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changafilms · 10 years

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Voces en el aire (voices in the air) | Cortometraje documental (Shortdoc)

Sinopsis.

En la sala de estar de una pequeña casa de familia, una radio de barrio transmite tango, historia, vivencias y cultura de sus vecinos al mundo. Patricia, su actual directora Ad-honorem, continúo a cargo de la emisora luego de que sus dos fundadores murieran con pocos meses de diferencia. Una radio independiente, tanguera y con fuerte identidad barrial. Nació de la mano del tango y poco a poco fue sumando voces.

ENG In the living room of a little family house, a local radio broadcasts tango music, history, culture and lifestyle of the neighbors to the world. Patricia, the current Ad-honorem director, kept the radio running even after the death of both their founders. An independent radio, playing tango and with strong attachment to the neighborhood identity. Duración/Lenght: 00:11:20 Formato original/Original format: DSLR 1920x1080p 25fps 16:9 (1.78)

Directed, produced, filmed, edited by/Dirección, producción, cámara, sonido y montaje: Jimena Echeverría, Nicolás Cuiñas, Diego Bürger

Guión / Script Carmen Gallo

Voz en off/ Voice Over: Roberto Benítez

Corto documental ganador del concurso "Un barrio de pelicula", INCAA.

Villa Devoto, Argentina 2014

PRENSA Escribiendo Cine Fellinia RECAM Fancinema CINE.AR

PRESSKIT

PREMIOS/AWARDS

Mención Especial / Festival Corto Rodado (Argentina 2015) Mejor Documental / Unframe Festival (Argentina 2015) Premio Centro Audiovisual Rosario a la Realización Audiovisual más destacada por su valor educativo / Festival Latinoamericano de Video y Artes Audiovisuales de Rosario (Argentina 2015) Premio del Público / Festival Latinoamericano de Video y Artes Audiovisuales de Rosario (Argentina 2015) Mejor Cortometraje Documental / 1º Festival de Cine de Chascomús (Argentina 2015) Mejor Cortometraje / Festival de cortos Penca (Argentina 2015) Mejor Documental Internacional / FICIL BIO BIO (Chile 2015) Mejor Cortometraje Nacional & Premio INCAA TV / Festicine Pehuajó (Argentina 2015) Mejor Cortometraje / Festicine Pehuajó (Argentina 2015) Mejor Documental / Festival de cine Escobar de Película (Argentina 2014) Ganador / “Caja de Cortos”, TAL TV (Brasil 2014) Premio "Beatriz Gil" / IIº Festival Internacional de Cortometrajes de la Cuenca del Salado (Argentina 2014) Mención Especial / Festival Internacional del Cortometraje FIC ESMI (Argentina 2014) Ganador / Concurso “Un Barrio de Película”, INCAA (Argentina 2014)

FESTIVALES/FESTIVALS

11 Festival Internacional de cine de Pasto (Colombia 2015) Festival de Cortometrajes de Villa Mercedes - Mención especial (Argentina 2015) Oporto International Short Film Festival - Porto7 (Portugal 2015) Festival Internacional de Cortometrajes Cine a la Calle (Colombia 2015) Festival de Cine Social de Concordia - Fuera de Competencia (Argentina 2015) Muestra “Cortos Sudamericanos” MAR, Museo de arte contemporáneo de Mar del Plata (Argentina 2015) TAFIC XI, Festival Internacional de cine de Tapiales (Argentina 2014) V Muestra de cortometrajes Ernesto Esteban Etchenique (Argentina 2014) XI Festival Internacional de cortometrajes Cusco, FENACO (Perú 2014) MECAL CHILE (Chile 2014) Lapacho - Festival Latinoamericano de cortos (Argentina 2014) CINETROFA - Festival Internacional de Cinema e Literatura da Trofa (Portugal 2014) 9° Festival Pizza, Birra, cortos (Argentina 2014) 5° Festival Cinematográfico Visión Ribereña (Argentina 2014). Tandil Cortos (Argentina 2014) Mirada en cortos VII (Argentina 2014) Muestra Especial 6° Festival de cortometrajes - Imagenes Sociales (Argentina 2014)

#documental #corto #cine

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linhgd9 · 3 years

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Global 3-axis Vertical Machining Centers Market | Driving Factors, Market Analysis, Investment Feasibility & Trends 2026

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amnesiacarts · 12 years

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Mapping 06/ Universi liquidi. Selezione di Devis Venturelli

Mapping 06 Universi liquidi Cecilia, Centro per la Creatività di Tito (Pz) venerdì 11 maggio > giovedi 17 maggio

Selezione di Devis Venturelli (Artista)

Artisti: Dacia Manto, Planiziaria, video doppia proiezione 2009, 15' 00’’ Stefano Scheda, Fuoridentro mobile, 2007 - video da installazione loop Rapadura - Juliana Gotilla & Izabel Rainer Harbach, fluid network, 2010, 1’11’

Tracce di entità biologiche in sistemi ambientali incontaminati sono i panorami specchianti d’acque di Dacia Manto in Planiziaria. L’attenzione quasi scientifica per le forme di vita di un’oasi naturalistica diviene dimensione lirico-poetica dello spazio ambientale. La costruzione simmetrica del video evoca a tratti le forme di Rorschach come se l’artista volesse indagare capillarmente attraverso lo strumento proiettivo la dimensione psicologica della personalità-ambiente. Di giocosa ironia sono invece imbevute le fresche e ludiche sequenze di Fluid network del Colletivo Rapadura, Su di un clinico light box sono disposte forme continentali terrestri; al ritmo incalzante di connessioni internet una successione di gocce collegano i territori verso una nuova Pangea, metafora della nuova dimensione globale che ha segnato le evoluzioni socio-culturali degli ultimi anni. Infine, Fuoridentro mobile di Stefano Scheda ci conduce ad una dimensione più strettamente simbolica. L’immagine fissa di una carrozzina rispecchia dall’interno il mare in cui è immersa alludendo ad una riflessione sulla dimensione originaria della vita. Devis Venturelli

Biografie

DEVIS VENTURELLI Nato a Faenza (RA) nel 1974. Vive e lavora a Milano. FORMAZIONE / EDUCATION 2000 - Ecole d'Architecture et du Paysage, Bordeaux (France); 2002 Laurea in Architectura / Degree in architecture, Università di Ferrara; 2006 Residenza presso / Residence at ZKM, Karlshrue (Germany)

MOSTRE PERSONALI (selezione) 2011 - Estasi urbane, l'Ozio Amsterdam (The Netherlands; Devis Venturelli, Monografia in Videoartyearbook 2011, Chiostro di Santa Cristina, Bologna. 2010 - Video of the month #55: Devis Venturelli, Ursula Blickle Videolounge Kunsthalle Vienna (Austria); La casa dell'ospite, Obalne galerije Piran. 2009 - Casa dell'ospite, installazione site specific / Arte Fiera Off - Galleria Lipanjepuntin Trieste, con / with Stefano Scheda.2008 - La casa dell'ospite, installazione site specific Bassano del Grappa. 2007 - Variazioni sul sacro, Fondazione Culturale San Fedele, Milano.

ESPOSIZIONI COLLETTIVE (selezione) 2012-Supertemporal, Kulturhuset Stockholm; 16/9 Widescreen, Spazio Armani Torino, in collaboration with Allegretti Artecontemporanea. 2011- Digital Life², Ex GIL, Roma; Invideo, Spazio Oberdan, Milano; Round the clock, Venezia, Spazio Thetis Arsenale Nuovissimo; Su nero nero, Castello di Rivara, Torino; Cinema take away, Rovereto; International Short Film Festival 2ANNAS, Riga (Latvia); Videoholica international video festival, Varna (Bulgaria); Big Screen Project?, New York; Il coreografo elettronico, Pan, Napoli; Loop festival, Medialounge, Barcellona (Spain), Videoartyearbook,Fondazione Sandretto Rerebaudengo, Torino; Fashion LA, Ace Gallery, Los Angeles; The night event, Angel Orensaz Foundation, New York; Regards sur l'art video, Institue francaise de Serbie, Belgrade; Premio Arte Laguna, Nappe dell'arsenale Venezia; 2010 - Video.it, Fondazione Merz Torino; Videoart year book, Chiostro di Santa Cristina, Bologna; Premio Agenore Fabbri, Stadtgalerie Kiel (Germany); Let's go outside, Superstudio più, Milano; Scherzo, ironia satira, doppio significato, Kunstverein, Augsburg (Germany); A remote viewing: Loop Barcellona (2003-2009), Centre d'art Santa Monica Barcellona (Spain); Kunstart , Bolzano galleria Defaveri arte; Mecal film festival, Barcellona (Spain). 2009 - Playlist, Galleria Neon campobase, Bologna; WRO Expanded City, 13th Media Art Biennale, National Museum, Wroclaw (Poland); Cannes AVIFF festival, Cannes (France); Souvenirs from heart, Cologne Art Fair (Germany); Videoformes, Clermont-Ferrand (France). 2008 - Magic moving image, Melina Cultural Centre, Atene. 2007 - VD Videodance Festival, Atene (Greece); Storung festival, Barcellona (Spain); Videoformes, Clermont-Ferrand (France); Athens videoart festival, Atene (Greece). 2006 Figures of Motion, Künstlerhaus, Plüschow, (Germany); Directors Lounge, Karl Marx Allee, Berlin (D). PREMI / PRIZE 2011 - Premio Romaeuropawebfactory, Fondazione Romaeuropa (Primo Premio / First Prize); Premio ArteCa, Premio Arte Rugabella (Primo Premio / First Prize). 2010 - Premio Farm Video.it, Artegiovane Fondazione Merz Torino (Primo Premio / First Prize). 2009 - Pagine bianche d'autore. Menzione Lombardia. 2008 Premio Aletti Art Verona, Banca Aletti (Primo Premio / First Prize). 2007 Premio arti visive Sanfedele, Milano (Primo Premio / First Prize). 2006 Premio Videoarte, Festival Visionaria, Siena (Primo Premio / First Prize). 2004 - Circuito Off, International short film festival, Venezia. Menzione speciale.

DACIA MANTO Nata a Milano nel 1973, vive e lavora a Bologna.

Da alcuni anni porta avanti attraverso video, installazioni e disegni una personale ricerca e mappatura dello spazio e del paesaggio, che ha interessato in particolare territori fluviali e palustri, periferie marginali e semiselvatiche. Osservatori strutturali e poetici sulla natura, i suoi lavori costruiscono immagini ed architetture aperte, mutevoli, precarie, che divengono testimoni dell'inafferrabilità dell'ambiente, della difficoltà di restituire la realta' della visione. MOSTRE - selezione personali 2011 - Wood seer, Paolo Maria Deanesi, Rovereto; Dacia Manto, Macc, Museo d'Arte Contemporanea di Calasetta. 2010 - Bower, Magazzino 1 B, Prato; Metcalfa, Mars, Milan Artists Run Space, Milano; Omphalina, PWC, Milano. 2009 - Dacia Manto, Mar, Museo d'Arte della città, Ravenna; Walden. Azione-installazione. Per Ammutinamenti-Cantieri Danza, Almagià, Ravenna. 2008 -Jardin Planetaire, Klerkx, Milano. 2007 - Olympia, Galerie Di Maggio, Berlino. 2006 Dacia Manto, GCAC, Galleria comunale d'Arte Contemporanea, Monfalcone; Vuoti d'aria, Laboratorio dell'Imperfetto, Cesena. Collettive: 2012 When (italian) responsibilities become forms, Oltre dimore, Bologna. 2011 - Doxa, UPP, Venezia; A history out of context, The promenade gallery, Valona, Albania; Stanze 101-102: Flavio Favelli, Dacia Manto, Maurizio Mercuri. Farnespazio, Bologna; Percorsi ritrovati nell'arte italiana, Mart, Rovereto; Ossessione verde, Feltre; Pure Water Vision, Premio Acea, Roma. 2010 - Cosa fa la mia anima mentre sto lavorando? Maga, Gallarate; Private Garden, Pav, Parco D'Arte Vivente, Torino; Posizioni attuali dell'arte italiana, Stadtgalerie, Kiel (D). 2009 - Fragile, Metropole, Museo D'arte Contemporanea, Saint Etienne (F); Green Platforms, Centro Cultura Contemporanea La Strozzina, Fondazione Palazzo Strozzi; New italian Epic, Brown Project Space, Milano. 2008 - Mediations, Voyage sentimental. XIII Biennale, Poznan (PL); Dinamiche dello spazio in Italia, GCAC, Galleria comunale d'Arte Contemporanea, Monfalcone; Drawings in action, Disegni animati dall'Italia, Luigi Pecci, Prato. 2007 - Wundergarten, Orto Botanico, Palermo; What remains, Lambretto Art Space, Milano; Open air.

STEFANO SCHEDA Nato a Faenza nel 1957. Attualmente Vive a Bologna dove insegna “strategia dell’invenzione” all’Accademia di Belle Arti . Tra le mostre personali più importanti:Studio Vali Design London, Biennale Venezia 2005/evento fuori biennale, Annina Nosei Gallery,New York , Pari Nadimi Gallery Toronto, Ugo Ferranti Roma, Galleria il Milione Milano Gas Art Gallery Torino, la videoinstallazione" Meteo 2004,The Reality Show of Hallucination, al prestigioso ZKM, Center for Art and Media ". Le sue opere sono state esoste tra l’ altro a: Cact Bellinzona, Villa Croce Genova, Ursula Blickle Fondaton Kraichtal - Untero wisheim, GAM Bologna, Villa delle Rose Bologna, Fondazione Waf , Kunsthalle, Goppingen, MART Rovereto, Kunsthalle Museum Squartier Wien, The Leslie -Lohman Fondation New York, Kunsth Merano, Museo kendamy Brescia., Kunstsammlungen chemnitz, Mucsarnok kunsthalle Budapest Rupertinum Saltzburg, Finalista alPemio Celeste 2011 e Premio Pure water Vision. Acea Eco Art contest 2010 Fondazione Waf Premio Agenore Fabbri. collabora con diverse gallerie, principalmente dal1995 con la galleria Lipanjepuntin di Trieste con cui oltre a realizzare diverse mostre personali , e stato inserito in importanti collettive e ha partecipato a prestigiose fiere (Paris Photo,Arco’,Art cologne ,Mi Art ,Artissima ,Art Verona e Artefiera) e recentemente, dal 2009 con la Galleria DeFaveri Arte Contemporanea. .Diverse le partecipazioni a mostre anche internazionali con testi critici e curatoriali fra cui Peter Weiermair, Peter Weibel, Jonathan Turner,Emmanuel Cooper,Laura Cherubini, Claudio Marra, Luigi Meneghelli, Roberto Daolio ,Tiziana Conti, Ludovico Pratesi,Mario Csasanova,Lia De Venere, EugeniViola, ,Valerio Deho’, Angela Madesani, Cristiano Seganfreddo,Sabrina Zannier, Daniele Capra, Gigliola Foschi ed altri.

COLETIVO RAPADURA Il Coletivo Rapadura costituito da Izabel Rainer Harbach e Juliana Gotilla nasce nel 2010 a Milano ed oggi ha sede a San Paolo in Brasile.

IZABEL RAINER HARBACH http://cargocollective.com/belrainer 30 anni, è laureata in Communicazion Sociale, a San Paolo, Brasile. Ha fatto un Master di New Media Art Design alla Accademia di Belle Arti di Brera, Milano, Italia 2010-2011. Lavora come "graphic, motion e interactive designer". È interessata in sviluppare progetti di arte collegati con design.

JULIANA GOTILLA www.juliana.gotilla.com 29 anni, è laureata in architettura alla FAUUSP, a San Paolo, Brasile. Fa un Master "Espace Public: architecture, design, pratiques" a Saint Étienne, France 2011-2012. Lavora come "graphic designer" e ha un progetto personale con il riuso dei oggeti della routine. È interessata in svilupare progetti di arte e design sullo spazio pubblico.

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oniksatya-blog · 5 years

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History About Barong Landung

The history of Barong Landung is the embodiment of the Balinese king, Raja Jaya Pangus who married a Chinese princess named Kang Cing Wei. Raja Jaya Pangus manifested in Barong Landung was marked by a large black doll and his teeth were weak, while Kang Cing Wei’s daughter was marked by a tall, slender-eyed beautiful doll who always smiled similarly to the face of a Chinese. Raja Jaya Pangus, who reigned in Pejeng, which was unknown in Bali during the paparaton era of the Warmadewa dynasty, was accompanied by a powerful and wise Bhagavan named Empu Siwagana. The marriage of Raja Jaya Pangus to the Chinese Princess had already taken place but Sang Hyang Bhagawanta did not approve of the marriage. Sri Jaya Pangus was accused of violating the very taboo tradition at the time, which had bravely married the beautiful Chinese princess named Kang Cing Wei. Empu Siwagana then punished Raja Jaya Pangus by making heavy rain and making the kingdom flood and sink. Even though his marriage was not sanctioned by Dewa, he still loved his Chinese wife. Raja Jaya Pangus finally left and made a new kingdom called the Balingkang kingdom.

This name is a combination of the Balinese words = bali, and Kang = Chinese. The king was later dubbed by his people as Dalem Balingkang. Unfortunately, because for a long time they had no children, the king went to Mount Batur, begging the god there to be blessed with children. But unfortunately, on his way he met the beautiful Dewi Danu. He was captivated, married, and gave birth to a boy who is very famous until now, namely Maya Danawa. Meanwhile, Kang Cing Wei, who had been waiting a long time for her husband to come home, began to fidget. He was determined to catch up to Mount Batur. But there, in the middle of a charming wilderness, she was surprised when she found that her husband belonged to Dewi Danu. The three were then involved in a heated argument. Dewi Danu furiously accused the king of lying to her by claiming to be a virgin. With his magical power, Dalem Balingkang and Kang Cing Wei were eliminated from this earth. By the people who loved him, the two husband and wife “Dalem Balingkang and Kang Cing Wei” were then made statues known as Stasura and Bhati Mandul. This statue then developed into Barong Landung.

Regarding the history of another version of the Barong Landung dance, a long time ago in a village there was a disaster, many residents fell ill. As a hereditary belief that what causes a lot of illness is the “leak” followers of the evil giant in the form of a large giant from Nusa Penida named Ratu Gde Mecaling. To cope with the plague arose a sense of a priest to make a doll that resembles Queen Gde Mecaling as the repellent leak. If Barong Landung goes away, especially when there is an outbreak of disease or someone is in vows because he has recovered from his illness, because the disruption of Ratu Gde Mecaling from Nusa Penida can be expelled. Seeing Barong Landung dance as a large giant puppet dance, named Djero Gde and Djero Luh. Djero Gde is described as a gigantic man who is very scary and burst out laughing while Djero Luh is a large woman with slanted eyes but often funny. Based on this belief in history, the existence of Barong Landung is still alive and staged until now. Barong Landung is also saved in several temples in Bali, one of them is in the village of Blahbatuh Gianyar because it is believed to have a magical ability to ward off disaster from all disasters.

The Function of Barong Landung in Ritual Ceremonies in Bali

Function of Barong Landung The function of Barong Landung until now is a ceremony to repel reinforcements. Usually when an outbreak of a disease occurs in the community, then the process of spiritual request is preceded by the community to Ida Bhatara Dalem Sakti (Jero Gede) and Jero Luh to deign to descend into the form of Barong Landung to expel the evil spirits that disturb the village community. After the request was carried out, Barong Landung was paraded around the village and danced in front of each gate of the yard (one of the lawns) to the other. For this reason, this procession, called Ngelawang, is usually carried out long enough, up to several days to be able to fulfill all the requests of all villagers (reaching all the villagers’ houses). When dancing in front of each resident’s court, the community owner offers a canangsari offering (penguntap / petition) containing two pieces of Uang Kepeng and Segehan (wages for his noetic companion), offered as requests for healing gifts, safety, peace (nunas tamba), guided by Barong Landung stakeholders. Instead the community gets holy water (tamba or medicine) from Jero Gede and Jero Luh to be sprinkled on every family member, building, pet and yard, in order to avoid an epidemic. The use of Uang Kepeng in offerings, now by most members of the community is often confused with its meaning, so that it is replaced with only rupiah, which seems to mean buying holy water. In fact, the use of Uang Kepeng must remain as a form of canangsari terms (the simplest form of offerings), even though it contains a rupiah which is worth far more.

In some places or cases, tamba nunas are not only done during the ngelawang procession, every six months (in Balinese calendar, one month and 35 days), but can also be done every day or on predetermined days, housed in the temple place Barong Landung is offered. In general, the means of upakara (offerings) used or carried is more complete than when Barong Landung ngelawang, namely banten pejati plus canang sari and segehan and other facilities needed to make tamba (usually a green or ivory / yellow palm leaf and three shoots dapdap / taru sakti) or enough canang sari only if the situation is not possible, urgent, incidental. Please note that, not all Barong Landung in all places to nambanin (treat) every day. Depending on the will up there, Ida Bhatara Sesuhunan (He is worshiped as a protection giver), according to the wangsit received by the person who is the Barong Landung’s custodian (stakeholder) in that place. Various Stories of the Birth of Barong Landung From the results of the study of the author’s literature on the story of the birth of Barong Landung in Bali, it turns out that there are many versions, all of which point to the same artifact. The existence of different versions of this story, also accompanied by slight differences in the characteristics of the physical appearance and characterization of each version, adapted to the needs of the story to be highlighted in the performance or the performing arts and its symbolic meaning

”BARONG LANDUNG”a Blend of Chinese and Balinese Culture, You Have to Know !

History About Barong Landung The history of Barong Landung is the embodiment of the Balinese king, Raja Jaya Pangus who married a Chinese princess named Kang Cing Wei.