#miyamoto daisuke | Explore Tumblr posts and blogs

tgrailwar-zero · 2 months ago

Text

ADMIRAL: "Fire, Lucky Shot! Let's show that bastard what we can do, eh?!"

She bellowed, as the crew members shouted in unison after her. You felt the magical energy concentrate in the coin, before she manifested several massive cannons that began to draw in the coins magical energy.

A blast of light surged outward.

It slammed into the belly of the whale, the massive beast letting out an agonizing groan as it fell backwards, MUSASHI scrambling to regain her position. It was laying prone, the stomach of it seared and singed as if it had been exposed to boiling lava- the pain must have been immense… that 'Lucky Shot' was immensely unlucky for anyone caught in the path.

However- it just served as set-up.

JAGUAR MAN: "Hang on, are we about to see something nuts?!"

DURYODHANA: "You better follow through!"

The Samurai landed on the belly of the beast, and began to focus.

A fog began to shift from the sea.

The legend of 'Ganryuu-jima' was foggy. None truly knew what happened on that island, with the exception of Miyamoto Musashi. This was a technique that held many masks, but one of the concepts was that 'none may know what happened upon that island'. What trickery was played, what heretical nature had occurred… had it been a pure sword-fight, or had there been foul play? Was this a battle of skill, or a battle of luck?

Two warriors arrived upon Ganryuu-jima, and only one left.

MUSASHI: "With my swords, I will sever the seas…!"

She crossed her swords in front of her-- and then, she was gone- lost in the fog.

No, she knew perfectly well where she was within the fog, but she had become 'lost to others', no longer able to be perceived.

MUSASHI: "Be completely and utterly crushed, as if trampled by the great yokai Onyudo! This is my--"

You heard her roar through the fog, the only things visible being the flash of cold steel- the dance of blades wielded by the sword saint made to sever all things without mercy or hesitation.

MUSASHI: "GANRYUU-JIMA!"

A spray of blood, the sea turning red.

The waters parted, a vortex of water appearing where the strike had occurred.

A massive amount of magical energy, surging and spiraling from that one 'point' as the incomprehensible technique had been triggered.

Silence, as the fog faded. Bated breath to see the results of the attack.

...The fog faded, and the whale remained.

Pieces of it had been carved away- but the fact that there was enough rent flesh to even identify it was impressive.

Just how durable was this thing…?!

No... no, it had stopped moving. Was it down? Was it dead?

ADMIRAL: "Back away, Samurai."

It lay still in the water-- no, it was beginning to sink, lowering itself into the depths. The samurai leapt off the beast, landing back on the deck.

The ADMIRAL jumped off her ship and onto the approached the center of the whale-shaped mass as she grabbed a small object, putting it in her pocket.

The 'ground' under her shifted as the massive whale began to reconstitute itself, flesh building itself back up as it began to fill in the spaces carved away.

MUSASHI: "It regenerates!?"

That was frightening.

That had to be the reason it was so difficult to kill, in addition to pure durability- it had taken two Noble Phantasm-class attacks head-on, and it was recovering. It sank lower and lower into the water, disappearing under the waves.

ADMIRAL: "The good news is that the process usually takes at minimum 10 seconds. In other words, it's your win. And I've got this- a valuable treasure in it's own right. Thought I'd have to wrench it from the bastard's corpse... but no, all I needed was someone to cut deeply enough into you.."

She chuckled, as you saw the PRIEST approaching in a dinghy. There was your ride. The bell began to toll.

10... 9... 8... 7... 6... 5… 4… 3… 2…

The final bell rung.

JAGUAR MAN: "And it's a knockout! What a match!"

DURYODHANA: "I see. Impressive. Good show, everyone."

MUSASHI picked you up, jumping onto the PRIEST's dinghy. You looked up at the ADMIRAL as she beamed, the rest of the crew clamoring up to the deck, cheering wildly.

ADMIRAL: "Fellows! We celebrate until morn, and then we set sail when the sun is high! Spend tonight to indulge your spirits and say your final goodbyes, as we leave this place forever!"

CREW: "Yes, Admiral!"

...

...And that was that. Victory was yours, and the PRIEST returned you to safer ground as the 'arena' faded and you heard the cheers of the onlookers. You were almost certainly about to surge in popularity after this.

Safely warped back into MUSASHI's dressing room, she sat down, letting out an excited shout.

MUSASHI: "Hyoo~! Now that was a fight! Good job, Masters! No, good job me! Good job both of us, hehehe!"

She seemed to be in high spirits.

There was a knock on the door.

MUSASHI: "Come in, come in...! No autographs are being signed at this time, though~!"

The door opened, as GIUSEPPE entered.

GIUSEPPE: "Congratulations, Saber. Your Majesties. As agreed, I've staged a conversation with Hassan-i Sabbah for after this fight. I hope you didn't forget?"

MUSASHI groaned, waving him away.

MUSASHI: "Ugh.... I'm exhausted. Can we get a few seconds to bask in our victory?"

GIUSEPPE: "I apologize but... Unfortunately not, they insisted 'right after', and I couldn't find much room to argue."

???: "...Your 'Ruler' told us that you wished to speak to the Old Man of the Mountain. That is not an honor many receive."

The lights snapped shut. You heard the sound of multiple footsteps hitting the floor. The voice that echoed in the darkness was smooth and measured. It sounded close to you, as if it someone was whispering directly in your ear- and yet it simultaneously resounded everywhere.

The voice of a killer. You'd heard the voices of warriors- many of your Servants fell into that category. You'd even heard the voice of 'one who kills', the uneven rumbling tones of your AVENGER. This was neither. This was the voice of one who proudly killed, who acted in terms of their own justice. There was resolve, and with that resolve came the chill of death.

MUSASHI sat up, swiftly. One hand reached for her swords.

Several skulls in the darkness. Several shadows surrounding you on all sides. One of the shadows emerged from the darkness, resting a hand on their hip-- no, on their daggers.

They weren't that relaxed.

ASSASSIN: "…Therefore, Demon of the Moon, we will allow you to speak."

She gestured, giving you the floor. You felt a bit blindsided-- but these were professional assassins, they were marching to the beat of their drum- not yours. Allowing you to be 'comfortable' would be a disadvantage on their part.

#thgw story #endless whispers #thgw: chapter 6 #main post #flaming bout match

15 notes · View notes

social-link-showdown · 6 months ago

Text

It's Pride Month, Persona Fans

You know what that means.

That's right, it's time to vote on gay polls!

Nah but in all seriousness, we are finally beginning the final Social Link Showdown! Preliminary rounds will be decided by roulette wheel, with our three winners getting guaranteed spots in the Best category! That leaves 71 characters to sort into best and worst, the last one being decided on based on their own merit!

Our Matchups are under the cut! The Preliminaries begin on June 9th!

Sumire Yoshizawa V Yukari Takeba Ken Amada V Ryotaro Dojima Takuto Maruki V Rise Kujikawa Mutatsu V Yuuki Mishima Bebe V Shu Nakajima Tae Takemi V Mamoru Hayase Futaba Sakura V Yosuke Hanamura Daisuke Nagase V Kanji Tatsumi Sayoko Uehara V Suemitsu Nozomi Fuuka Yamagishi V Chie Satonaka Ai Ebihara V Yumi Ozawa Eri Minami V Rio Iwasaki Ichiko Ohya V Hifumi Togo Fox V Hidetoshi Odagiri Ayane Matsunaga V Twin Wardens Igor (P5) V Shinya Oda Chihaya Mifune V Toranosuke Yoshida Sae Nijima V Pharos Yusuke Kitagawa V "Maya" Kenji Tomochika V Morgana Kazushi Miyamoto V Ann Takamaki Ryoji Mochizuki V Junpei Iori Yuko Nishiwaki V Haru Okumura Old Couple V Tohru Adachi Naoki Konishi V Akinari Kamiki Marie V Goro Akechi Maiko Oohashi V Koromaru Makoto Nijima V Tanaka Shinjiro Aragaki V Chihiro Mifune Akihiko Sanada V Mitsuru Kirijo Munehisa Iwai V Margaret Ryuji Sakamoto V Keisuke Hiiraga Hisano Kuroda V Sadayo Kawakami Naoto Shirogane V Kou Ichijo Saori Hasegawa V Teddie

Yukiko will be decided upon separately, as she was the odd one out.

#the poll #persona #tumblr polls #social link showdown #persona 3 #persona 5 #persona 4

10 notes · View notes

myjunkisyuzuruhanyu · 1 year ago

Text

Short summary of Shoma's words at his Mizuno talkshow 29/08/2023

I just do a non chronological summarization of things I found via the translations of @feimeicheng (instagram) and @shomagravity (twt/Tumblr). I'll link the original translations with x!

Shoma said his new SP (done by Stephane Lambiel) is easier for him than the last one but the free skate (done by Kenji Miyamoto) is harder for him. He didn't reveal the music of the FS. X x

Shoma said he will skip the 4S in his free skate for the first part of the season because he wants to concentrate on other elements such as transitions before jumps x

Shoma likes to tackle the season with a new mindset of not only going for "good results" to see what happens as he already "had enough good results" in his career x x (note by me: the tone of translation is a bit different in each, so pls look for yourself as this summary is kind of my interpretation)

Asked about choreographers he would like to work with, he said that he worked with many choreographers but thinks he didn't give Stephane's choreographies enough justice so that he would like to do better with Stephane first and then go to other choreographers x

Shoma said he "can't become Daisuke Takahashi" within 6 months of practice (he means Daisuke's abilities of performance) but he searches for something only he is capable of. (note by me: when will he ever realize that he already is very special and only he can do it 🥺) X x

So that's all information for now I saw, may add more later.

#shoma uno #figure skating #fs translation #thanks to the translators for their work! ❤️#mizuno

43 notes · View notes

rikeijo · 2 days ago

Text

Today’s translation #830

Yuri!!! on Life, official guidebook, Making of figure skating scenes

Part 2.

The composers, Uembayashi Taro and Matsushiba Taku, together with the music producer, Tominaga Keisuke (PIANO) created in total 24 tracks. Also in case of real-life figure skating, it happens that original music is used for a program, but most often, skaters arrange for themselves existing pieces and so, probably you could search the whole world, and you wouldn't be able to find another composer, who has composed this amount of original music for figure skating at once, as these people have. They recorded demos, and while discussing with Director Yamamoto and Kubo, whether the image of each track matched with how they wanted it to sound like, series of adjustments were introduced. Whenever necessary, musicians were called to the studio to preform and record the music.

After the music was ready, Director Yamamoto and Kubo decided together, where each elements should be placed within the set time frame, and created a very detailed blueprint for each program. The choreography was created by Miyamoto Kenji. Miyamoto has experience with creating choreography for real-life top figure skaters, both from Japan and from abroad. Vancouver Olympic Bronze Medalist, Takahashi Daisuke's Short Program 'eye' and Sochi Olympic Gold Medalist, Hanyu Yuzuru's exhibition program from 2015-16 season, 'Requiem for Heaven and Earth' are examples of his creations.

[Notes: 11/29, so yeeeeeeee, Happy Birthday Yuuri~~~✨✨🎉🎉🎉 turned 32 yo this year!!! How amazing it would be to see, where he is now...🥺]

#yuri on ice #yoi translations #yuri on ice translation #tr_figure skating

5 notes · View notes

hopes-memorial · 1 month ago

Text

General Killing Game Info:

Protagonist: Daisuke Kisaragi

Deuteragonist: Kanai Utashiro

Antagonist: Mei Ayasato

Mastermind: Kanai Utashiro

Traitors: Yukihiko Aoki, Shirou Kishitani, Sumire Ichimatsu, Elodie Yaegishi

---------------------------------

Case 1:

Motive: Hitlist

Victim: Takara Yamashita

Killer: Sumire Ichimatsu

---------------------------------

Case 2:

Motive: Captives

Victim: Yotsuba Murai

Killer: Masao Kurosaki

---------------------------------

Case 3:

Motive: Secrets

Victim: Matsuri Mochizuki, Reiichi Shimomura

Killer: Shirou Kishitani

--------------------------------

Case 4:

Motive: Poison

Victim: Yukihiko Aoki

Killer: Amai Sato

--------------------------------

Case 5:

Motive: --------

Victim: Haruka Nohara

Killer: Kanai Utashiro

--------------------------------

Survivors:

Ayane Miyamoto

Botan Kujou

Daisuke Kisaragi

Elodie Yaegishi

Mei Ayasato

#ooc #musings

2 notes · View notes

yeonchi · 2 months ago

Text

Koei Warriors Retrospective Part 9: Samurai Warriors 2

Samurai Warriors 2 (戦国無双2) Platforms: PlayStation 2, Xbox 360, PC Release dates: Japan: 24 February 2006 (PS2), 17 August 2006 (Xbox 360), 11 July 2008 (PC) USA: 19 September 2006 (PS2), 19 September 2006 (Xbox 360), 27 June 2008 (PC) Europe: 22 September 2006 (PS2), 22 September 2006 (Xbox 360), 27 June 2008 (PC)

For years, what I knew about this game and the Samurai Warriors series in general came from the Warriors Orochi games. I didn't know a lot about the figures or battles of Sengoku era Japan unless I researched it on Wikipedia or eventually played the games.

While writing my personal project in 2014, the order of adapted battles in the story for that year went as follows: Mikatagahara, Odawara, Nagashino, Shizugatake, Okehazama, Komaki-Nagakute, Sekigahara, Ōsaka and Honnōji. If I had a more proper understanding of the game and the era, I probably would have done those things in order, but then again I'm just making up my story and not entirely adapting history.

Like how Dynasty Warriors 5 was made more historical than previous games, Samurai Warriors 2 was the equivalent for its series. This game goes past Nobunaga's era to focus on Hideyoshi's unification of the land and the Battle of Sekigahara, introducing characters associated with said battles. The visuals are made golden to contrast the darker colours of the previous game.

Let's get into the guts of it right after the break.

Samurai Warriors 2

Starting off with the characters now, and one thing to note is that the character lineups are not consistent between games as characters have been cut and reintroduced as the series goes on. As such, Goemon Ishikawa, Kunoichi and Yoshimoto Imagawa have been cut from the game, but their images can still be seen in Sugoroku and the Battle of Okehazama is still mentioned at the start of the Story Mode for related officers.

Okuni and Ranmaru Mori are still in this game, but they have no Story Modes. Okuni is unlocked by winning a game of Sugoroku while Ranmaru is unlocked by playing the first two Mitsuhide and Ranmaru's Requests in Survival Mode. Their fourth (and later fifth) weapons are also unlocked in Survival Mode as well.

Here are the new characters debuting in this game:

Ieyasu Tokugawa (PC'd)

Mitsunari Ishida

Nagamasa Azai (PC'd)

Sakon Shima

Yoshihiro Shimazu

Ginchiyo Tachibana

Kanetsugu Naoe

Nene

Kotarō Fūma

Musashi Miyamoto

Kojirō Sasaki (NPC)

Katsuie Shibata (NPC)

As listed above, Ieyasu Tokugawa and Nagamasa Azai are now made into playable characters, with Nagamasa's seiyuu changing from Takayuki Sasada in 1 to Hiroshi Kamiya from this game onwards. Nene essentially replaces Kunoichi's role as a female shinobi in this game. Yoshihiro and Ginchiyo's introduction also marks the introduction of the clans of Kyūshū, most notably the Shimazu and the Tachibana (through the Ōtomo clan). Katsuie Shibata and Kojirō Sasaki are the new NPCs appearing in this game; they can be unlocked as bodyguards for 6,400 gold in the shop after clearing a mission in Survival Mode. The narrator in the Japanese dub has been changed to Daisuke Gōri, who also voices Shingen Takeda.

Hideyoshi Hashiba is now known as Hideyoshi Toyotomi from this game onwards, with his seiyuu changing from Munehiro Tokita to Hideo Ishikawa. Historically, the name Toyotomi was granted to Hideyoshi and his clan by the Emperor in 1586. In this game, Hideyoshi's surname is never mentioned and he is only known by his former name when he's an ally or enemy before the Conquest of Kyūshū (Shikoku in XL); when you play as him, he will always be known by his new name no matter what battle you play. Later games would make the distinction clearer and more accurate, with Hideyoshi being known under Hashiba or Toyotomi depending on what year the battle took place (except for the stages where he wasn't originally featured in 3 in which case is is always known under Toyotomi).

Story Mode is made up of five (individualised) stages per character (no splitting paths or special conditions) with an extra Gaiden/Dream stage after completing the first five. Ieyasu and Mitsunari, being the leading figures at the Battle of Sekigahara, get a sixth story stage. For Kenshin, Oichi, Magoichi, Mitsunari and Yoshihiro, their Dream stages are unlocked after also fully clearing the Story Modes for Shingen, Nō, Masamune, Kanetsugu and Yukimura. The stages Village Rescue (set in Saika) and Pirate Hunt (set at Ōsaka Bay) are used as filler stages for 10 characters (including Kojirō in XL).

Free Mode is streamlined from how it was in the first game; each (or rather, most) battles have only two sides to play as and they utilise one character's version of each battle from Story Mode (with some exceptions depending on who you play as). Reused stages and Dream stages are excluded in this mode. One thing you will notice is that Odawara Castle has two versions for the west and east sides, though I wish they didn't name both versions as Siege of Odawara Castle (小田原城攻略戦) even though it is technically correct. All battles are one part only (thank god), with castles being incorporated seamlessly onto the maps.

Although battle objectives/missions still exist, battles are not entirely defined by them, meaning that objectives only trigger when you approach certain areas or officers. Also, for the first time, there are no subofficers listed in the officer/Unit Info list, meaning that player characters are listed individually in the list. If you're not a listed officer in the battle, you are shown at the bottom of the list, which is still better than being listed under the commander as "Player 1" or "Player 2". Third-party armies are now displayed in a separate list to the enemy army so more than 12 enemy units can be placed on the map.

Speaking of missions and Odawara, the west map features a mission where you have to defend a siege ramp. The siege ramp in that stage has got to be the weakest siege ramp ever because every enemy that comes near it will try to attack it and it gets destroyed if you leave it alone for more than 30 seconds. The Battle of Chencang in DW5 was less intense in comparison.

Survival Mode continues from the last game. Instead of offering two (or three) modes to choose from, you're given four missions to choose, some of them free and some of them paid. Each mission has five floors and you have the option to save after each one. In the free missions, you have Search for a Hero (強き者求む) which is just randomised missions, or the request storylines from Ranmaru, Mitsuhide and Keiji which cover you for the first 50 floors.

Once you get to that point, you're able to skip up to floor 51 on a new playthrough by paying a fee. The game goes up to floor 100 but you can continue on if you want to. Floor 71 has missions to unlock two rare horses, Persian Mare and Moon Child (Hoshōtsukige/放生月毛). Floor 76 has missions to unlock Katsuie and Kojirō. Also on floor 71 along with 86 and 96 are missions to unlock three Level 4 skills, but you need to have your character's respective Level 3 skills before attempting to unlock them otherwise you're just wasting your time. The good thing is that once you've done this for one character, you don't have to do this again for everyone else. When you get those Level 3 skills, you can just buy the Level 4 skills at the shop.

Sugoroku is a unique mode in that it's a Monopoly-esque game unlike the traditional Japanese board games. You play with four opponents (human or CPU) and the overall objective is to be the first player to achieve a particular gold amount set at the beginning (from 5,000 to 50,000 gold). You can choose between a small map covering only Honshū or a large map covering all of Japan.

As you go around the board, your focus is to obtain three flags scattered randomly on the map and return to home base to move up a rank. While you do this, you buy unoccupied territories to claim rent from the other players and take occupied territories by challenging their owners in one of six different challenges (provided without a separate Challenge Mode).

If you land on a shrine, you'll get to roll two dice to determine what happens to you; you might earn gold, increase land prices (fucking Asian real estate developers lol), take another turn with one or two dice, lose gold, teleport to another square or make things happen to everyone. If you roll a double here, you're taken to achieve a goal in a challenge; completing it will give you 100 gold, but failing it will cause that reward to be rolled over for the next double roll challenge. The weird thing about the shrine dice rolls is that it's hard to determine which die will determine which category or challenge until they land and rearrange themselves (ie, if die 1 lands on the right and it decides the left number, vice versa with die 2). If they made it so you roll one die at a time or made both dice different colours, then you could have a better idea of what to expect.

This game does take some time to play, even for a 5,000 gold target. The bad thing about this is that you can't save and move onto something different, even in a single player game, but that's what emulators are thankfully good for. At the end of the game, you get about 12.5% of your final gold total to use in the rest of the game, which is just paltry for the effort required to play it. I'll come back to gold earnings later.

In battle, Special Skills are a new mechanic introduced in this game, triggered by pressing R1, then pressing either Square or Triangle. This functionality replaces ranged attacks from the first game. With the introduction of Special Skills, a very small number of characters are able to summon horses, those characters being Yukimura and Keiji (and later Toshiie in XL). If you ask me, it is a bit unfair that only three characters can summon their horses, but rest assured that this does get fixed in future titles.

Two new moveset types have also been introduced for characters in addition to the Charge Attack moveset from the last game, namely the Normal Attack moveset and Special Skill movesets. Some characters from the last game retain their Charge Attack moveset while others have their attacks reassigned for the Normal Attack moveset or nerfed for the Special Skill moveset. For the Normal Attack moveset, Normal Attacks go up to N12 while Charge Attacks go up to C8 and are single-tiered. For the Special Skill moveset, it remains similar to the Charge Attack moveset except the Charge Attacks are only double-tiered, but both Special Skills are triple-tiered.

The Musou bar is upgradable to three levels, with the maximum reached by the time you reach the maximum level of 50. You can unleash a Musou Attack as long as the first section of the bar is filled, meaning that you can only manually charge it up to that point (but let's face it, who does that anyway). The first and second level Musous only affect the colour of the finishing shockwave (from blue to green) while the third level Musou adds a secondary effect depending on the character (while also changing the finishing shockwave to yellow). The same applies to the True Musou Attack as well.

Holding down the Circle button on horseback no longer swings your weapon like it did in the last game and DW, but you can still perform Normal and Charge Attacks while charging around. This game would begin a trend of horseback Musous just being bland rampages.

The right analog stick can now be used to rotate the camera, something that would be included in future Warriors games from this point forward.

Between battles, you will be able to access the shop to upgrade your weapons and skills. The shop is run by Saya, the master's daughter from the first game's New Officer Mode (who also slaps Magoichi in the first movie of his Story Mode). She will continue to make appearances as the shopkeeper in future games.

Four levels of weapons continue to be offered from the previous game. Weapons can have up to eight slots for attributes (going up to level 20 in a similar manner to DW5) and they can also have an element that is activated when you have one level filled in the Musou Gauge. The Dark element from the last game has been replaced with the Wind and Demon/Death elements. You can upgrade your weapon with a random ability for the price of 100n + 400, where n is the number of times you've upgraded your weapon. There is a chance that you may get a duplicate attribute; the stats do stack but you can have a maximum of 3 copies for that particular attribute.

Skills are a new mechanic that replaces the item system from the first game. Characters can learn skills by buying them in the shop, levelling up or stealing (or rather, learning in the English version) from enemy officers. Excluding rare skills, you'd be looking at spending 81,600 gold to buy all non-rare skills up to level 3, then another 30,000 gold to get the three level 4 skills. Rare skills can be learnt on Hard difficulty and above by defeating certain playable officers. When your character reaches a certain level (in a multiple of 10), they will learn a quasi-unique Self Skill. Skills can be turned on and off before starting a battle.

Bodyguards are also reduced to being a single officer instead of a group of four soldiers (also similar to DW5). They can be levelled up to a maximum level of 20. There are 10 classes of bodyguards and you can keep up to 8 of them (out of a total of 54), but if you were to hire everyone, you'd be looking at spending 153,900 gold. Once again, bodyguards only have voice lines when they are killed.

My main gripe about this game are the costs to purchase things in the shop when compared to the amount of money earned each battle. Amongst the collectible items in the game, you can collect up to 100 gold at a time, with level 4 Greed giving you a multiplier of 1.8 for a total of 180 gold. Given how much things in the shop cost, you can only really afford to do so much before you run out of money. Compound that with the fact that there are 26 playable characters in this game (32 with Xtreme Legends) and it does take a while for you to get your character decently powered-up. Of course, if you've spent a lot of time on this game (particularly 18 years ago when this game was first released) then this will be nothing to you, but this is coming from me who's only been playing it for two years in the hope of eventually reviewing it.

New Officer Mode has been removed in this game, but the closest thing to playing the CAW sword, spear and naginata movesets, along with the movesets of various troop types, is by using one of Nene's Special Skills, which can make her disguise herself as a nearby soldier or officer.

No new voice lines have been recorded for Survival Mode (like with the last game), so the only voices you'll be hearing are those that were already in the rest of the game. Some lines have been recorded for player characters in Sugoroku, but I'm not sure if they were also heard in other areas of the game. This can't be traced back to lazy localisation (we haven't even got to that point yet) because I've been playing this in Japanese and I've experienced the same thing, though I suppose if the lines were voiced in the Japanese version and not the English then this issue wouldn't have stood out that much and I probably wouldn't have noticed it when I did.

Now let's talk about the English localisation of this game and hmm... are those the English voice actors being credited in the credits? Breaking with what should be tradition for Warriors games, the localisation for this game was done in Canada, the actors provided by Total Casting and the dubbing produced by Agile Sound, both being subsidiaries of Montreal-based Agile Entertainment. No justification is given as to why Koei decided to use another company instead of Voicegroup for localisation, but a lot of fans I've seen do seem to like the English dub for this game. As someone who came to this series after playing Warriors Orochi however, I honestly can't get used to it as it sounds kind of bland in some places, but hey, I guess that's my toxic nostalgia talking. Looking forward though, I can see how some character lines from this game inspired those in Warriors Orochi.

For the first time, the PC port of SW2 does not have any enhancements like DW4 Hyper or DW5 Special. Once again, given the timing of that release, the lack of Xtreme Legends features in PC ports continues to confound and infuriate.

Samurai Warriors 2 Xtreme Legends

Samurai Warriors 2 Xtreme Legends (戦国無双2 猛将伝) Platforms: PlayStation 2, Xbox 360 Release dates: Japan: 23 August 2007 (PS2), 14 April 2008 (Xbox 360) USA: 18 March 2008 (PS2), 16 April 2008 (Xbox 360) Europe: 28 March 2008 (PS2), 16 April 2008 (Xbox 360)

Uniquely, the Xtreme Legends expansion for SW2 was released after its Empires spinoff, explaining the nearly 18-month gap between the vanilla game and the expansion as opposed to the 6 month gap in the case of DW4 and 5. At least DW3XL came out nearly a year after its vanilla release.

This game also marks the first time that (the full content of) an Xtreme Legends expansion is made available on a non-Sony console. With the Xbox Live Marketplace being the first digital game distribution shopfront of its kind, SW2XL was made available on the Xbox 360 as DLC in April 2008, it being compatible with both the physical and digital versions of the vanilla game. Such a shame it's no longer available for purchase now that the marketplace closed down at the end of July 2024.

In Japan, the DLC release was a month after a physical version was sold on 19 March 2008 in the form of a "with Xtreme Legends" Complete Edition. This also begins a confusing tradition of Complete Edition games being released alongside Xtreme Legends expansions exclusively in Japan. Such a thing wouldn't happen in the West until DW8.

Some PS2 players have reported issues with this game, particularly those with older "fat" models and Slim models, due to the game being on a dual layer DVD-9 disc and the laser reader sometimes having issues with it.

5 new playable characters make their debut in this game:

Toshiie Maeda

Motochika Chōsokabe

Gracia

Kojirō Sasaki

Katsuie Shibata

Kojirō and Katsuie were previously made playable in Empires, but this game gives them new unique weapons. Motochika's introduction introduces the Chōsokabe clan of the Shikoku region as well. Gracia, the daughter of Mitsuhide Akechi also known as Tama(ko), is never named by any of the characters in any game she appears in. Granted, Gracia is her Catholic name and she wasn't baptised until 1587 when Hideyoshi was conquering Kyūshū, but it's kind of weird to have characters refer to her as "Mitsuhide's daughter" or something vague.

Yoshimoto Imagawa makes a return in the expansion after being cut from the vanilla game. As such, Okehazama returns as a stage in this game and a new stage, Shikoku, is introduced.

Toshiie Maeda is an example of a generic officer being upgraded to a playable character in the expansion. However, the extent of how he is upgraded when seems to vary. See, the assumption is that when a generic officer is made playable in an expansion, that officer's appearance in other stages is upgraded to their playable appearance (which does happen in later games). In the case of Toshiie in this game, some of his appearances are straight-up upgrades, but in some stages he is replaced by another generic Oda officer like Nagahide Niwa, Nagayoshi Mori or Nagachika Kanamori. This happens regardless of whether Toshiie was an allied or enemy officer in the vanilla game.

So yeah, all the Xtreme Legends trimmings are there, from Story Modes for the new characters, Novice and Expert difficulties to fifth weapons for all characters, including Ranmaru and Okuni which once again, are only unlockable in Survival Mode. Levels are increased to 70 for player characters and 30 for bodyguards.

In regards to Musou Mode, the final cutscene movie of Toshiie's Musou Mode has been changed in Western releases for the Xbox 360 and the European release for the PS2, but it is intact in the US release for the PS2 and all Japanese releases. The original cutscene shows Toshiie, in grief over Katsuie's death, punching out Hideyoshi while proclaiming his new duty to watch over him and share the burden he bears. In the changed versions, the cutscene was changed to be a shortened replay of Katsuie's final cutscene where he farewells Toshiie before resigning himself to his fate inside a burning Kitanoshō Castle. I presume this decision was made for censorship reasons due to violence, which is kind of weird considering the nature of this game and the fact that Toshiie gets punched himself in earlier cutscene movies.

New charge attacks are introduced for all characters, namely the C5 for the Charge Attack and Special Skill movesets and the C9 for Normal Attack movesets. They are all single tier and some of those attacks may also incorporate elements of their Special Skills.

Two new sections have been added to the shop. When your character reaches level 19, Special Skills will be available for purchase, but note that buying one only buys it for that character and not everyone else. To buy all 15 Special Skills you'd be looking at spending 417,000 gold per character. If you don't want to spend that much, then take note that some characters' Self Skills are the same as Special Skills such as Finesse/Spring, Resist/Balance, Omniscience/Awareness, Pressure/Repel and Resist/Confidence. Only one Special or Self Skill can be equipped on a character.

The other new section in the shop is Orb Synthesis. Using orbs, you can directly add attributes of +20 to your weapon or even change your weapon's element, even for fourth and fifth weapons and weapons with no attribute slots. Orbs are mostly obtained through Mercenary Mode, but in rare cases they can also be found in Story and Free Modes (though I suppose the chances are higher on harder difficulties). The cost to do this is x*y where 0 < x < 9 for the number of slots and y < 5 for the weapon level, which potentially makes it more expensive than when . Weapons without attribute slots (usually initial weapons) are treated as if they had one and fifth weapons are charged the same as fourth weapons. The maximum limit of three copies per attribute still applies.

Mercenary Mode is the new unique mode added to this game. It serves as a great grinding mode for experience, gold and orbs, plus this is arguably easier than Xtreme Mode in DW4XL and 5XL, probably because it carries over your gold and character stats from the rest of the game.

After selecting your character, you can choose from three battles that all have different objectives and handicaps, such as starting with low health, multiplied damage or nullified guarding. You earn gems after each battle and as rewards for completing special missions.

Guards can also be hired between battles for 10 gems each. You can deploy two guards at a time with an additional three in reserve. After playing or deploying a character for a certain amount of turns (certain rewards can reduce this), they are able to be levelled up, granting them an additional skill. Skills include automatically opening gates when approaching them, using some of your Musou gauge to create a barrier, earning an extra gem every 50 KOs and nullifying enemy quagmires (giggity)/birdlimes/tar traps, poison attacks and fire attacks. Skills apply from both the player character and the guards deployed, so it's a good idea to ensure you have as many bases covered as you can.

As you play battles with clans, they will give you rewards the more you play with them. When you play 7 battles under the same clan, you will be offered to join them as a retainer for 50 gems. Once you do, no other clan will give you rewards while the clan you joined will continue giving you rewards the more battles you play under them.

Special events will appear in the menu throughout your playthrough. Some of these may be rewards from various people, requests for assistance that unlock special missions, or offerings that unlock Precious Swords. I'm not sure if those missions expire, but if you're aiming for the second ending, then it's a good idea to complete them as soon as you have the gems for them.

There are two ways to clear Mercenary Mode. The first way is to join a clan and fight another 7 battles under them for a total of 14, at which point you can fight a battle to unite the land and clear the mode. The second way is to collect all ten Precious Swords and unlock a battle for supremacy, where you will have to fight three officers in hyper mode to clear the battle. This battle doesn't happen until you reach battle 100 because of how the Precious Swords are collected and there's nothing special after that. As such, there is no reason to replay with the second way other than to get the associated achievements/trophies because the first way is faster.

Like with Survival Mode in the vanilla game, no new voice lines have been recorded for Mercenary Mode. Is it so much to ask for consistency?

Samurai Warriors 2 Xtreme Legends HD Edition (Sengoku Musou 2 with Moushouden HD Ver.)

Samurai Warriors 2 Xtreme Legends HD Edition (戦国無双2 with 猛将伝 HD Ver.) Platforms: PlayStation 3, PlayStation Vita Release dates: Japan: 24 October 2013

This is the version of the game I've been playing for the purposes of this review. Why did I pick this version for it? Well, I was able to get most of the Samurai Warriors games on the PS3 anyway, so why not get this version of SW2 and make RPCS3 my Samurai Warriors hub? Sure, I could play the Xbox 360 version for a widescreen experience that's closer to the original PS2 release, but why the hell should I go to the effort of setting up Xenia for it when I could just get this?

In 2013, Koei (Tecmo) rereleased SW2XL alongside Empires in an HD Edition for the PS3 and PS Vita. Both games are sold separately on the PlayStation Store, but on the PS3, they can be bundled into a single digital package or a physical disc, meaning that when you launch the game, you are greeted with a launcher that allows you to select between the two games. This also allows you to switch between the games by going back out of the main menu and into the launcher without having to change discs or exit to the Home Screen/XMB. Save data and trophies remain separate between the two games.

The main enhancement of the HD version is that this version takes advantage of the PS3's capabilities to deliver improved graphics and more enemies on screen. Apparently this version also makes use of the AI engine from the next game, Samurai Warriors 3, and while I haven't seen any Japanese sources to confirm this, I can say that you do get a bit of that feeling, particularly in Empires. All modes and characters are available from the start.

With this game also being available on the Vita, ad-hoc multiplayer gameplay is available (Sugoroku only allows you to have two players playing wirelessly against two CPU players). Cross-save functionality is also available between the PS3 and Vita through the PlayStation Network. This would also become a thing for later games, although in general, I wish Sony made it so that save files can easily be copied between different consoles, like the PS3 and Vita via USB, without necessarily having to be logged into the PSN. However, this would essentially require companies like Sony to believe in the philosophy of free and open source software (FOSS).

If there's one thing I could say about this port, it would be, WHY WASN'T THIS PORT RELEASED TO THE WEST? The localisation already exists, so it would be easy to publish a localised port of a remastered game. Considering what happened with the Western release of Samurai Warriors 3, this game could have been an easy cash grab to make up for it while also being a nostalgia trip for people who played the game on the PS2 or Xbox 360. Koei (Tecmo) aren't the only main factor in this as Sony also plays a factor in the decision to publish games and ports. This is something I'll come back to when we cover Warriors Orochi Z.

Rant: Why I play in Japanese/MobileJOY

Before I started this retrospective, I stated that I would be playing the Japanese or Asian versions of the games over the English versions where possible. There are multiple reasons for this.

Firstly, there are some games and ports that were only available in Japan/Asia, such as SW2XLHD, SW3Z and WOZ. Secondly, and this ties into the first reason, I don't want to waste time setting up and going between other emulators (like Dolphin for SW3 on the Wii or Cemu for WO3 Hyper on the Wii U) to play the games in English. As it is, I'm already playing Xtreme Legends expansions on one console per game to save time and effort.

Thirdly, and this reason is more for the later games, I play Japanese/Asian versions because I'm disappointed with Koei Tecmo's treatment of localisations, not just with the lack of English dubbing, but their translation decisions and errors. "But Azuma, translation errors existed in earlier games as well!" Yes, I know and I have noticed them despite their rarity, but I'm bringing this to the forefront because of Koei Tecmo's complacency to these incomplete localisations and apathy to their Western fanbase in regards to this. I'll talk more about this when we get to Warriors Orochi 3.

The main exception to this rule mostly involve games that I already have on portable consoles, like the first few Warriors PSP games. Playing older games in Japanese is mostly for consistency with later games. In the case of the PC games, it's a mixed bag. I already had DW8XL and DW8E in English and I recently downloaded the Chinese versions for them, DW6 and WOZ are in Chinese and the other games have language options which I might utilise, but for the most part I play in Japanese or Chinese.

Now in regards to playing with the Japanese version, you might notice a section in Camp or Options called MobileJOY (like how the "import" function is also known as MIXJOY). Basically what it involves is that you go onto Koei's Musou Mobile website (with your phone) and enter the code on the screen, then it will give you a password that you put onto the screen to unlock the bonuses, which typically involve in-game items. Some games also have additional tie-ins to GREE's 100-man-nin collaboration series, such as with Samurai Warriors 3 Empires where you can unlock characters and rare items in its 100-man-nin counterpart, and in turn, you can unlock special buildings from that game in this one.

The Musou Mobile service, and with it MobileJOY, was discontinued in March 2020. Presuming that the password is generated by the game every time it is booted or you go into the MobileJOY page, that means that the game would also have the password to unlock the bonuses, so technically all that is needed would be the formula to cracking the code. But it doesn't seem to unlock anything special so maybe that's why people don't seem to want to bother with it.

In spite of Koei's decision to use a Canadian company to localise this game (and one from Quebec no less), Samurai Warriors 2 was the certified hood classic that defined the childhoods of its fans just as Dynasty Warriors 5 defined those of others including myself. It apparently had such an impact that it got Koei to get off their asses and release its Xtreme Legends expansion on the Xbox 360 before later remastering an already HD-capable release to the PS3 and PS Vita seven years after its original release. If SW1 is comparable to DW3 and DW4, then SW2 is comparable to DW5, something that would be cemented in a later crossover spinoff series.

Empires is up next for review followed by Katana, those being the spinoffs for SW2.

#samurai warriors #samurai warriors 2 #samurai warriors 2 xtreme legends #koei tecmo #koei warriors #koei warriors retrospective

5 notes · View notes

aspiring-holistic-otaku · 2 months ago

Text

Season 3 Ramble#9 - Way of the Sword ver.2

Greetings and welcome to another episode of MM..MANGA, the podcast about getting more people into more manga.

As usual I assume everyone listening in are smart folks who could tell from the title, but i’m gonna go ahead and say it. This month’s ramble is all about swords... Actually it kinda does make sense to actually say it because last time I did this in Way of the sword ver.1 (which I urge you to go listen to if you haven’t), I only focused on samurai manga, but this time i’ve put my bias for the sheer awesomeness of samurai, bushido and all that aside and broadened my scope to swords in general.

This ramble is gonna have the typical format, top 5 sword manga read this month then top 5 older sword manga reads, both in ascending order, but I’ll only be going into detail about this month’s reads as i would have gone into detail about older reads in ver.1. After the main ramble is over I'll have a little post ramble ramble, where i rank my top 5 swordsmen and because i was watching some martial arts/sword/samurai movies along with my reads I'll give a top 5 of those as well.

Before I get into it I want to start with a quote from Miyamoto Musashi, I read his book 5 rings as well this month and it was a pretty solid read imo, especially if you can see the broad things specifically and specific things broadly…

“A thousand days of training to develop, ten thousand days of training to polish. You must examine all this well.” - Miyamoto Musashi

TOP 5 SWORD READS THIS MONTH

#5) Reiri (Story by Hitoshi Iwaaki and art by Daisuke Muroi, ran from 2015-2018, complete w 35 chapters)

Getting this out the way, Reiri is a samurai manga. I know I said I broadened my scope but I didn’t say I’d exclude anything. Samurai manga just tend to be the cream of the crop, what can I say?

In any case, The story here follows a young girl named Reiri, a peasant girl who lives in peace with her family, until one day in the aftermath of war, soldiers ruthlessly murder and behead her mother, brother and father. Lucky for her, a general from the opposing forces saves her and so she grows up and grows stronger serving him, but has always eagerly sought death so she could be together with her now lost family.

Short and sweet read. solid art. and though the cast wasn’t as expansive or dynamic as I’d usually like, there was a tendency towards depth even in the shorter interactions. I think the creators had a message or discussion around a topic they wanted to get across/have, and they did a pretty good job, especially with so few chapters. You could probably tell from the summary but the main subject was death, or more specifically in my mind, the question of, what kind of life should one lead to have a satisfying death?

That’s pretty common in samurai manga and samurai media in general, but there were two major differences from the usual that made this read more interesting and added a bit more nuance than usual. One was the fact that the main character was a woman, which I honestly always dig.. love a woman that can kick my ass.mp4... but seriously, if you know anything about samurai society there’s no way she could be considered a samurai and die in battle like she hoped. The second point kinda springs from the first in that because she was a woman, even though she was pretty strong, the people around her tended to try and discourage her from her pursuit of an honourable death. Which when said out loud sounds like the obvious normal reaction, but again, this is samurai society. If she were a man, everyone would either be pushing her towards death in battle or asking her why she hasn’t already killed herself out of shame for being unable to protect her family. I think these two things really added to what could have been just another samurai manga.

In any case this is just #5 on the list, short as hell and not THAT much packed in so not much more to say, maybe a bit too much yapping there but definitely recommend.

#4) Ragna Crimson (Story&Art by Daiki Kobayashi, 2017-present, ongoing w 77 chapters)

This right here is some major meathead shit. Which usually wouldn’t do anything for me but 1) swords and 2) the levels of rawness, aura and whatever else the kids are saying nowadays just tipped the scales. It’s almost too crazy I'm telling you.

Anywho, the story here takes place in a world constantly under threat from dragons, and we follow the main character Ragna, a pretty shitty dragon hunter, that follows around and takes care of one of the strongest dragon hunters around. One day a larger than normal dragon horde threatens everything he loves when suddenly he has a flashback, to the future... His future self explains that this dragon attack changed his life and destroyed everything he held dear, leading him to be the strongest dragon hunter ever. Sadly even that wasn’t enough to kill every last dragon, so now he’s sending all his power back to present day Ragna so he can grow even more and hopefully protect the ones he loves, and maybe more importantly, kill every last dragon.

First off, I usually I have a bit of distaste for reborn or future knowledge stories cause the mcs tend to just,, know everything,, nothing’s a challenge, and in my mind, every arc, subplot and etc is a completely uneven playing ground where they have almost every upperhand and everyone else is either in complete awe or fear… but i digress… That wasn’t the case here, they handled it pretty simply and pretty well in that the mc didn’t really get all the memories, it’s all a bit fuzzy, so he has all this power but pretty much zero know how.

In any case the art is fairly solid, gotta say the big impact moments were very big and impactful, really well done. The story so far was kinda just okay and really heavily carried by all the raw fighting content, which I guess is to be expected in a battle manga, but the story aspect has been picking up and I can see that side of things getting much more enjoyable.

Great cast and character interactions, which may sound a bit weird given what I just said about the story but I really really enjoyed watching them and their antics, and that goes for pretty much the entire cast. I actually think that’s what really did it for me and got it on this list. Typically, in world threatening or apocalypse scenario stories, the cast and mood tend to be kinda serious, moody, edgy and whatnot,, which makes sense and isn’t a fault more so than it is me having had enough of that, but here the cast was pretty goofy and they pretty much all had some quirk or the other that made them distinct if not stand out. Small spoiler for the sake of a nice example, but the mc has horrible social anxiety that often makes him throw up in a crowd, so you can see how that would make trying to be a world saving hero difficult. I think any story, especially battle manga where it’s pretty much expected, can have a good fight, and those fights can even have really deep meanings, but no manga can be all fights all the time, not even battle manga. And so the in betweens, transitionary phases, etc are really important. It’s easier to get away with in anime with an sakuga and so forth, but in my opinion, if it’s not there in manga, the whole thing's just gonna feel like a slideshow.

In any case, for the more elitist, nitpicker listeners, it's labeled dark fantasy but it's definitely a mickey mouse series,,, but in a jetix kinda way if that makes sense… I said that in a discord and they said that basically means it’s an early 2000s fest and I agree.. All that being said I still recommend it, really great if you like to turn your brain off, solid enough if that’s not for you and for the anime watchers, there is an anime with 24 episodes, can’t speak on the quality as i have not and do not plan to watch but just putting that out there.

#3) Samurai Executioner (Story by Kazuo Koike and Story by Goseki Kojima, 1970-1976, complete w 54 chapters)

Firstly, this story art duo is responsible for creating my #1 samurai read from way of the sword ver.1, lone wolf and cub,(again i urge you to check that out, the ramble or even just that one manga specifically), so it’s great to see greatness from them again, + i’ve been told and seen from related manga sections that there’s a bunch more where that came from so i’m looking forward to reading more stuff from them in future.

The anilist description of the series is pretty hard so i’m gonna run with that here;

In a prison world, there are few good stories, and this is the world of Kubikiri Asa, the beheader and master samurai under the Shogun. It's a world full of vengeance, greed, and violence. A world of depravity and sin. One man can set things straight if he can keep his wits. This is a story of extreme proportions, of sword study thick in tradition and with grim purpose, of blood rivers, agonizing screams, bondage, torture, and the evil prevalent in human failure. Drafted by the confirmed masters of the international medium of manga, Samurai Executioner is a shocking combination of darkness and fire, fine lines, and a fine man in the face of human decline.

Very episodic, much like lone wolf and cub was at first, and though it had some overarching continuity, it didn’t really have the same culminating payoff. Still great though as each chapter was very poignant, and as a story that very much focused on death, almost every chapter ending being the end of a life, it's very fitting.

Great art if you’re into the old school feel, which I like in general but also goes fabulously with stories set in older time periods. Solid cast, though as I said it’s pretty episodic and outside the main character almost everyone was a passing face, but again those passing faces, especially the ones meant to be executed, had a lot to say. Even the few chapters sprinkled throughout that didn’t have executions and were just conversations tended to be very contemplative. In the same way lone wolf and cub was a great dialogue around the meaning of being a samurai, this was a brilliant dialogue around the meaning of life and death. The main character’s words to live by were literally “All things are impermanent. This is the law of life and extinction. When both life and extinction perish, nirvana will be bliss.”

Brilliant short read. something to savour. highly recommend.

#2) The legend of the northern blade (Story and Art by Hue Min, Original story by U Gak, 2019-present, ongoing w 192 chapters)

I won’t call this meathead. It’s meathead adjacent,, so we’ll call it action packed,, but meatheads would definitely enjoy this.

The story here is that for pretty much a hundred years and through 4 generations, the northern heavenly sect has protected the country from the evil silent night. Sadly, because of envy for their growing strength, the 4th generation leader is betrayed by those he swore to protect, and in the end is forced to disband his sect and kill himself to protect his son. Years later, his son, our mc, is kept under surveillance by his enemies and is forced to lead a miserable life almost completely alone in the ruins of his former glorious sect. One day a surprise attack by members of the silent night gives him a chance to escape and so he begins a long journey of training in order to master his fighting techniques, and eventually take revenge on those who betrayed him.

Great cast. great story. great art. Great pacing, which sadly, is something I feel like I haven’t said in a while., Admittedly the start is a bit slow but after the first 10 or so chapters are out of the way, which are kind of like a prelude, it picks up and pretty much keeps on picking up. They introduce the cast really well on both the protagonist and antagonist side, nothing really feels predetermined or too obvious like oh this dude is definitely gonna join or be against, it’s just kind of circumstantial and felt very natural. Very solid for a revenge story, i think i’ve said it before but imo manhwa seem to be very revenge focused for some reason and the mcs tend to have a habit of getting lost in the sauce of it all, but our mc, Jin Mu Won, is a goat that keeps his cool. My dude is frosty. My dude is ice cold. Bro is literally too cool for school.. but I digress… Last but definitely not least is the action. The art is pretty solid throughout but when it comes to the action? They’re on some anime sakuga type shit, very strong choreography that only gets better and better, definitely has its fair share of mob cuts but even those go pretty hard, and the big boss fights are 5 star chef’s kiss. The only downside, is that if you know anything about manhwa, korean webtoons and the like, they tend to go with this one page scroll like type layout so most places you read it outside of the official source slice up a lot of otherwise beautiful panels with separating black lines. It’s sad but it still manages to remain solid in that aspect despite being put through the blender. Definitely the most hype thing I read this month, obviously also very solid coming in at number two, and it was a pretty close call tbh but yh, definitely highly recommend. Especially as it seems to be entering the final arc so it’s a really really great time to jump in.

#1) Azumi (Story & Art by Yuu Koyama,1994-2008, complete w 350 chapters)

Now this isn’t really samurai, though it does take place in that period,, and has a lot of samurai… but the main character isn’t a samurai, she’s an assassin, so we’ll say it’s historical. And it definitely is as a lot of real life key Japanese historical figures are littered throughout the story.

In any case, the story here starts with 10 orphans raised and trained in seclusion from a very early age to be assassins. Not just any assassins, but assassins meant to put an end to all wars in japan. The most gifted among them being Azumi, who as you can probably tell by the title, is our mc and who we follow throughout the story.

This story has a very epic feel, not in the adventure time adjective kind of way but in the more iliad type beat extended story kind of way, much like I described lone wolf and cub to be last time… and as you can probably tell by the 300+ chapter count. The chapters are very well used though, as I said the story starts out with them as kids but it follows Azumi into adulthood. The pacing and passing of time feels very natural, like it doesn’t even feel like there were any time skip so much as literally just watching her grow. The cast naturally changes with the times and although not a lot of them stick around physically, as the main character and her world views changes with the people she meets, many characters stick around in Azumi’s psyche and reemerge in her mental state. The art is great, has that old school vibe in an old school context that I love and the action and choreo were great too. Had a real kill bill siren feel cause Azumi was a manslayer fr.

Feel like I haven’t done it justice, I don't think I can either... I realize I often feel that way with my number 1s and that’s probably because the truly meaningful transcends mere words, but it’s my number 1 pick for this month and it’s there for a reason is all i can say.

hm: isekai samurai, return of the blossoming blade