#might rework it but im fine w it by now so

[taurus-spacecraft]

posting them before i stop liking this piece. my babies....

[waywardsalt]

probably going to rework my human bellum design again

[constellaj]

How about A for Reality Trip for the episode rewrite thing?

my biggest issue with reality trip is that its just a series of travelling around to non connected locations to get the mcguffins, and while danny’s secret being public matters somewhat, it doesn’t really impact the fact that they’re on the move too much. I also don’t like the ‘maddie and jack accept him perfectly and then he wipes everyones minds anyway’ cause that doesnt do anything. i DO like the “our summer vacation plans got ruined thanks to a ghost” angle so i want the themes of the episode to focus on danny’s frustration that nothing ever goes right and how he doesn’t even know what he wants

so i think in my rewrite:

-danny’s secret is out almost immediately, and it’s because the GIW shot him w a destabilizer and he publicly morphed (he got away thanks to shenanigans similar to the onstage debacle in canon) how this is thematic: he thought he didn’t want the secret out at all but, weirdly, a lot of the popular kids are fine with it. he’s still afraid of what his parents will think but he’s also frustrated that he had unfounded fears

-however, when danny (terrified) goes to his parents: theyre gone. freakshow has taken jack/maddie/jazz/etc and frozen them in some magic bubble bullshit or mind control or whatever so they don’t actually know. freakshow is sending danny on a fetch quest for the gems thematic relevance: he just hyped himself up for this conversation and they got yanked away

using these two, i think we can keep a similar opening/setup for the ep, ie freakshow in GIW containment until he breaks out, for setup-payoff

regrettably this still keeps the fetchquest aspect that i think makes reality trip broken in the first place, but since the first freakshow ep was about danny being evil I think it could be neat if we had some of that carried over into this. the ‘reality stones’ (since we live in a post mcu world now, we regrettably would have to change some of this, but i digress) respond highly to ecto activity or whatever, basically meaning that with every new one they get danny becomes a little more powerful. since everything is going wrong for him (see: the theme) and he doesn’t know what he wants, he starts to get a liiitttle power-hungry. A little messed up in the head.

ideally then there should be a way to work Vlad into this plot too. i’m a sucker for dadvlad tbh so let’s say that... when the Fentons first get kidnapped danny begrudgingly goes to vlad like “my mom and dad are kidnapped” and vlad may be a dick but he doesnt want his college crushes (or crush singular if i’m forced to be canon compliant) locked up so he’s helping. at first hes like “oh my boy daniel let Me hold the Magic Rocks surely you trust me haha >:)” and then later hes like “....son these rocks are turning your brain into goo.” course nobody believes him cause its all a ploy all the time forever and always

since danny’s secret is out too that means theyre actively on the run and vlad can’t always be There because he’s relatively high profile in either form, just for different reasons, so we can make him more of a “i did research offscreen and i think this gem is in x location but I can’t go there because i’m a bitch” type character

i DO like the intelligent aladdin-like ploy of ghost envy in the original but ‘ghost envy’ as a theme has to be reworked at least slightly for this, so also with danny being evil let’s say he’s feeling the scales tip especially after his reveal to the point where he’s feeling like he’d be better off if he was living his life entirely as a ghost. 

of course when they get the things to freakshow danny has the gauntlet and hes all like “im evil now and i will kill you” and sam/tucker/maybe vlad are like “but danny. you have friends.” and we get a montage/list of allusions of those times that they actually helped him on this fetch quest, like idk sam at a rock concert using loud horrible teenage music to chase the GIW out etc. they got souvenirs from everywhere they went. so danny sees this and hes like “oh noooo my humanity” and drops and in that split second freakshow grabs the gauntlet

and dannys like “oh great even NOW nothing EVER goes right for me” but because i put vlad here and because i like parallels vlad is like “so what are you gonna wimp out” or whatever he says. they probably had a somewhat heartfelt speech earlier about “why are you helping” “I care about jack and maddie being alive” “bro they hate you” “not everything has to go right for me to give a shit, daniel” or w/e

so before danny can overreact with his rage he remembers to work with what he has and pulls the fast-thinking “oh i bet you wish you were a ghost huh” trick that allows him to put freakshow in the thermos. then danny goes to get the glove and hes like “wait... no... that turns my brain into goo” and vlad is like “how about i get it :)” and danny is like “no youre evil” and vlads like “damn u caught me”

so sam and tucker actually use the gauntlet bc theyre not ghosts so their brain wont get fucky wucky. obvs they make the decision to wipe peoples memories of dannys identity but theyre also like “danny... don’t you at least want to see how your parents would react before we do this” and danny just sorta. shakes his head and repeats some “not everything has to go right for me to give a shit” line from vlad or something and of course its cause hes still insecure but also he’s okay with not having PERFECT control over everything now which is what he struggled with all episode so. character growth!

i feel like me saying “vlad should be here :)” is a staple that might lead to his character losing some of that original allure but like... honestly. vlad should be here :)

before the memory wipe dash makes out with him but that was a given

[comicteaparty]

January 11th-January 17th, 2020 Creator Babble Archive

The archive for the Creator Babble chat that occurred from January 11th, 2020 to January 17th, 2020.  The chat focused on the following question:

What’s an unplanned idea you had through your story part way through that forced you to change things?  How did everything go?

eli [a winged tale]

After my beta feedback there were some characters that needed further fleshing out with stakes and relationships. Therefore I had to change some backstories to make certain interactions impactful. Thankfully im at the start so nothing i had to go back and fix. I did think of some alternative openings should the comic goes to print but that can be future me’s worries

snuffysam

simultaneously very little and a huge amount, lol. in terms of big story beats, they've pretty much all stayed the same since i first started planning the comic. the twists have been set up and paid off and the like. but there's a bunch of things i've improv'd at the last minute. one notable example that was pretty well-received - in book 2 chapter 4, taci has a fear of puns (basically only shown in facial expressions and a single comment from mizuki towards the end of the fight). this was added because... otherwise the fight at the end of that chapter is just a bunch of walking around in near-identical dark tunnels. the way the fight ends is fun, but the fight itself isn't really anything. with taci having a reason to be afraid of coruby, the fight has more stakes & entertainment value, and it makes coruby feel much more interesting as a character. another huge example is the love triangle in book 1 - in that in the script, it was non-existent. mizuki being into girls was originally only gonna be introduced in book 2 (guess where), and the relationship between cahe and pejiba was going to advance with no real competition (besides bullets). it was gonna be mentioned in like book 3 that she had a thing for pejiba, but nothing in book 1 itself. (similarly to the pun thing, you may notice that mizuki being into pejiba isn't referenced at all in the dialogue besides pejiba saying "i know what mizuki thinks of me" which is kinda vague. i... don't like changing scripts last-minute lol.)

Mei

Not gonna lie, everything I do is entirely unplanned. I focus a lot on improvised comedy and what feels right 'at the moment', and considering I write scripts way in advance, sometimes it leads to jokes falling flat when I read them again a few months later. Which is all fine, honestly, it's part of the process. The main unplanned idea for My Husband is a Cultist was turning it from a 12 page one-shot into a fully fledged webcomic, now with 3 chapters and more to come. It was very 'on a whim', and from that very first chapter I came up with more silly ideas. And the more I talked to friends, the more ideas I had for chapters. So the biggest change personally was going from a pure slice-of-life comedy and spending time actually building the world around it so that there was structure to the chaos. I'm still working on it all. I now have an underlying plot that I'm hoping to explore, and I have the arcs planned out way in advance. So it's wild that I went from 'random ideas spewed on a document' to 'I now have a plot and several arcs to cover'. That being said, I still come up with a lot of things on the fly, so I'm changing things constantly as I go and hoping that there aren't too many inconsistencies!

LadyLazuli (Phantomarine)

One of the most important story elements of Phantomarine (http://www.phantomarine.com/) came up early in the second chapter, when I was asking myself some more questions about the world - and came upon a crucial opportunity. Luckily I didn’t have to change too much to make it work, and while it didn’t really change the plot, it upped the emotional stakes 100-fold. Which is just what I wanted. In this world, I have a big naval force, of which my heroine is (was?) the future leader - but with relative peace and cooperation between the different island nations, who the heck does the navy fight? Pirates? Eh, maybe. But vanilla pirates have been done to death, and while they can be awesome, I wanted to do something different. I wanted to tie them into the world’s supernatural element - while strongly avoiding the Pirates of the Caribbean cursed-buccaneer aesthetic. I decided to tie them to a particular blight that affects some of the characters - so as to up their stakes and better convey why they’re societal outcasts. And finally, I wanted to give them a freaking awesome name, something both nautical and supernatural. Thus, for those reading - the Fata Morgana. What didn’t even exist at the beginning of the second chapter is now an absolutely crucial story element, and I’m so happy they came into the picture. They’ve changed everything for the better. This is one reason why I resigned myself to revealing the world in bits and pieces - I’m revealing it to myself as I go along, too. It helps to be slow sometimes

eli [a winged tale]

The Fata Morgana introduction in the story was A W E S O M E! I’m so glad you have them in the story and looking forward to that amped up stakes!

Cap’n Lee (Flowerlark Studios)

I think the biggest example would be the last-minute inclusion of Jonathan as a main character in my comic Dark Wings: Eryl (https://www.flowerlarkstudios.com/dark-wings-2/). I had originally planned for him to be a temporary character that we said goodbye to at the end of Chapter 5. But the more I thought about it, the more I realised the main travelling party needed another character to balance things out. I was really struggling with planning future scenes because the pool of characters felt too small. I also realised that I had developed Jonathan’s character quite a lot for him to be dropped so early. So halfway through drawing chapter 5, I rewrote the second half and he’s now a major part of the cast.

Cap’n Lee (Flowerlark Studios)

A second example is Anor in my other comic, Children of Shadow: Ashes (https://www.flowerlarkstudios.com/cos/). He was originally written as a far less sympathetic character. In fact, he was going to be a borderline antagonist who only became sympathetic close to the end. But my characters often do things I don’t expect, and as I was planning the story, he and one of the other main characters, Rava, started falling for each other. I honestly loved this, and so I reworked the entire story to make Anor part of the main cast and much more sympathetic. He’s still a tsundere, and at the point where the story is now, still in constant friction with Rava, but I feel he’s now a much stronger character and is contributing a great deal more to the story than when he was a vaguely ominous frenemy in the original draft.

varethane

ooooo I am intrigued by this factoid about Anor

re: unplanned story elements, in Chirault..... [spoilers obviously] Ridriel and Trillia being sisters was something that hit me out of the blue about halfway through the story, and I immediately reworked a lot of things to make it happen http://chirault.sevensmith.net/(edited)

FeatherNotes(Krispy)

In ghost Junk... We actually avoided a major character death and had revised it literally a chapter before it happened!! We had everything written out right the the very end, but were seeing the readers reactions and reflected on the importance/and if it was absolutely necessary! So with that said, we saved the character, and kept the necessary impact and growth that it was to bring, and honestly- I'm so happy we did it

Cap’n Lee (Flowerlark Studios)

@varethane Yeah, Anor’s character has evolved a LOT since the first draft.

Phu

With Blackblood, we actually created the 2nd and 3rd chapters and then thought we wanted a chapter ahead of those as sort of a prologue to give some world building and lore elements haha. Worked out well i think! https://www.webtoons.com/en/challenge/blackblood/list?title_no=300252(edited)

Erin Ptah (BICP 🎄 Leif & Thorn)

This is kind of the opposite, since I did the "include a new thing in the story" part first, and that's what forced me to come up with a previously-unplanned idea to explain it... In Leif & Thorn, I had a character drop a reference to "that country doesn't allow interspecies marriages" before there's any canon reference to nonhuman species that human characters might want to marry. ...and even I didn't know what that species was going to be. Had some vague idea about revealing that mermaids existed, but in my head I never managed to integrate them with the rest of the plot or the worldbuilding real well. A few months later, I finally remember that I like drawing Tiny People (not like hobbit-size, think Borrowers-size), and realize this is the perfect setting to have a Tiny People Species! Now I get to come up with plot-based excuses to draw them wherever/however I want. Plus it opens up a whole new mine of jokes: https://leifandthorn.com/comic/somethings-cooking-26-29/

Can't for the life of me remember where I got this quote from, but there's an author who, when readers would ask for details about future developments in her books, would only give answers with the disclaimer "I reserve the right to have a better idea." Words to live by.

Cap’n Lee (Flowerlark Studios)

Damn, I love that quote.

DanitheCarutor

Admittedly there isn't a whole lot I've changed, maybe a couple small things here and there, but major stuff has been the same since I started. During the very beginning of the planning phase Daniel wasn't even going to be in the story and Julian was going to be homeless, but I wasn't quite satisfied with it. The story would have been too short, contrived and the resolution didn't feel satisfying. After some brainstorming and reflection on my feelings on certain experiences I've had, I added Daniel and 'The Guide to a Healthy Relationship' as it is kinda fell into place. It's weird thinking about how important Daniel is in spite of how new a character he is. Usually it takes me a little time to build one up before throwing them into a story, they gotta age like a fine wine first, but he popped out all ready to use like one week hooch.

Not sure if it counts, but I've also made changes to future parts of my comic. Like recently, even though I know what the ending is, I put a more final image in my head on what the final frame will look like. Also I changed an event that will happen at some point revolving around Apollo and his friends. Originally something skeevy was going to happen with Brandon and Apollo involving video uploads, and a homemade contract that was signed with Apollo was drunk. I thought it was too... I dunno, stupid? impractical? So I changed it to Julian was going to (unwillingly) attend a party at Brandon's (Apollo's friend) apartment, then some big, jealousy induced fight happens where Julian gets kicked out and Apollo feels bad. I didn't like that either, felt too reaching, so I'm going with another event that is a little out there but does happen in real life and something I have done some good research on.

Gonna be as vague as possible because it's spoilers.

keii4ii

Surprising myself is pretty much every step of my writing process. For good or bad.

I do plan things in advance, but find that sometimes things aren't what they seemed from 15 chapters ago.

I think what it is is this particular comic is such a visual story. I could plan out my previous comic with far greater accuracy. That comic was more dialog-driven; you could convert it into an audio drama with minimal changes, and it would still make sense. Whereas my current comic, you can't turn it into an audio drama without very VERY extensive changes (not even sure if possible... Many silent scenes). So I need to actually draw the pages to feel it out. And I can't draw out of order. Brain just won't that way.(edited)

carcarchu

totally agree with you @keii4ii sometimes u have to actually draw it out to get a feel for it. when i write out all the dialogue for my chapters i feel like it always ends up coming out so stiff, thats why i prefer to let it flow naturally and if something happens that i didnt account for just roll with it and adjust the story accordingly

Cap’n Lee (Flowerlark Studios)

I'm kind of weird about always needing to know exactly how many pages a chapter is going to have, so I script right down to the panel. It can create flow problems on occasion, so I wish sometimes I could plan my pages more visually, but my brain just doesn't work that way. >< It's a good thing my stories mostly rely on dialogue because they're pretty much novels in comic form.(edited)

Cronaj

When planning a scene at the end of Chapter 3 of Whispers of the Past (https://www.webtoons.com/en/challenge/whispers-of-the-past/list?title_no=191366), I was having a hard time writing the dialogue. I had the images of my lead characters, Agatha and Izrekiel, talking by the docks in the moonlight, and I knew generally what they talked about, but I couldn't script it. And then, one day while walking to work, my characters straight up had the conversation in my head! And as the dialogue unraveled, the characters (mostly Izrekiel) did something completely unplanned (which I won't reveal because spoilers). This unplanned change has completely upped the drama and sexual tension for the entirety of the future story. The second event of this is in Chapter 2, where Izrekiel is helping out on Kelan's farm. Initially, there was going to be some dialogue that mostly served as world-building, but when actually writing the scene, it occurred to me that they would likely not talk too much, too absorbed by the work of harvest. And then, I suddenly visualized/heard Kelan and the other farmhands SINGING. I don't know why it popped in my head that way, but they began singing a working song. Now, I am not a musician, but I used to sing in choir and do musicals and such, and like half my family members are musicians, so I have a bit of a musical background. Anyway, all this to say that the characters started singing, and in response, Izrekiel (who has amnesia) has a flashback to some repressed memory of men marching and singing the same song, with altered lyrics. This can get extra spoilery, so I won't delve too deep into what his memory means, but.... The lyrics go as such: Oh earth, oh rain, Oh sun in the sky, You grant me with your fruit In this land. And they are directly mirrored in the flashback with: Oh strength, oh grace, I'll raise my sword, With victory in mind In this land.(edited)

Deo101

For me, I totally changed the ending! I was going to make it a tragedy, and then at some point I realized I didnt NEED to... that a story can be happy and good. So, I rewrote a ton of stuff, and actually ended up adding in some new characters! I'd say It's gone very well ^^ I'm much happier with everything now (for one, I can think about the ending without crying!!) I've changed a lot of other little things as i've gone along too. too many things to count, really.

Tuyetnhi

Initially I was writing the story timeline to 5 days but it spanned to something about a year. Which means I had a chance to develop it further than trying to rush plot points. Used to be like 3 chapters originally but now its like ....I guess 20 chapters? I don't remember the full count but lmao I'm ready to endure.(edited)

varethane

most of the biggest changes to Chirault were decided on during the first 3 years of me making it..... I completely threw out the first plan I had made, lol. There was no specific trigger for this, except maybe for 'I don't like this, actually'

keii4ii

Oh! I remembered something specific. My tiger character used to have a 'generic lean-ripped' build. Kinda like the rabbit from Juuni Taisen. Then I posted a random beach day picture, and someone (who wasn't used to seeing characters with visible leg muscles... A lot of comics they read have characters who suffer from Skipped All The Leg Days syndrome) pointed out how insanely muscular his legs were. I ran with it. Today his legs are 2x bigger than they were in that beach day pic, and it's all muscle. Also while this character stays very lean throughout the story, I as the author guarantee you that if he were to put on fat, his thighs will be the first to expand, and the most. 8)

Tuyetnhi

omg

Cronaj

@keii4ii I'm so glad for this change. Lu's legs are majestic

Capitania do Azar

Interesting replies here

In o Sarilho https://www.sarilho.net/en/, I have avoided one major character death in the first part of the story because I grow super fond of them and also because it wasn't really going to build up to anything... Which felt really unfair. So now I had to come up with narrative lines for them and I'm quite enjoying that. Furthermore, I was halfway through chapter 3 when I figured out Eurico's looks but especially his role in the story. It involved drawing a lot of trucks (and there will be more trucks in the future) but I'm really excited for him as a character

Desnik

As I was writing my comic I was trying really hard to keep the POV limited to one character, but that character doesn't have enough perspective to set up the plot very well at the beginning. This meant hopping POVs to some other characters and now I'm gently trying to squash a lot of these subplots before they go completely out of control...

[ingloriousbi]

thoughts on sylvanas’ short, they’re long, ignore me im ranting and really wish blizzard would give half as much of a fuck as I did about their stupid fucking game and had any more than 0.1% understanding of their characters

im pretty sure that whoever is/are in charge of writing world building premises for world of warcraft are not the same people writing the actual character motivations and dialogue for the characters enacting stuff. i get it. the dude who writes “sylvanas burns teldrassil” is not the same guy as the person who wrote for sylvanas’ warbringer short, and that might also be a team of writers who share motivations, dialogue, and storyboard

but minor irritations aside (sylvanas dies in a mission called “the fall of silvermoon” but its the sunwell map, where kelthuzad is resurrected, and the mission BEFORE that is the mission that attacks ghostlands/eversong altho presumably not silvermoon, and at the time the sunwell wasn’t on quel’danas yet so i GUESS the geography changed, which is fine since its been almost 2 decades since wc3, but the short should’ve more accurately reflected sylvanas’ place of death since she died at the very end of the elves’ bitter campaign and no where near the beginning, which the short implies since she dies outside of the city with the golden fields and a civilian outside, and i know im a die-hard syvlanas stan and lore purist but imo what this short reflects a severe mis- and under-representation of sylvanas’ death, especially since she becomes a named banshee unit that participates in killing the last of her people and what remains of her kingdom)

this was bad writing. which ever fucker said “sylvanas burns teldrassil” that couldve been written in many ways, without making the alliance responsible (even tho they lowkey are and should be), that doesn’t portray... this. whoever wrote this dialogue+motivations wasn’t just someone who knows nothing about WC3, it was someone who hasn’t paid attention to ANY of sylvanas’ dialogue over the years; not her click speech, her quest dialogue, her part during the Northrend campaign such as the Horde halls of reflection or the battle for the undercity. its hard to swallow ‘sylvanas is evil/misunderstood/warmongering’ but its not like theyre trying to make it easy to swallow or a worthwhile, interesting story put already in canon

sylvanas wants to kill the concept of hope? sylvanas EMBODIES the concept of bitter, bitter hope. she literally freed herself from arthas and continued to bide her time to hunt him, even during the halls of reflection she maintained determination, patience, and desire of vengeance. this desire for vengeance EMBODIES hope lmao. it was the only thing driving the forsaken - it wasn’t a ‘positve’ hope that we typically associate with the word, but the desire for vengeance in not only arthas’ demise, but through rebuilding a society (both pre and post cata these were the forsaken’s motivations) embodies a level of ‘hope’ that isn’t really seen anywhere else except in MAYBE thrall, pre-cata jaina and pre-legion anduin (honestly, even post legion anduin; i dont play alliance and can only judge from his dialogue at varian’s funeral)

the idea that sylvanas wants to kill all the living is not only antithetical to her modus operandi for the last 16 years; its an incredible misunderstanding of her character on a fundamental level. even if that wants/needs to change we can argue and argue and argue for a potential lore reason/character development behind that (which would probably boil down to “old gods” but w/e) and we argue post-wotlk sylvanas changes significantly from pre-arthas’ fall BECAUSE of arthas fall through char development and lore we never saw becuase blizzard hates women and they want to put that out NOW, FINE

but “wants to kill hope”? ... oke

look one misunderstanding? from blizzard? onto their female characters? dissapointing but not surprising. but wow fans have for a very long time been actively ignoring canon or twisting lore to have it make some sort of sense, because a lot of people very deeply care about this game and its story and its characters, and a lot of lore/timelines/character motivations have been twisted over the years and have been dissapointing but can arguably make sense within what semblance of lore we have (im not a fan of new jaina, but theres definitely enough lore+character building to have it become plausible for her to be who she is now, even if i dislike it, that fundamental change in her values didnt come out of nowhere even if it was horrifically orchestrated because blizzard wanted to see her suffer and portray her like this lmao) but sylvanas’ character is being utterly decimated on a level that even jaina hasnt experienced, and to be frank im fucking furious and genuinely hurt

say what you want abt chris metzen but of all his dumb shit he wouldn’t have pulled this. at least he KNEW sylvanas, even if that meant he never used her or wrote for her a ton.

in the quest dialogue, sylvanas says that the campaign starts as a preemptive defensive strike against the alliance re:azerite in silithus, and while i disagree/think thats kind of questionable we know that garrosh’s unwillingness towards preemtive strikes led to death of a lot of innocent tauren in the barrens, and led to the bombing of theramore as a reactionary result, and sylvanas has canonically been known to be bitter, practical to a fault, and morally “grey” so saying “burn this tree down lmao, we’re gonna have to do it anyway, at least now we prevent innocents dying first and we get the lumber in ashenvale, hope the warsong are happy” is... alright. acceptable to a degree within the confines of the narrative they’ve forced upon me, even if the narrative itself is shit. but this? kill all the living? kill “hope”? this fundamental misunderstanding of her character. her lack of remorse at the ranger, these were moments that could’ve significantly foreshadowed a redemption arc but ten bucks on a fucking reworked siege of orgrimmar =)

anyway fuck blizzard

[lunatic-fandom-space]

Epsiode 4 time babeyyyy

Uhhhhhhhh yea, you know what, I think I wont touch the timeline for now at all and save it for after I finish the season and rework my notes

We start right where we left off, both here and in the OG and just have Aphmau go to the clearing, it'll probably take a bit longer in my version to add a sprinkle of tension in there but she ultimately makes it without any issues

The scene of Aphmau reading the journal is pretty much the same, Im just removing that mention of Minecraft obvs

The scene of the two mystery fellas knocking her out and talking a bit is fine too, maybe I'll have them talk a little bit further away from Aphmaus unconscious body but thats a minor detail

Like in the OG, shes kinda confused and upset for a moment, notices the diarys gone, decides to steal the desk and gets back to the village. Shes been unconscious for a while and its night time now

Zenix catches her when she arrives at home, says what he says in the OG, maybe he even escorts her to her n Emmalyns house im not sure yet

Wether he escorts her or not, she wants to check on Garroth as well and also talks to that Paul guy which plays out pretty much the exact same way

(Also, I didnt remember the plot point with the villagers literally getting more aware the more Aphmau does so I didnt account for that at all, I'll rework it later)

Her exchange w/ Garroth stays pretty much the same as well (minus her accidentally punching him ofc) and she promises him to put his seeds to good use

Its late so she goes to sleep, maybe she talks a bit to Emmalyn again

She has a dog in OG at this, I might give her one later but not now

Aphmau plants the seeds first thing after she wakes up

After that she decides to try building a farm for the goats and potentially other animals, I'd really like for her to start on her own and maybe struggle a bit but then one or two of the villagers come over and help her with it

She manages to get one goat in there and wants to find another one for them, but the villagers convince her to take a break

Aphmau starts either walking around the village again or lays down somewhere in the grass idk, the point is shes making some plans for refurbishing/repairing that abandoned house and reflecting a little on everything, maybe finally thinking about how she doesnt remember anything n stuff like that

So far I had been imagining her wearing just kind of a generic practical medival-vibes outfit which she also had when she woke up, and I'd really like her to have an outfit change into something a bit sweeter, maybe a bit more feminine. So I thought it would be neat to have like, a dressmaker or amth approach her and ask to measure her so they can make her an outfit as a thank you for everything shes done and then she wears that. I'd also really like her to maybe get lil accessoires from/representing each of the (important) villagers to show how shes affecting them and theyre affecting her in turn n stuff

Ehhhhh I feel like my notes are a lot shorter im not sure why but eh whatever