#mikiya takimoto

[ortut]

Mikiya Takimoto (瀧本 幹也) - Hanabi (花火)/Fireworks

[recherchestetique]

Ryuichi Sakamoto

Photo: Mikiya Takimoto

[g00melo5-art-blog]

瀧本幹也

写真前夜

[dreaminginthedeepsouth]

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“To stand at the edge of the sea, to sense the ebb and flow of the tides, to feel the breath of a mist moving over a great salt marsh, to watch the flight of shore birds that have swept up and down the surf lines of the continents for untold thousands of years, to see the running of the old eels and the young shad to the sea, is to have knowledge of things that are as nearly eternal as any earthly life can be. These things were before ever man stood on the shore of the ocean and looked out upon it with wonder; they continue year in, year out, through the centuries and the ages, while man’s kingdoms rise and fall.”

— Rachel Carson, Under the Sea Wind

Mikiya Takimoto: GRAIN OF LIGHT

[takmiblog]

　ハンナ・アレントは、『人間の条件』の中で、ガリレオが天体望遠鏡という「道具」を用いて地動説を証明したことの意義を、最大限に強調している。――なぜか？ 　「それ以前人間は、自分が肉体と精神の目で眺めたものに忠実でありさえすれば、リアリティと真理は、おのずから感覚と理性にその姿を現すであろうと信じていたが、結局、その間、人間はずっと欺かれていたことになる。」 　一体、天が動いているのか、地が動いているのか？　感じるままに世界を受け止めることが正しいのか、それとも、頭の中で構想した姿こそが、この世界の真相か？――そんな論争は、実は不毛だったのである。なぜなら、世界は、理性と感性にプラスして、道具を用いなければ、決して明かすことのない本当の姿を隠しているのだから。その極小の場所から極大の場所に至るまで。生身の人間は、この事実を突きつけられた瞬間から、世界のリアリティから疎外されることになった。　これがアレントの主張である。

In "Vita activa" by Hannah Arendt, She emphasizes the significance of Galileo's proof of the theory of ground using the "astronomical telescope" tool. --why? "Prior to that, human beings believed that reality and truth would naturally reveal their senses and reasons if they were true to what they viewed with the eyes of the body and spirit, but in the end , Human beings were deceived all the time. " Is the heavens moving, the ground moving? Is it right to take the world as it feels, or is the figure that I thought in my mind is the truth of this world? - Such controversy was actually barren. Because the world hides the true figure that will never be revealed unless you use tools to add plus reason and sensitivity. From that very small place to the greatest place. From the moment the real man was confronted with this fact, a living human being was marginalized from the world's reality. That is her argument

(http://tokyo-ga.org/photographers/takimotomikiya/)

東京画　瀧本幹也　TAKIMOTO Mikiya

〝リアリティ〟の美しい体験 平野啓一郎

A beautiful experience of "reality" By Keiichiro HIRANO

[postpostnasaldrip]

Hidetoshi Nishijima for an advertisement in Daiwa House newspaper. Shot by Mikiya Takimoto

[friendswithclay]

“takashi murakami's personal ceramic art collection” 2017.

Photo: Mikiya Takimoto

[himuro-yoshiteru-sound-design]

[ UNIQLO AIRism Women 30s ]

Creative Director : Takayuki Hino Art Director : Naonori Yago Director : Naonori Yago Director of Photography : Mikiya Takimoto Music : HIMURO Yoshiteru Graphic Designer : Naonori Yago

[sweet-figments]

Mikiya Takimoto Hanabi Fireworks

[estebanlopezgonzalezcom]

Mikiya Takimoto (1974).

“Sobre todas las cosas cuida tu corazón (tu interior), porque este determina el rumbo de tu vida”.

-Proverbios 4:28, NTV.

https://estebanlopezgonzalez.com/2012/01/24/2-corintios-13-paz-interior/

[distort251]

海街日記 - Our Little Sister (2015) / Cinematography by Mikiya Takimoto

[drinkingdownthepoison]

Hirokazu Kore-eda, Umimachi Diary, 2015

[g00melo5-art-blog]

Mikiya Takimoto Works 1998-2023

瀧本幹也 Mikiya Takimoto Photographer / Cinematographer

[oneyearofbooks]

Mikiya Takimoto, Nonocular

Match and Company, 2014

[earthgrid]

From Land Space by Mikiya Takimoto