#might make the jodie one a full piece
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lasagnaprince · 2 years ago
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episode 28 doodles! for those who don't know, i do these for the live listen in the dndads discord server. i usually just do a simple monotone page and a max of 8 scenes, but for some god forsaken reason today i decided to do 11 and in colour and cell shading will probably do it again at some point ngl
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weepingchoir · 6 months ago
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As an adult fan of pro wrestling, you will from time to time be peppered with questions like: you know wrestling is fake, right? To which you have to be the adult and answer, no, Mae Young gave real birth to a malformed hand, live on Monday Night RAW.
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When the kids leave the room, you can have a grown-up discussion of the ways in which pro wrestling is really real (sorry, Lacan). The tables are tricked out, but you try a twelve foot swanton bomb onto karate mats, if you’re so goddamn tough.
Pro wrestlers have one advantage, though: their faces get on TV. Stunt performers, the for-once sung heroes of The Fall Guy, don’t even get that. This is the opening thesis Colt (Ryan Gosling, but also stuntmen Logan Holladay, Justin Eaton, Ben Jenkin and Troy Brown) voice-overs in an intro where he also presents us with his love, director Jody (Emily Blunt).
It’s clumsy, but it’s effective. For the next two hours you cannot forget that there is a real body on the bad end of every swanton bomb. The star of Jodie’s upcoming Dune: Fury Road has gone missing, and Colt is hired to find him. Naturally this invokes very little serious detective work and a maximalist superabundance of fire, fights, firefights, sword fights, car fights, car rolls (a world record eight and half at the hands of Holladay), explosions and running into traffic without looking.
All these 150-foot falls conspired to make me do something movies rarely do, but wrestling often does: wince. Cinema hyperreality is not good at transmitting sheer pain. Narrative contextualizes surviving a drop through penthouse glass as badass, hilarious or tragic, but not painful. Real pain has a way of zapping you out of the story. So The Fall Guy is a little self-defeating as movies go. It’s unimmersive, a cardinal sin. But the story is just a vehicle for a loftier ambition: giving stunt performers the credit they deserve.
In this regard, The Fall Guy might just be a roaring success. Look, I’m listing the stunt performers alongside the actors. The Atlantic is running a scandalously titled piece on stunt credits.
Unfair to judge a movie on its ethical accomplishments? Not if we consider the failure of just about every production to uphold what The Fall Guy exposes as basic standard. In an era where most of the crew on a megaproduction can’t afford rent, this seems like the only good play from David Leitch, whose directorial efforts began at John Wick and only got more budgetful. For his next trick, I would like to see him produce a full-length on $1M. Just to see what happens.
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lumpyorganelle · 6 months ago
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Heartbreak & losses quotes pt.1
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"I had someone once who made every day mean something. And now…. I am lost….And nothing means anything anymore.” ― Ranata Suzuki
“It hurts to love. It's like giving yourself to be flayed and knowing that at any moment the other person may just walk off with your skin.” ― Susan Sontag, Reborn: Journals and Notebooks, 1947-1963
“Growth in love comes from a place of absence, where the imagination is left to it’s own devices and creates you to be much more then reality would ever allow.” ― Jamie Weise
“This was something she would keep hidden within herself, maybe in place of the knot of pain and anger she had been carrying under her breastbone…a security blanket, an ace up her sleeve. She might never use it, but she would always feel its presence like a swelling secret stone, and that way when she let go of the rage, she would not feel nearly as empty.”
― Jodi Picoult, Mercy
“I would rather a romantic relationship turn into contempt than turn into apathy. The passion in the extremities make it appear as though it once meant something. We grow from hot or cold, but lukewarm is the biggest insult.” ― Criss Jami, Killosophy
“Escapists have no right to love, Lovers have no need for escape. When you change exes like socks, It's a sickness, not a choice.” ― Abhijit Naskar, Dervis Vadisi: 100 Promissory Sonnets
“Twice my heart broke for a love so delicate as my own; and yet I did not find a piece of myself in between those lines.” ― Laura Chouette, Profound Reverie
“Irrationality is the absolute absence of ones mind and the full consciousness of every feeling.” ― Laura Chouette
“And I wonder what the sound of a heart breaking might be. And I think it might be quiet, unperceptively so, and not dramatic at all. Like the sound of an exhausted swallow falling gently to earth.” ― Sarah Winman, Tin Man
“My heart no longer felt as if it belonged to me. It now felt as it had been stolen, torn from my chest by someone who wanted no part of it.” ― Meredith Taylor, Churning Waters
“Losing him was like having a hole shot straight through me, a painful, constant reminder, an absence I could never fill.” ― Jojo Moyes, After You
“I found that the only way I could control this sorrow was not to think of [it] at all, which was almost as painful as the loss itself.” ― Robin McKinley, Beauty: A Retelling of the Story of Beauty and the Beast
“If we must part forever, Give me but one kind word to think upon and please myself with, while my heart's breaking.” ― Thomas Otway, The Orphan: Or the Unhappy Marriage
“No amount of soul searching would fix my past. There was no magical Band-Aid I could stick on my heart, no special glue I could use to make myself whole again. I had shattered to pieces like a fragile vase on concrete; some fragments could be roughly cobbled back together, but many of my vital parts had simply turned to dust, pulverized and scattered by the first gust of wind.” ― Julie Johnson, Like Gravity
“One of the most difficult things he'd ever done was turn away and leave her standing in the shadows.” ― Rachel Gibson, I'm In No Mood For Love
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jdgo51 · 1 year ago
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What’s the Best Christmas Gift for Your Kids?
Today's inspiration comes from:
Praying the Scriptures for Your Children
by Jodie Berndt
"'Good question.
I’ve tried everything, from ridiculously expensive “must-have” toys like My Size Barbie (a gift that was abandoned as soon as our four-year-old stole all her clothes) to a posture brace for our teenagers that was not, as the advertisement optimistically proclaimed, “virtually invisible” under your clothing.
Praying the Scriptures for Your Children Looking back on our family’s growing up years, I can’t help but think that a lot of my Christmas mistakes could have been avoided had I stuck with my grandmother's gift-giving strategy. Gammy never gave us anything, at least nothing you could wrap. Instead, she asked her grandkids to memorize a Bible verse for her every year and, in return, she promised to pray for us.
I will admit that, as a teenager, I was less-than-enthused by my grandmother’s scheme. I don't know how I ever memorized any verses, given that my eyes were rolled so far back into my head. Today, though, many of these nuggets are still locked in, and in terms of things like wisdom, joy, and peace I can promise you this: The Bible verses have been a far better — and infinitely more comfortable — support system than even the most discreet posture brace.
I will never know the full impact of Gammy’s prayers, but I am confident that her gift to her grandchildren protected us from all manner of evil we likely deserved — and opened the door to immeasurable blessings we didn’t. And now that I’ve got grandkids of my own, I can’t think of anything I’d rather give them than prayer — the same gift I (finally) learned to give to my children.
So what does it look like, in practical terms, to “give the gift of prayer”?
Every December, I spend some time thinking about each of our kids and grandkids. I consider where they are (spiritually, as well as socially, physically, emotionally, and in other ways), and I ask God to clue me in as to what He might want to do in their lives. And then, because I love the power that comes with praying the scriptures, I go poking around in the Bible. When I find a verse that seems to speak to a child’s particular situation or need, I pick that as an “annual prayer,” personalizing it with his or her name.
Here are a handful of the prayers I’ve relied on over the years:
For a child’s academic or career success: May _______ show aptitude for every kind of learning, be well informed, quick to understand, and qualified to serve. (Daniel 1:4) For a child who needs wisdom and guidance: Instruct and teach _______ in the way they should go. (Psalm 32:8) For a child who wants friends: Surround _______ with good friends who are kind and compassionate, and quick to forgive. (Ephesians 4:32) For a child to live out their faith in a winsome way: May _______ be wise, shining like the brightness of the heavens and leading many to righteousness. (Daniel 12:3)
When our children were little, I’d trace their hands on a piece of colored cardstock and write out the verse, along with the date. I’d cut out the hand, laminate it, and stick it on the refrigerator, where they’d serve as a visible reminder to me (and to my kids) that God was at work.
Hand Romans 12:10 After a while, when the kids’ hands got so big that they were more creepy than cute on the fridge, I began making bookmarks with the verses instead. And after doing this now for more than twenty years, here is what I’ve discovered.
I’ve discovered that when you commit to spending a whole year praying about one particular thing, you learn to wait well, trusting God even when you can’t see what He is doing. You give Him time to work. And you get out of the way so that He can weave in answers and blessings that you had not even thought to pray for, or that your children needed.
For instance, one year I chose Isaiah 62:2-4 as a prayer verse for our daughter, Hillary. “You will be called by a new name,” this passage says. “No longer will they call you Deserted or name your land Desolate... the Lord will take delight in you and your land will be married.” Hillary was facing some uncertainty in her job at the time, and I wanted her to know that God delighted in her. I wanted God to give her a new name — a new “sense of identity” — and let her know how much she was loved.
God did that, all right. He filled my girl with purpose and joy. He gave her favor at work. And he introduced a young man into the picture — one who became her fiancé that year and then literally gave her his name. Marriage was not even on my radar when I picked that prayer verse — but it was on God’s!
Truth be told, I love gifts you can wrap and tuck under the tree (and if nothing else, the posture brace made every other gift shine by comparison). But as I think about the varied ways we can shower our children with love, I’m increasingly convinced that prayer is the best gift of all. It’s a gift that lasts. It’s one that comes with the power to influence and shape lives. And it brings peace and joy to the giver, knowing that when we come before our heavenly Father on behalf of our children, He can be trusted to accomplish good things in their lives."'
Jodie Berndt Written for Devotionals Daily by Jodie Berndt, author of Praying the Scriptures for Your Children (20th Anniversary Edition), Praying the Scriptures for Your Teens, and Praying the Scriptures for Your Adult Children.
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abcdosaka · 2 years ago
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s,
i think i’m done crying. i hope i’m done crying. i thought i was done last night but i had a capstone meeting today with j and e. m didn’t even show up, she called in. j was complaining again as usual, and ngl that really killed any motivation i might have had to feel happy today, since i already started the day so low. i really felt like curling up into a ball and crying after that. i didn’t though, i just went home and had some lunch. my roommate e was on a call with one of her friends from montreal planning a roadtrip and they sounded really close. made me think, we’ve never actually planned anything big like that before. we’ve never had a sleepover even though i asked once. we barely ever hang out at our homes, for some reason you never seemed to want to, even though it seems fine for your other friends. you never asked to come over either, but i’m not comfortable having people over at my parents place. you slept in when we had plans multiple times, one of them being when i was about to leave for uni. you ignored me for a month after graduating, and then ignored me for just the past 3 months.
were we even fucking friends? the way i wrote this out made it seem like you hate me. but you also gifted me a lot of things that i treasure. a mug. cute shirts. a spoon. several bags. tons of stationary & stickers. you crocheted me a hat and a coaster. you wrote me hand-written letters for every single birthday. we always hung out at least once per term, whenever i was at my parents’ place, and you’d hear me out about what i was going through, and i’d do the same for you. we hung out every single day in highschool. when i asked to go sledding, you brought a piece of cardboard and we went down a 3 ft tall hill. we’d walk around and go to the mall all the fucking time, fuck around at the dollar store, one of my favourite pastimes. you were the person i could be most comfortable around. am i wrong to think that made us close? that we had a history of being close? not just close but best friends, that i was someone that you wouldn’t go full scorched earth with without a good fucking reason? am i an idiot for not confirming that with you because i was scared you’d leave me and i’d have no one?
being real though, is that a friendship worth sustaining? why should i be so insecure? i was always scared all my most valued relationships would blow up in my face, but i thought the problem was me having trust issues. that i was clingy and overbearing, and the way you treated me was normal for close friends. clearly i need to trust my gut more often and validate my own feelings. i won’t let myself tolerate that anymore. i’ll have the hard conversations before i get in too deep next time. i won’t deal with such an unequal relationship again.
the thing i hate most is the way you did it. why cut me off completely? i thought you would understand. j did the exact same shit to you, you’ve literally been in my position before, so clearly you know how much this hurts. or did you think i didn’t care about you that much? or i guess my feelings were an afterthought to you? obviously you don’t owe me anything and your feelings come first to you, but why be so fucking cold about it? why do you get to say everything you feel over a text? are you just too cowardly to hear me upset at you on the phone? none of what i said to you even got through, i bet. i hope one day you read what i wrote and make an actual effort to understand why i said what i said. i thought you were more mature than this. but thinking about it, did you ever even tell h how you really feel about her thinking you guys were best friends? did you ever tell your divorced cheating 30 year old friend? (honestly the way you handled that was stupid as fuck and i should’ve seen it before, but i tried to see things from your perspective and understand why you said what you did to him) did you ever tell your pal jodie (who secretly got on your nerves) that you didn’t want to be friends? you never even unfollowed j, which i’ll never understand. i blocked you on everything almost immediately. this whole section is petty i admit but one last petty thing - i’m glad i got the last word.
and honestly, even though everything i said in that paragraph was petty, (again more pettiness) you started it! by just completely burning every bridge between us, by not fucking calling for 5 minutes to be like “no, the reason behind this is because of this”.
what also bothers me is that you said i deserve better and you haven’t been a good friend to me. why not make an effort then? clearly there is something i’ve done to make that happen. it can’t just be that we’re different people with different interests. was i the only one who thought that we had a friendship that went beyond that? we had a lot of similar values and beliefs, if not everything. my behaviour must have played a role somehow, friendships are a two-way street. i didn’t even get to learn what it is about me that must’ve annoyed you so much you had to go. why are you blaming everything on yourself, when you probably aren’t even thinking that’s the case?
i was actually concerned about you too. i was so upset about being ignored, but i wanted to know you were alright. that first time you ignored me was because you were actually going through something, and i understand that. i still kind of am concerned, because if what you said is true and you valued our friendship and the time we spent together, then you might be hurting too, but i’m mostly upset for myself.
i got off a call with n talking about everything you said to me. she said you’re weird, i agree. she also said sometimes no closure is closure. if you can’t even be bothered to fucking call then maybe that’s all i need to know about how to think of you now. i think talking with her helped, and so is writing this. my heart still hurts but not as much as before. i really couldn’t accept it for those 3 days. literally 10 years down the drain. but i’m coming to terms with it. even though it was not a relationship but just a friendship, i’ve always valued friendships so much more than relationships. so if you think about it that way, its like if a 10 year relationship suddenly ended over text.
it’s only been about 3 days. i don’t know how long it’ll take me to get over this. i guess since we’ve been distant for a while, probably not as long as it might’ve a couple years ago. you’re right, i’m not the same person you knew in high school. i’m not as insecure & i’m not as dependent on you. i’ve been having a really hard time lately, and this is the cherry on top, but maybe getting through this without you is proof i don’t need you. you won’t ever be there for me ever again, and i can accept that. goodbye.
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dannyreviews · 2 years ago
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The Crying Game (1992)
Picture that it’s 2004, the height of Blockbuster Video and it’s another day of renting movies for the week. One title you keep hearing about is “The Crying Game” and not so much for the film itself, but for the plot twist. The internet wasn’t as full blown as it is today so you wonder what everyone was talking about a decade earlier. You watch the film and then you don’t care about the twist, and you get into the story, the characters and how everything will resolve itself. That week I rented “The Crying Game”, I did something I never did before and that was watch the film twice during the rental. 18 years later and about 30 viewings later, this film has become an all time favorite of mine and has opened my eyes to how flexible a film could be and the many possibilities it can take. 
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The film opens with a British soldier named Jody (Forest Whitaker), who is kidnapped and held hostage by an IRA ring led by Jude (Miranda Richardson) and Maguire (Adrian Dunbar). Both of them are uncaring and ruthless, but it’s underling Fergus (Stephen Rea) that winds up befriending the hostage, who’s days away from possibly being executed. Jody tells Fergus about his life on the outside, with his girlfriend Dil (Jaye Davidson), a London hairdresser. When Jody dies in a botched escape, Fergus tracks Dil down to her London neighborhood, and the two become romantically entangled. Jude and Maguire, in turn track Fergus down themselves and try to rope him into a plot to assassinate a judge, but Fergus is torn between his love and care for Dil and his allegiance to the IRA. Which direction will he take?
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Writer and director Neil Jordan was the best possible person to be at the wheel for this film, which if in other hands might have turned into a convoluted B or C-grade dud. Jordan divides the film into three parts that are so intricate in style, mood and genre that you think you’re watching three different movies. The first part is a chamber piece between hostage and captor. The second part is a romantic drama that is subtle in its subject. Finally, the film turns into a thriller with a gratifying climax and then the coda returns to the themes of the opener. Jordan segues through each portion flawlessly and the seams don’t show because the story is that involved and deep where you pay attention to every detail. In my case, with each subsequent viewing, I’m just as enthralled by the screenwriting and the requirements of each character in relation to the plot. This is why “The Crying Game” had to win Best Original Screenplay, not because of the famous plot twist, which plays no crucial role in the unfolding events, but because of its unique method of putting the plot together.
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“The Crying Game” was Stephen Rea’s introduction to American audiences and he gives the best performance of his long career as Fergus. He makes the biggest shift in maturity, from a mindless follower to a somewhat reformed man. Miranda Richardson, who I think is one of the greatest actresses of the last 40 years, is simply superb as Jude. Not many films have a female villain and especially one like Jude that has no feeling or empathy. Richardson personifies Jude’s evil to a T, from pistol whipping Jody to intimidating Fergus and Dil outside the bar. The very underrated Adrian Dunbar is also excellent as Maguire, with a more muted evil to his demeanor, a contrast to his supporting role in “A World Apart”. Forest Whitaker, though only on screen for the first half hour, makes his short time on screen count for something. Jody is a regular person caught up in the worst possible situation and Whitaker holds nothing back. And then there’s Jaye Davidson, who steals the show as Dil, a character that seems normal and hardworking, but there’s something hidden that we the audience want to know. 
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The drawback of “The Crying Game” is that during its release in the US, the subject of the twist was turned into a late night punchline. Many people didn’t care what the film was about, and just wanted to pay money to see what the fuss was about. I would like to think that out of all the people that went in with their mind on the joke, the majority came out enthralled with their lower jaw agape at the complexity of the film. The twist only takes up a scintilla of time, and before you know it, you’ve forgotten what it was. That’s another reason why the film won Best Original Screenplay. Jordan is telling you to look here, and then does a complete 180 by giving the audience their money’s worth with the climax that really should’ve been what people were talking about. “Don’t see it for the twist, see it for the resolution.”
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Despite the manufactured joke, “The Crying Game” was a box office smash and a major contender at that years Oscars, scoring nominations for Best Picture, acting nods for Rea and Davidson and Best Director, apart from its Screenplay win. I would’ve nominated Richardson for Best Supporting Actress for “The Crying Game” instead of her one scene standout performance in “Damage” that same year. I think she would’ve won if the nomination was changed. It’s probably her most rich and flawless performance in her long career along with “Tom and Viv”. “The Crying Game” is a representation of a time when filmmakers took chances on their movies and stood out, something that is very lacking today, where 90% of the mainstream award winning films are homogenized mush. People will remember “The Crying Game” for years down the road, can you say the same thing about the past few Best Picture winners?
10/10
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d-criss-news · 3 years ago
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Nine Songs: Darren Criss
When Disney, Phantom Planet and Mr Hudson collide: Glee star, Emmy and Golden Globe winner and musician Darren Criss talks Andrew Wright through the pivotal songs in his life and the unexpected ways they found him.
“When we are younger, our gateway drugs to a lot of popular things don’t come from the sexiest of places. It’s up to you how proactive you want to be with your curiosity from there, and how far down the rabbit hole you want to go, if you go down at all.”
Choosing the songs that define you is a tricky business to say the least, especially when the power of song has provided an ongoing soundtrack to your life. “When you’re as avid a music consumer as musical artists are, trying to pin down Nine Songs is difficult,” Darren Criss laughs. So much so, his final choices only really crystallise as our conversation draws to its close. “It’s hard for me not to see the value and joy in literally everything,” he explains. “The curse of the creative person is that your ideas and your interests always move way faster than your body can execute.”
Criss is a creative par excellence. As well as his Emmy and Golden Globe winning performance in The Assassination of Gianni Versace, where he played serial killer Andrew Cunanan, to his upcoming role in Muppets Haunted Mansion Halloween special as The Caretaker, he’s also a prolific musician. Criss enjoyed a decadent musical consumption since childhood, so “this was a bit of an archaeological dig,” he admits. As such, everything from jazz standards, to 808s, punk rock, ‘90s teen pop, and musical numbers are excavated in the course of our extemporaneous journey through the music he loves.
Equally on his mind is how to go about approaching the task of creating his Nine Songs, full stop. “The interesting social experiment is: Are my answers going to be songs that actually shaped my life and were formative to me as an artist? Are they songs that were formative to me as a human being? Or am I picking songs that I think represent who I am to people that do not know me? All three of those things aren’t necessarily the same thing.”
He reaches a conclusion of sorts. “For the purposes of making some kind of decision, I’m gonna lean less into trying to look cool to your very cool readership, and more into the literal, ‘What made me think about music in a different way? And hit me in a very emotional way?’ I think that’s probably the healthiest route.”
Embracing the accessibility that characterises Criss’ picks - or at times the initial touchpoints that led him to them - are something he vacillates over during our chat. “I’ve seen a lot of other people’s Nine Songs and they’re super cool. It’s like Leonard Cohen B-sides and old opera records and stuff. I’m gonna be pretty honest with the pop culture zeitgeist of how I grew up but explain why there is so much value in those moments.” His contemplation continues into the next day, Criss’s publicist passes on his regrets at being tentative to admit how he encountered one of his song choices via the Shrek soundtrack.
A yearning to reinterpret accessibility and the value attached to it drives Criss, however. He tells me that a festival performance that applied the anarchic verve of punk rock to a more refined Great American Songbook number remoulded his perception of music entirely. His love of the fusion of these two genres in particular symbolises the salient musical backdrops of his childhood - the guitar bands he played in with friends, and his musical theatre endeavours that led him to Broadway and multiple Ryan Murphy juggernauts, including his breakthrough playing Blaine Anderson in Glee.
Criss employs these contrasting musical lexicons, and other areas in between, on Masquerade, his new EP. Comprising five stand-alone “character-driven” singles, it sees Criss donning different musical personas. “I’m leaning into people that might know me as an actor,” he explains. “Because if actors can do Shakespeare, romantic comedy, and then do a horror movie and wear a prosthetic nose and a wig, I didn’t understand why I couldn’t just do that with music.” The song “walk of shame” draws on jazz-standard chords interlaced with hip-hop production, “i can’t dance” looks to new-wave, and “for a night like this” is the product of Criss’ goal to create the ultimate end-of-the-night crowd-pleaser for a new-year bash, wedding or bar mitzvah. “This is all of the parts of me as a lifelong fan of these genres, trying my hand at servicing the pieces of them that I love.”
“I really love all styles of music and understanding what makes them unique and special and what makes them really pop. There are so many things that really make things sing - for lack of a better verb - and I like acknowledging those things and celebrating those things.”
“So, let’s begin. I have runners up and shit, and I have artists, I don’t just have the songs, so we might have to pick them as we go.”
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“Part of Your World” by Jodi Benson
“When people read this, they’ll go ‘That’s cute, he likes Disney songs’, but it’s more profound than that. Some of the most formative pieces of music to hit me at a very early age would have been any of the songs that were coming from ‘The Disney renaissance.’ The early-mid ‘90s explosion of The Little Mermaid, Aladdin and Beauty and The Beast.
"One of the through lines between the three of those musicals was Howard Ashman, who is one of my all-time heroes. Dramaturg, songwriter - he really was the voice behind what made those songs great. I have always loved Howard’s lyrical sensibility and also Alan Menken, his partner who wrote these songs with him. There was a musical structure to a lot of the songs which I would unconsciously pick up in my own songwriting, not just musically, but the idea that not only did somebody make these songs, but they wrote them for a story.
“There’s a clip of Howard Ashman vocal directing Jodi Benson, who was the original voice of Ariel. It’s a wonderful example of his genius, where not only was he songwriting but he was storytelling in the way he would tell her how to perform it, and you can really see the song coming to life in that clip. That’s when you cross the street from ‘It’s a song’ to ‘This is an experience.’
"There are certain ingredients that are required to elevate music that goes beyond just a nice melody, a beautiful orchestration and a good voice. There are things that are required to really give a performance a characterisation, context and a vulnerability, that he architects in real-time with Jodi Benson. You see that what he’s doing is what makes the record so special, and that’s something that’s always been inspiring to me.”
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“MMMBop” by Hanson
“I think my love of Hanson was because some people didn’t like it, so I was like ‘Fuck you, I like this, how do you feel about it?’ But this is difficult for me, because you know, I’m speaking to The Line of Best Fit and we’re trying to be cool! Although, do you know what’s cool? Being accessible! Writing a pop hit when you are 10 years old. Being in a band with your brothers and you’re all below the age of 15, you have a record contract where you are writing, producing and performing songs that are doing well.
“I was 10 years old when their first album Middle of Nowhere came out, and I remember reading somewhere that there were these kids that had a record. At the time, I was playing guitar and I was writing songs, but in my mind I was a kid, and that was it. I couldn’t be on the radio; you had to be a grown up to do this.
"This was the first time where I realised ‘Holy shit, kids can do stuff!’ It’s the value of seeing yourself in the media - that’s a whole other conversation to talk about - but there’s an immense value in feeling like there’s a piece of you out in the zeitgeist and doing well because it’s encouraging. You go, ‘Holy shit, maybe I can do this as well.'
“When you see children doing things, you’re ‘Wow, this is so cute and fabulous’, but then when you actually look at it you go, ‘This is miles above what most people in this age group are capable of,’ and that’s all I saw, because I was in the same age group and I was so inspired by that. This whole album was really a turning point for me, where I was like, ‘I can do this, I can do music too, because these guys can.'
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“Ooh La La” by Faces
“This song really blew my mind. It became my own theme. It’s that ‘Make your heart sing’, nostalgic moment when you’re a teenager, driving in the car listening to it, playing guitar with your friends and you’re singing “I wish that I knew what I know now / When I was younger.” You’re like, ‘because I’m an adult now, I’m 15-years-old. If I only knew what I know now.’
“I was doing theatre from a young age and I was part of a young conservatory called A.C.T. in San Francisco. By way of somebody who knew somebody, I had an audition for a movie. As a kid not being near New York or Los Angeles it was really exciting, and this audition was for a film called ‘Max Fischer’, which would become the movie Rushmore, which would become one of my favourite movies of all time by the now very distinguished Wes Anderson.
“Separate from my own objective love of Wes Anderson, when this movie came out I was just around the age of getting into my own sort of identity with music, but also movies - indie movies - and trying to assert who I was. So, I see this movie Rushmore and I love it. I love the soundtrack, I love it so much, it’s one of my favourite albums ever. This song is the end sequence, and the way it made me feel - the vocals on it, I could play it on guitar and it was part of a cool movie - it really represented a lot in my life.
“And because of the acting thing, and Rushmore being great - it’s about this kid in high-school who's misunderstood but has his own agenda - everything about it was just so fucking cool to me. To this day, I cite that song as one of my favourite records of all time.”
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“Recently Distressed” by Phantom Planet
“A guy that really formed the way I would sing and write songs is Alex Greenwald, the frontman of Phantom Planet. I went to see Phantom Planet because I loved Rushmore and I found out that Jason Schwartzman [who had been cast as Max Fischer] was also the drummer for a band called Phantom Planet.
"So, when I saw their name on the bill I went, but I didn't know their music. I was barely 14, but their set blew my mind. It was Rock and Roll, but I loved Alex Greenwald’s voice. I loved everything, and I would follow their career from there. I always tell people that my voice is a combination of me trying to be Alex Greenwald, Paul McCartney and Rufus Wainwright, but failing. Alex was incredibly formative for me.
“One of their biggest records was a little while after I first saw them, which was the song for The O.C., "California." That was more of an Elvis Costello thing, and they employed a lot of stuff that sounded to me like The Beatles and a lot of ‘60s mod/pop-rock. But later they would employ things from Fugazi, Radiohead and harder shit, and that eclecticism, again, only accelerated my love for Phantom Planet.
“Recently Distressed” is from their 1998 album Phantom Planet Is Missing. This was a cool rock song that employed these George [Harrison] and Paul [McCartney] background vocals and included all of the things that I loved. It was harder but melodic and employed minor 4th chords and more complicated chords than I was used to. I had grown up with power chords - which are very Gregorian - on a lot of alt. punk rock, like Green Day or Nirvana, and if Kurt Cobain was using power chords then that’s how I was playing guitar. Hearing this music was like ‘Oh, I’m using full chords, not sevenths, minor 4th chords, diminished chords’, shit that I would learn to use more and more.
“When you haven’t experienced much, anything that gives a hint towards possibility, even though it’s probably always been there, you’re like, ‘I like this, I’ve always kind of liked this, but it’s very encouraging to hear somebody else do it and it’s gonna make me reconsider my possibilities.’ That was literally the moment that my power chords turned into full barre chords.”
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“Cigarettes and Chocolate Milk” by Rufus Wainwright
“I forgot the other day how I got into Rufus Wainwright, because all of this stuff I was getting into quite young. It’s like when I talk to 11-13 year olds, it’s funny to think that this was when I was really starting to build my musical identity. But then I remembered, and I didn’t want to say because I didn’t want to sound uncool, because he is such a revered artist who exists in a much cooler place than what I’m about to say.
“I loved soundtracks and I would always buy soundtracks for movies that had cool playlists. I had the Shrek soundtrack, and there’s a cover of Leonard Cohen’s seminal “Hallelujah” that Rufus does and he smashes it, and I’m like, ‘Who the fuck is Rufus Wainwright? What a beautiful voice.’ Then I saw that he was going to be at the Virgin Megastore in San Francisco one week, so I go and he’s there promoting his new album Poses. I remember I didn’t have enough money to buy the album that day, so I had him sign my sneaker and I saved that shoe.
“The first song on Poses was “Cigarettes and Chocolate Milk”, which is a very dark and reflective song about his own battles with addiction, but he’s singing it over this really beautiful, whimsical song that has a lot of really great wordplay. I always love when artists, especially lyricists, can encapsulate an idea with not exactly what they’re talking about. The song’s called “Cigarettes and Chocolate Milk”, it’s not called “Addiction”. Its talking about things that he craved and how that’s representative of other things that he’s gone through. There was a sophistication and elegance to that that I really gravitated towards, that I didn’t possess but wanted to shoot for. So when I saw him, that was a big one for me and he would also continue to influence me later in my life.
“I’ve become friends with Rufus since. I’ve performed with him and we’ve made records together, which is crazy. His songwriting was very complex and punk-rock, but he had this classic cabaret voice, the kind of voice that I don’t have. I was fascinated that there was somebody that could write this really dark material but have such elegance on top of it. He was virtuosic on the piano, which I thought was very cool because musicianship is always the thing that gets me going the most about artists.
“You know what? People say, ‘Don’t meet your heroes.' I completely disagree. Chase the living fuck out of your heroes. I’ve spent a lifetime doing so, it’s made me a better artist, and I’ve sometimes got to meet them and work with them. I’ve worked on music with Alex Greenwald of Phantom Planet. I’ve performed with Hanson. I’ve performed those Disney songs with Alan Menken at The Hollywood Bowl.
"This is all because there are people that I love who I have put on my vision board, and the things that they have done are the things that are bringing me to them. So it is nuts, but at the same time you’re like, ‘Well, what else did you think would happen?’ They did stuff that some part of me connected with, so obviously there’s a magnetic pull towards that person.
“Rufus Wainwright is one of my absolute favourite artists of all time and like I said, me trying to sing like him and failing is a big part of my own journey as an artist.”
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“3x5” by John Mayer
“John Mayer’s another guy that came around when I was 15. I heard a song of his on a middle-of-the-night, singer/songwriter college radio show. This is where I used to get music. You would listen to these carefully curated playlists that you wouldn’t be able to hear anywhere else, and the host played “No Such Thing”, a new song by this young kid who had just dropped out of Berklee College of Music - John Mayer.
“I’m listening to this song and I’m like, ‘Not only is this guitar playing really interesting, but the lyrical value and everything that is going on here ticks all the boxes.' It was jazz, but it was pop. And he did something that all these other guys and girls I’ve mentioned did. They made something very unique and very accessible.
“I immediately went out to buy this album, Room For Squares, and I listened to it over and over again. It was an album that was really formative for me. "3x5” is a really beautiful song that employs a lot of chord structures and melodies that blew my fucking mind at the time, and it made me wish that I could write songs like that.
“That album was a huge turning point in the way I played the guitar, because it was the first time in my life where I would look up tabs. Up until this point in my life, if I heard a song I could play it instantly. It was like a party trick, I would get how it worked if I heard it, because most of the songs I would hear on the radio - especially those that involved a guitar - were [centred around] power chords. And now I’m hearing all of these ninth chords and thirteenths, and I’m like, ‘What the fuck is this?’ So I’d have to look up tabs.
“I think any young artist can attest to this - when you try and learn other people’s shit, it’s the best tool for educating yourself. Playing other people’s music really helps you lock in what your own style is. Trying to learn these songs - and sometimes pulling it off and sometimes not - really changed the way that my hands moved around the guitar and considered chords and voicings that I’d never really thought of.
“There’s another tie to musical theatre here, where I remember seeing Audra McDonald, who is a very venerated theatre actor, and she did a cabaret. If you’re familiar with cabaret culture, it’s more about performing the story of the songs – ‘Life is a cabaret’. She did a John Mayer song because she thought it was from a musical theatre show, and I was so tickled by this, because I was like ‘Yeah, if you really think about it, I don’t think he knows this and I don’t think his fan base even thinks about this, but there’s a number of his songs that feel very theatrical in the way that the lyrics play with each other and the way the chords move’.
"When I saw this I thought, ‘That is why I like John Mayer’, because yes, he’s an amazing guitar player, but he’s also a really strong songwriter.”
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“Cabaret” by Me First and the Gimme Gimmes
“Also, around this time growing up in San Francisco, as a guitar player playing music with your buddies, the number one thing that you play is punk rock. There are different parts of the spectrum of punk rock, there's the NOFX, Swingin’ Utters, like real punk, punk. And then there’s the pop-punk thing that was happening at the same time, which was also equally influential - blink-182 and Green Day.
“Fat Mike was the frontman of NOFX. I loved NOFX, and Me First and the Gimme Gimmes were a supergroup of different members from different punk bands, of which Fat Mike was one of the main architects. They would cover songs and turn them into punk rock songs. They have an album of hits from the ‘60s, and they also have an album called Me First and the Gimme Gimmes: Are a Drag, and that record is just a tonne of musical theatre covers that are done through punk rock.
“That was completely in line with everything I loved at this time of my life but didn’t really know how to articulate. I loved punk rock but I also really loved musical theatre. Not only the performative element of it, but there was a real musicality to musical theatre that wasn’t as present in some of the other shit that was popular at the time, just harmonically, or where chords would go. There was a sophistication I loved that seemed to not exist in punk rock.
“Then hearing Fat Mike at The Warped Tour going ‘Alright, which one of you Motherfuckers loves Julie Andrews?’ and hearing a mixed bag of reactions, because people were ‘What? I was not expecting that from you, sir?’ And then they start playing “My Favourite Things”, a classic Rodgers and Hammerstein song which is very accessible, but sophisticated nonetheless. And I am just living. I’m like, ‘This has got the attitude and simplicity of punk rock, but the sophistication of a beautiful song.’
“That was the first time in my life where I went, ‘It’s just all music. All these categories and boxes are completely arbitrary.’ So I thought, ‘I can do that.' I was playing power chords in punk bands but I realised that you can take chords and make them into other rhythms and voicings and have the same song. I could take a punk song and make it jazz. I could take a jazz song and make it country. So, quite providentially, I would end up on Glee, where they took popular songs and would sometimes do their own versions.
“By that point, I had been doing this my whole life. The first time this ever became a possibility for me was seeing Me First and the Gimme Gimmes, and that way of thinking about music and genre. I’ve put that into Masquerade, and it’s all born from that moment of ‘Oh my God, nothing has to be one thing. It’s just about how you look at it.'
“Cabaret” is from a pretty famous musical that I would’ve probably heard about later in life, but I first heard that song as a punk song and then I went back and heard the original. It doesn’t matter how these things happen, the inspiration happens and then you can go from there. But Me First and The Gimme Gimmes were a huge gateway drug and I play “Cabaret” now every year at my festival. That’s why the festival is called Elsie Fest, because it covers the song.”
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“Modern Nature” by Sondre Lerche
“One of the great joys of being a younger brother is that you get to inherit the music of your elders. My brother and I were both really proactive consumers of music, so we would share stuff with each other all the time. But then he would come home from college, which is like coming home from a music festival essentially, right? He was in a new time zone with new people, so he’d bring home these mix CDs that he’d made from people that he’d heard about, and he brings home this guy named Sondre Lerche.
“Hearing this guy blew my mind, because he also was using jazz chords and drawing on musical theatre. Musical theatre’s a massive category, so I can’t just say that musical theatre sounds like one thing, but when I say this, I’m referring to The American Songbook, the jazz standard songbook. “Modern Nature” was a duet that I would go on to play many times with one of my oldest musical collaborators, Charlene Kaye. When we got to college and we both found out that we loved this guy.
“There was a much more whimsical way to how he wrote these songs. And what’s crazy is that loving this guy meant that we also loved Rufus Wainwright, that we also loved these other artists. But Sondre was the first time I considered that I loved that type of music, but I didn’t know that you could be a singer/songwriter and put out music that sounded like it.
“I don’t know if ‘twee’ is the right word to use, but with “Modern Nature” there was a playfulness about it, and again, a musicality that I really gravitated towards. There is a through line - there was a sophistication that was accessible, and me trying to learn those songs did make me rethink the way that I was writing music. The structures were weird and different and I liked that.
“To this day, I find myself writing songs that I think might be difficult for people to ingest, because they’re a little too left of centre, and I realise that I’m trying to write like Sondre Lerche, or I’m unconsciously just copying him.”
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“Everything Happens to Me” by Mr Hudson & The Library
“I was in an H&M in Stockholm when I was 21, and I heard this really cool groove and the lyric was “Why must I always play the clown?” It was sung with a really thick British accent, had an 808 feel on it, and lyrically it had an attitude. Who would say something that sounds so like you’re in a Gilbert & Sullivan musical, but it feels hard? It was cool.
“I went home and looked this up and it was off the record A Tale of Two Cities by Mr Hudson and the Library, which would really, really fuck me up. I bought the album immediately because I loved this song. I had to order it on the internet because I couldn’t find it. It was doing well in England and he was on the festival circuit in the early-mid 2000s, but the first song on the album was a musical theatre cover with 808s.
“It was a pared-down, sort of a hip-hop version of “On The Street Where You Live” from My Fair Lady, and I’m like ‘No fucking way, this guy gets where my head is.’ I’d thought about punk rock musical theatre, but I never thought about 808s and 909s scoring these beautiful songs. I go down the track list and he has “Everything Happens to Me”, which is another very famous standard, and he had this really cool, what we would now call chill-hop, ‘study beats’ version of this song. I was like, ‘This is it. This guy gets that good music is good music and you can reinterpret it to offer it as a new song.’
“I would later become great friends with Mr Hudson. I got to meet him years later when I was with Columbia Records, and they said to me ‘Who do you want to meet?’ He was at the top of my list. I went to London and we’ve been friends ever since and have created all kinds of music together.
“He told me a story where Tyler the Creator went up to him once at Coachella and said, ‘Oh man, “Everything Happens To Me”, that’s like my song.’ We both wondered if Tyler the Creator knew that it was a Chet Baker cover. And we were thinking how cool it is that you can offer these songs to a new audience through a different lens. Tyler’s a smart guy, he’s very cultured, and I’m sure he did know. But it’s more the idea that if someone experienced this song and didn’t know that it was a cover, and this is like the first time they ever get to experience it.
“Mr Hudson would go on to do his own thing with Kanye and was on 808s & Heartbreak and has had his own career. I think “Supernova” was a hit in the UK, it didn’t really cross over here to The States, but before that moment for him, that Mr Hudson and The Library album changed my life. People use that phrase willy-nilly, but this literally was a turning point in my life. It all had to do with the same thing that happened with these other songs, where I saw someone do what I always wanted to do but didn’t really know how to pull off. Where he had this fusing of old songs delivered through a contemporary lens, but also laced it with his own original material that also employed the things that made that old songwriting interesting.
“It’s like changing the font of a great essay but finding the font and figuring out that that font is its own art form. He really displayed that marvellously on this.”
The Masquerade EP is out now
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deancasbigbang · 3 years ago
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Title: Let Me Come Home
Author: prosopopeya
Artist: Whichstiel
Rating: Explicit
Pairings: minor Claire/Kaia; background Sam/Eileen; past Dean/Crowley; past Cas/Crowley; past Dean/Benny; past Dean/Lisa
Length: 140000
Warnings: Discussion of homophobia and a parent rejecting a child for being gay; anti-fundamentalist religious sentiment; mention of stroke, recovery from stroke, and fatal car accident; mention of alcoholism; implied suicide; canon character deaths that happen before the story begins
Tags: POV Alternating; Slow Burn; Found Family; Queer Themes; Adoption; Family Bonding; Bobby Singer's (actual) A+ Parenting; Past Homelessness; Soft Castiel/Dean Winchester; Castiel based on Steve
Posting Date: November 11, 2021
Summary: Years after being kicked out of his childhood home for being gay, Castiel gets word that his niece is in the foster care system. He drops everything to return and make a home for her, but his life has been a mess, and becoming her guardian is harder than he imagined. Claire is placed with resource parents Dean and Sam, along with fellow foster Kevin Tran, and struggles with the fact that her estranged uncle is wearing her dad's face. Dean is out as bi, but isn't sure how to incorporate that into his daily life. And since Sam has one foot out the door these days, Dean finds himself clinging even more to the status quo. Dean helps Cas get his life back together, enlisting some community help along the way in the form of Ellen and Jo, Charlie, Jody, and even their mutual ex Crowley.
Excerpt: "I'm sorry about your father," Castiel says, watching Dean's face in profile as he carefully makes no facial expression at all. Castiel recognizes the effort. "Both of them. Is that why you...?" He trails off, and Dean nods, carefully picking at something in his hands. "Yeah, that's part of it. Learned early on that the system's pretty broken. Plenty of kids out there that just need someone to look out for them."  Castiel has a full moment to consider the truth of that and to wonder how different his life might've been if only he'd had someone like Dean, like this Bobby, who might've had the inclination to look out for him when he was Claire's age. He has a moment to think of Claire back by the car, Dean at her side, and to wonder if Dean would be a better option than Castiel. After all, when has Castiel ever gotten the chance to learn how to do this, how to be anyone's parent? "Let me show you a trick," Dean is saying beside him, and Castiel needs to reel himself back in. "So you gotta replace this rubber gasket, right." He slides the new one into place, then reaches into a jar of something and slicks his fingers up; he starts rubbing his fingers gently around the ring of rubber. "It's better on the gasket if you lube it up first."  The whiplash from a peculiar kind of heartbreak to the frankly sinful way Dean's fingers nimbly slide around, glistening in the light of the garage, is too much to handle, and Castiel thinks that if he were a different person, he might laugh from the incongruity of it all. Dean's hands are worn, his nails stubbed short, grease and oil stained around the edges, in the grooves of his fingers, and Castiel watches, not hearing a single word, as Dean screws the filter into its plastic cap.  "Here." He picks up a bolt and a small piece of rubber from the table and hands them to Castiel, then holds up the oil he'd used for his fingers. "You do that one." Dean's eyes are startling green just now, and Castiel can't tell if it's because of some trick of the light in here or if it's just wishful thinking on his part. They're standing close together at the small bench, and he thinks that underneath all the oil and grease, he might be able to catch some kind of faint, vaguely manly scent, surely Dean's body wash; he can't be a cologne type.  "Unless you don't want to," Dean says, and Castiel realizes he's been still for too long. He takes the parts from Dean, slides the rubber into place, and slicks up his fingers. He wills his hands not to shake as he slides the rubber under his fingers, turning the bolt in his hand, running his fingertips along the rim. "Is that good?" 
DCBB 2021 Posting Schedule
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early2000smovieimagines · 3 years ago
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Being married to and having children with Claire would include~
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(Not my gif)(Requested by anonymous)
(This was requested on my 80s blog but it was made in 2000 so I’m putting it on this blog.
- Meeting a woman as kind and beautiful as Claire is oftentimes a once and a lifetime experience. Finding out that said woman is single and also; at least partially, into women is nothing short of a miracle.
- And that’s the way you felt about your entire relationship: that it was a miracle. Even when you could only see each other once a week because your schedules were so packed or when her daughter threw up on you two minutes into babysitting her for the first time or when you all found an apartment to move into and only found out about it’s busted water pipes after you signed the lease.
- It was obvious from the start that the two of you would wind up together, and though you held your breaths and took things one step at a time, it wasn’t long before the wedding bells chimed and the two of you said your vows.
- Claire wanted a simple wedding: a slim gown, a few close friends and family, an inexpensive venue. Her daughter was your flower girl, Jody was the officiant, and your cake was decorated with little hearts because neither of you could say no to little Caitlin’s hopeful suggestion. All things considered, it was perfect.
- Fresh off your marriage, the three of you go off in search of your forever home. She’s pretty particular about where she wants to live so you either come to a decent compromise or you let her decide. Her decision is somewhat old fashioned: aged but homey and full of life. There’s a nice view and a promising garden and enough scuffs on the floor for it not to matter if Caitlin plays a little too rough.
- Claire makes an honest living with her cello playing but I’m not entirely sure if that would be enough for the three of you; and potentially more additions to the family, to live off of so you probably work as well. You might even be the “breadwinner” of the family depending on your choice of career.
- The two of you honestly don’t even need to have any more kids of your own because the universe kind of just does it for you. All the kids in your neighborhood come to you for advice/help and they always want to be around the two of you so even though they’re not sleeping under your roof, they’re usually coming by for snacks and play time.
- But, if you do find yourselves feeling a bit of baby fever, you’ll either adopt or make one of your own with a little help from “the lab”. She’s already been through pregnancy and is willing to go through it again so if you don’t want to “take a turn”, she’s “happy” to do it herself; though she might prefer adopting given her bleeding heart nature.
- If she does wind up pregnant then you’ll probably be continuously worrying while she remains completely calm. You’ll constantly ask if she’s alright or if she needs anything and she’ll sort of just chuckle shyly and assure you everything’s fine; only asking for something once in a blue moon and still acting as if she feels silly for requesting it.
- Synchronized routines. She’s pretty much always on top of everything so you’re sort of just filling in the bits and pieces that she needs you to.
- Working together like a well oiled machine when taking care of the kids. Both of you do the same amount of work and are always helping each other out.
- Family dinners and restaurant dates. It’s not often that the two of you aren’t home to eat with Caitlin but on occasion, you’ll hire a sitter and go out for the night; dining at a nice quiet restaurant while you have your alone time.
- She’s a bit overprotective and a bit of a worrier so you’re probably the more calmer of the two. You see things a bit more clearly and reassure her whenever she starts to panic/get emotional which is something she really needs when things get tough.
- Having a resident babysitter so the two of you can go out when you want/need to; unless you want to imagine that her daughter is old enough to watch the little ones.
- Going to her performances and taking care of the kids so she can practice.
- Always supporting her and letting her know you’re there for her. She deserves someone who takes her seriously and treats her with nothing but kindness and respect so you better be that person or so help me god I will-
- Running errands as a family. If you’re not going shopping while your daughter walks between you holding both your hands then what’s even the point?
- Taking walks and hikes together as a family.
- Having a shelve of souvenirs from all the places you’ve visited together/as a family.
- The two of you have found out all your common interests so now you just get to indulge in all of them: going boating, antiquing, hiking, etc. You also just take turns indulging each other whenever you can, even if you don’t necessarily share the same hobbies/interests.
- Her scrapbooking your lives together.
- Jody coming over and stealing her away for a girls night every now and again.
- Gardening together.
- Always having a bouquet of flowers in the house; usually from her garden.
- Going out for ice cream as a family.
- She coaches your towns all girls soccer team. I just know she coaches your towns all girls soccer team.
- Reading together in bed at night.
- Talking to each other about everything. Doesn’t matter how trivial or dumb, it’s brought up and discussed like it’s completely important and relevant to anything.
- The two of you are probably PTA moms but the good kind of PTA moms who just like being there for their kids and making things fun for the little ones. Maybe she brings in really good brownies but you know what Denise, not everyone is trying to impress people when they do something nice.
- Work parties. Please remind her of your colleagues names.
- I stand by the fact that Claire is more of a cat person and the only reason they had a dog was because her husband wanted it; not that she doesn’t also like dogs. I feel like the two of you would adopt a kitten and said kitten would always be in the same room as her.
- Hugs from behind.
- Pecks on the lips before you leave for work.
- Overall, the two of you make the perfect team and live long, happy lives with each other.
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carpsurprise · 4 years ago
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Do you have any headcannons on what the bachelors we like getting their first tattoos, (if they get any at all) please and thankyou! 💞❣
yupyup!! sorry it took a while hehe but thank u for sending a req in!! <3
alex:
-omg i can def see him with them and not having them. def something on his bicep/shoulder area he just screams that energy. definitely on the fence about him having them. my gut says they stereotypical tribal shoulder to chest piece but i like alex enough to not torture him </3
-i think he had no problem getting the tattoo in terms of pain and was talkative w/ the artist!! depending on the tat artist he might have even been a bit TOO obnoxious but overall i think he was still and easy to work with!!
-haley had to keep reminding him to aftercare it though. alex kept forgetting and haley knows better than to leave him to his own devices. that thing would be infected/peeling/scabbing just bc i think alex would be too focused on how cool it looks
elliott:
-mmmm i am leaning more towards no… but if he does…. TWO. at most. but sleeve elliott may also be a beautiful thought in my head. i can’t decide oh god, but im sure he talked his tattoo artists EAR off while getting done. half as a way to distract himself physically and mentally bc im sure he regretted it the second the tattoo gun hit his skin (until after and he got used to it on his body hehe)
-but v simple!! def something symbolic but even like those really cool moth tattoos?? i don’t put it past him. cow or deer skull? w/ horns? mmm i love it. def something like that with something like a book quote elsewhere! like hmmmm the quote on his inner shin and the other whatever on his ribs or so?
-i don’t think he’d have any on his arms tho!! aside from sleeve hc i just threw out sdlkfdlk but like in general!! the writing would be smth like that would peek out when he wears his high waters <3
harvey:
-ok gonna ride on no tattoos realistically but tattoos and harvey is also a good thought. but yeah i'm gonna teeter to no tat harvey.
-i think the pain would be a good deterrent, even if it wouldn’t actually be that bad for him. although he is a doctor i DO also think he is a weenie. like if he had seen someone bleeding from a tattoo… why put urself in that position on purpose?
-but with that being said if someone is going to get a tattoo he will help them take care of it when it's healing. he’s got all the aquaphor in the world. he just wants to make sure it’s clean and kept good. 
sam:
-i don’t think he’s TATTED up but i def think he's got a good 7-8 kinda spread out everywhere. some on his arms, legs, chest/ribs. some of them have some meaning to him or music… others were just for fun!!
-ummm patchwork style tattoos! and i think he’d def want more just bc they’re such a good way to express urself!! the first one and the second one gave jodi a heart attack but after that it just turned into an exhale through the nose
-i think for his first tattoo he was kinda jittery and definitely trying not to jerk around but the pain was not something he had expected. it wasn’t unbearable but for how long? yeouch. but after that he was like hmmm this is not so bad. definitely didn’t eat beforehand though. he makes that mistake everytime
sebastian:
-mmmm definitely Up There. i think he is the stick and poke KING like he has a million all from abigail. i think the fanon is abby is doing art school online and i stick towards tattoo artistry for her!! but def when they were younger i think seb had no issue being a test run for her
-but i think him and sam have a similar tattoo style!! i think he’d stick with stylized stuff like skulls w/ cigarettes, horror themed, maybe a frog in there… just like generally spooky stuff. spider webs...
-with him and coding i think he’d make a good bit more than sam and can afford a lot more!! like sam i am sure he’d also be v laidback and have no issues getting tattooed. even his first one (i bet he travelled to get it done underage), it was like nothing to him!!
shane:
-ok controversial take: sleeve shane. or shane with like a leg COVERED. like i think the man is tatted up. once again, like seb, probably not too bad getting his first tattoo. i feel like shane’s first tattoo was probably on a super painful spot
-like. he went into it like yeah it won’t be too bad getting it on a super painful spot and then. god. did he regret that. like full intricate tattoo on a bone… it’s not fun. his leg may have jerked once. and ofc he felt bad when the artist was like :/ don’t do that
-mmm i think most of those tattoos are from friends in college or at parties/bars!! a lot of non-sober ideas and tats on him. some of them make him said to think about… like friends from college he no longer talks to etc!!! but also like… some make him happy tho!! good memories
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wayward-mikaelson · 3 years ago
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Shallow (Dean Winchester x F! Reader)
Word Count: 4549
About: Set during S15 finale, so SPOILERS. You and the boys pick up a vamp hunt while at a Pie Festival. The hunt ends tragically.
Characters: Dean, Sam, Jody, Cas, Young Dean (s15), Lyla (OC)
Pairing: Dean Winchester x F! Reader (Anyone can obviously read it)
Warnings/Trigger Warnings: Language, Angst, Character Death, Depression (mentioned), Time Jumps.
A/N: It's been while since I did a SPN fic! Writing it made me miss the them more!
A/N 2: This might need some tissues.
***This work contains content for the 18 and up crowd, so please read at your discretion. This work is cross posted on other sites. Please don't copy and paste my work; I work too hard on all my stories. You my copy the link to share or you may reblog. I am NOT taking requests at this time. Feedback is welcomed!***
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You laid there, feeling the cool body paint move around on your back. Dean’s gentle fingers tracing over your back could put you to sleep. This had been the most calm and rest you had in the last couple years. You deserved it! Hell, Dean deserved it more than you. He had been fighting longer than you ever had.
Dean and you crossed paths six years ago during a demon hunt. It really was your hunt and you wouldn’t want to admit it, but you really weren’t doing too hot. You were extremely lucky the Winchester’s stumbled across your hunt when they did. If it weren’t for them you’d probably be some demon's meat suit or doing the conga in hell with the devil himself. That was until you learned of where the devil really was a few years later.
You and Dean rarely got along over the first few years. The two of you always butted heads and argued during most hunts. It annoyed Sam so much that he actually told the two of you “Sleep together already! I can’t take the sexual tension and the bickering any longer.”
It didn’t take longer after that for Dean to grab your face and kiss you.
“Are you done back there?” You tried to twist a bit but a hand gently pushed you back into place.
“Nope,” Dean enunciated the word. “Almost. This is going to look epic though.”
“Doesn’t need to be the Sistine Chapel,” You buried your face back into the pillow.
Dean gasped. “Excuse me? Your back deserves a painting better than the Sistine Chapel. What kind of boyfriend would I be if I didn’t give you the best?”
You chuckled and mumbled something into the pillow.
Once Dean was finished, he reached for his phone and took a picture of it. “There we go,” you heard the smile in his voice. “Now that’s what I like to call the Sistine Back. Here, take a look.”
You lifted your head to see Dean lay on his side next to you. A huge smile painted his face as he showed the screen of his phone to you. What you saw, had you laughing uncontrollably. “Oh, Dean,” you breathed in between laughs. “This is better than the Sistine Chapel. I love it!”
Dean’s face lit up so bright, it could have brightened up the dimly lit room. “Yeah? Maybe I should get this printed out big enough to fit the ceiling in here.”
You shook your head as laughter took over your body once again. “Oh, God, yes! We can stare at the hamburger and apple pie every night we have sex.”
“Yeah,” Dean pushed you onto your back, getting the body paints onto the sheets under you. He plants a gentle kiss to the base of your neck, making you shiver through your entire body. Dean began to kiss down your body until he got to your belly. He looked up at you with those bright green eyes. Instead of slinking down further, he crept back up and hovered over you. Those eyes seemed to stare right into your soul. This man has shown you more love than any other man, including your father, has ever shown you. “I love you, don’t you ever forget that.”
“Never,” you reached up, wrapped your arms around his necK and pulled him to your lips. “I have a surprise for you.” Twisted to the side and pulled a piece of paper out of the side table drawer and handed it to him. You watched as his face lit up and looked between the paper and your face.
“A pie festival?” The excitement was clear as day in his voice. “Oh, Sweetheart, we are so going to this thing. The three of us. A huge family road trip.”
And that’s what you all did.
It was the best trip you all had. Dean tried every single pie he could get his hands on. You and Sam watched as he ate each slice. Looking like he was in heaven with each bite he took. It made you happy to see him so at peace not worrying about anything. There’s no end of the world evil to take care of. There hadn’t been for awhile.
LIfe seemed to be normal.
“You gotta try this one,” Dean sat next to you with another big box full of piece samples. He gave you a fork and pushed a pie towards you. “Don’t give it that look. It’s a honey apple pie with a tad bit of rosemary. So much sweeter than normal apple pie.” You took a small bite and Dean was right. It was sweeter.
“Not going to lie, that was pretty good,” you went for another bite.
“So, guys, get this,” Sam sat down with a newspaper in hand. Can’t be a fun trip unless Sam had his paper to look at. “There was a kidnapping last night. Father murdered and the mother’s tongue cut out. Both kids are missing.”
“Okay, doesn’t sound like our kind of thing,” you reach for the paper. “Maybe leave it to the local PD?” Suddenly, Dean took the paper from your hands and stared at the picture to the article of the tragic story.
“I’ve seen this before,” he mumbled. “Do we still have Dad’s journal?”
“Yeah, why?” Sam asked.
“I think I’ve seen these masks before.”
And Dean. Once he found the drawing John Winchester drew years ago, they matched the ones in the paper. You guys were looking at a pair of masked vamps and you guys were pretty much the closest hunters to take care of it.
“It’s one little hunt,” Dean shrugged as he checked out the weapons in the trunk. “Why don’t we take care of it and then head on home.”
It didn’t take long for you guys to locate the missing children. They were being held in an old barn on the outskirts of town. There three of you, so it shouldn’t be too hard to fight a small nest of vamps. You guys have taken out larger nests in the past.
“Come on, just this once?” Dean had asked. You peaked your head around the trunk and saw Dean holding up ninja stars with a huge smile on his face. Sam on the other hand just stared at him and shook his head.
“Not this time, man.”
Dean put the stars away while mumblings about how Sam was no fun. You smiled and patted him on the back and told him that there will be another time to use them. Dean gumbled some more and you had to remind him that you book a separate motel room away from Sam and that you brought some fun toys.
Even his favorite one to use on you.
Getting into the barn was too easy. Sam and Dean fought the two vamps that jumped out, making it easier for you to grab the two kids and get them to the impala. Once you strapped them in, you were making your way towards the driver side, you were tackled by one of the vamps.
The two of you wrestled in the dirt until you were able to break away and grab hold of your machete. You get to your feet and are tackled again, this time the vamp pins you firmly to the ground. The vamp removed his mask and bit down onto your neck, making you cry out. When the vamp pulled back, you took that small opening to headbutt him and kick in in the groin. You rolled away and quickly stood up and swung your machete. The vamp's head rolled onto the ground. You looked up and saw the terrified look on the children’s face.
“Hey, it’s okay,” you told them when you opened their door. You pulled the blankets over them and gave them some water and the sandwiches you made. “Drink and eat, we’ll get you home soon.” You heard it go quiet in the barn. It was too quiet and something in you told you something wasn’t right. “Hang on tight,” you closed the door and ran inside the barn.
What you saw, it almost knocked the wind out of you. There, Dean’s back was pressed firmly against a wooden pillar with a pained expression on his face. You ran up to him and looked at the damage and felt the tears fall as your heart begin to break.
Dean wasn’t going to come back from this.
“Dean,” you whispered as you met his eyes.
“I know, sweetheart,” He winced as he spoke. You saw his breathing get deeper and more shallow. “I love you. Don’t you forget that when you find someone else.” You squeezed your eyes shut because there was nothing you can do or say that will change the outcome of this. You felt Dean’s hand on your face pulling you towards his lips.
This kiss wasn’t like past kisses. It was firm and passionate and slow. He wanted you to remember this kiss for years to come. “Until we meet again,” Dean whispered, pressing his forehead to yours.
“Take care of her, Sam,” Dean added.
Everything that followed after that, felt like a dream. Your body felt heavy as you drove the kids to the nearest police station with some story about how you found them. The man that you loved, the man who you spent many nights talking about some kind of future, that man was now gone.
When you got back to the barn, the sun was just beginning to rise. You saw Sam sitting next to a covered up heap and the realization, again, hit you hard. The cover heap was Dean’s body. You stopped the impala and got out. Sam looked up at you with red eyes. You knew he had been crying hard. Probably as hard as you had. Sam got up and effortlessly picked up Dean and placed him in the back seat.
The whole way back to the bunker, neither of you spoke. You just took turns crying and driving. Stopping on the side of the road and just letting the other scream out in whatever pain the two of you had left in your bodies.
Back at the bunker, the two of you worked and got a pyre ready. When it was ready, you watched as Sam carried his big brother's body and gently placed it on the wooden display. You stood, with Miracle standing next to you. She had been whimpering off and on. She knew Dean was up there. You knelt down and let her nuzzle you while you let some more tears fall. Miracle was all you had left of Dean now.
Sam had some trouble lighting the pyre so you went up and helped it light it. Soon, the pyre and Dean were on fire. Then the two of you stared at it until it was nothing but ash.
***
You sat in Jody’s spare room while Miracle laid at your feet. You still wished all of this were a dream because neither you nor Sam, could adjust to the new reality that Dean was gone. So the two of you packed up what you could and left the bunker.
You guys drove until you were on Jody’s doorstep at midnight. She knew something was wrong when she looked deeply into your faces and asked where Dean was. When she saw the tears in your guys eyes, her whole face fell. She pulled the two of you into the tightest hug and held on tightly as the three of you cried silently.
A gentle knock on your door startled you. You got up and answered the door and saw Sam standing there. He was dressed in fresh clothes holding two cups of coffee.
“Are you, uh, doing okay?” Sam asked as you took the coffee from him. “I know it’s a stupid question but…”
You gave a pained smile, “I know I’ll be okay, but I feel like I won’t be okay. I’ve tried praying to Jack but I’m pretty sure he’s busy fixing Heaven.” You recount the hours you cried out to Jack about the loss of Dean. You cried about how you wanted him back. You cried about how you were supposed to move on from an epic love like that. You cried about how you just missed him and needed him to make it better.
“Same here,” Sam ran his hands through his hair. “I’m going to go look at places, apartments, that we can share and see what kind of jobs we can get. Do you want to come along?”
You took a deep breath and looked at the ground. “Not today, maybe tomorrow. I really want to spend time alone and process these last couple days.”
“Okay, no worries,” Sam nodded his head. “I’ll see you when I come back.”
“Okay.”
You waited until Sam had been gone for an hour to pack your bags again and head down stairs. You were in the process of opening the door when you heard someone behind you. Turning around you saw Jody standing in the entryway with you. She didn’t say anything, she just pulled a pair of keys out of the bowl next to her and handed them to you.
“Call me when you're safe,” she placed a hand on your face and gave you a smile. “I can’t bear to lose another kid.” A few tears slipped down her cheek.
Agreeing to call her, you slipped out the door and to the car Jody let you use. You got in and made sure Miracle was settled in the passenger seat. Then you were on your way out of town. You weren’t sure where you would go but you knew you needed to get far away from everything.
You needed to start fresh somewhere.
***
Years have passed and you’ve found that the pain of losing Dean has lessened. You’re able to have random memories of him without crying or hours and days on end. You were able to wake up without feeling like there was a hole on your chest. You were finally able to tell Sam why you ran after you were states away. You promised him it would be for a bit and that you’ll contact him.
Sadly, that day never came.
Two months after losing Dean you began to feel sick. You weren’t sure if it was the stress of losing Dean or starting a new life or both. So, off you went to the doctors and there you sat on the papery bed feeling like you were hit by a truck. The words that the doctor told you, they echoed around in your head.
“And the father?” the words were almost like a whisper in your already loud and spinning head.
“What?” you shook your head.
“That father?” the doctor repeated. “What do you know about the father?”
You took a deep breath and looked at the ground. “Um, he’s not in the picture.” Your voice had been quiet. Your heart felt like it had been breaking all over again. Part of you couldn’t believe this was happening. Part of you believed it, Dean and you were never really safe when it came to sex.
“One night stand? We do have options,” the doctor began to say.
“No no,” you shook your head. “The father, he’s um...he passed away.” You choked on the words. Hearing it out loud, made his death all the more real.
“My apologies,” The doctor whispered.
You took the pamphlets and walked out of the doctors. You didn’t know what you would do. This was all so new and all so painful at the same time. Dean was supposed to be here with you whenever this happened. In the end, you chose to keep the baby. You called Jody and Donna and told them, making them both promise not to tell Sam.
Over the years, you heard about Sam through Donna and Jody. He got married and had a kid of his own. You wanted to reach out but at this point it had been years and the two of you had settled into non hunting life. It wouldn’t be fair to disrupt it.
As more years passed, you saw Lyla become more and more like her father. She had his green eyes and his smile. She was smart and would get her hands on just about anything and that made you wonder, where did she get that from. Smart brains ran on both sides. Maybe something from Sam or something from your father. She loved pie just as much as Dean, and you’d take her to the pie festival every year.
As Lyla grew, she asked about Dean from time to time and you told her what you could. You also told her that when she turned into an adult you would tell her more, that telling her while she was young and child wouldn’t be safe or wise. In the meantime, you told her all the things asked about.
“What was Daddy’s favorite food?”
“What did Daddy like to do for fun?”
“What was Daddy’s favorite color?”
“Did Daddy have a favorite movie?”
The questions were endless, but you loved to answer them. Then one day, Lyla came up to you one morning, her dark hair looking like a bird's nest. Her face was beaming with happiness.
“Mommy,” Lyla’s voice was an octave higher. “Did you know, Daddy is in Heaven?”
You almost choked on your coffee. “What, Sweetie?”
“Daddy, he’s in Heaven. An angel told me,” she walked off and grabbed her stuffed chicken, one that she named Chickie Meow Meow, and hugged it tightly.
“What angel?” you asked. You got up and began to check all your warding, the ones that kept the bad creatures out. Everything seemed to be in place, even that salt that still blended in with your window panels. Then you checked to see if Lyla still wore the anti-possesion charm necklace you had made for her. She still did. “What did the angel look like?”
“He wore a funny brown jacket,” she answered. “He said his name was Cas. He wanted me to tell you that Daddy is fine. That they are looking over us.” You pulled Lyla into a hug and let some tears fall.
***
You walked into that old abandoned barn. You had left Lyla with Jody for the weekend. You sat down and placed all that you needed to summon Cas. You didn’t want to pray, you knew Cas all too well, he probably wouldn’t show up. But if you summoned him, you knew he had no choice but to come and see you. You lit the match and dropped it into the bowl and waited.
“Y/N” The deep, rough voice said your name.
You turned to see Cas standing there. In the same thing that he had been taken away in. But it was cleaner. “How are you alive?” you asked outright.
“Jack, he brought me back,” Cas took a few steps closer to you. “You know you could have prayed and I would have come.”
“But would you?” you gave the angel a smirk and raised your eyebrows.
“I did it for Lyla,” Cas looked into your eyes. “She prayed about Dean and wanted to know if he was in Heaven. I thought it best that it was me to come to her.”
You looked down, you couldn’t bear to look into the angel's blue eyes. You always assumed things and that always backfired and kicked you in the ass. “Then why didn’t you come to me when I cried out to you or to Jack?”
“I did,” Cas closed the distance and placed a hand under your chin and lifted your face to meet his eyes. “Each night that you cried yourself to sleep, I was there sitting at the foot of your bed. Each night that you drank yourself to sleep, before you found out you were pregnant, I sat there and rubbed your back the way Dean told me too. Then when you were in that delivery room all by yourself, I was there to make sure things went smoothly. Then when you were sleeping, I memorized everything there was about Lyla. I have watched over the two of you these last nine years. Dean would be so proud of how far you have come.”
You stood there and cried silently as Cas spoke. “Cas,” you whispered, wiping the tears from your face. “I don’t know what to say.”
“I can’t be on Earth as much, Jack and I are still fixing Heaven but I can tell you that Dean is waiting for you.” Cas moved his hand to your shoulder. “I have to go, but I was told to tell you, I love you by Dean.”
Then you were alone.
***
Twelve year passed and you’re helping Lyla with a college event. She had just turned twenty-one and was nearly done with her bachelor degree. At this point, she knew all that there was to Dean. She knew he was a hunter, that he saved the world countless times, that he had some faults, and so on.
Lyla knew of what goes bump in the night. She’s read every note and the journal you kept during the time you had been hunting. When she asked if Dean kept one, you had told her that he didn’t. That he used his fathers and you weren’t sure where that ended up. Lyla even went above and got whatever protection tattoos down her spine.
So, while you’re helping Lyla you had a boy, about nineteen years old come up to the booth and look around. He looked familiar to you. He wore a long sleeve flannel, that was probably why. Sam and Dean always wore flannel. That was probably why and it made you miss the younger Winchester. You should have kept in contact with him or at least told him of Lyla.
“Y/N?” A familiar voice called out to you.
You turned around and your heart just about fell from your chest. There standing with grey hair, was Sam Winchester. He hadn’t changed too much except for the hair and the fact that he wore glasses. He still looked like the Sam Winchester you knew all those years ago.
“Sam?” You crossed your arms.
“The one and only,” he smiled. “What are you doing here?”
Before you could answer, Lyla came up to you. “Mom, we’re going to need some more pamphlets, we’re just about out.” You turned to Lyla who saw Sam. “I’m sorry, I didn’t mean to interrupt.”
“It’s okay, take my keys and you can go print some out at the UPS down the street,” You motioned to your bag.
After Lyla had left you turned back to Sam who had watched her the whole time. It was like he knew. “So, you have a kid too?” You heard the tone in his voice. Lyla looked so much like Dean these days, you knew someone from your past was bound to notice. Sam most of all.
“Yeah,” you answer quietly. “Her name’s Lyla.”
“Cool, that’s great you found someone to populate the Earth with,” Sam gestured towards you. That tone he held was still there. The look in his eyes was the very same one he used on you when he called you out on yours and Dean’s sexual tension.
“You know, don’t you?” you lowered your arms.
“She looks a lot like Dean,” Sam whispered. “Is that why you ran? Is that why I never heard from you?” You stared at Sam and tried to hold back your emotions. “Dean’s final words were to take care of you. I failed at that when you ran.”
“You failed when you didn’t come and look for me,” you lashed out. “I thought you would have looked for me despite everything I told you. You should have found me. Then I find out through Jody your married and have a kid, I thought it best not to mess up what you got for yourself.”
Sam stared at you and nodded. “I should have and I’m sorry.”
“I’m sorry, too,” you whispered and looked around. The boy in the flannel was still there. Then it hit you. “Is that?”
“My son,” Sam’s face lit up brighter than you’ve ever seen it. “His name is Dean.”
For the next five years you kept in touch with Sam. You guys spent holidays and birthdays with each other. That was, until you got sick and the doctors couldn’t help you. So, in your hospital room, Sam sat beside you. He wasn’t doing too well either, but he held your hand and smiled at you.
“Tell Dean I said hi,” were the last words you heard.
***
When your eyes opened again, you were sitting on a bench. Around you was a field of just plain old grass and a few trees. You knew this place all too well. You stood and realized you were back in your younger body. Having that kind of movement again, it was amazing. You began to walk around, feeling the warmth of the sun on your skin. It all felt nice and it made you smile.
“Hey, Sweetheart.”
You spun around at the familiar sound. There he stood, looking handsome as ever in his jacket and leaning against the Impala with that heartwarming smile. “Dean,” you said his name like he hadn’t been dead for almost three decades.
Dean pushed himself off the impala and closed the distance between the two of you. He placed a hand on your cheek and brushed his calloused thumb over it. You closed your eyes and took in the touch. “You know, time is different up here. It doesn’t feel like it’s been twenty-six years.” Then he pressed his lips to yours and the feel almost knocked you off your feet.
“Are we allowed to kiss in Heaven?” you pulled away from him.
“I don’t think Jack minds,” Dean smiled and gathered you into his arms and pressed his lips more firmly to his. You wrapped your arms around his neck and pressed yourself against him. “Wanna go for a ride?” He asked when he pulled away.
“Sure, I missed this beauty.” You ran your hand along the impala and just as you were about to get in, Dean staring at you caught your eye. “What?”
“Cas says you had a baby,” Dean crossed his arms on top of the hood. “I have to ask…”
You smiled at him and leaned on the hood as well. “She’s yours and she’s incredible. Loves pie just like her daddy. I thought Cas would’ve told you.”
“Time moves differently up here,” Dean repeated what he said earlier. “What’s her name?”
“Lyla,” you smiled. “Lyla Winchester.”
“I wish I got to know her,” Dean spoke softly.
“You will,” you got into the passenger side. “I can tell you all you want about her.”
Dean followed you into the impala. “I don’t have to worry about some random dude coming here and claiming you as his wife or something?”
“Nope,” You sat back. “Now drive or I’ll start walking.”
“Yes, ma’am.”
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mrs-tsunderemeitantei · 3 years ago
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Wakasa Rumi Theory Series: Part 3 of 3
So this is it, the final part of my Wakasa Rumi Theory Series!
WARNING: SPOILERS AHEAD
Here I'll be talking about the last two points in bold. Part 1 and Part 2 already covered points 1-3 and points 4-5.
Why I think she's Asaca
Her probable relationship to Haneda Koji.
How she became Amanda's bodyguard.
What might have happened on the day of Haneda Koji's murder.
How Haneda Koji's dying message directly refers to RUM as his killer.
Why Wakasa went on a hiatus for 17 years since the murder.
Reason behind Haibara liking Wakasa.
As usual, happy reading 😁💛
6. Why Wakasa went on a hiatus for 17 years since the murder.
Now this point will have so many things that will go into it, so hopefully no one gets lost along the way 🙌🏼
As per my theory in Part 2, I believe Wakasa had a full on confrontation with RUM after she found Haneda Koji dead. And now that she's also the lead suspect for a crime she didn't commit, the logical thing would be that she goes into hiding. The first case she was ever involved in (Chapter 968) foreshadowed the possibility of someone going into hiding for years. And after literally crossing paths with a dangerous BO member, she probably changed her appearance. This was also foreshadowed in the Pro-golfer murderer case that probably hints to the fact that she is in disguise or had plastic surgery altogether. That's why I'm not entirely sure if we can judge that she could be Atsushi's sister based on appearance (I talked about it in an ask here).
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Now during the time she was in hiding, she could have still been trying to investigate the BO or trying to find a way to infiltrate it. During that time, she must have crossed paths with Kuroda 10 years ago. If they were both investigating around the same time, they could have very well crossed paths. Her reaction to meeting Kuroda the first time was just as triggered as when she saw Wakita leave the school, except this time, she wasn't as scared to talk back to Kuroda which implies she has interacted with him before and knows of him. At the same time, Kuroda's knowing smirk when he found out Wakasa was going on a camping trip. Implying it's not like her to go camping further strengthens that they met each other before.
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Then, Kuroda must have fallen a victim to the accident that put him in a coma for 10 years. During that time, Wakasa must have trained even more and eventually joined some security or intelligence department like the PSB, FBI, CIA or MI6. I am drawing more parallels of her character based on Jodie who was very suspicious in the Vermouth arc but was in fact an FBI agent. Another such similarity is just like Jodie lived in a high rise apartment that Heiji noted is very expensive for an English teacher, Wakasa also lives in an expensive building. A pro-golfer even lived there so rent must have not been cheap.
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So yes, my theory is Wakasa started working for some intelligence security department ever since Kuroda's accident and her main goal was to investigate the BO and steal information about them. If like Haibara she managed to hack into the BO's database, the following points would make sense:
She holds a very recent list of the APTX-4869 victims that has Kudo Shinichi on it.
She managed to find out about Miyano Shiho and 'Hell Angel'.
She could have discovered that Amuro is a BO agent which is why she fought him to retrieve the shogi piece, especially after Kobayashi-sensei introduced him as a private eye.
She described Karasu as someone that has 'Karasu' in their name as someone who is difficult to approach and a conspirator so it's very likely she tried to infilitrate the BO to get close to him.
The reason why she briefly triggered Haibara's BO sense was because she recalled her confrontation with Wakita while gripping the bishop and Uma shogi piece that refers to him in Haneda Koji's dying message.
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Now coming onto the final point in this series:
7. Why Haibara likes Wakasa.
I don't know if I am entirely convinced it's because Haibara is in fact related to Wakasa or if her being Atsushi's sister bears any weight since we can't really judge by appearances if Wakasa did get plastic surgery or is sporting a disguise. But, let's backtrack a little. When Okiya Subaru was first introduced, Conan was incredibly trusting of what seemed to be a very suspicious character. Turns out this is because he was Akai in disguise and Conan was the mastermind behind this. Haibara may not be the mastermind behind Wakasa's situation but I'm guessing she knows something about her that we don't and it shall be revealed to us later.
And that's it! Omg I can't believe how long it took me to put this out. As exhausting as it was, it was so much fun to write 😂.
(In cased you stumbled upon this post first, these are the links for Part 1 and Part 2)!
I hope you guys enjoyed it as much as I did and I'm open to everyone's thoughts and opinions 😁 💛🖤
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anotherspnfanfic · 4 years ago
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Holy Muffins, Batman
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Summary: She needs somewhere to work, Dean has just the place.
Pairing: Dean x reader
Word count: 1612
Warnings: none, it’s all fluff
Squares filled: Cafe owner!Dean for @spnchristmasbingo, burgers and fries for @spndeanbingo
A/N: I kind of love how this one turned out. 😊
~~~
She walked into the cafe and smiled when she saw her favorite corner booth was empty. As she slid into her seat, she pulled out her laptop.
“G’morning, sweetheart. You’re here early today.”
She looked over and spotted Dean headed her way. “Yeah, tell me about it.” She stifled a yawn. “But I have a deadline. I stared at a blinking cursor for at least two and a half hours yesterday. I figured a change of scenery might do the trick. My editor will hunt me down if she doesn’t have something from me today.”
“So extra large on your latte then?” He was already slowly backing away from the table to go prepare her drink.
She nodded eagerly. “Please, and keep ‘em coming.”
He returned a couple minutes later. He set a large mug on the table and a plate with three muffins. “Here you go, sweetheart.”
“Holy muffins, Batman.” She laughed.
He chuckled and shrugged. “Blueberry, your usual. The others are a gingerbread and a, uh, lemon cranberry.” He sounded uncertain. “Jody made them. Something about us needing Christmas-themed options. Figured you could test them out and let me know what you think.”
She lifted the one with cranberries and smelled it. “I think I can handle that. They smell amazing.”
“I’ll let you get to work. Let me know if you need anything.” He smiled as he turned and walked over to greet a recently-occupied table.
Sipping her latte, she looked around the cafe and watched as a handful of people came in for their morning coffee and promptly left again. She pulled off pieces of each of the muffins, munching as she people-watched. When she had finished off one muffin, she finally opened her laptop and powered it up.
Accessing her previously saved Word document, she heard Dean laugh. The sound drew her attention to where he stood behind the counter, joking with a couple placing an order. She couldn’t help but mirror his infectious smile. She turned her attention to the screen in front of her. Before she knew it, she had several paragraphs written and the inspiration was, finally, flowing freely.
Some time later, she reached for her mug that had been nearly empty when she’d last taken a sip. Instead, she found a new, full latte in its place. She wondered when that had appeared and how she had missed the delivery. She looked up and spotted Dean wiping down the table two over from her. “Thanks, Dean.” She lifted the mug as she spoke. He winked before resuming his task. She felt the blush creep over her cheeks as she turned her attention back to her writing.
She finished a chapter and was emailing the document to her editor when a hand waved between her face and the computer screen. She looked up to find Dean standing beside the table with a plate in his hands.
“I think you’ve looked away from that screen once in the last four hours,” he started. He set the plate down. “And that was ten minutes after I brought you a fresh latte. I figured you might be hungry, but I didn’t want the burger to be cold before you noticed it.”
“It has not been…” She trailed off as she looked at the clock. “How has it been four hours?!”
He shrugged.
She picked a fry off the plate and ate it. “Well, you were right. I am actually starving.”
He chuckled. “We can’t have that. Is there anything else I can get you?”
She bit her lip to contain her smile. “Hmm, yes. Some company would be nice.”
He smirked mischievously. “Sure. I can send Jody over. You can tell her what you think of the muffins.”
She rolled her eyes. “Not who I had in mind. The boss does give you a lunch break, right?”
“I think he can make an exception today,” he teased. Both of them knowing he was talking about himself. “I’ll be right back.”
He came back two minutes later with another plate with his own burger and fries. He set the dish on the table before sliding in across from her.
As he settled, she took a bite of her burger and moaned loudly. He raised his eyebrows, amusement playing across his features. “Sorry,” she mumbled, quickly covering her mouth.
“You won’t ever hear me complain about getting a woman to make that sound,” he said with a cocky smirk. He winked before lifting his own burger off his plate.
“Smooth.” She took another bite and waited until she had swallowed to continue. “Seriously though, I hope you know you’ve ruined burgers from anywhere else. These are incredible.”
A small, proud smile replaced his smirk as he broke eye contact momentarily. “Thank you.”
They continued to eat in a comfortable silence. Munching on the remaining fries, she asked, “Do you have any fun plans for Christmas?”
He nodded as he finished chewing. “Kind of. Just dinner and gifts with my brother, his wife, and our parents. What about you?”
“Pretty much the same. Dinner and gifts with my sister and parents.”
“Just the one sibling?” he asked.
“Yup. Just me and her. Just you and your brother?”
He nodded. “Older or younger?”
“She’s older. I’m the baby of the family.” He stole a fry off her plate and she smacked his hand. She scowled the best she could while trying not to laugh.
“Sammy is four years younger than me.” There was a fondness in his voice that told her how much he loved his brother.
“So you torment him.” It wasn’t a question.
Dean chuckled. “Well, it is in the older sibling handbook. It’s actually required.”
She finished her fries then lifted her napkin to wipe her mouth. She set it on top of the empty plate.
He watched as she eyed her laptop quickly. “What exactly is it you’ve been typing away at all morning?”
“The beginning of my next book. It’s the third of a series,” she explained.
“Wow. What are they about?”
“Monsters.” She watched as his eyebrows rose in surprise. “Werewolves, vampires, changelings… you know, all the things that go bump in the night.”
He cleared his throat, letting the information settle. “I don’t know what I was expecting but that wasn’t it. Please, tell me more.”
She shook her head. “You are just going to have to read the books if you want to know more.”
“Okay.” He reached toward the laptop to try and pull it over to himself.
She pushed his hand away. “No, no, no, nice try. I was referring to the published ones.”
He pouted. “Fine. I guess I should let you get back to it.” He stood and picked up the empty plates.
“Thanks for joining me.” She pulled her laptop in front of her and was back to writing before he was ten steps away.
Several hours and lattes later, she finished sending yet another email to her editor before starting to shut down her laptop. Glancing around, she noticed most of the tables had the chairs set up on top. Dean was sitting at a table near the window, Christmas lights now lit in the trees outside. She smiled at the view for a moment. She could see his concentration as he typed something. Pulling her eyes away from him she finally noticed everyone else was gone, including his staff.
“Where is everyone?” she asked, causing him to look over at her.
He checked his watch and chuckled. “I actually closed up about twenty minutes ago.”
“What?” She closed her laptop and put it back into her bag. “Why didn’t you kick me out?”
“You looked like you were on a roll.” He gestured toward the surface in front of him, littered with papers. “And I wasn’t ready to head out anyway.”
Grabbing her bag, she stood and moved towards his table. “Don’t you have a perfectly good office for all of that?”
He gave her a lopsided grin as he glanced back down at the table. “Yes, I do, but I didn’t want you to look up and find no one here.”
She shifted her bag on her shoulder. “I appreciate that, and thank you for letting me camp out here all day.”
“You are welcome to camp out here anytime you want to, sweetheart.”
She blushed. “So, what do I owe you?”
He waved his hand dismissively. “On the house.” She shook her head and opened her mouth to protest. “I insist.” He reached forward and pulled down the laptop screen, smoothly closing it.
She groaned. “Fine. If you insist. Thank you, again.”
He stood and placed his hands on both of her arms. He tipped his head down and looked her in the eyes. “Any chance you want to go get some dessert somewhere? I know a place that has great pie.”
She looked down at the table. “I thought you said you weren’t ready to leave yet.” She looked back at him and watched the smallest smile appear.
“Did I?” He feigned innocence. “Huh, well I can finish this later.”
She considered his offer. “On one condition. We also walk around downtown to look at all the Christmas lights.”
“Sounds like a deal.” He offered his hand for her to take. As she took it, he ran his thumb across her knuckles. He took two steps backwards before turning toward the door and pulling her with him. He flipped the lights off and locked the door as they left.
Enjoying each other’s company, they slowly strolled hand-in-hand down the sidewalk toward their destination, taking in all the lights and decorations along the way.
~~~
Tags: @deanwasscaredbyacat @babypieandwhiskey @muchamusedaboutnothing @defenderrosetyler @akshi8278 @like-a-bag-of-potatoes @thoughts-and-funnies
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impalas-r-important · 4 years ago
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Love of my Life - (5) Don't play games with me
Summary: Game night ends with a surprise
Warnings: N/A. Let me know if you find any that I should be listing!
A/N: I know Jody isn't a big player at this point in the show, and that Donna hasn't even been introduced. But I love them and we're just going to pretend for the sake of the story!
Series Masterlist
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It was your turn to make treats for game night, so after you had showered and dressed, you pulled together ingredients for cookies and preheated the oven. Sam, Bobby and Nick were in the living room and Dean had just joined.
“Of course, you show up after we’ve cleaned the place.” Bobby remarked as Dean sat down. The boys all talked and laughed for a while, and you were glad to see that Dean was finally warming up to Nick. Once you put the cookies in the oven, you began to clean up.
“I’ll wash if you dry.” A deep voice offered. You looked up to find Nick holding out a dish towel to you, which you accepted.
“I’m glad to see Dean is finally speaking to you.” You gave Nick a side glance.
“Yeah, me too. He’s a really cool guy, I’d love to pick his brain sometime.”
The two of you worked like a well-oiled machine and were done with the dishes in no time. Dean couldn’t help but watch from the living room.
“Dean, are you even listening?” Sam snapped his fingers and frowned. He knew exactly what Dean was watching.
“Yeah, sorry. What’d you ask?” Dean blinked a few times, bringing himself back to reality.
“What games should we play tonight?” Sam opened up an old cupboard full of card and board games.
“I’m always down for a little poker.” Dean said as he grabbed a few decks of playing cards.
Jody filed in soon after and brought Donna with them, who had been visiting. You yelled hello from the kitchen and pulled the cookies from the oven.
“Smells amazing.” Nick leaned over the tray and inhaled, then reached for a cookie. You quickly slapped his hand.
“You gotta wait until the games start.” Nick gave you an exaggerated puppy dog look. “Sorry, not buying it. Sam’s been giving me that look for years. I’m immune to it.” Nick huffed in defeat and gave you a quick kiss on the forehead.
Jody couldn’t help but notice the new hunter who was strangely close to you. She approached Sam with a headful of questions. “Sam, did I just see some guy give Y/N a kiss on the forehead?”
“Yeah, that’s Nick. He’s been hanging around here for a few weeks while he heals up from saving Bobby’s bacon. He’s a decent guy, and he’s got it real bad for Y/N.”
“Uh huh…” Jody paused to think. “I guess what I’m really wondering is why hasn’t Dean ripped Nick’s throat out for even standing 5 feet from Y/N?”
“I’m sure he wants to. But Dean made his choice, and I reminded him that. I hated seeing Dean lead Y/N on like he might eventually get back with her someday.”
“But we all know Lisa’s just a temporary thing, right?” Jody looked to Sam for assurance, but he stayed silent. “Right?!” She emphasized.
“I don’t know anymore. I don’t think she’s right for Dean, but he hasn’t given any signs of leaving her. Maybe it’s permanent.” Sam took a drink of his beer.
“Oh.” Jody looked back over into the kitchen to see Nick leaning against the counter watching you with adoring eyes as you moved the cookies from the baking sheet to the cooling rack. “She does seem happy with him, and hell she deserves to be happy. But I gotta admit, Dean and Y/N seemed like they were perfect for each other. Like a match made in heaven.” She scanned the room to find Dean sitting on a chair in the corner next to Donna, trying his best to look invested in their conversation, but stealing occasional glances into the kitchen. Jody excused herself from her conversation with Sam and placed her hand on Dean’s arm, interrupting Donna mid-sentence. “Can I steal Dean for a sec?” Donna nodded and smiled, and Jody signaled for Dean to follow her out of the room. She sat down on the bottom step of the staircase. Dean followed suit.
“Everything ok, Jody?” Dean asked with concern in his eyes.
“I should be asking you that.”
Dean looked taken aback by her question and simply responded, “Well I’m just peachy,” before finishing off his beer.
“Dean, you don’t seem happy. Maybe it’s none of my business, but I think you and I know each other well enough that I can ask… What the hell are you doing?”
“What?” A confused Dean looked at Jody with questioning eyes.
“I’ll say it once and then drop it, because I’m not one to nag.” Jody took a deep breath and exhaled. “You belong with Y/N, Dean. I know it, you know it, everyone knows it. You were literally made for each other. The first time that I saw you with Y/N, I knew that she was the one for you. I saw it in your eyes, and how you spoke with her, how you touched her. It was straight out of a crappy romance novel.” Jody looked at Dean, who was avoiding eye contact. “So, I don’t know what’s going on between you two, or between Y/N and Nick, or between you and Lisa. But I know what I know, and I know that Y/N is the girl for you. You’re not really you when you’re not with her.”
Dean played with the label on his beer bottle and remained silent for a few moments, as did Jody. She wanted to give him the chance to talk if he wanted to.
“I’m still in love with her.” Jody could feel the pain dripping from his words. “I wake up every morning wishing that she and Sam had just rang the stupid doorbell instead of leaving for a year the night they came back. I would have left with them and I’m know I would still be with Y/N now. But I made a commitment that I can’t bring myself to break.”
“To Lisa?” Jody placed her hand on Dean’s back. He shook his head and closed his eyes, trying to contain his emotions.
“To Ben.” He answered and clenched his jaw. “I don’t love Lisa and I would have left the second I knew Y/N was back. But when Ben looked me in the eyes and told me that he thinks of me as his Dad, his real Dad, I knew I had to stick around for the long haul. I know firsthand how an absentee father can screw you up, and I can’t do that to him. But I can’t keep pretending that everything is all right.”
“I see.” Jody nodded. “Have you told anyone else about this? Sam or Bobby?” Dean shook his head. “Well, I can’t tell you what you do in this situation, but I do know that you’re a good man, Dean Winchester, and I’m here if you ever need to talk through things.” Dean nodded and Jody stood up, pulling him up by the arm. “Let’s go play some games.” She smiled and led him into the living room where the furniture had been pushed to the sides of the room to make room for the poker table.
“There you are!” You greeted as Dean and Jody joined your group. You could tell Dean was off as he sat down across from you. His eyes met yours and you immediately recognized the pain in his expression. Dean took a deep breath, picked up the cards he had been dealt, and put on a fake smile. At this point in his life, he was an expert at putting on a happy face, but you knew him too well and saw right through it. You were pulled back to reality by Nick putting his hand on your knee, signaling it was your turn. You gave him a sheepish smile and played your cards.
Your felt your heart being torn in 2 ways. For a long time, you thought Dean would be your forever, and you knew a part of you would always love him no matter what. But he was with someone else and showed no signs of wanting you anymore. Nick, on the other hand, was caring and had opened his heart to you quickly. He was handsome and funny and sweet, and any girl would be lucky to have him. You felt in the wrong because you knew that even if you pursued a relationship with Nick, you wouldn’t be able to give him all of you. Dean Winchester would always own a piece of your heart, a big one at that, and you were reminded of that every time you looked at him.
Hours had passed and it was getting late. You had all had fun, but people were filing out the door. You organized the cards into their proper decks and put them away. Sam helped you fold the table up and Nick and Bobby were picking up bottles and cans and clearing plates. You didn’t see Dean and assumed he must have left with the group but thought it was odd that he didn’t say goodbye. You said goodnight to the boys and headed up to your room. Dean had been off all night and you were worried. Your hand reached into your pocket and pulled out your phone. You scrolled down to Dean’s name and debated whether or not to call him. As you pushed your door open, you were startled to find someone sitting on your bed. You immediately went into defense mode, grabbing a knife from the top of your dresser.
“Dean?” You asked softly, putting down the knife and joining him on the edge of the bed. He was looking through an old photo album that you kept in the drawer of your nightstand.
“I remember when we took this. Sam was so mad that we stopped in the middle of the desert for one stupid picture.” Dean held up a picture of you sitting on top of his shoulders, pointing to the “Welcome to New Mexico” state sign. Dean was wearing a grey t-shirt and sunglasses and you had your hair pulled up in a messy ponytail. This was one of your favorite pictures. You made the boys stop so you could take a picture anytime you passed one of those state signs and were determined to get a picture with all 50 of them. Dean thought it was stupid at first, but he saw how happy it made you. Eventually he joined in, and the two of you would make silly poses next to each sign, leaving Sam to be the photographer.
“There’s still a few states that I need pictures of.” You took the book from Dean and slowly flipped through the pages. This album was one of your most cherished belongings, but you hadn’t looked through it for almost a year and a half. The memories that these pictures brought back were always happy at first but following closely behind was the pain of knowing that you and Dean would never be that close again.
“How many? Maybe we can take a few road trips and hit the ones you don’t have. Could be fun.” Dean suggested, raising his eyebrows.
You wanted to say yes, pack a bag, and leave right that minute. That’s the kind of thing the two of you used to do. But things were different now. Your smile faded, and instead of accepting his invitation, all you managed to say was, “Are you sure Lisa would be okay with that?”
Dean pursed his lips and nodded, silently agreeing that you had a point. He turned to look at you with desperation in his eyes and opened his mouth to say something before Sam walked in, breaking the tension.
“Hey, man, I thought you left. Thanks for helping clean up.” Sam said sarcastically as he flopped down on your bed. “Oh, man, I remember these pictures.” He took the book from your hands and scanned the pictures. “I miss these times. The three of us out on the road.”
“Me too.” You and Dean agreed in unison.
It was already late, but you and the brothers stayed up for at least another hour remembering stories about your past. You could hear Nick’s boot heavy on the stairs as he walked towards your room.
“Nick!” Sam yelled to get his attention.
Nick stopped and peaked his head in the door. “This must be the afterparty.” He smiled and you signaled for him to come in.
“Alright, you gotta tell us your craziest hunting story.” Sam demanded.
“Hmm…” Nick pondered and scratched his head. “Twin falls, Idaho, 2010. Four vamps, two werewolves, one ghoul, and two idiot hunters who thought they could handle it by themselves.”
“Sounds like the start of a crappy joke.” Dean chimed in.
Nick laughed and continued with his story. You all exchanged hunting tales until you grew tired and gave a big yawn.
“You know, my buddy found a case in Virginia. We could head out in the morning and help him if you guys feel up to it?” Nick suggested. “I’m dying to get back out there, even if I am limited.” He lifted his leg with the boot on it.
“I’m game!” Sam hopped off the bed. “I’ll go pack. Night guys.”
“Y/N?” Nick looked for your answer.
“Hell yes. I’m itching for a good fight.” You said sleepily.
“Sweet. See you in the morning.” Nick winked at you as he left.
“I’d offer for you to come, but…” You trailed off; your words directed at Dean.
“I know.” Dean nodded in acceptance. He readjusted himself to lay back on your bed, hands behind his head. “I miss hunting.”
“Hunting misses you.” You laid down next to him. “I mean, you’re Dean freaking Winchester. I’ve been told by a reliable source that some people call you The Ultimate Hunter.” You exaggerated your words and chuckled to yourself.
“More like the ultimate retiree now.”
You studied the ceiling and looked over to Dean, who had his eyes closed. It was at least 2 AM and you figured he was tired. “So, what were you doing in here tonight, anyway?” You figured you deserved an answer since he almost gave you a heart attack.
Dean’s breathing was slow and steady. “I don’t know. I just started walking and this is where I ended up.”
“Going through my stuff? You’re lucky I didn’t throw my knife at you. You scared the crap out of me when I first walked in.”
Dean smiled. “That’s what you get for beating me in poker tonight.”
“You mean kicking your ass in poker tonight?”
“Same difference.” He pushed you with his elbow a bit. The two of you lay in silence for a few minutes.
“You seemed off tonight.” You glanced at him.
“Just tired. Bobby’s couch wasn’t the most comfortable last night.”
“No, that’s not it. Are you feeling okay lately? You’ve been over here more in the past few weeks than you have in the past few months.”
Dean shrugged. “I guess it just sucks knowing that I’m being replaced.”
“Replaced?”
“Yeah. With Nick.”
“Uh, Nick isn’t replacing you.” Dean sat up and swung his feet over the edge of the bed.
“Sure feels like it. Sam has become fast friends with him, Bobby trusts the guy, and now the gang is going out on a hunt without me.”
“Dean, you know we’d love it if you came hunting with us, but you got out of the life and Sam and I are just trying to respect that.”
Dean rubbed his hands over his face. “But worst of all, I see the way he looks at you. I know that look because that’s how I used to look at you.” You looked down at the floor, searching for the right words. “Hell, I still do, Y/N/N.”
Chapter 6
Tags:
@vicmc624
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jdgo51 · 2 years ago
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What’s the Best Christmas Gift for Your Kids?
Today's inspiration comes from:
Praying the Scriptures for Your Children
by Jodie Berndt
Good question.
"'I’ve tried everything, from ridiculously expensive “must-have” toys like My Size Barbie (a gift that was abandoned as soon as our four-year-old stole all her clothes) to a posture brace for our teenagers that was not, as the advertisement optimistically proclaimed, “virtually invisible” under your clothing.
Praying the Scriptures for Your Children Looking back on our family’s growing up years, I can’t help but think that a lot of my Christmas mistakes could have been avoided had I stuck with my grandmother's gift-giving strategy. Gammy never gave us anything, at least nothing you could wrap. Instead, she asked her grandkids to memorize a Bible verse for her every year and, in return, she promised to pray for us.
I will admit that, as a teenager, I was less-than-enthused by my grandmother’s scheme. I don't know how I ever memorized any verses, given that my eyes were rolled so far back into my head. Today, though, many of these nuggets are still locked in, and in terms of things like wisdom, joy, and peace I can promise you this: The Bible verses have been a far better — and infinitely more comfortable — support system than even the most discreet posture brace.
I will never know the full impact of Gammy’s prayers, but I am confident that her gift to her grandchildren protected us from all manner of evil we likely deserved — and opened the door to immeasurable blessings we didn’t. And now that I’ve got grandkids of my own, I can’t think of anything I’d rather give them than prayer — the same gift I (finally) learned to give to my children.
So what does it look like, in practical terms, to “give the gift of prayer”?
Every December, I spend some time thinking about each of our kids and grandkids. I consider where they are (spiritually, as well as socially, physically, emotionally, and in other ways), and I ask God to clue me in as to what He might want to do in their lives. And then, because I love the power that comes with praying the scriptures, I go poking around in the Bible. When I find a verse that seems to speak to a child’s particular situation or need, I pick that as an “annual prayer,” personalizing it with his or her name.
Here are a handful of the prayers I’ve relied on over the years:
For a child’s academic or career success: May _______ show aptitude for every kind of learning, be well informed, quick to understand, and qualified to serve. (Daniel 1:4) For a child who needs wisdom and guidance: Instruct and teach _______ in the way they should go. (Psalm 32:8) For a child who wants friends: Surround _______ with good friends who are kind and compassionate, and quick to forgive. (Ephesians 4:32) For a child to live out their faith in a winsome way: May _______ be wise, shining like the brightness of the heavens and leading many to righteousness. (Daniel 12:3)
When our children were little, I’d trace their hands on a piece of colored cardstock and write out the verse, along with the date. I’d cut out the hand, laminate it, and stick it on the refrigerator, where they’d serve as a visible reminder to me (and to my kids) that God was at work.
Hand Romans 12:10
After a while, when the kids’ hands got so big that they were more creepy than cute on the fridge, I began making bookmarks with the verses instead. And after doing this now for more than twenty years, here is what I’ve discovered.
I’ve discovered that when you commit to spending a whole year praying about one particular thing, you learn to wait well, trusting God even when you can’t see what He is doing. You give Him time to work. And you get out of the way so that He can weave in answers and blessings that you had not even thought to pray for, or that your children needed.
For instance, one year I chose Isaiah 62:2-4 as a prayer verse for our daughter, Hillary. “You will be called by a new name,” this passage says. “No longer will they call you Deserted or name your land Desolate... the Lord will take delight in you and your land will be married.” Hillary was facing some uncertainty in her job at the time, and I wanted her to know that God delighted in her. I wanted God to give her a new name — a new “sense of identity” — and let her know how much she was loved.
God did that, all right. He filled my girl with purpose and joy. He gave her favor at work. And he introduced a young man into the picture — one who became her fiancé that year and then literally gave her his name. Marriage was not even on my radar when I picked that prayer verse — but it was on God’s!
Truth be told, I love gifts you can wrap and tuck under the tree (and if nothing else, the posture brace made every other gift shine by comparison). But as I think about the varied ways we can shower our children with love, I’m increasingly convinced that prayer is the best gift of all. It’s a gift that lasts. It’s one that comes with the power to influence and shape lives. And it brings peace and joy to the giver, knowing that when we come before our heavenly Father on behalf of our children, He can be trusted to accomplish good things in their lives."'
Jodie Berndt Written for Devotionals Daily by Jodie Berndt, author of Praying the Scriptures for Your Children (20th Anniversary Edition), Praying the Scriptures for Your Teens, and Praying the Scriptures for Your Adult Children.
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oldmanatom · 4 years ago
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A Locked Tomb Fanmix But It’s All Classic Country
this exists entirely because one night the thought “but what if i made a Locked Tomb fanmix with only classic country songs” popped into my head, unprompted, and i thought it was too hilarious to not do.
the art on the cover is done by @starfleetofficial​​, who this mix is also dedicated to. thank you for recommending me these books, continuously “yes, and”ing my semi-coherent TLT messages sent at 5 in the morning, and being so supportive about this idea. (also check out her version, A HtN fanmix but it’s all Fiona Apple!) the cover design is referencing the famous Marty Robbins album, Gunfighter Ballads and Trail Songs.
my one listening note: this will probably be more enjoyable if it’s approached with an open mind and an expectation that it’s taking itself about as seriously as the official fanmixes do.
see below the cut for a song list and some lyric excerpts.
this mix has implicit spoilers for both Gideon the Ninth and Harrow the Ninth.
Gideon the Ninth mix: youtube / spotify / full res cover Harrow the Ninth mix: youtube / spotify / full res cover full mix: youtube / spotify / full res cover
Gideon the Ninth:
1. Johnny Paycheck, “Take This Job And Shove It”
You better not try to stand in my way 'Cause I'm walkin' out the door Take this job and shove it I ain't working here no more
2. Dolly Parton, “When Someone Wants To Leave”
It's a sad situation I must say When someone wants to leave as bad as you want them to stay
3. Loretta Lynn, “I’m A Gettin’ Ready To Go”
I'm gonna praise my savior's name everyday that I'm livin' Glory hallelujah I'm not ashamed to let my salvation show This old world's just my dressin' room and I'm a gettin' ready to go
4. Waylon Jennings, “I Ain’t Living Long Like This”
I tried to run but I don't think I can You make one move and you're a dead man friend Ain't living long like this Can't live at all like this, can I baby?
5. Loretta Lynn, “This Haunted House”
This haunted house I'm livin' in is killing me And the ghost of your love won't set me free Each morning finds me crying and alone In this haunted house we used to call our home
6. Loretta Lynn and Conway Twitty, “After The Fire Is Gone”
We know it's wrong for us to meet But the fire's gone out at home And there's nothin' cold as ashes After the fire is gone
7. Loretta Lynn, “How Long Will It Take”
(How long will it take?) How long will it take to make you want me How much longer has this old heart gotta break (How long will it take?) How long will it take to make you need me I keep a waitin' and a wonderin' how long will it take
8. Stonewall Jackson, “Don’t Be Angry”
Maybe someday you're gonna hurt me I've been hurt in love before Only God can know And time alone will tell
9. Dick Curless, “A Tombstone Every Mile”
It's a stretch of road up north in Maine That's never ever ever seen a smile If they'd buried all them truckers lost in them woods There'd be a tombstone every mile
10. Johnny Paycheck, “(It Won’t Be Long) And I’ll Be Hating You”
Lately life with you has been unbearable All my faith in you has gone and I know it won't return I did everything to make you happy I could do Now you've gotten me hatin' things I used to love to do And it won't be long and I'll be hatin' you
11. Norma Jean, “Let’s Go All The Way”
All the way means happiness living side by side Halfway means a heartbreak if one of us should lie Just give me a clue that you love me too Hold me in your arms and say “Oh, let’s go all the way”
12. Loretta Lynn, “Everybody Wants To Go To Heaven”
Everybody wants to go to heaven but nobody wants to die Lord, I wanna go to heaven but I don't wanna die Though I long for the day when I'll have new birth Still I love the livin' here on earth Everybody wants to go to heaven but nobody wants to die
13. Homer & Jethro, “She Made Toothpicks Of The Timber Of My Heart”
She was seasoned, I was green Yes my darling lumber queen Wound me ‘round her finger like a clinging vine
14. Patsy Cline, “The Heart You Break May Be Your Own”
You'll look around and when you've found That you are all alone Then you'll get wise and realize The heart you break may be your own
15. Buck Owens, “I’ve Got A Tiger By The Tail”
Well every night you drag me where the bright lights are found There ain't no way to slow you down I’m as 'bout as helpless as a leaf in a gale And it looks like I've got a tiger by the tail
16. Charley Pride, “All I Have To Offer You (Is Me)”
Before you take another step, there's something you should know About the years ahead and how they'll be You'll be living in a world where roses hardly ever grow 'Cause all I have to offer you is me
17. Faron Young, “Live Fast, Love Hard, Die Young”
I wanna leave a lot of happy women A-thinkin’ pretty thoughts of me I wanna live fast, love hard, die young And leave a beautiful memory
18. Dolly Parton and Porter Wagoner, “The Last Thing On My Mind”
I've got reason a plenty for goin'      This I know, this I know The weeds have been steadily growin'      Please don't go, please don't go
Are you going away with no word of farewell Will there be not a trace left behind I could've loved you better, didn't mean to be unkind You know that was the last thing on my mind
19. Marty Robbins, “The Master’s Call”
I felt the end was near, that death would be the price When a mighty bolt of lightning showed the face of Jesus Christ And I cried “oh Lord forgive me, don't let it happen now I want to live for you alone, oh God these words I vow”
Bridge: Lefty Frizzell, “Long Black Veil”
She walks these hills in a long black veil She visits my grave when the night winds wail Nobody knows, nobody sees Nobody knows but me
Harrow the Ninth:
1. Hank Williams, “I’ll Never Get Out Of This World Alive”
Every thing's against me and it's got me down If I jumped in the river I would probably drown No matter how I struggle and strive I'll never get out of this world alive
2. Dolly Parton, Linda Ronstadt, and Emmylou Harris, “Those Memories Of You”
In dreams of you, my body trembles I wake up and call your name But you're not there, and I'm so lonesome Without your love, I'd go insane
3. Hank Snow, “I Don’t Hurt Anymore”
I don't hurt anymore, all my teardrops are dried No more walking the floor with that burning inside Just to think it could be time has opened the door And at last I am free I don't hurt anymore
4. Patsy Cline, “Stop The World And Let Me Off”
Oh, stop the world and let me off I'm tired of goin' round ‘n' round I played the game of love and lost So stop the world and let me off
5. Charley Pride, “Lie To Me”
Oh, lie to me, say you love me Tell me I mean the world to you It would mean so much, I'd be so happy And it's the least you can do
6. Hank Snow, “Ninety Miles An Hour (Down A Dead End Street)”
Warnin' signs are flashin' by us but we pay no heed Instead of slowin' down the pace we keep picking up the speed Disaster's gettin' closer every time we meet Doin' ninety miles an hour down a dead end street
7. Patsy Cline and the Anita Kerr Singers, “I Can’t Forget”
Where are you, darlin'? Are you with someone new I can't forget you I'll always be loving you
8. Lynn Anderson, “If I Kiss You (Will You Go Away)”
You're so much hurt I wish you wouldn't stay If I kiss you will you go away?
9. Connie Smith, “Once A Day”
Once a day all day long And once a night from dusk till dawn The only time I wish you weren't gone Is once a day, every day, all day long
10. Charley Pride, “Just Between You And Me”
But just between you and me I've got my doubts about it 'Cause just between you and me You're too much to forget
11. Buck Owens, “Hello Trouble”
A comin' up my sidewalk Just as plain as day A well a here come trouble that I never thought I'd see When you went away
12. Loretta Lynn, “Fist City”
You'll bite off more than you can chew If you get too cute or witty You better move your feet if you don't wanna eat A meal that's called Fist City
13. The Davis Sisters, “I Forgot More Than You’ll Ever Know”
You think you know the smile on his lips The thrill at the touch of his fingertips But I've forgotten more Than you'll ever know about him
14. Kitty Wells, “Pick Me Up On Your Way Down” (Charlie Walker’s version is on the Spotify playlist)
When you learn these things are true I'll be waiting here for you As you tumble to the ground Pick me up on your way down
15. Loretta Lynn and Conway Twitty, “You’re The Reason Our Kids Are Ugly”
And that's the reason that my good looks and my figure is gone      And that's the reason I ain't got no hair to comb And you're the reason our kids are ugly, little darling
16. Loretta Lynn, “Who Says God Is Dead”
If I were you I'd kneel and pray 'Cause we're not promised one more day Remember blood was shed Who says God is dead?
17. Patsy Cline and The Jordanaires, “Imagine That”
Can you believe I'd swallow my pride (Well yes, yes, I guess you can) 'Cause you know you've always had my foolish heart Right in the palm of your hand, oh
18. Jody Miller and Johnny Paycheck, “Let’s All Go Down To The River”
Jesus is the man at the river And he's washing people's sins away He can save your soul if you give him control Oh be ready for that judgement day
19. Bobby Bare, “Dropkick Me, Jesus”
Make me, oh, make me, Lord, more than I am Make me a piece in Your master game plan Free from the earthly temptation below I've got the will, Lord, if You got the toe
20. Lynn Anderson, “Heaven’s Just A Sin Away”
Devil's got me now Oh, gone and got me now I can't fight him anyhow I think he's gonna win
Heaven’s just a sin away Oh, just a sin away Heaven help me when I say I think I’m givin’ in
21. Loretta Lynn, “Out Of My Head And Back In My Bed”
I'm gonna search everywhere that you might be When I find you I'm a bringin’ you home with me I want you out of my head And back in my bed Before the morning comes
22. Johnny Cash, “Big River”
Now, won't you batter down by Baton Rouge, River Queen, roll it on Take that woman on down to New Orleans, New Orleans Go on, I've had enough, dump my blues down in the gulf She loves you, Big River, more than me
Now I taught the weeping willow how to cry, cry, cry And I showed the clouds how to cover up a clear blue sky And the tears that I cried for that woman are gonna flood you, Big River And I'm gonna sit right here until I die
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