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spectralreplica · 2 years ago

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Uhhhhhhhh Sburb AU!! This was more of an excuse to classpect and make sprites, so don’t ask me questions about plot details because I put like zero thought into it. Tsumugi probably had something to do with setting up the session, and she’s hiding her real title and the fact it’s not her first session. Baby Kiibo is a robot baby because I thought that was the funniest option.

Drawing with anti-aliasing off really brings me back...

Classpect thoughts under the cut if you really want:

Immediate caveat: I mention speculative stuff here like unconfirmed active/passive class pairs and inversion theory. If you don’t like those things or otherwise disagree with the titles I gave people that’s fine but just know I’m not super interested in debating about it and won’t reply.

So, to start out with I wanted to make the 8 of them a session, so I needed no overlaps in class or aspect and one Time + one Space. I also wanted to have Kaito and Kokichi as opposing aspects. In general, I think of a Title as kind of the end of your assigned character arc, so depending on your level of maturity/introspection at the start, it can seem either really obvious or really unintuitive. I tried to base them off of the hypothetical chapter 6/survivor versions of characters, since those (plus maybe the chapter 5 deaths) of the ones that get a full arc in DR canon.

Immediately Tsumugi seemed like a deadringer for Space, not so much because of the literal physics-related stuff but because of its associations with creation/narratives and setting things up for other people to act. I made her Sylph of Space here, but that's a facade. She's actually a Muse of Space who participated in past session(s) and wants to watch how things play out.

Based on the Extended Zodiac description, Kaito or Kaede has to be time, but Kokichi CANNOT be Space by any stretch of the imagination. I made her Heir of Time with the interpretation of Heir as someone who invites change/influences of/through their aspect. Time is also associated with music and death, which is both fitting and a little mean. (I can also see Kaede as Breath outside of having to have someone be Time.)

So moving onto Kaito and Kokichi, I was considering Hope vs Rage (belief vs doubt, possibility vs restrictions), but 1) Rage is defined partially by hatred of lies despite otherwise sounding Kokichi-ish (that alone could be interesting, with the possibility of a negative/reverse title or else giving him Hope and Kaito Rage for the unexpected swerve........) 2) I really wanted to give Hope to Kiibo. So instead I went with Heart and Mind (emotion vs logic, intuition vs planning, identity/motivation vs action/decisiveness).

Kokichi is Thief of Mind for taking away other people's decisions for his own purposes but also for generally "stealing" things (e.g., the Mastermind Role, narrative importance in general, along with literal items) through his own cleverness. Vs Kaito, a Knight of Heart, who uses his constructed identity as a weapon to face challenges. I'm also a fan of inversion theory, so I think at low points they'd both trend towards Page of Heart (grows powerful late in the narrative based on his own ego/identity) and Rogue of Mind (taking choices/agency/logic away from people for their own good), respectively.

I always wanted Kiibo to be Hope since 1) Ult. Hope Robot 2) big on possibilities/faith but can be a little self-centered. I went with Bard at least partially to make a "guess we know whether he has a dick or not now!" joke, but I also think "inviting destruction through Hope, inviting destruction of (false) hope" is pretty spot on for chapter 6 Kiibo. Like, as the camera/audience surrogate, he's been forced into passively leading the others to despair, not to mention how the audience takes him over to destroy the hope of ending the show. But Kiibo ends up reversing this and helping destroy the audience's faith in Danganronpa, destroying the whole academy in accordance with the vote. (Sidenote: I wonder if Kiibo gets taken over by Horrorterrors and goes grimdark? Or if he's just really, really susceptible to orders from his Exile)

Shuichi, Page of Void, was another one that immediately came to mind. Like, "starts off weak but becomes really strong/important by the end" is Shuichi's thing! Also, counterpart to Kaito's Knight. And Void is all about secrets, mystery, etc. From the Extended Zodiac: "Where others might be compelled to go out and seek answers, the Void-bound lean more toward casting doubt on what is already considered understood. They don't take much on faith and would rather live in a state of confusion- than believe something that might be untrue or bow to intellectual authority... At their best, Void-bound are wise, intuitive, and vibrant. At their worst, they can be dismissive, indecisive and apathetic."

I had considering Light, for seeking out knowledge/truth, but Shuichi's character arc ends on "fuck you, I refuse to play. You all get nothing more from us" and learning to live with ambiguity, so I think he's way more Void. But, again, inversion would be Thief of Light, so selfishly taking away knowledge/importance from others.

Speaking of Light, I made Miu Mage of Light. Mage is like, active Seer, seeking out knowledge for yourself (vs advising others) and Light is luck, knowledge, and also importance/plot relevance. As an inventor, Miu keeps innovating and figuring things out, plus she's very motivated by her own importance to the world. She wants to be seen more than anything else and loves being smarter than those around her. Also: "At their best, the Light-bound are resourceful and driven. At their worst they can be fussy, pedantic, and insensitive." Inversion is Heir of Void, so "inviting change via hiding things" or "changing what's kept secret", which suits Miu when plotting murder.

Finally, Maki is Prince of Blood. Blood is trust, bonds, relationships, stubbornness, duty, obligation (vs freedom, change, choices) so "someone who breaks bonds/destroys relationships" but also "someone who destroys using/motivated by duty/relationships". Like, Maki is inherently a fracture point in the group because of her talent and then directly breaks the group apart and sabotages her relationships with the others in chapter 5, but also she's deeply motivated by her bonds to others in all of her destructive actions (protectiveness for orphanage/friend, love for Kaito). This sound super negative, but I think this is also the Maki who commits to destroying the institution of Danganronpa in chapter 6. Sometimes you have to be decisive and cut bad relationships out of your life.

Inversion would be Sylph of Breath, so "healing via change" or "encouraging growth towards freedom", which you can argue is sort of the way Kaito wants her to go? But she just doesn't. Idk, for better or worse, I think Maki is very aware of who she is and how people related to her, so even at her worst she's true to herself, vs, say, Kaito or Kokichi, who act "ooc".

#Homestuck #Kokichi Oma #Kaito Momota #Miu Iruma #Shuichi Saihara #Kaede Akamatsu #Maki Harukawa #Kiibo #Tsumugi Shirogane #New Danganronpa V3 #Danganronpa #Sburb AU #Spectra Art

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lampochkaart · 6 months ago

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DRV3 Infinity Train AU

Some time ago I finaly watched Infinity Train. Guys it's so good, it's insane. I highly recommend watching it, it's very good, and not too long (you can basically finish it all in one day).

But, to the point of this post, obviously I thought about crossover fusion with DRV3.

I wasn't sure if it would be better to make it a separate AU or if the AU events would take place after the end of drv3. But I was interested in the last option, because I think there would be interesting dynamics in the victim-killer pairs of each chapter. Below I will write a little about my thoughts about this AU (and there are also drawings of each pair)

❗Spoilers for all DRV3 and also a bit for Infinity Train

So, to the AU itself.

The characters get onto the Train after the Killing Game (I don’t know if all simultaneously or by chapter). They come in pairs (or trio in one case) and are linked by the same number. In order to lower their number and get off the Train — perhaps thus getting a second chance at life (that's not how the Train actually works, but I rearranged the concept a little for the sake of this AU. And anyway, it's not like the Train isn't kinda a supernatural phenomenon already, so whatever) — they need to not only solve their personal problems, but also problems with each other. That is why they are paired victim with killer, they have a lot to think about. Different pairs are in different parts of the Train, but they can sometimes cross paths with each other.

They appear looking how they were in the moment of their death. They don't have wounds, but if some parts of their costume is missing or damaged it will stay that way.

I also gave everyone numbers according to their meanings (that I partially found on internet, partialy just made up based on vibes, so I can't promise accuracy). Characters' numbers don't have to have all the listed meanings, usually it's just some of them

Number meanings:

1. Positive: leadership, confidence, ambition. Negative: dominance, overconfidence, self-absorption.

2. Positive: cooperation, attentiveness, support. Negative: duplicity, cunning, cowardice.

3. Positive: optimism, creativity, sociability. Negative: childishness, superficiality, intrusiveness.

4. Positive: stability, calm, caution. Negative: dogmatism, passivity, mistrust.

5. Positive: freedom, sensuality, adventurousness. Negative: impulsiveness, haste, intolerance.

6. Positive: solicitude, responsibility, devotion. Negative: bossiness, overprotection, guilt.

7. Positive: analyticity, intelligence, practicality. Negative: cynicism, coldness, secrecy.

8. Positive: prosperity, independence. Negative: materialism, unwillingness to listen, intolerance.

9. Positive: idealism, benevolence, compassion. Negative: unrealistic, touchiness, selfishness.

0. Positive: integrity, infinity. Negative: isolation, cyclicality.

Now I'll go into detail about each pair

First pair: Rantaro Amami and Kaede Akamatsu.

Quite an unusual pair. Kaede is not actually his killer, so their numbers don't match. However, they appear on the Train together and after discussion decide to travel with together. Kaede blames herself very much for Rantaro's death, so she immediately rushes to apologize. But after comparing and discussing versions of what happened, they both come to the conclusion that someone else is behind Amami's death. Someone who has control over the game. Therefore, Akamatsu will try very hard to find other victims of the Killing Game. She would like to believe that there will be few of them, but Rantaro warns her that they are dealing with a much more dangerous enemy than they previously thought.

To get off the Train, Kaede will need to stop taking responsibility for everything that happens and overloading both herself and those around her. Rantaro will need to learn to share his concerns and problems with others, to become less secretive and distrusting. Both Kaede and Rantaro would need to learn to rely more on others and not hide their worries behind a smile.

Kaede's Number: 391

Rantaro's Number: 407

Second pair: Ryoma Hoshi and Kirumi Tojo.

I kinda think that, compared to other pairs, they don't have that much problems with each other. They, more likely, need to focus more on solving personal problems. Of course, Kirumi will feel guilty towards Ryoma, she is not a heartless monster. But I don’t think Ryoma will reproach her for killing him and trying to get out. He gave her unspoken permission, although he probably expected something quick and painless.

Ryoma's hancuffs and shackle on his leg would probably be removed. I wasn't sure what to do about Kirumi's apperance, but then got idea that she could have been given clothes similar to the one they used to dress passengers in before. Unfortunately I only got this idea after I've already drawn her, so let's just assume that she'll change into it herself after some therapeutic sitting on the edge of the car and reflecting on her life. On the picture this clothes lies next to her.

To get off the Train, Kirumi needs to stop perceiving herself only as a maid. To accept that she does not have to constantly follow orders/requests, to stop taking on the role of an “adult” among others, accept that she is a teenager like the rest. And to admit that she wanted to get out not only because she had to serve an entire country, but also because she really wanted to escape, she wanted to live.

To get off the Train, Ryoma needs to learn to see the reasons to live in the little things, to remember that he has something to fight for. To pay attention to the fact that there are those who care and will grieve for him, and there are much more of them than he thinks. His life is not over yet, he has a chance and time to start again. He would have to admit that dying was very scary. Admit that in the last seconds of his life he regretted his decision.

They both need to stop devaluing their lives.

Their number is 406.

Third group: Angie Yonaga, Tenko Chabashira, Korekiyo Shinguji.

There are very complex relationships here. Everyone has both serious personal problems and conflicts with each other. Tenko is angry at Angie and will also just despise Kiyo. Angie will not be angry, but she may try to start imposing her God again and take position of a leader. Korekiyo will mostly stil be shaken trying to sort out his feelings and will shy away from Angie and Tenko as painful reminders of what happened. This trio will have many conflicts and difficult situations, but the fact that there are three of them will be more of a plus than a minus. This way, no one will be able to impose their opinion or take advantage of the weakness of another, because there is always a third person who will prevent this. Angie won't let Tenko drive Kiyo away; Tenko won't let Angie to take advantage of Kiyo's condition to lure him to her side; Kiyo can act as a mediator in conflicts that arise between Tenko and Angie. This way they can maintain some sort of balance.

To get a way out of the Train, Angie needs to learn to listen to others, not considering her decisions to be the only correct, simply because her God advises her. She'll have to admit that she is not absolutely right. Show yourself not as a prophet who doesn't make mistakes, but as a leader who is open to discussion and change of plans.

Tenko needs to reconsider her beliefs that all men are narcissistic and selfish, always looking to take advantage of others to benefit themselves. Also to recognize that sometimes she can be too pushy, and this can alienate even those she cares about. She needs to learn to be more accepting. Recognize that good and bad actions do not depend on gender, and girls can do terrible things too.

Korekiyo will have to accept that his sister is a bad person. That she used him, that she broke him, changing him forever. That everything he did for her was wrong. Because what she herself did was wrong. She did terrible things and made him do terrible things. And neither her illness, nor even her death is an excuse, and in no way diminishes her guilt. He will have to separate his sister from himself. Separate her from his hobbies, from his tastes and preferences, from his personality, from his speech, from his gestures... Fegure out what belongs to him and win it from her. Decide that she no longer has the right to influence his life. Let her go.

Their number is 348.

Fourth pair: Miu Iruma and Gonta Gokuhara.

Of course, they will have problems and disputes, but mostly only in the beginning. Gonta feel very guilty and will apologize to her a lot, but Miu doesn't hold a grudge against him. They will most likely only argue about Kokichi and his role in this murder, but I don’t think it will be that serious. Miu, although she'll be somewhat angry at Ouma, still feels guilty. She understands that she was the first to betray him by trying to kill him, but even at that moment she was regretting it. She was driven to such an act by desperation and fear. She regrets this, but will still argue with Gonta, saying that Kokichi lied to him and was just using him to save his skin, and Gonta will refuse to believe it.

I think Miu and Gonta have quite an interesting dynamic and the potential for both a lot of funny situations and serious conversations.

Perhaps Miu, at Kaede’s request, will build or repair a device that will allow tracking numbers or even passenges (similar to Simon's and Amelia’s devices) and will help her looking for others.

To get off the Train, Miu will need to stop compensating for her need for attention and approval with overconfidence and loud words. Admit that she tried to sacrifice many lives due to cowardice. Admit how scared and unsure of herself she really is.

Gonta will need to learn to be less gullible and stop believing that everyone around him is always smarter than him, so he needs to listen and comply. He needs to stop belittling his intelligence and knowledge, and also stop blaming himself for everything, especially if he had control over what happened. He needs to learn to stand up for himself.

I think Gonta and Miu's situation at first will be a little like Jesse and MT's, where for a while Gonta will listen to Miu's advice, not always very helpfull, without realizing that this is exactly what he needs to stop doing in order to get an exit.

Their number is 265.

Fifth pair: Kokichi Ouma and Kaito Momota.

The idea for this AU started with them, so, naturally, I have thought out for them the most. These two have so many personal problems and problems with each other, which is a constant source of conflict. This is made worse by the fact that Kaito is trying to impose his usual "I'm helping you, I don't need help myself" dynamic, and Ouma is obviously annoyed both that Momota is forcing his "heroism" and that he's lying in his face. It goes so far that Kaito declares directly to Kokichi’s face that he, Luminary of the Stars, has no problems, he's only here because of Ouma, because Ouma won't be able to deal with his problems on his own. All this even leads to them temporarily separating, Kokichi saying that he would rather stay on this Train than put up with Kaito, and Kaito that it would be easier for him to get a way out without such "companion". Later, they reluctantly return to each other and try to cooperate again, because this is the only way to get a way out.

Their situation is a lot like Ryan and Min-Gi's. In the sense that their number decreases then increases back, then decreases again, then increases once more, at times even becoming higher than it was initially. Because they still can’t figure out how to coexist with each other. They do eventually start getting along and get an exit, but it takes them a long time and a lot of trial and error.

To get a way out of the Train, Kokichi needs to stop treating everyone around him as enemies who are just waiting for the opportunity to take advantage of his weakness. He will have to learn to open up and trust people (and not only in situations where his life hangs by a thread). He'll have to learn to openly admit when he's wrong and to apologize. And to stop running away from the consequences of his actions.

Kaito will have to learn to talk openly about his problems. Not hide them from others, “so that they won't worry”. To recognize that he is not indestructible. Acknowledge that he, too, has worries and doubts. And to stop imposing his help when people refuse it.

They will both have to learn to show their vulnerable and weak sides. Stop trying doing everything alone, putting more on their own shoulders than they can handle. Learn to ask for help. Learn to talk openly about their concerns. Learn to work together and finally, to just understand each other.

Their number is 591.

Sixth pair: Tsumugi Shirogane and K1-B0.

Honestly, I don't really know what their relationship dynamic will be like. Tsumugi will probably be angry at Kiibo for destroying the academy (and even angrier if/when she finds out that the remaining three survived). Kiibo will probably end up on the Train without his antenna, so he won't have any sympathy for Tsumugi. I don't know if he will have a number, but in theory he's not an inhabitant of the Train, so maybe? But if not, then he most likely will leave Tsumugi on her own to decide what to do and go in search of the others. If he will have a number, he might insist on working and getting out together, and then try to arrest her.

I'll probably stick with the "Kiibo doesn't have a number" option. He will of course be upset and offended, once again realizing how robophobic the world is different he is. But, most likely, he will try to help look for other classmates, and also try to help reduce their numbers. Once Miu figures out that Kiibo doesn't have a number, and without a number the way out of the Train is closed, she will do something similar to what Jesse did: to try to make it appear that Kiibo has a number. So most likely he will be allowed to leave with her.

When it comes to Tsumugi in this scenario... Regardless of whether she was trying to replicate Junko's real game or if it was actually a multi-season show, and whether she was an employee of Team Danganronpa or if she was also brainwashed and just made to believe that she was special... Whatever the case, I think that she won't really want to be with her “classmates” and won't try to lower her number. Rather, on the contrary, she might decide to stay on the Train. It reminds her of fictional stories, the ones she loves so much. What's the point of returning to the ordinary world? Especially with those who don’t want to see her. Especially if the consequences of her actions await her there. Therefore, she is more likely to resist if they try to convince her to start working on her mistakes. She might even try to prevent others from getting out or even try to kill them (especially Kaito, Kokichi and Kiibo, since it was their fault that the game ended, and not at all the way she wanted). As a result, her number will go up, and up, and up... I don't think Tsumugi will get off the Train.

Number (K1-B0): ��

Tsumugi's initial number: 5300

(5 and 3 numbers are not exactly suitable in terms of meaning, but Tsumugi simply MUST have 53 in her number, and zeros as a symbol of cyclicity and movement in a circle)

Tsumugi number (alternative): 2870

I'm planning to sketch a couple ideas of this AU that I have so far, so stay tuned I guess

As always, I'm happy to answer any questions!

AU tag is #drv3 train au