#moto g play

[adam-tas]

Moto G Play.. I'm not convinced.

[techsole-blog]

Moto G Play 2024 Price, Official Look, Design, Specifications, Camera, F...

[mobileblogger-it]

Moto G Play (2024) arriva in USA con Snapdragon 680

Dopo aver lanciato il Motorola G34 5G in India ad inizio mese, l’azienda, capitanata da Lenovo, lancia anche un dispositivo della serie G. Si tratta del Moto G Play (2024) per il mercato americano. Ovviamente si tratta di un upgrade della generazione precedente presentata a fine 2022. Il Moto G Play (2024) ha un design molto carino, con fotocamere che sono più sporgenti rispetto al resto della…

[ckphototography]

7am, April 7, 2023. The idyllic sunrise of Pokemon Go, not too far from reality...

[jegernautpress]

Devil May Cry: Peak of Combat for mobile, Motorola Moto G Play 2024.

[1lenii]

Fuck them kids

Miles (G) Morales x F!Reader

⚠️⚠️⚠️THE SONG IS FOR SATIRE PURPOSES⚠️⚠️⚠️

The classic, don’t underestimate me cs I’m a girl

As you know, bonding time with miles as he proves “Fuck these kids, that’s 4ever the moto” - Kali

⚠️cursing, degrading means against children, bullying if you wanna call it that, mentions of violence(only for the game and physical irl)

For the sake of decency these middle schoolers are in 8th grade and miles and (Y/N) are sophomores

••••••••••••••••••••••••••••••••••••••••••••

“Fuck you and your dead rat dumbass, where your mom at”

(Y/N) peeps her head from the crack of her boyfriends room, as he yelling more than normal at his game.

“Oh yea?? What you gonna do go cry about it?”

(Y/N) heard murmuring from the other side of the headset that’s seemed to respond in a more ruder tone then last time,

through the headset that rested atop of Miles head leaving a dent in the half that had his Afro and sitting perfectly on the side that had 2 braids

(Basically half out and other half braided; with a hair pick from more visual representation)

‘Seems he got distracted while doing his hair again’ (Y/N) mentally notes, and imaginary sweat drop forming next to her eye brow

“Uh Miles..”

“What.”

“Are those the same middle schoolers from down the block?”

“No..”

The uncertainty of Miles tone gave it away, (Y/N) open the door even more allowing her body access to the room, positioning her self behind Miles gaming chair

“Don’t you think you should be nicer?”

“Nice? When was that a option for you” Miles side eyes you before returning back to the aggressive violation that is shooting

(Y/N) slightly gasps, putting a hand to her chest for effect while pouting

“I’m nice”

“When you want to be”

“I guess, you should still be nicer to them, there only in middle school after all”

“Nu uh ma, fuck these kids” Miles says through the headset noise, violently pressing at his controller

“Papi you can’t be violating kids because they shooting better or whatever it they’re doing” (Y/N) says not being able to contain her laugh

“Como esto es un chiste, why don’t you come play” he’s say taking off his headset and gesturing it towards you, raising a eyebrow in the process

(Y/N) takes the invitation taking the headset and adjusting the muffs to fit her head, Miles pulls her by the waist adjusting her so she sit right on his lap, passing her the controller

“AiI Ma I taught you the basics not to long ago, do your best”

“You talking knowing damn well I’m better then you”

“Not true”

“Keep dreaming pretty boy”

*initiate operating: the mic is now on*

(For my sake a yours I’ll change of the writing style)

Kid 3: Yooo miles you back? I was getting tired of cooking you

(Y/N): oh were you really?

Kid 2: whoa.. who you?

(Y/N): his girlfriend ya kids clueless

Kid 1: booo I got a girl for a teammate wtf

Kid 2: must suck LMAO

Kid 3: don’t worry girly I’ll make sure you the one ending up clueless

(Y/N) just laughs along with Miles who whispers ‘watch yaself’ into the mic

Few minutes into the game and (Y/N) already gotten 20 points for her team

Kid 1: woah I didn’t know your that good

Kid 2: don’t praise her the game ain’t over dickhead

*the game has now ended, with a score of 15 to 62 Miles/Kid1 Wins*

The In game announcer announces as (Y/N) cracks her fingers, “and that’s how’s it’s done little boys, before ya go assuming ya better then a girl, humble yourself maybe you’ll get a girl after”

Kid 3 gf: uhhh who are you talking about little girl watch who you talk to

This random girl appears on the mic, sounding sassy like almost irking (Y/N)

“Don’t test me, who you calling little girl” (Y/N) says with a sadistic smile

“You, what are you deaf, it’s on sight when I see you, don’t talk to my man again”

And with that the girl left the call for kid 3

“Can’t wait to see how that pans out” Miles laughs into your back hugging at your waist

“That little bitch trying” (Y/N) says with the same smile

“It’s fuck them kids right?”

(Y/N) sighs leaving the conversation open for further and future elaborations

••••••••••••••••••••••••••••••••••••••••••••

It’s been three days since that game, (Y/N)

Has been chilling knowing she would get touched ‘obviously their empty threats’ (Y/N) deadpanned

While walking the block she catches up with Miles who HAS FINALLY DONE HIS HAIR, was in front of 2 kids around his height and girl

“Ohoho look who decided to show up”

(Y/N) analyzes all of them, “who are you?”

“Better remember me little girl”

“I’m not so little if you looking up to me😭 it’s was on sight, right? I’m waiting and make this quick” (Y/N) dropping her bag food over to Miles, who was literally un phased knowing how this was about play out

“Oh fo’real? Ii girl if you says so” the girl from the match 3 days ago, rolls up her sleeves already swinging

(Y/N) dodge dragging Miles by the hand leaving them behind

The girl fell flat on her face with her bf attending to her

While the other kids said ‘hey!’ And a bunch of other things to retaliate too

(Making this cliche bare with me)

(Y/N) and Miles walk further and deeper into the street into the fading color of the sunset hitting the streets and the buildings with in

“Miles, fuck them kids”

Miles chuckles leaning in to kiss the top of her head, smiling shortly after

“Fuck them kids”

••••••••••••••••••••••••••••••••••••••••••••

[knives-in-the-dishwater]

I've been meaning to do an "everyday carry" post for a while, but I've only recently had time to lay everything out. Details below the fold.

items pictured here (starting in the top left, going down roughly in columns):

sketch wallet clutch

20 oz water bottle (usually used for coffee, kombucha, or Gatorade)

64 oz water bottle (exclusively used for water)

earbud case

pocket mirror

UAG phone case (phone, which is being used to take this picture, is a Motorola moto-G power)

rope dart

Bluetooth multimedia controls (mounted on an armband)

notebook

paracord (550lb, approx. 12 feet)

stamps

Mantis Con Brillo fixed edge tanto (with paracord handle)

alumina ceramic sharpening rod (handle broke off, but it's still usable)

two emery boards

Burt's Bees lip balm

small tools roll

sharpie

pilot g-2 pen

6 inch steel needle (used as hair pin)

small diamond rake (in small tools roll)

large diamond rake (in small tools roll)

small hook rake (in small tools roll)

large hook rake (in small tools roll)

three tension tools (in small tools roll)

angled tweezers (in small tools roll)

small-tip screwdriver (in small tools roll)

ring sizer (in small tools roll; I don't really need to carry this but it's in the roll so it doesn't get lost)

large-tip screwdriver (in small tools roll)

needle-tip tweezers (in small tools roll)

keyring

karambit

three nine-inch throwing spikes (with sheath)

sunblock

sunglasses

glasses case (with microfiber cleaning cloth)

Bradley Kimura XI balisong with G10 scales and paracord latch (scales made by Squid Industries before they were a company; just one person with a cnc mill on reddit)

contents of Sketch Wallet:

1.0 mm Ohuhu drawing pen

0.05 mm Ohuhu drawing pen

brush-tip Ohuhu drawing pen

0.5 mm Kuru Toga mechanical pencil w/ red lead

three blank playing cards

sketch book

close-up of earbuds. Moondrop Arias with FiiO UTWS3 drivers and memory-foam tips. minor damage to the left side has been mitigated with a small elastic band used as a spacer.

lmk if y'all have any questions or wanna see anything in better detail.

[myargalargan]

A Classical Polinalysis: Ep. 2

Hello friends, Polin stans, and classical music nerds!

Picking up from my episode 1 analysis, I am back with the second installment in the series of episode-by-episode analyses I mentioned when I shared the playlist I made of all the Classical pieces used in Bridgerton season 3.

The tracks on the playlist are all in order of when they appear in the show, and here are all the pieces that were used in episode 2: 

Beethoven’s String Quartet No. 13 in B-Flat Major, Op. 130: VI. Finale. Allegro

Bach’s Violin Concerto No. 2 in E Major, BWV 1042: III. Allegro assai

Mozart’s String Quartet No. 8 in F Major, "Viennese", No. 1, K. 168: IV. Allegro

Mozart’s String Quartet No. 3 in G Major, "Milanese", No. 2, K. 156/134b: I. Presto

Mozart’s String Quartet No. 23 in F Major, "Prussian", No. 3, K. 590: IV. Allegro

Joseph Schuster’s String Quartet No. 2 in B-flat Major: I. Allegro di molto (formerly attributed to Mozart as the "Milanese" (or Paduan) String Quartet No. 2, K. 210)

Beethoven’s Piano Sonata No. 23 in F Minor, Op. 57, “Appassionata”: II. Andante con moto 

All of this music is used over the course of the Full Moon ball, and the choice of music and the scenes each piece of music is paired with turns the ball something of a microcosm for the entire episode. What the hell do I mean by that? 

This episode is all about flirtation, fertility, and passion, and the action in this episode sets into motion some of the major conflicts of the season. We have the Mondriches settling into their new home and attending society events for the first time, the Featherington sisters getting a healthy dose of Sex Ed, Francesca being granted the Queen’s favor, and—of course—Colin and Penelope beginning their lessons and all the tension and drama that brings. So let’s get into how the Classical soundtrack compliments this very meaty episode…

Looking at the track list in order, we’ve got a bit of a composer sandwich (get it? meaty episode? ha-ha-ha?) with Beethoven bread, Mozart filling, and Bach and Schuster toppings. The allegro finale of Beethoven’s String Quartet No. 13, which starts as Colin and Eloise’s conversation about Penelope in the carriage ends, welcomes us to the ball. The second movement of Beethoven’s “Appassionata,” which Francesca is playing when Lady Danbury sneakily invites the Queen to observe, concludes the whole event. But I have a lot to say about both Beethoven pieces, so I’m going to save that for later! To start, I want to talk about the flirtatiousness of the other pieces used during this episode. 😏

The next piece after the Beethoven string quartet is the third movement from Bach’s Violin Concerto No. 2, which plays when Benedict asks Miss Stowell to dance. We only hear the very beginning of the concerto in this episode, but the distinguishing characteristic of a concerto—which is also what I find so flirtatious about this piece—is the back-and-forth between a solo instrument (in this case, a solo violin) and an ensemble (in this case, a chamber orchestra). In particular with shorter pieces like this Bach concerto, which is an energetic two minutes long with concise musical verses, you get the feeling of a lively conversation, where the ensemble has their say, the soloist replies, the ensemble adds another musing, then the soloist replies, and so on. 

I also think this concerto is fun for this scene for a couple other reasons. One, the soloist-ensemble dynamic calls to mind Benedict getting cornered by a pack of ladies. But also, this concerto is in what’s called “ritornello” form, which means that the ensemble repeats the same musical theme every time they come back in, and I love this as a funny little musical illustration of Miss Stowell’s persistence with Benedict—she keeps coming back, over and over, just like that repetitive musical theme! 

The next piece is the fourth movement from Mozart’s String Quartet No. 8, which starts playing right as Portia tells Mr. Finch that his wife is a pastry and continues as Penelope talks with Colin about his writing. This piece actually elides seamlessly into the track from the season 3 OST called “Attempts to Flirt” the moment Colin says he’ll consider letting Pen read more of his writing if she talks to at least one lord that night, which is a fun little tie-in to our theme. And the string quartet is great for this moment between Colin and Pen because of its fugal quality. A fugue—such as Bach’s famous Toccata and Fugue in D Minor, which is used in a ton of films including the original Fantasia—refers to a structure where the musical theme is introduced in different voices or instruments one after another. (Kind of similar to a musical round, like “Row, Row, Row Your Boat,” but not as simplistic.) Like the concerto, there’s a repetition of musical ideas, and those ideas bounce around from instrument to instrument, again creating a sense of lively conversation. Almost as if one person starts to tell a story to a group of friends, and then another person jumps in to say, “Oh, yes, I know what that’s like!” and tells their own anecdote, and so on around the group as the conversation feeds on everyone’s enthusiasm. 

I love this for Pen and Colin’s interaction because it has a similarly flirtatious energy as the concerto, but at the same time it’s more complex than a simple back-and-forth. There’s a layering aspect to a fugue—when a subsequent instrument picks up the theme, that doesn’t mean the first instrument stops playing. I think this has a similar energy to the way good friends who are comfortable and excited together might end up talking over one another or picking up the ends of each other’s sentences. I think it’s also illustrative of the complexity of Colin and Penelope’s relationship, especially at this phase. They’re friends, yes, but other feelings are starting to get all mixed in. They flirt quite easily with each other, but that makes things more complicated. A playful but multi-layered fugue illustrates this pretty well, I think.

Then we have our second Mozart string quartet of the episode, the first movement of Mozart’s String Quartet No. 3, when Eloise inadvertently lets it slip to Cressida that Colin is helping Penelope find a husband. This piece isn’t a concerto or a fugue, but it does still have an interplay between the instruments that, to me, creates a similar effect. There are several moments within this movement where the violin will start the musical line and one of the other instruments will finish it, like passing a baton. Or, again, like lively and comfortable conversation! To me, it feels a little bit like two people winking at one another as they catch each other’s meaning. 

There’s also a fun little bit about two-thirds of the way through the piece where, for not even 30 seconds, the tone of the music changes entirely, to something darker and more dramatic. Musically this part is known as the “development,” which is where the music meanders and does a bunch of interesting things before it returns to the main theme that was introduced in the beginning. This is a very common musical technique, but it doesn’t appear quite so starkly in any of the other pieces used in ep. 2. Since this piece plays during an Eloise and Cressida scene, we could take this darker interlude to be a reflection of Eloise’s relationship with Penelope—how it has taken a dramatic turn but will be righted again before long. We can also look at it through a Polin lens, since Penelope and Colin’s relationship takes a similar trajectory. Either way, I like the idea that there’s a bit of dark foreshadowing in this otherwise playful, flirtatious piece of music.

From there, we have the fourth movement of Mozart’s String Quartet No. 23, which plays as the Mondriches enter the scene. Other than the Beethoven pieces, this is the longest piece used during this episode, and it gets the most airtime. It plays for the entire duration of Benedict’s spiel about how married couples are free from the rules of society because they have already fulfilled their duty. And I love this piece for this moment because it really goes places. This movement has some fugal passages, giving it that same flirtatious quality as the other pieces used this episode, but there’s also moments where the tone gets much more dramatic, moments when the tempo seems to slow or get interrupted, syncopated sections that almost feel cartoonish… The character of the piece is surprising, and it evolves over time, and—I think—it reflects the journey the Mondriches have been on since season 1 and the surprising evolution their life has taken in season 3. And will continue to take! As they figure out how to navigate this new world and learn that it’s not as simple as Benedict made it seem.

Okay, now onto the last bit of sandwich filling, the first movement of Joseph Schuster’s String Quartet No. 2 in B-flat Major, which plays while Lady Danbury leads the Queen away from the main ball and while Eloise’s group of debutantes lament their chance to show off. Is this piece also flirtatious? Yes, I think this piece has a similar quality to Mozart’s String Quartet No. 3, where sometimes musical lines started by one instrument get picked up and finished by another. But another thing I find really interesting about this piece is that it’s a case of mistaken identity. This piece was composed around 1780, but until the 1960s music scholars attributed the piece to Mozart. And to use this piece during this scene is particularly compelling, because it’s the moment that Cressida denies having any good gossip, but also the moment when the gossip about Penelope and Colin begins to spread throughout the ball anyway, which Eloise (and Colin) mistakenly blames Cressida for. There’s also maybe a deeper meta here about mistaken identities that could tie into Cressida’s false claims to the Lady Whistledown name, which is interesting to consider in contrast to this moment at the ball where Cressida—unlike later in the season—chooses to be the bigger person and renounces the lure of gossip in favor of protecting her new friendship with Eloise. 

Which brings us to the final piece of music featured at this ball, the second movement from Beethoven’s Piano Sonata No. 23, the “Appassionata.” Which is of course relevant because Francesca earlier admits to loving it so much during her abbreviated conversation with Lord Petri. Petri describes Francesca’s favorite pieces as “expressive music,” which is fitting for a musical work nicknamed “Passionate.” Francesca also says, “I mostly enjoy the chord progressions,” in response to Petri getting all “can’t you feel it in the music?” and although Petri was talking about the Ries Piano Trios, I like thinking about Francesca’s response in relation to the second movement of the “Appassionata” because that movement is one big theme-and-variation—there’s a musical theme introduced at the beginning, and then that theme is repeated two more times with variations in the melodic structure but always with the same chord progressions.

One thing I love about this piece as the close-out to the ball is the way, with each subsequent variation on the theme, the music builds and builds. It starts out slow and in a low register, and it gets faster and higher pitched as it goes (the part we hear Francesca playing is the fast high part). There’s a really obvious analogy to sex here, which is clear in Petri’s reaction and Francesca’s discomfort with his reaction—which is appropriate because sex is such a major motif in this episode (“Inserts himself? Inserts himself where?”). But there’s also the analogy to the build-up that we’re about to experience at the end of the episode, the way everything Penelope has been through the past couple episodes (couple seasons, really) culminates in that first unbelievably passionate kiss between her and Colin. 

But, more than that! The second movement of the “Appassionata” doesn’t have a true ending—it’s through-composed with the third movement, so that the two are meant to be listened to back-to-back. If you listen to the end of the second movement by itself, you’ll hear a chord that sounds like it’s supposed to resolve to a nice clear ending, but then instead of resolving, that chord is followed by an intriguing, dissonant, kinda jazzy-sounding musical lick. If you didn’t proceed to the third movement right away, musically, you’d be left hanging. (And even once you’re into the third movement, it takes a while for the music to properly resolve.) And I love this! Why do I love this? A while back, I did an analysis of Polin’s theme (from the original score) and wrote a bunch of stuff about how their musical theme, the way we hear it in part 1 of the season, feels unresolved, suspending us in the tension of their uncertain relationship status. We only get proper musical resolution in their theme in part 2, after they’re engaged. So using the second movement from the “Appassionata,” with its false ending, at the conclusion of the Full Moon ball—a ball which encapsulates so much of what’s going on in the episode overall—is such a great way to foreshadow the end of the episode: the build-build-build to the passionate kiss and then—! Leave us hanging as Penelope runs away and Colin’s life starts falling apart around him.  

Speaking of endings…! It’s time to circle back around to the first piece of bread in our Beethoven sandwich, the sixth movement from Beethoven’s String Quartet No. 13…

If you’ve stuck with me this far, hang in there for just bit longer! Maybe take a quick break and grab a snack. ;) 

I thought a lot about the usage of the allegro finale from Beethoven’s Op. 130 in this episode. It’s such an interesting choice, not necessarily because of the music itself, but because of the history of the entire quartet. See, when Beethoven first composed String Quartet No. 13, it had a different final movement. However, at the first performance, that movement received such a negative reaction that Beethoven’s publisher convinced him to write a replacement. The replacement is what’s used in the show. And it has an entirely different character from the original. The new finale is light and cheery, while the original was dense and complicated. The original was panned by critics as being incomprehensible, inaccessible, and difficult to both listen to and play. (Give it a listen. You may find that it makes you deeply uncomfortable 😅 but it’s definitely an experience!) The new finale, on the other hand, is…a dance! It’s bouncy and positively Haydnesque, and completely uncontroversial.

The original was ultimately published as its own work under the title “Grosse Fugue,” as Beethoven’s Op. 133. However, some Beethoven enthusiasts and music scholars will argue that the correct way to play String Quartet No. 13 is with the original ending, the way Beethoven intended. Preferences vary, though, and what this means is…there are two possible, perfectly valid, endings to this piece of music. And each ending has a completely different vibe. 

Do you see where I’m going with this? 😉

This piece plays as we are welcomed into the Full Moon ball, and when I set out to do this analysis, I was originally looking at the allegro finale on its own, trying to find something meaningful in its structure or its harmonies… But I think what’s most interesting about it, in the context of this episode, is that it represents the duality of choice. And there’s a few different layers this could apply to: Eloise and Cressida’s decision whether or not to share the gossip about Colin helping Penelope, Colin’s choice to help Penelope in the first place (and to continue to help her after the journal faux pas)...his choice—at the end of the episode—to kiss her. The Queen's choice of a diamond, even! But if we’re talking about possible endings, then this piece is really setting us up for the ultimate narrative choice between Colin and Lord Debling. And it’s fitting as an introduction to the Full Moon ball because it’s at this ball that Colin gets his first taste of jealousy and competition, and then of course it’s Penelope’s humiliation at this ball that is the catalyst for the kiss that sends Colin into his downward spiral of desperate, all-consuming love. So whereas at the end of ep. 1 Colin may have been able to go about his life acting as though he was unconcerned about whatever feelings he may or may not have had for Penelope at that point, by the end of ep. 2 that’s simply not at all possible anymore. And so the show starts building the foundations of one of Penelope’s possible choices, one of her potential endings. (And I guess whether or not you consider Debling to be a perfectly valid alternative ending depends on what kind of Polin shipper you are. 😉) 

So there you have it: the drama of choice, the sexiness and frustration of building yet unresolved tension, misunderstandings (and, you might even say, the probable pains of friendship), SO much flirting—some easy and straightforward, some ceaseless and unvarying, some deliciously complex… All present at the ball, throughout the episode, and in the Classical soundtrack.

♥

And here's some of the research I did for this post:

Beethoven's String Quartet No. 13: https://www.earsense.org/chamber-music/Ludwig-van-Beethoven-String-Quartet-No-13-in-B-flat-major-Op-130/

Beethoven's String Quartet No. 13: https://www.brentanoquartet.com/notes/beethoven-quartet-opus-130/

Beethoven's String Quartet No. 13: https://www.maramarietta.com/the-arts/music/classical/beethoven/

Bach's Violin Concerto No. 2: https://www.laphil.com/musicdb/pieces/4549/violin-concerto-in-e-major-bwv-1042

Mozart's String Quartet No. 8: https://fugueforthought.de/2018/07/01/mozart-string-quartet-no-8-in-f-k-168/

Mozart's String Quartet No. 3: https://fugueforthought.de/2016/08/27/w-a-mozart-string-quartet-no-3-in-g-k-156/

Mozart's String Quartet No. 23: https://www.talkclassical.com/threads/mozart-string-quartet-23-k590-sq-review.81909/

Schuster's String Quartet No. 2: https://www.earsense.org/chamber-music/Joseph-Schuster-String-Quartet-in-B-flat-major-No-2-KAnh-C2001-K-Anh-210/

Beethoven's "Appassionata": https://www.youtube.com/watch?v=tR706pYvNl0&

[paradoxical-frog-backup]

Also I can't even change my avatar, because this is the phone with the janky-ass screen. I tap anywhere in the upper fifth of the screen and it activates the pulldown menu or some random other point.

If you ever want a phone that can be dropped on pavement and tile floors multiple times and still remain semi-usable (with a lot of workarounds), I recommend ZTE. This thing runs like the $40 toaster it is, but it's tanky as hell. There's a gaping hole in the lower left corner and it does not give a damn. Meanwhile I dropped my Moto G Play on the sidewalk ONE TIME and it shattered like the nerves of a Victorian lady.

(Ironically I bought a case for it, but it didn't fit. Then I dropped it two days before I planned on sending the case back for a refund. So today I mailed both of them out together.)

(I'm not really going anywhere with this. I am very very tired and I had a meltdown earlier when I realized I was locked out of Tumblr. It's been a long week.)

(Good night friends.)

[drizzileiscool]

trying to get twewy solo mix to work on my phone, but not having any luck (please help if possible, I really want to get into twewy)

Why solo mix? I can't afford the switch version, and I can't play the ds version without emulation.

I have a 2022 moto g stylus. I do not own a pc, laptop, or any sort of computer. The only console I have is a 2017 model switch (slightly broken, meaning I can't play in handheld, and I'm forced to use pro controller for everything)

I recently decided that I would like to get into twewy, but I've been having some trouble doing so. I saw a thread on reddit where a person wanted to download solo mix, but couldn't since it didn't work on their phone (link to the thread)

in the thread, there was a patched version of solo mix that could run on newer phones (it's the google drive link in the thread btw), so i downloaded it.

The zip file came with an apk and another file, which I was supposed to place in the obb folder inside the android folder in my phone's files. I did exactly that.

Whenever I try to load the game, I get this screen that says I need to download an update.

Clicking the download button doesn't do anything, and I'm stuck on this screen unable to do anything

If anyone knows about why this is happening, please help

UPDATE: IT HAS BEEN RESOLVED

Starting the app creates a new folder in android/obb, which is where the .obb file was actually supposed to go. After placing it there, the game starts normally!

[win9xse]

today in "I Am Good At Finances": a Phone

so i had a random target gift card i had no better use for, and decided "fuck it" in the electronics section. i tried to find the absolute best phone i could for 50 bucks (briefly considering a KaiOS flip phone), eventually settling on an AT&T prepaid Motorola moto g play (2023). it's...actually pretty decent!

so this thing claims it has a 90hz refresh, but it's *extremely* variable lol, i've found that on the home screen it can keep 90hz but it definitely doesn't always keep to that high refresh. i honestly just turned off the 90hz variable mode and just run it at 60 (phones dont need any more than that anyways, imho) the display is otherwise pretty excellent, it's an OLED with pretty nice colors and it feels nice.

the cameras are definitely quite average, despite having 3 of them lol

overall power is...lacking but sufficient, the thing has a MediaTek Helio P35 which can keep up with youtube fine enough but does everything just a *touch* too slow to be a smooth experience. it's handled everything i've thrown at it (osrs and n64 emulation, lol) perfectly, though. so clearly the power isn't going to waste, it just struggles to open discord lmao overall, i could easily live with this thing, and honestly for the price you're paying you could do So Much Worse. it remains to be seen how well it'll hold up in the future but for the occasions i need android for something it does quite well.

[stnonline]

I just found myself a moto g 6 play 5.7” inch android phone 16 GB at exactly 3:45 pm On E 115th St & 3rd Avenue In front of McDonald’s On Saturday, February 25th, 2023 (at Manhattan, New York) https://www.instagram.com/p/CpLj3sXO2jq/?igshid=NGJjMDIxMWI=

[atplblog]

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Devil May Cry : Peak of Combat Motorola Moto G Play 2024 Gameplay

Written by Jerry Mercado. December 23, 2024. Irvine, California, United States of America. Devil May Cry : Peak of Combat is an engaging game. The mobile game released by Capcom and NebulaJoy has been out for Android iOS since January 2024. From their website. New plot The Devil invades the human world again. Who is behind the scenes? Who can save everything? Wait for the devil hunter to…