#morten nielsen
Explore tagged Tumblr posts
Text
morten nielsen by james tinnelly
96 notes
·
View notes
Text
Morten Nielsen by Blake Ballard
28 notes
·
View notes
Text
Morten Nielsen by Mario Testino 2017
43 notes
·
View notes
Text
Electric Youth Magazine SS 2014 - Morten Nielsen photographed by Steven Klein
18 notes
·
View notes
Text
NITE remix of Under Bright Neon Stars by The Foreign Resort b/w Outnumbered (Single Edit)
#music#danish music#the foreign resort#morten hansen#foreign resort#remix#nite#mikkel borbjerg jakobsen#henrik fischlein#jason corbett#bo karlsson nielsen#bo karlsson#kyle mendes#kyle tomas mendes#twins#myles mendes#myles joe machado mendes#artoffact records#artoffact#Bandcamp
21 notes
·
View notes
Text
KIF har fået ny formand
KIF har fået ny formand
44-årige Morten Høgsberg Nielsen er ny formand for bestyrelsen i KIF Kolding Elite A/S, og udover at han som sådan skal have et professionelt forhold til klubben har han også fra barnsben altid haft et lidenskabeligt forhold til håndbolden og KIF. -Jeg er jo vokset op i byen og som barn tog min far mig altid med i hallen. Så jeg har som lille og stor dreng set mange af de store kampe ovre i…
View On WordPress
0 notes
Photo
Morten Husum Nielsen Follow Souda on Tumblr
#vintage#midcentury#retro#modern#design#product design#home#decor#decoration#home decor#home design#interiors#interior design#living room#bedroom#kitchen#buildings#architecture#furniture#furniture design#industrial design#minimalism#minimal#living rooms#lighting design#lights#bathroom#contemporary
13 notes
·
View notes
Text
detnorskekongehus: King Harald congratulates Denmark's new king couple:
Your Majesties, Dear Frederik and Mary
My family and I send you our warmest congratulations as Denmark's new king couple.
You are succeeding a monarch who has fulfilled their role admirably. With warmth, wisdom and commitment, Her Majesty Queen Margrethe has accompanied her country and her people through joys and sorrows. For more than 50 years, she has managed to be a present monarch – with an infectious mood and great knowledge. And with good support from her closest family. The close friendship between our two families means a lot to all of us.
Now you will carry on the legacy, and follow Denmark further into a new era. I am convinced that you will fulfill your new roles in an excellent way. My family and I hope and pray that you will receive the strength and support you need in your deed.
Harald R
Foto: Hasse Nielsen og Per Morten Abrahamsen / Det danske hof
#norwegian royal family#danish royal family#king harald v#king frederik x#official statement#does anyone have a good translation for kungapar / kongepar? please let me know I always struggle when they use that word
14 notes
·
View notes
Photo
Morten Husum Nielsen Follow Research.Lighting on Tumblr Source: https://soudasouda.tumblr.com/post/747415518424809472/morten-husum-nielsen-follow-souda-on-tumblr
#vintage#midcentury#retro#modern#design#product design#home#decor#decoration#home decor#home design#interiors#interior design#living room#bedroom#kitchen#buildings#architecture#furniture#furniture design#industrial design#minimalism#minimal#living rooms#lighting design#lights#bathroom#contemporary
4 notes
·
View notes
Text
morten nielsen by james tinnelly
77 notes
·
View notes
Text
Morten Nielsen by Blake Ballard
13 notes
·
View notes
Text
Morten Nielsen by Blake Ballard
8 notes
·
View notes
Photo
Preben Lerdorff Rye in Ordet (Carl Theodor Dreyer, 1955)
Cast: Henrik Malberg, Emil Hass Christensen, Birgitte Federspiel, Preben Lerdorff Rye, Cay Kristiansen, Ejner Federspiel, Gerda Nielsen, Sylvia Eckhausen, Ove Rud, Henry Skjaer. Screenplay: Carl Theodor Dreyer, based on a play by Kaj Munk Cinematography: Henning Bendtsen. Production design: Erik Aaes. Film editing: Edit Schlüssel. Music: Poul Schierbeck.
As a non-believer, I find the story told by Ordet objectively preposterous, but it raises all the right questions about the nature of religious belief. Ordet, the kind of film you find yourself thinking about long after it's over, is about the varieties of religious faith, from the lack of it, embodied by Mikkel Borgen (Emil Hass Christensen), to the mad belief of Mikkel's brother Johannes (Preben Lerdorff Rye) that he is in fact Jesus Christ. Although Mikkel is a non-believer, his pregnant wife, Inger (Birgitte Federspiel), maintains a simple belief in the goodness of God and humankind. The head of the Borgen family, Morten (Henrik Malberg), regularly attends church, but it's a relatively liberal modern congregation, headed by a pastor (Ove Rud) who denies the possibility of miracles in a world in which God has established physical laws, although he doesn't have a ready answer when he's asked about the miracles in the Bible. When Morten's youngest son, Anders (Cay Kristiansen), falls in love with a young woman (Gerda Nielsen), her father, Peter (Ejner Federspiel), who belongs to a very conservative sect, forbids her to marry Anders. Then everyone's faith or lack of it is put to test when Inger goes into labor. The doctor (Henry Skjaer) thinks he has saved her life by aborting the fetus, but Inger dies. As she is lying in her coffin, Peter arrives to tell Morten that her death has made him realize his lack of charity and that Anders can marry his daughter. Then Inger is restored to life with the help of Johannes and the simple faith of her young daughter. Embracing Inger, Mikkel now proclaims that he is a believer. The conundrum of faith and evidence runs through the film. For example, if the only thing that can restore one's faith is a miracle, can we really call that faith? What makes Ordet work -- in fact, what makes it a great film -- is that it poses such questions without attempting answers. It subverts all our expectations about what a serious-minded film about religion -- not the phony piety of Hollywood biblical epics -- should be. Dreyer and cinematographer Henning Bendtsen keep everything deceptively simple: Although the film takes place in only a few sparely decorated settings, the reliance on very long single takes and a slowly traveling camera has a documentary-like effect that engages a kind of conviction on the part of the audience that makes the shock of Inger's resurrection more unsettling. We don't usually expect to find our expectations about the way things are -- or the way movies should treat them -- so rudely and so provocatively exploded.
2 notes
·
View notes