#michiyo sato

[whibleysims]

Before long...

Little by little...

In big ways...

And small...

The Sato house would be rebuilding a solid foundation with which they could call themselves--

--a family.

[haropro-confessions]

They gave Maachan a Heike Michiyo song from the vault and jazzed it up a bit. That is my first impression of "Ding Dong". They kind of have similar faces and then there's the color red which was kind of Michiyo's thing. I like it.

[joyce-stick]

The Speculative Rebirth of Hitori Gotoh, Chapter 2

https://archiveofourown.org/works/45769732/chapters/115410385

Rating: M

Category: F/F

Fandom: Bocchi the Rock!

Relationships: Gotou Hitori | Bocchi/Kita Ikuyo, Ijichi Nijika/Yamada Ryo

Characters: Gotou Hitori | Bocchi, Kita Ikuyo, Ijichi Nijika, Yamada Ryo, Yamada Ryo's mother, Gotou Futari (Hitori's sister), Gotou Michiyo, Gotou Naoki (Hitori's dad), JimiHen (Hitori's dog), Sato Aiko | Poison Yami, Plural!Ryo, Original Alternate Personality/Headmate of Canon Character(s), Original Characters

Additional tags: Yuri, Romance, erotic dream, Bathing/Washing, Sequel, Influencer, Alternate Universe - Canon Divergence, Multiplicity/Plurality, Implied/Referenced Homophobia

Summary: Hitori "Bocchi" Gotoh is now dating Ikuyo Kita, her fellow bandmate from Kessoku Band, after the most exciting, stressful, and emotionally confusing week of her life. Dating Kita, it turns out, is due to be more challenging than any concert, especially when Hitori has to reckon with all the bizarre fantasies and unwelcome thoughts she's been lately having about her new girlfriend…

A sequel to The Accelerated Heat Death of Hitori Gotoh, and How Ikuyo Kita Catalyzed It (by kissing) and the second arc of An Alternate Timeline of the Infirmary Scene.

[byneddiedingo]

Tatsuya Nakadai in The Sword of Doom (Kihachi Okamoto, 1966) Cast: Tatsuya Nakadai, Michiyo Aratama, Yuzo Kayama, Yoko Naito, Toshiro Mifune, Ko Nishimura, Ichiro Nakaya, Kei Sato, Tadao Nakamura. Screenplay: Shinobu Hashimoto, based on a novel by Kaizan Nakazoto. Cinematography: Hiroshi Murai. Art direction: Takashi Matsuyama. Film editing: Yoshitami Kuroiwa. Music: Masaru Sato. Among the great actors who aren't exactly household names in the United States, one of the best is Tatsuya Nakadai, who threw himself into roles with such commitment that it's almost a surprise to realize that he's still alive: He's 90 years old. Even with the presence of the charismatic -- and, in the West, much better-known -- Toshiro Mifune in the cast, Nakadai carries The Sword of Doom on his considerable shoulders, playing Ryunosuke, a psychotic samurai, with frightening conviction. In his first appearance in the film, his face is partly hidden by the latticework of a hat, but his eyes burn brightly through the shadowing. He calmly murders an old man whose granddaughter has gone to fetch water. Granted, the old man is praying for death, but an easy one, not the blow of the titular sword. By the end of the film the madness that glitters in Ryunosuke's eyes has been responsible for countless deaths, and it flares up in a cataclysmic ending in which he slashes out at the ghosts he sees behind the bamboo shades of a brothel and eventually at the assassins who come for him. Nakadai does something extraordinary with his body in this final sequence: As Ryunosuke's mind comes unhinged, so does his body, killing in a kind of Totentanz that looks spasmodic but never loses its lethal precision. And there the film ends, on a freeze frame of Nakadai's face and its glittering eyes. The Sword of Doom was meant to have sequels, but they were never made. Yet although we never learn what happens to several other characters whose subplots have centered on Ryunosuke, or indeed whether he survived this orgy of blood, it doesn't really matter much. It's almost enough to have watched Nakadai in performance. 

[knchins]

General Tag List

Self explanatory, anything outside of trigger tags that I use somewhat frequently.

Active Tags

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Original Character Tags

Abe Kimifusa

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Sato Reiko

Suzuki Akemi

Ueno Michiyo

Updated Nov 15, 2022

[dancerzone]

LYRICS It's been such a long time So much crying Bad dreams in the night I'm getting lonely I can't stand this pain no more I still recall Hear the echo of our last good-bye Would you still have a place in your heart for me to stay Let me forget sad memories Let me believe that we'll never be apart Let me forget bad memories Let me believe that we'll never be apart I know we'll be the way that we were From what to where All I've been doing is running away But now is the time to change That my life would never be the same It's been so lonely without you My heart will be broken Would you still have a place in your heart for me to stay Let me believe your love is true Let me believe that we'll never be apart Let me believe our love is true Let me believe that we'll never be apart I know we'll be the way that we were Now I know just how much I have lost Yes, I lost my true love You're the love I can't forget You're everything I need Let me believe your love is true Let me believe that we'll never be apart Let me believe our love is true Let me believe that we'll never be apart I know we'll be the way that we were All Composed by Mutsuhiko Izumi, All Lyrics by HEAVEN, Except "USED TO ROCK'N'ROLL" Lyrics by Brad Holmes Produced by Mutsuhiko Izumi Directed by Miho Toyoda Mastered by Kotaro Kojima (FLAIR MASTERING WORKS) Recording Engineer: Yoshifumi Kureishi, Yasufumi Sugahara Assistant Engineer: Yoshiyuki Hayashi Mixing Engineers: Yoshifumi Kureishi (M1,2,4~7,10,11,13,14) Tomoko Sugiyama (M3) Kazuyo Sakaguchi (M8,9) Jun Miura (M12) Recorded & Mixed at AOI STUDIO, Boomerang, Studio A-tone Drum Technician: Atsuhiro Murakami Guitar Technician: Takuya Kumagai Supervisor: Yumi Izumi Art Direction & Design: Hiroshi Banno Photograph: Masashi Miyazato Styling: Masahiro Hiramatsu Hair & Make-up: Shohei Inoue Label Management: Yuichi Hashimoto A&R Direction: Hiroshi Takeyasu Licensing Management: Kazunari Okido Sales Promotion: Hideki Chosokabe, Eiichi Tsukagoshi Executive Producer: Kuniaki Kinoshita Special Thanks to: Seiichi Sugiura (Art Tech) Koichi Kanei (Deviser) Hideyuki Matsukawa (Hyaku Percent) Nobuya Okuno (Hyaku Percent) Kinya Takano (HOWMIC) Kojiro Sato (Boomerang) Toshimasa Mori (AOI STUDIO) Michiyo Hara (Studio A-tone) Ryosuke Maekawa TAMA Drums Zildjian Cymbals NAOKI MAEDA Yuei Hideaki Shikama Daisuke Kurosawa by DancerZone

[tspoe-pods]

Beautiful short film done with puppets and in miniature. Based on Ray Bradbury’s “The Fog Horn” but taken in a direction that only Japanese filmmakers could. The lake monster looks INCREDIBLE!

Highly recommended. Amazon Prime has this 35 minute film followed by a ‘making of’ available.

[obnoxiousshadow-blog]

Hi! Me with the Sachiko Sato (Michiyo Madoka) OC here :) I submitted my OC on this blog as you requested and I just wanted to know if you had received it? :) Thanks!

Hi there, thank you for the check up. Sorry I couldn’t send a message for whatever reason. Yes I did receive your OC, I should be able to send her back within two days with my review. Again sorry you’ve had to wait so long. Hope your having a great day! :)

Also is it okay for me to post the review publicly? (I accidentally posted this publicly sorry)

[figureskate-en]

Shutter (2008/I)

#Figureskate #MikiAndo [MovieViral]Akihiko Ando,Alessandra,Katrina B.,Tanya Allen,Takao Toji,Shizuka Fujimoto,Yutaka Mishima,Maiko Asano,Rei Sato,Homare Hasegawa,Kei Hirosawa,Michiyo Kaneko,Koichi Kase,Yasuke Kawarada,Ayuko Koyama,Konomi Moriyama,Akira Sato,Miyoko Yamaguchi,Runa Kozuki ...

[whibleysims]

Time motors on and baby Naomi is now a bright-eyed toddler!

While Michi packed up the leftover birthday cake, Genji starts teaching Naomi how to...crawl.

Michi sat down and said, "You know, it might be a tad early for that."

"Maybe she's an early learner?"

"Maybe."

"Or maybe you're right," he said cuddling next to his wife. "Like usual."

"Like always."

They smiled at each other.

Then they looked down at Naomi together.

"Are you thinking what I'm thinking?" Gen asked.

"I think so -- she needs a sibling."

"Bingo."

"How can we say 'no' to that face?"

"Exactly. It's impossible."

"She already has us wrapped around her chubby little fingers," Michi chuckled.

"There's no denying it."

[jculture-en]

Shutter (2008/I)

#Figureskate #MikiAndo [MovieViral]Akihiko Ando,Alessandra,Katrina B.,Tanya Allen,Takao Toji,Shizuka Fujimoto,Yutaka Mishima,Maiko Asano,Rei Sato,Homare Hasegawa,Kei Hirosawa,Michiyo Kaneko,Koichi Kase,Yasuke Kawarada,Ayuko Koyama,Konomi Moriyama,Akira Sato,Miyoko Yamaguchi,Runa Kozuki …

[joyce-stick]

The Speculative Revival of Hitori Gotoh, Chapter 3

Rating: M

Category: F/F

Fandom: Bocchi the Rock!

Relationships: Gotou Hitori | Bocchi/Kita Ikuyo, Ijichi Nijika/Yamada Ryo, Ijichi Seika/PA-san

Characters: Gotou Hitori | Bocchi, Kita Ikuyo, Ijichi Nijika, Yamada Ryo, Yamada Ryo's mother, Gotou Futari (Hitori's sister), Gotou Michiyo, Gotou Naoki (Hitori's dad), JimiHen (Hitori's dog), Sato Aiko | Poison Yami, Plural!Ryo, Original Alternate Personality/Headmate of Canon Character(s), Original Characters, Hiroi Kikuri, Ijichi Seika, PA-san (Bocchi the Rock!)

Additional tags: Yuri, Romance, erotic dream, Bathing/Washing, Sequel, Influencer, Alternate Universe - Canon Divergence, Multiplicity/Plurality, Implied/Referenced Homophobia, Drunkenness, off-screen sex, Off-screen Relationship(s), Implied/Referenced Bereavement

Summary: Hitori "Bocchi" Gotoh is now dating Ikuyo Kita, her fellow bandmate from Kessoku Band, after the most exciting, stressful, and emotionally confusing week of her life. Dating Kita, it turns out, is due to be more challenging than any concert, especially when Hitori has to reckon with all the bizarre fantasies and unwelcome thoughts she's been lately having about her new girlfriend…

A sequel to The Accelerated Heat Death of Hitori Gotoh, and How Ikuyo Kita Catalyzed It (by kissing) and the second arc of An Alternate Timeline of the Infirmary Scene.

[byneddiedingo]

Tatsuya Nakadai in The Human Condition II: Road to Eternity (Masaki Kobayashi, 1959)

Cast: Tatsuya Nakadai, Michiyo Aratama, Kei Sato, Kunie Tanaka, Michiro Minami, Keiji Sada, Kokinji Katsura, Jun Tatara. Screenplay: Zenzo Matsuyama, Masaki Kobayashi, based on a novel by Junpei Gomikawa. Cinematography: Yoshio Miyajima. Art direction: Kazue Hirataka. Film editing: Keiichi Uraoka. Music: Chuji Kinoshita.

If the first part of Masaki Kobayashi's The Human Condition makes me think of the earnest "serious pictures" that came out of Hollywood in the 1940s -- I have in mind such movies as The Razor's Edge (Edmund Goulding, 1946), in which Tyrone Power searches for the meaning of life, or Gentleman's Agreement (Elia Kazan, 1947), in which Gregory Peck crusades against antisemitism -- then the second part, Road to Eternity, suggests, even in its subtitle, the influence of From Here to Eternity (Fred Zinnemann, 1953), that near-scathing* look at brutality in Army basic training. Kaji (Tatsuya Nakadai), our idealistic protagonist, has been sent to war, and has to endure all manner of abuse even though he's an excellent marksman and a sturdy trooper. His objections to Japanese militarism and his belief that the war is wrong mark him out as a "Red," and for a time he contemplates escaping into his idealized version of the Soviet Union. But his sympathy for his fellow recruits keeps him plugging away, occasionally taking heat for his defense of them, especially from the military veterans who have been called up to serve. They object to his treating the recruits he is put in charge of training with respect and human decency -- they went through hell in basic training, so why shouldn't everyone? The film ends with a cataclysmic battle sequence, during which Kaji has to kill one of his fellow soldiers, who has gone stark raving mad and whose antics threaten the lives of other soldiers. It's not the first time Kaji has resorted to killing a fellow soldier: Earlier, he has been mired in quicksand with a brutal man who has caused the suicide of a recruit, and Kaji lets him drown. The intensity of the battle scenes takes some of the focus away from Kaji's intellectualizing, which is all to the good.

*I have to qualify: From Here to Eternity is not as scathing as the James Jones novel on which it's based, thanks to the Production Code and the residual good feeling of having won the war. In some ways, The Human Condition II is more properly an anticipation of Stanley Kubrick's no-holds-barred Full Metal Jacket (1987).

[dancerzone]

LYRICS The Day, every channel The Day, every program The Day, crying for the bitter blow, The Day And I couldn't believe And I still feel the pain I can't close my eyes and make it go away "What for ?" We never know why it must be this way So many have died, but tell me who will win? ☆ We don't live in Heaven This world is full of mistakes We don't live in Heaven Madness, crimes, and fights We don't live in Heaven This world is full of mistakes We don't live in Heaven Still I believe We all hold a heaven inside Sorrow, anger and hate fear and confusion We wander in a never ending maze But I want to believe We'll find a way to the truth Someday, somehow we know we will get there It's never too late! never giving up! So many we have lost, but we don't cry in vain ☆ Repeat ✕2 All Composed by Mutsuhiko Izumi, All Lyrics by HEAVEN, Except "USED TO ROCK'N'ROLL" Lyrics by Brad Holmes Produced by Mutsuhiko Izumi Directed by Miho Toyoda Mastered by Kotaro Kojima (FLAIR MASTERING WORKS) Recording Engineer: Yoshifumi Kureishi, Yasufumi Sugahara Assistant Engineer: Yoshiyuki Hayashi Mixing Engineers: Yoshifumi Kureishi (M1,2,4~7,10,11,13,14) Tomoko Sugiyama (M3) Kazuyo Sakaguchi (M8,9) Jun Miura (M12) Recorded & Mixed at AOI STUDIO, Boomerang, Studio A-tone Drum Technician: Atsuhiro Murakami Guitar Technician: Takuya Kumagai Supervisor: Yumi Izumi Art Direction & Design: Hiroshi Banno Photograph: Masashi Miyazato Styling: Masahiro Hiramatsu Hair & Make-up: Shohei Inoue Label Management: Yuichi Hashimoto A&R Direction: Hiroshi Takeyasu Licensing Management: Kazunari Okido Sales Promotion: Hideki Chosokabe, Eiichi Tsukagoshi Executive Producer: Kuniaki Kinoshita Special Thanks to: Seiichi Sugiura (Art Tech) Koichi Kanei (Deviser) Hideyuki Matsukawa (Hyaku Percent) Nobuya Okuno (Hyaku Percent) Kinya Takano (HOWMIC) Kojiro Sato (Boomerang) Toshimasa Mori (AOI STUDIO) Michiyo Hara (Studio A-tone) Ryosuke Maekawa TAMA Drums Zildjian Cymbals NAOKI MAEDA Yuei Hideaki Shikama Daisuke Kurosawa by DancerZone

[tottymatsuuu]

guys… can y’all ask about my boy… michiyo… i’m dying

MICHIYO COMM FROM @ha0yus ON TWT!!!

[whibleysims]

*knock knock knock*

Michiyo made an involuntary "Huh?" at the sound.

She opened the door with her guard up but nothing could have prepared her to see her mother in law.

"Hi, Michiyo," Sandra Sato smiled. She gripped her own hands together for steadiness.

"Sandra?"

"I know this is a little out of sorts, but may I come in?"

"Genji isn't home."

"I was hoping to speak with you, if that's alright?"

The women talked over fresh coffee and stale pancakes. Sandra explained her intentions to make amends and bridge the gap between her and Genji. She also expressed desire to learn more about Michiyo and their growing family, careful to acknowledge that trust needs to be earned over time and how committed she is to doing exactly that.

Then Sandra proposed an idea to help accomplish everything in one move.

A little while later, Genji returned from work early. "Mom?"

"Hi, son."

"What's going on here?" he asked his wife.

"Genji, it's okay!" she laughed lightly. She adjusted a fussy Naomi while she explained, "Your mother came up with a wonderful idea."

"I find that hard to believe," he muttered as he pulled up a chair.

"It's true, Gen."

"It's okay, dear," Sandra offered. "Thank you, but I have to speak my peace with my son now."

"Good luck," Michi said to Sandra before taking Naomi upstairs.

"What's this about, Mom?" he asked with a mean scowl.

"I want you to move in with me!" she announced.

"You're joking." Genji became legitimately concerned for his mother's state of mind.

"No," she laughed, "don't let my smile fool you, I'm very serious. Michiyo seemed to really like the idea."

"What--?"

"Genji, son, I have a lot to make up for -- too much for what little time I have left."

"Mom?"

"If you move in with me, I might have a chance to make amends for some of it, at least; be a grandma to Naomi, a mentor for Michiyo, and a good mother to you too. Please, I'm only asking you to just consider it for now. Please?"

Genji was stunned, but witnessing nothing but sincerity in his mother's tone he promised to talk it over with his wife.

"Thank you, son."