#mention of luca balsa

[lillylii]

my first idv fanart with catboy alva

[veryaren]

andrew's descent into lucadrew hell

[fredgar]

happened like around 2 days ago still thinking about it

[mikaelcipher]

Personal Luca Balsa Headcanons

honestly, I am writing this from scratch without any proper editing so I hope you don't mind. I'm new to the fandom so I don't know the "usual" hcs for luca but he lives rent free in my head so here are some that I personally think about way more often than not...

his speech!! he's canonically from a renowned family and he tends to speak in a noble or polite fashion, but I imagine he picked up some rough language from his time in prison. (this is how I explain my view of him being a gremlin okay)

adding to the first point, I love to think that he's more composed when talking to people but he speaks more harshly when he's focused on either working or being in a match. (ie cursing and stuff)

which makes for a very interesting vocabulary, I think! he can curse like a sailor and then say words like "yes, the juxtaposition of this and this... this is very inconsequential... mhm..." and other big words that op(me) can't think of rn

despite that, I think he's a kind person, and maybe a little playful if he's closer to other people. he can be a bit of a tease but he usually never goes over the line.

since he canonically has memory issues, I want to imagine he likes writing things down. his thoughts, ideas, information on other people, notes for his future self in case he forgets, etc. when he doesn't write something down, there's a high chance he'll forget about it.

(cw: eating disorder) THIS IS CANON HE FIXATES OVER WHAT HE LIKES. but yes I imagine he might forget the basic necessities when he's working, like eating. if there's no one to remind him, he might go for a day without eating.

he definitely rambles, especially when it comes to his inventions. this can Not be untrue. he will talk about his ideas, his creations, and etc until you get bored. he is aware that he tends to do this though so sometimes he tries to ask, and other times he slips into it without thinking.

he's physically inept and will probably get tired quickly from running across the map, but that doesn't mean he's completely incapable. I imagine that, if it was a competition, he would completely ignore his exhaustion and let determination and pure willpower carry him to the finish line.

I'm going to stop there for now. I love this man to bits and it's wayyyy too obvious that I project onto him more often than not. 🫶🫶

[ask-idv-color-out-of-space]

Sorry, I hadn’t meant to word it that way, Auditorium! Of course I never meant to imply you’re like her, but I am curious now. Since you are a human in the end, did you always live in the Metropolis? Had it always been under EA’s rule? And what was life like prior of not?

“It was gorgeous before that witch came into power. I remember we would have all four seasons, grass, leaves, trees! It’s all gone now to fit her idea of paradise.”

[mail-posting]

Hugs full of static (2.6k)

(in which Luca and Alva reconcile. In a way.)

Alva Lorenz’s death had, ultimately, been caused by a misunderstanding.

The issue was with the manuscripts Alva kept in his room. Those manuscripts had belonged to his former colleague, Herman Balsa.

They had both worked on a perpetual motion machine for quite some time before arguments arose on whether they should continue.

The arguments lasted until Herman's death. A freak accident, an explosion, had killed him. So Alva locked up the machine for years, wanting to stop any other lives being taken by its grasp.

The one time he decided to reveal it again, he found himself with an apprentice. Luca Balsa.

The tabloids that liked to deface his former friend said Luca was a runaway. So Alva took him in.

And even though Alva knew Luca was his colleague's son, for all those years he never once thought to tell Luca about Herman's manuscripts.

Not even when Luca started acting strange.

Alva had foolishly assumed the worst at Luca's shiftiness. Watching him work on the invention alone, being cold and distant to his mentor, the seeds of doubt and hatred were planted in Alva's mind.

Just like how they must have been planted in Luca's.

Oh, how stupid they both were.

There was an argument, the day of Alva's death. Both were convinced the other was stealing, and neither told the other why. It had ended when Luca had stormed out of the room to try and calm down away from him.

Alva had found him again, in the middle of the night. He was in the workshop with their machine, alone, mumbling to himself.

It really did look like he was stealing, in that moment before Alva made his presence known.

If only Alva hadn't startled him. If only he hadn't moved so fast without paying attention. If only he'd realised what Luca had been doing.

But before he could understand, Luca had wheeled around, electrical equipment in hand…

And killed him.

It was, surprisingly to Alva, not a permanent death he found himself in. Some strange twisted fate had led a deity to his doorstep, and soon he was mostly alive again, though not in the same way he was before.

But still he thought time and time again about the incident that had caused him to leave life for what felt like only a fleeting moment but was likely much longer.

He'd always wondered how Luca was doing since the accident, assuming he was alive at all. He'd hoped he was doing well, but could never be sure.

That was until the day he got his answer, when the letter inviting him to a strange manor arrived, promising that it would be beneficial to his research. Luca was mentioned by name. It appeared he'd found his apprentice.

-----

While Alva had been missing from this life, Luca Balsa had been in prison. He'd been arrested the morning after the accident that killed his mentor.

Or maybe that attack had been intentional. He wasn't certain anymore.

Life in prison was much harsher than he'd ever heard about before being arrested. Monotonous tasks that went round and round and round again, deafening silence broken only by the rattling of chains and the angry screaming of guards, and the many tools those guards had to torment him all grated at his brain.

He wasn't sure when he started forgetting things. Some things were easy to realise he'd forgotten, like mealtimes and when to sleep.

But other things were chipped away, little by little, soldiered on in blissful ignorance before catching one problem and realising how many more he had.

Some days he couldn't remember his own name. Or where he was. Or what he was doing. And even as that scared him, what scared him more was the bits he could never remember again.

There was an invention. He loved it. He knew he'd never come to love anything else. But he couldn't remember how it worked. Or what it was, exactly. Or… what it did at all.

Just like the now useless machine, the cogs in his brain spin with no purpose, with no end goal. But he tries to remember what happened, needs to remember what happened, before it slips away like sand.

But still, he thinks he can piece together what happened when he killed his own mentor.

If every guard he asks tells him he murdered Alva in cold blood, then that must simply be what he did. There's no other explanation.

Through a mind addled with guilt, a simple misunderstanding that led to a fatal set of dominoes could become much more sinister.

Alva's death must have been a crime of passion. He must have slammed the equipment into Alva for some kind of twisted revenge. After all, what idiot would just throw around high voltages like that? Even if he was so very tired that night.

Maybe those manuscripts weren't his father's at all. The name “Herman Zeeman” was used in every one of them, after all. Was the argument over nothing? Even though he had seen that name on the manuscripts inside his childhood home so many times.

Surely they must have hated each other when Alva was alive. Such a lovely man didn't deserve an apprentice as stupid and impulsive as he is. No wonder Alva’s life ended in a huge fight. He must have always been like this, there's no other explanation. Even though every tabloid around called them a genius duo.

The guilt tore into him. It's all his fault. It's always been his fault, he's sure of it.

But despite his crimes, he was acquitted one day. Some mysterious benefactor had smiled upon him, and had given him a deal.

An envelope invited him to a manor, saying that it'd give him the opportunity to continue work on the machine he and Alva were once famous for. With any funds given away to Alva's grieving wife years ago, and a broken brain that couldn't get anyone else to help him, he took it.

----

Alva meets lots of people at Oletus Manor. As it turns out, all of the people inside are trapped here for the foreseeable future and far beyond. That letter was a trap. What a joy.

But Alva doesn't particularly care right now. What he cares about much more is Luca.

The manor is divided into sections, which contain “the survivors” and “the hunters”. Thankfully, you are allowed to mingle.

It took less time than Alva anticipated it would to find Luca.

Alva didn't recognise him at first. The man was scrawny and pale and bruised, with dark shadows under at least one of his eyes. The space around the other was injured so badly it was hard to tell.

There was a network of scars across his face, too, that matched Alva's own burns. The current that took his life hadn't spared Luca, then.

Alva is suddenly aware of how much he himself has changed, as Luca clearly doesn't recognise him anymore. He's babbling on with that same grin that he's always had. Alva chuckles. Some things never change, after everything.

It's only then that Luca asks his name. Even when he hears Alva's voice, he doesn't seem to remember it at all. Alva thinks a little. He badly wants to reconcile, to reunite with Luca again, but he hesitates.

It might be best to wait a while and see what Luca's reaction might be to Alva's return, rather than suddenly giving him the knowledge that the man he once killed was now very much alive in front of him.

So Alva calls himself “The Hermit”. He wasn't the only one here to simply go by a title, so he decides it's fine. Luca seems to decide it's fine too. And so, for now, they are friends.

---

Alva was allowed into Luca's room after a while. It looks surprisingly close to how it did before everything happened.

Messy bed, desk full of half-made gadgets, formulas and sketches drawn madly on notebooks scattered around, it's the perfect home for an inventor, even if it's very disorganised. Curious, Alva looks closer at some notes. They worry him a little.

Luca's handwriting has always been nearly unreadable, but what Alva can make out doesn't make much sense. Words are written over each other, and scribbled drawings seem to be jotted down hastily, nearly incomprehensibly. This looks… weird. Especially compared to what he remembers.

Luca's nervous laughter informs Alva that disapproval must have come through on his face.

“Ah, don't worry about those- I just need to get things down before I forget, is all. I-i have other notes somewhere, I swear!!-”

Alva is silent for a moment. But he has an idea.

“Do you need some guidance on all of this? But it has a price.”

“What kind of price?” Luca asks. Alva can see a protective glint in his eye. Alva knows exactly what that means. Alva's about to say that he would never dream of stealing anything, before coming back to his senses and realising that Luca likely wouldn't trust that.

“Nothing much at all, I would just like you to answer my questions. I like listening to you talk, and I'm… curious about your past.” Alva tells himself this is for information. To find out what Luca thinks happened before his death. To find out what happened after. But none of it is necessarily a lie.

He does truly just want to hear Luca chatter about anything he wants to. To pretend that accident never happened, and that everything is okay. To have Luca back.

But he can never have that. He knows.

So he asks questions.

---

Luca doesn't know why it's so easy to talk to The Hermit. As most hunters are, they're much more intimidating than the average person.

But there's something about them that slots into some groove in his brain and makes him babble senselessly to them like he's known them for years.

Is it the way their voice feels? The way they speak? The way they sit and listen so patiently? The way they look at him? The way they phrase things? The way they tell him that he's okay to not tell them things if he doesn't want to, even though he always does it anyway?

Maybe it's all of those and more. They feel like a father, somehow. Luca had always hated his father, but the feeling is nice. It's soothing to talk to this stranger.

It's still weird to him, though. because the things they ask are personal and scary to think about. And yet he can't help but talk on autopilot.

So over weeks of gentle prodding, Luca slowly tells them everything.

He's asked about prison. How he never knew what time it was, how it was always too quiet or loud, how they'd wake him up with electric shocks, how he did the same thing from morning to night to morning, how they got mad at him for every little thing and they hit him and yelled and jeered and—

Luca's tirade comes to a screeching halt when he glances up to see the Hermit looking towards him with a determined, stormy-eyed anger. Seemingly in shock, they apologise profusely, saying that they were merely lost in thought.

They tell Luca that he shouldn't have ever been treated like that. It's a nice thought, really, but he's a murderer. Murderers go to prison.

Another day, he's asked about what his life before was like. His memory is spotty, but he has a go at it.

He brings up Alva the most out of everything he says. Alva, the shining genius. Alva, the kind mentor despite almost certainly disliking him. Alva, who was his father when his real father wasn't there for him.

Alva… who was there until everything fell apart. Luca doesn't elaborate that day.

The Hermit is intrigued. Apparently they'd never heard of Alva being that kind. Or fatherly. Luca says that The Hermit reminds him of Alva too. But less scary.

“Less scary? How come?”

“Well, it's… I don't need to be popular like you, but I needed to be popular like him. You know?”

“I understand. That must have been hard for you.”

It was, but Luca doesn't want to admit it. It was his own fault for being stupid.

A few days after, The Hermit asks about the machine. Not for blueprints, or anything like that. They're not looking to steal. They just want to know what it is he's working on.

Luca doesn't want to say that he doesn't know what he's doing. Because he does! He just needs time.

That's what he desperately wants to believe. That his memories aren't slipping away like sand every time he tries to think of it. That he knows what the machine is. That he knows what to do in any way. That he knows anything at all.

He doesn't know at what point he started crying, but The Hermit has their arms around him. The hug is loose, but comforting nonetheless. He finds himself slipping up when apologising. He calls them Alva.

Do they really remind him of Alva that much? Luca only had a quiet feeling before, but now…

It's nice, at least. He can pretend.

---

The Hermit's biggest question comes with finality. If Luca can tell him exactly what happened on the night of Alva's death, they won't ask any more questions.

They understand it's scary, and they'll help him work through it. But they need to know. Luca's silent for a moment.

Luca, despite knowing that this can't be a good idea, talks anyway.

Start slow. Repeat what you've already said. Stall for time to get your brain in gear. Everything was okay. Then the problem happened.

The manuscripts. You thought they were your father's. They probably weren't. [They definitely were.]

The argument. You were too harsh. Hothead. You went to the invention to calm down. [You did other things before that. Did you forget?]

The incident. You were angry. You hit him. He's dead. You killed him. [You were scared. Not angry. You didn't mean to hit me with it.]

It was an accident. I swear it was an accident. [That's-] n-no. NO. [What-?] It wasn't an accident at all, was it? [I- Luca?] It couldn't have been. I'm sorry. [Luca??] God, I'm so sorry— [Can you hear me? Luca??]

He cries like the stupid man he is.

He doesn't realise that he's crumpled to the floor until arms are around him. Then he's gasping for air, trying to stay above water in a murky ocean of memories.

He apologises. Again. And again. For Alva. To Alva. He hears the other man's voice echo through his head.

“I'm here. It's me. It's okay. It's okay. We're okay.”

…Oh. That's why their voice was familiar.

And all at once, he understands.

He bawls harder.

Fighting to stay above the tide is a losing battle. And so he slips under, and his brain is whisked away to black.

---

Alva doesn't let go of Luca after he passes out. He promises to himself that he'll get Luca a gift when he wakes up. After all, that's the least Luca deserves after everything he had to say.

Saying that Alva feels guilty is an understatement. He feels sick. Luca's retelling wasn't right at all, and it bugs him. Luca can't be remembering what happened correctly.

But explaining comes later. Right now, Alva is picking Luca up to bury him under the mismatched blankets of the bed. He deserves a rest after tonight.

Alva can only hope that Luca won't have to dream about it.

[athanasius-symposium-of-writings]

Rated Explicit | Warnings: Dubcon-ish, Breeding Kink, religious themed(?)

Ship: Alva Lorenz | Hermit/You

Characters: Luca Balsa | Prisoner (mentioned)

Extra tags: Luca Balsa | Prisoner's Costume: Winter Cicada, Alva Lorenz | Hermit's Costume: Warden

Summary

This is a gift for a friend! - Judgment is swift and final, its bite cold as steel, and at the end of a broken heart is death. Death alone. It has been so long in the cold you dream of warmth but never can quite recall it properly. Every day you work in this icy prison you do not know what you are in here for. Did you do something bad? You do not think you did anything bad to merit this, then again some people here seem to be tossed in here for even being slightly uncloth. The Warden is intimidating, his demeanor reflecting the harsh environment. Each day, you fear you might not make it. At some point, you will not wake up as the cold claims you. “Do you remember your crime?” You never thought the Warden would speak with you, “Do you know why you are here?”

[dtmacgxstorys]

Eli Clark X Reader!

This is an Eli Clark/Seer X Gender Neutral Reader! (No Plan, Just Write!)

Note: I don't remember if there is a fountain in front of The Oletus Manor, but there is one in my stores!

You wake up in an unfamiliar place with no money of how you got here. In front of you is a lorg gate. You try to push them open, but they don't budge. You turn around to see that you woke up in front of some kind of mansion. You start walking toward a fountain. The closer you get to the fountain, you notice a man sitting on the edge of it. There is also an owl with him. "H-Hello sir, where am I?" You timidly ask & the owl hops closer to you. "The Oletus Manor and unfortunately, ones you're behind those gates, you can't leave this place." After he spoke, he whistled & the owl hoped back to him & hoped on his arm. He gets up & says: "We should head inside so you can meat the others. I'm Eli Clark, by the way!" "I'm Y/N." "Nice to meet you, Y/N!" "You too Eli!"

He opens the door for you & you're greeted by an overwhelming number of people. After a lot of them introduced themselves, someone said that it was almost time for dinner & they showed you to the dining room. You decide to sit next to Eli. "Does my owl not bother you?" He ask as you sat down. "I like most animals, so no." He doesn't say anything, but you see him smile at you. "h-hello, you mind if I join you? Names Matthias Czernin." "Yes, you can." Matthias sits next to you. A guy with mesy blond hair walks over to & says: "Hey there cutie~, can I sit with you?" A man with an old black eye pushes him away & says: "You are such a perfect, Florian! I'm going to sit across from you so he can't, ok? ... Oh, Names Luca Balsa!" "..ok, thanks Luca." "No problem!" Luca says with a smile. "Hi, Names Demi Bourbon! I'm gonna do the same as Luca, K!?" She says as she sits next to Luca. "K, thanks Demi!" "Don't mention it!" She quickly replies as she sit next to Luca. "Hi new kid, Names Tracy Reznik!" She says as she sit next to Luca.

You have a pleasant time talking with all five of them, especially Eli. After dinner, Eli shows you to your room. "Well, here we are." He says, stopping in front of your door. "I hope you are able to sleep well tonight." "Thank you and good night, Eli!" You close the door & thing to yourself: "I wonder what he looks like without the mask on." You crawl into bed & fell asleep relatively easily. The next day, you eat breakfast & lunch with the same people. After lunch, you went outside for some sun & fresh air & sat on a rock. You hear something land next to you. You turn to see Eli's owl. You pet the owl's haed. "Nine day, isn't it?" Eli ask as he sits on the ground next to you. "It is." You say, still petting the owl. You spend many weeks like this, but, deep down, you want to be closer to Eli.

One day, Luca & Tracy sew you walking alone, so they approached you & ask at the same time: "Do you have a crush on Eli!?" "What!? What makes you think that?" You ask them. "You try to talk with him more than anyone else!" Luca says. "And you pet his owl whenever you get the chance!" Tracy chimed in. ".. if I say yes, will you promise not to tell anyone or intervene?" "Of course!" They say that the same time. "Thank you guys!" A few days have passed after that conversation with them, & you decided to confess to Eli, but, for most of day, your nerves get the better of you. You are almost done eating dinner when you finally are ask Eli: "h-hey Eli, can we talk in private after dinner?" "Of course, Y/N!" He quickly replies & you look up to see Tracy & Luca giving you thumbs up. After you both finished eating, he ask: "So,.. where do you want to go?" "My room."

You have both spent time in either rooms, so you hoped that he couldn't tell just how nervous you are. He follows you into your room & closes the door. "So, what's on your mind Y/N?" He ask as his owl lands on your nightstand. You can't turn around to face him. "I-I h-have fellin for you Eli! I-I Love you!" The room fells quiet for a while before you hear him walk over to his owl & then you. ".. you mean it?" "Yes Eli, I do-" You say as you turn around to see him without his mask or hood on. His blue eyes staring into yours. "Can I kiss you?" You ask him. He pulls his hand on your chin, making you lift your head a little & he leans in to passionately kiss you. You rap your arms around his neck & lean into him. He eventually pulls away to give you air & you ask: "can you stay here with me tonight? can we cuddle?" "I'd love to, Y/N." You climb into your bed & Eli climbs in after you & Spoons you.

End!

My other Kin! It's only 9:18pm!

[necrogfie]

Pinned post ⁓ ♪

⚰️ — Lucas. ( or Sébastian or Shen ) ,, (s) he / it / lace. i'm a gay boy with a weird gender (i'm queer and trans - also aroace, asexual spectrum + reciproromanticflux!) && chrono-minor (15+)

🌈🍖 i'm weird 🌈🍓 ( rq adjacent ++ proshipper ) ( also a commi ).

DNI : none. i know how to use the block button - but i do not take kindly to fascists and terfs :)

rentry ���. 💒 partner google form. my fult @thesectofnature . (not centered around nature, the username i wanted was taken so had to improvise) 🌊 con-abuse form.

[ more under the cut bcuz i like to talk! under the cut is my rentry, more infos about me <3 ]

I'm transage ( both OtY + YtO - oh and i'm an age regressor too ( a cg + little ) ) , please perceive me as a 12 years old boy or a 15 years old teenager or a 19 years old adult - depend on what is more attractive to you. And trace ( trans-chinese ++ trans-polish ). And transable too ! ( I collect transids at this point )

i'm a syshost but uhhgg i don't like talking about - but i will mention that i'm a fictive of Luca Balsa ( idv ) ++ i'm literally Shen Qingqiu ( svss ) in the flesh also,, i'm Valentino ( yes, from hazbin hotel - in a fictionkin way ? ) and Shinobu Sengoku ( enstars ) (no i have no shame about it <3 ) ( as well as Amy from I love Amy ) IM ALWAYS HAPPY TO SEE SOURCE/MEDIAMATES !!!

i have a toon of transids + labels which you can find in my 🫀 hoard. ( + my paraphilias <3 )

i'm (cis)autistic - BIID - hyperromantic/sexual - dyslexic.

archives of [ not in order ! ++ all of my accounts were not archived ] : necroboyfie (my latest acc) - belovedciel - necrobfgutz [the second one named that]- ciellover - luolvr - necrobfgutz [the first one] - cielbeloved - irltsukasa - luobinghelovr - n3cr0b0yfie

terms i coined ; trans-dom ( archive here ) && trans-sub ( archive here )

[pansythoughts]

So I got this anon message on curious cat

And I ended up writing an insane person essay on Luca, Alva, Herman, and class perceptions and economic considerations in roughly IDV’s canon era. It got too long for curious cat. I’m deeply embarrassed. You can read below the cut.

So to start with I agree with you anon but you’ve given me the opportunity to be so annoying about history and my Luca head canons so I want to take it.

I don’t think Luca grew up rich, despite growing up with an (likely) aristocratic last name and the *appearance* of nobility. From everything I can tell, Luca’s family was like upper middle class, or lower upper class; I suspect someone in Luca’s family (likely on his mothers side) had a background in some industry that allowed them to become very rich, or else were part of the hereditary landed gentry (no titles themselves, but related to a titled family). Herman also seems to come from this class, though the sense I get is that his family had a better reputation but less money than mama Balsa’s. With that distinction made, I think there’s a heavy implication in the lore that rather than provide appropriately for young Luca and Mama Balsa, Herman spent their money on his projects, neglecting not only the emotional aspects of being a father and a husband but also all financial responsibility. Luca grew up in high society, with his parents having connections, but much much less income for anything to do with them than would be expected of their class. Not only would this have made things difficult at home (paying servants wages would become hard in an era where nobility wasn’t expected to fend for themselves, as well as maintaining an residences or even potentially putting food on the table), this would have taken a huge toll on mama Balsa socially—appearance dictated *a lot* as I understand it in Victorian society, and any perception of shabbiness or debts would have slowly closed all social doors for mama Balsa.

And while you’re right, I think Mama Balsa would have had fewer options for recourse (women’s property rights were only reformed historically in a meaningful way for married women after the games would have already started), Luca would have had issues too. The hit to his reputation when word of his father spending all their money would have been difficult to over come even as a man, and would have shut the door for a lot of opportunities (if Herman is so reckless with money why should Luca be trusted? No one likes a scandal). The lack of funds would have made higher schooling difficult if not impossible, if for no reason then they’d be unable to pay for it. It’s no wonder that Luca ran away after his mother died and started using a different name from Herman’s—better to be broke but no one from no where with no baggage than to be broke and the known son of an scandalously irresponsible man.

And none of that’s even touching on the emotional neglect. Luca grew up without a father, and with the knowledge that he would never be as important to his father as his projects. Luca grew up watching doors close for him and his mother as his father spent and spent and spent their money on things he was never around to explain. Luca never got to know Herman, and only felt his absence as the horrible weight of choices he never had any say in. And then those choices killed his mother. No wonder Luca fucking hates him yknow?

And Herman never mentioned anything about his home or family life, so Alva didn’t know. He had no idea their research was being funded with the food from Herman’s sons mouth But Alva’s work for years is implied to be financially dependent on Herman (see Alva’s deductions, with Herman sending Alva funding; Alva, btw, is implied to be very newly middle class in his deductions, and this is already an insane person essay before I get into the class difference between Halva and power differential that would involve) and Herman made sure that Alva felt responsible for his ideas and for supporting Herman emotionally, and made sure he knew that he blamed Alva for his problems in the end. So Herman did just as much of a number on Alva in the exact opposite direction. It’s interesting, and a tragedy, and it’s fascinating how Herman is so directly the cause of both Alva and Luca’s problems, and how that set them up for their own tragedy going forward.

[chuuyasfanboy]

Just a really quick rules post! Covers what you can request, who I write for, etc!

General Rules:

I write sfw and nsfw! I'm also totally fine with writing both headcanons and full scenarios, depends on what you request and how I'm feeling abt writing at the moment! (Also open to alphabets + matchups!) Obviously don't request the basic shit (r4p3, 1nc3st, p3d0philia, weird fetishes and kinks, etc.), but other than that, go wild! I have nearly no triggers and the angstier the request the better. There's a reason I like writing Dazai.

Empty blogs immediately blocked

The list of fandoms + characters with change as fixations change and I get familiar with more characters! So keep an eye on it...

Masterlist

Fandoms:

Bungo Stray Dogs: Open

I actually haven't finished bsd yet, season 3 + an absurd about of spoilers- I plan on finishing it soon, but I have read the entirety of Beast guys request Beast guys I love Beast so much guys please request Beast...

Any characters not on these lists are ones I'm barely familiar with personality wise and want to catch up on before writing them.

Characters I write sfw + nsfw for: Some I'm more confident in writing, others I'm unfamiliar with due to fixations taking me elsewhere. But all of these characters are both familiar enough and OF AGE lol

Dazai Osamu

Chuuya Nakahara

Doppo Kunikida

Ranpo Edogawa

Edgar Allen Poe

Fyodor Dostoevsky

Nikolai Gogol

Characters I write only sfw for: Either I'm not too familiar with the character and don't feel confident in portraying them, or they're a minor- or they're Oda/Fukuzawa and I refuse to corrupt my father guys (Until further notice)

Oda Sakunosuke

Yukichi Fukuzawa

Akiko Yosano

Atsushi Nakajima

Kenji Miyazawa

Junichiro Tanizaki

Kyoka Izumi

Ryuunosuke Akutagawa

Ichiyo Higuchi

Gin Akutagawa

Kyusaku Yumeno

Ango Sakaguchi

Characters I WILL NOT write for: Will be mentioned in other character's sections simply for plot reasons- but you know why I wont write them lol

Mori Ougai

Elise

Genshin Impact: Open

My Genshin fixation has mostly died down, but there's still some hype left for these characters! I'm definitely familiar with more characters, these are just the ones I like writing!

Characters I write sfw + nsfw for:

Albedo

Diluc

Kaedehara Kazuha

Shikanoin Heizou

Thoma

Venti

Wanderer/Scaramouche

Xiao

Dainsleif

Aether

Kaeya

Characters I write only sfw for:

Bennett

Chongyun

Diona

Fischl

Razor

Xingqiu

Identity V: Open

COMPLETELY forgot about Idv, but the next postman S is coming soon and I will have it! So in honor, I've added it to my list<3

Characters I write sfw + nsfw for:

Victor Grantz

Aesop Carl

Norton Campbell (Hunter and Surv versions)

Luca Balsa

Andrew Kriess

Ithaqua

Characters I write only sfw for:

Demi Bourbon

Edgar Valden

Ada Mesmer

Emil

Michiko

Joseph Desaulniers

Xie Bi'an

Fan Wujiu

Robbie White

[tsaritiz]

All Identity V references (or easter eggs) to popular culture found.

Some are taken from theories of fandom others are found by me.

Martha Remington as the surname taken from the typewriter brand "remington" (also curious beacause in the game you have to decode typewriters)

Doctor, Emily Dyer is inspired by Amelia Dyer a british serial killer who killed lots of young children while beyond her cares.

Helena Adams references to Helen keller, a blind def woman who were a full-time activist.

Priestress (Fiona Gilman) references to HP Lovecraft's story "The dream in the witch's house."

The Magician references to Servais le roy, the creator of the illusion technic of levitation.

Naib Subedar, in his backstory makes reference to the british invasion of india.

Thief, Kreacher Pierson references George Müller, a Christian evangelist and the director of the Ashley Down orphanage in Bristol, England. He was one of the founders of the Plymouth Brethren movement. His surname is named after Arthur Tappan Pierson, a friend of George Müller who wrote his biography.

The explorer references to Gulliver's Travels.

William Ellis references William Webb Ellis, the alleged inventor of rugby. He also shares the exact same name as him

Norton Campbell's background story references the author H.P Lovecraft's short story titled The Transition of Juan Romero.

Enchantress, Patricia Dorval's adoptive mother references Marie Laveau a Louisiana Creole practitioner of Vodou, herbalist and midwife who was renowned in New Orleans.

Wilding, Murro's Deductions mentions Kasper Hauser, a German youth who claimed to have grown up in the total isolation of a darkened cell.

Female Dancer, Margaretha Zelle references both Mata Hari, a Dutch exotic dancer and courtesan who was convicted of being a spy for Germany during World War I and Natalia from The Last Circus.

Acrobat, Mike Morton's appearance references both Arlecchino from Commedia dell'arte and Vander Clyde Broadway an American female impersonator, high-wire performer, and trapeze artist born in Texas.

"Prisoner", Luca Balsa references Nikola Tesla a Serbian-American inventor, electrical engineer, mechanical engineer, and futurist best known for his contributions to the design of the modern alternating current (AC) electricity supply system.

Entomologist, Melly Plinius references Pliny the Elder (Gaius Plinius Secundus) the Roman author/naturalist/natural philosopher.

Batter, Ganji Gupta's background story references the British Colonization of Indian Subcontinent (1858-1947).

"Psychologist", Ada Mesmer's Surname references Franz Anton Mesmer, a German physician who developed the theory of animal magnetism. She may also be inspired in Ada Lovelace the matematician

Soul Weaver, Violetta references Aloisia 'Violetta' Wagner, a famous German freak show performer from the early 20th century. She was renowned for having tetra-amelia syndrome.

The Ripper, Jack references Jack the Ripper an unidentified serial killer active in the impoverished districts in and around Whitechapel in the East End of London in 1888. His background story references Walter Sickert, a German-born British painter and print maker who was a member of the Camden Town Group of Post-Impressionist artists in early 20th-century London and was suspected of being Jack the Ripper.

Geisha, Michiko references Chōchō-San from Madame Butterfly. She may also reference Yosano Akiko or Higuchi Ichiyo, both famous writers and geishas. But not only, she may reference the play of Fukuchi Ochi "Mirror Lion" .

Hastur is based on The King in Yellow from H.P. Lovecraft novels (Cthulhu Mythos Franchise).

Wu Chang, Xie Bi'an and Fan Wujiu references Heibai Wuchang (黑白无常, Black and White Impermanence) the two Deities in Chinese folk religion in charge of escorting the spirits of the dead to the underworld.

Photographer, Joseph Desaulniers references both Nicéphore Niépce a French inventor, usually credited as the inventor of photography and a pioneer in that field and Dorian Gray from The Picture of Dorian Gray. His background story also mentions the French Revolution.

Mad Eyes, Burke Lapadura references Edmund Burke, a highly regarded Canadian architect best known for building Toronto's Prince Edward Viaduct or "Bloor Street Viaduct" and Toronto's Robert Simpson store.

Dream Witch, Yidhra references Yidhra from the H.P. Lovecraft novels (Cthulhu Mythos Franchise).

Bloody Queen, Mary references both Marie Antoinette the last queen of France and a controversal figure during the French Revolution and the abilities based on Bloody Mary.

"Disciple", Ann's background story references the Salem witch trials.

Violinist, Antonio references Niccolò Paganini an Italian violinist and composer. He was the most celebrated violin virtuoso of his time, and left his mark as one of the pillars of modern violin technique.

Sculptor, Galatea Claude possibly references Camille Claudel a French sculptor known for her figurative works in bronze and marble and her name references to the statue carved of ivory by Pygmalion of Cyprus of the same name from Greek Mythology.

"Undead", Percy references Victor Frankenstein from the author Mary Shelley's novel Frankenstein.

The Breaking Wheel, Will Brothers references the Breaking wheel with their trailer also referencing the Execution of St Catherine.

Naiad, Grace references Naiads, fresh water nymphs presiding over fountains, wells, springs, streams, brooks and other bodies of fresh water from Greek Mythology. She also appears to reference H.P. Lovecraft's novella The Shadow Over Innsmouth.

Wax Artist, Philippe is based on Philippe Curtius a Swiss physician and wax modeller who taught Marie Tussaud the art of wax modelling.

Hermit, Alva Lorenz references Thomas Edison, a famous inventor.

Night Watch, Ithaqua is based on Ithaqua from H.P. Lovecraft novels (Cthulhu Mythos Franchise).

"Big Daddy" is likely a reference to "Big Brother" from 1984 by George Orwell, the leader who keeps all citizens under constant surveillance and controls them.

Allen, while little is currently known about him, is likely based off Zadok Allen from The Shadow Over Innsmouth.

Andrea may be based on Antonia Bianchi, a singer and the long term lover of Niccolo Paganini.

Arthur Byers is likely based on Ambrose Bierce, the author of “Haïta the Shepherd” in which Hastur first appeared.[1]

Catherine is based on St. Catherine of Alexandria who was executed using a breaking wheel.

Christina's death scene in Philipe's character trailer is an allusion to The Death of Marat by French painter Jacques-Louis David.

Claude Desaulniers is based on Claude Niépce, the older brother of French inventor Nicéphore Niépce.

Damballa is based on the benevolent spiritual intermediary in Haitian Voodoo of the same name.

James Reichenbach's last name is a reference to Reichenbach Falls, the name of the location where Arthur Conan Doyle's character Sherlock Holmes had his fight to the death with his greatest foe Professor Moriarty.

James Whistler is based on the real life painter James Abbott McNeill Whistler who was the mentor of Walter Sickert.

Papa Legba is based on trickster spiritual intermediary in Haitian Vodou of the same name.

Princess Lamballe is based on Marie Thérèse Louise of Savoy (Princesse de Lamballe) who was one of Marie Antoinette's closest friends.

Robert is likely based off Robert Olmstead, the main character and narrator of The Shadow Over Innsmouth.

Sullivan is based on Anne Sullivan Macy, an American teacher and lifelong friend of Helen Keller.

The currently Unnamed Cat God is likely based on the short stories Nyarlathotep and Cats of Ulthar by H.P. Lovecraft.

Blue Aladdin references to Aladdin from Aladdin and the Wonderful Lamp.

Violet Peacock's Chinese description references to The Peacocks Fly Southeast.

Both Poseidon's Crown and Poseidon references to Poseidon the god of the sea, storms, earthquakes and horses from Greek Mythology.

Caged Butterfly's description mentions Madame Butterfly.

The 1st Essence of Season 2 is based on several Fairy Tale Stories on each Costumes.

King's Tailor references to one of the Swindler from The Emperor's New Clothes.

Both Lazy Mr. Bunny and Mr. Turtle references to The Hare and The Tortoise from The Tortoise and the Hare.

King Arthur references to the character of the same name

Merlin references to the character of the same name.

Black Swan is based on Odile (The Black Swan) from Swan Lake.

Anubis is based on the god of the same name who is the god of death, mummification, embalming, the afterlife, cemeteries, tombs, and the Underworld in Egyptian Mythology.

Ancient Soul references to the Ankh an ancient Egyptian hieroglyphic symbol used in Egyptian art and writing to represent the word for "life" and, by extension, as a symbol of life itself.

Soul Catcher references to Day of the Dead a holiday traditionally celebrated on November 1 and 2, though other days, such as October 31 or November 6 from Mexica.

Golden Touch is based on King Midas a king of Phrygia who is known to turn everything he touched into gold from Greek Mythology.

The 1st Essence of Season 6 has several references to Greek Mythology.

Icarus is named after and based on the hero of the same name who is the son of the master craftsman Daedalus, the creator of the Labyrinth on Greek Mythology.

Apollo is named after and based on the God of the same name who is the god of oracles, healing, archery, music and arts, sunlight, knowledge, herds and flocks, protection of the young and the Member of Twelve Olympians.

Leonidas is named after Leonidas I a king of the Greek city-state of Sparta.

Pam possibly is based on Pan the god of the wild, shepherds and flocks, rustic music and impromptus, and companion of the nymphs.

Captain Hook is based on Captain James Hook.

Eversleeping Girl is based on Wendy Darling.

Forgotten Boy is possibly based on Peter Pan or one of the Lost Boys.

Siren is possibly based on the Mermaids from Mermaids' Lagoon.

March Hare is based on the Character of the Same Name.

Alice is based on the Protagonist of the Same Name.

Mr. Bunny is based on The White Rabbit.

Bill is based on Bill The Lizard.

Caterpillar is based on Hookah-Smoking Caterpillar.

Knave of Hearts is based on the character of the same name.

Executioner is based on one of the Queen of Hearts' Card Soldiers.

The Mad Hatter is based on the character of the same name.

Queen of Hearts is based on the character of the same name.

Serpent is based on Quetzalcoatl the god of life, light and wisdom, lord of the day and the winds from Aztec Mythology.

Lady Thirteen is based on Yu Mo from The Flowers of War, portrayed by the actress Ni Ni.

Sophia is based on Sophia Palaiologina a Byzantine princess, member of the Imperial Palaiologos family, Grand Princess of Moscow as the second wife of Grand Prince Ivan III.

Ivan is possibly based on Ivan III of Russia a Grand Prince of Moscow and Grand Prince of all Rus'.

Maroon Crystal is based on Dorothy Gale.

Princess Ozma is based on the character of the same name.

The Wicked Witch is based on both Wicked Witch of the West and Dorothy Gale.

Emerald City Coachman is based on the Coachman.

Oz, the Wizard is based on Wizard of Oz.

The Tin Man is based on Tin Woodman.

The Spookcrow is based on Scarecrow.

The Toothless Lion is based on Cowardly Lion.

Golden Ratio references to the Philosopher's Stone a mythic alchemical substance capable of turning base metals such as mercury into gold.

Electrolysis references to the technique of the same name that uses direct electric current (DC) to drive an otherwise non-spontaneous chemical reaction.

Ouroboros references to the ancient symbol of the same name that depicts a snake or dragon eating it's own tail.

Choir Boy has a The squared circle symbol an alchemical symbol (17th century) illustrating the interplay of the four elements of matter symbolising the philosopher's stone on his back.

Mutation represents Chrysopoeia an artificial production of gold, most commonly by the alleged transmutation of base metals such as lead.

Sulfuric Acid has a tattoo on chest resembling the symbol of the same name based on Dalton's Law of Atomic Weights.

Vine references to the Elixir of life a potion that supposedly grants the drinker eternal life and/or eternal youth.

Philofelist possibly references to Necromancy a practice of magic or black magic involving communication with the dead – either by summoning their spirits as apparitions, visions or raising them bodily – for the purpose of divination, imparting the means to foretell future events, discover hidden knowledge, to bring someone back from the dead, or to use the dead as a weapon.

Judge represents Pride.

Deputy represents Greed.

Clerk represents Envy.

Court 3 Commissioner represents Wrath.

Court 5 Commissioner represents Sloth.

Court 6 Commissioner represents Gluttony.

Court 7 Commissioner represents Lust.

Narcissus is named after the character of the same name who rejected all romantic advances, eventually falling in love with his own reflection in a pool of water, staring at it for the remainder of his life, his name is the origin of Narcissism.

Clio is named after the goddess of the same name who is the goddess of history, lyre playing and a member of the Muses.

Talia is named after Thalia who is the goddess of comedy and a member of the Muses.

Hebe is named after the goddess of the same name who is the goddess of eternal youth, prime of life, forgiveness

"Succubus" is named after a demon of the same name they are female demons that appears in dreams to seduce men, usually through sexual activity.

Rainmaker's Beauty Form is based on both Lady Shizuka, one of the most famous women in Japanese history and literature and Ameonna, a yōkai thought to call forth rain while the Prajna Form is based on Kuchisake-onna, that appears as a malicious spirit, or onryō, of a woman, that partially covers her face with a mask or other item and carries some sort of sharp object.

"The Prince" is based on the titular character of the The Happy Prince.

Feathered Cloak is based on Freyja, a goddess associated with love, beauty, fertility, sex, war, gold, and seiðr (magic for seeing and influencing the future) from Norse Mythology.

The 3rd Essence of Season 17 is based on The Masque of the Red Death.

Man in Red is based on The Red Death.

Runaway is based on Prince Prospero.

The 1st Essence of Season 18 is based on The Marriage of Figaro.

Fury is based on both Count Almaviva (Philippe) and Countess Rosina (Christina).

"Susanna" is based on the character of the same name.

The 1st Essence of Season 20 is based on And Then There Were None.

The 2nd Essence of Season 20 takes place on The Crystal Palace on a fictional setting.

Lockheart is shown to be a fictional daughter of the in real life historical figure Joseph Paxton an English gardener, architect, engineer and Member of Parliament, best known for designing the Crystal Palace.

The 1st Essence of Season 21 is based on Bacchanalia, an unofficial, privately funded popular Roman festivals of Bacchus, based on various ecstatic elements of the Greek Dionysia.

Spring Heated Wine is based on Dionysus, the god of the grape-harvest, wine making, orchards and fruit, vegetation, fertility, insanity, ritual madness, religious ecstasy, festivity, and theatre and a Member of the Twelve Olympians from Greek Mythology.

Bai Ze is based on Bai Ze itself, a mystical Chinese beast connected with spirits.

The 3rd Essence of Season 22 is based on insects and also the seven virtues.

Winter Cicada represents Humility.

Frozen Butterfly represents Chastity.

Ant represents Charity.

Scorpion represents Kindness.

Mayfly represents Diligence.

Centipede represents Temperance.

Worker Bee represents Patience.

Boudoir Dream is based on Child Jane Hudson from What Ever Happened to Baby Jane which is a film adaptation of a novel of the same name, portrayed by the child actress Julie Allred

Iron Lady is based on Harriet Craig from the film of the same name which is a film adaptation of Craig's Wife, portrayed by the actress Joan Crawford.

Samara is based on Samarra from The Prodigal which is a film adaptation of Parable of the Prodigal Son, portrayed by the actress Lana Turner.

Rhythm of the Rain is based on Kathy Selden from Singin' in the Rain, portrayed by the actress Debbie Reynolds.

Recluse is based on Jef Costello from Le Samouraï, portrayed by the actor and filmmaker Alain Delon.

Hamlet is based on the titular character of the 1948 film which is the film adaptation of the play of the same name, portrayed by the actor and director Laurence Olivier.

Colonel Dax is based on the character of the same name from Paths of Glory which is a film adaptation of the novel of the same name, portrayed by the actor and filmmaker Kirk Douglas.

The Red Shoes is based on Victoria Page from The Red Shoes which is a film adaptation of a fairy tale of the same name, portrayed by the actress ballet dancer and actress Moira Shearer.

The Black Tulip is based on both Guillaume de Saint Preux and Julien de Saint Preux from The Black Tulip which is a film adaptation of the novel of the same name, both portrayed by the actor and filmmaker Alain Delon.

Just Around the Corner is based on Penny Hale from Just Around the Corner which is a film adaptation of Lucky Penny, portrayed by former child actress, singer, dancer, and diplomat and diplomat Shirley Temple.

Zouzou is based on the titular character of the 1934 film, portrayed by actress, French Resistance agent, and Civil Rights Activist Josephine Baker.

Ben-Hur is based on Judah Ben-Hur from Ben-Hur which is a film adaptation of Ben-Hur: A Tale of the Christ, portrayed by the actor and political activist Charlton Heston.

Dorothy is based on Dorothy Gale from The Wizard of Oz which is a film adaptation of The Wonderful Wizard of Oz, portrayed by actress and singer Judy Garland.

Salome is based on the titular character from the movie of the same name, portrayed by actress, dancer, and producer Rita Hayworth.

Da Vinci is based on Leonardo da Vinci from The Life of Leonardo da Vinci which is a miniseries about the real life artist, portrayed by actor Philippe Leroy.

Svengali is based on the titular character of the 1931 film which is a film adaptation of Trilby, portrayed by the actor on radio, stage and radio John Barrymore.

Rashomon is based on the Samurai's wife from Rashomon which is a film adaptation of two Ryūnosuke Akutagawa novels "In a Grove" and "Rashōmon", portrayed by the actress Machiko Kyō.

Broken Blossoms are based on Cheng Huan from Broken Blossoms which is a film adaptation of The C**** and the Child, portrayed by the actor Richard Barthelmess.

Scarlet is based on Scarlett O'Hara from Gone with the Wind which is a film adaptation of the novel of the same name, portrayed by the actress Vivien Leigh.

Faust is based on the titular character of the 1927 film which is a film adaptation of the play of the same name, portrayed by the actor, director and singer Gösta Ekman.

Million Dollar Mermaid is based on Annette Kellerman from the film of the same name which is a biography about the real life swimmer, portrayed by swimmer and actress Esther Williams.

[ithaquass]

Love Languages ~ ♪

ㅤ→ of some survivors !

cw none (mentions of food), gender neutral s/o

part 1 of what love language would they have <3

➜ Luca Balsa (prisoner)

Acts of service! he loves being helpful to you, in any possible kind of way.

He’d help you out with your tasks, try to give solutions to your problems, or maybe even try to cook something for you… anything that would cheer you up!

➜ Aesop Carl (embalmer)

Quality time. Aesop is not exactly the extroverted one, and he is also pretty hard to read sometimes. Even though he can be really awkward when it comes to show his affection for you, he deeply values the time you spend together with him. He might not be that talkative most of the times, but just enjoying each other’s company is more than enough to make him happy!

➜ Victor Grantz (postman)

Words of affirmation. As it’s well known, Victor is not the best at talking out loud, he expresses himself trough his letters; which leads me to believe that he would be more than delighted to write you a lot of those!

He might send you a letter at a random time of the day, reassuring you how much he is still in love with you, or simple saying that you looked really cute this morning ;)

[lunarsanctuary]

hello alva lorenz fan. in front of you is a test where you must share your interpretation of alva's feelings/treatment towards his past with the balsas in full nuance. you have 4 hours before the shark tank beneath you rises. if you mention anything about alva or luca feeling an inherently familial or romantic bond towards the other first and foremost you will be dunked into the tank. good luck

[jils-things]

Actually u keep mentioning the stageplay and im curious like does it follow the game story (if te game has one???), is it like an og sidestory or smth. I mostly know about it from you ASDJKNDSVÑJ (and i know nothing of alva so i cant. Really say much👍)

not quite actually! they basically threw everyone (hunter and survivor) in the same room together and made everyone interact with each other if the plot needed it but they do re-enact how the game works - the people behind the stageplay wrote the story slightly different but the creators of the game permitted them to make their own spin of the story :) its actually really good! though what made me really love the stageplay is their "abridged" version of an episode (this goes for all eps) which is basically just a comedy. (if you saw me spam pics of stageplay, its when they all wear tracksuits) it just made everyone so much more lovable to me and gave me a fresh new opinion of characters i never really minded much :3

like you know this stageplay did shit to me when i started crushing on luca balsa/prisoner yeaheyeahsdsy OUUFHHG🪦🪦🪦🪦

BUT BASICALLY YES OG SIDESTORY. REALLY GOOD!!!!

[ask-idv-color-out-of-space]

Auditorium: Are you and the rest of your friends, robots as well-? You guys do have some robotic parts

—

“We are not robots! We are humans. We will NEVER be like her. Now get out of my sight.” He was deeply offended.