#mecha shows

[chloesimaginationthings]

Gregory reminded Michael of some bad FNAF memories,,,

[mechanimereview]

Mecha Madness 2023 Preliminary Poll

Here is the poll: Link. Please vote and share around. Remember everything else I mentioned. IF no one votes, that’s ok. It will make it easier for me to sit back and not work as hard. Once again, here is the link to the poll. It will have 15 shows and movies from each decade All Chosen By Me VOTING FOR EVERY DECADE IS NOT REQUIRED Vote for what you are comfortable with First Round of Mecha…

[2-eeillustration]

Seeing everyone's fun Soundwave designs got me inspired to start one of my own to crossover into my OC universe and I'm having so much fun 🥺

[aquiboni]

My work for the Laws of Nature show (Around Gallery) in Singapore, ends tomorrow!

[24bughours]

Maybe the real gravity falls fanart i made for pride month was the fiddleford watching madoka magica piece i made along the way

[prokopetz]

Cosmic horror themed mecha series where, for Mystic Technobabble Reasons probably involving some sort of celestial alignment, only people who were born during a specific period of time can pilot the giant robots. The complicating factor? The last time that magic alignment happened was roughly sixty years ago. Thus, the fate of humanity depends on a dwindling pool of people aged sixty-plus who are still in good enough shape to pilot a giant robot into battle.

(For casting convenience, let's say that the magic alignment lasted roughly a decade, so there's some flexibility in the ages of the core cast, but all of them being sixty-plus is mandatory.)

[jet-teeth]

Finally got caught up on that funky Bravern show the other day and omg. It's so much fun. Have some scribblin' More yelling under the cut (and also mild spoiler alert if you haven't seen any of it:)

Loved seeing more of the other Deathdrives, even if they were kinda short-lived on-screen and all (guess that's what happens when a buncha story stuff needs to get compressed into just 12 episodes)

I'm enjoying the hell out of this silly show it's fucking BUCKWILD. I can't remember the last show that made me laugh this much I am just constantly chimpanzee screaming at the screen Wasn't super sure at first because I was a bit "???" about where this was going in the first few eps but oh my god. It's def become a fav now. It's for sure meant to be a parody of itself/commentary on the entire mecha anime genre and all the tropes that it's loaded with but then the story actually gets interesting too. The TWISTS. IDK it just seems like they had so much fun making this Also, sentient robot characters yippee! (That stuff just seems to be super rare, I've always kinda wondered why, but it's like the mecha genre is allergic to the concept unless you go full into Transformers territory (which is its own whole thing at that point.) Like idk maybe I'm the weird one for loving that idea, but I do wish more of that existed outside of the context of parody or "for little kids" or whatever. Anyway I'll take whatever I can get on that front. I'm adopting all of these idiots) Cupiridas is my fav, Extremely Silly Guy. Kunus (Cunus?) is completely off her shits but I actually love that super wingy design. Pessimism has some really cool silhouette nonsense going on, can def approve of straying from the usual humanoid look. I could throw in some sketches of the main mechs (Bravern, Superbia) but they already get most of the fan art, so I wanted to doodle some of the others..

[cephalopadre]

bravern!!!!! *is shaken around like a rag doll*

[moeblob]

Look, I rewatched all of Bravern to try and make more sense of it now that I know plot twists and stuff and honestly how does Lewis never ask anything about the cockpit that he was in for four seconds. I think he should mention it. I think he's allowed to talk about it.

[sodasa-was-taken]

Why Suletta and Miorine's story is a romance: A Mobile Suite Gundam: The Witch from Mercury story structure analysis by Sodasa

So, I recently watched The Witch from Mercury, and I felt compelled to write an analysis of the show's use of the story structure of romances. I'm a hobbyist in the history of trends in genre fiction with a particular interest in romances. I thought it would be fun to use my area of expertise to talk about how the budding relationship between Miorine and Suletta is intertwined with the story of G-Witch.

Something particular about the romance genre is that, unlike other genres of fiction, it's mostly defined by its story structure. This means that just because a story is about two people getting together does not automatically make it a romance in the same way having magic in a story qualifies it as a fantasy. The flip side of this is that while you can't have a fantasy without fantastical elements, a romance can be put in any setting. As long as the story hits the required plot beats, it's still a romance. This makes Romance simultaneously one of the strictest and most versatile genres, as the plot can be anything as long as it ties into the main characters' developing relationship. Use this structure in a story about financial politics and mechs, and you get a story like The Witch from Mercury.

I think the show uses this structure very effectively. In my opinion, a great romance should, first and foremost, be an exploration of the part of the human condition where previous bad experiences make us reject intimacy. The romance story structure is designed to have the characters come face-to-face with their inner demons by giving them a reason to overcome them. Something that's a lot harder to pull off outside of romances, as not many things in life require us to overcome some of our deepest insecurities instead of just pushing them down.

G-Witch is a great show to use as an example of what makes a romance a romance as it follows the story structure almost to a tee, but it's also not the kind of story that most people usually think of when picturing a romance. I also believe that seeing the show through the lens of the romance structure leads to some juicy character psychoanalysis for Suletta and Miorine. I'll go over all the plot beats of a romance and explain how they apply to G-Witch and, if applicable, why I think you don't see those plot beats outside of romances. The names of the plot beats are taken from "Romancing the Beat: Story Structure for Romance Novels" by Gwen Hayes, which is also my primary source, along with my own extensive experience with the romance genre.

I hope someone gets something out of this. I have seen some excellent analyses and theories for this show, but they have been on things I don't know much about myself. Since the only part of story analysis I excel at is the structure of romances, I thought I'd lend my own area of expertise. I want to clarify that while I might sound matter-of-fact, this is just my opinion. I'm by no means saying that you have to think that G-Witch is a romance. I'm just arguing for why I personally consider it to be one.

[ocelotegg]

what if they stopped fighting and held hands. i think it would be pretty neat myself.

linework under the cut

(eta: not intentional but i actually love how ruined the image quality is on the meme version. it's so unbelievably crunchy)

[short-circuit-the-great]

I will have to say Knock Out, as atrociously horny as he is, has been outdone by Bravern in that area.

Where Knock Out says "You're reeeeeal heavy duty >:)" Bravern says with his entire soul "NICE COCK!" while blasting his own theme music and where Knock Out says "The thought of you fleshies...INTERFACING *audible horror*" Bravern is like "HUMANS GOT MY HYDRAULICS PUMPIN! HAVE THIS FANFICTION I WROTE ABOUT THIS GUY! READIN IT RIGHT HERE RIGHT NOW! S E X!"

[yoan-le-grall]

[kaxtwenty]

It really is insane to think about how foundational the original Mobile Suit Gundam is to gay literature.

[solardrake]

bny's updated ref for 2023!

[mechaseraph]

Whatever. W Red be upon ya (aka I got the lupat anvil on my head somehow few months after finishing it. What to say, not immune to kaitou x cop/detective)