#might be getting a bit too mentally ill on here

[niragisqueenofhearts]

i love seeing posts from niragi antis (or any other villain antis, just using niragi as an example) on twt where it’s like, “oh my god you’re so gross, i wish niragi was real, so he could beat the shit out of you”

y’all really think that’s a threat??? i fantasize about that 24/7 baby girl, best believe i’d say thank you the whole time and lick my blood off his boots.

[pleasedontcareaboutme]

i posted that stupid shit on my instagram i might just kill myself fr

now im afraid i wont sleep for another 24 hours damn 😭😭

[subarashiihibi]

What I rly need to do is write up a thing abt this excerpt I read in one of the novels …. Ah it was so good I was filled with such emptiness and dread and suicidal ideation as soon as I read it … i have a final to take later (and get I am awake at nearly 4am) so after I get home from that maybe I will…

[opens-up-4-nobody]

...

[phagodyke]

GRAAAAAAARGHHHHH okay im fine

[itsalwaysdark]

and also it doesnt even matter if i miraculously get a job tmrw bc we don't have a car . and im too out of shape to walk anywhere bc everything is far away . so i genuinely dont jnow what to do

[fortunately-bi]

...... If I went on a hiatus for who knows how long again would y'all hate me....... 👉👈

[nomaishuttle]

hrmm much thinking many thoughts

[no-144444]

guilt tripping- o.piastri

summary: oscar asks something of you that you know you can't do. you do it anyway and it ends in you two almost breaking up. almost.

pairing: oscar piastri x fem! chronic illness! reader

a/n: hey yall, I just broke two ribs (lol) and got diagnosed with a chronic illness (lmao) so I might not be posting as frequently- just dealing with it physically and mentally so yah 😹

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“I don’t know if I can go,” you sighed, feeling even worse. 

“That’s alright,” he assured you, but you could hear the way his excitement depleted and his mood lowered. 

“M-maybe I can work something out, I don’t want to leave you alone,” your guilt grew everyday, this wasn’t healthy for either of you. 

“I don’t want you over-exerting yourself,” he spoke softly into the phone. “I’ll just ask mum if she has any friends that want to go or something. She always brings a million people with her.”

“I don’t want to leave you hanging Oscar. Melbourne is a big race. I’d be happy to come over like a week before, and then come to the race once I’ve had a few days to heal,” you bargained. A 22 hour connecting flight was not something you’d ever wanted to do. You couldn’t do it. You knew the pain would be too bad, yet you still stood there, offering it anyway. “And then I’d come for the race on Sunday, or just small bits on all the days.”

“Really?” his voice picked up, excited now. “You’re sure?”

“I’m sure Osc, I love seeing you race,” your smile was more of a grimace than anything, but still, the guilt in your chest lessened as you listened to Oscar speak animatedly about the race weekend, while your anxiety ran through the roof. You couldn’t do all the things he wanted you to do, you never could. This had been a problem at the beginning of your relationship, every time he’d plan a date that wasn’t dinner or a movie, you’d have to break the news that a 15 kilometre hike wasn’t something you’d be able to do on a whim. Things like that took planning, physio, and preparation. Your chronic illness was no joke, and had limited you since you were a teenager. In the past few years he’d gotten much better at everything, from helping you with your physio exercises, attending pilates classes with you, knowing what to do on bad pain days, and always looking out for you in public. You knew he was just getting away with himself, and you didn't want to disappoint, so you agreed to it all, hoping against hope that it wouldn’t be a bad week of pain or flare-ups wise. 

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You got into Melbourne and sobbed when you got in the car. Thankfully, it was Hattie picking you up, so she just held your hand as you silently cried, the joint and too much to bear. You went straight to bed as Hattie explained to the rest of the house that you were exhausted, and Oscar took it at face value. You usually get extremely tired after long days, and you’d just had a 22-hour day of travel. 

“I’ll go check on her-” he started, desperate to see you but Hattie cut him off. 

“NO!” she squeaked, trying to not sound suspicious. Oscar raised an eyebrow. “She’s really tired and she’s already gone to sleep.”

“Yeah, well I’m tired so I’m going to bed,” he explained, stretching then yawning. 

“Osc,” Hattie sighed, knowing she had to tell him. “She’s not… alright. She can’t do 22 hour travel days like you or I can. She has Lupus and she’s still trying to figure out her medication, so it hurts all the time. She cried from the airport to here, all to support you because you asked her to, and she feels guilty every single time she can’t say yes. She’s done real damage to herself by coming here. I want you to understand that, do you understand that?” 

Oscar nodded, because the other option was breaking down into tears. Yes, he’d felt guilty that he couldn’t be there to take care of you while travelling, and he knew he was asking a lot of you when he asked. The guilt settled deep in his stomach and made him nauseous, but still he continued on to his bedroom where you were sleeping peacefully. He could see the puffy eyes, the red nose, the open bottles of medication on the nightstand. He wrapped an arm around your waist, another in your hair and pulled you as close as possible, whispering teary sorrys into your ear. 

When you woke up the next morning, you knew what you had to do. This wasn’t fair on either of you, and you needed to make a change. You quickly (but silently) got up, and started to leave the room, but Oscar grabbed ahold of your hand before you could leave. 

“Please don’t sneak out on me,” he begged, sitting up. He looked wrecked, puffy eyes, red rose- had he been crying? God, had you made him cry? 

“Osc, what’s wrong?” you asked, concern clear as day on your face as you cupped his face with your hands.

“I’m sorry,” he whispered, his voice breaking. “I knew I was asking too much when I asked you to come here, I’m so sorry.”

Your heart tightened in your chest. “Osc, I’m alright, I was just tired last night and-”

“Hattie told me,” his voice was deep, deeper than usual, and he pressed a gentle kiss to your hand. “And I’m so sorry.”

“Osc, I could’ve said no if I didn’t think I was able for it,” you tried to reassure him but he shook his head. 

“Y/n, you did say no and I didn’t take it as an answer,” he scoffed. 

You were stunned into silence. “I think we need to have a talk about us, Osc.”

He nodded, taking your hands in his. 

“This isn’t fair on you. I know I can't control my illness, and neither can you. It sucks, but it’s a fact. I wish I could be there for every single race and cheer you on with the other girls, but I can’t. It’s not in the cards for me right now, and I don’t know when it will be. Oscar, I love you so much, and you’ve been with me through everything and I know you deserve someone who can always be there for you, and I’m not that person right now. I love you but I know it’s not enough,” You finally looked at him and he was biting his lip as tears streamed down his cheeks. “I’m sorry.”

He shook his head and stood up, dropping your hands as he paced his bedroom. “You know how much I love you, don’t you?” he asked and you nodded as you held back more tears. “So you know that I still feel your support even when we’re in different time zones or on different continents, right? You know that I value you being in as little pain as possible more than being at the barricade after a race, right? You know that I fucking love you more than I love racing, right? Y/n, I’ve been here the entire time, since we were 14 years old. You’re the reason I get in the car, you make me better, all the time it’s just you. I plan on being with you for my whole life, Y/n. I want to be there for everything. I plan to sit there through every appointment about medication until you find the one that actually helps you, I plan on being there for every day where you don’t feel up to it, I plan on being there for you, always. I never want to let go of you, and yeah, it is nice to be able to see you after a race, and I know that because fucking facetime exists. If you still want to break up because I fucked up by asking you to come here, go ahead, but don’t ever think that I’m without because I’m with you. I am so in love with you, Y/n. I mean it. I want to marry you one day, I want a family with you, I want to be old with you so we get to reminisce on the good ol’ days and make some more while we have time. ‘The good ol’ days’ will be the days I spend with you. More than any race win, more than any trophy, or than anything. My favourite part about a race weekend is coming home because I know no matter what my result was, you’ll be there with open arms, loving me anyways. You’re more than enough for me.”

You crossed the room and wrapped your arms around him, crying into his hoodie as he held you. “I love you too.”

After a few moments of both of you calming down, he finally spoke. “Can you forgive me for being such an asshole?” he asked, wiping his eyes. 

You nodded, a small smile on your face. “I can, can you forgive me for being such an idiot?”

He chuckled. “You’re no idiot,” he picked you up and gently placed you back on the bed lying beside you. “I love you.” 

“I love you too.”

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navigation for my blog :) (masterlist)

[gojoest]

𝐌𝐀𝐊𝐄 𝐀 𝐖𝐈𝐒𝐇 𝐁𝐄𝐅𝐎𝐑𝐄 𝐘𝐎𝐔 𝐁𝐋𝐎𝐖 𝐓𝐇𝐄 𝐂𝐀𝐍𝐃𝐋𝐄 — gojo satoru

MDNI, f! reader, she/her pronouns used, wc: 3.3k, flashback of how you met (1st part of the fic, past tense used, then we jump back to present, divider used to separate the two timelines. both take place on his birthday btw), suguru makes an appearance (as satoru’s wingman :3), established relationship (you’re married & have a daughter), reader wears a dress, first time face sitting + riding (oral, f! receiving), pet names (baby, my love), he cums in his pants, breeding implied at the end (sort of, to avoid spoilers)

a/n: happy birthday to my biggest mental illness ♡

side note: if the story of how you met sounds familiar to you, please note that it was from one of my talk posts from a while ago & i decided to make use of it : )

what gojo satoru wants — he always gets.

after all, it’s how he made you his as well.

“satoru, you’re staring way too hard at her”, suguru nudged him on the arm.

“think she noticed, too?”, satoru chuckled, rubbing the back of his neck, ears turning slightly red from embarrassment, unsure if it was because he got caught or that it was too obvious he was checking you out.

“very likely. i mean, it’s hard not to notice an annoying pair of blue laser beams persistently invading your space”, suguru mocked. “are you going to talk to her?”

“yes”, satoru firmly replied, without peeling his eyes from you, “i’ll ask her out, i think”

“hey, hey. slow down there”

“nope”, satoru shrugged, almost like a stubborn child disobeying his parent, “i’ve made up my mind — i really want to make her mine”

it was a pure coincidence, or some might say fate, that you ended up in the same restaurant — he was there celebrating his birthday with a small circle of friends while you were present to honor your colleague that had just gotten a promotion at work.

satoru’s eyes relentlessly followed your every move, every gesture, from the moment you walked in and settled on the table next to his. it was rather unusual for him to be this interested in someone simply upon sight, in fact, even desiring to pursue something with someone so immediately. it was always the other way around — women would flock to him because of his looks and peculiar behavior, and of course — his money — but he would turn them down without batting an eye. love and seeking romance were never a priority for him, he did not have time nor any interest in them. but here he was, contradicting himself, being blatantly distracted by your presence while somehow trying to simulate an active conversation with his friends, more than frequently averting his gaze to look at you, his brain busy coming up with a plan to get your number by the end of the night.

it didn’t take him too long to finally make his move. he stood up from his chair and walked over to your table, stopping right behind your seat.

“excuse me”, he leaned in, placing one hand at the edge of the table and the other — at the back of your chair, “hello”, his face mere inches away from yours. taken aback by the way he, a complete stranger, had the guts to get this close to you, you turned to face him with a questioning look.

“i felt like i would regret it for the rest of my life if i didn’t come say hi to you”, he spoke.

truth be told, despite being astounded and a bit put off by his approach, you were slightly intrigued. he was handsome, pretty even — like that one oddly eye-catching cloud in a sky full of thousands that you notice as soon as you look up. the white henley shirt he was wearing made the blue in his eyes pop even more, the v-neck revealing a little bit of his well-crafted chest, just enough to leave you tiny bit wondering about the ridges of his abs beneath.

as much as the scenery up close made your cheeks feel hot, his boldness rubbed you up the wrong way, too much to let it just slide, and you snapped. “is that so? well, now that you’ve said your hi, you can go back to your table and live with no regrets for the rest of your life”, you rolled your eyes skeptically, pushing his hand off the table.

“oh, i am sorry”, he chuckled, brushing his hair back with a hand, “but there are three more things i need to do before leaving, i’m afraid”

you raised an eyebrow, questioning.

“first, let me introduce myself — i am gojo satoru, also known as the man to be your boyfriend, then your husband, and then the father of your children”, he smugly said. your eyes widening at the audacity of his declaration that left you at a loss for words. “second, i hope you don’t mind introducing yourself as well — as you are to be my girlfriend, then my wife, and then the mother of my children — it’s only natural that i know your name”, he continued, “and last but not least — i am not leaving until you give me your number so we can make this all work”

wow. this man was really fucked in the head, you were sure of it — who in the right mind would speak such nonsense to someone they just met? “you have to be joking, right?”, you laughed in genuine disbelief.

“no. i am dead serious”, he replied in a heartbeat.

“is this your move? you pull this on everyone you find remotely attractive?”, you narrowed your eyes.

“actually—”, suguru interrupted, placing a hand on satoru’s shoulder as he approached from behind, “no”, he spoke. “believe me when i tell you this — he’s never been this smooth in his entire life. i know he probably came off a bit creepy, considering the boldness of his actions — hell, even i am creeped out because it’s pretty unusual for him to act like this”, he laughed, glancing at satoru to let him know that he got his back on this. “but, what i’m trying to say is — my friend here seems to really like you as i’ve never seen him be so intense and interested in anyone before. he’s also a birthday boy today — so could you at least give him a chance before turning him down so quickly? you can come sit with us before you make up your mind on whether you want to give him your number or not?”

you thought for a second, weighing the options in your mind — he was pretty, although he annoyed you a little bit by being all bossy and arrogant as if you were compelled to belong to him just because he said so. but there was just something about him you couldn’t quite put your finger on that made you question yourself. were you actually drawn to him? you could say “no” and never hear from him again, occasionally pondering over the what-if’s and should-have’s from this night; or you could say “fuck it” and see where this strange encounter goes, and live your life without regrets — as he would say. there — he was already getting under your skin…

“well”, you sighed, “guess i’m down for that”

by the end of the night not only did you give him your number, but also a promise for a date the next day — the first of many to follow after.

“careful, you’ll wake her up”, you whisper, leaning against the doorframe of your 3-year old’s room and watching your husband place a soft peck on your daughter’s forehead.

“can’t help it”, he speaks quietly, “she looks like an angel”, before fixing the blankets around her, making sure she’s tucked in all cozily. “the nanny said she cried for papa while we were gone”, he puts a hand over his mouth to stop his lips from trembling, his eyes filled with nothing but love and tenderness, welling up and flowing from the corners.

“she’s such a daddy’s girl”, you sigh, a soft smile present on your face, “next year we can stay home and invite everyone else over — that way we won’t have to worry about missing her bedtime”.

“yea”, he hums, “let’s do that next year”, giving her one last kiss before turning off the night lamp and tiptoeing to you. “come on”, he puts a hand at the small of your back as you both walk out of the room.

“do you remember”, satoru speaks softly into your ear while walking behind you on your way to your shared bedroom, his front flat against your back, the hand at the small of it now circling around to rest over your navel, while the other — reaches for the handle of your bedroom door to push it open, “the night we first met on my birthday?”, he continues after carefully guiding you inside.

you stop in the middle of the room, his arms still wrapped around you from behind, your hands resting over his and playing with his knuckles.

“how can i not?” you chuckle, tilting your head back to let him rest his chin on your forehead, “that was one hell of a fortune telling you pulled on me back then”

“but i was right, no?”, he brushes his lips on your forehead before leaving a soft peck, “see — you’re all mine now, just like i said”, and then another, ”i made you my girlfriend first”, and another, “then i gave you my last name”, and a fourth one, “and then you gave me a beautiful daughter, made me a father”, before turning you around to face him.

“you partly owe it to suguru though — he eased me into the situation, unlike you”, you reply, humbling him like you always do. your head is nestled on his broad chest as one of his hands caress the back of it. still in his embrace, he slowly walks you towards the bed. sits at the edge of it and straddles you on his lap. his palms finding their way to the plush of your thighs draped over his, caressing them tenderly but needily as his fingertips press and then release against your flesh in quick repetitive motions.

“this is because i asked him to give me a hand in case you cut me off”, he admits, tilting his head to meet your lips, not to kiss but just to keep them brushing against each other as you speak. he loved doing this a lot.

“oh?”, you gasp into his mouth, pretending to be shocked to your core, “you wanted me so much that you of all people, the gojo satoru, had to ask someone else for help?”

“you have no idea. if that hadn’t worked, i would’ve fallen on my hands and knees and begged you to take me”, one of his hands reaching the side of your face, playing his fingers on the strands of your hair covering your cheek before tucking them behind your ear.

“hmm”, you doubt, “is that so?”, nuzzling your nose against his.

“mhmm”, he nods, “there’s nothing i wouldn’t do for you, i thought you knew that by now. it kind of hurts my feelings that you doubt me actually”, he acts offended, pursing his lips and turning his head to the side to face away from you.

“oh my, what have i done now”, you knit your brows and press your cheek against his, pretending to be very, very sorry about what you just said.

“you made the birthday boy sad”, he huffs a silly, somehow obviously forced, pout, “you’ve got to make it up to me somehow”

“i’d do anything to make the birthday boy smile again — just say the word”, you sweetly pamper, patting the top of his head.

“really?”

“really.”

“anything?”

“anything.”

“you promise not to go back on your word?”

“i promise.”

he pulls his cheek away from yours and looks you in the eyes, the blue in his shining with a darker shade of mischief now. and considering the smug smile on his face, you sigh — perhaps you just got yourself played, falling face down into his little trap.

“then”, he points at his own face, “sit on it”

to say you were surprised by his request would be a lie. he’s many times tried coaxing you into doing this in the past but somehow you managed to avoid it, part of you still shying away from it. it’s not like his tongue has never been inside you before. but riding it as if it were his cock seemed way more obscene in your head than anything you two have ever done previously — and you’ve done pretty much a lot.

“well”, you sigh in defeat, seems like the time has finally come, “today’s your lucky day”, you say as you get up from his lap and turn your back — a signal for him to unzip your dress — to which, of course, he immediately complies.

“as it should be”, his crafty fingers work the slider down, slowly peeling the dress off your body and letting it fall on the floor, followed by your lace thong and bra, “it’s my birthday after all”

“the way you always find a way to make things go your way gets on my nerves so much”, you turn around again and push him on the bed and slowly climb on top of him to straddle his chest.

“make a wish before you blow the candle”, you look down at him, your pussy close to his face, the scent of you tickling his nostrils, and he, instinctively almost, takes a deeper breath, rolling his eyes back and hissing with delight.

“freak”, you quickly look away, embarrassed, but he cups your cheeks, forcing you to look at him again, “i want you to look at me as you ride my face”, his voice comes out breathy, “will you do that for the birthday boy?”

you nod into his palms, “you’re insufferable” — “suffocate me then”, he coos through a grin, grabbing your knees to pull you forward until you’re above his face.

“jerk”, you say, but softly, as you lower your cunt on his willing mouth, landing your softness on his face in slow motion, immediately earning a throaty groan from him that shudders through your pussy lips.

satoru breathes deeply in and out with your heat on his mouth, the scent of you hitting his lungs and even below, reaching all the way down to his groin to further nurture his cock already throbbing in his slacks. his hand reaching down to unbuckle them slightly, to give more space for his hard-on to grow freely.

“mowe”, he muffles incoherently into your pussy, grabbing a handful of your ass cheeks to push you against his face, tilting his head up and down, jutting his jaw up and out to meet you.

you whimper at the friction, your clit bumping and rubbing against his nose as his lips are kissing your folds, his tongue slowly poking at your entrance with the tip before darting in — twirling around your walls — and out.

“nghh…s-sa-t-to—”, you barely cry out his name, tugging at his hair, mercilessly pulling him into your heat. as much as you hated to admit it, you loved this position. your embarrassment long gone and forgotten, you ride his face in a haze, your pussy getting wetter against his mouth and your movements — faster and harder each moment.

“heawen on my fongwue”, he groans. if he could speak properly right now, he would probably make the nastiest, dirtiest remarks, shamelessly walk you through every single thing he was feeling as you rocked your hips back and forth, grinding on his face. he would probably say something about your boobs, too. how they looked so pretty jiggling ever so slightly from the movement. he can’t speak right now, yes, but he can still get his thoughts reach you through actions — his hands run along your belly, gripping your breasts from below, squeezing and squishing them inside of his palms.

you clutch his hands with yours, “i can’t hold this position for too long”, and force them down on your hips for support. you hear him say something through a loud groan but it’s barely recognizable — most likely just him cursing “fuck” and “baby” from pleasure under your pussy, but also from the ego boost you just gave him — that he can make you weak but at the same time desperate enough to want to continue — despite your hips giving up — not only with his cock but his mouth alone, too.

you let him take over as you chase your high, weighing on his face as his hands grip on your hips, dictating your every move, composing the tune of your hips. his tongue is no more sliding in and out as he makes you grind harder on his face — it stays in, continuously licking your sweet spot clean.

“f-fuck, fuck, fuck…”, you curse loudly, reaching your hands to grab the head of the bed and hammer your pussy harder into his face, squeezing every last drop of strength left in your already cramping muscles until you cum, shuddering on his mouth.

“mfff”, he groans throatily into your hole, sucking and slurping your juices. his hips buck in the air, helplessly searching for friction to soothe his aching cock. his half-unbuckled pants are drenched with precum, leaking out from his tip through his boxers and out through the cloth of his pants, visibly staining them.

you can’t see but it’s easy to figure out from the way the bed bounces up and down as his ass meets the mattress after every time his hips fall down. “how cute”, you utter as you try to calm down your breathing, cunt still resting over his face.

his eyes are half closed, rolling back and hiding their blue away. all he needs is a little push, a little rub, you know it. you know it by the way his tongue has stopped moving inside you, by the way his hands have loosened the grip on your flesh, by the way his shortened moans have grown into one long and steady groan coming from the bottom of his throat — his entire brain solely focused on the muscles of his lower body that is searching, almost beggingly, for relief.

you lean your upper body back a little, just enough to make it easier to reach his shaft while still sitting on his face. “since you’re the birthday boy”, you drag your words out as you place your hand on his clothed cock, feeling the wetness that’s emerged from beneath against your palm, “i’ll give you a hand.”

his ass cheeks tense and squeeze as he presses his hips against your touch, ferociously rubbing his clothed cock on the flesh of your open palm. his groans get louder as he bucks his hips under your hand, pushing them up to meet your hand harder and faster each time — just the way he forces his cock into your tight cunt as he nears — until the last three thrusts that he always prolongs in order to properly and completely pump his seed out.

the inside of your hand feels hot against his clothed cock as he seeps himself out, the stickiness of his cum absorbing itself into the material of his pants and emerging through it to reach the skin of your palm.

you lift yourself up a little only to plop your body down next to his. his mouth, cheeks, chin, even his nose, are covered in his spit and your cum, all mixed in.

“shit, baby”, he laughs, breathing deeply in and out of his mouth, overwhelmed by the whole experience, “what the hell did you just do to me”

“do you really need me to verbalize what just happened”

“yes”

“no”, you slap his cheek with the back of your hand, softly, before rolling on your side to rest your head on the left side of his chest, kissing it tenderly. “happy birthday”

“it really is”, he whispers, tracing a heart shape over the skin of your exposed cheek with his fingertip, “with you, it always is”

“did your wish come true by any chance?”, you tilt your head to look at him.

“not yet. but i’ll work on it later tonight. for now, i’ll let you catch your breath”

“wait, wait.”, you raise a brow, “what’s that supposed to mean?”

“my love”, he clears his throat, “do you remember how i said, when we first met, that you’d be the mother of my children?”

“yea? am i not?”

“children”, he stresses.

“oh.”, it finally hits you.

“one more to go”

[goshtoon]

NEEDS

Jayce x gn!reader (established relationship)

Wordcount: 3k

Warnings: 18+, fluff, sub!Jayce, Thighjob, hurt/comfort (a bit), pre mental illness influx, still crying while sex (male giving),

Heavy footfalls echo trough the silent floor, each one wearier than the last.

As former student, turned to up-starting inventor, now turned councilor: Jayce Talis commands his limbs to obey him for merely five minutes more.

The pressure of being a protector to not only his close circle but all of piltover weighing each step down more than the last.

On top of that he had a fall out with Viktor, who seemed to only get more weak by the day, as his illness festers within him.

Jayce suppresses a broken sob, lifting his palm to steady himself upon one of the walls, before regaining his ragged pace.

It’s all too much, he feels as though he might just crumble to the floor and sob waiting for his mothers grounding hands to comb through his locks.

But there’s something much more reachable, and arguably just as soothing.

You, and your firm presence, the perhaps only unchanging constant, waiting for him just through the door at the end of the stretching hall.

At the sight of your apartment door, Jayce’s body gets a rush, as if pricked by a needle, as something starts tugging within his chest.

An undeniable yearning pressing his feet to move faster, fishing out the key you had made for him.

It clicks in the lock and he moves in, pressing himself against the shut door heaving a low sigh.

„There you are…“ your voice drifts to his ears, almost as if cradling them each in some healing balm.

He finds himself unable to open his dry lips to speak back, almost as if something got stuck in his throat.

You’re clad in your sleep wear, having seemingly come from the kitchen, a steaming cup lodged between your hands.

Taking him in it doesn’t take a genius to take a guess at how he’s feeling. Tussled hair, a twitching hand, the slightly hunched back and his wobbling reddened bottom-lip.

These past few weeks it’s become a scarily common occurrence.

Brows furrowed, you step forward taking one of his shaky hands in your own, gently leading it to cradle the warm mug.

The warmth seeps into his skin, soothing the tension striking through his fingers. Letting out a small more content sigh he smiles at you, your own face mirroring his as you lean up to peck his lips. He almost collapsed into the kiss, desperately letting your warm soft lips mold against his own, bitten bloody on his own volition.

Pulling back, you give a gentle smile, partnered with his own lovestruck one.

„Don’t feel like talking right now?“ you incline your head, his own still too full of worry to form words, he wouldn’t know where to begin.

A slight tilt of his head confirms his intent to rest his voice for now, as you lead him into your living space.

It’s beyond dark out by now, and the main source of light are the fairylights strung all around the living room, that he made for you. They illuminate your shape in a golden like hue, as you cradle his unoccupied hand and draw him onto the couch.

„Now how about you sit here finish your tea and I give you a small massage?“ you quip up, a tender finger drawing circles on his palm.

The thought of your hands on him, gliding over his shoulders, his back and drifting lower and lower— do unspeakable things to his already spinning head. Mangled rotten worrisome thoughts are now partnered with guilt for the undeniable lust pulsing through him.

The thought of worrying about nothing at all, while you pamper him with all means at your disposal, a delightful prospect nesting in his emptying mind. Though the fear of not performing as he should, as he would want rips into the rosy notions.

He visibly deflates, rubbing his neck, giving a low hum.

„I’d love that“ he croaks, you perk up, moving behind the couch to rest your hands on his jacket. Slowly and gently you pry it off of him, with a little help from the wearer.

The mere ambience, you and the echoing silence seem to do wonders on Jayce’s static filled mind, as he closes his eyes and leans back into your touch.

You make sure to fold the jacket on the armrest, before starting of gently on his shoulders. Feeling the amount of tightness, as you give a considering hum, making sure to rub firm circles into them.

Jayce’s body goes slack under your calculated movements, his head falling back into the backrest, giving you a beautiful view of his visibly relaxing face.

His lashes flutter, as his lips part gently letting out small huffs of air and noises of distinct approval when you unfurl a particularly tight spot.

You almost lose yourself in the task, finding the sight of him and the noises to be the most rewarding of things.

“You’re incredible” he breaths, his eyes still closed and you believe the stray praise is more instinctive rather than targeted.

Making sure to firmly yet gently disperse all the knots within his muscles.

It doesn’t take long before Jayce is almost slipping off the couch, his body turning into putty beneath your firm touches.

“There we are” you mutter gently, earning a content sigh from the man who now gazes at you with his amber eyes, the most lovestruck expression gracing his sculpted features, the teacup long abandoned on the coffee table.

“Wow” he smiles at you, fumbling to upright himself. Having seemingly significant trouble, probably due to parts of his body having fallen asleep.

When he finally does his hands gently lay upon your hips as he presses a gentle kiss to the area above your stomach within reach of his still sitting frame.

“Thank you” he mumbles, snuggling into the previously kissed area, as you comb through his stray locks.

He’s still in his head you note, though his body may seem free of tension.

“How about you get ready for bed” you murmur, earning a huff from Jayce, his arms tightening around your waist, holding you steady like an anker.

Having to resist the urge to let him mope like this

As adorable as he is whiningly pouting like this, you have another idea how to get him to unwind even more— and for that you need him in bed.

“If you get to bed, I might have something for you” you whisper, his gaze snaps up as he gauges your mischievous smile and raises brow.

“I see” he grins up boyishly, before letting go of you and propping himself off the couch.

He wavers a bit, instinctively you reach out a steading hand though your lovers catches himself, uttering out a slight curse.

The plan forming in your mind, is to get Jayce to bed, knowing him though his body might be at ease no, his mind is most certainly still full of worry. Full of worry for Viktor, the council, the city both upper and under parts. You know it’s getting to him, having to take a place to make live changing decisions when you were just a mere inventor.

Hoping to be able to get him to lose himself for the night you gather a few things, hearing the unmistakable clatter of Jayce rifling through your stuff, most likely searching for some of his own clothes.

Though he has been around a lot more since joining the council, he technically hadn’t moved in yet.

“On the cupboard” you shout across the floor, hearing a pause before the clicking of his tongue.

Collecting a bottle of chamomile oil, taking a quick waft of it and a towel— you make your way to the bedroom yourself.

The scene upon entering is one which leaves your heart aching, Jayce fumbling with the top buttons of his shirt, seemingly a puzzle to his weary fingers.

Stepping forward, you lay the bought items on your bed, before laying your palms upon his own. His wide glittering eyes meet yours, as he pouts down in frustration. He lets his arms fall slack to his side as you gently undo the buttons.

„You’re still in your head“ you note, as you see his fingers twitch at his side, urging to do something.

„It feels wrong to rest“ he whispers frustrated, nursing his bottom lip between his teeth. He lets out a sigh as you press your fingers through the crevice of the open shirt, laying your warm palm upon his fuzzy chest.

It’s warm and rising as well as falling steadily, while his heart thumping beneath picks up speed when you coo at him.

„Jayce, pushing yourself like this, it’s taking from your ability to help when it might truly count..“

You’re meet with silence, your words might ring true within him tough he can’t accept them right now. He has a lot of people counting on him.

„It’s okay for now“ you move to turn, hands slipping of his chest.

Before your left hand can fall to your side he grasps for it, before pulling it up to his lips, pressing a kiss to your wrist.

„Come here“ you shift to sit on the bed, tugging him along, his weight finding its place beside you.

„You can’t resolve all the cities troubles in one night“ you remind, his face a reflection of his inner turmoil, before he sighs and his shoulders sack.

„You’re right“ he smiles at you, though his eyebrows still mirror his distress.

Then his eyes shift onto the items laid upon the comforter. His face visibly flushing at the sight of the oil, knowing very well what its usage usually entails.

„I’m not sure if I could relax enough for—„ seeing where his thoughts are headed you are quick to lay your hand upon his thigh.

„No, that’s not what I had in mind— I was thinking of something else“ his initial thought rings in your mind, having thought about it earlier though sensing he might be in need of something else for now.

„And what’s that?“ he leans closer, you love him when he gets like this. It’s always such a stark contrast to when you both actually go at it, and he’s reduced to something more akin to a whining mutt.

„How about you lose the slacks and find out?“ you tease, shifting your form fully into the bed.

The pants are seemingly less of a challenge than the shirt was and in mere seconds Jayce’s frame clad in a lose linen shirt and a lose pair of underpants joins you.

„Those too“ you instruct, Jayce faltering as his gaze follows the point of your own, as you spread the towel you’ve brought earlier on the bed.

Gently he pries the underpants off, and no matter how many times you two do this it does not sway his face from flushing.

“Ah” he’s not only flush in his face you come to realize, but his cockhead has similarly flushed, a spurt of pre beading at the tip.

“My, Jayce, maybe I needn’t massage your insides anymore if a mere shoulder massage gets you just as excited” the remark gets him to gasp under his breath, furrowing his brows.

“I’m not opposed to either massages….” He counters, though its leverage falls short with his leaky cock out and twitching.

“Me neither” you remark, getting a hold of the oil, screwing open the cap to drizzle a decent amount onto your hand.

Jayce swallows sharply at the sight of the liquid pouring into your warm waiting palm, wishing it was an other substance.

You don’t need to lend him your pointed gaze to gauge his reaction. To most of Piltover who Jayce is, is by no means a mystery. Though only your sharp gaze truly can pick him apart and know him for what he truly is.

It pleases him to know end, knowing the power your attention holds over him.

Clasping your hands together you spread the oil across your skin, the scent wafting up your nostrils. When your hands are coated evenly you give Jayce an incline of your head.

His gaze is partially glazed over staring at your hands before meeting your gaze, the scent alone doesn’t fail to remind him off past intimacy, his cock already straining in his lose slacks.

“Please” it’s not exactly what you were hoping for, but what he pleads for is evident, when it’s punctuated with a jutting of his hips.

The warm digits of your fingers slowly take his twitching cock into their warm slick embrace. As you slowly nurse over the shaft, Jayce keeps the back of his hand over his face, his mouth agape in a silent moan.

Your left hand moves you the shaft, your palm doing circular motions over his leaking tip, whilst the other pays attention to his balls, gently coating them in a thin sheen of oil.

“I— can’t ah-“ Jayce is evidently overwhelmed, his face adopting one of your favorite expressions, with his eyes unfocused, face a flush and eyebrows furrowed.

Just when he starts to hump up into your hand you swiftly pull them both back. A whine bubbling from within Jayce’s chest as he heaves out a small sob.

The sound is not an uncommon indication for his pleasure to rough you lean over his lying frame to make sure he’s still with you.

“Hey there” you mumble

“Eh- hey” he responds, still breathing a bit heavily.

“Are you still okay with proceeding?” He finally meets your gaze, one you meet with a gentle smile. His own lips not quirking up but his eyes shimmer in determination as he eagerly nods.

“Good, now i need you to lay on your side like this” you pull back situating yourself on your side, Jayce slowly props himself up before paralleling your pose.

“Like this?”

“Yes, very good, a bit closer perhaps” his brow furrows a tad but he does as instructed without queries, his hand hovering above your hip.

Before he can move to do anything else you pull down your own sleep wear, your arousal very apparent.

Jayce’s eyes take you in immediately, his darkened gaze drinking in the sight of your wet twitching need, ultimately at arm’s length.

When his eyes drift up to your face again you’ve gotten a bit more oil into your hand, reaching down to spread it across your thighs.

Right about now he’s glad you took the time earlier to spread a towel on top of the blanket as he watched with bated breath how your thighs starts glistening much like his cock.

It’s probably about now that he realizes your intent, his face growing impossibly red as his lower lips starts shaking. He’s readily embarrassed, having admitted in a drunken stupor not long ago that he’s had a very similar fantasy akin to what you’ve constructed for a while now. With him being as busy as he is as of late, you’d both hadn’t come to have a lot of time to be intimate. Despite that, he had counted on you having forgotten about this particular confession, as he found himself embarrassed to have admitted it in a weakened state.

“Gods…” he whispers at the sight of your shining thighs so close to his pulsing need.

“You still in this sweetheart?” You murmur, leaning close to peek at the corner of his mouth.

He presses out a pathetic string of yes yes yes yes, as he tries chasing after your lips with his own.

“Good, put it between then.” You instruct gently, denying him of another kiss for now.

Instinctively Jayce juts his hip forward, the leaky tip of his cock pressing a brief kiss against the crevice between your thighs. You let out a sharp breath, gauging Jayce’s expression, as another whine slips from his lips.

“Slowly” you coo at him, laying your hand on his own, allowing him to find purchase against your waist.

Granted he tries to go slow, but pressing forth, the tight warmth of your slippery thighs, enclosing his throbbing cock, ultimate leads to an irrational thrust. Embracing his sensitive shaft fully.

Jayce head spins almost painfully as his thoughts wholly become consumed by the sensation of you.

“Wo— I- mu-ch better than anticipated…” he sobs and you see small tears pearl at the corner of his eyes.

Your hands reach up to cradle his cheeks as well as disperse the oncoming droplets.

“You’re doing amazing” the praise makes the hard appendage between your thighs throb, Jayce pulling at your hips to press his cock further through your thighs. His cock head jutting against your own arousal at the sudden movement.

“Jayce—“ you warn, when he burrows his face in your neck, his lips molding against your jaw to a leave a trail of apology kisses.

“‘M sorry” he sobs, and you gently embrace him, drawing small circles on his back.

“It’s okay” you whisper, as you start moving your hips back and forth gently. A shiver wreaks through his frame, as he buries his nose against the crock of your neck.

“There you are” you say pressing your thighs together putting pressure on jayces shaft.

The action makes him grow rigid as he Pulls you impossibly close. Spurts of his release pairing the inside of your thighs, bursting out below your ass.

Jayce tosses his head back, and you take the chance to nibble at his jaw, littering it with kisses as he rides out his orgasm high.

He suppresses a string on sobs, his face tear streaked as you part your thighs. His hand shots out, pressing it back down.

“Please” you stare at him, noting the need to just bask in this, your, warmth a bit more.

“Okay, we can stay like this for now”

You look behind yourself taking note of the mess

“Really glad I thought of a towel, such a mess” you playfully tsk, turning to Jayce as his face grows redder.

“It was definitely worth it” he utters “I think I wanna pull out now”

You slowly raise your thigh, as Jayce pulls back in tandem, falling onto his back.

Then shifts onto his side again facing from you, you’re familiar with the gesture, pulling around his frame from the back as he lets out a very content sigh.

“I need to tell you of fantasies while pissed beyond comprehension more often”

“You can tell me anytime, Jayce” he cuddles back into your frame, you pressing your lips against his shoulder blade.

“I know”

[inosukijiro]

✮⋆˙ cuddles with giyuu  

𝙨𝙮𝙣. ━ its late at night and giyuu feels safe in your arms.

━ 𝙖𝙣𝙣𝙨 𝙣𝙤𝙩𝙚𝙨. i just want to tuck him into bed so bad and give him lil forehead kisses. i won’t stop saying it I LOVE THIS MAN 🗣️🗣️.

━ 𝙖𝙙𝙙𝙞𝙩𝙞𝙤𝙣𝙖𝙡 𝙣𝙤𝙩𝙚𝙨. AHH IM SORRYYY ˚‧º·(˚ ˃̣̣̥⌓˂̣̣̥ )‧º·˚ PLS i went on vacation and got the covid,, it was SO bad i couldn’t function. buuuut moving on — i’ve said it before but ill say it again, thank you soo much for all the love and support ⸜(｡˃ ᵕ ˂ )⸝ seriously, all the likes and reblogs have me very humble. i only ever write for myself so seeing you all enjoy my little stories make me so happy !!

━ 𝙬𝙖𝙧𝙣𝙞𝙣𝙜𝙨. fluffy fluff. cuddles! probably v short, and v bad omg. gender-neutral reader. giyuu-centric. assumed but not mentioned, modern reader in kny. crochet mention ah! 0.9k words.

   ─── ⋆⋅𖦹⋅⋆ ───  ─── ⋆⋅𖦹⋅⋆ ───  ─── ⋆⋅𖦹⋅⋆ ───

It always starts like this when Giyuu can’t think straight. His brain is fuzzy and worn out from the day. He often wonders how he gets into these positions, but he’s aware that you just know him too well. Probably because you do know him better than he knows himself.

He always thinks about the time before it became you and him. Where the thought itched at his brain constantly. He fantasized about it. It was so hard not to in every waking moment, he even wondered if it was going to be the death of him.

But here he was, nose buried in the crevice of your neck, laying onto you just enough that he didn’t crush you; but you’d never complain if he did. His free arm wrapped around your midsection just enough to allow his hand to grip your side. The pads of his fingers barely dig into your skin. You could probably feel the tension in his body, his hands are firm and rigid against you. Perhaps he’s just a bit nervous you’d disappear if he didn’t hold onto you tight enough. He might apologize for that, or the fact that his hair is definitely in your face.

Oh, but you might giggle. He can hear it. It’s soft and light. You're so amused by him sometimes. You might call him silly, or you might not say anything at all. You might give the sensitive part of his scalp a good scratch to shut him up. You might, and you always do. The feeling of your nails dig into his head makes him squeak. The way your fingers brush against the strands of his hair. It’s heavenly. He buries his head deeper because he’s so embarrassed. His face is hot, and after all this time he’s still so touched-starved. The smallest bit of your attention destroys any functioning brain cells he has left.

It’s just so good being in your arms. It’s just as good as when you're in his. It’s rare, but when that happens he loves the weight of you on top of him. It grounds him back down to earth. And you’re so cute. Somehow you always end up holding his hand, holding it close to your chest and nuzzling yourself against him more. He can’t get over that you want to be around him as much as he wants to be around you.

Giyuu lets out a sigh in contentment.

He’s so tired but he’s so excited. It’s not his fault that he views you as perfection and it’s also not his fault for taking advantage of the attention you desperately want to give him. You’re so generous, and Giyuu had been looking forward to this for days. His mission had been taking too long for his liking and he wondered if this was some sick torment the universe enjoyed toying at him with. All he wanted was to be at his estate, with you.

But you were such a night owl and that was something that Giyuu found out pretty quick. You spent more time awake in his presence than he did with you. Giyuu thinks, and he wouldn’t be wrong, that you try to savor as much time as you can with him. It’s true, you wouldn’t deny it. But you had sleeping problems long before being with Giyuu; though, it makes him feel guilty that he somehow makes it worse.

You were crocheting something, as always, trying to tire yourself out mentally. Your hands working on the project were raised just above his face, and your elbow could be found resting against his upper back. It was so soothing, the way he could feel you working your hook in and out of the stitches. And every so often a stray piece of yarn might’ve brushed against his cheek or nose, tickling him ever so slightly.

It felt nice. The way you had him caged in your arms. He felt so protected and Giyuu couldn’t remember the last time he felt so safe.

He doesn’t know what you’re making; but he’s sure whatever it is will be perfect.

One day he’d get you to sleep though. Yes, he’d get you to drift off so peacefully and do the same to bring you just as much comfort that you do for him. He’d play with your hair. He knows you’d like that. He can almost see it now. The cute noises you’d make and the content, sleepy sigh you’d give as he has you wrapped up in his arms.

He’s in and out of sleep now, drifting off for a few minutes at a time. But he really can’t stay awake anymore. Even though he really wants to. He feels you put your crochet things to the side. However, he barely registers the mumble under your breath when the metal hook makes a ‘TINK’ sound when it’s placed.

It wasn’t too loud but it was too loud for you. You apologize, softly whispering to him but honestly, Giyuu doesn’t know what for. It didn’t disturb him, though he doesn’t worry too much about it when you give a little kiss on his forehead.

He snuggles closer, if that is even possible at this point. He’s on auto pilot as you bring the covers up more over the both of you. You tuck the material right up near his chin and the only thought he has is how cruel it was to make him get up tomorrow morning. Maybe you give him a few more kisses. They’re delicate and you even give him a gentle squeeze as you bring your arms around him; a small ‘love you’ is drowsily whispered through your lips as you rest your head on his.

And Giyuu is out, just like that.

thank u for reading, luv u (◍•ᴗ•◍)

[topazadine]

Writing Post Masterlist

All my posts about writing - plus some I absolutely loved by other writers.

Masterlists by Other People (all good)

"Writing Tips Masterpost" by @deception-united - Deception-United has an incredibly wealth of resources available, far more comprehensive and detailed than mine. Go check it out!

"WQA Post Master Lists" by @writingquestionsanswered - Another fantastic and wonderfully comprehensive resource that covers damn near everything you need to know about writing. Genuinely one of the best free resources on writing that you could find on the internet.

General Advice for a Happy Writing Life

"The Myth of the Martyr Artist" - An incredibly important post, perhaps my most important one ever, that discusses why mental illness is a burden, not a benefit. I have no idea why this even needs to be said, but it does, apparently.

"Building Self-Esteem as a Writer" - Why you gotta be nice to yourself. You gotta.

"Identifying bad writing advice" - Warning signs that the post you are reading kinda sucks and you should click off.

"Advice to Beginner Writers: The Good, the Bad, and the Unpleasant" - How long it takes to become a good writer, what to focus on when learning, and why fanfic is such a useful tool.

"Mindset Shifts: Fanfiction -> Original Fiction" - What fanfic writers should know about deciding to take on original characters and stories.

"Defeating Protracted Writer's Block" - What to do when you find it impossible to write for days, weeks, or months at a time.

"Five Common Anxieties of Newbie Writers, Demystified" - Explorations of five mindsets that can set younger writers back as they learn their craft, including overcompetitiveness, overdescribing, and fearing they're "too old."

"Good Motivations for Continuing to Write" - Why it is crucial to have a passion for writing beyond fame and fortune.

"Extremely controversial writing opinions that will make you mad (but I'm going to say them anyway)" - Things you really don't want to hear, but need to be said. A bit of tough love, including the insignificance of ideas, the cold hard truth about how non-writers react to your writing, and the essentiality of having a well-rounded life.

"Why Mindfulness Is a Key Practice for Writers" - On the need to slow down and let our brain rest - plus some options that are categorically not sitting there in dead silence (boring).

"Writing When Happy" - Wherein I hijack someone's question to discuss the Myth of the Martyr Artist, why we might self-limit because of it, and how to do the impossible: write when we're happy.

"The Neurodivergent Writer’s Guide to Fun and Productivity" by @bookishdiplodocus - Excellent advice on how enjoying the process and reminding yourself that writing is supposed to be fun can help you stay motivated and productive, even when your brain is not cooperating.

"The Glorification of Self-Deprecation in Art/Writing Spaces" by @nicolkoutoulakiauthor - I've discussed before how crucial it is to have a healthy self-esteem when writing, but Nicol does it even better here. Nicol also includes some excellent reframing tactics so you can stay motivated.

Generalish Writing Advice (multifactorial)

"Signs That You Will Probably Finish Your Writing Project" - An analysis of the mindset that leads to results, and encouragement on how to develop them.

"'How Do I Start Writing?'" (Or; A Psychoanalysis of Newbie Writer Fears) - Inspired by the dozens of Reddit posts that ask this exact same thing, often with useless responses. So why do people ask this? I offer my theory.

"I Can Think of Ideas But Can't Write Them!" - A consideration of the many reasons you might find it difficult to get started on your precious idea-baby.

"How to elevate your writing style with 6 simple hacks" - Information about how to develop a prettier prose style, catch errors, develop good dialogue, and focus on brevity.

"How to improve your writing style : a 5-steps guide" by @writer-logbook - Especially great information on why reading widely is so helpful for your craft!

"Some Writing Advice" by @whispers-whump - Especially great discussion of why you shouldn't write what you mean.

"Practical Writing Advice Part 2" by @so-many-ocs - Does what it says on the tin. Simple, easy-to-follow advice that can break you out of writer's block.

"25 Prose Tips for Writers" by @thewriteadviceforwriters - I absolutely love the emphasis on sound and harmony here. As someone whose entire book series revolves around the magic of poetry, of course I think this is incredibly important advice!

"Pacing and Show Don't Tell" by @mylordshesacactus - Two for one deal! First, learn more about why pacing is important; then, look at some examples of the classic advice "show, don't tell." The post does a great job on breaking down what show don't tell actually means and what is not a violation of this guideline so that newer writers aren't confused.

Writing tools

"How to Build a Sustainable Writing Habit Through SCIENCE (Fuck Off, NaNoWriMo)" - Why NaNoWriMo doesn't actually motivate young writers and how to do better through a spreadsheet (yes, really, a spreadsheet). It also explains the importance of intrinsic motivation!

"'I've Outlined Too Much and Now I Can't Write!' (Or: the Double Outline Method for Overanxious Plotters)" - Some of us tend to go absolutely ham on our outlines, to the point where they're practically their own books. But then we also tend to not actually do the writing attached to said outline. Does this mean outlining is useless? Of course not. My method lets you have your outline and eat it too. (.... Wait.)

"'How Do I Make Myself Start Writing?' (Tips to Get the Damn Thing Done) - In this post, I provide a step-by-step guide to start writing, including a few tools to help improve motivation and concentration.

"How to Write Faster (And, Hopefully, Better Too)" - Eliminating distractions and forcing your brain to write is key to getting more done. Here, I explain how you might be limiting yourself by too much thinking and not enough doing.

Worldbuilding

"Stop Making Everything So Damn Complicated!" - Why fantasy (and scifi) does not need to be dizzyingly intricate to be enjoyable.

"How to Kick Ass at Worldbuilding" - I offer some suggestions on how to create a grounded and interesting world that will not bore your readers, based on real life examples.

"Grounded vs. Airy Fantasy" by @aethersea - Excellent breakdown of different levels of groundedness in fantasy and why it's important to understand your own approach.

"Fantasy Guide to Building a Culture" by @inky-duchess - Thorough and methodical analysis of what can create a compelling fantasy culture, including those things that many fail to think about when writing.

"Writing tip - Research" by @pygmi-cygni - Fantastic assessment of the importance of research, including for fantasy stories. As Pygmi-Cygni said, a lot of people claim that they don't need to do any research for fantasy novels, which isn't true! Any parallels to IRL need to be realistic, or you will lose credibility.

Plotting

"How to Use Chomolungma for Writing Adventure Stories; Or, the Plot Mountain Method" - If you're sick of saving felines who should really figure their own shit out, it's time to head to Plot Mountain. In this post, I offer you an alternative to the formulaic "Save the Cat" and "Hero's Journey" which also incorporates tension, characterization, and forward momentum.

"Avoiding Melodrama In Your Writing" - The most annoying all things: melodrama. My least favorite thing. Do not do it. I will show you how.

"How to Find a Plot When All You Have is Characters and Setting" by @rheas-chaos-motivation - This is a common problem for many writers, when you have cool characters or an intriguing setting. This short post can help you kickstart your ideas for how to create an intriguing plot that has built-in tension.

Description

"Remembering Perspective When Writing Descriptions" - Key factors to think about when describing other characters or settings from your POV.

"Description, Momentum, and Tension; Or, How Not to Bore a Reader" - Why, when, and where to put description so that people don't skip over it. Hopefully.

"Writing Notes: Seasons" - Each season has both benefits and downsides. In this post, we look at the negatives and positive aspects of each so you can decide how a particular season may strengthen your themes - plus some descriptions to help inspire you.

"Writing Advice: Spicy Mundanity" - Wherein I explain how to stop having boring descriptions by packing in characterization.

"How to Write Smut?" by @unfriendlywriter - Wonderful examples of how to write heartstopping smut.

"How to pull off descriptions" by @fictionstudent - Fictionstudent has a ton of great posts, both about film analysis and about the art of writing. I especially liked this one because it discusses how important perspective is for descriptions and the importance of filling in the details as a character would rather than just throwing it all at the reader at one time.

"How to avoid White Room Syndrome" by @writerthreads - Fantastic and focused advice on how to ensure you're offering readers just enough setting to help them envision the world.

Characterization

"Writing Relatable Characters; Or, Using Human Failures to Your Advantage" - Explaining how you can use character flaws and human needs to create a relatable character. Also explains the basic development of a plot, which is about equilibrium.

"How NOT to Write a Character" - Wherein I give you some examples of annoying characters we want to punt off a cliff so you can watch yourself.

"Writing Strong Female Characters" - Why you should give your female characters a secret goal, as well as how to avoid common 'strong female' stereotypes.

"Writing Compelling Trauma in Fiction: Dos and Don'ts" - How to avoid melodrama and create intriguing emotional wounds for characters.

"Quality Assurance Checks for Character Development" - Thought exercises that can help you differentiate characters, prune down unnecessary characters, develop true chemistry between LI and MC, and avoid having too many POVs.

"Developing Character Agency (Or; Cutting the Plot Strings)" - A discussion of character agency and how to ensure your characters are not bound by the narrative.

"Writing Notes: Thought Distortions" by @literaryvein-reblogs - Some psychological concepts you can use in your writing to add depth to characters.

"Questions about your character’s perspective on love and relationships" by @luna-azzurra - Excellent questions that can help you delve into your character's attachment style, what baggage they may bring to a current relationship, and how to create conflict through mentality.

"How to Write a Confession of Love," also by luna-azzurra - Perfect discussion of how to create tension, the utility of setting, not making it perfect, and including the other character's response.

Revisions

"Common Writing Issues that Reduce Readability" - Examples of fixes for four common issues: double describing, long sentences, overexplaining, and head hopping.

"How to Avoid Purple Prose" - A critical part of the revision process is making sure your writing is clear and balanced. In this post, I show a blatant example of purple prose and provide suggestions on how to make a more elegant passage.

"Differential Diagnosis When Your Writing Is Getting Worse" by @ariaste - Fantastic explanation by a professional writer about why you might feel like your writing is getting worse and what to do about it.

"How to Make Your Writing Less Stiff Part 3" by @physalian - Physalian's whole blog has some excellent advice, so definitely give it a look!

"How to Improve Your Writing" - Also by literaryvein-reblogs, this offers some excellent exercises to help with sentence-level issues, such as modifiers, parallelism, and details.

Publishing

"How to promote your book online : a discussion about social media (and few tips)" by writer-logbook - Great tips about how to get more interest in your book. I especially enjoyed the emphasis on patience and consistency. Writer-logbook has some excellent info overall about the nitty-gritty of writing, so I definitely recommend poring through their blog in general. (That's why they're included here twice!)

"A masterclass in how not to market your books, in one singular tweet" - Wherein I help you derive lessons from an abysmal tweet by an author.

"Mistakes I Made When Self-Pubbing My First Book (Part 1: Mindset Edition)" - I talk about how being delulu is not the solulu, that yes marketing is important (even if it is horrible), and how a bit of self-confidence can go a long way.

"Mistakes I Made When Self-Pubbing My First Book (Part 2: Presentation Edition)" - Graphics and covers and blurbs! Learn about them. Do not do what I did.

"Mistakes I Made When Self-Pubbing My First Book (Part 3: Ads and Reviews Edition)" - Why you have to get reviews. You gotta. And you gotta demand them. Shake those reviews out of your readers. You'll thank me later.

Specific Research Advice

"Assassination Methods Through the Decades: A Writer’s Handbook" by @hayatheauthor - A thorough review of different assassination methods, including a section discussing common assassination methods by region!

"How to Write Someone in a Wheelchair" - A group effort! This is a reblog chain discussing body language in manual wheelchairs, the mechanics of power wheelchairs, wheelchair propulsion methods, and a reminder that just because someone is in a wheelchair doesn't mean they can't walk short distances.

"Writing Research Notes: Caves" - Oh caves how I love them. Caves. Let me tell you about them if you want to write about caves. Blessed.

"Writing Research Notes: Horses" - A beginner's guide to horse mindsets, whether horses like working, approaching horses, how to ride, and tips on training.

"Writing Research Notes: Bipolar Disorder" - Written by me, a writer with bipolar disorder! This shares basic facts about bipolar, offers a list of symptoms you can use, and cautions you against spreading misinformation through poor characterization or myths.

"Writing Research Notes: Politics" - I provide a quick overview about governments and international relations, based off my suffering while getting an MA in International Relations.

"Stop Doing This in Injury Fics!" by @pygmi-says-hi - Discusses some common errors when writing whump/angst. The fever part was especially helpful for me!

"Writing US Military Characters" by @lookbluesoup - An explanation of the habits and mentality of US military characters. Many of these were quite helpful for my fantasy military characters, so you can get a lot of mileage out of these for soldiers in other militaries too!

Little Funsies

"What Painting Style Is Your Writing?" - A short exploration of different writing styles to help you better understand your own approach.

I'll be adding onto this as I continue to scroll through my old likes and, of course, as I find more resources.

[writers-potion]

Writing Mad Characters

Okay this is a bit awkward because I had this question copypasted into Google Docs I use to draft my answers, and I realized I've lost the question in my inbox (which is being flooded).

So...I'm so sorry for whoever asked this question. Sorry for the delay because I was struggling with life in general for the past month and definitely SORRY for losing your question (－‸ლ)

Q: I'm writing a story where a major character is slowly spiraling into madness where small details kinda hint into the downfall right before the bigger details appear and then it the floodgates open. Is there anything I should avoid? Anything that I should keep in mind? Anything that I should research?

Things to Avoid

“Mad” or “Insane” is too general. Writing a cliched ‘crazy’ character who randomly talks to imaginary people and lashes out at strangers, you’ll offend a whole bunch of people who've gone through/have mental illnesses. Read up on existing mental conditions (schizophrenia, bipolar disorder, post-traumatic disorder and borderline personality disorder, etc.) to see what your character might have. 

Words like “mad” “crazy” or “insane” aren’t enough when you’re describing their status. As mentioned, these words hardly mean much when it comes to providing a clear description.

Contradicting yourself. Throwing random unhinged symptoms here and there wouldn’t work. In fact, you must have a clear arc on which they’re traveling and ensure that your “hints” are all getting at something.

Making the character overly destructive or harmful to others (when nothing really justifies it)

Justifying damaging behavior with this “madness”. Mad or not, your character will still have motives and goals that drive them forward. 

Making them look incompetent just the fact that they have a mental condition that makes them appear “mad” to others shouldn’t prevent them from achieving success. In fact, they may be even more cool-hearted and logical when it comes to their obsessions/goals. 

Research Tips

Narrow down the mental conditions your character experiences. Even if it’s a fictional condition, try basing it on existing ones and building on top of them. 

Take some time to study characters and/or real clinical cases that resemble the kind of madness you’re going for. 

- Anxiety Disorders: excessive fear and dread (ex. phobias) - Mood Disorders: persistent swings in mood or persistent feelings that interfere with daily life (ex. Depression, bipolar) - Psychotic Disorders: disordered thinking (ex. schizophrenia) - Eating Disorders: extreme emotional attitudes toward food (ex. Bulimia, anorexia) - Impulse Disorders: unable to resist urges (ex. Kleptomania, pyromania, gambling) - Personality Disorders: extreme inflexible personality traits (ex. Anti-social disorder, OCPD) - Past Traumatic Stress: persistent, frightening memories leading to emotional numbness 

Does your character have empathy?  

A sociopathic kind of madness is different. 

General Writing Tips for Spiraling into Madness

Establish a Baseline 

A lot of factors (stress, family history, innate personality, trauma, etc.) can contribute to madness, but it is not going to happen in a week. Define the existing mental and physical conditions your character has, and start from there. 

If you’re aiming for suicidal tendencies at the end, you want to start with symptoms of depression (a condition that may lead to suicide) - growing apathetic, erratic sleeping patterns, irritability, etc. 

This is also the stage where you want to plant some triggers that’ll go off later.

Trigger Events

A perfectly sound character suddenly spiraling down the madness route due to a single accident or traumatizing event isn’t convincing. 

A madness “snap” denies the reader the experience of watching the character’s journey into madness and how they feel about it. 

Internal Conflict (antagonist in himself) 

You must remember that madness is incurable. If someone could “cure” themselves by eating healthy, exercising and taking a few pills, it wouldn’t be much of a madness, would it? This means that the worst antagonist is going to be the character themselves, or the part of them that’s been taken away. 

Show how they are frustrated with themselves, scared of themselves, angry at their “alternative self”. The experience of not knowing yourself is a whole journey of its own.

Physical Manifestations/Quirks

If your character has a routine, show how they break down. 

They might develop habits that they otherwise would never allow themselves to have, perhaps as an effort to “keep this madness out”

Deteriorating Relationships

Depict how the character’s madness impacts his closed/loved ones. In the earlier stages, those close to him might be faster to notice and accept the signs of madness, even if the character denies it him/herself.

The first signs of madness might show when the character is trying to deal with difficult relationships - like losing patience and being unable to pick up subtle social clues.

Choosing Obsessions Over Primal Urges 

For these characters, obsession can take over a person’s normal urge to eat, sleep or even live. This can lead to, more or less, suicide. 

Example: In Black Swan, Nina’s obsession with becoming the perfect ballerina drive her to insanity, to the point where she doesn't mind dying on stage for the show.

[saintsenara]

Riddle’s extremely fearful and aggressive reaction to Dumbledore when he thinks he’s a doctor (and the fact that he assumes this at all and believes he is being lied to) has some pretty dark implications (which of course no one follows up on). Do you have thoughts?

thank you very much for the ask, anon!

and yes - this has occurred to me too... which means that my thoughts come with a trigger warning for the sexual abuse of a child, and are under the cut.

the relevant scene in canon is, of course, this:

“I am Professor Dumbledore.” “Professor?” repeated Riddle. He looked wary. “Is that like doctor? What are you here for? Did she get you in to have a look at me?”  He was pointing at the door through which Mrs. Cole had just left. “No, no,” said Dumbledore, smiling.  “I don’t believe you,” said Riddle. “She wants me looked at, doesn’t she? Tell the truth!”  He spoke the last three words with a ringing force that was almost shocking. It was a command, and it sounded as though he had given it many times before. His eyes had widened and he was glaring at Dumbledore, who made no response except to continue smiling pleasantly. After a few seconds Riddle stopped glaring, though he looked, if anything, warier still. “Who are you?” “I have told you. My name is Professor Dumbledore and I work at a school called Hogwarts. I have come to offer you a place at my school - your new school, if you would like to come.”  Riddle’s reaction to this was most surprising. He leapt from the bed and backed away from Dumbledore, looking furious.  “You can’t kid me! The asylum, that’s where you’re from, isn’t it? ‘Professor,’ yes, of course - well, I’m not going, see? That old cat’s the one who should be in the asylum. I never did anything to little Amy Benson or Dennis Bishop, and you can ask them, they’ll tell you!”

the surface-level reading of this scene - which is clearly what the text wants us to go for - is that riddle thinks he's about to be institutionalised for being "mad" - and, specifically, that he thinks that what dumbledore has been told is his "madness" is actually his magic.

[he is also clearly meant to be read as panicking a little bit that he's fucked around torturing his fellow children and is now about to find out...]

that riddle accepts he's a wizard so easily - and that he is so reassured by dumbledore agreeing that he's not mad - is something the text wants us to read as sinister. him immediately describing himself as "special" is set up as a precursor to the adult voldemort's delusions of grandeur - which the entire arc of the series, ending in his death as an ordinary man, is designed to undermine.

but i've always disliked this reading. the eleven-year-old riddle - a magical child raised around non-magical people - is objectively correct to describe his powers as "special" [in that they make him identifiably different from the crowd] within the context in which he lives. the word choice is nowhere near as deep as dumbledore decides - he's clearly known since he was very young that he's a wizard, but he didn't have the precise language to describe this fundamental part of himself until dumbledore offered it; prior to that, "special" is a perfectly reasonable alternative term.

and, in always knowing that he's a wizard, he also knows that he doesn't have a mental illness - but he must also know that this is something it's near impossible for him to prove.

in the real world, if i spoke to a patient who told me:

“I can make things move without touching them. I can make animals do what I want them to do, without training them. I can make bad things happen to people who annoy me. I can make them hurt if I want to.”

then i would be correct to describe them as experiencing psychosis. and i might - depending on their other symptoms - have reasonable cause to admit them [voluntarily or not] for psychiatric treatment.

riddle is - of course - demonstrably not psychotic. but it's not unreasonable that mrs cole would assume he is - the world she lives in, as a muggle [even if she's a religious one], is one in which people do not possess the ability to move objects or control animals with their minds, and if one of her charges is convinced that he can, then she's justified in seeking medical intervention.

[that psychiatric treatment in the 1930s can be described without exaggeration as inhumane is another matter...]

which is to say, i think we can easily suppose that mrs cole has - prior to dumbledore's arrival - succeeded in having riddle "looked at", and that the idea that he's mentally ill and should be committed to an asylum has been mentioned before. i think most of us would be instinctively [and angrily] wary of doctors if this happened to us, regardless of how nice the doctors in question were.

and maybe that's all there is to it.

and maybe it isn't...

in the doylist text, the eleven-year-old riddle's personality is the way it is because he's the villain of the series. where harry is preternaturally capable, even as a child, of all the things the series defines as admirable - above all, enduring difficulty without complaint - riddle is preternaturally incapable of them. he's meant to come across as unambiguously sinister - and the fact that the text repeatedly emphasises that he has control over his unpleasant traits invites us to view him as someone who is acting with full agency. that he lives in an orphanage is a trope which the text uses, like a campy horror film might, predominately to underscore how creepy he is - and the text, in keeping with its general lack of interest in states and their institutions, never really prompts us to interrogate the impact of his childhood upon the course his life takes.

[this is despite the fact that voldemort's reliving of the night he killed the potters in deathly hallows is an incredibly accurate depiction of ptsd...]

but it's also the case that the eleven-year-old riddle's behaviour and personality fits a pattern we might expect to see in a child who is being abused, sexually or otherwise:

he's aggressive, he has a hair-trigger temper, and he becomes distressed even by behaviour - such as dumbledore speaking mildly and calmly - which would not ordinarily be expected to provoke such a reaction.

his broader emotional state is fractious. his mood changes sharply, he seems to feel emotions very profoundly, he struggles to control his emotional response to things, he's extremely easily irritated, he's attention-seeking - and he particularly seeks negative attention, and he's very highly-strung. his admission in deathly hallows that he feels calm before he kills - or before he otherwise eradicates a threat or a problem - comes with the flip-side that he's someone who appears, when things aren't going well or he finds himself in a situation which he can't control, to become quite anxious. which is a trauma response.

he's extremely isolated. the text presents the fact that he has no friends as a deliberate choice - "lord voldemort has never had a friend, nor do i believe that he has ever wanted one" - and his relationship with everyone else he ever meets, including his fellow orphans, is defined by the text as exclusively involving him controlling, manipulating, and punishing them. or: he is always the more powerful person in the pairing. but this need for control can be read as self-protective just as easily as it can be read as sinister. there are hints in canon that riddle is not just some malevolent force in the orphanage preying on mild-mannered innocents. for example, billy stubbs, the owner of the rabbit he kills, is targeted by riddle as revenge: “Billy Stubbs’s rabbit... well, Tom said he didn’t do it and I don’t see how he could have done, but even so, it didn’t hang itself from the rafters, did it? [...] But I’m jiggered if I know how he got up there to do it. All I know is he and Billy had argued the day before." on the rare occasions billy turns up in fics, he's usually - i find - written very like neville - sweet and guileless and a bit pathetic. but the alternative reading - especially when we take into account that riddle attacks the rabbit rather than billy himself - is that billy is someone he would be afraid to physically confront. indeed, it's striking that voldemort - at all stages of his life - is described as being quite physically fragile. not only is he very thin, but he's always cold and his heartbeat is described several times in canon as irregular. i think this is supposed to be a comment on the physical changes he undergoes the more horcruxes he makes - although the idea that the soul would affect the heart doesn't actually align with how the series understands the soul to relate to the body - but it can also be interpreted perfectly legitimately as something he was experiencing prior to splitting his soul. i am committed to the headcanon that riddle was quite a sickly child - and that this is one of the things which drives his fear of death - and i'm also committed to the idea that his obsession with magic is because the enormity of his magical power makes up for his physical lack. he can defeat - and humiliate and frighten and remove the threat of - billy or dennis [or even an adult man?] with magic. without it, if they were to physically overpower him, then he wouldn't be able to throw them off.

he is extremely nervous about being alone in a room with dumbledore - someone he doesn't know, and who he assumes is connected to a profession [and, maybe, who knows any other doctors he's been previously made to see...] of which he is frightened.

he doesn't trust or confide in anyone - which, as a child, means particularly that he doesn't trust or confide in adults in positions of responsibility. he's clearly uneasy with the idea of finding himself in the subordinate position in an adult-child relationship when dumbledore offers to take him shopping for school supplies - potentially because he's worried that dumbledore will try and dictate or restrict what he's allowed to buy unless he behaves in a certain way... and i am always very struck that dumbledore says in half-blood prince: "He was very guarded with me; he felt, I am sure, that in the thrill of discovering his true identity he had told me a little too much. He was careful never to reveal as much again." this is presented in the text as evidence that dumbledore is the only person of whom voldemort is afraid - by which the text means that voldemort acknowledges that dumbledore knows that an ordinary man, mortal and unimpressive, lurks behind the mask of unassailable power he has created for himself; and which the text thinks is a good thing. but we can also read it as a self-protective act on riddle's part. in his excitement, he offers dumbledore information [that he is known to be a liar, that he is in trouble a lot, that mrs cole dislikes him and is disinclined to believe anything he says] which would give dumbledore - or anyone in a similar position of power and presumed respectability - cover to abuse him, safe in the knowledge that he would be unlikely to be believed if he reported it.

he doesn't appear to feel safe in the orphanage and he's frequently absent from it - by his own admission, he spends a huge amount of time wandering around london on his own, which may even involve him staying away for several days at a time. nobody appears to notice or care about this.

he's very independent - which the text again presents as evidence of his deliberate self-isolation and rejection of the bonds of love and friendship - and his independence is unusual for a child his age [i.e. that he is capable of doing all his own shopping for school].

his knowledge of violence - i.e. how he designs the trip to the cave to be maximally psychologically devastating for dennis and amy and devoid of repercussions for himself - is also more advanced and methodical than would be expected in a child of his age. again, the text uses this to emphasise how inextricable the child-voldemort is from his adult self - and also, to some extent, to underscore the intellectual brilliance [his magic is also more advanced than is normal for a child] which his narrative archetype [the exceptional villain who is defeated by the everyman hero] requires. but we can also read it as evidence of his own victimisation. a common sign that a child is being sexually abused is that they display a knowledge of sexual behaviour which is more advanced than is reasonable for a child of their age - for example, knowing in detail how a sex act is performed, or fluently using sexual slang which they have no chance of knowing either from age-appropriate settings like school-based sex education or conversations with a parent or trusted adult, or from the sort of enthusiastic hoarding of rude words and phrases all children enjoy as they grow up. riddle's precise, clinical knowledge of how to manipulate, frighten, torture, and control can be seen as something similar. if he can - at eleven or younger - methodically break down another child until they're "never quite right" again, then this is because he's learned how to from someone.

he keeps secrets. and he also goes out of his way to extract them. his grooming of ginny in chamber of secrets - he manipulates her into confiding things she wants to keep to herself, promises he won't tell anyone, and then uses the threat that he will to get her to do his bidding - is an absolutely textbook example of how abusers use the idea of secrecy to control their victims. it doesn't make his abuse of ginny any less inexcusable if we assume he learns this from being on the other side of things.

dumbledore understands his little cache of objects as trophies he's taken from victims - and the text takes the view that dumbledore is correct in this assessment. that hoarding trophies is something widely associated with serial killers means that this is yet another thing which underlines how creepy - and how like his adult self - the child-voldemort is. but it's also the case that the adult - and teenage - voldemort places a lot of emphasis on gift-giving as part of his control over other people. the two most obvious examples in canon are wormtail being given his shiny hand as a reward for helping voldemort get his body back, and slughorn being buttered up with crystallised pineapple before voldemort asks him about horcruxes. the text thinks this is sinister - and one of the reasons it does this is because gift-giving is a grooming tactic. the text also clearly thinks this isn't behaviour voldemort has learned from the other side. and yet a common sign that a child is being abused is if they have possessions it doesn't make sense for them to own [i.e. a child from a low-income background who is suddenly decked in designer clothes] and which they can't or won't explain how they came by. riddle's cache isn't luxurious - although he's so poor that a yoyo or a mouth organ probably is a luxury to him - but there's also nothing in canon which precludes the objects being presents, rather than stolen goods. if the spell dumbledore uses to make the box rattle is caused by a statement which is both relatively ambiguous and dependent on dumbledore's subjective personal morality - is there anything in this room he's acquired through nefarious means? - then the spell would still work as it does in canon if riddle was an abuse victim given the objects as "rewards". dumbledore's tendency to locate right and wrong in the individual and dumbledore's belief that good people should steadfastly endure misery means he can be written entirely canon-coherently as someone who would think a victim who appeared to collude in their own abuse - such as a victim who "offered" a sexual act because their abuser promised them something if they did - was behaving consensually, manipulatively, and nefariously. and it's worth noting that when riddle doesn't know what dumbledore has done to make the box rattle, he is "unnerved". when he realises dumbledore thinks he's stolen the objects - and that he has no interest in forcing him to admit this aloud - he is "unabashed". perhaps because he's just received proof that an experience he doesn't want to talk about is still secret...

on the other hand, the objects could indeed be stolen - because petty criminality and anti-social behaviour, especially in pre-teen children, is also a sign of abuse.

he can be extremely obsequious - when dumbledore tells him to watch how he speaks he becomes "unrecognisably polite", he ruthlessly flatters slughorn, and he is cringingly deferential to hepzibah smith. the text understands this as evidence that his apparent charm is only superficial - another trait associated in the popular imagination with serial killers [and it's striking that so much about the young voldemort - handsome, charming, seemingly quiet and polite, true evil lurking underneath the mask - is exactly like the pop-culture persona which has been created for ted bundy...]. voldemort himself agrees that his charm is performative in chamber of secrets: “If I say it myself, Harry, I’ve always been able to charm the people I needed. So Ginny poured out her soul to me, and her soul happened to be exactly what I wanted." but his obsequiousness is also a fawn response - a way of minimising a threat by attempting to please the person issuing it. he becomes "unrecognisably polite" - after all - in response to this: Dumbledore raised his eyebrows. “If, as I take it, you are accepting your place at Hogwarts - ” “Of course I am!” “Then you will address me as ‘Professor’ or ‘sir.’ ”  Riddle’s expression hardened for the most fleeting moment before he said, in an unrecognisably polite voice, “I’m sorry, sir. I meant - please, Professor, could you show me - ?”  riddle could reasonably interpret what dumbledore says here as a threat to prevent him attending hogwarts - even though dumbledore evidently doesn't mean it in this way - and he switches to being fawning because this is something he really doesn't want to happen...

do i think that any of this is what the text was actually going for? no. and nor do i think that reading riddle as a victim of abuse excuses the violence which the adult voldemort goes on to perpetuate.

but i think it is a reading of his characterisation which is both canon-plausible and interesting - a strange, sickly child with a reputation for cruelty and dishonesty being abused by the respectable doctor who is constantly called in to treat his coughs and wheezes, who buys him little presents and charms him into telling him secrets, who then [to paraphrase the teenage voldemort] feeds him a few secrets of his own, safe in the knowledge that nobody will ever believe him if he tries to get help.

and i also think this a reading which is sincerely important.

a significant contributor to the prevalence of child abuse - no matter what exact form this abuse takes - is that we are culturally conditioned to imagine that both the abuser and the victim will look and behave in a certain way if the abuse is "real".

and this means, all too often, that we take child abuse more seriously when the victim is "sympathetic" - when they're from a stable home, and their family are respectable, and they do well in school, and they're polite and sweet, and they look innocent, and they behave perfectly appropriately for their age, and nobody would ever dare to say that they come across as older than they are, and they're white, and they don't have a history of lying, and they don't have a history of attention-seeking, and they don't have a criminal record, and they're not abusive themselves, and there's absolutely no way of suggesting that they colluded in their abuse, and the perpetrator was someone who looks like a child abuser.

someone who is creepy, low-status, ugly, unpopular. someone who everyone can tell is socially abnormal, someone who nobody would ever intentionally permit to be around their children. not someone who is charming, well-respected, attractive, rich, popular, trustworthy. not someone who has a loving family and a happy home. not someone we might be friends with.

but many perpetrators of child abuse are these second group of people. and many victims of child abuse are "unsympathetic", when their social positions and reputations are compared to their abusers' own.

they lie. they steal. they're attention-seeking. they're vindictive. they have trouble distinguishing between imagination and reality. they're violent. they're bullies. they hurt animals. they abuse other children. they take drugs. they're mentally-ill. they come from broken homes. they're in the care of the state. they're dirty. they're poor. they're odd. they're behind at school and badly-behaved in the classroom. they do things which allow their abuse to be dismissed as something they brought upon themselves - they speak or dress in certain ways, they pose provocatively in pictures and post them on the internet, they are known to be sexually active outside of the context of their abuse, they lie about being over the age of consent, they engage in sexual behaviour with an adult abuser in a way which appears [even though it isn't, and there's never a circumstance in which it will be] to be consensual or for their own personal gain, they are flattered by the attention they receive from someone who is important or attractive grooming them, they have complicated - and not always wholly negative - feelings towards their abusers.

and they are still - unequivocally - victims, and what happens to them is still - unequivocally - abuse.

tom riddle is an unsympathetic victim - not only of any potential abuse, but also of the horrors of his life which are explicit on the canon page: that he is raised in an orphanage; that he is grieving; that he knows nothing about his family; that he is thought to be mad.

the absence of any institutional response to his childhood experiences - dumbledore, by his own admission, discloses nothing about riddle to his fellow teachers - is a flaw repeated again and again in the worldbuilding of the harry potter series.

hogwarts - and the wizarding [and muggle] state more broadly - doesn't intervene in any case of neglect or abuse, from harry to snape to voldemort's own parents. the series' individualistic morality means that we aren't supposed to interrogate these collective failings. and the series' black-and-white view of good and evil - and its general belief that violence is fine if the person it happens to "deserves" it - means that it has no interest in examining the ways that poverty, isolation, and neglect are risk factors; that straightforwardly unpleasant people can still be victims; that victims can go on to become perpetrators without their victimhood ceasing to matter; and that the abuse of children usually takes place not in silence and secrecy, concealed in ways which make it fine for adults not to notice it and not to intervene, but in plain sight.

this is knowledge it never hurts to refresh. thinking about lord voldemort's childhood might be an usual way of doing so... but it is an effective one nonetheless...

[phagodyke]

venting sorry... don't want to just delete it bc it helps to get it out just ignore this post pls 👍

haven't slept much at all and feeling so sick andstressed and in pain bc my period is due and so tired its making me dizzy but i cant sleep more or ill just feel more sick and I want a hug and to cry so hard into someones shoulder but no one cares or will even come near me it makes me feel diseased they think things about me that aren't true bc I struggle so much to communicate and thry all make assumptions insteqd and no one wants to give me space to talk to them about it so I cant undo that now and its all my fault and I'm so. exhausted :-(