#mithila art

[introvertedkour]

Day 1

"Unveiling the Mystique of Madhubani: Dive into a 10-day journey exploring the vibrant world of this ancient Indian art form."

"Welcome to our Madhubani painting series! Over the next 10 days, discover the history, techniques, and beauty of this traditional art from Bihar, India. Let's embark on this colorful adventure together!"

"Madhubani art — also known as Mithila art — is a traditional Indian art form noted for its use of local plants for colors, cow dung to treat the paper and bamboo sticks that serve as brushes, not to mention the beauty and simplicity of the paintings themselves.

Are Madhubani and Mithila the same?

Yes, these are two names for the same art form — Madhubani painting is also known as Mithila because it originated from the Mithila region in Bihar, India.

When did Madhubani art originate?

While its exact origin is unknown, legend holds that King Janak, the ruler of the Mithila region in the 8th or 7th century BCE, requested this new form of painting to capture his daughter Sita’s wedding to Prince Rama, the central figure of the epic Ramayana."

#madhubani #madhubanipainting #madhubaniart #indianart #indianartist #artistsoninstagram #artist

[indianarts]

Madhubani Painting for Beginners: Easy Tutorials and Techniques

Introduction

Madhubani painting, also known as Mithila art, is a traditional form of folk art that originated in the Mithila region of India. This vibrant and colorful art style is characterized by intricate patterns, geometric shapes, and vibrant colors. If you are a beginner looking to explore the world of Madhubani painting, this blog is for you! In this guide, we will provide you with easy tutorials and techniques to help you get started on your Madhubani painting journey.

Understanding Madhubani Painting

Madhubani painting is deeply rooted in tradition and mythology, often depicting scenes from Hindu epics and folklore. The art form uses natural dyes and pigments, making it an eco-friendly and sustainable artistic practice. The paintings are typically done on handmade paper or cloth, using brushes, twigs, or even fingers to create intricate designs.

Materials You Will Need

Before you begin your Madhubani painting, make sure you have the following materials ready:

Handmade paper or cloth

Natural dyes or acrylic paint

Brushes or twigs for painting

Pencils for outlining

Water and a palette for mixing colors

Easy Tutorials and Techniques

1. Choose Your Design

Start by choosing a simple design for your Madhubani painting. Traditional motifs include flowers, birds, geometric patterns, and mythical figures. You can also find inspiration from nature, folklore, or personal experiences.

2. Sketch Your Design

Using a pencil, lightly sketch your chosen design on the paper or cloth. This will serve as a guide for painting and ensure symmetry and accuracy in your artwork.

3. Add Colors

Once your sketch is complete, start filling in the colors using either natural dyes or acrylic paint. Madhubani paintings are known for their bold and vibrant color combinations, so feel free to experiment with different hues.

4. Add Details

After the base colors are in place, add intricate details and patterns to enhance the beauty of your painting. Focus on creating intricate lines, dots, and geometric shapes to bring your design to life.

5. Let It Dry

Allow your painting to dry completely before framing or displaying it. Once dry, you can also add a protective layer of varnish to preserve your artwork for years to come.

Conclusion

Madhubani painting is a beautiful and expressive art form that can be enjoyed by beginners and experienced artists alike. By following the easy tutorials and techniques outlined in this blog, you can create your own stunning Madhubani masterpiece. So, grab your materials, unleash your creativity, and dive into the colorful world of Madhubani painting!

[94shasha]

माँ सीता स्वयंवर

[pratikshachandra]

Tried madhubani painting after a long time.

The key feature of this type of painting are the lines used. All the patterns used for decoration of the figures are made simply through the combination of different kinds of lines.

Madhubani paintings also known as mithila painting are a famous folk art style of India.

It derives it's name from the place of it's birth that is mithila in present day bihar.

Mithila is famously known for being the birthplace of devi seeta, the consort of Sri Rama.

[emrlyn]

greater lord

[thesplenor]

Rhythms of Mithila: The Spirit of Madhubani Art

Madhubani art, also known as Mithila painting, is one of the most celebrated forms of traditional Indian folk art. Originating from the Mithila region, which spans parts of Bihar, India, and Nepal, this art form is renowned for its unique style, intricate detailing, and vibrant use of colors.  The name "Madhubani" translates to "forest of honey," which reflects the rich cultural and natural environment that inspires these artworks.

Historical Background

The origins of Madhubani art are deeply rooted in Indian mythology and history. It is believed that this art form dates to the time of the Ramayana, an ancient Indian epic. According to legend, King Janak of Mithila commissioned artists to create paintings on his daughter Sita's wedding to Lord Rama. This royal patronage helped establish the tradition of creating auspicious images to mark special occasions, a practice that continues to this day.

Traditionally, Madhubani paintings were made on the walls of homes during festivals, rituals, and important life events such as weddings and births. These paintings served as an expression of devotion, a means of preserving cultural narratives, and a way of bringing good fortune. Over time, the medium expanded from walls to cloth, paper, and canvas, making the art more accessible and portable.

Techniques and Materials*

Tools and Materials:

Madhubani art is characterized by its use of simple tools and natural materials. Artists traditionally use fingers, twigs, brushes, matchsticks, and even nib pens to create intricate designs. The natural pigments and dyes used in these paintings are derived from a variety of sources. For instance, yellow is obtained from turmeric, blue from indigo, red from the Kusum flower or red sandalwood, green from leaves, and black from burnt rice. Cow dung and mud are often mixed to prepare the base of the wall paintings, providing a natural texture and background.

Techniques:

The technique involves outlining the designs with bold lines using a mixture of cow dung and mud or black from burnt rice husk. This is followed by filling the spaces with bright, vibrant colors. The paintings often feature a double line border filled with intricate patterns and motifs such as flowers, animals, and geometric shapes. The figures in the paintings are typically depicted in profile, and the faces are drawn with elongated eyes, which is a distinctive feature of this art form.

Madhubani art does not leave any empty space in the composition; every inch is filled with intricate patterns and symbols. This technique of filling the entire space is known as Kachani or Bharni.The detailing and the use of geometric patterns are not just aesthetic choices but also hold cultural and symbolic meanings, reflecting the artists' connection to their cultural heritage.

Styles of Madhubani Art

Madhubani art is not monolithic; it encompasses several distinct styles, each with its own characteristics and thematic focus. The primary styles include:

Kachani Style:

Kachani style of Madhubani painting is style which comes from the Kayastha community by its intricate line work and fine detailing. Kachani is primarily monochromatic, using a minimal palette with black and white being predominant. This style focuses more on the detailing of the figures and the use of fine lines to create patterns. It often represents scenes from nature and daily life.

2. Bharni Style:

The Bharni style is known for its bold, vibrant use of colors and the depiction of mythological figures, nature, and animals. Traditionally practiced by Brahmin women, this style often portrays Hindu deities like Krishna, Rama, Durga, and Saraswati. The emphasis is on filling the central subject with solid colors, while the background may be decorated with intricate patterns.

3. Tantrik Style:

 The Tantrik style is heavily influenced by tantric symbolism and motifs. It involves the depiction of tantric deities and yantras (geometric diagrams used in worship). This style is spiritual and esoteric, often featuring complex and abstract patterns that are rich in symbolic meaning.

4. Godna Style:

 The Godna style is inspired by traditional tattoo patterns. This style incorporates symbols and motifs that are culturally significant and often linked to social beliefs and practices. It is characterized using repetitive patterns and motifs such as flowers, animals, and geometric shapes.

5. Kohbar Style:

 The Kohbar style is specifically associated with marriage rituals. These paintings are created on the walls of the nuptial chamber and depict themes related to love, fertility, and prosperity. The central motif often includes a lotus flower, symbolic of fertility, surrounded by fish, birds, and other auspicious symbols.

Themes and Motifs

Madhubani paintings are rich in symbolism and cultural narratives. The themes can vary widely, but they often revolve around mythology, nature, and everyday life. Common motifs include:

- Mythological Figures: Depictions of Hindu gods and goddesses, such as Lord Krishna with Radha, Lord Rama with Sita, and various forms of the goddess Durga, are prevalent. These figures are often portrayed in vibrant, dynamic compositions that narrate stories from Indian epics and scriptures.

- Nature and Animals: The natural world is a significant inspiration in Madhubani art. Trees, flowers, birds, and animals like elephants, peacocks, and fish are commonly featured. These elements are not just enhancing but are also infused with cultural and spiritual symbolism. For example, the fish symbolizes fertility and prosperity, while the peacock represents beauty and love.

- Social and Cultural Practices: Madhubani art also captures scenes from daily life, such as agricultural activities, festivals, and social gatherings. These depictions provide a glimpse into the cultural practices and traditions of the Mithila region.

- Abstract and Symbolic Patterns: Geometric patterns, tantric symbols, and abstract designs are also a part of Madhubani art. These elements often carry deeper meanings and are used to convey philosophical and spiritual concepts.

Cultural Significance

Madhubani art is not just an artistic expression; it is a vital part of the cultural and social fabric of the Mithila region. The art form is deeply intertwined with the community's rituals, festivals, and social practices. For instance, the Kohbar paintings are an integral part of wedding ceremonies, symbolizing blessings for a happy and prosperous married life. Similarly, paintings of deities are created during festivals to invoke divine blessings.

The art form also serves as a medium for preserving and transmitting cultural knowledge and values. Through the depictions of mythological stories and traditional practices, Madhubani art helps keep the cultural heritage of the Mithila region alive.

Modern Adaptations and Global Recognition

In recent years, Madhubani art has acquired global appreciation and gratitude. The art form has transcended its traditional boundaries and found new expressions in contemporary contexts. Artists are now creating Madhubani-inspired designs on textiles, pottery, home decor items, and even fashion accessories. The use of modern materials and techniques has also expanded the scope of this art form.

The Indian government and various non-governmental organizations have played a crucial role in promoting Madhubani art. Initiatives such as exhibitions, workshops, and cultural exchange programs have helped bring Madhubani artists into the limelight. Additionally, the art form has found a place in international art markets, with collectors and art enthusiasts from around the world appreciating its unique aesthetic and cultural depth.

Economic and Social Impact

The commercialization of Madhubani art has provided a significant source of income for the artists, many of whom are women from rural backgrounds. This economic empowerment has had a positive impact on the community, enabling better access to education, healthcare, and other resources. Moreover, the recognition of Madhubani art on global platforms has instilled a sense of pride and cultural identity among the artists and their communities.

Challenges and Preservation Efforts

Despite its popularity, Madhubani art faces challenges, including the risk of losing traditional techniques and motifs to modernization. The younger generation's inclination towards urban life and modern professions has led to a decline in the number of traditional artists. Additionally, the influx of synthetic materials and commercialization has sometimes compromised the authenticity and quality of the artwork.

To address these challenges, several organizations and art enthusiasts are working towards preserving the traditional aspects of Madhubani art. Efforts include documentation of traditional techniques, promotion of natural dyes, and providing training and support to upcoming artists. Educational programs and workshops are also conducted to create awareness and appreciation for this art form among the younger generation.

Conclusion

Madhubani art is a timeless expression of cultural heritage, artistic excellence, and social narratives. It is a testament to the rich cultural tapestry of the Mithila region and an invaluable part of India's artistic legacy. As this art form continues to evolve and adapt to modern times, it retains its essence and continues to inspire and captivate audiences worldwide. The ongoing efforts to preserve and promote Madhubani art ensure that this beautiful tradition will continue to thrive and enrich the cultural landscape for generations to come.

[thepoems35]

Best Art Gallery in Delhi

Welcome to our art blog, where we begin a spellbinding journey through the captivating art gallery world. Artists, curators, and art enthusiasts can create deep connections with art in these one-of-a-kind sanctuaries. We will discuss the captivating experience of visiting art galleries and the reasons why they continue to captivate our hearts and minds in this article.

[teaah-art]

Maithili Miku/𑒧𑒻𑒟𑒱𑒪𑒲 𑒧𑒱𑒏𑒳/𑂧𑂟𑂱𑂪𑂲 𑂧𑂱𑂍𑂳/मैथिली मिकु

She is wearing a sari draped in the Madhubani style and the print on her saree is a Madhubani or Mithila painting, a folk art native to central Mithilanchal. (Drape ref)

I'm drawing a series of as many South Asian Mikus as I can! Here's the ninth one! Is there a South Asian Miku you would like to see? Feel free to request!

All South Asian Mikus

Commissions Open | Ko-fi

[mybeingthere]

Sita Devi (1913 - 2005), one of the most prominent early Mithila artists and among the first to transfer the traditional art form from the walls of the home to paper and canvas, was a Mahapatra Brahmin from the village of Jitwarpur. Her distinct aesthetic popularized the ‘bharni’ style of Mithila painting, which emphasizes strong colours over fine lines. “Sita Devi’s elegant elongated and richly coloured paintings of Krishna, Radha, and other gods and goddesses, are well known. However, she also painted extraordinary images of the World Trade Center, Arlington National Cemetery, and facades of 19th century buildings in New York City”

Over the course of her long life (the artist passed away in 2005 at the age of 92), Sita Devi’s work brought critical national and international attention to Mithila art. In addition to her own artistic practice, Sita Devi worked tirelessly to develop and uplift her village and community through education and economic empowerment.

Read a long article about Maithil paintings https://www.folkartopedia.com/.../maithil-paintings-an.../

[themakeupbrush]

Miss Grand Nepal 2023 National Costume

"Sita's Serenity: Mithila Artistry Unveiled" Sita's Serenity: Mithila Artistry Unveiled" is Nepal's national costume for Miss Grand International, a vibrant embodiment of Goddess Sita, a symbol of peace, love, and kindness. It pays homage to Janakpur's rich culture, known as Mithila art, representing the intricate details of the region. Sita, revered as Nepal's daughter, personifies grace and resilience. This costume is a testament to Nepal's deep-rooted values and traditions, echoing the nation's timeless connection to its heritage.

[introvertedkour]

Day 8

Madhubani Art

"Madhubani Unique Magical Patterns: Discover the Stories Behind the Strokes"

"Delve into the folklore and symbolism woven into every brushstroke of Madhubani paintings. Join us as we decode the rich narratives and cultural heritage behind this captivating art form."

" What are the 3 themes in Madhubani's painting?

There are three main themes in Madhubani art: religion, social scenes, and elements of nature.

Religion: Hindu mythological figures and scenes from sacred texts are very common subjects, featuring popular deities like Radha and Krishna, Shiva, Ganesha, Saraswati and Laxmi.

Social: From harvests and markets to the royal court and children playing, Madhubani paintings beautifully render scenes from daily rural Indian life. Wedding ceremonies are especially sought-after, with messages of love and fertility.

Nature: The beauty and abundance of nature is an essential value of Madhubani paintings. Some of the most beloved images are the sun, the moon, birds and animals, the sacred Tulsi plant and Banyan trees."

Thank you for watching

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#madhubanipainting #madhubani #madhubaniart #madurai #mithilapainting #mithila #mithilaart #arttherapy #artworld #artsy #artistoninstagram #artist #artlover #easydrawing #arttutorial #traditionalart #indianart #indianartform #indianartist

[damodar-hd]

Design Painting Works near Shankarpally

Home Decode : Home-Decode - Home Painting works near Shankarpally Hyderabad. Matte finish, Textured Painting, Satin paint finishing, Eggshell designer painting Works near ibrampatnam, Semi-gloss or High-gloss finish painting near Shankarpally . Customised colours Works Center near Shankarpally and accurate painting with best prices in ibramhimpatnam Hyderabad. India is a land of vibrant colors and diverse cultures. The country is known for its beautiful handicrafts, art, and paintings. Home wall paintings are one of the most popular art forms in India, Design Painting Works near Shankarpally which have been practiced for centuries. These paintings not only add a touch of elegance to the walls of homes but also reflect the rich cultural heritage of the country. Indian home wall paintings are available in various styles and designs. Some of the most popular styles include Madhubani, Warli, Rajasthani, and Tanjore. Each style has its unique characteristics, which make it stand out from the others. Madhubani paintings Works near Shankarpally originated in the Mithila region of Bihar and are known for their bright colors and intricate designs. The paintings often depict nature, animals, and Hindu deities. Warli paintings, on the other hand, Wall Painting Design Bed Room near Mokila originated in Maharashtra and are known for their simple designs, which often depict scenes from daily life. Rajasthani paintings Works near Rajasthani Painting Works near Mokila Shankarpally are known for their bold and vibrant colors, which are used to depict the royal lifestyle of Rajasthan. The paintings often depict kings, queens, and their palaces. Tanjore paintings originated in Tamil Nadu and are known for their intricate gold foil work. These paintings often depict Hindu deities and are considered as sacred art in many house H. Most Popular Painting Works near Shankarpally Indian home wall paintings are created using a variety of materials such aatural dyes, vegetable colors, and acrylic paints. Rajas The paintings are created on a variety of surfaces such as cloth, paper, and canvas. Textured Painting Works near Shankarpally Traditional Indian home wall paintings are often created using natural dyes and vegetable colors, Warli Painting Works Center near Mokila Shankarpally which are eco-friendly and non-toxic. In recent years, there has been a revival of interest in traditional Indian home wall paintings. Many artists are now using traditional techniques and materials to create modern interpretations of these paintings. Design Painting Works near Mokila These modern interpretations are often bold and vibrant, Warli Painting Works near Shankarpally with a contemporary twist. Indian home wall paintings are not only beautiful but also have cultural significance. They reflect the rich cultural heritage of the country and are often used to decorate homes during festivals and celebrations. Painting Design Works near Shankarpally They are also considered as a form of expression and are used to convey ideas, emotions, and beliefs.

All you need to paint is a few tools, a little instruction, and a vision in your mind:

Indian Home Painting Style Colors Works near Mokila SShankarpally home wall paintings are a beautiful and important art form. They reflect the rich cultural heritage of the country and are a form of expression. With their bold colors and intricate designs, these paintings add a touch of elegance to the walls of homes and are a testament to India's artistic legacy.

[madhubniart]

The Evolution of Madhubani Art Over Time

Madhubani art (also Mithila art) is a style of painting practiced in the Mithila region of India and Nepal. It is named after the Madhubani district of Bihar, India, which is where it originated. Artists create these paintings using a variety of mediums, including their own fingers, or twigs, brushes, nib-pens, and matchstick. The paint is created using natural dyes and pigments. The paintings are characterized by their eye-catching geometrical patterns. There is ritual content for particular occasions, such as birth or marriage, and festivals, such as Holi, Surya Shasti, Kali Puja, Upanayana, and Durga Puja.

Madhubani painting (or Mithila painting) was traditionally created by the women of various communities in the Mithila region of the Indian subcontinent. It originated from Madhubani district of the Mithila region of Bihar. Madhubani is also a major export center of these paintings.

This painting as a form of wall art was practiced widely throughout the region; the more recent development of painting on paper and canvas mainly originated among the villages around Madhubani, and it is these latter developments that led to the term “Madhubani art” being used alongside “Mithila Painting.”

Mithila paintings mostly depict people and their association with nature and scenes and deities from the ancient epics. Natural objects like the sun, the moon, and religious plants like tulsi are also widely painted, along with scenes from the royal court and social events like weddings. In this paintings generally, no space is left empty; the gaps are filled by paintings of flowers, animals, birds, and even geometric designs.[citation needed] Traditionally, painting was one of the skills that was passed down from generation to generation in the families of the Mithila Region, mainly by women .

It is still practiced and kept alive in institutions spread across the Mithila region. Asha Jha of Madhubanipaints in Darbhanga,

Vaidehi in Madhubani, Benipatti in Madhubani district and Gram Vikas Parishad in Ranti are some of the major centres of Madhubani painting which have kept this ancient art form alive.

Contributions:

The Madhubani painting tradition played a key role in the conservation efforts in India in 2012, where there was frequent deforestation in the state of Bihar. Shashthi Nath Jha, who runs the Gram Vikas Parishad, an NGO, started the initiative as an attempt to protect local trees that were being cut down in the name of expanding roads and development. The main reason behind this was that the trees were traditionally adorned with forms of gods and other religious and spiritual images such as those of Radha-Krishna, Rama-Sita, scenes from Ramayana and Mahabharata and other mythologies.

Darbhanga MP Gopal Jee Thakur started the tradition of honouring people with Mithila Painting in Indian Politics.

Awards:

Madhubani painting received official recognition in 1969 when Sita Devi received the State award by Government of Bihar. Mamta Devi from the village Jitwarpur has also got National Award. Jagdamba Devi from Bhajparaul, Madhubani was given Padma Shri in 1975 and the National Award to Sita Devi of Jitwarpur village near Madhubani.

Jagdamba Devi’s foster son Satya Narayan Lal Karn and his wife Moti Karn are also well-regarded Mithila artists, and they won the National Award jointly in 2003. Sita Devi received the Padma Shri in 1981. Sita Devi was also awarded by Bihar Ratna in 1984 and Shilp Guru in 2006.

In 1984 Ganga Devi was awarded by Padma Shri. Mahasundari Devi received the Padma Shri in 2011. Baua Devi, Yamuna Devi, Shanti Devi, Chano Devi, Bindeshwari Devi, Chandrakala Devi, Shashi kala Devi, Leela Devi, Godavari Dutta, Asha Jha and Bharti Dayal were also given the National award.

Chandrabhushan (Rasidpur), Ambika Devi (Rasidpur), Manisha Jha were also given the National award.[citation needed] In 2020, Madhubani artist Dulari Devi won the Padma Shri for contributions to art.

Styles:

Mithila art has five distinctive styles:

Bharni

Katchni

Tantrik

Godna

Kohbar

In the 1960s Bharni, and Tantrik styles were mainly done by Brahman women in India and Nepal. Their themes were mainly religious and they depicted Gods and Goddesses paintings. People of other castes included aspects of their daily life and symbols, the story of Raja Shailesh (guard of the village) and much more, in their paintings. Nowadays Madhubani art has become a globalised art form, so there is no difference in the work on the basis of the caste system. They work in all five styles. Mithila art has received worldwide attention.

The paintings were traditionally done on freshly plastered mud walls and floors of huts, but now they are also done on cloth, handmade paper and canvas.

Madhubani paintings are made from the paste of powdered rice. Madhubani painting has remained confined to a compact geographical area and the skills have been passed on through centuries, the content and the style have largely remained the same. Thus, Madhubani painting has received GI (Geographical Indication) status. Madhubani paintings use two-dimensional imagery, and the colors used are derived from plants. Ochre, Lampblack and Red are used for reddish-brown and black, respectively.

For more info visit our Website — https://madhubniart.com/

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[pratikshachandra]

The third avatar

🌺🌷MAA CHANDRAGHANTA🌷🌺

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||ॐ देवी चंद्रघण्टायै नम:||

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She has ten hands, nine of them are armed by a trident, mace, bow, arrow, lotus, sword, bell and a waterpot, while one other hand blesses her devotees. She is seated upon a fierce tiger.

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#chandraghanta #navdurgapaintings #navratri

[filmrelicsworld]

Karwaan: A Lifetime Adventure

2018 was a really great year for movies, Bollywood movies in particular. Karwaan, which attempted to carry on the tradition of this genius, debuted in theatres on August 3rd but was unable to survive a positive first week of business. Nevertheless, this film is a work of art that is transformed into beauty before your eyes! It has all the right amount of entertainment that a Bollywood film needs, along with morals and teachings.

After learning that his father died in an accident, Avinash (Dulquer Salmaan), the protagonist of the story, is somewhat demotivated. When Avinash needs assistance, his close friend Shaukat (Irrfan Khan) comes with him to take up the father's coffin. If only it were that simple, the airport cargo mishandles two bodies and delivers an elderly woman's coffin in its place. Avinash now realises that he owed his father the right to a dignified funeral for his corpse, regardless of the difficulties they had as father and son.

The main plot point of the movie is Avinash's decision to drive to get his father's coffin and give the elderly woman's coffin back to her. The granddaughter of the elderly widow whose coffin they had to bring, Tanya (Mithila Palkar), is a rather rebellious young woman who they encounter along the route. Her mother had asked them to securely deliver her home.

There are many twists and turns in the road trip, but none of them seem implausible. Even though each member of the trio has a distinct personality, they manage to work together and share knowledge about their varied lifestyles. They choose to move on and pursue happiness after accepting their pasts.

This film is a masterfully shot work of art with an abundance of brightness in every aspect that is displayed. Several features that jumped out were:

Cinematography: Every image on screen has a purpose. It emphasises on every subject's existence, and occasionally even on their absence. We experience the journey with the characters in the third person rather than from their point of view, which helps us feel more connected to the individual and their adventure. Nothing in the movie feels rushed or like a waste of time; every scene has a purpose. Everything culminates in the finale.

Performance: It is my intention to draw attention to Dulquer Salmaan's brilliant performance on screen. With Avinash, the guy realises his greatest potential. He is a natural and succeeds in persuading the viewers that he has always been Avinash rather than Dulquer. Because of how natural it seems, it's plausible that Avinash's character was created specifically to fit his personality. Let's go on to Irrfan Khan, another creative genius in the field. This man's hilarious timing makes him a legend. Despite taking up most of the frame, his attitude throughout the movie seems to be the best choice the director could have made.

His punch lines are what keep the whole movie going; there isn't a single scene where it seems like he's a drag. Insofar as it was feasible, Mithila Palkar fulfilled her role; the only negative aspect was that her character didn't progress as much as the others' did. All that is known about her is that she is a free spirit and renegade. Still, I can't complain because it fits wonderfully.

Background Score: This movie's soundtrack is a fantastic complement for the tone. It is simultaneously calming and revitalising. The spectator is given a sense of life. This movie's soundtrack directors have done an amazing job with it. Bravo to Imaad Shah and Anurag Saikia!

Dialogues: The film's writers have undoubtedly received recognition for their great work. The movie is entertaining and thought-provoking at the same time because of the timing, tone, and intensity of each dialogue. When they are employed in the right context and with the right words, they create a beautiful lexicon that pleases the intellect.

Slice of Life: This film's genre gives the theme of life a very genuine touch. It shows humanity in its best light. The supporting cast members of the film serve as its main supports. Shaukat is captivated by a beautiful woman, followed by Tanya's mother and an ex-boyfriend of Avinash. It's a beautiful portrayal of life where all these people and more come together to help the main protagonists become the best versions of themselves.

The director of this film is fantastic; Akarsh Khurana did a fantastic job. Although the direction of his other films is likewise based on this one, this one has a stronger narrative and cast than the others.

The conclusion was flawless—everything that could have been imagined, plus a little additional enjoyment that nobody could have complained about. This film offers you everything you could possibly want along with some delightfully surprising surprises. It's satisfaction at its finest.

[writer-dipsundarkanjilal]

Why Ancient Indian Literatures are Extinct today?

Ancient Indian Literatures were high even before few hundred years ago but now except few university courses under UGC India and some foreign enthusiasts in University of Michigan or University of Heidelberg etc, general students avoid reading those old articles.

Argument of this topic is why Indian students or their parents are not suggesting Indian Ancient History or Ancient literature as a career in today’s world?

If we go back to those beautiful pastimes of Indian education, from 3600 plus years ago, almost all great courses in Art, Literature, Science, Philosophy etc, were being taught only in Indian Universities.

Taxila or Takshashila University

Mithila University

Telhara University

Sharada Peeth Temple University

Nalanda University

Vallabhi University

Pushpagiri University

Odantapuri University

Vikramshila University

Sompura University

Bikrampur University

Morena Golden Triangle University

Kanthalloor Sala University

Jagaddala University and so on…

Some Indian scholars in Mathematics were Aryabhatta, Baudhayan, Brahmgupta, Bhaskaracharya, Mahaviracharya. Some famous scientists were Kanaad, Varahamihir, Nagarjuna. Medical Science was also highly developed in ancient India. It is hard to name all of them. Based on my minor research I have only few names as below.

“Sushruta Samahita” on Principles of Surgery and Medicine – by Sushruta, 100 BCE.

“Aryabhattiyam” on Principles of Astrophysics - by Aryabhatta, 476 CE

“Artha Sasthra” on Commerce & Business Administrations – by Chanakya, 375 BCE

“Pancha Sidhanta” on Treatises on Astronomy – by Varahamihir, 505 CE

“Patanjalayoga Sastra” on Principles of Yoga – by Patanjali, 2BCE

“Charaka Samahita” on Principles of Aayurveda – by Charaka, 200 BCE

“Rasendra Mangalam” on Science of Alchemy – by Nagarjuna, 150 CE

“Vaiseshik Dashan” on Principles of Atomic Theory – by Kanaad, 6 BCE

“MahajyanayanaPrakara” on Principles of Calculus – by Madhava, 1340 CE

When ancient Indian sages discovered that the great details on Mathematics, Physics, Biology, Philosophy, Astronomy, Health, Linguistics etc., were all there in Vedas which were that time in the form of “Shruti” which were only in the form of “what was being heard” from early Sages, they converted them into “Smriti” which were nothing but story telling or narrations of Vedas. This is to make things easy for the readers with more explanations on each branch of studies. Also, to make Vedas easy for the readers, ancient sages have concluded almost all details in texts distinguishing each part of Vedas (they are – Samahitas , Aranyakas and Brahmanas) for easy understanding.

Those great maestros (ancient Sages) not only have left these great treasures for the future generations but also tried in multiple ways to distribute that precious knowledge into various education systems in terms of texts, narrations, debate, explanations from past times (The Puranas) and conclusions (The Siddhantas) through help of Kings.

It is on us to consider this premium knowledge still available in various forms or reject it and again keep hunting for the remakes in more cosmetic and customized way. The irony of remakes is most of times the core values and ideologies would dissolve in versions.

Happy Reading….