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Science Fiction Artist John Picacio Gives a Lift to Other Mexicanx Creators He wants more people of Mexican ancestry represented in the genre
#artist#John Picacio#Mexicanx Initiative#Mexico#San Antonio Current#science fiction#World Science Fiction Convention
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2019 Hugo Award finalists announced
The 2019 Hugo Award nominees have been announced; the Hugos will be presented this summer at the 2019 World Science Fiction Convention in Dublin, Ireland.
Normally, I find that I've read and reviewed a huge slice of the year's finalists, but this year is different; I've done a lot less reading lately, partly because I wrote two books in 2018 and partly because the new EU Copyright Directive ate my life for about 10 months in the past year.
I was a little sad to be so far behind the curve when I saw the new list, but then I realized that this meant that I had a bunch of really exciting books to add to my to-be-read pile!
One notable inclusion: the Archive of Our Own fanfic archive -- a project of the Organization for Transformative Works (for whose advisory board I volunteer) -- is up for "Best Related Work."
Congrats to all the nominees!
Best Novel * The Calculating Stars, by Mary Robinette Kowal (Tor) * Record of a Spaceborn Few, by Becky Chambers (Hodder & Stoughton / Harper Voyager) * Revenant Gun, by Yoon Ha Lee (Solaris) * Space Opera, by Catherynne M. Valente (Saga) * Spinning Silver, by Naomi Novik (Del Rey / Macmillan) * Trail of Lightning, by Rebecca Roanhorse (Saga)
Best Novella * Artificial Condition, by Martha Wells (Tor.com Publishing) * Beneath the Sugar Sky, by Seanan McGuire (Tor.com Publishing) * Binti: The Night Masquerade, by Nnedi Okorafor (Tor.com Publishing) * The Black God’s Drums, by P. Djèlí Clark (Tor.com Publishing) * Gods, Monsters, and the Lucky Peach, by Kelly Robson (Tor.com Publishing) * The Tea Master and the Detective, by Aliette de Bodard (Subterranean Press / JABberwocky Literary Agency)
Best Novelette * “If at First You Don’t Succeed, Try, Try Again,” by Zen Cho (B&N Sci-Fi and Fantasy Blog, 29 November 2018) * “The Last Banquet of Temporal Confections,” by Tina Connolly (Tor.com, 11 July 2018) * “Nine Last Days on Planet Earth,” by Daryl Gregory (Tor.com, 19 September 2018) * The Only Harmless Great Thing, by Brooke Bolander (Tor.com Publishing) * “The Thing About Ghost Stories,” by Naomi Kritzer (Uncanny Magazine 25, November- December 2018) * “When We Were Starless,” by Simone Heller (Clarkesworld 145, October 2018)
Best Short Story * “The Court Magician,” by Sarah Pinsker (Lightspeed, January 2018) * “The Rose MacGregor Drinking and Admiration Society,” by T. Kingfisher (Uncanny Magazine 25, November-December 2018) * “The Secret Lives of the Nine Negro Teeth of George Washington,” by P. Djèlí Clark (Fireside Magazine, February 2018) * “STET,” by Sarah Gailey (Fireside Magazine, October 2018) * “The Tale of the Three Beautiful Raptor Sisters, and the Prince Who Was Made of Meat,” by Brooke Bolander (Uncanny Magazine 23, July-August 2018) * “A Witch’s Guide to Escape: A Practical Compendium of Portal Fantasies,” by Alix E. Harrow (Apex Magazine, February 2018)
Best Series * The Centenal Cycle, by Malka Older (Tor) * The Laundry Files, by Charles Stross (most recently Tor.com Publishing/Orbit) * Machineries of Empire, by Yoon Ha Lee (Solaris) * The October Daye Series, by Seanan McGuire (most recently DAW) * The Universe of Xuya, by Aliette de Bodard (most recently Subterranean Press) * Wayfarers, by Becky Chambers (Hodder & Stoughton / Harper Voyager)
Best Related Work * Archive of Our Own, a project of the Organization for Transformative Works * Astounding: John W. Campbell, Isaac Asimov, Robert A. Heinlein, L. Ron Hubbard, and the Golden Age of Science Fiction, by Alec Nevala-Lee (Dey Street Books) * The Hobbit Duology (documentary in three parts), written and edited by Lindsay Ellis and Angelina Meehan (YouTube) * An Informal History of the Hugos: A Personal Look Back at the Hugo Awards, 1953- 2000, by Jo Walton (Tor) * www.mexicanxinitiative.com: The Mexicanx Initiative Experience at Worldcon 76 (Julia Rios, Libia Brenda, Pablo Defendini, John Picacio) * Ursula K. Le Guin: Conversations on Writing, by Ursula K. Le Guin with David Naimon (Tin House Books)
Best Graphic Story * Abbott, written by Saladin Ahmed, art by Sami Kivelä, colours by Jason Wordie, letters by Jim Campbell (BOOM! Studios) * Black Panther: Long Live the King, written by Nnedi Okorafor and Aaron Covington, art by André Lima Araújo, Mario Del Pennino and Tana Ford (Marvel) * Monstress, Volume 3: Haven, written by Marjorie Liu, art by Sana Takeda (Image Comics) * On a Sunbeam, by Tillie Walden (First Second) * Paper Girls, Volume 4, written by Brian K. Vaughan, art by Cliff Chiang, colours by Matt Wilson, letters by Jared K. Fletcher (Image Comics) * Saga, Volume 9, written by Brian K. Vaughan, art by Fiona Staples (Image Comics)
Best Dramatic Presentation, Long Form * Annihilation, directed and written for the screen by Alex Garland, based on the novel by Jeff VanderMeer (Paramount Pictures / Skydance) * Avengers: Infinity War, screenplay by Christopher Markus and Stephen McFeely, directed by Anthony Russo and Joe Russo (Marvel Studios) * Black Panther, written by Ryan Coogler and Joe Robert Cole, directed by Ryan Coogler (Marvel Studios) * A Quiet Place, screenplay by Scott Beck, John Krasinski and Bryan Woods, directed by John Krasinski (Platinum Dunes / Sunday Night) * Sorry to Bother You, written and directed by Boots Riley (Annapurna Pictures) * Spider-Man: Into the Spider-Verse, screenplay by Phil Lord and Rodney Rothman, directed by Bob Persichetti, Peter Ramsey and Rodney Rothman (Sony)
Best Dramatic Presentation, Short Form * The Expanse: “Abaddon’s Gate,” written by Daniel Abraham, Ty Franck and Naren Shankar, directed by Simon Cellan Jones (Penguin in a Parka / Alcon Entertainment) * Doctor Who: “Demons of the Punjab,” written by Vinay Patel, directed by Jamie Childs (BBC) * Dirty Computer, written by Janelle Monáe, directed by Andrew Donoho and Chuck Lightning (Wondaland Arts Society / Bad Boy Records / Atlantic Records) * The Good Place: “Janet(s),” written by Josh Siegal & Dylan Morgan, directed by Morgan Sackett (NBC) * The Good Place: “Jeremy Bearimy,” written by Megan Amram, directed by Trent O’Donnell (NBC) * Doctor Who: “Rosa,” written by Malorie Blackman and Chris Chibnall, directed by Mark Tonderai (BBC)
Best Professional Editor, Short Form * Neil Clarke * Gardner Dozois * Lee Harris * Julia Rios * Lynne M. Thomas and Michael Damian Thomas * E. Catherine Tobler
Best Professional Editor, Long Form * Sheila E. Gilbert * Anne Lesley Groell * Beth Meacham * Diana Pho * Gillian Redfearn * Navah Wolfe
Best Professional Artist * Galen Dara * Jaime Jones * Victo Ngai * John Picacio * Yuko Shimizu * Charles Vess
Best Semiprozine * Beneath Ceaseless Skies, editor-in-chief and publisher Scott H. Andrews * Fireside Magazine, edited by Julia Rios, managing editor Elsa Sjunneson-Henry, social coordinator Meg Frank, special features editor Tanya DePass, founding editor Brian White, publisher and art director Pablo Defendini * FIYAH Magazine of Black Speculative Fiction, executive editors Troy L. Wiggins and DaVaun Sanders, editors L.D. Lewis, Brandon O’Brien, Kaleb Russell, Danny Lore, and Brent Lambert * Shimmer, publisher Beth Wodzinski, senior editor E. Catherine Tobler * Strange Horizons, edited by Jane Crowley, Kate Dollarhyde, Vanessa Rose Phin, Vajra Chandrasekera, Romie Stott, Maureen Kincaid Speller, and the Strange Horizons Staff * Uncanny Magazine, publishers/editors-in-chief Lynne M. Thomas and Michael Damian Thomas, managing editor Michi Trota, podcast producers Erika Ensign and Steven Schapansky, Disabled People Destroy Science Fiction Special Issue editors-in-chief Elsa Sjunneson-Henry and Dominik Parisien
Best Fanzine * Galactic Journey, founder Gideon Marcus, editor Janice Marcus * Journey Planet, edited by Team Journey Planet * Lady Business, editors Ira, Jodie, KJ, Renay & Susan * nerds of a feather, flock together, editors Joe Sherry, Vance Kotrla and The G * Quick Sip Reviews, editor Charles Payseur * Rocket Stack Rank, editors Greg Hullender and Eric Wong
Best Fancast * Be the Serpent, presented by Alexandra Rowland, Freya Marske and Jennifer Mace * The Coode Street Podcast, presented by Jonathan Strahan and Gary K. Wolfe * Fangirl Happy Hour, hosted by Ana Grilo and Renay Williams * Galactic Suburbia, hosted by Alisa Krasnostein, Alexandra Pierce, and Tansy Rayner Roberts, produced by Andrew Finch * Our Opinions Are Correct, hosted by Annalee Newitz and Charlie Jane Anders * The Skiffy and Fanty Show, produced by Jen Zink and Shaun Duke, hosted by the Skiffy and Fanty Crew
Best Fan Writer * Foz Meadows * James Davis Nicoll * Charles Payseur * Elsa Sjunneson-Henry * Alasdair Stuart * Bogi Takács
Best Fan Artist * Sara Felix * Grace P. Fong * Meg Frank * Ariela Housman * Likhain (Mia Sereno) * Spring Schoenhuth
Best Art Book * The Books of Earthsea: The Complete Illustrated Edition, illustrated by Charles Vess, written by Ursula K. Le Guin (Saga Press /Gollancz) * Daydreamer’s Journey: The Art of Julie Dillon, by Julie Dillon (self-published) * Dungeons & Dragons Art & Arcana: A Visual History, by Michael Witwer, Kyle Newman, Jon Peterson, Sam Witwer (Ten Speed Press) * Spectrum 25: The Best in Contemporary Fantastic Art, ed. John Fleskes (Flesk Publications) * Spider-Man: Into the Spider-Verse – The Art of the Movie, by Ramin Zahed (Titan Books) * Tolkien: Maker of Middle-earth, ed. Catherine McIlwaine (Bodleian Library)
John W. Campbell Award for Best New Writer * Katherine Arden (2nd year of eligibility) * S.A. Chakraborty (2nd year of eligibility) * R.F. Kuang (1st year of eligibility) * Jeannette Ng (2nd year of eligibility) * Vina Jie-Min Prasad (2nd year of eligibility) * Rivers Solomon (2nd year of eligibility)
Lodestar Award for Best Young Adult Book * The Belles, by Dhonielle Clayton (Freeform / Gollancz) * Children of Blood and Bone, by Tomi Adeyemi (Henry Holt / Macmillan Children’s Books) * The Cruel Prince, by Holly Black (Little, Brown / Hot Key Books) * Dread Nation, by Justina Ireland (Balzer + Bray) * The Invasion, by Peadar O’Guilin (David Fickling Books / Scholastic) * Tess of the Road, by Rachel Hartman (Random House / Penguin Teen)
https://boingboing.net/2019/04/02/dublin-worldcon.html
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Authors Guadalupe García McCall and David Bowles on the Mexicanx Initiative at WorldCon
Authors Guadalupe García McCall and David Bowles on the Mexicanx Initiative at WorldCon
Each year, WorldCon (the World Science Fiction Convention) gathers fans and creators of science fiction and fantasy. Among many things that happen at WorldCon is the awarding of the Hugos, something like the Oscars for speculative fiction. The first convention took place in New York City in 1939, and every year after, it has been held in a different city, organized by volunteers. In 2018, Worldco…
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Amigos!!! Dos de mis ilustraciones están en la lista para los nominados de los Chelsea Awards, de Ciencia ficción y Fantasía!! Que emoción! 🥳 Guess what? 😍 two of my artwork Illustrations have been chosen for the Long list suggestions up to the Chelsea Awards of Scifi and Fantasy Art!! This really made my week☀️, This weekend I was congratulating other fellow artists I really admire for making it into this list, and some where congratulating me back, and I didn’t even think about it, I just thought it was congratulations for me finally getting internet up here haha! until I checked the page latter on at night and OMG! two of my illustrations where chosen from the submitted artworks, and could go to nomination for the awards! 😱 For me this is a pretty exciting thing! And really made my day and even did a little celebration piruet to myself 🥳💃🏻🙈 And even more excited to see several Mexican and Mexican American Artists I love and admire so much also considered! You can see the full categories listed here: https://bit.ly/ChesleySuggestionList2020 Now what's next? If you're an ASFA Member you have a very small window of time to suggest your favorite artists for inclusion to this list and for the final nominations, they can be in this list or any artist you love but you didn't see here. Congratulations and super good luck to all my friends who made it to this short list, specially for my Mexicanx Initiative brothers and sisters 💪🏼🇲🇽 Literally still celebrating inside 😍💃🏻😍 . #chelsea #chelseaawards #longlist #art #scifi #darkfantasy #illustration https://www.instagram.com/p/CDxedG-pm8z/?igshid=1iz2monmlc31p
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2019 Hugo Award Finalists Announced
https://ift.tt/2UklDPS
Nominees include Black Panther, Spider-Man Into the Spider-Verse, The Expanse, Doctor Who, and more.
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Kayti Burt
Hugo Awards
Apr 2, 2019
Science Fiction Books
The Hugo Awards are amongst speculative fiction storytelling's most prestigious honors. Given out annually since 1953, the Hugos are voted on by members of the World Science Fiction Convention (aka WorldCon), and are presented at the annual event. This year's WorldCon, WorldCon 77, will be held in Dublin on August 15-19.
Earlier today, the Hugo Awards finalists for 2019 were announced—alongside the Lodestar Award for Best Young Adult Book, the John W. Campbell Award for Best New Writer, and the 1944 Retrospective Hugo Awards nominations.
read more: Den of Geek's Best Fiction Books of 2018
If you're a fan of inclusive science fiction, the nominations are pretty exciting—which hasn't always been the case in recent years.
Finalists included some of the books, TV shows, and movies that Den of Geek has written about over the past year, including: Mary Robinette Kowal's The Calculating Stars, Rebecca Roanhorse's Trail of Lightning, Nnedi Okorafor's Binti: The Night Masquerade, The City of Brass author S.A. Chakraborty, Tomi Adeyemi's Children of Blood and Bone, The Expanse's "Abbadon's Gate," Doctor Who's "Demons of the Punjab" and "Rosa," Black Panther, Spider-Man: Into the Spider-Verse, Avengers: Infinity War, and Annalee Newitz and Charlie Jane Ander's "Our Opinions Are Correct Podcast."
Here is the full list of nominations:
Best Novel
The Calculating Stars, by Mary Robinette Kowal (Tor)
Record of a Spaceborn Few, by Becky Chambers (Hodder & Stoughton / Harper Voyager)
Revenant Gun, by Yoon Ha Lee (Solaris)
Space Opera, by Catherynne M. Valente (Saga)
Spinning Silver, by Naomi Novik (Del Rey / Macmillan)
Trail of Lightning, by Rebecca Roanhorse (Saga)
Best Novella
Artificial Condition, by Martha Wells (Tor.com publishing)
Beneath the Sugar Sky, by Seanan McGuire (Tor.com publishing)
Binti: The Night Masquerade, by Nnedi Okorafor (Tor.com publishing)
The Black God’s Drums, by P. Djèlí Clark (Tor.com publishing)
Gods, Monsters, and the Lucky Peach, by Kelly Robson (Tor.com publishing)
The Tea Master and the Detective, by Aliette de Bodard (Subterranean Press / JABberwocky Literary Agency)
Best Novelette
“If at First You Don’t Succeed, Try, Try Again,” by Zen Cho (B&N Sci-Fi and Fantasy Blog, 29 November 2018)
“The Last Banquet of Temporal Confections,” by Tina Connolly (Tor.com, 11 July 2018)
“Nine Last Days on Planet Earth,” by Daryl Gregory (Tor.com, 19 September 2018)
The Only Harmless Great Thing, by Brooke Bolander (Tor.com publishing)
“The Thing About Ghost Stories,” by Naomi Kritzer (Uncanny Magazine 25, November-December 2018)
“When We Were Starless,” by Simone Heller (Clarkesworld 145, October 2018)
Best Short Story
“The Court Magician,” by Sarah Pinsker (Lightspeed, January 2018)
“The Rose MacGregor Drinking and Admiration Society,” by T. Kingfisher (Uncanny Magazine 25, November-December 2018)
“The Secret Lives of the Nine Negro Teeth of George Washington,” by P. Djèlí Clark (Fireside Magazine, February 2018)
“STET,” by Sarah Gailey (Fireside Magazine, October 2018)
“The Tale of the Three Beautiful Raptor Sisters, and the Prince Who Was Made of Meat,” by Brooke Bolander (Uncanny Magazine 23, July-August 2018)
“A Witch’s Guide to Escape: A Practical Compendium of Portal Fantasies,” by Alix E. Harrow (Apex Magazine, February 2018)
Best Series
The Centenal Cycle, by Malka Older (Tor.com publishing)
The Laundry Files, by Charles Stross (most recently Tor.com publishing/Orbit)
Machineries of Empire, by Yoon Ha Lee (Solaris)
The October Daye Series, by Seanan McGuire (most recently DAW)
The Universe of Xuya, by Aliette de Bodard (most recently Subterranean Press)
Wayfarers, by Becky Chambers (Hodder & Stoughton / Harper Voyager)
Best Related Work
Archive of Our Own, a project of the Organization for Transformative Works
Astounding: John W. Campbell, Isaac Asimov, Robert A. Heinlein, L. Ron Hubbard, and the Golden Age of Science Fiction, by Alec Nevala-Lee (Dey Street Books)
The Hobbit Duology (documentary in three parts), written and edited by Lindsay Ellis and Angelina Meehan (YouTube)
An Informal History of the Hugos: A Personal Look Back at the Hugo Awards, 1953-2000, by Jo Walton (Tor)
www.mexicanxinitiative.com: The Mexicanx Initiative Experience at Worldcon 76(Julia Rios, Libia Brenda, Pablo Defendini, John Picacio)
Ursula K. Le Guin: Conversations on Writing, by Ursula K. Le Guin with David Naimon (Tin House Books)
Best Graphic Story
Abbott, written by Saladin Ahmed, art by Sami Kivelä, colours by Jason Wordie, letters by Jim Campbell (BOOM! Studios)
Black Panther: Long Live the King, written by Nnedi Okorafor and Aaron Covington, art by André Lima Araújo, Mario Del Pennino and Tana Ford (Marvel)
Monstress, Volume 3: Haven, written by Marjorie Liu, art by Sana Takeda (Image Comics)
On a Sunbeam, by Tillie Walden (First Second)
Paper Girls, Volume 4, written by Brian K. Vaughan, art by Cliff Chiang, colours by Matt Wilson, letters by Jared K. Fletcher (Image Comics)
Saga, Volume 9, written by Brian K. Vaughan, art by Fiona Staples (Image Comics)
Best Dramatic Presentation, Long Form
Annihilation, directed and written for the screen by Alex Garland, based on the novel by Jeff VanderMeer (Paramount Pictures / Skydance)
Avengers: Infinity War, screenplay by Christopher Markus and Stephen McFeely, directed by Anthony Russo and Joe Russo (Marvel Studios)
Black Panther, written by Ryan Coogler and Joe Robert Cole, directed by Ryan Coogler (Marvel Studios)
A Quiet Place, screenplay by Scott Beck, John Krasinski and Bryan Woods, directed by John Krasinski (Platinum Dunes / Sunday Night)
Sorry to Bother You, written and directed by Boots Riley (Annapurna Pictures)
Spider-Man: Into the Spider-Verse, screenplay by Phil Lord and Rodney Rothman, directed by Bob Persichetti, Peter Ramsey and Rodney Rothman (Sony)
Best Dramatic Presentation, Short Form
The Expanse: “Abaddon’s Gate,” written by Daniel Abraham, Ty Franck and Naren Shankar, directed by Simon Cellan Jones (Penguin in a Parka / Alcon Entertainment)
Doctor Who: “Demons of the Punjab,” written by Vinay Patel, directed by Jamie Childs (BBC)
Dirty Computer, written by Janelle Monáe, directed by Andrew Donoho and Chuck Lightning (Wondaland Arts Society / Bad Boy Records / Atlantic Records)
The Good Place: “Janet(s),” written by Josh Siegal & Dylan Morgan, directed by Morgan Sackett (NBC)
The Good Place: “Jeremy Bearimy,” written by Megan Amram, directed by Trent O’Donnell (NBC)
Doctor Who: “Rosa,” written by Malorie Blackman and Chris Chibnall, directed by Mark Tonderai (BBC)
Best Editor, Short Form
Neil Clarke
Gardner Dozois
Lee Harris
Julia Rios
Lynne M. Thomas and Michael Damian Thomas
E. Catherine Tobler
Best Editor, Long Form
Sheila E. Gilbert
Anne Lesley Groell
Beth Meacham
Diana Pho
Gillian Redfearn
Navah Wolfe
Best Professional Artist
Galen Dara
Jaime Jones
Victo Ngai
John Picacio
Yuko Shimizu
Charles Vess
Best Semiprozine
Beneath Ceaseless Skies, editor-in-chief and publisher Scott H. Andrews
Fireside Magazine, edited by Julia Rios, managing editor Elsa Sjunneson-Henry, social coordinator Meg Frank, special features editor Tanya DePass, founding editor Brian White, publisher and art director Pablo Defendini
FIYAH Magazine of Black Speculative Fiction, executive editors Troy L. Wiggins and DaVaun Sanders, editors L.D. Lewis, Brandon O’Brien, Kaleb Russell, Danny Lore, and Brent Lambert
Shimmer, publisher Beth Wodzinski, senior editor E. Catherine Tobler
Strange Horizons, edited by Jane Crowley, Kate Dollarhyde, Vanessa Rose Phin, Vajra Chandrasekera, Romie Stott, Maureen Kincaid Speller, and the Strange Horizons Staff
Uncanny Magazine, publishers/editors-in-chief Lynne M. Thomas and Michael Damian Thomas, managing editor Michi Trota, podcast producers Erika Ensign and Steven Schapansky, Disabled People Destroy Science Fiction Special Issue editors-in-chief Elsa Sjunneson-Henry and Dominik Parisien
Best Fanzine
Galactic Journey, founder Gideon Marcus, editor Janice Marcus
Journey Planet, edited by Team Journey Planet
Lady Business, editors Ira, Jodie, KJ, Renay & Susan
nerds of a feather, flock together, editors Joe Sherry, Vance Kotrla and The G
Quick Sip Reviews, editor Charles Payseur
Rocket Stack Rank, editors Greg Hullender and Eric Wong
Best Fancast
Be the Serpent, presented by Alexandra Rowland, Freya Marske and Jennifer Mace
The Coode Street Podcast, presented by Jonathan Strahan and Gary K. Wolfe
Fangirl Happy Hour, hosted by Ana Grilo and Renay Williams
Galactic Suburbia, hosted by Alisa Krasnostein, Alexandra Pierce, and Tansy Rayner Roberts, produced by Andrew Finch
Our Opinions Are Correct, hosted by Annalee Newitz and Charlie Jane Anders
The Skiffy and Fanty Show, produced by Jen Zink and Shaun Duke, hosted by the Skiffy and Fanty Crew
Best Fan Writer
Foz Meadows
James Davis Nicoll
Charles Payseur
Elsa Sjunneson-Henry
Alasdair Stuart
Bogi Takács
Best Fan Artist
Sara Felix
Grace P. Fong
Meg Frank
Ariela Housman
Likhain (Mia Sereno)
Spring Schoenhuth
Best Art Book Under the WSFS Constitution every Worldcon has the right to add one category to the Hugo Awards for that year only. Dublin 2019 has chosen to use this right to create an award for an art book.
The Books of Earthsea: The Complete Illustrated Edition, illustrated by Charles Vess, written by Ursula K. Le Guin (Saga Press /Gollancz)
Daydreamer’s Journey: The Art of Julie Dillon, by Julie Dillon (self-published)
Dungeons & Dragons Art & Arcana: A Visual History, by Michael Witwer, Kyle Newman, Jon Peterson, Sam Witwer (Ten Speed Press)
Spectrum 25: The Best in Contemporary Fantastic Art, ed. John Fleskes (Flesk Publications)
Spider-Man: Into the Spider-Verse – The Art of the Movie, by Ramin Zahed (Titan Books)
Tolkien: Maker of Middle-earth, ed. Catherine McIlwaine (Bodleian Library)
There are two other Awards administered by Worldcon 76 that are not Hugo Awards:
Lodestar Award for Best Young Adult Book
The Belles, by Dhonielle Clayton (Freeform / Gollancz)
Children of Blood and Bone, by Tomi Adeyemi (Henry Holt / Macmillan Children’s Books)
The Cruel Prince, by Holly Black (Little, Brown / Hot Key Books)
Dread Nation, by Justina Ireland (Balzer + Bray)
The Invasion, by Peadar O’Guilin (David Fickling Books / Scholastic)
Tess of the Road, by Rachel Hartman (Random House / Penguin Teen)
John W. Campbell Award for Best New Writer
Katherine Arden*
S.A. Chakraborty*
R.F. Kuang
Jeannette Ng*
Vina Jie-Min Prasad*
Rivers Solomon*
*Finalist in their 2nd year of eligibility
Kayti Burt is a staff editor covering books, TV, movies, and fan culture at Den of Geek. Read more of her work here or follow her on Twitter @kaytiburt.
from Books https://ift.tt/2JZhxsg
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Part one done, Thank you.
Part two, it would be an honour to loose to anyone of the nominees ( It would be lovely not to though :) )
Best Related Work
Archive of Our Own, a project of the Organization for Transformative Works
Astounding: John W. Campbell, Isaac Asimov, Robert A. Heinlein, L. Ron Hubbard, and the Golden Age of Science Fiction, by Alec Nevala-Lee (Dey Street Books)
The Hobbit Duology (documentary in three parts), written and edited by Lindsay Ellis and Angelina Meehan (YouTube)
An Informal History of the Hugos: A Personal Look Back at the Hugo Awards, 1953-2000, by Jo Walton (Tor)
www.mexicanxinitiative.com: The Mexicanx Initiative Experience at Worldcon 76(Julia Rios, Libia Brenda, Pablo Defendini, John Picacio)
Ursula K. Le Guin: Conversations on Writing, by Ursula K. Le Guin with David Naimon (Tin House Books)
For Your Consideration
Lady Business says this so much better than I could :
“ The Archive of Our Own by The Organization for Transformative Works — I want this nominated every single year because it is an absolutely amazing trove of speculative fiction works and speculative fiction works ABOUT speculative fiction works and speculative takes on existing cultural narratives and basically it counts, it counts, it counts. There are major contributions from the dev team every single year, so every year there’s a new reason to nominate! [Ira] The Archive of Our Own by The Organization for Transformative Works — No, you’re not seeing things, I am reccing this again. Guess what! The platform itself! Is a piece of fanwork! By fans! Anyway, I have been on this bandwagon for about four years now and I’m back on my bullshit in 2019. I love AO3, that it exists, that we no longer have to worry about the fanwork we share there getting monetized or deleted because investors are having a temper tantrum, I am so grateful to all the fans who work hard (as volunteers! At butt o'clock, sometimes!) to make it possible, and it’s great and important. Thanks for coming to my Ted Talk. [Renay] “
Last year we missed out on a nomination by one vote ( the resolution for voting for nominations is complex ).
But voting is easy if you are a members of Dublin 2019 and the 2018 Worldcon, Worldcon 76. An example of a substantial change in 2018 is the elasticsearch upgrade which made exclusion much easier.
The deadline for nominations is Friday March 15th, 2019 at 11:59 pm PDT (GMT+9). You can make as many changes as you like to your nomination ballot until then. Your current ballot will be emailed to you an hour after you stop making changes to it.
There is often a voters pack which often has the full books that are nominated or at least a useful extract.
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LGBTQ Initiative for WorldCon76
LGBTQ Initiative for WorldCon76
Amazing Stories supported John Picacio’s Mexicanx Initiative, a program to help fund Mexican author, artist and fan attendance at Worldcon in San Jose.
Now Chuck Serface is doing the same for the LGBTQ community, and Amazing Stories has donated to this program as well.
Give it a look!
Over the decades, marginalized groups have felt reticent about attending Worldcon, and understandably so. To…
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Ayer en el marco de la Worldcon, 77th World Science Fiction Convention, se dieorn a conocer a los ganadores de los premios Hugo y los premios Lodestar Award y John W. Campbell
Los premios Hugo 2019 se entregarán en el WorldCon de este año, que se celebrará en Dublín, Irlanda, entre el 15 y el 19 de agosto. No se olviden de bajarse el calendario que hicimos en Viajando Sobre Libros de ACA para poder tener todas las fechas de entregas de premios literarios. Aquí les dejo la lista completa de los nominados para los premios de este año y comenten si leyeron alguno.
Best Novel
The Calculating Stars, by Mary Robinette Kowal (Tor) GANADOR
Record of a Spaceborn Few, by Becky Chambers (Hodder & Stoughton / Harper Voyager)
Revenant Gun, by Yoon Ha Lee (Solaris)
Space Opera, by Catherynne M. Valente (Saga)
Spinning Silver, by Naomi Novik (Del Rey / Macmillan)
Trail of Lightning, by Rebecca Roanhorse (Saga)
Best Novella
Artificial Condition, by Martha Wells (Tor.com publishing) GANADOR
Beneath the Sugar Sky, by Seanan McGuire (Tor.com publishing)
Binti: The Night Masquerade, by Nnedi Okorafor (Tor.com publishing)
The Black God’s Drums, by P. Djèlí Clark (Tor.com publishing)
Gods, Monsters, and the Lucky Peach, by Kelly Robson (Tor.com publishing)
The Tea Master and the Detective, by Aliette de Bodard (Subterranean Press / JABberwocky Literary Agency)
Best Novelette
“If at First You Don’t Succeed, Try, Try Again,” by Zen Cho (B&N Sci-Fi and Fantasy Blog, 29 November 2018) GANADOR
“The Last Banquet of Temporal Confections,” by Tina Connolly (Tor.com, 11 July 2018)
“Nine Last Days on Planet Earth,” by Daryl Gregory (Tor.com, 19 September 2018)
The Only Harmless Great Thing, by Brooke Bolander (Tor.com publishing)
“The Thing About Ghost Stories,” by Naomi Kritzer (Uncanny Magazine 25, November-December 2018)
“When We Were Starless,” by Simone Heller (Clarkesworld 145, October 2018)
Best Short Story
“The Court Magician,” by Sarah Pinsker (Lightspeed, January 2018)
“The Rose MacGregor Drinking and Admiration Society,” by T. Kingfisher (Uncanny Magazine 25, November-December 2018)
“The Secret Lives of the Nine Negro Teeth of George Washington,” by P. Djèlí Clark (Fireside Magazine, February 2018)
“STET,” by Sarah Gailey (Fireside Magazine, October 2018)
“The Tale of the Three Beautiful Raptor Sisters, and the Prince Who Was Made of Meat,” by Brooke Bolander (Uncanny Magazine 23, July-August 2018)
“A Witch’s Guide to Escape: A Practical Compendium of Portal Fantasies,” by Alix E. Harrow (Apex Magazine, February 2018) GANADOR
Best Series
The Centenal Cycle, by Malka Older (Tor.com publishing)
The Laundry Files, by Charles Stross (most recently Tor.com publishing/Orbit)
Machineries of Empire, by Yoon Ha Lee (Solaris)
The October Daye Series, by Seanan McGuire (most recently DAW)
The Universe of Xuya, by Aliette de Bodard (most recently Subterranean Press)
Wayfarers, by Becky Chambers (Hodder & Stoughton / Harper Voyager) GANADOR
Best Related Work
Archive of Our Own, a project of the Organization for Transformative Works GANADOR
Astounding: John W. Campbell, Isaac Asimov, Robert A. Heinlein, L. Ron Hubbard, and the Golden Age of Science Fiction, by Alec Nevala-Lee (Dey Street Books)
The Hobbit Duology (documentary in three parts), written and edited by Lindsay Ellis and Angelina Meehan (YouTube)
An Informal History of the Hugos: A Personal Look Back at the Hugo Awards, 1953-2000, by Jo Walton (Tor)
http://www.mexicanxinitiative.com: The Mexicanx Initiative Experience at Worldcon 76(Julia Rios, Libia Brenda, Pablo Defendini, John Picacio)
Ursula K. Le Guin: Conversations on Writing, by Ursula K. Le Guin with David Naimon (Tin House Books)
Best Graphic Story
Abbott, written by Saladin Ahmed, art by Sami Kivelä, colours by Jason Wordie, letters by Jim Campbell (BOOM! Studios)
Black Panther: Long Live the King, written by Nnedi Okorafor and Aaron Covington, art by André Lima Araújo, Mario Del Pennino and Tana Ford (Marvel)
Monstress, Volume 3: Haven, written by Marjorie Liu, art by Sana Takeda (Image Comics) GANADOR
On a Sunbeam, by Tillie Walden (First Second)
Paper Girls, Volume 4, written by Brian K. Vaughan, art by Cliff Chiang, colours by Matt Wilson, letters by Jared K. Fletcher (Image Comics)
Saga, Volume 9, written by Brian K. Vaughan, art by Fiona Staples (Image Comics)
Best Dramatic Presentation, Long Form
Annihilation, directed and written for the screen by Alex Garland, based on the novel by Jeff VanderMeer (Paramount Pictures / Skydance)
Avengers: Infinity War, screenplay by Christopher Markus and Stephen McFeely, directed by Anthony Russo and Joe Russo (Marvel Studios)
Black Panther, written by Ryan Coogler and Joe Robert Cole, directed by Ryan Coogler (Marvel Studios)
A Quiet Place, screenplay by Scott Beck, John Krasinski and Bryan Woods, directed by John Krasinski (Platinum Dunes / Sunday Night)
Sorry to Bother You, written and directed by Boots Riley (Annapurna Pictures)
Spider-Man: Into the Spider-Verse, screenplay by Phil Lord and Rodney Rothman, directed by Bob Persichetti, Peter Ramsey and Rodney Rothman (Sony) GANADOR
Best Dramatic Presentation, Short Form
The Expanse: “Abaddon’s Gate,” written by Daniel Abraham, Ty Franck and Naren Shankar, directed by Simon Cellan Jones (Penguin in a Parka / Alcon Entertainment)
Doctor Who: “Demons of the Punjab,” written by Vinay Patel, directed by Jamie Childs (BBC)
Dirty Computer, written by Janelle Monáe, directed by Andrew Donoho and Chuck Lightning (Wondaland Arts Society / Bad Boy Records / Atlantic Records)
The Good Place: “Janet(s),” written by Josh Siegal & Dylan Morgan, directed by Morgan Sackett (NBC)
The Good Place: “Jeremy Bearimy,” written by Megan Amram, directed by Trent O’Donnell (NBC) GANADOR
Doctor Who: “Rosa,” written by Malorie Blackman and Chris Chibnall, directed by Mark Tonderai (BBC)
Best Editor, Short Form
Neil Clarke
Gardner Dozois (GANADOR)
Lee Harris
Julia Rios
Lynne M. Thomas and Michael Damian Thomas
E. Catherine Tobler
Best Editor, Long Form
Sheila E. Gilbert
Anne Lesley Groell
Beth Meacham
Diana Pho
Gillian Redfearn
Navah Wolfe (GANADOR)
Best Professional Artist
Galen Dara
Jaime Jones
Victo Ngai
John Picacio
Yuko Shimizu
Charles Vess (GANADOR)
Best Semiprozine
Beneath Ceaseless Skies, editor-in-chief and publisher Scott H. Andrews
Fireside Magazine, edited by Julia Rios, managing editor Elsa Sjunneson-Henry, social coordinator Meg Frank, special features editor Tanya DePass, founding editor Brian White, publisher and art director Pablo Defendini
FIYAH Magazine of Black Speculative Fiction, executive editors Troy L. Wiggins and DaVaun Sanders, editors L.D. Lewis, Brandon O’Brien, Kaleb Russell, Danny Lore, and Brent Lambert
Shimmer, publisher Beth Wodzinski, senior editor E. Catherine Tobler
Strange Horizons, edited by Jane Crowley, Kate Dollarhyde, Vanessa Rose Phin, Vajra Chandrasekera, Romie Stott, Maureen Kincaid Speller, and the Strange Horizons Staff
Uncanny Magazine, publishers/editors-in-chief Lynne M. Thomas and Michael Damian Thomas, managing editor Michi Trota, podcast producers Erika Ensign and Steven Schapansky, Disabled People Destroy Science Fiction Special Issue editors-in-chief Elsa Sjunneson-Henry and Dominik Parisien (GANADOR)
Best Fanzine
Galactic Journey, founder Gideon Marcus, editor Janice Marcus
Journey Planet, edited by Team Journey Planet
Lady Business, editors Ira, Jodie, KJ, Renay & Susan (GANADOR)
nerds of a feather, flock together, editors Joe Sherry, Vance Kotrla and The G
Quick Sip Reviews, editor Charles Payseur
Rocket Stack Rank, editors Greg Hullender and Eric Wong
Best Fancast
Be the Serpent, presented by Alexandra Rowland, Freya Marske and Jennifer Mace
The Coode Street Podcast, presented by Jonathan Strahan and Gary K. Wolfe
Fangirl Happy Hour, hosted by Ana Grilo and Renay Williams
Galactic Suburbia, hosted by Alisa Krasnostein, Alexandra Pierce, and Tansy Rayner Roberts, produced by Andrew Finch
Our Opinions Are Correct, hosted by Annalee Newitz and Charlie Jane Anders (GANADOR)
The Skiffy and Fanty Show, produced by Jen Zink and Shaun Duke, hosted by the Skiffy and Fanty Crew
Best Fan Writer
Foz Meadows (GANADOR)
James Davis Nicoll
Charles Payseur
Elsa Sjunneson-Henry
Alasdair Stuart
Bogi Takács
Best Fan Artist
Sara Felix
Grace P. Fong
Meg Frank
Ariela Housman
Likhain (Mia Sereno) (GANADOR)
Spring Schoenhuth
Best Art Book
The Books of Earthsea: The Complete Illustrated Edition, illustrated by Charles Vess, written by Ursula K. Le Guin (Saga Press /Gollancz) GANADOR
Daydreamer’s Journey: The Art of Julie Dillon, by Julie Dillon (self-published)
Dungeons & Dragons Art & Arcana: A Visual History, by Michael Witwer, Kyle Newman, Jon Peterson, Sam Witwer (Ten Speed Press)
Spectrum 25: The Best in Contemporary Fantastic Art, ed. John Fleskes (Flesk Publications)
Spider-Man: Into the Spider-Verse – The Art of the Movie, by Ramin Zahed (Titan Books)
Tolkien: Maker of Middle-earth, ed. Catherine McIlwaine (Bodleian Library)
Además de los Hugo tenemos estos dos premios manejados por by Worldcon 76 :
Lodestar Award for Best Young Adult Book
The Belles, by Dhonielle Clayton (Freeform / Gollancz)
Children of Blood and Bone, by Tomi Adeyemi (Henry Holt / Macmillan Children’s Books) (GANADOR)
The Cruel Prince, by Holly Black (Little, Brown / Hot Key Books)
Dread Nation, by Justina Ireland (Balzer + Bray)
The Invasion, by Peadar O’Guilin (David Fickling Books / Scholastic)
Tess of the Road, by Rachel Hartman (Random House / Penguin Teen)
John W. Campbell Award for Best New Writer
Katherine Arden*
S.A. Chakraborty*
R.F. Kuang
Jeannette Ng* (GANADOR)
Vina Jie-Min Prasad*
Rivers Solomon*
NOTICIAS: GANADORES DE LOS HUGO AWARDS 2019 Ayer en el marco de la Worldcon, 77th World Science Fiction Convention, se dieorn a conocer a los ganadores de los premios Hugo y los premios…
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(Note: voting closes in a bit more than ten days from now on 7/21/19. Membership sales (required for voting rights in most cases) also close soon. Visit the Dublin in 2019 website for more information.)
This being a Monday, and Mondays being slow, I figured it was about time to share my 2019 Hugo Awards Finalist Ballot, which ballot will be used to help tally the vote for the 2019 Hugo Awards, which will be presented – for the first time ever – in my ancestral lands of Ireland.
(Start at 30 seconds in; the important part comes at 54 seconds)
Sadly, I will not be in attendance, but I am a supporting member and therefore, get to vote.
Below are screen captures of the individual categories and my placements (the Hugo Awards use a preferential voting system where you rank your picks).
The Retro Hugo Awards follow the contemporary Hugo Awards.
Some general comments: I don’t vote for works I’m not personally familiar with, which happens for one reason and another; I also don’t consider reading an excerpt from a longer work to be sufficient exposure to judge it properly.
This also means that I don’t necessarily rank everything in a category.
There are a handful of categories I didn’t vote in or opted to select No Award for – excercising my Ghu-given right to “vote” by not selecting anyone or picking No Award to indicate that I disagree with the inclusion of the category in the awards.
This is not pique over disagreeing with a categorie’s inclusion when I campaigned against its inclusion but lost the vote. It’s actually three reactions: 1. I really don’t think that it should be an award category, find it problematic for various reasons and see it as more (eventual) trouble than it is worth – which gets a “No Award”; 2. I disagree with the category but don’t care enough – or think it harmful enough – to bother with it and 3. I’ve no interest in the category and therefore can’t vote because I really don’t engage with it. Let those who do decide who should win without interference from me.
Note: the screencaps are a bit difficult to read, so the email summary of my ballot is included after them. I’m showing the screen caps first because the summary only includes those Finalists that I actually voted for.
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This category, over time I think, is going to cause problems, what with the possibility that a “series” can find itself up for the award in multiple years; not to mention some possible entrants getting short shrift because of availability & etc.
Hoo boy. I completely disagree with the Administrators on the eligibility of Archive of Our Own – not because it showcases “fan fic”, but because it is not a “new” work and has not been updated sufficiently broadly enough to be eligible. Making a website that updated some back-end capabilities eligible is like making The Moon is a Harsh Mistress eligibile again because they changed the type font in a new edition. Further, I am deeply concerned about A: AO3’s members deliberately misconstruing their individual status AND B. even more concerned about large internet “tribes” being able to sway the vote and using their numbers and reach to possibly negate the regular membership’s vote*. And, finally, this category needs to be refined in future to refocus it on academic and critical work within the field.
As stated earlier, if I don’t engage, I don’t vote – but, while I have mild reservations about this category’s inclusion, they’re not strong enough to want to deny others their fun.
It’s really, really difficult to figure out who did what in this category. I believe that editorial work should be awarded, I just think we need a better way to do it. What that might be, I’ve no idea,. so, therefore, I stay mum.
Another category whose inclusion I heartily disagree with. I am PERSONALLY far better off because when I began reading science fiction, there were no distinctions made over what was or was not appropriate for me to read. I believe this is an artificial, marketing-based divide, is detrimental to young readers by suggesting limitations and that we should not be basing awards on marketing categories.
*I’ve been vocal on the AO3 “controversy”. Early on I asked that they detail the “sufficient” changes made to the site that would make it eligible in a year in which it was not first produced. (In fact, I think its TEN years AFTER it was first created that we are being asked to vote for it. As if The Martian appeared on the ballot AFTER the film rolled out, in a year in which the novel itself was not first published in English.)
I am not objecting to “new voters” coming into the fold here. We absolutely want that. What I am finding issue with is an internet community that does not normally engage with the awards doing so to get their “thing” a win. Just like the gamer gaters that were recruited by the Sad and Rabid puppies. (No, they are not pups; some of their actions are ‘puppy-like’.)
If this kind of thing becomes common (and I suspect it may), the awards turn into a defacto “popularity” contest: how many people who never heard of the Hugo Awards before can we get to vote because their “friends” are up for an award?
But putting that argument aside for a moment: the public display on the part of AO3 members (yay, all of my fan fic works are now Hugo Nominees: I’m a Hugo Finalist author – gonna put that right up on my website!) AFTER being informed that they are not entitled to such honors individually, is, to me, more than enough reason to not vote for it.
Prior coverage of this debate here
Finalist Vote Summary:
Novel:
The Calculating Stars
Trail of Lightning
Space Opera
Novella:
Artificial Condition
The Tea Master and the Detective
Binti: The Night Masquerade
Novelette:
“The Thing About Ghost Stories”
The Only Harmless Great Thing
Short Story:
“The Tale of the Three Beautiful Raptor Sisters, and the Prince Who Was Made of Meat”
“The Court Magician”
“The Secret Lives of the Nine Negro Teeth of George Washington”
Related Work:
Astounding: John W. Campbell, Isaac Asimov, Robert A. Heinlein, L. Ron Hubbard, and the Golden Age of Science Fiction
An Informal History of the Hugos: A Personal Look Back at the Hugo Awards
Ursula K. Le Guin: Conversations on Writing
http://www.mexicanxinitiative.com: The Mexicanx Initiative Experience at Worldcon 76
The Hobbit Duology (documentary in three parts)
No award
Dramatic Long:
Spider-Man: Into the Spider-Verse
Sorry to Bother You
Black Panther
Avengers: Infinity War
Annihilation
A Quiet Place
Dramatic Short:
The Good Place: “Janet(s)”
The Good Place: “Jeremy Bearimy”
Editor Short:
Gardner Dozois
Neil Clarke
Semiprozine:
Strange Horizons
FIYAH Magazine of Black Speculative Fiction
Fireside Magazine
Beneath Ceaseless Skies
Uncanny Magazine
Shimmer
Fanzine:
Rocket Stack Rank
Galactic Journey
Journey Planet
nerds of a feather, flock together
Fan Writer:
Foz Meadows
James Davis Nicoll
Alasdair Stuart
Fan Artist:
Spring Schoenhuth
Series:
No award
New Writer:
Jeannette Ng
Lodestar:
No award
The Retro Hugo Awards
(The older I get, the closer the Retros come to being THE Hugo Awards….)
Yes, seems that this year I have a ‘thing’ for Don Wollheim, Eric Frank Russell and C. L. Moore.
(Pretty sure I’ve always had a thing for them.)
Symbiotica (EF Russell) makes me laugh. Every. Single. Time. I think it takes the prize for most vomitous novelette in the history of the genre (though Sturgeon’s The Girl Had Guts comes a very close second). And by vomitous, I don’t mean on the part of the reader. I mean, more people vomit in that story than in any other.
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Summary
Retro Novel:
Conjure Wife
Earth’s Last Citadel
The Weapon Makers
Gather, Darkness!
Perelandra
Retro Novella:
“Attitude”
“Clash by Night”
The Little Prince
“We Print the Truth”
Retro Novelette:
“Symbiotica”
“Mimsy Were the Borogoves”
“The Proud Robot”
“Citadel of Lost Ships”
“The Halfling”
Retro Short Story:
“Q.U.R.”
“Yours Truly – Jack the Ripper”
“Doorway into Time”
“King of the Gray Spaces” (“R is for Rocket”)
“Death Sentence”
Retro Graphic Story:
Flash Gordon: Fiery Desert of Mongo
Buck Rogers: Martians Invade Jupiter
Wonder Woman #5: Battle for Womanhood
Retro Dramatic Long:
Phantom of the Opera
Münchhausen
Heaven Can Wait
Batman
Retro Dramatic Short:
Super-Rabbit
Frankenstein Meets the Wolfman
The Ape Man
Der Fuehrer’s Face
Retro Editor Short:
Donald A. Wollheim
Mary Gnaedinger
Dorothy McIlwraith
John W. Campbell
Raymond A. Palmer
Retro Pro Artist:
Margaret Brundage
Hannes Bok
J. Allen St. John
Virgil Finlay
Antoine de Saint-Exupéry
William Timmins
Retro Fanzine:
The Phantagraph
Le Zombie
Futurian War Digest
Guteto
Voice of the Imagi-Nation
Retro Fan Writer:
Jack Speer
Morojo (Myrtle Douglas)
Wilson “Bob” Tucker
Donald A. Wollheim
Forrest J. Ackerman
Art Widner
The 2019 Hugo Awards – Publisher’s Picks (Note: voting closes in a bit more than ten days from now on 7/21/19. Membership sales (required for voting rights in most cases) also close soon.
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The White Male Initiative For Worldcon 76 Recently, John Picacio raised enough money to send 50 deserving Mexicanx professionals and fans to Worldcon 76 happening in San Jose, California from August 16-20, 2018.
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Science Fiction Artist John Picacio Gives a Lift to Other Mexicanx Creators He wants more people of Mexican ancestry represented in the genre
#artist#John Picacio#Mexicanx Initiative#Mexico#San Antonio Current#science fiction#World Science Fiction Convention
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Kickstarting the Mexicanx Initiative Anthology, spotlighting Mexicanx creators who won scholarships to this year's Worldcon
Pablo Defendini (previously) writes, "Fireside Magazine’s editor, Julia Rios, is part of The Mexicanx Initiative, a scholarship fund John Picacio put together for sending Mexicanx and Mexican-American sf/f authors to Worldcon. A few of the Mexicanx Initiative authors decided to create an anthology to commemorate the occasion, and had been planning on subsidizing the cost of printing and shipping themselves. When Fireside got word of this last week, we decided to pitch in, and we put together a Kickstarter campaign to raise the $1500 they needed.
"Well, we blew past our funding goal, and we decided that any money left over would be split evenly among all the participants (Fireside isn't making a cent off this). So now we're trying to reach a stretch goal of $7500 by the end of the campaign this Friday, so that we can not only cover their production costs, but pay every author, artist, designer, translator, and editor who donated their work a SFWA-qualifying pro rate."
Mexicanx Initiative Anthology [Fireside/Kickstarter]
https://boingboing.net/2018/08/07/thanks-john-picaciao.html
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Amigos!!! Dos de mis ilustraciones están en la lista para los nominados de los Chelsea Awards, de Ciencia ficción y Fantasía!! Que emoción! 🥳 Guess what? 😍 two of my artwork Illustrations have been chosen for the Long list suggestions up to the Chelsea Awards of Scifi and Fantasy Art!! This really made my week☀️, This weekend I was congratulating other fellow artists I really admire for making it into this list, and some where congratulating me back, and I didn’t even think about it, I just thought it was congratulations for me finally getting internet up here haha! until I checked the page latter on at night and OMG! two of my illustrations where chosen from the submitted artworks, and could go to nomination for the awards! 😱 For me this is a pretty exciting thing! And really made my day and even did a little celebration piruet to myself 🥳💃🏻🙈 And even more excited to see several Mexican and Mexican American Artists I love and admire so much also considered! You can see the full categories listed here: https://bit.ly/ChesleySuggestionList2020 Now what's next? If you're an ASFA Member you have a very small window of time to suggest your favorite artists for inclusion to this list and for the final nominations, they can be in this list or any artist you love but you didn't see here. Congratulations and super good luck to all my friends who made it to this short list, specially for my Mexicanx Initiative brothers and sisters 💪🏼🇲🇽 Literally still celebrating inside 😍💃🏻😍 . #chelsea #chelseaawards #longlist #art #scifi #darkfantasy #illustration https://www.instagram.com/p/CDxeD56p1Kq/?igshid=rudboa1no5uq
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