#monk's baths
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sohannabarberaesque · 11 months ago
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Postcards from Snagglepuss
So what was it about the Monk's Bath?
OFF MONK'S BATH, ST. CROIX, US VIRGIN ISLANDS: On the northwestern part of St. Croix happens to be a rather interesting tide pool which has long been known as "the Monk's Bath." It turns out that such was man-made, carved out of coral rock as a sheltered swimming spot back in the 1950's, and yet how the name got attached to it can get to be a mystery.
Yet close as it is to Westside Beach, to the north of Frederiksted (itself another quaint old town going back to the Danish days), it's been said such has some interesting snorkelling possibilities. And Peter Potamus wasn't going to argue about that. Soooo ... the one-piece mask/snorkel combis prevailed for the most part, given just how shallow the waters are and how interesting the underwater fascination of that part of St. Croix can get to being.
One thing that's pretty amazing about the Diver's Delight is how Peter Potamus has set up a diving platform that can be lowered to the water's edge so that the Magic Divers (and guests) can dive in and get diving after the manner of swimming platforms such as are found on naval vessels to allow the jack tar crowd some swimming and diving at sea. Which, throughout our time in the Bahamas and the US Virgin Islands, has served the function rather well, especially where the choicest dive spots can be had offshore (though at times, the sight of its flying overhead was bound to startle locals to thinking such was a UFO for some reason).
Yet for Huckleberry Hound as much as myself, paired more often than not in these dive experiences, fascination at the underwater side was anything but dull ... somehow, they say the sea can get to be relaxing, and diving is probably even more so. Especially sensing such curiosity about the reef life and the dolphins who couldn't help but sense such interest in our diving party--the fact of which wasn't lost upon Peter Potamus during an aside in the diving session.
"Is it any wonder," he remarked, "just how calming the sea can get on the psyche?"
And you could just sense our diving friends looking rather laid back and chill. Including Hardy Har Har, myopic hyaenal companion of Lippy the Lion, and Mildew Wolf, ever the snark-filled one. As a matter of fact, Mildew was talking to me as we were getting ready for another dive close to the Monk's Baths offshore, reminding myself of our hosting days on Laff-a-Lympics and how unpredictable the off-camera sessions could get, even when rehearsing the lines to make sure he was in perfect form to deliver everything correctly.
Later that evening in Frederiksted, over coffee and rum cake, Peter shared with Huck and I some fascinating detail about why such natives of the uncharted parts of Polynesia felt so relaxed about themselves in such an isolated milieu of paradise, even considering their nakedness: "Credit it to being close to the sea, and their spending such time in the sea as they do. What could go wrong with them, aside from rising sea levels?"
(At any rate, the rum cake had a sort of tang to it. Did the bakers use Captain Morgan spiced rum?)
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@warnerbrosentertainment @jellystone-enjoyer @groovybribri @indigo-corvus @archive-archives @themineralyoucrave @screamingtoosoftly @thylordshipofbutts @thebigdingle @warnerbros-blog1 @joey-gatorman @funtasticworld @theweekenddigest @warnerbrosent-blog
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psystirene · 6 months ago
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MADE STAMPS OUT OF MY RAIN WORLD ART!!! Free to use, credit appreciated but not 100% necessary!
2nd Batch (Screenshots)
If you want you can request a stamp of any art I've made but I probably won't make art for the express purpose of turning it into stamps lol (though I may make more batches later)
OH YEAH ft. designs from @whippiekippy on some of the ship ones. I would turn the ship art I did for rw ship month into stamps but a lot use other ppls designs so idk lol
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marejadilla · 12 days ago
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Alyssa Monks, “Fixation”, 2010, oil on linen. B. 1977, native of Ridgewood, New Jersey.
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faaun · 4 months ago
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we sang in the aeroplane over the sea tgth ☆
#27% circle line with a lovely friend of mine rail tracks screeching etc etc u know the usual. im just gonna write down memories#a few weeks ago my friend read thus spoke zarathustra by the fire to the music she was dancing it was her silhouette#against the flashlight lit up gold and royal blues and tiger's silk i tried not to fall in love with her. in bordeaux we searched#for pomegranates he sent her 300 quid by the beach she cut it open with a knife her hand covered in red we each had a taste of her work#sweet red wet the sweetest grit. too barely clothed to go into the cliffside church they painted my eyes we painted hers#8 shots of gin she screamed joyfully IT'S ALIVE! at the book she said become the child i said i feel like a monster she said i was insane#i tried to believe her. fortified wine and later a red pen crossword defiled by humidity her hair in my hands two king sized beds#pushed next to each other she took her top off she told us to watch her arms raised up the musculature on her back was precise cut from#marble we saw oceans we saw the birds take cold baths the midnight sun over a wasp-infested pool our chemicals in their bodies#gold flakes dark skin gold cross shoulders against mine drawing some form of each other on the train i didn't hesitate#to say her eyes were beautiful over and over monks at the soapshop with titanium credit cards i loved you like i loved no other#he tied his hair up and walked us into the river he held a bullet between his lips i never held his hand he said what an honour#you own too much capital your mother thinks i'm a natural i realised i haven't told my mother i loved her in years she's always been mother#never mom i'll watch you watch seaweeds this is terminal akrasia i'll feel your fingers smear perfume on my lips your girlfriend grins#bite into the straw take the shot hold my hand get it all wrong draw in the sand kiss him right stab through leather shower in chlorine#you're the determinable vicissitude is all yours we won the Game AND the Battle AND the War i'm proud of you like crazy we feed each other#saffron cliffside lovers well-fallen brothers fat cats blue windows southwest sun ALife SynBio design aXAA grow us a city in silico#we've grown to the ends of glee fire-jumper ocean-eater sure-footed lists on lists hands on eyelids не устану искать тебя#...anyway ive put my face on this blog b4 but hiii again#feel free to rb btw the rants r not personal
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crayonurchin · 3 months ago
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Soaps and Dragons has a new product on her shelves... Bubble Class!
Vegan friendly and sensitive skin kind foaming bubbles for your baths, showers and sinks, and all featuring some of your favourite Dungeons and Dragons classes!
Monk, Druid, Warlock and Bard!
Head on over to Soaps and Dragons and grab a bottle of Bubble Class today!
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jjsanguine · 1 year ago
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Luang: I'm worried that Yai might go down a worrisome path if he doesn't get married soon
Provost: with the boy who just moved in?
Luang: !
Provost: that's peak, because they're literally destined
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rumade · 2 years ago
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A wheel showing the daily breakdown of a Benedictine monk and close ups of the panels I liked the most.
Bath Abbey, Bath, UK
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wonder-worker · 7 months ago
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"...Walsingham, the monastic author of the St. Albans Chronicle, was by far [Alice Perrers'] harshest contemporary critic, who in his venom has (somewhat ironically) left us with the longest and most detailed account of her background and personality, her influence as Edward’s mistress, and her subsequent trial. He describes Alice as a shameless lowborn meretrix (a word variously translated as mistress, whore, or harlot), who “brought almost universal dishonour upon the king’s reputation […] and defiled virtually the whole kingdom of England with her disgraceful insolence.” Although Walsingham was not always accurate and, specifically in this case, clearly heavily biased against Alice, he nevertheless provides a truly contemporary account, and his importance as a source should not be underestimated. Likewise, the anonymous monk of St. Mary’s York recorded that in the Good Parliament the Commons (represented by their speaker, Sir Peter de la Mare) stated that it “would be of great gain to the kingdom to remove the said dame [Alice] from the presence of the king both as a matter of conscious and of the ill prosecution of the war.” During the same assembly, the bishop of Rochester, Thomas Brinton, preached from St. Paul’s Cross that “it is not fitting nor safe for all the keys of the kingdom to hang from the belt of one wife.” Although the word wife (uxoris) is used, it is widely accepted that this is a reference to Alice.”
-Laura Tompkins, '"Edward III's Gold-Digging Mistress": Alice Perrers, Gender, and Financial Power at the English Royal Court, 1360-1377", "Women and Economic Power in Premodern Courts" (edited by Cathleen Sarti). Italics by me.
#alice perrers#historicwomendaily#my post#edward iii#@ anon who asked me how much faith should we put in Walsingham's account of Alice#Walsingham is undoubtedly vicious and prejudiced (and thus not always accurate - perhaps deliberately so) where Alice is concerned#But he is also a direct contemporary eyewitness and is thus invaluable as a source. His importance can never be emphasized enough.#More importantly however - the image of Alice as a transgressive woman with improper influence who 'hijacked' the kingdom#is not merely painted by Walsingham or limited to his account#It's how these other sources - the monk at St. Mary's and the Bishop of Rochester - depicted her as well#('it is not fitting nor safe for all the keys of the kingdom to hang from the belt of one wife' is pretty telling in more ways than one)#as did contemporary literature of the time like Chaucer's 'Wife of Bath' and William Langland's Lady Meed in 'Piers Plowman'#the whole point of the Good Parliament & the Parliament after Edward III's death was to simultaneously restrict her influence & punish her#So...I'd say Walsingham's image of Alice (unfortunately) tracks with how she was widely perceived at the time#Of course that doesn't mean that this image shouldn't be reassessed and recontextualized#Misogyny and classism very demonstrably played a huge role in how Alice was regarded by contemporaries#Ormrod has also pointed out that no matter the extent of Alice's influence she would ultimately always be limited by the practical#reality of being a woman and a commoner#'Her sex and status simply did not allow her the regular and acknowledged access to power enjoyed by politically ambitious male favourites'#It is not impossible that she was 'a symbol rather than a cause' of the crisis in Edward III's late reign#And of course it's true that WERE people who defended her publicly and privately even after Edward's death as Walsingham himself admits#She can't have been as universally detested as most people think#(we should also consider Walsingham's deriding comment about her 'seductiveness' ie: she was probably very witty and charismatic)#But ofc none of this change the fact that Walsingham's image of Alice's 'impropriety' transgressiveness was a widespread one#Nor does it change the fact that this image was fundamentally rooted in the very real and impressive power she had#Alice WAS proactive and acquisitive and wildly influential (Edward III listened to her over several of his own children ffs)#She DID have more power and visibility than any other royal mistress in medieval England#She DOES seem to have acted in ways that would have been perceived as 'inverting queenship'#*That's okay*. Alice's actions & image should absolutely be recontextualized and given more sympathy than they are#but I have absolutely no intention of diminishing or downplaying them either. That's why I love her so much.
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beasts-flesh · 1 year ago
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They in love fr
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altermay · 7 months ago
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I have lived the lives of many men in past lives, as I will in this one too
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bluebellebarrett · 2 years ago
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More ceilings, specifically Gothic ones! Not to be a dork about it, but I think they’re super neat!!! Gotta love that English Gothic architecture.
In this case, it’s Bath Abbey (aka the Abbey Church of Saint Peter and Saint Paul)! Founded in the 7th century CE, it’s gone through a...number of reorgs and renos, in the intervening 1,400-ish years. It was caught up in the dissolution of the monasteries (1539 CE) and then was just a regular church, not an actual abbey, but like, before that, it had Benedictine monks, so that’s pretty nifty, I guess. It’s still referred to as an abbey, anyhow.
It was restored by Sir George Gilbert Scott in the 1860s; he was known for that sort of thing, apparently. Victorians, am I right??
It’s right down in the middle of Bath, in Somerset. Which is beautiful, and just as vaguely pretentious and expensive as one might imagine, given that the entire city is a World Heritage site. And yes, there are baths in Bath. 
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demonlordcosnime · 4 months ago
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lets play the bathhouse part 4
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fragmentedblade · 1 year ago
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This game is making me draw semisteadily. I hadn't done that in years
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drgnflyteabox · 2 months ago
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red ochre [1]
series masterlist part one -> minium || part two -> woad and weld
pairing: viking goap x fem! nun reader summary: you become the unlikely treasure of two vikings who raid your convent looking for gold w.c: 4.3k tags/warnings: religious themes (DLDR), minor suicidal ideation, mention of viking raids (slavery, violence, death), kidnapping, threats, dubcon bathing + touching, mean simon (ish), established goap, reader is underfed and beaten in the convent (corporal punishment), difficult travel, some food description
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Near the coast the wind scratches at you when it blows, full of sand and salt.
Once, you'd imagined this as your calling; committed to asceticism, married to God, serving under the abbess. Enclosed, you find yourself stifled more than devoted, pressing your face to the stone barrier that blocks the convent from the outside world.
Isolation, never being quite full, the slow and steady stripping of your identity. This is your life - hollowed out, like meat sucked from a crab, cracked open and used and hollow.
You couldn't have predicted Christ to be such an inconsiderate husband.
"Girl!" the voice is the crack of a whip in empty air. You don't jump, but the hair on your body raises, the welts on your thighs sting.
"Yes, mother?" you put your chin down to your chest, turning, pressing your back to the wall. Demure, submissive, utterly devoid of fight. And still, her grip finds you hard as iron and rough as the rock you'd just been touching, pulling you hard enough to make your shoulder ache back toward the heavy wood doors of the dormitory.
"You shirk your duties again, child? Leave your sisters to pick up your slack?" you didn't mean to, truly. It's only that you ache so deeply you're afraid you might never recover from the feeling.
"Please forgive me, mother, I lost track of time," you murmur. Your uniform is damp from the spray outside, and you relish in the scent and feel of it. Freedom, that's what it is. "Allow me to make up for-"
"Hush!" spit touches your cheek. You don't wipe it away. "You'll finish the tapestry tonight. No matter how long it takes you."
Desperately, you wish for God to strike you down. If you're there, father. You close your eyes. Please, please kill me now.
He doesn't listen, and the abbess pushes you to supper.
Dark bread, boiled turnips, fish and wine. Average, filling, but you'd hoped for more of the crumbly white cheese from yesterdays supper.
You know not to complain. And truly, you are grateful. With your family, it had been gruel upon gruel, often bear, and rarely flavour. Salt kisses your tongue now, and the wine makes your sore muscles relax.
The monks have it harder; you'd visited them once as a girl with your father to pray, but there was still labour to be done here. Cooking was often your job, as was doing the washing and the tilling for the vegetable garden.
Today sister Colette had assigned you weaving so that you wouldn't be out of practice. The muscles in your back and fingers ached from it already, and dread made your stomach sour to the food you ate at the thought of more work.
Mealtimes were quiet, as required. The other women eat mousily, looking down at their plates and pulling their food apart into small little bites, trying to make it last. Obedience, poverty. How silly it was now that you'd dreamed of this.
"Sister?" a whisper, next to you. Margaret was almost a friend, too pious to really confide in but so kind it was impossible to ignore her. "What were you doing?"
"I felt compelled," you shrug, lips oily from the fish. "I felt confined."
"Oh sister," Margaret pushes her bottom lip out, dark eyebrows pulling up. "You should never feel confined here."
You knew, and yet you did. It was like living in a stone coffin. All the work felt pointless since your heart had strayed from God. Even now, touching Margaret's elbow to comfort her in her worry for you, you're sick to death of even clearing plates.
There was one secret they hadn't found. None of the sisters, not even the abbess, had found your secret booklet.
Paper was more valuable than gold since the church needed so much to copy and produce texts. The writing room at the very top of the convent, where you were so seldomly asked, was full of it and guarded by lock and key.
Over months, you'd scrounged, stealing enough to make a booklet. In it, you felt sustained. Free. Titillated, sometimes, when your hand found its way beneath your soft worn blanket under your shift and you drew indecent drawings of men coming to save you. Of the farmboys from your village.
They were nothing like real art, not so detailed, but they lit inside you a spark of life. Without them, you'd be snuffed out.
Candles line the hallway toward the workroom, where you'll likely spend the rest of the night. It's near the very entrance of the convent, so that visitors may see the sisters hard at work and find reason to donate.
Really, it's a temptation. Those massive doors, ready to open and let you free.
But what could you do, really? If God were a kind man and Christ a good husband, they'd turn you into a horse so that you might run, might feel your hooves beating the earth and the coarse air on your skin.
Regrettably human, you sit to work on the tapestry. Curse the abbess and let the holy father hear your thoughts. This is worse than hell, you think. Your fingers cramp and the chair is hard, flat wood. It's made to be uncomfortable on purpose, everything is. After you finish you only have a thin mattress to look forward to, even thoughts of drawing hunky carpenters doesn't draw you out of the misery that is embroidery in the dark.
Is this string strong enough to hold you, should you hang yourself? You're being dramatic, but you feel you've earned the right.
Footsteps walk down the hall towards you. They're sure, heavy. Maybe sister Catharine, tall and splendid, is coming to release you from torment?
"Hello," you say jovially. Please be sister Catharine.
"Look what we've got here, Ghost," it's a male voice. You freeze. The accent is unfamiliar. Had you missed the visit of a monk, an abbot, a priest? "Darlin' little lass, all by herself."
Shivers overtake you. It hurts to straighten from your hunched position, but you have to do it to see properly.
You come face to face with a skull, towering over you from the doorway.
A scream builds, filling your chest, hanging off the tip of your tongue.
Stopped only by the glint of candlelight against a blade, and the quickness of the another man reaching you.
You shake, all sound stuck in your throat, feeling arms as strong as petrified wood circle your arms and pull you toward the door. The pressure, the scrape of rock against your feet, it's unreal and barely registered against the terror that builds when you look to your left and see the skull, sewn into cloth, with the soft clank of bones hanging from his waist.
His eyes find yours, dead and mellow in the eyesockets, piercing through you. Blood rushes through your ears, deafening you, until you leave the room and reality sets in.
Devils, come to sack the convent.
Who will likely kill you and all your sisters. Even the abbess, with her punishment cane and severe face, doesn't deserve that.
You shriek, finding your voice, twisting like a cat in a bag. Their hands tighten against you, growling orders at you to be still, girl.
It's then that you hear the cries, the crashes. Sounds of chaos, a cacophony of harsh voices and the search of the convent. Some of the women weep, some pray, you scream.
"Hey!" Skull snaps, shaking you hard. "Behave and we won't kill you." You comprehend that, but the animal urge to struggle for your life still has a grip on you.
The other man twists towards you, lips snarling. "Ye want to die, then? I'm not opposed to slitting ye open throat to cunt, if that's what ye prefer."
You still, sag, mouth turning downwards in misery. Sweat sticks to your skin, from fear and exertion.
"Good girl," Skull says.
The nuns have been crowded back into the dining room, cowed and cowering, trembling lambs against the storm of awful armoured men ravaging the sanctity of the space.
Some have already found gold, crosses and busts of saints and reliquaries. The abbess weeps to see the bust of Mother Mary, thrown so roughly to the ground that baby Jesus snaps off.
You watch it all happening, eyes wide, shaking despite yourself. Adrenaline makes your legs cramp in their position, curled, back to back with another sister.
"Cap," a younger man runs up, hands full with an ornate chest. "What'cha think of this one?"
"Lookit this one," the man from earlier is giddy, slapping the young one on the back. He holds St Augustine, gilded in gold and jewels. "Not too shabby, eh, Gaz?"
"Not too shabby at all," Gaz grins back at him, turning towards the third man.
"Good job, boys," he says. He's mustached, tall, steadier and calmer than the rest. A leader, clearly.
It smells of smoke, or blood, but you can't see anyone bleeding.
Maybe that's their natural scent, violence clinging to them cloying like they'd bathed in it before coming.
"Soap," Gaz calls. He's run through the library, tossing shelves to the ground, taking one or two books. Walked through the dormitories, throwing open the chests at the ends of each bed. "Take a look at this one!"
A little booklet. Your booklet, tiny in the hand of the devil.
Anxiety crawls up your spine. There's no way they'd know it was yours, but you're still afraid of another kind of raiding, should they discover your sin.
The men laugh, looking with hungry eyes, glinting, mouths stretched and wet.
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Look at the ground, be quiet, be still. You want to survive, you want to draw again and feel the air against your skin. You're scared of these men, huge and muscled as they are.
They wear furs, leather, clinking chainmail, wrapped shoes. Weapons hang by their sides and are clutched firmly in hands, though no nuns nor abbesses have been harmed.
Yet.
"Gold ain't the only treasure, eh?" Soap looks down at you while others use pillowcases for bags, stuffing their bounty inside with loud clangs.
His foot nudges your thigh, and you shift away as much as possible, still looking away, still scared.
Skull comes back. Soap calls him over and calls him Ghost, so you switch the name in your head.
Ghost is big, but he glides through the air.
"See that, Ghost?" Soap nudges him, the way he nudged you. Eyes crazed.
"Mm," Ghost grunts. He hasn't looted, not like the others. Just walked through the halls and gathered one or two other stray nuns shuddering in various corners. "You want 'er?"
You blanch, breath leaving you.
"Can we?" He looks back at you and leans down, thick fingers finding your chin, tilting your face up. "Pretty little hen, so scared, aren't ye?"
"Take 'er."
With Ghosts permission, Soap moves his fingers from your face to the meat of your arms, dragging you up, using your stupor to help him.
"Dinnae worry, hen, we'll take good care of ye," it's not reassuring. You think you feel your knees hitting each other from the force of your shaking. "Awe, don't cry."
Two rivers have sprouted form your eyes, tracking searing hot salt down your cheeks, hands twisting in your habit.
The men regroup. You were right about the mustached man being a leader, and learn his name is Price. He commands them like any armyman you've ever seen, clearly holds a lot of authority.
You're the only nun that's a part of the spoils.
The only one tied with coarse rope around the wrists, chafing, tossed between Soap and Gaz through the convent until you reach those big wooden doors.
Those doors you'd dreamed about opening, those doors that you dread opening now.
"Keep walking," Gaz says. He's mellower than the others, but you'd be a fool to underestimate him.
Or ask him for help.
Reality hasn't set. You're in purgatory, stumbling across the wet grass in just wool socks, growing wetter by the minute from mist and dew. The men hoot and cheer and clank their gold, throwing fists and weapons in the air.
A bloodless victory, unless they change their mind and decide to kill you.
Soap jumps, accidentally pulling you forward in a jerk that brings you to your knees. The tears come back, and the pebbles nearing the beach digging into your knees makes you sob.
"Careful!" Ghost barks. Behind you, he reaches under your armpits and helps you up. His hands are still rough, but he lets go of you quickly to yank the rope out of Soaps hands. It doesn't help that it's still near-pitch outside, not yet morning, hard to see.
"Ach," he rubs a hand behind his head, watching you cry and walk like a deadwoman. "Got a little over-excited, darlin. Forgive me."
"I'll be better to ye, don't worry," he falls in beside you, using a knuckle to brush away your tears.
When you reach the beach, you see a few boats, supplies, but that's all. No camp, nowhere to sleep. Did they jump straight from the boats, marching up the hill to the convent to pillage?
God, they're so big. Warriors. Why just you?
"Right," Price calls them to attention. You're stuck next to Ghost, sniffling, shivering a little, praying mentally for the first time in a long time. Dear God, please help me, please strike these men dead and let me run back up the hill.
You miss what Price says, whispering under your breath with your eyes closed and palms together until Ghost puts his hand on your shoulder and pushes you forward again.
"Walk, then get on the boat," his voice is a growl.
"Dinnae worry," Soap chips in. "We brought meat."
They did - dried fish hangs like your laundry across each boats. The gold is loaded alongside you, stuffed to one side, and you're left trying to avoid the men tossing things in your direction.
Ghost ties your wrists to a wooden loop on the side of the boat.
It was built for this. For prisoners, slaves, taken in conquest.
"Ready?"
"Ready!"
Price shouts, the men answer. It's loud, a cacophony of voices and waves and the scrape of the boat against the sand.
You're going, going, gone. Floating. Adrift. Tied to the side of a viking ship with nothing but your thick, woolen habit and woolen socks. At least they provide some warmth, the air colder over the water.
Eyes look you up and down, not just from the two that took you. Gaz smiles to himself and punches Soap in the thigh, then they play wrestle.
You wonder what will happen to you- are you being taken as a slave? A prize?
The positive side to your time spend as a nun is that you know how to work, and you know that if something awful happens, you could find a way to meet God early and put yourself down.
Blood rushes in your ears again.
You register from somewhere outside of yourself that you're panicking again, caught wanting to run and having nowhere to do it. Tied down.
A hand touches your nape, and you turn with wild eyes and desperation all over your face to Ghost.
"Take a breath," he says, low enough that only you hear it, firm and commanding. "In and out, girl. Do it."
You do, if only to save yourself passing out. In and out, in and out, you breathe.
"That's it," he leans down, brown eyes finding yours. The skull is bleached yellow, old, but you try to ignore it. "You're alright."
"No I'm not," you shock the both of you by speaking, voice high and wavering. "I'm not, you're going to kill me or worse-"
"You think we'd take you just to kill you?"
"You're a heathen, aren't you?" you gasp again, wiping your face on the fabric of your sleeves. "Sister Catharine says heathens sacrifice virgins. Please don't."
He startles you by laughing, a ragged thing ripped from his chest.
"Not gonna sacrifice you, lamb," his hand squeeze your nape, his thumb rubbing the edge of your jaw where he can reach. "Gonna be a long journey, you'd better settle now."
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It's hell. You were mistaken before, and you'd do anything now to go back to embroidery. You'd let the abbess cane you bloody, you'd kneel and pray with the passion of Christ himself if it meant you could come off the boat.
The boat, the men. The godforsaken fish, too-salty, not much better than the biscuits Soap insists on feeding you by hand.
"Your hands are tied, pretty lamb, how are ye gonna feed yourself?" He breaks it up, wiping crumbs from your cheeks.
You hope Ghost will step in, but he doesn't. He watches, a specter, still wearing that mask on his face. You wonder if it's because of you, or if he's just like that. Private, hidden. Intimidating.
"Open wide," Soap seems fond of holding your face, squishing your cheeks and puckering your lips. He's extra zealous since catching a sea-bird, keen on making you taste it.
The thought makes your stomach roil, despite being sick of the fish and biscuits. You turn your face, trying to avoid him, whimpering when he squeezes a little too hard.
"Come on, hen," he leans closer. "Fresh meat is good, no?"
"Johnny", Ghost saves you again, finally. Pulls on Johnny's shirt until he's sitting back on his heels. "Let her be."
"Awe, just wanna giv'er my catch, Si," if a heathenish, kidnapping devil could whine and pout like a child, it would look like this.
Horrific, is what it is. You tuck your face into your elbow and close your eyes.
You've been doing that most of the journey, closing your eyes and breathing deeply like Ghost taught you. Or Simon, what you've heard Johnny calling him.
Dread sneaks in every once in a while, wakes you up from fitful sleeps or seizes your ability to speak. Nobody else has spoken to you, not even Gaz who keeps glancing at you. Nobody but Simon and Johnny.
"Here," Simon says. You look up.
In his hand, an apple. Your eyes go wide, prickling, and you look even further up to him.
His eyes reveal nothing. Brown, flat.
"For me?" you ask.
"You see me offering it to anyone else?" from the corner of your eye, Soap is staring at you, smiling.
"I can have it?" an apple. You could dance. Days and days of travel after living in the same town and then the same convent to taken by force on a boar. An apple.
"Take it before I give it to Johnny," he grunts.
Suddenly, you feel a kinship with Eve.
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Seasickness luckily doesn't affect you, and the melancholy is kept at bay by the apple. You think of it when you think you can't take anymore, remembering it's sweetness.
Simon becomes the safest person, and often if you feel scared your eyes find him.
When a minor storm rocks the boat, pelting rain, waves beating against the front, you tuck yourself close to his side and let Johnny take your hands into his.
Too easy to lean into them, to accept Johnny wiping your face gently with a cloth and eat fresh fish from Simons fingers. You're exhausted, and Simon doesn't push.
He just remains steadfast against chaos, even when Johnny fights with another one of the men and he has to pull them apart by their shirts.
"Si'down!" he barks, the loudest you've ever heard him. It makes you flinch, hiding again, until he sits heavily down beside you and you scoot as close as possible again.
"Not the smartest, are you?" he looks down. That hurts. You're just scared, is all. "Doesn't matter who's there, you'd cling right to them, wouldn't you?"
No, you want to say. But you just hide your face in your arms and cry again. You want to tell him the apple was special, that you know nobody else has one or got one, but you don't.
Your heart beats hard against your ribcage, that dread coming back again, feeling heavy and small under the weight of your predicament and his judgment.
"He didnae mean it," Johnny croons. He strokes your hair away from your face, thumbs finding your tense brows and smoothing them out. "We know you're a good girl. S'why we took ye."
You sniffle. The rocking of the boat has become both maddening and soothing.
You wonder when this journey will end.
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Your clothes are stiff with salt, wetted and dried and re-wetted. Your skin itches, wrists burning, welts unhealed from before when the abbess has caught you sneaking mead.
She had accused you of indulgence, of trying to get drunk. Truthfully, you'd just liked the taste of honey and missed it.
Nuns didn't eat honey, at least not there. Cheese and wine were already over the top, God forbid anyone ate anything sweet. That's why you loved the apple, had held each bite long on your tongue, letting the sugars sit there a moment to savor them.
"Hey," someone nudges you, bringing you out of your half-sleep. Easier to be less conscious, less aware, trying not to feel your anguish and your physical pain. "Come on, get up. We're here."
"Hmm?" You're so tired, hissing and whimpering when your wrists are jostled.
Untied. They're being untired. Your head lifts too quickly, making you dizzy. Gaz is squatting in front of you, holding your leash.
"You awake?" he squints, tilting his head. "You look rough, sorry 'bout that. You good to stand?"
Too many questions. You're forced to lean on him heavily to try to stand. He's as solid as the others, just leaner. Kinder, honestly, as he mostly carries you off the longboat.
Muscles like a new foal, you take a seat on the soft wet sand and slump onto a crate. It's a struggle to walk on solid ground.
Men move around you, dumping and lifting and talking. Less excited than the last time they were on the beach, but there's still a buzz aflutter.
"Can I bring'er up?" Johnny is looking at you, his hand on Simon's forearm. Their affection is the quiet kind, something you only noticed the last couple days of the journey. Small touches, murmurs.
"Go ahead," Simon touches him back, moving towards Price when Johnny comes towards you.
"Awe, lamb," he coos, hauling you up with an arm around his shoulder. His other arm goes to hold your waist, squeezing. "Dinnae worry, I'll get ye in a bath soon 'nough."
He's not lying - after a painful, difficult walk, you make it to a wooden cabin. Looking around, there are a few of similar make, a little town.
"Go on in then, sweet hen," he pushes you just enough for you to shuffle your feet in the door.
Modest wooden furniture greets you, a one-room house with a large bed, fireplace, and table. The rest is beyond you once you spot the tub.
"Sit, let me get it ready for ye."
You nearly fall asleep, or maybe you do, because when you open your eyes Johnny has steaming water filled to halfway in the tub, wooden slats fragrant. He's crumbling a dried flower in as well, humming to himself.
"Alright, s'ready," he helps you up again. Modesty is forgotten, you're too tired and weary to care when he slips the woolen habit off and leaves you in a plain shift, finally untying your wrists. "Pretty girl." He says it under his breath, like he can't help it.
The water is better than the apple. You hiss when it touches your wounds, your sore muscles.
You're tired to your marrow, could weep about it, eyes still opening and closing. Around you, Johnny searches through various bags and chests until he finds a bar of soap.
The soap is better than the water.
"Feels good?" he whispers, dipping his hands in and lathering up. How he's up and about, you have no idea. Even his hands near your bare breasts don't phase you - that's how wiped you are.
"S'good," you mumble. "Thought I ws'gonna die."
"We wouldn't've let that happen, sweet girl. Too precious, our treasure," a kiss, on your shoulder. He rubs the soap on your skin, your arms and down to your fingers, washing them each one by one.
"N'ver want to do that again," and then, because you forget he's your captor. "Please."
The attention is soft, patient. The soap washes away salt and dirt and sweat, even tears when he wipes your face with a rag. This is a second baptism, a better one, with gentle hands massaging your scalp and the barest brush against your nipples.
"Sit up," he pushes you forward, rinses your hair, washes your back while you're there.
The rag swipes over your cunt when he gets there, once, twice, eyes boring into you. Your exhaustion mutes the squeeze of anxiety in your chest, closing your eyes to avoid his gaze.
"Right, all done," he helps you back out and into a long, thin shift.
The bed is soft, so soft, covered in furs and actually stuffed enough to cradle your body. You sink into it immediately, just barely registering the door opening again.
"She asleep?" It's Simon, carrying luggage.
"Aye," Johnny says. You hear them kiss, wondering if they think you're asleep. "Anything else?"
"No," he's gruff, to-the-point. Drops bags in the corner with a clank and a chest by the door with a thud. "She give you trouble?"
"Sweet as a lamb, our girl," he sounds proud.
You open your eyes, one last attempt at self-preservation, and see them looking down at you.
Simon swipes a thumb over your cheek, under your eye, still wearing the skull.
"It's alright, go to sleep," he murmurs. Johnny leans his head on Simons shoulder. "Perfect girl, knew we did good takin' you."
798 notes · View notes
phyrestartr · 7 months ago
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Divine Favour | Sukuna x Kitsune!Reader (Pt.1)
W/C: 3.5k #full is NSFW, mild yuuji/reader, yuuji and gang are v early 20s, heian sukuna, male reader, typical kitsune shapeshifting, mentions of abuse, canon typical violence, morally grey reader, sukuna has FEELINGS but is BAD AT FEELINGS, unhealthy relationships, power imbalance, dubcon elements, soz if anything is clunky asdkjf; i can only reread the same fic so many times for editing sadge
A/N: Decided to separate this into parts since I'm dying to post some of it lol I've held it in a chokehold in the shadows of my WIPs for too long, some of it has to come out before I explode o(--( there is more to come!
tag: @nyanwko @kamote-kuneho @better-imagination-9
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The scripture was incomplete, worn away by age.
…herein lays the God...imprisoned...by...Disgraced One…
Yet the society felt this, the coffin uncovered decades ago, could be an invaluable asset. The vessel was decrepit and ancient, yet still stood strong against the test of time and the wear of nature. Seal papers, no doubt left by a monk of sorts, covered the entirety of its surface, hiding away rotting wood and rusted bands of metal from modern sorcerer's curious eyes.
Few knew why the higher ups kept the vessel under lock and key. Fewer knew why they kept it at all; however, those few understood the importance of such a relic. They'd been the ones to seek it out, to steal it away before malicious forces took it for themselves, warping the supposed deity inside for their own, malevolent purpose, whatever that may be.
And with Ryoumen Sukuna's fingers being found one by one, they could not allow anyone to possess humanity's failsafe: you. A great being imprisoned by the devil.
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“Anything?” Gojo trilled, patting Yuuji’s shoulders frantically as he stood behind him and beheld the wooden tub covered in sigils. 
“Uh…” Yuuji tried to focus on Sukuna’s presence inside of him. He didn’t seem intrigued or frightened, nor did he seem too bothered with the idea of them trying to smite him down with a sealed god–he was, however, annoyed that Yuuji continued to poke and prod at him. 
Piss off, runt. 
“Yep. Nope. Sukuna doesn't care,” Yuuji sighed. “He's getting all pissy now that I'm bothering him, though.” 
Gojo laughed and patted Yuuji's shoulders a few more times before all but twirling towards the bound box. “Well, that's a pretty good sign that he's not the one that did this, then! In that case,” he started, walking up to the seal papers keeping everything locked down, “let's pop ‘er open.” 
Before Yuuji could even wonder if that was a good idea, the white-haired witch used an overzealous amount of cursed energy and disintegrated every scrap of seal paper. 
Yuuji braced for impact. Surely something terrible like a bankai or a spirit bomb would send them flying once the coffin came undone. Surely they'd pay for this, for unleashing whatever godly spirit laid locked up for far too long, only to release it back into the modern age and–
“Huh. Weird.”
Yuuji cracked open an eye and saw the dull shine of tattered onyx fur, and his control slipped with a blitz of vertigo. 
Markings flared across his skin as he stormed toward the coffin, heart howling with thoughts and memories crashing through a shared mind; a face he didn't know but knew so well bloomed at the forefront of it all, eyes framed in pointed scarlet, skin bathed in ancient, dappled sunlight.
They reached the edge of the coffin and gripped the edges, splintering the wood as they took in the sight; crimson and curse decay pooled around a figure, curled up and half-submerged. Several black, tattered tails spilled free from the tub, no longer crushed from the force of the lid sealing them inside, but they were bent awkwardly and matted with whatever tincture lay at the bottom.
Then there was the so-called god in the middle of it all–you. Still. Quiet. Curled up in a haori far too big for you. Eyes closed. Almost peaceful.
Confusion tore at Sukuna while nausea ripped through Yuuji; he couldn't bear to look at such a morose scene.
So, Sukuna pushed him aside.
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[Heian Era]
You were never supposed to be anything more than a trinket. 
You were a gift from some family trying to show off for Sukuna, so much so that they offered him a delicacy, something he surely didn't have yet–a yokai. A kitsune, to be more exact. One with peculiar black tails. 
Sukuna found it interesting, and similarly desperate, to be brought such a creature as tribute. Certainly, it was meant to be seen as a high honour, yet somehow it felt…off. Why would humans give up something so powerful? 
Unexpectedly, it'd be you who told him. 
They submit me for the sake of convenience and mockery, your withering voice whispered where no one else could hear. You sounded weak. Tired. Maybe afraid, yet brave enough to reach towards the king and unveil the intentions of the men who brought you before him. 
Sukuna's eyes flicked to you, his feigned interest in what the sorcerers said falling straight into dismissal. You were much more intriguing. 
“Oh?” Sukuna asked, a smile creeping onto his face. The speakers ceased their jabbering and stared at your back with fierce intensity. Sukuna grinned wider. Oh, how he loved the way fear twisted mortal faces. 
You didn't shift or crumple into yourself under the eyes of so many, however. You pushed on with what little energy and life you had, so intent on dragging that clan through the mud. 
What I say is true, you assured simply. I expect to die today–
“Speak so everyone hears you, fox,” Sukuna commanded.
“--so I–I–” you coughed and cleared your throat, trying to rid your voice of the scratchy, weakness it struggled through. “I wish to not die with regrets.
"They have rendered me ill and unable to produce children, they see the black of my tails and regard me as an ill omen; yet they bring me to you, daring to spin sweet tales about the value of such an offering. But they lie,” You hissed. Your eyes glinted with molten malice, and Sukuna fell captivated.
“They throw me to you as they would diseased meat to dogs.” 
The courtyard fell silent, and Sukuna basked in it. You really were such a little troublemaker. A quietly chaotic force of nature. 
The king stood, rolling his shoulders as he did, and his pride flared as you dropped to your knees before him in respect. He walked to you and patted your head as one might a child's before appraising the sorcerers stood before him. 
“What a disappointment,” Sukuna sighed, raising another hand. The couple took up position, pooling their cursed energy in hopes of fending off the monster standing before them. The effort was quite cute. “Here I thought your clan might actually earn my mercy.” His hand dropped as the two lunged. Then, the two clansmen fell, too, both in neat, vertical halves. Quite overkill, yes, but he had a point to make. 
Where he expected a reaction from you, he got nothing. Only panting and poorly-stifled coughs came from you, racking through the entirety of your skin and bones frame. Sukuna could see it up close now, the way your body trembled from fatigue, the sickly greying of your skin, the scent of disease clinging to you. 
That wouldn't do. Sukuna liked his things to be in good shape. 
“Uraume,” Sukuna droned as he stared down at you, “fix this.”
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It took some time, but you managed to recover. It was an unnerving experience, with the way Uraume tended to you with sincerity. Perhaps it was genuinity born from their devotion to Ryoumen Sukuna, but you greedily soaked it in, filling your stomach with the care they offered you. 
Sukuna didn't bother much with you, not that you really minded; you were much more content to be fed and forgotten than hunted down by the creature that supposedly took ownership of you without enforcing it. If he didn't cause harm or good, if he simply existed somewhere else and forgot you breathed the same air as him, you'd still be at peace. 
But he was more intrigued than you gave him credit for. 
“Ho? So this is where you scamper off to,” Sukuna hummed, leaning over you as you dozed in the nice little spot you'd made for yourself in the garden, right under the crimson cover of a maple tree. You jumped the slightest bit, your daydreams and sunbathing interrupted by the brute’s silhouette eclipsing the sun, but you settled again quickly. The beast of a man wasn't a cause for panic in your little world, after all. 
“Does it displease you?” You inquired, fixing your hair and straightening out your robes. 
Sukuna held onto an overhead branch of the tree as he looked down at you. “Pets are supposed to play in the yard, aren't they?” He smirked as you pursed your lips and flicked your tail before calming it with hasty pets. “What, you don't like being my pet?” 
“I would not refer to myself as a pet,” you countered as the man sat down with you and leaned against the tree. The king's presence calmed you. With him, you knew you were invincible. 
“Pft. Then pray tell what your damn role is around here.” One set of arms folded behind his head while the other set crossed over his chest. “Pets are freeloaders. Pretty sure that's exactly what you are.”
You huffed. “Freeloader. Tch. How rude.” 
“Lookit that. You're copping an attitude now that you're fat and fed. Used to be so much more polite.” 
“Fat and–I am not fat.” You headbutted his side lightly, something that would make more sense had you been in your fox form. You grinding your forehead against him suggested this was more of a human move, however. “I am perfectly normal now. I was brittle and nonexistent prior to now. This is a grand improvement.”
Sukuna scoffed a laugh and looked down at your head pressed up against his side. “Thanks to me,” he boasted. 
“Yes,” you agreed. You held onto his haori and looked up at him, placid and intense. “It is thanks to you. I would not be here if not for your mercy and intervention.” 
Sukuna raised a brow as he regarded you. “Hm. And what will you do to repay me?” 
“My very presence grants you luck, good fortune and fertility.” You tilted your head. “I already repay you by being here.”
Tch. But the gardens and surrounding lands did look more lush and lively since your arrival, he couldn't deny that fact. But he was a king; he could always ask for more and expect to get it. 
“What more?” He prodded.
Your tail flicked as you thought. “What would you ask of me?” 
“Something you haven't given another,” Sukuna replied. Ugh, your flowery, poetry-y, bullshit speak was rubbing off on him. 
You stared at him, gemstone eyes glinting with earthen hues and shards of gold in the yawning afternoon sun. The leaves bristled just perfectly, letting in dapples of citrus sunlight as if trying to make this moment something special, as if to burn your ethereal presence into history for all eternity. All this, just while you thought of what to give him. Perhaps a riddle is what you wanted. Perhaps purple prose suited your fancy. Perhaps it was something else. 
You sat up, carefully raising yourself onto your knees before leaning up towards the hulking king. He turned his face to you in interest, feeling a sort of natural energy begin to pool around the both of you, reaching from the far depths of the earth and the wide stretch of the sky to converge on your existence as you framed his face with gentle hands, and placed a chaste kiss on the corner of his mouth. 
It lasted only a second. But a second was long enough to catch the scent of petrichor and petals on your skin, to indulge in the heat of wildfires raging in your soul, to feel the blasphemy of you against him; then, you parted. 
“For now,” you murmured, and Sukuna swore he saw your single tail fan out into nine, “I give you my divine favor, Ryoumen Sukuna.”
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You wondered if your favor was enough. He'd been gone some time, off to accept a duel from the snotty shitheads Sukuna had received you from. Apparently, having two of the eldest boys murdered rubbed them the wrong way. Sukuna was glad for it, you knew–the man lived and breathed for a fight. 
Of course, you stayed put. Uraume assured you'd be fine on your own, and Sukuna reminded his staff they'd all be eaten alive by the king himself if anything uncouth were to take place in his absence. It was more so that Sukuna didn't like the idea of idiots touching his stuff than it was the notion you were important to him, from your understanding. 
Regardless, the time alone left you restless. That king made you invincible. Without him, you were nothing more than the scared kit locked away in darkness, never to emerge lest your stubbornness trick them. But things were different here. Everyday was filled with unknowns and uncertainties when the two you'd forged fragile bonds with fell absent. 
So, you thought of how to repay Sukuna. Your divine favor would only do so much, after all–you didn't think a man like that really needed the extra luck, but he seemed more than intrigued by the manner of delivering the blessing; you remembered how he looked at you, eyes half-lidded, shielding you from the inferno burning out of control. He grumbled something low in his chest, just loud enough that you heard: 
You better be here when I get back.
“Ah–” The thrill those catastrophic words gave you nearly led to stabbing yourself with the needle. You tutted and regained focus, continuing to carefully embroider the sleeves of one of Sukuna's many plain black haori.
You learned how to sew and embroider from watching an elder from that clan work her magic on old, tattered clothes. She never spoke to you nor regarded you, but she never turned you away the rare times you watched her fix garments; you thought it was beautiful–the art of turning something mundane into something meaningful.
Though you wondered if Ryoumen Sukuna, the most powerful sorcerer, the most feared man alive, had a desire for anything useless and meaningful. 
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The answer came quickly. You'd found yourself void of confidence when the monarch returned to his palace after (obviously) winning whatever duel he'd agreed to; you weren't sure if you were to congratulate him, celebrate him or something more. On top of that, he'd eventually find that haori you'd slaved over for days, and you weren't sure you could take the heartbreak of dismissal. 
However, those fears were quashed when, from a new little secret garden hovel, you spied the man donning the very haori you slaved over; it wasn't a flashy piece, you didn't want to subtract from the marvel that was the king of curses, so you opted for using black, shimmery thread to weave intricate twisting trees and blackened blooms along the sleeve. Only if the design caught the light would one be able to notice it. 
But that was enough for you. Knowing he accepted such a meaningless gift was reassuring of your place in his world. 
So, you finally let Uraume convince you to stay in the room they'd prepared for you. 
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“No need to be nervous,” you hummed, that undying urge inside you to take care of something helping you soothe the young woman's nerves. You fixed her hair, your deft fingers carefully slipping strands into place before sliding a decorative pin in to hold it all together. You took a step back to appraise her, Sukuna's latest concubine. 
“I–thank you.” Sachiko blushed fiercely and bowed the slightest bit, not risking a deep bow for the fear of her hair falling loose. “I can see why all the girls love you.” 
You laughed, low and warm. “Well, it's hard not to love someone who takes care of you, no?” Gently, you tilted her chin up and leaned in, carefully examining the red lacquer staining her lips. The colour matched her kimono and the gems in that exquisite hairpin keeping dark locks at bay. “But I'm glad. I know it's difficult to find respite in these times.” 
Sachiko held her breath as she looked over the natural paint of crimson adorning your eyes. “I-I, um–yes, I do agree.” 
You hummed and carefully fixed the smallest smudge on the corner of her mouth. “Mh. So I hope you do your best to please him.” 
“I will!” Sachiko promised. “But–I wish to–may I give you something?” 
“Of course.” 
She gathered her kimono up in her hands and leaned up toward you. You leaned down, expecting a secret or hushed words, but perfect red lips pressed against your skin instead. And you were dumbfounded; you'd never been kissed before. You'd never had a lady show that interest in you. 
Sachiko got down from her tiptoes and hid her mouth with her sleeve. “Just for good luck!” She squeaked before bowing and hastily running through the doors where Sukuna would no doubt be waiting for his woman for the evening’s events. 
You looked at the doors sliding closed and caught a glimpse of Sukuna stood before the young woman, his frame swallowing hers as you looked on. And you caught a glimpse of his eyes, his stare of shock and utter vexation–clearly, he'd seen the short woman give you a kiss for good luck. 
You turned away, choosing to abandon the girl to her demise as your fingers ghosted against your lips in wonder. 
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He showed up in your chambers later that night. You were still awake, quietly embroidering another haori; this time, it was for Uraume. They insisted they didn't want to burden you, but they crumbled under your more insistent insistence, and accepted the offer on the condition it looked subtle and muted. 
Sukuna padded toward you, hardly bothering to announce himself or ask to join you (ugh, how annoying) before plopping himself onto the futon beside you, sighing as he laid down. 
“I see you finished early,” you commented, jumping the littlest bit when large hands caught your flickering tails. He didn't hurt you, no; he was simply an overgrown toddler with a penchant for examining whatever wiggled before him. 
“That woman kissed you,” Sukuna answered, unhelpful. “Ruined it.” 
“Ah. Well. I didn't expect it either.” You cleared your throat, feeling an unexpected bubble of embarrassment rise in your chest. “I have…I've never been given a kiss before. Not from what I can recall, at the very least.” 
“The hell are you talking about?” Sukuna grouched. “You planted one on me in the gardens.” 
“Giving is not receiving,” you corrected, flicking your tail so as to hit his face. “I've never given a kiss on another's lips, regardless. Though I find myself wondering why I–” 
You yowled when he yanked your tail like he meant to rip the thing off, and you whirled on him, eyes drawn into slits and chunky fangs bared as you dug your nails into his wrist in an effort to make him let go.
Yet the king looked unfazed. He sat up and  tugged you closer by your tail, yank after yank, ripping an impressive collection of vexed noises from you until his broad hand caught you by the throat. You clawed at his wrist and forearm, scrambling to find purchase, idly wondering if he'd finally had enough of you and sought to put you down after dirtying one of his concubines–
But he kissed you instead. His lips were warm and dry, not quite soft yet not unwelcoming. Sukuna knew what he was doing, too; his tongue licked at your bottom lip before pushing inside to finally taste you and taint you from within just a little bit. 
Your grip on him laxed the slightest bit, and you even eased into his hold as he, too, refused to harm you further. If you weren't aware of his malevolent spirit, you might've thought him gentle in that long, simple moment–a special brand of “gentle” that was wholly Sukuna's. Kind, but jagged around the edges. 
He started pulling back, though, and you followed after his touch like a bewitched maiden chasing after the lips of a lover. You nipped at the air like that'd do something for you, but soon settled on leaning into the hand holding you still, even if your throat scratched and ached because of it. 
You found Sukuna's calm stare watching you when you opened your eyes a crack. For once, you thought he looked content; the cruel, mocking lines of his face had smoothed and relaxed, and that annoying, cocky smirk he'd been born sporting had been replaced with a placid, normal lilt. Even the inferno blazing in crimson depths eased into pools of yawning embers–warm and spirited, yet contained. 
The sight relaxed you despite the confusion it brought to your rationale. 
“That,” Sukuna said, so odd and quiet, but powerful and judicial. “Is your first.” His thumb stroked against the side of your neck, pausing to feel the pitter patter of your heart thrumming under his mercy. “It'd serve you to remember that.” 
You nodded shallowly. “Of course.” 
Pleased, he let go of your quite breakable neck and moved like he was about to get up. You grabbed at his hand and pressed his palm to the side of your face like he was cupping your cheek. Your insistence on touching gave the beast pause, but he settled again, content to let you keep him hostage for as long as you wanted.
And you indulged in the simple favour. You nuzzled into his palm with a very fox-like chitter as a bassy, quiet trill of a purr lazily rolled through your chest, eventually reaching Sukuna himself. It somehow had him feeling content. Relaxed. Like he was basking in the warmth of the sun. 
“I request another,” you chirped, and Sukuna quirked a brow. 
“Another?” 
“Kiss.” 
Sukuna twitched a smirk. “It'll cost ya.” 
“Oh?” 
“Give me another blessing.”
And you agreed.
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sluglore · 14 days ago
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Explaining The Iterator's Purpose (And Why They Weren't Made to Circumvent The Echoes)
Alright, I know there's already been a few posts like this out there, like this older one from @halvedforest, and this recent one from @noizepushr, which are both good posts, but I've been meaning to touch up and cross-post my own older misconceptions post from reddit for a while now, and provide a deeper, more expanded analysis as to why this misconception exists and explain what's actually going on, so here it finally is haha I'll also be using the term 'Benefactor' instead of 'Ancient', if people are confused about that, I intend to make a post about it eventually ^^
( If you're confused on who out there even believes this, this idea originated from Rain World YouTube lore videos, long before Downpour was ever a thing! It is unfortunately still quite prominent on there... but it's definitely getting better :3 )
This misconception stems from misreading the singular pearl to ever mention the echoes, being the Bright Red farm arrays pearl, so let me begin by attaching the specific section below:
“There were some horror stories though... That if your ego was big enough, not even the Void Fluid could entirely cross you out, and a faint echo of your pompousness would grandiosely haunt the premises forever. So even when the Void Fluid baths became cheaper, some would still starve and drink the bitter tea.” (Bright red Farm Arrays pearl dialogue)
Note the specific usage of “some” here. Echoes weren't presented as an issue significant to re-center Benefactor society around, (let alone build the iterators for) but as some horror stories which only "some" people (likely on the fringes of society) would believe in. Nowhere are we given anything that alludes to the existence of Echoes being regarded as a societal problem to address, much less have anything to do with the Iterators.
Additionally, although we know for a fact that echoes do exist, its fairly possible that most of Benefactor society didn't, as LTTM doesn't even know what they are either, regarding them as nothing more than superstition. On the very next line, LTTM confirms that the void baths continued all the same, while again mentioning that "some" would still choose to abstain from them, and drink the bitter tea.
Then what’s the purpose of the iterators if they weren't created to circumvent the echoes? What is The Big Problem that they are even trying to solve in the first place? Well, both FP, LTTM, and the Exterior colored pearl dialogue spell the answer out for you. In fact, it's the first thing FP even tells you!
“The good news first. In a way, I am what you are searching for. Me and my kind have as our purpose to solve that very oscillating claustrophobia in the chests of you and countless others. A strange charity - you the unknowing recipient, I the reluctant gift. The noble benefactors? Gone.” (Five Pebbles dialogue to Survivor) (Monk's version also hits similar notes)
Five pebbles introduces himself as a “reluctant gift," with his purpose being "to solve that very oscillating claustrophobia in the chests of you and countless others," meaning to solve the cycles for everyone and everything else.
If you bring Looks to the Moon a neuron, she has the chance to repeat the same exact explanation to you.
"We were supposed to help everyone, you know. Everything. That was our purpose: a great gift to the lesser beings of the world. When facing our inability to do so, we all reacted differently. Many with madness.”
FP, LTTM, and the rest of their kind were created to serve the rest of the world in finding a method of total mass ascension, of ending the cycle entirely for everyone.... and everything. Not only including the fauna of the world, like the slugcat, but the bedrock, microbes and even gases, as explicitly stated in this snippet from the Exterior pearl dialogue below:
“The Moral Argument: Five Pebbles is our Creation, and we have Parental Obligations towards him. As an Iterator, he is also a Gift of Charity from Us to The World (unable to reach Enlightenment by itself - being composed mostly of Rock, Gas, dull witted Bugs and Microbes - and towards which We thus have Obligations)” (Pale Green Exterior pearl dialogue)
Here we have the Benefactors define it very clearly, that as an iterator, Five Pebbles is a "Gift of Charity from Us to The World." It's important to note that many misinterpret the next section in parentheses as being about FP himself, but if it were, it would be the only time FP is ever referred to as “it”. What's really being described is the world, “unable to reach enlightenment by itself, being composed mostly of rock, gas, dull witted bugs and microbes” The world is unable to reach Enlightenment on it's own and therefore, that's why the iterators were created. (Also- when you think about it, the description of "being composed of rock, gas, and dull witted microbes" doesn't even really fit FP's description lol)
Quick but necessary tangent, the concept of non-living things being apart of the cycle is a little confusing, and tricky to quickly answer without going deep into cycle lore discussion, (I have an entire post in drafts dedicated to clearing this up) but it's actually incredibly important for understanding what The Great Problem is! To shed some light, it's not that non-living matter are able to somehow comprehend the cycles, but that the entire physical world itself is actually an intrinsic part of the cycles.
If you leave a stone on the ground, and come back some time later, it's covered in dust. This happens everywhere, and over several lifetimes of creatures such as you, the ground slowly builds upwards. So why doesn't the ground collide with the sky? Because far down, under the very very old layers of the earth, the rock is being dissolved or removed. The entity which does this is known as the Void Sea. If you drill far enough into the earth you begin encountering a substance called Void Fluid. The deeper you go, the less rock and more Void Fluid. It's believed that there is a point where the rock completely gives way - below that would be the Void Sea. When that stone you placed on the ground has finally done its time in the sediments, it meets the Void Fluid and is dissolved, leaving the physical world. (Teal Subterranean pearl dialogue)
There's a reason that 'Cycles' is always plural in Rain World, because there's multiple of them! Organic life is in cycles, the physical bedrock of the world is in cycles, even the very concept of civilization is in cycles. In order to ascend everything, that means ascending not only all living things, but the entire physical universe itself! That's what the Great Problem really is :D (Also technicallyyy it's only ever referred to as "the big problem" and not "the great problem", the latter term stems entirely from the community but it's whatever i just wanted to quickly mention that. great problem definitely sounds cooler LOL)
In conclusion, Iterators are described as "Gifts to the World" not once, not twice, but three entire times throughout base game Rain World's dialogue, one from FP, one from LTTM, and one from the Benefactors. Rain World lore holds many unanswered, purposefully ambiguous questions, but the Iterator's purpose is not one of them!
If you're confused/interested in analysis of the Benefactor's motivations and perspectives on Ascension, I made a post a little while back containing my thoughts right here :)
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