#mobile nails

[catcze]

Wriothesley can hear your loud stomps from a mile away as you furiously speed-walk to his office door like a bloodhound trailing a scent. Even if not for that, the way that you bang your fist on the door is enough to grab his attention.

"WRIOTHESLEY." Comes booming in from the other side of the door. It's thick wood. He wonders how deaf he would have gone if the door hadn't protected him. The door (the thick, supposedly impenetrable door) rattles on its hinges like a screen in a hurricane when you try to kick it again. "DID YOU EAT MY DONUTS."

It's not even an accusation at that point. It's practically a declaration of war.

"WRIOTHESLEY!" You yell so loudly a group of guards turning the corner down the hall scramble back the way they came. "Open up, jackass!"

Wriothesley, knowing he cannot escape the consequences of his actions, merely settles deeper into his chair as he drinks his tea. His last meal. Drink. Similar thing.

The door keeps rattling as you yell profanities at him, until one of his traitorous guards approaches you hesitantly, saying not a single word but offering up the spare key to his office with shaky hands, head low and aggressively avoiding eye contact.

"Oh!" you say, demeanor switching immediately, losing the intimidating glint in your eye as you gingerly take the key. You smile kindly. "Thank you very much!"

Then you turn back to the door, the threat of violence in your eye as you wield the key like a weapon of war, inserting it into the keyhole and twisting it with a dark finality. The guard wonders if they should fear for their superior's wellbeing.

Wriothesley looks up from his newspaper as you close the door ominously behind you, somehow maintaining a blasé facadé even while staring down certain death.

"Well?" you prompt him, eye twitching like a stressed villain from a kid's cartoon show. You round on him in an instant, too quick for him to escape. Somehow, he keeps up his poker face. "Care to explain where my donuts went, Duke of Meropide?"

"I didn't eat them," He deadpans, staring you right in the eye. He pointedly does not acknowledge the white powdered sugar on his face.

"There's white powdered sugar on your face."

"Ah. So there is."

Another cartoony villain eye twitch. "Want to try that again?"

"...I love you?"

"And I love you. Last chance, though."

And he folds like a lawn chair. Wriothesley knows this is a fight he can't win. Even Neuvillette would tell him it's best to just kick the bucket and plead guilty at this point. He sighs breaking eye contact first like a wolf with its tail between its legs.

"Okay, I'll buy you another dozen of them."

You cross your arms, staring at him. He sighs.

"Another two dozen."

You soften just the slightest bit, coming close to perch on his lap and lean into his space. Instinctively, his arms come to wrap around your middle, pulling you against him.

"And?"

Wriothesley leans forward too, enough for your foreheads to touch. You can feel the breath of his sigh against your lips.

"And you have my sincerest apologies for taking your things. In my defense, I thought they were mine at first.”

“Apology accepted,” you say, satisfied, and peck him quickly on the lips. Before it can turn into anything else though, you’re springing up from his lap. Ignoring the disappointed furrow in his brow and the way his arms have still not moved from their position holding you earlier, you take his hand and pull him up from his chair with such startling enthusiasm and surprising strength that it has him stumbling for a second. You pull him towards the door regardless.

“C’mon, you’re making good on that apology right now, Wrio! Hope you finished your work!”

And no, technically he hasn’t finished his work. But he already knows that you’ve got him wrapped around your finger, and that pushing that work to tomorrow wouldn’t hurt. Probably. Whatever— it’d be worth it.

So he just sighs and gives the palm resting in his a squeeze and let’s himself be pulled along. You squeeze back.

“As long as you let me have a few. Those were pretty good.”

[pnkhalo]

[amalgamasreal]

They gave Suletta the ~LESBIAN NAILS~ and now I can't unsee it.

I actually went back and looked at any of the previous pictures of her hands I could find and her nails were all long before this scene. 🤣

I want to know what key animator snuck that in there and I want to know right now.

[gatoburr0]

Tactical Marie woeuh

[bulecelup]

Domon, Amuro, and Suletta from the 45th Anniversary stream

[lesbiancharaznable]

[a-titty-ninja]

「セセリア・ドート - ご 褒美」 by D. JOKO | Twitter

๑ Permission to reprint was given by the artist ✔.

[vampylily]

Notes from the new Rolling Stones Japan article with Pete and Patrick Pt.1 :

[WARNING: The article is in Japanese, I'm not a Japanese speaker. I'm machine translating the article from Japanese to Korean & English, and then doing paraphrasing in English. Thus, the wording is not entirely accurate, and may contain errors. Please don't consider this as a proper translation. This is so I can have a reference more than anything. ]

When the interviewer noted Patrick's Los Crudos t-shirt, he responded enthusiastically that it was a Chicago band! Pete was in a Napalm Death t-shirt.

Interviewer asked about how Summer Sonic was, especially since it was their first since 2019. Patrick said the show went like they hoped, which rarely happens (lol). Said Japanese audiences are special. He gets asked about how concerts in Japan are, but it's hard to explain unless you experience it. Said can't explain it well, but there's a lot of give and take of energy.

Interviewer asked about Pete saying there was a song inspired by Japan on the SMFS album. Pete said "The Kintsugi Kid" was the song about how he felt when he was in Japan, it's obvious by the title. "The Kintsugi Kid'' bridges "I Am My Own Muse" and "So Much (For) Stardust." Said Patrick wrote the songs but in his interpretation, the sonic landscape of the song reminds him of Japan.

Patrick said he's always been quite influenced by Japan, especially on this album. Said people might not register it from the sound, but he's been influenced by the Yellow Magic Orchestra & their synthesizer sounds. He didn't use much synthesizer on the album but a lot of the songs started with synthesizers. He got the same synthesizer Yellow Magic Orchestra used and started writing songs from there. He's a big fan of Studio Ghibli movies and loves Joe Hisaishi's music. Said when doing string/orchestra horn arrangements, he wanted to create a sound that was as appealing to the heart/poignant as his. Even though their music/sound was completely different, he wanted to try it. Said he especially tried to evoke the feeling he got on "The Pink Seashell."

Interviewer asked about TTTYG's 20th anniversary and how they could have done an anniversary tour but they didn't and instead released SMFS with gusto.

Pete said the most important thing is that you stick to what you think is right. Said there was a punk band he liked when he was younger, and they didn't change at all. Talked about how artists like David Bowie or the Clash changed their styles to almost unrecognizable lengths and how some fans left because of it. But when he listens to the albums after getting older, he can reflect on his own changes and find new appreciation for songs he might not have liked at the time.

Pete said celebrating the past too much feels patronizing and not very fall out boy-like. They continue making new music, sometimes they succeed, sometimes they don't. Even if something doesn't work out as well, he's like [it is what it is/that happens], and that some people might say they liked it. He's got albums he likes and albums he dislikes from his own favourite artists. Said they always make new albums that challenge their past works. Of course they hope people like it, but getting good reviews/being appreciated isn't the only reason they continue making music.

Patrick said he doesn't like making an album to celebrate the 20th anniversary, or having an anniversary to showcase past songs. Reasons was that first, the past songs are always in rotation in their sets so they don't stop playing them. Second, like Pete said, they prefer to keep pursuing new music and that stance hasn't changed from 20 years ago. Said deviating from that feels dishonest like they're lying to themselves.

Pete was like [it's how Steven Spielberg didn't make E.T. Part 2.] Patrick was like [exactly!] and said that being honest with themselves was their pure form.

also there's a page 2 to the article but i'm tired :[. they talk about "emo" changing from a specific music genre to the word entering the mainstream vernacular, patrick talked about how when they started out they didin't consider themselves "emo," they were a hardcore band. said he liked playing hardcore though when he sang people used to tell him his voice was too cute. they focused on making the music they wanted to, and before they knew it, they were being called "emo." Pete talked about the word, how it encompasses too much, feeling restricted by that in the past, etc. Talked about wanting to become like Metallica in that the word Metallica has becomes its own thing, Metallica doesn't need a description, etc. Patrick talked about perfoming in Japan, from small venues way earlier to now, etc

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I love long FOB articles and I quite liked this one.

Love that Patrick talked about musical inspirations and SMFS. It’s so cool to hear because I love how beautiful and grand the sounds are in SMFS, even with spoken tracks like The Pink Seashell or Baby Annihilation. 

Also him buying the same synthesizers is so real. He’s a music nerd <3 

They’ve been consistently talking about always wanting to make new music and looking to the future instead of the past. And getting questions about their sound changing since forever haha.

It's really cool that they're very self aware and how convinced they are about making new music. Love that Pete can look back at older albums and find new appreciation for them. I’d be down for another half dozen FOB albums if they are, so (๑•̀ㅂ•́)و✧

The new Pete and Patrick photos!!! They've got such pretty eyes <333

[bloodraven55]

undefined

put the japanese and english sulemio confessions side by side for comparison

[chiquilines]

Mina costume redesign!! Hate her original costume so so much like actually what the fuck was horikoshi thinking

[chaotictoon]

Pedicure

Cartoon girls + painting their Toe nails

[itsmeblogname]

Glitched out of a lava pool and into this place from the natlan trailer

[uselessgaywhovian]

every day i try to get work done and this girlie says no you may not

[pankowtt]

rudeth: wanna see this mug in a movie? well, you got two options for it today #accidentaltexan #5lbsofpressure