#mikaela bartlett
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Best dancer predictions (Orlando)
Hi
Here are my predictions. Please keep in mind that i don't know all of the dancers which are competing and just because I am not including a dancer doesn't mean I don't think they are good. I made these just for fun.
I struggled a lot with these because I don't really know many candian and east coast dancers
Mini female best dancer:
Winner: Ellary Day (Club)
1st runner up: Anita Rodriguez (Stars)
2nd runner up: Camila Giraldo (Stars)
3rd runner up: Sylvie Win (Club)
Top 10:
Ashley Otano (Stars)
Lily Hackney (New Level)
Bella Marie Arauz (Dancetown)
Morgan Stahl (Evolve)
Cydnee Abbott (Canadian Dance Company)
Rylie Borden (Dance Unlimited)
Nyla McCarthy (Project 21)
Dakota Casteel (SpotLite)
Calleigh Eaton (SpotLite)
Sienna DiPietro (the nine)
Top 20:
Macey Strickland (New Level)
Reese Braga (New Level)
Mikaela Florez (Dancetown)
Madelyn Nasu (Project 21)
Mila Simunic (Legacy dance studio)
Leah Disla (Studio 61)
Mini male best dancer:
Winner: ?
Junior female best dancer:
Winner: Isabella Kouznetsova (Project 21)
1st runner up: Esme Chou (Project 21)
2nd runner up: Zoe Flores (Stars)
3rd runner up: Allie Plott (The Dance Centre)
Top 10:
Berkely Scifres (Project 21)
Diana Kouznetsova (Project 21)
Sara von Rotz (Project 21)
Regan Gerena (Project 21)
Kennedy Anderson (The vision dance alliance)
Braylynn Grizzaffi (The Pointe Performing Arts Center)
Elizabeth Scott Lanier (Southern Strutt)
Bella Rey D'Armas (Stars)
Lexus Natalie (Evolve)
Madeleine Shen (Northpointe)
Top 20:
Bristyn Scifres (Project 21)
Cali Cassidy (Project 21)
Makeila Bartlett (Project 21)
Airi Dela Cruz (Project 21)
Savy Luechtefeld (Carolina Collective Dance)
Ruby Arnold (True Dance and Company)
Ella Dobler (New Level)
Zoe Holladay (Performance Edge Dance Complex)
Kaylee Schwamb (Kane & Company Dance Productions)
Junior male best dancer:
Winner: Santiago Sosa (Stars)
1st runner up: Ethan Ferrante (The NINE Dance Academy)
2nd runner up: Neo Del Corral (Stars)
3rd runner up: Josh Lundy (Studio 413)
Blake Metcalf (Xtreme Dance Studio)
Penn Alderman (Ryhtym dance)
Teen female best dancer
Winner: Sophie Garcia (Stars)
1st runner up: Cami Voorhees (Evolve)
2nd runner up: Gracyn French (Project 21)
3rd runner up: Giselle Gandarilla (Stars)
Top 10:
Bella Rose Penrose (Evolve)
Mariandrea Villegas (Epic Motion Dance Studio)
Kynadi Crain (Jean Leigh Academy of Dance)
Caroline Quiner (Hunterdon Hills Ballet)
Brooklyn Simpson (Williams Center Rhythm Factory )
Kate Roman (Canadian Dance Company)
Maya Loureiro (Project 21)
Kendyl Fay (Project 21)
Avery Reyes (Project 21)
Kameron Couch (Project 21)
Top 20:
Elyse Wingertsahn (Evolve)
Hayley Marshall (True Dance and Company)
Rylee Young (Project 21)
Anya Inger (Project 21)
Katie Couch (Project 21)
Ava D'Ambrosio (Westchester dance)
Sofia Rosella (Performing dance arts)
Daniela SanGiacomo (Stars)
Teen male best dancer:
Winner: Nicholas Bustos (Stars)
1st runner up: Ian Stegeman (Woodbury dance center)
2nd runner up: Tim Zvifel (Vlad's)
Hugo Silva (Stars)
Alejandro Ruiz (Stars)
Darius Goodson (The Southern Strutt)
Richie Granese (Project 21)
Tristan Gerzon (Elite danceworx)
Senior female best dancer:
Winner: Bella Tagle (Stars)
1st runner up: Destanye Diaz (Stars)
2nd runner up: Kaitlyn Santos (Dancetown)
3rd runner up: Rachel Quiner (Hunterdon Hills Ballet)
Top 10:
Ying Lei Pham (Movement Emporium)
Sammi Chung (Project 21)
Arianna Quant (Stars)
Iliana Victor (Stars)
Lola Iglesias (Michelle Latimer Dance Academy)
Alyssa Carpeneto (Performing Dance arts)
Savannah Manning (CCJ Conservatory)
Tatiana Hagee (Northpointe)
Sierra Drayton (Elite Danceworx)
Bella Mills (Rythym Dance Center)
Sophie Tosh (Artistic Edge Dance Centre )
Top 20:
Carmen Beiner (Dancetown)
Preslie Rosamond (Studio 413)
Ava Burgham (PULSE Dance Centre)
Toryn Hester (Denise Wall)
Loila Rhee (Project 21)
Zuzu Duchon (Project 21)
Elle O'Donnell (Project 21)
Addy Beckham (Southern Strutt)
Isabella Weidmann (Westchester)
Senior male best dancer:
Winner: Sam Fine (Stars)
1st runner up: Jackson Roloff-Hafenbreadl (Stars)
2nd runner up: Edon Hartzy (Stars)
3rd runner up: Andres Jimenez (Artistic Edge Dance Centre)
Davyd Williams (Project 21)
Trent Grappe (Dancezone)
Mekhi Johnson (Denise Wall)
Damian Caraballo (Stars)
Chance Phelps (Powerdance Company)
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On-Fire Nigeria Beat New Zealand in Opener at FIFA U-17 Women’s World Cup. Nigeria kicked off their FIFA U-17 Women’s World Cup campaign in style with a commanding 4-1 victory over New Zealand in their opening group match at the CFC Stadium, Santiago De Los Caballeros. The rapid-fire performance saw the Africans seize control early and never look back. Nigeria's Quick Start It took only two minutes for Nigeria to draw first blood, with Harmony Chidi setting up Shakirat Moshood for the opener. Just 11 minutes later, Khadijat Adegoke doubled the lead, smashing a powerful shot that slipped through the hands of New Zealand goalkeeper Brooke Neary. [caption id="attachment_305210" align="alignnone" width="900"] U-17 WWC: We’re Battle Ready For Flamingos – New Zealand Captain Eglinton[/caption] Faridat Abdulwahab made it 3-0 in the 28th minute, firing from outside the penalty area after a well-taken corner by Moshood. Nigeria's dominance continued in the second half when Taiwo Afolabi’s header, off an Adegoke cross, secured their fourth goal in the 55th minute. New Zealand’s Response New Zealand found some consolation on the hour mark when Hannah Saxon turned an Ela Jerez corner into the net. However, the Kiwis were largely outplayed in possession, territory, and chances, with Nigeria creating 32 attempts on goal to New Zealand's three. Player of the Match Taiwo Afolabi was awarded the Player of the Match for her stellar performance in the midfield and her crucial goal. Match Statistics (New Zealand / Nigeria) Possession: 36% / 64% Shots: 3 / 32 Shots on target: 1 / 10 Passes: 307 / 553 Passes completed: 53% / 76% Corners: 2 / 11 Free kicks: 6 / 6 Next Matches for New Zealand New Zealand faces the Dominican Republic next on Sunday, October 20, 2024, followed by Ecuador on Wednesday, October 23, 2024. Both games will be held at the Cibao University Stadium in Santiago de los Caballeros. Line-ups New Zealand: Brooke Neary, Charli Dunn, Mikaela Bangalan, Emily Humphrey, Alyssha Eglinton, Hannah Saxon (Charley March 66′), Amber De Wit (Кута Morgan 78′), Katie Pugh (Grace Bartlett 57′), Millee Loxton (Nat Young 46′), Ela Jerez, Katie Chellenbron (Mary Brown 57′) Subs not used: Sophie Campbell, Harriet Muller, Maddison Sawkins, Pia Vlok, Laura Bennett. Head coach: Alana Gunn Nigeria: Christiana Uzoma, Khadijat Adegoke, Hannah Ibrahim, Jumai Adebayo, Onyedikachi Ekezie, Faridat Abdulwahab (Muinat Rotimi 85′), Shakirat Moshood, Taiwo Afolabi, Harmony Chidi (Ramotalahi Kareem 85′), Aishat Animashaun (Blessing Ifitezue 78′), Peace Effiong. Subs not used: Sylvia Echefu, Elizabeth Boniface, Anike Azeez, Prisca Nwachukwu, Asiata Isiaka, Funke Arogundade, Oghenemairo Obruthe. Head coach: Bankole Olowookere Referee: Olatz Rivera Olmedo (Spain) Assistant referees: Gabrielle Lemieux (Canada), Katarzyna Wasiak (United States) Fourth official: Alina Pesu (Romania).
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Needle Felted Sculptures
Mikaela Bartlett on Etsy
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2,531 Likes, 98 Comments - Mikaela Bartlett (@mikaelabartlettfelt) on Instagram: “A huge thank you to everyone who has given my foxes a home, I hope they are all behaving…” ~ #Fox #Foxes #FantasticFoxes
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Howdy! I just ordered a basic beginners set for needle felting and was looking through pictures for inspiration when I found your art. First thing I gotta say is that I love all your creations, especially the rabbits! Second thing is, I have two questions. 1. Do you put anything in the center of your brooches to strengthen them? 2. How did you do those fancy feathers on your gala brooch? They looked so nice and layered :0 Thank you, and I hope ya know that people love your little creations!
Hello hello! Welcome to needle felting!! It’s so exciting to see the craft grow. To answer your questions- 1. I find that if there’s a round body to the brooch, and the limbs are relatively short and drawn close to the body, there is no need for a wire armature or anything like that to hold its shape. I felt very firmly. However, if the brooch has a tail, or like the rabbits or foals, have long legs, then I will make a simple wire armature to help the thinner bits stay where they’re meant to be. There’s the bonus of those limbs becoming somewhat posable in that case.2. I’m afraid there’s no shortcut to this- each feather is felted separately as a semicircle, and I then felt each feather on to the main body. A bit onerous, but it doesn’t take as long as it sounds! I can get away with felting each feather a little less firmly than I usually do, because once all the feathers are layered, I can do some additional shaping and blending for overall effect- to try to make them look less like scales and more like feathers!If you’re still looking for more inspiration, there is a large facebook group dedicated to needle felting (it’s literally just called. Needle Felting.). There’re people of all levels of experience with all kinds of focus, and they’re super helpful if you have questions! I’d also recommend Yvonne’s Workshop, Art of Felting, and Mikaela Bartlett Felt as the stars to shoot for :) I’m extremely envious of their ability to work with loose wool to mimic long fur/feathers- it’s not a good technique for wearable items, so I don’t get to do it very often at all :’(
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#Foxes: 2,531 Likes, 98 Comments - Mikaela Bartlett (@mikaelabartlettfelt) on Instagram: “A huge thank you to everyone who has given my foxes a home, I hope they are all behaving…”
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Mikaela Bartlett Needle Felted Art http://bit.ly/2wtTHvk
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Mikaela Bartlett Needle Felted Art http://bit.ly/2VJ0Thr
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Mikaela Bartlett Needle Felted Art http://bit.ly/2H2OWit
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2,531 Likes, 98 Comments - Mikaela Bartlett (@mikaelabartlettfelt) on Instagram: “A huge thank you to everyone who has given my foxes a home, I hope they are all behaving…”
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2,531 Likes, 98 Comments - Mikaela Bartlett (@mikaelabartlettfelt) on Instagram: “A huge thank you to everyone who has given my foxes a home, I hope they are all behaving…”
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#Foxes: 2,531 Likes, 98 Comments - Mikaela Bartlett (@mikaelabartlettfelt) on Instagram: “A huge thank you to everyone who has given my foxes a home, I hope they are all behaving…”
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AAU Anastas and GSA Research Laboratory use digital technologies to create self-supporting stone pavilion
Three hundred individually cut and mutually supporting stone pieces form this latticed canopy in Jericho, which was developed as a prototype to demonstrate new possibilities for building with stone.
Stonematters is part of an exploration into stone construction techniques developed by Scales – the research department of Bethlehem studio AAU Anastas – and the Geometrie Structure Architecture research unit at French university ENSA Paris-Malaquais.
The pavilion represents the first outcome of a research project aimed at determining a method to construct the el-Atlal artists and writers residency in the Palestinian city of Jericho, which will be formed of 12 interconnected stone vaults.
Stonematters aims to identify unique and innovative ways of working with stone, which has been the primary building material in the region for centuries.
The architects feel that stone's role in architecture has been diminished to that of a cladding material, and are concerned that the knowledge of how to work with it is gradually disappearing.
"The research aims at including stone stereotomy – the processes of cutting stones – construction processes in contemporary architecture," said the project team.
"It relies on novel computational simulation and fabrication techniques in order to present a modern stone construction technique as part of a local and global architectural language."
The pavilion covers a surface area of 60 square metres and spans seven metres with a constant thickness of 12 centimetres.
The interlocking stones are laid in a geometric pattern that forms a minimal surface. The self-supporting structure is influenced by techniques used to build arches and domes found in many of the region's traditional buildings.
Each of the 300 stones used to construct the vault features four inclined surfaces that slot together. Geometrical parameters including the overall shape, density of the pieces and contact angle can be tweaked to ensure optimal performance.
The pavilion was erected over a polystyrene formwork carved by a computer-controlled milling machine to create a jig incorporating the shape of each stone.
The polystyrene blocks were arranged to form a continuous inverse model of the stone structure on top of a wooden scaffold erected by local workers.
Stones were laid from the top of the formwork to create an interlocking structure that extends down to three foundations set into the ground. The scaffolds and polystyrene pieces were then removed in stages until the pavilion was able to hold its own weight.
"The el-Atlal project is meant to be a model of construction techniques," said the architects. "It allows us to envision new possible cities' morphologies, new construction techniques and a sophisticated use of stone."
"The project has the ambition of creating a mode of urbanism, and as the harat succeeded in building a city that fits their needs through stone construction techniques, el-Atlal expects to be a breeding ground of inclusive approaches to Palestinian urbanism."
Related story
AAU Anastas completes Palestinian courthouse featuring stone walls and golden latticework
Earlier this year a group of students from the Bartlett School of Architecture devised a method of for creating self-supporting pavilions made from felt, while in 2015 British artist Steve Messam created a bridge using 20,000 sheets of bright red paper.
Photography is by Mikaela Burstow.
The post AAU Anastas and GSA Research Laboratory use digital technologies to create self-supporting stone pavilion appeared first on Dezeen.
from RSSMix.com Mix ID 8217598 https://www.dezeen.com/2017/05/07/aau-anastas-gsa-research-laboratory-stone-pavilion-jericho-palestine/
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Needle Felted Sculptures
Mikaela Bartlett on Etsy
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AAU Anastas and GSA Research Laboratory use digital technologies to create self-supporting stone pavilion
Three hundred individually cut and mutually supporting stone pieces form this latticed canopy in Jericho, which was developed as a prototype to demonstrate new possibilities for building with stone.
Stonematters is part of an exploration into stone construction techniques developed by Scales – the research department of Bethlehem studio AAU Anastas – and the Geometrie Structure Architecture research unit at French university ENSA Paris-Malaquais.
The pavilion represents the first outcome of a research project aimed at determining a method to construct the el-Atlal artists and writers residency in the Palestinian city of Jericho, which will be formed of 12 interconnected stone vaults.
Stonematters aims to identify unique and innovative ways of working with stone, which has been the primary building material in the region for centuries.
The architects feel that stone's role in architecture has been diminished to that of a cladding material, and are concerned that the knowledge of how to work with it is gradually disappearing.
"The research aims at including stone stereotomy – the processes of cutting stones – construction processes in contemporary architecture," said the project team.
"It relies on novel computational simulation and fabrication techniques in order to present a modern stone construction technique as part of a local and global architectural language."
The pavilion covers a surface area of 60 square metres and spans seven metres with a constant thickness of 12 centimetres.
The interlocking stones are laid in a geometric pattern that forms a minimal surface. The self-supporting structure is influenced by techniques used to build arches and domes found in many of the region's traditional buildings.
Each of the 300 stones used to construct the vault features four inclined surfaces that slot together. Geometrical parameters including the overall shape, density of the pieces and contact angle can be tweaked to ensure optimal performance.
The pavilion was erected over a polystyrene formwork carved by a computer-controlled milling machine to create a jig incorporating the shape of each stone.
The polystyrene blocks were arranged to form a continuous inverse model of the stone structure on top of a wooden scaffold erected by local workers.
Stones were laid from the top of the formwork to create an interlocking structure that extends down to three foundations set into the ground. The scaffolds and polystyrene pieces were then removed in stages until the pavilion was able to hold its own weight.
"The el-Atlal project is meant to be a model of construction techniques," said the architects. "It allows us to envision new possible cities' morphologies, new construction techniques and a sophisticated use of stone."
"The project has the ambition of creating a mode of urbanism, and as the harat succeeded in building a city that fits their needs through stone construction techniques, el-Atlal expects to be a breeding ground of inclusive approaches to Palestinian urbanism."
Related story
AAU Anastas completes Palestinian courthouse featuring stone walls and golden latticework
Earlier this year a group of students from the Bartlett School of Architecture devised a method of for creating self-supporting pavilions made from felt, while in 2015 British artist Steve Messam created a bridge using 20,000 sheets of bright red paper.
Photography is by Mikaela Burstow.
The post AAU Anastas and GSA Research Laboratory use digital technologies to create self-supporting stone pavilion appeared first on Dezeen.
from ifttt-furniture https://www.dezeen.com/2017/05/07/aau-anastas-gsa-research-laboratory-stone-pavilion-jericho-palestine/
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