#milton herbert gropper
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sesiondemadrugada · 9 months ago
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Murders in the Zoo (A. Edward Sutherland, 1933).
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mariocki · 11 months ago
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Murders in the Zoo (1933)
"Mr. Yates, never be afraid of a wild animal. Let it alone and it will leave you alone. That's more than you can say of most humans."
"You don't mean to say you really like these beasts?"
"I love them. Their honesty, their simplicity, their primitive emotions: they love, they hate, they kill."
#murders in the zoo#snake#american cinema#pre code film#1933#horror film#a. edward sutherland#philip wylie#seton i. miller#milton herbert gropper#lionel atwill#charles ruggles#gail patrick#randolph scott#john lodge#kathleen burke#harry beresford#edward mcwade#inspired pre code nastiness‚ right out the gate: opens on Atwill sewing shut the mouth of a romantic reveal and leaving him bound in the#jungle for the lions and consistently hits those levels of onscreen horror which wouldn't be seen again for several decades#i mean i wasn't expecting to actually SEE the results of Atwill's grisly surgery‚ nor an unfortunate being devoured by crocodiles but there#they are! Atwill of course is his usual magnetic self‚ managing to give a surprisingly controlled performance despite the largeness of the#part as written. the astonishingly beautiful Kathleen Burke does what she can with an underwritten part (and billed in publicity as the#Panther Women‚ following her star making turn in similarly shocking pre code Island of Lost Souls) but Charlie Ruggles' comic relief takes#quite a bit of goodwill to warm up to (i got there in the end‚ but his character really belongs in a different film entirely)#Randolph Scott's young romantic lead hasn't very much to do but it's nice to see him outside of a cowboy hat for once#my only real reservation is that you know all those animals were probably having a really bad time :(#such is the risk of 90 year old cinema i guess#still this was fun; and contrary to popular belief not a Universal film‚ but a Paramount one (only owned by Universal after they bought a#ton of Paramount's back catalogue)
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byneddiedingo · 1 year ago
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Clark Gable and Carole Lombard in No Man of Her Own (Wesley Ruggles, 1932)
Cast: Clark Gable, Carole Lombard, Dorothy Mackaill, Grant Mitchell, Elizabeth Patterson, George Barbier, J. Farrell MacDonald, Tommy Conlon, Walter Walker, Paul Ellis, Charley Grapewin. Screenplay: Maurine Dallas Watkins, Milton Herbert Gropper, Edmund Goulding, Benjamin Glazer, based on a novel by Val Lewton. Cinematography: Lee Tover. Film editing: Otho Lovering. Costume design: Travis Banton. 
If actors weren't cattle, as Alfred Hitchcock is reported to have said, they were at least property, and their studios treated them as such. Clark Gable was becoming one of MGM's most valuable properties when he was loaned out to Paramount to make the only film in which he starred with Carole Lombard, who later became his wife. It was part of a complicated talent swamp initiated by Marion Davies, who had clout with MGM because of her relationship with William Randolph Hearst, who produced films for her that were distributed by MGM. Davies wanted Bing Crosby for a movie, so Paramount traded him to MGM for Gable and No Man of Her Own. Lombard became his co-star only because Miriam Hopkins didn't want to take second billing to Gable. The studio mountains labored to bring forth a cinematic mouse: a passable romantic comedy remembered only for the star teaming. Gable and Lombard are very good in it, though he comes off somewhat better than she does. Lombard was best in movies that gave her license to clown, like Twentieth Century (Howard Hawks, 1934) and My Man Godfrey (Gregory La Cava, 1936). In No Man of Her Own she's simply a woman who knows what she wants, and it isn't necessarily Gable, it's just to get out of the dull little town where she's the librarian. Gable on the other hand is in a role tailor-made for him: "Babe" Stewart, a raffish professional poker player who's as adept at wooing women as he is at cheating at cards. On the verge of getting caught by the detective (J. Farrell MacDonald) who's been tailing him, he skips town and winds up in the burg that Lombard's Connie Randall wants to escape. She catches his eye -- in one pre-Code scene she climbs a ladder and he looks up her skirt -- and with improbable speed they get married. Eventually she finds out that he's not the stockbroker he pretends to be, but nothing fazes her. He gets in trouble again, but just as he's about to take it on the lam, deserting her, he finds of course that he really loves her. The story lacks snap and tension: It was cobbled together from several sources, nominally from a novel by Val Lewton called No Bed of Her Own, a title the Hays Office nixed, but also from another story in Paramount's files. What life the film has comes from Wesley Ruggles's direction and from its performers, including Dorothy Mackaill as Babe's former partner in card-sharping. Lombard and Gable work well together, but reportedly didn't strike any off-screen sparks at the time -- they were both married to other people. They met again at a party four years later and were married in 1939.   
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autumncottageattic · 2 years ago
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Ladies of Leisure is a 1930 American pre-Code romantic drama film directed by Frank Capra and starring Barbara Stanwyck and Ralph Graves. The screenplay is based on the 1924 play Ladies of the Evening by Milton Herbert Gropper, which ran for 159 performances on Broadway
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howtallcelebrity-blog · 9 years ago
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All about Milton Herbert Gropper : height, biography, quotes
How tall is Milton Herbert Gropper
See at http://www.heightcelebs.com/2016/02/milton-herbert-gropper/
for Milton Herbert Gropper Height
Milton Herbert Gropper's height is Milton Herbert Gropper is American writer Best Known For Movie: No Man of Her Ownheight: 5ft 11in (1.8 m)Born: December 25, 1896, New York City, New York, United StatesFilmography: My Bill (1938), Women of Glamour (1937), Murders in the Zoo (1933), No...
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autumncottageattic · 2 years ago
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Ladies of Leisure is a 1930 American pre-Code romantic drama film directed by Frank Capra and starring Barbara Stanwyck and Ralph Graves. The screenplay is based on the 1924 play Ladies of the Evening by Milton Herbert Gropper, which ran for 159 performances on Broadway
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