#mostly bc the main focus of those panels are all of the lights and such and when it’s just the sketch? horrible
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ii know I’ve said in the past that pumpkin daddy is Not in my minicomic he is Definitely not there he is Not but he is now. sorry guys
#TECHNICALLY NOT REALLY. HE’S IN THE BACKGROUND ON A BILLBOARD#but it counts he is there. alas. he is everywhere you cannot escape him#these pages are giving me so much trouble for absolutely no reason it’s just lethia flying around a city#but!!!its hard#mostly bc the main focus of those panels are all of the lights and such and when it’s just the sketch? horrible#‘oohhh yeah it’ll be so cool to see lethia in all these lights and being amazed by them—‘ BUT IT IS JUST A SKETCH NOW RRRRGHHH#they’ll be somewhat decent when I render them I promise!! batting my big huge eyes at you (TELLING THIS TO MYSELF)#these are literally just transition shots but I feel the need to show it anyway. Hell yeah show that little moth boy flying around havin fun#is it necessary to show how he got from point a to point b? truly it is not. but……………#I’m having too much fun with the billboards I think. waughhh#like I simultaneously am not satisfied with these pages but am also spending too much time on them#I like drawing idealized cities I guess. i live in a pretty big city (albeit not directly in the busiest part) and it’s a lil….ugly at times#so I guess I just want to pretend cities are amazing colorful cool places lmfao#like HELL YEAH!!! PEOPLE IN CITIES ARE PLAYING VIOLIN W THEIR PET OTTERS!!#there is NO danger of getting shot ever ever ever. grins. nobody screams slurs ever#pleeaaaaseee take me to fincg island center square#despite being the type of person who’d like to run off into the wilderness forever I actually love nighttime city aesthetics…….rrrgghh#like when amusement parks turn their lights on at night. I hate amusement parks but ooooohh brain likes lights. brain likes night#there should be like. not crowded not loud nighttime hangout spots with cool lights that aren’t too bright. I think.#I’m just rambling at this point about a life that cannot be….sigh…..#sometimes I start talking and I can’t stop I. apologize. this is why I should not be allowed to have social media
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Engineering updates
Noticed while skimming episodes the other day some changes in Main Engineering during the first couple of seasons that I hadn't noticed before (or just forgotten about).
Specifically, I'm going to focus on the back end of Engineering, where the Master Systems Display is located:

Nice and busy
Now that area doesn't show up in Encounter at Farpoint, the couple of shots in engineering are centered around the warp core and the catwalk surrounding it (the open elevator connecting the two gets a lot of use in there).


Hot elevator action!
The MSD appears in the next episode The Naked Now but it's all alone.


Nothing more than a repurposed wide corridor where we stuck a giant screen, and it's green (it will stay green for the first two seasons). There's also no isolinear stacks underneath the MSD, and the hallways panels are missing some LCARS. Oh and we don't have our pool table MSD table.
The next time we see engineering from this angle is The Last Outpost.

A lot of progress for sure, but it's not right. The LCARS panels have been added to the bulkhead and the isolinear stacks are now underneath the display. The MSD Table, itself recycled from Star Trek 4, hasn't fully undergone the TNG conversion and looks out of place.
Here it is in The Voyage Home:


The Lighting elements that are flush against the Display are the wrong shape, flanking it. for comparison:
And now, a brief interlude to Where No One Has Gone Before:


They're GREEN. I had not...it had not clicked with me before (at least not consciously) that the lighting panels were green for the episode. I don't know if they were still tweaking the look or decided it should be green bc of Kosinski's so-called upgrades but in any case it's green and distracting now that I see it.
table's still wrong:

I feel like they're going to show us some x-rays on here.
By the time we reach 11001001 the table looks right (hard to tell from this angle but looks like the entire surface is reflective now).

the big lights are off, for some reason.
Another quick detour, this time to Home Soil, where the MSD also acts as a viewscreen:

also when you put chairs there it really emphasizes how those controls look like navigation (you can control the ship from Engineering I guess you could set it up that way).
The rest of the season won't see any further changes. Season 2, starting with Where Silence Has Lease the lighting elements around the MSD will have been updated to the ones that will remain throughout the rest of the series


The lighting might have changed between Where Silence Has Lease and Q-Who or just might be colour processing.
Finally, season 3 brings us the updated MSD with more detailed okudagrams on it

There might be rubber duck in there.
It will remain mostly unchanged for the rest of the series, except at some point someone slapped a label on the bottom left.

(this occured at some point between s3-4)
A final, minor, update was brought to the MSD where the label was removed and two lines were added to the pedestal for Star Trek: Generations.

(similarly to how the runabouts had a bunch of random lines that looked like electrical tape to make the sets pop).
#chairs appear around the pool table whenever its necessary#Star Trek#Star Trek The Next Generation#TNG#Engineering#Main Engineering#Galaxy Class#Federation#Starfleet#starship design#MSD#Master Systems Display#MSD Table#federation gothic#long post
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hi i am that anon from like 29th Dec (last dang year) who said i read ur tsuki no hime and loved it and that u understand Aizou. i have read more of ur stuff since then and now i NEED to ask you for writing advice, on both characterization and general writing tips since I didnt mention it before. Sorry about that! i just forgot i sent an ask and i do not get notifs at all (or does anon asks not get notifs?) Also, ART STUDENT! That's why the nice art and art leaning!! I feel smart for sensing it
oh yup, tumblr doesn't send notifs for anon asks! but i'm glad you did see the answer anyway
this post is hideously long, so answer under the cut!
so, on characterization: it is mostly a matter of what would they say, rather than what you want them to say. the joke about "the characters do what they want to" instead of what the writer wants is pretty much true if you want them to be in character lol (that's why sometimes a little bit of OoC isn't too bad)
checking the source material is the most important thing: look at prior similar interactions the characters have had and how they reacted
this is kind of hard with LIPxLIP, as there aren't that many translated texts about them but with honeyworks the most canon and reliable thing to use as reference are the mvs. the mvs are drawn in a way that can pretty much be understood even if you don't have the lyrics, and sometimes it's even better if you can't read them, to properly focus on the images better
look at their expressions closely: while aizou is always explosive in his anger, yuujirou often has a more indifferent expression. so, when they fight, aizou is probably the one to blow up first while yuujirou maintains his composure better. it's kind of the classic "this was only a brief passing panel but i am going to expand on it" www
but the thing about fanfiction is that it's always a bit of a character analysis in itself. you don't start writing having already a color-coded folder of possible situations and reactions a character would have for each setting. you just throw the characters in a scenario and then think from there onwards, and eventually you'll be able to have the folder of situations and what you think their reactions would be like. (though, this links back to the prior point, if the characters have gone through a similar situation in canon, use that as guide! plus, finding little references to canon when reading is always fun)
for general writing, i'm going to mostly talk about my own experiences and process! i'm in no way a professional though
the basic is reading a lot. not just books but also fanfic. in fact, since you're writing fanfic, i Encourage you to read fanfic. even if your story ends up novel length, the way of treating the story is different from that of an actual novel. for example, because you're working under the premise that everyone knows the characters already. the general style of fics is different as well.
in fact, the style is the main reason i'm saying this slfkslfkslkf
read a lot of stuff and find a style you like. think of it as sewing together pieces from here and there to make a frankenstein amalgamation: this person's metaphors, the comparisons from here, the descriptions from there
personally, i adore the "long one-shot with a long title formatted (like this)" fics that are mostly feelings and descriptions and as little dialogue as possible, and some that occasionally play with the "show don't tell" rule, and some months ago i read a book whose descriptions amazed me because you could feel what the character was focusing on the most, rather than being general descriptions of the situation (i actually have a lot of thoughts about descriptions but that's a post for another day). but also i really like dialogue and plot-driven stories, descriptions can get boring and before trying to break rules, you have to be really good at following them
but, let's go step by step: developing an idea
for this i'm going to mostly reference the multichap i finished a while ago as an example
i started with just a few vague concepts in mind: non-idol au with aizou who does some sport and likes music but is insecure about his singing and yuujirou who does some music related thing and encourages him to sing in a way that's somehow related to the hozier song to noisemaking (sing), because it's what inspired me to write in the first place
then, from then onwards i wrote down what would happen in the first chapter of the story bullet-point-list-style, including things like the roommates part or the clubs the boys were in (at first yuujirou was in the choir club lol the change was a last second decision that idk why i took) and then bits of dialogue here and there that would be The Turning Points. those first dialogues were for the fight at the end of ch 1, the apology-date in ch 3 and then some vaguely unused ones for the "yuujirou encourages aizou" part, as those were the first key moments i thought of
because, since it's enemies to friends to lovers, an important aspect was character development
not all fics have character development bc not all of them are long enough (if you're aiming for short and sweet then there's no need). but if they do, i recommend you write down how the character was at the beginning of the story and then how they were at the end and then fill in the middle later, think of what those key turning points that made the character change were (the more little things you add, the more gradual it'll be)
samishigariya illustrates this very nicely: the song starts and finishes with the same lines, but the ending ones feel more light-hearted. the beginning has pre-arisa ken and pre-getting-along-with-yuujirou aizou, when they were the lonely people the title mentioned, and the ending, when they're not lonely anymore. the in between can be seen in depth during the other songs: ken before arisa was a playboy who didn't take love seriously, but after meeting her he realized that games were not all there was to love; and aizou used to be quite cranky and high-key a loner, but then he "meets precious things and knows of love". i will not elaborate on that because this isn't an aiyuu post but Oh You Know
for the fic, aizou would go through that same process, more or less: someone who doesn't really form meaningful connections with people but who, in the end, would end up having quite a bunch of people who care about him as his relationship with yuujirou advances too
since the relationship was the main focus, i wrote a very simple outline for how it would develop throughout 5 hypothetical chapters that was just: 1. civil w each other but mostly bad > 2. bad > 3. half friends > 4. pining > 5. date
and then with that in mind and the bullet point list, the final basic outline ended up like this:

there were scraped ideas and ideas that made it in later, but i believe having a simple outline, a bare skeleton to add things to, is important. stories need continuity, development requires a prior buildup
it's especially important in multichapter fics where you post as you write, you need to have a more or less clear idea of what's going to happen because you can't ignore scenes you've already posted
shorter stories don't need it as much, you can think as you go, but it's still helpful to know where you're going with things to avoid getting stuck
and, on getting stuck: don't be afraid of deleting things. if you can't figure out how to continue things, then delete the situation and start again. it might feel like you'd be wasting time but in the end, it is so much better than being stuck on the same scene for weeks
in fact, you don't have to write in order. jump to the next scene and you'll figure it out later. you Can write the scene you want to write and then build everything else around it
it's normal to write a scene and then realize it would make more sense later in the story, or that it would be better if you added another scene earlier, or sometimes you just find it easier to jump from one part of the story to another. rely on your outline to keep track of what you've written, what you have left to write and what's the best way to arrange your story. make your story understandable
which bring us to editing
there's a lot of much better posts on editing stories, but yeah ctrl+f is your best friend: don't repeat yourself too much. and be sure to vary sentence and paragraph length, as well as sentence structure, to give dynamism to the writing
now, i've mentioned before the show, don't tell rule, but i'm going to talk a bit more about it because it's quite important
once again there's a lot of posts that explain more in depth what it is, so i'm not going to expand too much on that, but, very basically, try to avoid things like "then some time passed and they became friends". explain it: what happened exactly? how did they become friends? if it's important, show it to us, instead of summarizing
since things like these make the story longer, it also gives room for more development and proper explanation for things that happen
for example, the fic was originally going to start with them already in the room, and the whole situation would have been explained in a single paragraph somewhere, but by actually adding the scene where they first arrive to the dorms and argue with the lady at the main desk, the story flows better and it let me actually describe their first meeting
and uuuhhh i think that's all? this took super long to write i hope i didn't forget any super basic stuff lol
i want to add that for enemies to lovers i greatly recommend this post bc it's super good but yeah i think that's basically it, if you have any more specific questions just shoot me an ask
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