right side of the camera stays on the right. (There's a lot more to it, but for now let's go with that.) This gives visual continuity so you can tell what's going on and who's where, even when things are moving around.

The thing is, this rule isn't followed at all during the flogging scene. Sometimes characters are on the left facing right, then in the next shot they're on the right facing left or right facing right or however. Randomly.

I screencapped every camera shot in the scene (all 178 of them) and the only continuity of screen direction is in the shots of Jenny and the people watching the event on the right facing left, and the Governor & Co facing the camera. (In the single shot when Jenny turns around to face the Governor's wife, the camera remains in its fixed position, so that still counts as visual continuity.) Aside from that, there's absolutely no consistency of screen direction.

This isn't a thing in the other major scenes. During Bheem's first attempt to save Malli (with the animals,) he starts on the right and, except for the end, is always trying to go to the left. It's the same with the big barracks escape - starting right and going left. (This in itself is odd since (at least in Western media,) the goal is usually to go from left to right, which makes sense since that's drilled into us in reading and writing. (The LOTR and Snowpiercer movies come to mind as prime examples.) Telugu, the original language of the movie, also reads from left to right, so this whole thing struck me as odd. Then I remembered Bheem's whole mission is to rescue Malli and go back home. It's established from the beginning that home is on the left, and Malli is taken to the right. So the whole movie, the goal, both thematically and visually, is about going back home. (Ram goes back to his home roots and Bheem literally goes home.) ANYWAY.) The cinematographers obviously do know the 180 rule.

In the flogging scene however, the cinematographers don't just break the 180 rule, they snap it in pieces and trample all over it. Given how other scenes stick to the rule, this seems intentional. Why? My best guess is that they wanted to make the scene chaotic and disorienting, despite there being little actual movement of the characters. Think about it; Ram's horribly conflicted between love and duty, and Bheem's life just got turned upside down. What better way to show that than a scene that visually feels off-balance and unpredictable?

Gutsy move.

[hobiebrownismygod]

Researching Characters so you don't have to Part 2: Pavitr Prabhakar & His Dialect

NOT MY ART! Click on it for the link! <3

Pavitr Prabhakar's accent is basically non-existent in writing. Its not like Hobie's where you make some letters silent and enunciate specific parts of the words. Indian accents, especially Pav's aren't shown through writing, which is perfectly fine. The difficult part of trying to write Pavitr Prabhakar is his dialect, not his accent.

Like I explained in my last post, dialect and accents aren't the same thing. An accent is the way someone pronounces things while the dialect is an accent along with vocabulary and grammar. Pavitr's dialect would be heavily influenced by Mumbai dialect, considering the fact that he lives in Mumbattan.

First off, Indians speak English. Like if you go to India, I guarantee that 90% of the people there under the age of 40 will speak fairly fluent English. Schools in India teach multiple languages, one of them usually being English, and Indian children are almost fluent in English by the age of 10-13. Its basically a necessity.

So if you're going to write Pav, don't butcher his English and make him sound like he doesn't speak it well, because thats not true. Most Indians speak English really well, and you shouldn't feed into the stereotypes with your writing.

However, he would speak a mixture of languages together. Think of it like Spanglish, where you use English grammar for Spanish words. Its the same thing with Indians. They often toss a couple of English words into a sentence using the grammar of whatever language they're speaking, whether its Hindi, Marathi, Tamil, Telugu, etc. They would also do it the other way around, tossing Hindi/Marathi/etc phrases into English sentences. So if you're going to write Pav, writing him tossing in Hindi phrases is going to be a lot more accurate than writing broken English or even full English, Especially if you're going to be writing him with his aunt, uncle or Gayatri, because they are all going to be speaking the same, if not a similar language, even if you're going to write them in English.

There's not much else to say, besides the fact that Indians tend to use some English words much more than they do in the west. For example Indians say the word "bro" a lot. Its seen in movies and just in general as well. Teenage boys and young adult men say "bro" almost all the time, usually referring to their friends, classmates, cousins, etc. But, they wouldn't say it to someone older to them or someone they need to be respectful towards, like a boss etc.

Some other phrases (Hindi) that Indians tend to use a lot are:

Bhaiyya (older brother - used to refer to boys older than you)

Achha? (really? - often used sarcastically but can also be used normally)

Arre! (Hey, hey you! - used to call someone, used to get someone's attention)

Yaar (friend - light/friendly slang term for a friend)

Like always, research is going to be your best friend, so if you want to find more of these phrases you can search them up on Google. Hopefully this helped <3

[voidsteffy]

can you talk about OK kanmani? I am having a brainrot🥰😭. Also autocorrect keeps correcting brainrot to brain roti lol.

autocorrect is a desi mom, confirmed.

OKK is like a warm hug? idk how else to explain it. I love Dulquer Salmaan and Nitya Menon's chemistry. And as usual rain is a very important character like I always wished in Mani Ratnam's movies.

The back stories come from a good place but are underdeveloped methinks.

Also, it is weird af to see Dulquer but listen to Nani (context: I saw OKK in Tamil and then in Telugu. In Telugu, Nani (Gangleader, Shyam Singha Roy fame) dubbed for Dulquer)

[mxnkeydo]

name top ten of your favorite Telugu movies (new). Yes, ten. Do it cus I'm bored and need stuff to watch.

YAYYYY ty luv u byeeeeeeeeee

ahhh okay here we go:

1. raja the great (comedy movie it’s HILARIOUS)

2. ala vaikunthapurramuloo (comedy too ITS SUCH A GOOD ONEEEE)

3. karthikeya 2 (based on indian mythology and the plot is literally so well-developed)

4. jailer (rajni kanth movie, SO FREAKING GOOD the dialogues were just *chef’s kiss*)

5. bro (about a dude who is given 180 more days at life when he almost dies, very emotional and sweet)

6. goodachari (spy movie, HIGHLY RECOMMEND I CANT SAY ENOUGH ABOUT HOW AMAZING IT IS)

7. happy days (a sweet movie about college romance it’s hilarious and the songs are so good too!! i love the dynamics between the characters too)

8. yashoda (basically a movie about uncovering a conspiracy in the medical industry, plot twists at every turn, super engaging)

9. mishan impossible (THIS IS LITERALLY SO FUNNY it’s about three boys who want money so they set off to bombay to find this criminal in exchange for the prize money and istg these kids are so hilarious i’m not even joking—)

10. bad luck sakhi (this movie is super entertaining it’s about a girl who’s believed to be bad luck for the village but her childhood friend returns and now she’s super happy and then she decides to participate in a shooting competition…it gets super dramatic lmao)

bonus: jathi ratnalu (yk what i can’t even explain just three broke guys going to hyderabad THEYRE SO GOOFY AHAHAHAHA)

none of these are in order all of them are equally great and i hope these give u some ideas on what to watch!! lmk if you end up watching any of them :)))

love yaa <3

[madmundtsmom]

In this Telugu action movie, Ram Charan is once again annoyingly invincible.This is quite typical for Indian action movies, especially Telugu, where the hero is invulnerable until it comes the time to martyr him. So, in "Naayak" there are a lot of fighting scenes where he is barely scratched, but there are also several moments to savour.

He plays two characters, Cherry and Siddharth, who are complete lookalikes. And no, they are not relatives, or clones, their similarity isn't explained in any way. And they both have their whumpy moments.

Siddharth:

59:50 - emerges from under the water like feaking Aquaman with a freaking TRIDENT, all sexy wet, fights, gets electroshocked and carried away.

1:20:40 - finds his brother dead and cries, hugging the body.

1:43:40 - hit over thr head, dizzy, spewing blood, stabbed thrice, presumed dead.

1:45 - drowns, comes to his senses in the water.

Cherry:

59:35 - at the gunpoint.

1:59 - gives himself for Siddharth, is brutally beaten and hanged from the construction crane with explosive vest on (he survives).

Alas, V. V. Vinayak, the director, missed the golden opportunity to torture Siddharth in the prison (which is allowed in India), and the moments of Cherry's whump in bandits' hands are on the "blink and you miss it" level. Shame on you, Mr. V. V. Vinayak. Shame on you.

[bigtvtechman]

Mukund Varadarajan caste issue explained in telugu: tamil brahmins angry over Amaran Movie

Mukund Varadarajan caste issue explained in telugu: tamil brahmins angry over Amaran Movie #amaran #sivakarthikeyan #mukundvaradarajan #amaran #sivakarthikeyan #mukundvaradarajan #rajkumarperiasamy #saipallavi Rarely does Kollywood pay a tribute to defence personnel who lay their lives in combat. And ‘Amaran’, a biopic on Major Mukund Varadarajan, released on Diwali has become a box office hit.…

[danzer91]

This Telugu Horror Movie has HIGHEST RATING But.. - Kalinga Explained in...

[filmystream]

Game Changer Movie Release Postponed to Sankranti 2024

Ram Charan Unveils New PosterChiranjeevi’s Vishwambhara PostponedProducers Explain Strategic ShiftStar-studded cast and high expectations Producers and distributors said that the much-awaited Telugu film Game Changer, which was directed by Shankar and cast Ram Charan and Kiara Advani, has been shifted from Christmas 2023 to Sankranti. The same now will hit the silver screen on Sankranti in…

[playermagic23]

Nani regrets lashing out against Arshad Warsi for his remark about Kalki 2898 AD turned Prabhas into a ‘joker’: “My choice of words was poor”

Nani, a Telugu celebrity, is in damage control mode after his comments on Arshad Warsi generated a new scandal. Nani found himself trending online just a day after releasing the teaser for his new film, Surya's Saturday, but not for the reasons he had planned. The dispute erupted after a journalist questioned Warsi about his criticism of Prabhas' involvement in the summer movie Kalki 2898 AD. Warsi had expressed his dissatisfaction with Prabhas' portrayal on Unfiltered by Samdish, referring to him as a 'joker' and comparing him to Mel Gibson in Mad Max.

Nani's initial reaction, when translated into English, appeared harsh. "The guy you are referring about must have received the maximum publicity in his life. "You are unnecessarily glorifying an insignificant issue," he was quoted as saying. While this elicited cheers from Prabhas' followers, it caused outrage from Hindi filmgoers who perceived it as an insult to Warsi.

In an interview with Mid-Day, Nani emphasized that his remarks were 'lost in translation.' He acknowledged his feelings for Prabhas and his natural desire to defend him but said that his opinion changed after watching the entire video of Warsi's interview.

"I noticed online how a language sounds when translated into English. "That happens on social media," he said. "I just heard what he had said because the chopped video was all over social media, just like mine was yesterday. See, it's about a very special person. When it's about someone you really care about, you immediately react and say, 'Why are you assigning so much importance to an inconsequential matter?' However, after seeing so many reactions on social media, I went back and watched the entire thing. So now I get it. The situation has been blown out of proportion by the media and social media. And even my reaction has been exaggerated.

Nani underlined the necessity of actors being careful with their language when making public declarations. "Arshad Warsi ji is an excellent performer, and we all adored him in Munna Bhai, not just in the north and south, but throughout India. "It's a family movie," he explained. "When we sit with our friends in our homes, we can criticize films and actors. However, as actors, we must be very careful with our word choices. So, in that way, he and I are both victims."

The actor used a hilarious analogy to describe his new film, in which the protagonist focuses his fury on a specific day. "Like Surya's Saturday, we all need to have that one day when we react and not react the same day so that we can really gauge our words much better."

Nani freely recognized his mistake and accepted responsibility for it. "My word choice was likewise terrible. The most important thing you can do is accept your regrets. But I'm also stating that it sounds so horrible when translated. In this case, the journalist was repeatedly bringing up the subject, and I was attempting to point out that they were overemphasizing it. Someone expressed their views, and there was a reply; that is how it began. One comment from either side will be blown out of proportion. And if we slipped, it's time we accepted responsibility, whether it was my or someone else's. We must go through this entire period before moving on because emotions can be strong and you may react to something and think, 'It was unnecessary, why did I react?'"

Nani respected Warsi's freedom to express his viewpoint but noted that better wording should have been used. "At the end of the day, what matters is that Kalki is a Rs. 1,000 crore film. People adore it. Of course, you don't have to like it. We all have opinions, and everyone has the right to speak to them, even Warsi. However, he should use better terms. Also, who should we correct? But someone asked for our opinion, and we responded."

Moving beyond the current debate, Nani stressed the positive ties between Bollywood and South Indian movies. "I've always been a fan of directors and actresses here, and we grew up watching their films. Fans of Telugu cinema clash on social media. Every day, you need a war-related topic. That's how they spend their mornings and evenings. This is exciting for them. But let us stop taking social media warfare seriously. When we meet, we don't consider the North-South divide. The biggest difference will be between our favorite foods and yours (laughter). In fact, we desire to learn more about each other. Cinema is quite popular right now. In 2024, there will be Indian cinema, and we will all operate as studios from various regions, producing films in various languages and distributing them throughout India. There is mutual respect, which we express whenever possible. This has now increased. That's why, I suppose, even minor events elicit more emotion because we didn't have this (love exchange) before. If such things happened every other day, no one would have noticed this one. But we've been seeing love for so long that all of these words are major news.

In 2024, there will be Indian cinema, and we will all operate as studios from various regions, producing films in various languages and distributing them throughout India. There is mutual respect, which we express whenever possible. This has now increased. That's why, I suppose, even minor events elicit more emotion because we didn't have this (love exchange) before. If such things happened every other day, no one would have noticed this one. But we've been seeing love for so long that all of these words are major news.

In 2024, there will be Indian cinema, and we will all function as regional studios, producing films in various languages and distributing them across India. There is mutual respect, which we show whenever feasible. This has now increased. That is why, I believe, even simple situations provoke more emotion because we had not before experienced this (love exchange). If such incidents occurred every day, no one would have noticed this one. But we've been seeing love for so long that all of these words seem groundbreaking.

In 2024, there will be Indian cinema, and we will all operate as regional studios, producing films in a variety of languages and distributing them throughout India. There is mutual respect, which we demonstrate whenever possible. This has now increased. That is why, I feel, even basic circumstances elicit greater emotion because we have not before experienced this (love exchange). If such things happened every day, nobody would have noticed this one. But we've been seeing love for so long that these phrases feel revolutionary. Fans and industry professionals have both reacted negatively to this. However, Arshad Warsi has not responded to the backlash

[darshaniptelevision]

Which Indian IPTV provider is Reigns Supreme in the United States?

The demand for Indian IPTV services has grown significantly among the Indian diaspora in the United States. Finding the best Indian IPTV provider in the United States is crucial for those who want seamless access to Indian television channels, movies, and entertainment. This article delves into the top contenders in this space, evaluating their offerings and explaining why they stand out.

Leading Contenders

Several providers claim to be the best Indian IPTV providers in the United States. Still, a few consistently rise to the top due to their quality of service, channel selection, and customer support. thrillIPTV, Darshan IPTV, and Moral IPTV are frequently mentioned as the leaders.

Darshan IPTV

Darshan IPTV is often hailed as the best Indian IPTV provider in the United States due to its extensive channel lineup, which includes popular Hindi, Tamil, Telugu, and Kannada channels. It offers a user-friendly interface and high-definition streaming, making it a favorite among many users. Darshan IPTV also provides on-demand movies and TV shows, enhancing its appeal to a broad audience.

Thrill IPTV

Thrill IPTV is another strong contender for the best Indian IPTV provider in the United States. Known for its affordability and reliability, Thrill IPTV offers a wide array of channels in various Indian languages. Its service includes live TV and catch-up TV, ensuring viewers don’t miss their favorite shows.

Moral IPTV

Moral IPTV South Asian package makes it a notable competitor in the race for the best Indian IPTV provider in the United States. With a focus on high-quality streams and a robust selection of channels, Moral IPTV caters to the needs of the Indian community in the US. It also provides flexibility with customizable packages, allowing users to pay for only the channels they want.

Conclusion

Choosing the best Indian IPTV provider in United States depends on individual preferences such as channel selection, cost, and streaming quality. Darshan IPTV, Thrill IPTV, and Moral IPTV are all excellent options, each offering unique benefits that cater to different segments of the Indian community in the United States.

[onemanschoolochestra]

One man school orchestra presented by the emperor of educational arts Ashuhosadurgasadhaniya Mariyammanjanadi Mangalore (D.K):- This is the only school program known as the first entertainment to follow the school curriculum. This one man school orchestra, in this program, one artist, from 1st standard to 10th standard (SSLC,PUC,BA, Art's) STAT, CBSC ,ICSC, Syllabus, Ka Maggi will be sung in English and Kannada, entertaining song style, and also, Tamil, Telugu, Malayalam, Urdu, Marathi, Punjabi, others. Folk, devotional song, emotional song, DJ music, movie karaoke song, composition, poems will be sung, and magic show, revealed and explained. This is a perfect school entertainment program without fail, conduct this one man school orchestra (teachers/school administration board president, members For more information:- Call mobile number 93431-93431, Thank you. According to the number of students, Sounds 100 Whats for 100 students, 250 Whats for students, 300 Whats for students, 500 Whats for students, 1000 Whats for students, 1000 Whats for students will be sent without fail, more students participate in the program and less whats sounds will not listen to the program. It is hereby informed that more attention should be paid in this matter.

[elearningcnp]

Smart Classroom? Digital Classroom? 1980 Vs Now

What is a Smart Classroom / Digital Classroom?

When technology is introduced in the classroom it is called technology-enabled education or education using digital Aids.

I am an 80’s Kid. I grew up in a traditional chalk and blackboard environment and being a topper of class, I was forced to sit in the first lane taking all the chalk dust onto my face and uniform. Of course, this does not have to do with this context, just I wanted you to remember that I grew up in the traditional education system.

English and Telugu were okay, but when biology, physics, and chemistry were taught it was a fun time for us. Because our teacher used to draw a diagram and she used to take 15 minutes and our class was 40 minutes duration. After drawing she could get only 25 minutes times to explain.

While the teacher was drawing on the board, we were busy with our in-door and on-bench games. Similarly, the same scene for physics and chemistry classes. Ample time used to go waste in the drawing.

Visual Learning’s Challenges in Traditional Education

Many times, we could not visualize what the teacher explained. Sometimes it was very difficult to remember too. Somehow we passed out and if you ask me, I don’t remember anything I learnt that time as it was never registered in my brain.

But, I can tell the story of Nagarjuna’s Shiva or Chiranjeevi's Gang Leader Movie story, fully even though I saw it almost 25 years back.

So, is this because I lack interest in education? and interest in movies?

The answer is NO. Even though I had an interest in education, my brain did not register the subject. My brain registered only English or Telugu subjects as I didn’t need to visualize anything. In the case of biology, and physical science, I need a lot of visuals to register which was missing in those days.

Educational experts say that ninety per cent of the information we receive is visual, and the human brain processes images 60,000 times faster than text. This was not the latest statement; it was discovered 50 years ago. However, due to the non-availability of technology, our teachers used to physically draw the maps.

The Growing Role of the Latest Technology in Classrooms

Thanks to the internet and digital gadgets, our children have got the best advantage. Some years back Smart classrooms and Digital classroom was a luxury and only available in fewer schools and there may be one projector per school. Now, Smart TVs are available at 12,000 prices hence many schools are having an interactive panel or smart TV in every classroom.

Every student can see Animated Digital Content with high-end graphics, images and voice-overs so that whatever the student is seeing will be registered to the minds fully thus making it super advantageous for them.

Internet Usage in Education

A few years back internet availability was too costly affair hence only a few kids had the luxury of owning a Student Learning App.

Thanks to many internet service providers, we are getting the internet for very affordable prices.

Benefits Digital Teacher Canvas App: for Students!

Digital teachers have been empowering Students and educational institutes for a decade. They offer smart classroom solutions to State syllabi (AP and TS) and also for CBSE syllabi which match 100 %.

We are serving almost 6000 schools in India.

We introduced a learning App in 2017, and during the 2020 period, we have almost 50,000 students on board as registered users.

Thus Digital teachers is empowering schools as well as students. If you compare players like Byjus they charge around 20,000 but Digital teacher charges only 1949. Only.

Especially for Telangana and Andhra Pradesh boards students and schools only Digital teacher has 100 % matching content. Other content service providers are from North INDIA and they try to force-fit the Telangana syllabus with the CBSE syllabus. They have only 60% syllabus matching but Digital Teacher has 100 % syllabus matching.

That is the reason Digital Teacher is counted as the Number -1 service provider in Telangana and Andhra Pradesh. It is not an exaggeration but, in Telangana and Andhra Pradesh, every school knows about Digital Teacher. At some point in time, they might have used our Digital Smart classrooms in their schools.

Call 9000090702 for a Demo and explore the software, compare it with any service provider, we guarantee that no one can match our quality and price In INDIA.

Use DIGITAL TEACHER SMART CLASSROOM and ENGLISH LANGUAGE LAB and DIGITAL TEACHER LEARNING APP/ Student APP and enjoy digital education.