#more extensive ensemble dynamics inherent to the other idea
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(Crossposted from DW)
I know this, also, is not really what they’re thematically about, but along with Ouroboros^2, I would have liked it a lot if there had been some kind of... developing dynamic between the two Ouroboros forms. As it is, the Interlink forms are still very strongly divided based on dominance, each form having the Glowing Eye Of Hemisphere Priority, and being colour-coded to match their kingdom. The rigid division is maintained throughout the plot even though we see mutual influence between the pairs in the character development side.
I also really felt like the gameplay mechanics weren’t explored to their full potential, with Interlinks being unable to participate in Chain Attacks and not having fusion arts of their own.
It would have been nice to see some exploration of what that sort of intimacy would actually do to a relationship. It would have been cool seeing them take over each other’s Ouroboros forms, have stronger mechanical rewards for chaining arts between the two forms, maybe even have the differences start blurring until the Interlink is more of a mixture of the two features, with the voiceblending matching the ambiguity of who’s in the driver’s seat.
Basically, I wish the game had made good on the idea that they’re not Kevesi Ouroboroses, nor Agnian Ouroboroses, but rather a secret third thing.
#Xenoblade Chronicles 3#I lost hope on getting anything like this as soon as I realised how Sexually Dimorphic (derogatory) the designs ended up being#like. I do think all of them are cool. But there's a lot of negative potential space in the gameplay#and a lot of thematic material just left on the table#I feel like if you're gonna make soulmates Literally Real then you should at least explore that a little#if they aren't complete people without each other anymore then maybe they should get a little weird about it#.... I'm also a lot saltier about this than I am about the lack of like#more extensive ensemble dynamics inherent to the other idea#largely because it's just character development left on the table#the whole point is that the strangers aren't so strange and where the differences are real they're meaningless#like they could have gone weirder with this worldbuilding#especially if the ultimate point is that there's no such thing as a static person or a static life#you can't give me a delicious false dichotomy and then not show me the synthesis of the two contrasting ideas#fannish
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Firebringer (Rewatch #10, 11/15/2020)
YouTube publish date: December 31, 2016
Number of views on date of rewatch: 4,317,045
Original Performance Run: July 6 - August 7, 2016 at Stage 773 in Chicago, Illinois
Ticket price: General-$35, VIP-$60
Director: Julia Albain and Nick Lang
Music and Lyrics: Meredith Stepien and Mark Swiderski
Book: Brian Holden, Matt Lang, and Nick Lang
Cast album price and availability: $9.99 on iTunes Release date: November 22, 2016
Parody or original: original content
Funding: $154, 670 from 3, 722 backers on Kickstarter (x)
Original Goal: $88,000
Main cast and characters
Jemilla - Meredith Stepien
Zazzalil - Lauren Lopez
Molag - Lauren Walker
Keeri - Denise Donovan
Emberly - Rachael Soglin
Grunt - Joey Richter
Tiblyn - Tiffany Williams
Ducker - Joe Walker
Schwoopsie - Jamie Lyn Beatty
Chorn - Jamie Burns
Smelly-Balls - Brian Holden
Clark Baxtresser - Clark Baxtresser
Musical numbers
Act I
“Fire” Characters: Company
“We Are People Now” Characters: Company
“We Got Work To Do” Characters: Zazzalil, Jemilla, and Ensemble
“What If?” Characters: Zazzalil
“Welcome to the Stone Age” Characters: Ensemble
“Just a Taste” Characters: Emberly and Grunt
“The Night Belongs to Snarl” Characters: Smelly-Balls, Schwoopsie, Ducker, Tiblyn, and Ensemble
“Into the Night” Characters: Zazzalil and Ensemble
“The Night Belongs to Us” Characters: Zazzalil, Jemilla, and Ensemble
Act II
“Jemilla’s Lament” Characters: Jemilla
“Paint Me” Characters: Grunt and Emberly
“Ouch My Butt” Characters: Ensemble
“Backfire” Characters: Zazzalil and Ensemble
“Together” Characters: Jemilla and Zazzalil
“Chorn” Characters: Chorn and Ensemble
“Finale (Make the Most of It)” Characters: Company
Notable Notes:
“I Don’t Really Wanna Do The Work Today” became a meme that was so popular the Broadway cast of The Book of Mormon and that year’s touring cast of Rodgers and Hammerstein’s Cinderella made their own videos performing the song
Cultural Context: 2016
Beyoncé releases her visual album, “Lemonade”
Leonardo DiCaprio finally wins an Oscar for his performance in The Revenant
Hamilton won the Pulitzer Prize for Best Drama and that year’s Grammy for Best Musical Theatre Album
Fantastic Beasts and Where to Find Them opens in theaters
Content Analysis:
Firebringer has one of StarKid’s most inventive storylines in their collective works and has the added bonus of being an inherently feminist, woman-led piece. The story of a woman who invented fire and another woman who led the ancestors of the human race into creating a just and equal society sounds more like a provocative, experimental play rather than a comedy musical yet StarKid once again seems to be the only group of people that can pull off such a unique concept, successfully critiquing our current society while also presenting the storyline and characters in a way that makes the audience relax with each bit of commentary rather than tense up and ignore the performance. It’s refreshing to be an audience member of Firebringer. The musical numbers and character performances are entertaining in a way that feels comforting and almost happy-go-lucky despite the fact that the production takes place at an imagined pivotal point in the history of the human race. The dialogue and small comedic moments between the characters make fun of how dumb humanity can be at times, resorting to crude body humor and questionable social skills, but pull an about-face in the next scene by displaying the strength and ingenuity of the human race and our desire to succeed and prosper in an environment that seems dead-set on ensuring our demise.
As well as just generally being an enjoyable work of musical comedy, the dynamic of the piece is feminist in a way that is not explicitly stated but simply accepted by the characters within the universe and, by extension, the audience itself. Jemilla is a woman who is a well-respected and undisputed leader of an entire tribe, whose female mentor and former leader is just as highly regarded, and Zazzalil is a provocative thinker who kickstarts the tribe into advancing as a society by introducing fire and hunting into their daily survival skills, yet no where in the story do any of these strong female leads gets questioned for being women in positions of power. It is an indisputable fact accepted by all characters regardless of gender that these women are the leaders of their society and the fact that this isn’t brought up in any negative or positive connotation within the confines of the story’s universe is such a genius way to address feminism in a theatrical work. If they were to make a point of putting the women in a negative situation where gender discourse is the main cause of the threat to the characters only for the woman to bounce back in order to prove that she is just as strong or worthy as any potential male leader, it would have reinforced the idea that women need to prove that they are just as good as men rather than the society around them accepting the fact that all genders are equal regardless of identity. On the other hand, if they were to pat themselves on the back and make it a point of being progressive in choosing women to lead their tribe, it would have turned the choice into one of pandering rather than genuine belief on the writers’ part and on the characters. By not mentioning the feminist core of the musical within the story itself, Firebringer naturally shows the audience through fictional storytelling the gender equality that our society can achieve for itself without making the situation too unrealistic to be considered unattainable (not than unrealistic situations cannot be written and performed successfully otherwise, it’s comforting to see).
As for the actual book content of the show, it is not StarKid’s strongest in terms of consistency. The humor, the heart, and the quality of performance are always aspects of StarKid shows that the audience can depend on being as good as ever with each new production, but there are moments in certain scenes, such as Keeri’s initial confrontation with Zazzalil and Jemilla and Zazzalil’s reunion, that the dialogue between characters switches in and out of a natural flow of conversation, making it easy to lose interest in a dialogue heavy scene until another joke happens. Similarly, there are moments where lyrics in songs, such as “Into the Night” and “Paint Me,” are not musically or verbally compatible with the verses in which they are sung. The majority of lyrics are clever and match the tone and character of the performance perfectly, but there is an occasional clunky line or oddly-placed word that I found to be distracting enough to take note of during the song.
Overall, Firebringer is a lighthearted musical with great performances and cleverly intertwined social commentary that adds to the comedic tone of the piece rather than distracts from it. I wish that more musicals were written in the tone of Firebringer, in both the sense of overall quality, gender representation, and sexuality representation, which, like the gender placement of the main characters, is written so naturally that it’s almost hard to believe real life isn’t like the one represented onstage in which gender ruled without the patriarchy and sexuality lived in without heteronormativity is so commonplace it’s a nonissue.
#@TeamStarkid#firebringer#for my independent study#starkid productions#starkid musicals#team starkid#starkid#musical theatre#musicals#theatre
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MeTV Music
This can be a 'checklist of electronic music genres', consisting of genres of electronic music , primarily created with electronic musical instruments or electronic music technology A distinction has been made between sound produced utilizing electromechanical means and that produced using digital technology. If you are still having hassle figuring out the style, the arrangement of the tune might give you some clues. For instance in genres like chill-out and ambient there's a distinct lack of any structure, as the tune doesn't progress radically over its period. 7. Hennion A. The production of success: an anti-musicology of the pop song. Common Music. 1983 Jan 1;three:159-ninety three. A controversial term in hip-hop, many "conscious rappers" do not wish to be labeled as such. Nevertheless, www.Audio-transcoder.com there is no denying the importance of this subgenre, which promotes ideas such as information of self and consciousness of large-ranging social points. Many different subgenres accomplish the identical, however various rap (a better phrase) is labeled as such as a consequence of its smoother, extra laid-back production type. Indian classical music is the only music that makes such an extensive use of, and offers such an importance to musical modes. In contrast to Western, Chinese language, South Asian and Japanese music, Indian music locations emphasis on the artist's interpretation of a particular mode and his personal model of singing, moderately than a flawless facsimile of a composition written by another person. Because of this, ensembles are very uncommon in North Indian music, though it is a crucial part of the South Indian Carnatic college of music. Album sales have lengthy been a key measure of the recognition of particular person genres, and yr after yr jazz album gross sales continue to fall. Favourite among kids everywhere in the world, hip hop is likely one of the most popular modern genres of music. Hip hop music emerged as an offshoot of the hip hop movement within the Seventies. Centered in Bronx, the motion quickly spread to the remainder of the US, and hip hop music benefited from the growth, changing into one of the adopted genres of the Nineteen Seventies-1980s. Other H-topics had been much more dynamic. Between 1960 and 2009, the imply frequency of H1 declined by about 75%. H1 captures the usage of dominant-seventh chords. Inherently dissonant (because of the tritone interval between the third and the minor-seventh), these chords are generally used in Jazz to create tensions which might be eventually resolved to consonant chords; in Blues music, the dissonances are sometimes not resolved and thus add to the characteristic ‘dirty' color. Accordingly, we find that songs tagged blues or jazz have a excessive frequency of H1; it is particularly widespread in the songs of Blues artists similar to B.B. King and Jazz artists similar to Nat ‘King' Cole. The decline of this subject, then, represents the lingering death of Jazz and Blues within the Hot a hundred. Only a few classical musicians I've labored with have even heard of this idea of really feel, and even those with good rhythm do not obsess over it to the purpose that jazz musicians have to in order to obtain an anticipated stage of competence. So to a jazz musician, the classical musician's sense of rhythm can seem bafflingly substandard. The group had gathered to listen to the latest in digital dance music, so when a handful of bluegrass musicians shuffled onto the stage last March, they may as well have been astronauts-and virtually immediately, the blogosphere was abuzz with confusion. The study contributors were recruited via notices put up in Marienhospital Herne and in the MA building on the Medical College at Ruhr College Bochum. We focused healthy volunteers, not sufferers. All subjects had been examined in response to a strictly outlined research protocol consisting of six phases ( eTable 1 ). The music sequences had been randomized before the beginning of the research by means of computerized random number generation. 60 subjects (30 males and 30 ladies) had been included within the intervention group, of whom half were youthful than 50 and the opposite half older than 50 years of age. The age and sex distribution of the management group was identical. Random allocation was undertaken before the beginning of the study by the principal investigator (HJT); the study physician (GV) admitted individuals into the examine and, on the study day, allotted them to the respective interventions (musical genres). Just like the Gqom style aesthetic , Afrobeat has been round for some time. A mix of hip-hop, funky house, and native African music from London (through Africa diaspora), Ghana, and Nigeria, Afrobeat had originally been fairly restricted to elements of the African continent and the UK, but it's catching fireplace internationally. British-Ghanian artist Mista Silva's Murda" is a great instance of the Afrobeats vibe, which sounds nearly like a extra rhythmically and sonically various musical cousin of Reggaeton.
Hokum blues is basically blues music with sexual overtones. The genre was fashionable within the US in the Nineteen Twenties and '30s, particularly throughout Prohibition. On the time, there was a general belief that only people who engaged in sex, playing, or other questionable actions stored late nights. We began with our record of 1369 genres of music (and rising), sorted by popularity to deliver up the extra obscure ones at the bottom of the record. And then we plowed by means of in that order, plucking out those that sounded, nicely, strange to our ears, in terms of the music they had been describing in English. 1971 song Hocus Pocus was high within the charts in numerous nations. It was performed by Dutch progressive rock band Focus, made up of performers from the pit band for the Dutch production of the rock musical Hair. three) non-musical sound consists of unstructured noises (we call it noise). When was the final time Brittney Spears or Madonna gave you a free album on-line? 50 Cent helped to revolutionize the music biz by dropping free mixtapes, and ever since, hip-hop followers have gotten some actual classics and never needed to pay a dime. Tasks like Drake' s So Far Gone and Wiz Khalifa's Kush and Orange Juice have been literal presents. Finally all songs that music style was both missing or unknown had been eliminated. Also all songs with invalid year enter (less than 1970) have been removed. HILBRUNER, M. (2015). "It Ain't No Cake Stroll": The Influence of African American Music and Dance on the American Cultural Landscape. Virginia Social Science Journal, 50 73-eighty. Common music in Kenya. The electric bass guitar imitates the melodies of the standard Kenyan eight-string lyre called Nyatiti. All things, good or bad, should come an finish, and music trends are no exception. Welcome to , and in the present day we'll be counting down the High 10 Music Genres That Died Out.
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