#monsters like me do this to people. It's what I do and have been doing

[thesummerestsolstice]

Notes on Keeping the Children Alive, by Maedhros Feanorian

One of them tried to bite me yesterday. A spirited effort, but doomed to failure. I will teach them how to do it better– their teeth are certainly sharp enough for it.

Woke up with flowers growing through the crack in my bedroom window. I suspect this is their doing. They are not very good liars.

Letting them climb on me has proved an effective bribe for good behavior.

They appear to like being tall. (possibly related to being descended from Turgon and Thingol??)

They stopped being afraid of me faster than most adults. Am I losing my touch???

Disregard previous note. Eldritch monsters recognize each other.

Am teaching them how to make the most of their shapeshifting abilities for political intimidation. They are shaping up to be menaces. Good.

Twins are old enough to begin swordfighting, and clearly eager, regardless of what Maglor says.

I have taught the children to argue with Maglor. I am certain they will eventually wear him down.

Gave the children more blankets so they would stop using my cloak as a blanket. New blankets have been resolutely ignored.

I am sure they'll stop commandeering my coat if I ask them.

I have decided not to ask them. (They are very cute when they are asleep)

Children are now attempting to negotiate their way out of bedtime.

Small animals appear to like the children. Especially birds.

They found a kitten in the stables yesterday. They would like to keep it.

Teaching the children to argue may have been an error.

Children asked whether it was possible to have three fathers. I am uncertain why. (Thingol homophobic??)

One of the children called me "Atar" today. Definitely did not cry about it. Not even a little bit.

It appears the children were asking about three fathers because they would like to be adopted.

I informed them that two fathers was the limit, but that Maglor could be their second mother, if they like.

Kano was too stunned at being acknowledged as the children's parent to correct them about calling him "Amme." Another successful plan.

(Kano, if you're reading this, then yes, this is payback for referring to me as a "brooding drama queen" for patrolling Himring's walls, in a very un-dramatic way, like a normal, responsible lord)

(Also, you of all people do not get to criticize me for being dramatic)

The children's Quenya is finally good enough for them to start reading higher level diplomacy treatises. I couldn't be prouder.

The children have never done anything wrong, ever, in their lives. I know this and I love them.

[mrsshabana]

Okay I’ve got an idea for you

Soulmate Tattoo AU but Gyutaro never had one as a human and it only develops some time after he became a demon.

𝐒𝐨𝐮𝐥𝐦𝐚𝐭𝐞 𝐚𝐮 ♡ 𝐆𝐲𝐮𝐭𝐚𝐫𝐨 𝐱 𝐑𝐞𝐚𝐝𝐞𝐫

꒰୨୧ ・Content Gyutaro x female!reader, canon-ish, soulmate au, fluff, angst ꒰୨୧ ・Note I've been meaning to answer this ask for so long! Honestly I wish I could write an entire fic about this but I had to stop myself. I've always wanted to write for a soulmate au so if you want to see more don't hesitate to ask! ♡ (Also I've never written for a soulmate au before so I'm sorry if I did it wrong)

It all happened so fast.

Just a moment ago you were walking home from the night market. And now you find yourself pinned to the ground in a dark alleyway fighting for your life. Some monster grabbing at you, trying to make you his next meal.

He's unlike anything you've ever seen before, but it doesn't take long for you to deduce that he's a demon. You've only heard people tell stories of them, but you never would have imagined they were real.

His large hand wraps around your mouth so you can't scream.

"Pathetic," he snarls, "Just going to let me kill you without putting up a fight?"

You try to kick and scream but you're powerless against him. His lips curl into a sadistic smile. A deep, hyena-like laugh comes from his throat.

"You're so disgraceful, I almost feel bad for you!"

For a split second, he's too busy antagonizing you to notice that you're wiggling out of his grasp. "Fuck you!" you hiss, kicking his groin and desperately crawling away.

Immediately the demon hunches over and groans in pain, "You... bitch..."

Unfortunately, the blow doesn't do as much damage as it would a human, and he's recovered quicker than you expected. You were only able to get a few feet away before he grabbed your ankle.

"You'll pay for th-" he stops mid-sentence and stares at the spot above your ankle.

An intricate pattern lies there, one that you were born with. It looks like a random splotch of ink at first glance, but when you look closer it resembles the shape of a heart.

The demon gulps audibly, suddenly the entire aura around him shifting. Without an explanation, he gets on one knee and pulls up the hem of his pants to reveal a mark that looks identical to yours.

"You... You're my soulmate," you whisper in disbelief.

The demon's hand begins to tremble as he keeps a firm grip on your ankle. "It-it can't be..."

"P-Please, maybe we-"

"Shut it!" he snaps, his teeth getting dangerously close to your face, "I don't care who you are! You're gonna be my next meal!"

He pulls out a weapon you didn't notice he had. It looks strange, like something you've never seen before.

With a look of amusement on his face, he swipes the blade of the weapon across your throat.

But nothing happens.

"...what?" he frowns and presses the blade harder against your neck. But it won't cut your skin.

It really must be true then. This demon is your soulmate, and lucky for you soulmates can't bring harm to each other.

You always heard about soulmate tattoos and how you were destined to find that special person one day. But a demon? Really? Sure, he's pretty cute but he's still a demon!

However, you're honestly just happy to be alive. At least now you don't have to worry about the demon that lurks around the entertainment district making you his dinner.

Meanwhile, your soulmate stares at you with wide eyes, hurriedly stepping away from you as if he's disgusted by you.

"Wait! Please don't go," you reach out to him, "Maybe we can work something out..."

"Tsk, I want nothing to do with you. I don't need a soulmate," he snarls, looking you up and down one last time before disappearing into the night.

You stay in that spot longer than you should, hoping he would return.

Of course, you know that demons are dangerous, but a part of you can't help but feel some kind of unconditional love for him. He is your soulmate after all.

But after some time passes you give up on love. The demon never comes back so you figure there's no point in even trying to find love in the future. If your destined soulmate doesn't even want you, then why would anyone else?

As weeks pass you go on with your life and try to forget about the demon. You're pretty sure he's long forgotten about you, but you couldn't be further from the truth. He's just been really good at hiding it.

Gyutaro hasn't been able to stop thinking about you ever since that night.

He went his entire life convinced that he was unloveable. But then suddenly this gorgeous human shows up on a silver platter just for him. It was a lot to process in the moment, but as time passed he couldn't help but sprout feelings for you. Especially after he stalked you and got to see how cute you are.

It started with him following your scent around the district, finding out where you lived, stealing your mail to get all of your personal information, and then breaking into your home while you slept.

Sure, maybe it's a bit creepy and weird but he's a demon! He has no morals at this point.

When he was a human, soulmates were the least of his worries. He was too busy scrounging for food and trying to survive to care. There were plenty of marks on his body, but none of them were the mark of a soulmate. The one on his ankle only appeared years after he became a demon. But honestly, the thought that this mark was actually the mark of a soulmate never crossed his mind. He always believed that a soulmate was never in the cards for him.

Normally he would never catch feelings for anyone, let alone a human. But when he met you it was like a switch flipped inside of him and he couldn't help but feel drawn to you.

And now, as he spends more and more time around you he begins to get careless. His feelings start to get stronger and overpower his rational thoughts. This whole time he's told himself that he'll never let you see him and he'll always just admire you when you're asleep. But the urge to touch you starts to get too strong. Oh, what he wouldn't give to feel your skin under his fingertips. To just hold you in his arms if only for a few seconds.

As he stands above your bed, looking down at you as you sleep blissfully unaware, he can't stop himself from crawling into your bed with you. It's like his body moves on its own, all of his anxious and self-hating thoughts get momentarily pushed aside. And all he can think about is you, and how right this feels.

You feel large, firm arms wrap around you - slowly waking you from your slumber. Typically someone would feel terrified to wake up suddenly in the embrace of a stranger. But you already know who this is. Your body knew it was your soulmate before you even opened your eyes.

After all of these weeks, you tried to forget about him but you never could. Ever since that first night you met him you felt like a part of you was missing. And he felt it too.

But now you feel complete with him by your side. And for the first time in his life, he doesn't hate himself. He doesn't feel like a disgusting, ugly, disgraceful waste of space.

He feels loved.

[petr1kov]

i swear most berserk fans are the dumbest motherfuckers alive in general but especially so when it comes to analyzing griffith's character and motivations. everything that happened in the eclipse is usually just tied into a neat uncomplicated bow of 'griffith always was a sociopath with no feelings and everyone in the band of the hawk were always seen as disposable tools to him', which is such a poor reading of literally everything that happened prior to it that it drives me insane.

the eclipse is meant to be a huge sacrifice. it is a grotesque and violent ritual that has griffith completely shedding his humanity and becoming something monstrous by cutting ties with everything and everyone that made him feel human in the worst possible way. what would be the point of it if griffith was already a fully-fledged monster from the beginning? why did griffith even need to experience visions to be convinced if he was always ready to sell his comrades for a corn chip?

even the scene where he explicitly states that 'only [guts] made me forget about my dream' often gets misconstrued as being just another expression of his narcissist ego, with claims that griffith became inconsolable and reckless after guts left him only because he got mad that lost control of his 'tool', since he felt like he needed him to achieve what he wanted. obviously, griffith's egotistical nature is central to his character and plays a part in this as well, but it's still very clear that it's not just resentment that motivates him in the aftermath of guts leaving. as he stated, guts made him forget what he wanted to achieve at all, HIS DREAM, for a while - and when he thinks of that, he remembers the good times they shared, not the bad. he simply couldn't envision a future that didn't include guts, after a point in his life, and that feeling had nothing to do with any pragmatic assessment of the pros and cons of having a powerful fighter like him on his side, and he knew that. it was the depth of his attachment to guts that terrified him.

i feel that people tend to dance around the issue of griffith's emotions in general because they feel that acknowledging that he felt anything other than possessive entitlement to the members of his crew (or even just to guts) is almost the same as excusing his actions, but it's the opposite for me. believing that griffith was simply born incapable of feeling love and affection for anyone is as good as believing that he essentially had no true free will in the events that led to the eclipse; if they were all interchangeable pawns on his hand, how would he ever hesitate to sacrifice them when the time came? how could a sacrifice like this even hold any meaning, really? believing that is fully conceding that he was always destined to become femto no matter what, which runs counter to the theme of free will in the face of causality that drives the series. where is the tragedy in that? where is the betrayal? it hurts because it could, should have been different, and griffith made a terrible choice - but only because he had a choice to make in the first place.

[pilot-boi]

White Knight Time Travel idea : People are suspecting..

Jaune and Weiss are at the Vytal Festival , each one with their respective teams , their mission has gone..well.. so far. Even without trying to change so much some things never change like Team CVFY and Prof.Port saving the city or Ruby meeting Penny...

But that doesn't matter compared to the titanic work they would have to do during this specific moment..it was now or never

~Weiss Side~

Ruby:WE DID IIIT!!!!....Anyone esle is starving?....

Weiss listened to Ruby and Blake's chat from the side , each time they have this small moments the more she thinks how everyone took Beacon's days from granted

Having to relieve the fight against Team ABRN made her notice how..unprepared they were ; even herself with her "Competent" perfomance wasn't still not enough to face that monster..

Weiss..

The Grimm entering Beacon..

Weiss..

The Witch's inner circle playing right under their noses..

WEISS..

Pyrrha and Penny along many other students being casualties of the..

WEISSS!

Weiss:W-W-What?!

Yang: Your scroll is ringing , shouldn't you answer it?

Weiss noticed her scroll , the contact named "FATHER"..

Right..her time at Beacon was almost up..

Weiss:I will call him later , thanks for making me know Yang..

The Blonde Brawler has noticed her friend weird..this last few day , she can't say why..but it's there , spacing out of chats most of the time or reacting to certain words like Destiny , Maiden or even mentioning locations like Haven Academy can get her all shaky

Right now Ice Queen is looking at her Sis talking with Emerald and her silent friend like she's trying way too hard to keep herself civil , her face may not show it but that tense posture and hands behind shouted something was wrong

And to say the last person she saw acting this way her Dad after..her Supermom left was all she needed to know , Ice Queen's hiding something and she will find out

~Jaune's side~

Jaune did miss Beacon , the academy.. , but coming right back wouldn't make it any better..quite the contrary it shows him how somethings must remain as memories..

The Vytal Festival just started and the mood seems festive enough for him to enjoy a little. Children playing around , teens being themselves truly a moment to breathe fresh air

Miss : Gather around as I tell the story of the Girl who fell through the World!

Jaune tenses hearing that , it's just a woman reading a story to a bunch of kids..nothing dangerous..

Yet..

He takes a look at his armour , clean not rusted..his face is still young and Crocea Mors is still complete..

Ren: Jaune?

Jaune:W-What?!

Nora: You have been standing there for a while , did the story peak your interest? Alyx's story is a classic! The Curious Cat is my favorite character! So mischevious!

If looks could kill , Nora's smile would have been erased a while ago..

Jaune:That Cat is nothing but troubles..

Nora:What? Don't tell me you are a fan of the Red Prince? Or the Rusted Knight?

Sensing hostility , Ren tried to change the topic..

Ren:Why don't we go with Pyrrha? She's saved us a nice spot in that Mistralian restaurant.

Both teammates agree , Nora leaves because she has won another petty argument..but Jaune seemed so personal about it..The Girl who fell through the World is just a Children's story..why is he so defensive about it?

Lie Ren is someone who can read the room quite well and to his knowledge..there's something wrong with Jaune..

He acts like..an adult sometimes , there's nothing wrong with that but it seems off..

Even their stategies , they are a group of Four , Team JNPR..but Jaune always acts like only Nora and him are part of the team

Ren even hears his silent sobs when he has nightmares , the words "Cinder" "Kill" "Penny" "Pyrrha" is all he has as evidence , trying to make sense of said word it would be something like

Cinder will kill Pyrrha and Penny

That sounded so..dumb , Cinder is a student along her team but he would ask Jaune later right now they have a fight to win

👀👀👀

So many of these WK Time travel asks are from their POV, I LOVE this look into their friends’ view

[twoa-plus]

it’s 2:00am and this is more of a character thing than a genuine theory but *claps hands for the drama* same coin theory. what if both of the stans are bill

or like. a parallel to him. like i said this isn’t a super serious theory i’m mostly just back on my character analysis bs lol

so i haven’t gotten to talk abt this much but i am a firm believer in that there is not a superior stan. from a personality perspective this is obviously entirely subjective, but i mean that there isn’t a superior one when it comes to their objective traits and how useful they are

ford is. ford. i don’t really have to say anything here he’s super smart can play the piano or whatever etc etc. however one thing that i will say that i think is important here is that i am like. 99% sure this man has a higher tolerance to The Horrors than other humans do. dude spent 30 years in that portal and came out pretty much the same level of crazy, and we all saw what happened to fiddleford. i know fidds saw bill take off his exoskeleton or whatever but u can’t convince me that ford traveled the multiverse - with all sorts of monsters and non-3d dimensions and god knows what else - for 3 decades and didn’t see some shit that would make anybody else lose it. like at this point u could tell me this guy could have a casual conversation over tea with cthulu and be fine and i’d believe u

as for stan - and i mean this in the absolute best way possible i love this guy - he’s like the world’s most charismatic cockroach. he’s fantastic with people and just straight up refuses to die. for the first point i don’t just mean this in the conman way, when it comes to the people that actually matter stan always manages to win them over in some way or another (soos, wendy, the kids, ford, etc) and one does not simply survive for a decade on the street without needing the occasional favor from someone who actually likes you. “oh but rico-“ man when u’ve been living as a homeless criminal for a decade and the list of people that want to kill u consists of 1 person and the government u’ve done pretty damn well. anyways as for the cockroach point, he’s alive and has his memories. i don’t even have to say much here stan went through all of That, lived through the series itself including The Literal Apocalypse, metaphorically (something something people are just a collage of their life experiences) died at the end of it all and then came back to life. that’s hardcore as hell man. in a less literal interpretation of the “refusing to die” bit, he’s also just. insanely determined. the biggest example is ofc him never graduating highschool and yet teaching himself god knows how much math and science and whatnot over the course of 30 damn years because he just refuses to believe that he can’t save his brother. stan pines is a force of nature i swear

[additional note while im already ranting about this guy, im not a personal believer in the “stan is just as (academically) smart as ford” theory. first of all i feel like this entire theory is kind of rooted in the idea that he has to be/be on the same level as “the smart one” to have value, which is an idea that the stans’ entire backstory is based around criticizing, and i think stan has something just as if not more valuable than freakish intelligence - raw fucking grit. he wasn’t the one to open the portal back up because of some intellectual advantage, he was the one to open the portal back up because he wanted to, god damn it, and best of luck to you if you’re gonna try and stop him.]

anyways as for the same coin thing, everybody knows the stan part. his casual references to the impending apocalypse, “you’ve been buying gold, right?”, him being such a good conman, etc etc. while i’m already ranting about stan’s determination, bill’s got that too - he’s been trying for like thousands of years to take over the world and he just Won’t Stop. point is there’s a lot of character traits they share

(i know in the original same coin post a pretty major point is stan not making a deal with bill, but i think that could probably be pretty easily explained without the need for divine intervention. the only times bill makes a deal with someone without them summoning him first is after he’s kind of left on a loose end with gideon, and everyone knows stan wouldn’t fall for his lies in the first place)

bill also shares a lot of traits with ford, though. both have some kind of physical anomaly (bill’s eye & ford’s hands), both can see/understand things others of their species can’t, they’re both egomaniacs (listen i love ford but the guy has issues), etc. u could even argue that, at least at the time they meet, they have some kind of connection through their loneliness

so. with the theory of “bill was reincarnated to make up for what he did,” what if it wasn’t just stan? what if he was split in two, and his “reincarnation” is both of them? they’re flawed enough to make it a lot harder for either of them to take over the world (ford’s lack of social skills & stan’s lack of freakish academic knowledge), and they have something bill doesn’t - each other.

bill is alone. that’s his whole problem. he killed everyone he loved, treats everyone new he meets like shit, and now he’s Like That. throughout it all, the one thing the stans have always had - even if it was just in their memory - is each other. “oh but ford-“ shhhh. shhshhshshshhsh. shut up. ford has Problems but i genuinely don’t think he ever stopped loving stan. love is weird, first of all, and secondly he clearly never stopped trusting him. no matter what he might say about stan being a liar or a conman or whatever, who’s the one person he goes to when he’s forced to admit he needs help? ford is a weird guy and has an… odd way of showing it but he loves his family just like the rest of the pines and i will die on this hill

i’ve been writing this for over an hour straight and i think my brain is melting but i’m sure at this point u get the idea. both of the stans, together, serve as a parallel to bill, and the one thing they have that he doesn���t is love. that’s what killed him.

something something killing an interdimensional dream demon with the power of friendship and this gun i found

[novamariestark]

Can I get a Dean Winchesterx reader using prompts 9 and 10 off list one and prompt 46 off list two, please?

Summary: A quiet date night with Dean gets interrupted.

Warnings: proofread but there's always a mistake after posting 🤣

Word count: 1229

Fandom: Supernatural

Pairing: Dean Winchester x Reader

Prompts: “LITERALLY EVERYTHING ABOUT THIS IS ILLEGAL!” “Did you just... agree with me?” “I'm actually going to kill you”

[A/N] hope you like 😁

How did we even get here? Sometimes, life takes a strange turn, almost as if the universe decides to have a little fun with you—except you’re not laughing. The night had started so differently. It was supposed to be simple—normal even. Sam had dropped the two of you off at that tiny, run-down bar a few miles outside town, giving you some space for your long-awaited “date night.” You were supposed to have a quiet evening, maybe a few drinks, some laughs. No monsters. No hunts.

But, because some idiot stumbled into the bar, raving about a “monster” they’d seen outside town that meant date night was over. You’d barely finished your drink before you were dragged out, headed straight for where the alleged sighting had taken place. The kicker? Sam had taken the Impala to pick up some supplies, promising to come back later. So here you were, stranded without Baby, crouched behind a row of garbage bins like a couple of amateurs. This is not how you imagined your alone time with Dean would go. You had hoped for something more... normal.

Dean was in front of you, so at least you had something nice to look at. You’d be lying if you said he didn’t look good, but seriously? This was the worst idea he’d had all week—and that was saying something. At first you thought you had heard him wrong but oh no. You had heard him right.

You glanced at him, unable to believe what was coming out of his mouth. “Are you seriously suggesting we rob a cop car?” you asked, trying to keep your voice calm, even though you were two seconds away from smacking some sense into him.

Dean turned to you with that infuriatingly casual grin tugging at the corners of his mouth. “Borrow,” he corrected, like that made it better. “It’s not illegal if we give it back.”

You stared at him for a moment, your brain struggling to comprehend the sheer level of Dean Winchester logic you were dealing with right now. He had to be joking. But he wasn’t. He was dead serious.

“Okay,” you shot back, your voice dripping with so much sarcasm that it could be visible, “maybe next we can walk into the nearest bank and help ourselves to the entirety of the vault. You know, for funsies.” Dean’s only response was to roll his eyes, still not seeing the problem. You took a deep breath as you waved your hands around for emphasis. “LITERALLY EVERYTHING ABOUT THIS IS ILLEGAL!”

Honestly, you weren’t sure whether to laugh or scream. You were a hunter—a damn good one. You could handle ghosts, demons, and all manner of monsters that most people couldn’t even fathom. And yet, here you were, stuck with this idiot, debating grand theft auto like it was something minute like, who’s turn it was to wash the dishes.

You gave him the deadliest deadpan look you could muster, hoping he’d catch a hint of how ridiculous he sounded. “I’m actually going to kill you.”

Dean’s grin only widened, those green eyes glimmering in the dim light. “But you’ll look good doing it.”

You rolled your eyes, though you could feel the faint heat creeping up your neck. His charm was both your kryptonite and your fuel—it was hard to stay mad when he looked at you like that, but then again, it also made you want to throw something at him. Preferably something heavy.

Glancing back at the cop car, you sighed. This was ridiculous. Utterly insane. The rational part of your brain screamed at you to shut this down, to come up with a better plan. But the other part—the part that had been on countless hunts with Dean, the part that trusted him more than anyone else—knew you were probably going to go along with it anyway.

“Fine,” you sighed, the word leaving your lips before you even knew you thought it.

The second it slipped out, you mentally kicked yourself. Seriously? Fine? Fine? Really? That’s all it took? One look from him, and you were ready to throw common sense out the window? You weren’t fine. Yet somehow, here you were, agreeing to what had to be the stupidest plan Dean Winchester had ever come up with. And that was a long list.

Dean’s voice cut through your spiralling thoughts, pulling you back to the present. “Did you just... agree with me?” His tone was laced with mock disbelief, but that smirk—oh, that damn smirk—said it all. He was enjoying this way too much, and it didn’t help that the glint in his eyes practically sparkled.

You hated that look. The one that always made your stomach do flips, like a rollercoaster you swore you’d never ride again, but kept getting back on anyway. It wasn’t just the smirk. It was Dean. He had this magnetic pull, and no matter how much your brain screamed No!, your heart—and apparently your mouth—tended to betray you in his presence.

“Don’t get used to it,” you muttered, crossing your arms, trying to regain some control over the situation. You weren’t completely rolling over here. You’d follow him into the fire, sure—but you’d still give him hell for it.

Dean winked, already turning his attention back to the car, pulling out his lock-picking tools and started to unlock the car, “Don’t worry, I’ll make it up to you,” he whispered, shooting you another wink and that cheeky smirk of his that sometimes you wanted to smack and others, kiss until you both looked like smurfs.

Your heart fluttered in spite of itself as you tried to ignore the way he seemed so damn... charming while committing a felony. His words floated around your head. “Don’t worry, I’ll make it up to you.” Oh, you knew exactly what he was implying. Your lips twitched involuntarily. Damn him.

You crossed your arms, glaring at the back of his head, “What? My criminal record?”

Dean finally got the lock to pop, a click breaking the silence. He stood up, turning back to you with that grin, “See? Easy as pie.”

You rolled your eyes. “You’re impossible.”

“Yeah, but you love it,” he said, with the cocky tone in his voice because he knew he wasn’t wrong. You hated how much he knew it, how much he knew you.

You took a step closer to him, eyes narrowing as you shot him a pointed look. “Just get in the damn car, Winchester.”

Dean chuckled as he pulled the door open, “After you, sweetheart,” he said, gesturing to the passenger seat.

You climbed into the car, the faint smell of cheap air freshener and coffee mixing with the cool air of the night. Dean slid in beside you, looking far too pleased with himself. The engine roared to life, and as the tires crunched over gravel, you couldn’t help but shoot him another sideways glance.

“So, what’s the plan, genius?” you asked, crossing your arms as if that might protect you.

Dean shrugged, “Find the monster, kill the monster, return the car—no harm, no foul.”

“If we end up in jail, you’re explaining this to Sam.” You said, leaning back into the seat, propping your elbow on the door, and resting your chin on your palm.

[ctrl-alt-em]

Communication is Key

Robin

I am Morven Hellwain. You have carried my spirit in your body for the last two months. As I am sure you have not figured out, when you lose consciousness, I gain control of our shared vessel. I need you to sleep as frequently as possible. Additionally, avoid bodily harm. I do not appreciate having to cast Cure Wounds when I wake.

Dear Morven Hellwain

Are you the reason for all the strange happenings? Did you explode the wolves? Lug says you killed that monster in the bunk house.

I go to sleep every night. I guess it is every other night? I don’t think I can sleep more than that and still help.

Thank you for healing my leg. Happen says he did not aim for me. His sprites played a mean prank.

From Robin Oatcake

Robin

I cannot fathom how you think you, the village idiot, can be of any help. The only way you can help is by ensuring I am in control as much of the time as possible.

As for your initial questions, yes, I am. I cannot imagine anything of note occurring in your proximity without my influence. I am not directly responsible for the wolves’ destruction; the recent unpredictable outcomes of spells is to blame. You need not concern yourself with magic.

Dear Morven Hellwain

I was not the village idiot. That was Young Man Dan. I was the spit-turner before I lost my job seven weeks ago.

I can be a great help! I helped save Lug from those men. I even injured one! And I was the one that got help when that man turned into a monster. Happen said I did a good job. I even helped us meet our friends and join our adventuring party. You are just upset that I can help just as much as you. I understand that. I was jealous of Tilly the spitturn dog too at first.

From Robin Oatcake

Robin

From the other's accounts of the confrontation with the mob, it does not sound like you played a needed role. It is no show of strength or skill to hit a blinded, maimed man with stale bread. As for the combat at Folkmoot, others surely would have heard and come to our aid, supposing I did not defeat the abomination before their arrival. You did nothing a dog would not be capable of. A dog likely would have been of greater help and less of liability.

Robin

You will get us both killed if you disregard my advice. Your 'help' is not needed nor wanted, I assure you.

To Morven Hellwain

I was thinking about back home, all the weird things people kept telling me. Leslie, the head cook, was cross with me. She said I missed work twice and that I insulted her in the market. I had no idea what she was talking about. I assumed she mistook me for someone else and I tried to tell her so. She said I was lying and fired me! It occurred to me that she might not have been lying. Was it you she saw? Are you the reason I lost my job?

From Robin Oatcake

Robin

Of all the things you could waste my time with, you chose this? Your 'job' is hardly worth the ink we are wasting writing about it. I will acknowledge that I was in control of our body several times before our departure. I did lose my patience with several of the dimwitted residents of the village so I very well may have offended the head 'cook'. I would not consider the loss of any great consequence. If anything, it is beneficial. Your 'occupation' would have delayed your departure for Folkmoot. You may thank me for my help in your next note. Hopefully, the writing will tire you.

To Morven

And what about my house? Did you tell the apothecary she could give it to her goat? If you wanted to run me out of my village so bad, you could have written to me earlier.

From Robin

Robin

If I recall correctly, and I do, the old hag asked me, "How I am supposed to keep a roof over my goat's head if you don't pay?" To that, I said, "Give the fucking goat my roof. I don't care." And I continue to not care. Your hovel was little more than a goat's shelter anyway.

I have spoken with Happen and he is aware of a root that induces a harmless sleep state. I have procured some. It is in the outer pouch of our bag.

To Morven

It is not our bag. It is my bag. And I don't need anything to help me sleep. A long day of traveling with my friends does that enough. Seeing as I have no work or home to return to, I will be with them for the foreseeable future regardless of our mission.

If you want to be helpful, Morven, you will tell me how to use magic myself and how I get you out of me.

From Robin

Robin

You cannot use magic. It would require innate talent or years of study, neither of which you have. Unless such fantasies lull you into a slumber, do not concern yourself with such endeavors.

I am looking into potential methods to separate us. However, until magic has been returned to its original state and I gather more information on what caused my spirit to enter your body in the first place, no significant progress can be made. You need not be involved.

To Morven

How can I not get involved when I already am? You’re in my head! You walk around in my body half the time! I should be the only one in my body!

And how do you know I don’t have inate innate talent? Maybe I just haven’t had need to use it.

From Robin

Robin

Knock yourself out as soon as you see this. Lug, Cressida, and Willowfine have been captured by a group of zealots and I need to go save their skins.

To Morven

No need to worry. Me and Happen did it ourselves. You should have seen how far Lug hit this one guy with his hammer once we got him out.

From Robin

Robin

That is not what I told you to do. You will get us both killed.

Willowfine said she saw you use magic. I can only assume you located a scroll and stumbled your way into using it correctly.

To Morven

You were wrong, Morven. I do have a talent for magic, no scroll needed, whatever those are. Mine is not as pretty or orderly as yours but I can cast spells. Cressida thinks that might be why you didn’t have trouble casting in my body.

You may thank me for my help in your next note. I will not ask you to knock yourself out because I have manners.

From Robin

Robin

I have spoken with Cressida and Willowfine regarding your spelling casting. As must I detest to acknowledge it, I suppose it makes sense. Either my spirit brought my magic potential with it or my spirit was attracted to your magic potential. I do believe the first one is the more likely of the two. It still stands that between the two of us, I am the more proficient and thus should handle any and all confrontations.

To Morven

Willowfine says we should try to come to a compromise. She said our attempts to screw with each other and limit the other’s time awake is annoying.

How about a deal? If I find myself in situations that I cannot handle, I will find a way to allow you to take control if you agree to cease trying to stay awake for days on end. If the group stops to sleep, you sleep and let me take control.

From Robin

Robin

After much strong arming from the others, I agree to your terms.

Robin

Why am I not surprised you have Wild Magic? Of all sorcerous origins, you draw power from the most unruly and unpredictable.

With that said, I request that you cast something that will offer you improved defense or evasion when in a confrontation. You cannot rely on Acid Splash only.

- Morven

[raayllum]

What do you think it means for corruption to overwhelm someone? Do you think Callum will die or will something else happen to him? Also I thoroughly enjoyed the podcast! (This is theinnermechanismsofmymindtdp but I refuse to link my main blog….)

That's a good question, and one I've spent time thinking about in terms of what a Corrupted S7 Callum would look like. (I lean towards something that directly changes his outward appearance during the possession, which is also a convenient short hand for stakes and thereby recovery when it fades.)

Part of the reason this is somewhat tricky is because there's roughly three Versions of what TDP considers to be 'Corruption,' and because the series makes all of these things regularly overlap with one another.

1) Emotional corruption

This is evidenced by someone who is changing for the worse, which is mostly tethered through Soren's dialogue. This can involve becoming a 'monster' (as seen through Viren and Runaan in S6) due to the weight of their 'sins'.

This of course ties into the series' most consistent form of corruption, which is Literal

2) Corruption through dark magic use.

Viren and Claudia get their literally corrupted faces (similar in nature to Runaan's in the life and death portal) and what made the turning point happen in Lissa and Viren's relationship. This is also symbolic of what scared Callum straight in 2x08 and what continues to scare him in 6x03 ("I did it, I'm ruined, it's too late for me, who cares?"). As Soren notes, continued and regular dark magic usage can change people, even if Claudia insists otherwise ("But I'm not evil, it's me, you know me. I'm still the same person"), but that Viren and most likely Claudia successfully come back from said corruption (and in Viren's case, that's not exclusive to never doing dark magic again, either).

I think it's worth noting that thus far the corrupted face (Viren's from coining Kpp'Ar, and Claudia's in killing Sir Sparklepuff) has come from using a combo of deep and dark magic through the staff, and directly out of acts of love (at least in theory for Viren).

Soren also asks for and/or sees his family members change away from this form of literal, physical corruption as well, and we see that Callum's love for Rayla literally helps heal this corruption in him in S6.

3) Dark magic corruption through infection.

This is arguably the one where the previous notions of corruption are brought together, as Janai explains in 5x03:

Nearly a year ago we tried to reclaim Lux Aurea, but the dark mage's corruption was worse than we realized. It is like a plague. Dark magic infests the city. What life remains there has been twisted into monstrosities. [To Callum and Rayla] You don't get it, do you? We had to kill the infected! Our own people.

There's a few things to unpack here.

Dark magic corruption is being compared to a sickness and plague that infects and festers within. We also see this compared to Kpp'Ar's arm wound and other old wounds ("It is a wound that has been festering for a thousand years" 5x04).

Emotional corruption, bolstered by dark magic use, and corruption through infection can both turn people into "monsters". Both forms strip you of your perceived free will: the corrupted through usage monsters increasingly don't perceive their choices as choices ("I did what I had to do" / "I had to save him, I had no choice!" / "Finnegrin was going to kill you, I didn't have a choice!"). The corrupted through infection monsters are seemingly mindless killers, as Zubeia describes an increasingly complete loss of self (which is also what possession is):

Tis a scratch. A mere nothing. Oh, but it festers. Corrupted. Infected. Oh! I can feel my very being shattering from the inside out. I fear I'm losing everything.

Her love for Avizandum (and Zym), signified by a glowing chest heart, also helps her come back to herself and leave the nightmare (Janai describing things as a nightmares, Aaravos using nightmares to manipulate Callum) behind.

Under duress, you can be forced to kill these monsters in order to protect yourself, even if that means killing your own people / people you know and love.

And last but not least, Amaya also tethers all this back to the idea of change (as we saw most prominently under emotional corruption).

Janai wanted so badly to cleanse Lux Aurea, but we failed. The shadow monsters are dangerous killers. But even worse, just a single scratch

The infected became corrupted shadows in a matter of days.

This consequence of "just one scratch and it's over" is now, of course, the exact same set of stakes Callum has been presented following the successful Star-light truth ritual if he ever does dark magic. If he uses it one more time, it's 'over,' and he knows that, in addition to knowing it'd open back up Aaravos' ability to possess him.

But beware, if you ever use dark magic again, the darkness and corruption will overwhelm you.

(Because I have followed a dark path. I had become a monster. I'm a monster. I fought you, I tried to kill you! He's leading an army of darkness. It's not every day you have an army of 10,000 monster soldiers. The human mage, already tainted by darkness. What if I'm on a path of darkness? Shadow monsters. What life remains there has been twisted into monstrosities. You keep calling it a monster.)

Much like how dark magic corruption through usage isn't exclusive from emotional corruption (they have a tendency to go hand in hand, but it's not synonymous because thus far Callum has been our exception), I don't think dark magic corruption through infection is exclusive from dark magic corruption through usage dark magic. All of them are associated with darkness; all of them can turn you into a monster; all of them are tied to losing your identity and your free will.

This is basically a very long winded way of saying I think Callum being overwhelmed with darkness and corruption may look like a combination of all three of them. While there could either be an instantaneous flip (which works well for drama and potential time crunch), there could also be a slow build (more similar to Zubeia, which could offer up more hope for a fix before it happens fully, even if I think the dragang would ultimately be too late because... it's more dramatic and we gotta get the possession fight, don't we?).

At the very least, physical appearance wise, I'm expecting a corrupted face, if not a fully corrupted form like the Banther. (Partially because it matches up with how the dark magic rune glows red, rather than purple, in Callum's dark magic 2x08 dreams).

Post-corruption / possession / ordeal, Rayla (and/or Ezran) will somehow find a way to get him out of it and bring him back to himself. This is bolstered by her literally being his light to Aaravos' darkness in 4x02 framing wise, 4x07 dialogue wise ("Then take another path, dummy"), and 6x06 literally wise.

If he does die / Rayla kills him, I think it'd be temporary at best as while it'd set his slate clean, I don't think they'd do that a second time, and given that Callum now has to Make a Choice in order to be possessed, that works perfectly fine as him turning himself over to metaphorical death (Aaravos stripping away his identity) and literal in his mind (banking on Rayla fulfilling his promise). I don't think he needs a literal, physical one on top of it, but who knows.

If dark magic is a wound, it can be healed.

If corruption is a sickness, it can be cured.

If possession is a lack of agency, it can be restored.

And if it's darkness, you can find the light.

After all:

(Looks pointedly at mutual salvation theory from Aug 2022)

[patrice-bergerons]

I keep thinking about just how much love and affection there is from Admiral Hennessy's side in that final confrontation with James, and how it makes the whole thing all the more devastating.

Had Hennessy responded to the news of James and Thomas' affair with revulsion and anger, it would have been easy, far easier, to cast him aside as a "villain" — both for us as the audience, and also I think, for James.

But earlier in the episode we hear that James considers him to be a father figure and here, right before they walk into that office with Alfred Hamilton waiting for them in it, knowing full well what James has done, he still calls James son:

Good God. You perceive the danger about this to be imagined. I told you when this began to be careful of those people. To be aware of just how sharp and unexpected the knife would be if you discounted that danger. I'd thought you'd heard me, son.

There is no reason for him to do that, not to someone he is about to permanently cast out of his life. Once they walk inside too, Hennesy's lips utter that terrible pronouncement but his expression, his voice is so gentle as he does it. Alfred Hamilton is in the room with them and what James has done is so outside cultural norms, it severely limits what Hennessy can say or do. Without uttering the words, this scene is yet another entry in the show's collection of "this is not what I wanted"s.

In fact, while AH would like to avoid the scandal of his son having a homosexual relationship, I have no doubt there were ways to hang James that would be equally if not more amenable to him that would not cause such scandal, and yet they give him a way out of London without any charges to his person, quite likely because it was the best Hennessy could manage to salvage under the circumstances. And yet still, Hennesy's words:

I would like to defend you. I would like to remind myself that every man has his flaws, his weaknesses that torment him. I would like to help you recover from yours. But not this. It is too profane; it is too loathsome to be dismissed. This is your end.

I keep thinking about what James tells Miranda in s1 re the pardon to go to Boston: "They took everything from us, and then they called me a monster." But who called him a monster? Given how quickly he and Miranda have to leave London after that confrontation in Hennessy's office, not to mention the way the actual affair with Thomas is swept under the rug, I highly doubt he had any more conversations about it except what transpired in Hennesy's office.

It is so much more devastating I think when someone says I love you but what you are is too vile, too profane for me to ever accept. Says I love you but I cannot accept you, and perhaps that is why what James hears Hennesy tell him is that he is a monster.

[miwiheroes]

Mike and El's conflict is not just about him not being able to say 'I love you.'

It's about the fact they just don't understand each other anymore. Even if he was truthful about loving her in the end, it doesn't matter. Their relationship's building blocks are still broken. Here's why:

"I guess I just don't really understand."

"I mean, you've seen it, I've been bullied my entire life."

"I know what it's like."

"I understand"

"Just please don't tell the others okay? They won't understand."

"Eleven would. She always did."

"No. You don't."

"What don't I understand?"

"I am different." "You think I'm a monster too."

I really don't think anyone truly realises what the Mike and El fight in season 4 does to their relationship. Yes, it is basically all about how El tells Mike that he isn't loving her in the way that she needs, and that Mike just thinks of her as his superhero rather than a human being. However, this is a total break down in their relationship as a whole.

Their whole relationship was built in season 1 and 2 on a certain type of shared trauma, attachment to the person who gave you care, fascination and most of all, understanding. Mike was attached to her in season 2 and season 1 and had the first inkling that he might have liked her because he thought, 'finally someone who understands me'.

That understanding is gone. I repeat, it is gone. In this scene, with the broken diorama, it is established that the fundamental building blocks of their relationship too, are broken.

Many people think that by the end of season 4, Milkvan is completely fixed. Because Mike said 'I love you' and y'know what, let's say he meant everything he said! What if he did mean that he loved her? (even though that's not the case but walk with me here).

That still doesn't resolve everything.

Wait. But that was their only problem, right? That was all their argument was about, right?

Wrong. Their argument was also about El not understanding Mike, Mike not understanding El. And this part isn't fixed. Mike still calls her a superhero in his speech even if he is truthful, he still makes her feel like she's not a human being.

But:

"You make [me] feel like [I'm] not a mistake at all. Like [I'm] better for being different. And that gives [me] the courage to fight on."

Mike likes the words that Will says, and if he believes the lies that he's telling him, then that means he also likes having that sense of understanding between him and El. But in reality, it's not there. He feels warmth for feeling like he's being understood/ he understands someone else, but it's not El. It's Will.

"I am different. I do not belong." vs. "You make [me] feel like [I'm] better for being different."

When Mike finds out that it's not El that he makes feel like she's not a mistake, and that it's actually Will, he's gonna have a lot of questioning to do. Because, as Finn said:

"There's probably a mutual understanding and acceptance there, I think." (in relation to someone asking about mike's feelings here)

Mike will find that understanding he craves so much in a relationship. Will already believes that Mike understands him and makes him feel like he's not a mistake. Mike will find that understanding with Will, because it's mutual.

Uh so yeah, this is truly why I think for Mike's arc and El's arc, it makes no sense for them to be endgame, because they simply don't understand each other. But it's not anyone's fault.

[abyssal-author-and-artist]

Brief Little Drabble

Mabel you've made me want to do something again. How dare you/lh

Mabel -- @drifting-stars-mabel Dipper -- @drifting-stars-dipper (me actually, go check it out) McGucket -- @it-is-unseen (sorry for the ping i just got inspired)

Dipper's not sure why he's running or why his heart is beating so fast. He's panicking, and it's a familiar feeling at this point, spurred on by months of wandering the multiverse, months of seeing horrible things and not sleeping due to the pervasive nightmares.

But whatever he's running towards is worse, and he can't explain why it is, but he also can't shake the feeling.

Mabel, Mabel, Mabel, some part of his brain is whispering, the part that tells him when there's a monster behind him or when he's going to have a particularly bad nightmare. Mabel, Mabel, Mabel. She's in danger, isn't she? She has to be. He wouldn't be able to hear his heartbeat in his head if she wasn't.

And she's been so bad recently. So stressed and uncomfortable. She won't tell him what's wrong and it hurts because even if she says she trusts him, it doesn't feel like she does. It briefly crosses his head that she's protecting him, but he shakes that thought away. It's not that it's wrong - it's that he can't afford distractions right now.

The communicator in his vest screeches with feedback, and he follows it, turning it down slightly as it gets louder and louder, more staticky and more staticky, more and more persistant and keeps just getting loude-

Mabel.

She's standing in front of a man who looks like Fiddleford McGucket when he was younger. On the memories they watched. He's holding the memory gun to her head.

"Ready to forget, little lady?" he's asking, and Dipper's running, he's pushing himself as hard as he can go.

Mabel swallows audibly, or maybe she doesn't and he's just imagining it based on the little lump in her throat and the minute bob of her head. Her hands are shaking so badly he can see it as he runs towards her.

"Y-yeah. I think I-"

"MABEL," he's screaming, wedging his body between her and the young man McGucket, batting the gun away with one hand. His chest is facing her and he turns slightly to fix McGucket with a glare with all the rage in his tiny little body. So, so tiny, so helpless, so pathetic.

"Dipper?" Mabel asks, her voice breaking in a way that her voice never does. "W-what are you doing?"

"What am I doing? Mabel, what are you doing? That's the memory gun. Were you really gonna go behind my back like that? Just wipe your memory?"

"Dipper, you weren't supposed to be here, I-"

"

I wasn't supposed to be here? Oh, so you're upset at me for stopping you from wiping your memory? Mabel you know what that thing does to people. You were there when we got McGucket's memories back. That- that thing drives people insane! It does the same thing that drugs in movies always do. Do you wanna end up like Old Man McGucket? Mabel, I-I can't believe you. You went behind my back to do this. To wipe your memories. Would it have stopped here?"

"What are you-"

"Would you have just wiped this? Would you have wiped something else next?"

"No, Dip-dop, I was just gonna wipe this one thing."

"Oh, really? And you wouldn't wipe anything else? Bill possessing me? Gideon kidnapping you in a giant robot? Anything?"

"No, really."

"I don't believe you."

"Dipper, you don't understand," she pleads, her voice cracking. "I'm a wreck over this. I-I can't sleep, I can't eat, I can barely think." She lifts her shaking hands. "I'm a mess, Dipper, I need this. I just, I just need it this once. You don't understand what I've been through, what I'm struggling with."

"I don't understand? Mabel, I've seen shit too," he says, cursing without even thinking. Her eyes go wide but she doesn't stop him. "Do you know what I've been through? I haven't slept in literal months. Sure, I've tried, but that's no excuse for actually doing it. Mabel, I can't even touch you without being terrified you'll turn to bugs in my hands."

His hands shake as he lifts them, nearly as much as hers do, and a flash of panic rushes through him, the intrinsic fear of her dissolving into a mass of wriggling creatures, writhing in his hands.

He grabs her shoulders, holding her arms as steady as his own trembling ones can manage.

"We're both suffering, Mabel. I may not know what you're going through, but I can. I can learn. I can listen. Just- just tell me, Mabes. Let me into your messed up head."

"I..." she glances behind him, and belatedly he remembers that he shoved McGucket to the side to get to her. He glances at him to see McGucket with his arms crossed, tapping one finger on the memory gun.

"Are y'all done yet?" He makes a pointed expression. "I offered to help, not watch whatever this slop was. Little lady, do y'all want yer memory wiped or not?"

"I..." she glances back at Dipper. He's so close to her, and it's terrifying him but he does nothing but hold her closer.

Mabel stops shaking.

"Thanks for offering, Mr. McGucket. I... I think..." she takes a deep breath in. Her arms wrap around Dipper and he's so happy she's chosen him.

Then she's pulling him to her chest, one hand on the back of his head.

"I think you should do us both."

The memory gun hurts. He forgets it in seconds.

[fatedroses]

And some days, I just wish you wouldn't look at me at all.

[brother-emperors]

ALRIGHT okay I will attempt to explain this to the best of my ability, which is currently being held together by tape and coffee

so I have a long running post philippi story focusing on the octavian-antony divorce arc conflict and it's heavily dramatized and full of dead people. it's one part historical, one part my own invention, and one part fucking around with ideas (or the lack there of) in movies about antony and cleopatra. many of which are bad! however. there is a bad one that's actually good. like, I wouldn't recommend it except that I talk about it constantly.

it's the 1953 movie, Serpent of the Nile and I have not known peace since watching it. it's one of the more interesting takes on antony and cleopatra (TO ME), and more importantly: I'm obsessed with the plot point where antony helps lucilius escape egypt to warn octavian.

this scene is partially inspired by that! this scene is partially inspired by several things, but that's the one to mention bc I haven't published any of this story except for the periodic scene I've drawn for fun so listing the rest of it will not add to this experience and also I’m very sleepy right now

the egyptian wall backgrounds in the first page and the last page are of a tomb wall painting, the third page uses an illustration of the death of antony for shakespeare's antony and cleopatra, and on the second page is actually my own painting of antony and cleopatra after giambattista pittoni's painting of antony, cleopatra, and the famous pearl incident

additionally, that last page. the floor. that's a relief commemorating the battle of actium. I'd been reading about depictions of actium and it is. intriguing, especially since my first thought wrt to all of that is usually abt the bodies in the water and how they'll never be buried or antony's parthian fuck up setting the stage for all of this.

also this specifically. fascinating.

Representations and Re-presentations of the Battle of Actium, Barbara Kellum

[thebroccolination]

As someone who has never been interested in vampires, I am extremely excited for BounPrem's vampire series.

It's partially because I love BounPrem, sure, but it's mostly because I respect the amount of very professional research and preparation Boun has committed to the role over the past several years.

I just think his artistry should be honored by my diligent attention.

Boun is a professional vampire fetishist, and that man will neck like no man has ever necked before.

[thatonebipotato]

Bernard definitely "knows a guy"

idk what situation he would need a guy for, but i feel like it wouldn't really matter. His life is just such a collection of weird situations, and he always just happens to know a guy because of it

Did he meet them through some weird online conspiracy boards? Did he meet them through the cult? Did he just extrovert really close to the sun and get away with it? Has this exact situation just happened so many times that he just knows the person he needs at this point? Honestly, he doesn't even know anymore

You know what he DOES know? A guy

[bitchthefuck1]

you know what, I actually will talk about this because it's bothering me. The issue with focussing so heavily on syd and carmy's potential for a romantic relationship isn't that there's something inherently unintellectual about romance or whatever, it's that a lot of people seem incapable of doing that without immediately flattening the story and ignoring or intentionally misreading any and all nuance for the sake of that romance. Every scene suddenly becomes about how it impacts their relationship, every analysis is done through a romantic lens, every frame or line of dialogue becomes about finding some easter egg or hint that "proves" these people should start dating. Their dynamic is absolutely a fundamental part of this show, but if you can only see it as a will-they-won't-they, you miss so much of what the story is actually trying to say with these two.

There are good versions of this story where their relationship is romantic and there are good versions of this story where it isn't, but as soon as you decide them being together is "the point," you lose the ability to actually judge the story for what it is, not what you want it to be.