#maybe i've just overlooked some things!

[nataliescatorccio]

plotholes in season 4 i really don't understand now i've digested the season please feel free to explain or add your own:

- sparrow academy and especially sloane just being forgotten, luther just seeming to magically get over his wife disappearing and not fighting in any way shape or form to find her or get back to a timeline with her in it - especially as they show discovery of the phoenix academy you think five would mention that a timeline with sloane must exist out there - ben being teased on the subway train at the end of season 3 but just??? never showing up??? was that an alternative timeline? - allison doing everything last season motivated by the idea of being able to get to claire and ray only for ray to apparently leave her with zero elaboration as to why or what happened - making fatphobic jokes towards diego but actually he takes his shirt off and is still ripped as fuck? - upon regaining their powers luther getting his ape body back which??? literally had nothing to do with his marigold related powers it was because of an accident on a previous timeline? - lila getting laser beam eye powers seemingly from nowhere, but it's not as if this was ever addressed because she could still mimic powers (see: her using five's time travel ability) - very limited use of powers, there were a few cool moments in episode 2 but ultimately it felt like there was no need to even get them back as they rarely showcased them (with the exception of five's getting them stuck) - klaus throwing his marigold onto a passing man but this never getting any exploration - never explaining why jennifer was in a giant squid - never explaining why jennifer got locked up in a safe - ben apparently never discussing with klaus how he died??? - ben and jennifer not realising that the entire motel had blown up around them including murdering flocks of birds and staff when they checked out? - entire five/lila plotline but also five figuring out how to leave and not saying anything when he has always been the first to want to get back and protect his family - lila apparently hating bracelets despite the fact that diego making lila a bracelet and it keeping them linked was such a big plotpoint it was used as a teaser in previous seasons (and the bead bracelet just disappearing) - lila being so intent on saving her family and the kids by sending them to the subway and on an alternative timeline but only one 'true' timeline can survive anyway which would erase the subway - the kids existing when the parents that created them don't - the entire show being for nothing in that the umbrellas do not even exist anymore

[butchvamp]

i finished the game last night, here are my unpolished thoughts about the final act and what i liked & didn't like. this is very long and probably incoherent lol

what i liked:

the whole final battle was awesome, i loved the combat, and i really enjoyed the huge cutscenes of everyone fighting together. i had been really disappointed earlier about the lack of a battle scene at weisshaupt a la ostagar in origins, and this definitely made up for it

i liked the suicide mission and actually getting to assign people their roles in the battle

i LOVED Solas's betrayal, that whole section in the fade prison with the statues was one of the strongest scenes in the game, i think the entire relationship between Rook and Solas is really well developed. as the player, we know Solas is manipulating them, but i think they did a good job making it so it's still believable for Rook to fall for his tricks, especially with the Blood of Arlathan quest before this. (also it's very obvious Solas is Weekes' favorite, wish they would have just stuck to him and not all that other dogshit...lol)

i liked the idea of Varric's role here, but not the execution. i'll come back to this lmao

the giant dread wolf and archdemon fight was cool as fuck. no notes. that's just classic rule of cool, baby

also i had Davrin in my party while fighting alongside Solas and i really enjoyed his banter with him and how hard he laid into Solas's ass. it was very satisfying. yippee go Davrin!

okay. now. what i didn't like (sorry not going to bother with bullet points, it's going to be longer down here lol):

while i liked the suicide mission structure, i hated how the game all but told you who to assign where. there were no stakes at all, there was no way to get it wrong unless you did so intentionally.

this also brings me to. The Choice. between Davrin and Harding. i understand the need for a "fallen hero" here, it ties into the entire theme of regret with Solas as we see in the fade prison, it was necessary for Rook to be the person "at fault" (aka directly make the choice that ends with someone getting killed) but this choice was dogshit. it also was really fucking stupid to see Harding climb up and stand atop a giant stone pillar, and then NOT use her stone magic!!! i don't hate the idea of someone dying here, but this was just a series of failed choices over and over again. we should not have pitted returning fan fave Harding against the single Black companion (who comes in late and barely even gets his own story outside of his damn pet)-- it should have been Harding (narratively satisfying, she's been here since the beginning and dies for the fight) or Lucanis (he is literally the guy taking the shot), we also shouldn't have tied all the dwarf lore revelations to a character that can just fucking die at the end, and we shouldn't have had her stand on a giant stone pillar when she has STONE MAGIC!! i knew this choice was coming but her death still caught me off guard cus i was fully expecting her to collapse that stone pillar on her, not use her stupid puny bow 😭

i think this choice is also weakened by the fact that it's THEE only choice. it's obviously an echo of the earlier Treviso and Minrathous choice, which also didn't really seem to affect much outside of potentially losing the corresponding factions (and i think Lucanis's romance gets locked out?) i saved Treviso, so i got the Treviso questline later, and i assume that you get a Minrathous specific questline with the Shadow Dragons if you save the other instead (haven't seen myself tho so i'm not sure, just guessing). but it's very easy to recover the Shadow Dragon's reputation, and the final battle takes place in Minrathous no matter what. the only way for companions to die or the battle to fail is to just straight up ignore quests. you can't lose a faction's support at all unless you intentionally try to do so. i don't even think you can lose companions at all unless you intentionally ignore their quests and place them in the wrong spot. though the game still holds your hand through the battle and basically Tells You who to put where so they survive.

and to be fair. this is true for the suicide mission in mass effect 2, but the thing is, there is so much more dialogue and variations with how you can play your character and interact with the companions and the world than there is in veilguard, it makes it feel like you do have more control over your character and the narrative, even if it's just the illusion of choice.

and then with Solas, it doesn't matter, he always ends up trapped/linked to the Fade, it just changes how he feels. (they also do this with the First Warden. i was excited for a potential variation between punching/not punching, but all it changes is his attitude when you find him later in Davrin's quest) okay.... well. is he going to return again after that post credit scene? and are they really going to write 3 (or 4, with lavellan i guess) different branching personality variations?

i think the powers that be just wanted to get rid of him in a way that would still leave the dragon age setting ultimately unaltered and open for more games in the future. especially given the secret post credits scene. which i also have an issue with. we're going to go from "it was all the Evanuris fault" to Actually, it was this secret third thing and everything we did was for nothing! AGAIN! if they want to make more dragon age games, they can just... start a new story. do they know that. (the fact they're implying Loghain was influenced by some outside force to do what he did at ostagar actually has me livid lol. leave origins alone!!!!)

anyways. now the fade prison. i have two issues, my main one being Varric. i actually started to suspect early on something was up with him, because he just sits in that damn infirmary the entire game, no interactions, barely any dialogue. i think Varric was horribly underutilized in this game, and it results in all of the emotional beats around him falling flat for me. of course, it's emotional for ME, the player, because Varric is a fan fave returning character and one of my own personal favorites. as far as i've seen in game, though... Rook has no relationship with him at all. i think this game would have been vastly improved with short playable origins that showed the two meeting and developing a relationship, and also he really really needed to have more scenes and dialogue in general. he's barely in the second half of the game, literally just sitting all by himself in that damn room, and even when he is in the cutscenes he has one single line that everyone obviously just ignores. it sucked. very disappointing finale for a really beloved character... it could have been so good if it was good....

because i DO love the idea of Solas using him to manipulate Rook (and i really like Varric and Solas's relationship & the way they contrast against each other), and also the idea of how being tricked in that way would actually affect Rook-- what's real, what's not, can they even trust what they're seeing at all anymore? especially when Solas "glitches" between Varric and Lucanis (idk if it's always him or your LI? would be cool if it's your LI, that's what i assumed) after slaying Ghilan'nain-- this could have tied in with the final romance scene. but of course the game doesn't get into any of that at all.

and now issue 2. how the fuck did Solas do that LOL. how did he switch places, how did he get out, how did it take Rook in his place when it was designed for elven gods? where are the other elven gods (did i just miss this explanation? did the other two just kill them in there)? 🤷 when did this place suddenly turn into a prison of regrets? was that Solas's presence influencing it, or did he do that intentionally for Rook? dont know! who cares. moving on...

i romanced Lucanis, and i was really disappointed with his romance. the final scene was sweet, but.... i think particularly with Lucanis you can tell so much of his story and arc ended up on the cutting room floor, it feels disjointed and as if we're missing pieces, and you can feel it in his romance, too. i also really didnt understand the "keep flirting (not a lock in) or end it now" choices that didnt feel like they did anything at all. why was i given like 3 different times to break up with him when we weren't even dating yet lmao. the romance was a bummer, of course i love the setting and the story but i go into these games expecting strong romance along with it and i was really banking on that being the highlight in this mess of a game but. alas

this also segues me back into the whole "trapped in the Fade prison" section. why was there no reunion with both your LI and everyone else? apparently Rook was in there for WEEKS!!! they hardly communicate this and Rook just reappears and jumps straight back into leading the team, no tears or questions asked about how they found them, how they got out, what everyone was thinking while they were gone... we also get a deus ex machina knife, how convenient that they did all that while i was gone and no explanation is given as to how it could possibly fool Solas, just trust us bro! 💆 i feel like trying to craft our own copy of the knife should have been something actively happening in the background throughout the entire game, and it gets finished while Rook is in the Fade. but this truly came out of nowhere lol

again i think it's obvious things were cut and rewritten and maybe this was the result of a frantic scramble to come up with something that would work, and i'll be generous and blame it on that, i guess...

when we finally get to the final confrontation with Solas, i was very excited, because again i feel like Rook and Solas's relationship is the best in the game, Solas's writing is consistent and strong, i knew this scene had to be good.... and i guess it was? but it felt so unsatisfying. i chose to fight him (my Rook would do anything to get him to shut up) and i was hoping for. an actual fight. you can do it with Mythal earlier in the game, and we already saw his giant wolf form, i was so excited. and then. no<3

okay! sure. we beat him with the power of friendship (not surprised and not even making fun of it here, it makes sense narratively, i knew some version of this was coming after the whole comparing Rook versus Solas bit in the Fade) but come onnnnn i wanted to fight the giant wolf.... sigh. i did check out the other endings as well, and it's clear the redemption ending is the "true" ending and also the best written one imo.

overall. this was a bad dragon age game. i had a lot of fun playing it though, so it's not a bad game game. the gameplay loop never got boring, i never got tired exploring or doubling back, i loved the maps, i loved the combat, and i did love the companions. but the writing is atrocious and racist. this is a horrible dragon age game. i don't know where i fall on recommending this. again, i've had a lot of fun playing and dissecting it, but i dont know that i could recommend this to dragon age fans. this would have been way more successful as a completely different fantasy game. the changes to the lore, disregarding the majority of the games that came before it, the horrible depictions of returning characters (the inquisitor and isabela were the worst offenders for me) the setting and characters feeling watered down and incomplete, the complete lack of the classic "grey morality" shtick (even if it's not always been implemented well)... idk man. bummer! it's obvious there was a cohesive vision at one point, i do think this game is a casualty of the current state of the gaming industry (i was honestly surprised it was functional on launch. not shade at bioware just in general that is rare to see now) we know EA thrashed bioware throughout development, and bioware made a lot of really bad choices, too (the racism is absolutely their doing, they made that choice back in inquisition). but we can see, particularly in the artbook, that there were good ideas & an intention to actually tie everything together and give this story the finale it deserved... but it all got lost along the way in a very ugly, chaotic development. and the game really suffers for it.

[nexus-nebulae]

yearning has gotta be the worst emotion ever invented why do i gotta want things that are physically impossible for me to achieve

[ursula-legun]

very much could be wrong about this, but IIRC much of the benefits for deer (and, I'm assuming for now, similarly positioned cervids) in this situation apply at a population level, rather than an individual level.

For areas where natural predators are present at a level that effects deer behavior - while individual deer may experience fear, death, injury, etcetera, deer in general are more mobile, less prone towards certain (extremely dense) levels of congregation, and have a smaller population per area.

This stabilizes the availability of browsable/foragable food, and diminishes the prevalence of some diseases which propagate more readily through dense populations. For example, the growing prevalence of chronic wasting disease is thought to be bolstered by a lack of anxiety in deer; that lack of anxiety is allowing deer to socialize in larger groups and for longer periods of time, as well as spend more time in one area (CWD spreads at least partially via feces and saliva.) This increases the number of transmission vectors as well as the duration of exposure for each vector; so while the emotional experience of each deer may be more dramatic, and likely much more frightening, the health of the deer overall is significantly improved by that fear.

From a philosophical perspective - or ethological, take your pick - I also don't think we should assume that the human experiences surrounding anxiety and pursuit necessarily map well onto the internal experiences of nonhuman animals. Some naturalists/ecologists I was studying with a few years specifically highlighted this very context when talking about the importance of, and difficulties pertaining to, trying to not project human decisionmaking on nonhuman life.

To paraphrase, at length, one of the lessons they taught - we can't directly see the motivations of deer, let alone the interiority of their experience. All we can see is the decisions they make, and we try our best to infer from there. We often see deer flee from mild stimuli, and we therefore assume that deer live in a state of constant terror and anxiety, the conditions that would create a similar sort of behavior in us. But we are not deer! Our bodies are not predisposed towards flight in the way deer are; deer are suited to run far faster, and more frequently, than humans, and it seems safer to assume that they flee at a different threshold of internal motivation, if not an entirely different quality of motivation altogether.

This first sort of assumption is the exact kind of thinking that is warned against when people talk about the dangers of anthropomorphization. There's also the influence of societal views on violence and predation; violence in humans is often framed as something that's a guilty pleasure, a base desire that needs to be abstained from for the good of society, except when it's "unfortunately necessary" (for whatever conditions any group considers to be necessary.) This is frequently projected wholesale onto nonhuman, and especially interspecies, depictions of violence; to give a slightly exaggerated description of this current context as an example, it is presumed that the natural inclination of deer is to be grazing restfully, and that this is both pleasurable and right. It is then presumed that the Violent Predator, due to their unconscionable desires, intrudes upon this restful state by pursuing the deer; we consider this to be offensive from the deer's perspective, and vaguely immoral - if, at best, "unfortunately necessary" - when we judge the actions of the predator.

However....there are other ways of looking at this. Deer run at the slightest provocation, often "spooking" at stimuli as minimal as e.g. a falling branch. Why do we assume that this is unpleasant to them? What if they're constantly waiting around for something to happen, so that they have a reason to get going? What if being chased actually feels good as fuck, to a deer? After all, we assume that the act of hunting - as an obligate predator - is, experientially, indulgent. Something that "shouldn't" be done, but is excused regardless. Is this not dismissive of the circumstances the predator is in, and how that might feel? Or the agency and ability that the prey can bring into play?

(An earlier version of this reply was oversimplifying stuff in this part to the point of just being wrong, and had me saying some things about deer behavior [especially herd dynamics] that I'm not actually sure of, which I've edited out.)

Undoubtedly, running for your life is terrifying, and we can be certain that prey animals in these situations are activated - stressed, displaying agitation, etc. None of the above is meant to imply that elk or deer would voluntarily choose to be pursued by wolves. Rather, I just want to highlight that the interaction between predator and prey is not necessarily as emotionally - or morally - lopsided as it is often portrayed as being. Being pursued by a wolf is terrifying, yes, but if you are a pursuit animal, and if you get away....could it not also be fun? And chasing another animal as a predator seems like a powerful, exciting position to be in, at first brush - but in the long run, the lives of the predators are also at stake in the pursuit. Genuinely, I don't want to replace one anthropomorphic projection with another, but I think we can be confident that the dynamics of predator/prey relationships are at the very least interesting to both parties - engaging, maybe even enriching.

All this is to say that the "cost" of predator reintroduction - in terms of stress on individual prey - is most likely not going to be accurately framed in terms of human emotional valence; moreover, cultural assumptions in the interpretation of pleasure, violence, and morality are a strong bias in untangling the emotional framework that is projected onto these relationships. From my perspective, it seems that most consideration given to the experiences of prey animals in these situations is based in just substituting what we, as humans, would expect to feel in that situation; which seems to be both more and less than what can actually be said.

So, yeah, I do think that people should be proud of ecological shifts that generate these large changes in behavior - human hunters have obviously done a poor job of emulating the dynamics created by these predators; and at the bare minimum, I wouldn't assume that the difference in emotional landscape is worth the ongoing ecological harm of not having these dynamics in play.

(Also worthy of consideration are things like the predator's right to exist, diversity of interior experience as a value unto itself, the fundamental right of all species to a life that has "meaning" and what that could actually entail, cross-species modeling of stress as enrichment, microecological effects of pursuit and predation, etc....but. I think I've rambled enough lol.)

Around the same time as the wolves were released, the mountain lion population, once hunted to local extinction, was becoming re-established as well – having crept back in from wilderness areas in central Idaho. Under these twin pressures, over a period of about 15 years, elk numbers halved.

Those that did survive behaved differently, too: when the wolves were on the prowl, they retreated to the dimly lit comfort of the woods, where they might wander in clandestine bands. They avoided the cougars, most active at night, by steering clear of landmarks where they might be trapped or surprised from above in the dark – ravines, outcrops, embankments. No longer did they live in an environment defined by its waterholes and pastures, or even by its ridgelines and ravines, but by areas now suffused with danger and relief. A psychological topology, this – one marked with hillocks of anxiety and peaks of alarm. Ecologists know this as “the landscape of fear”.

proudly talking about reintroducing carnivores has made the herbivores really anxious really drives home the question of whether it’s moral to torture other creatures for our convenience.

you might oppose farming, but make the farm really big and remove the visible fences have the prey harried to death instead of quickly stunned and that’s… better?

[thegreatwicked]

This obviously needed its own post and here it is, a collection of blog posts and resources I have found and used for my own writing, I hope they help you too! Go forth and write that spice!

The Smut Writers Dictionary By @maybeeatspaghetti Seriously, how many different way are there to write cock? Does anyone else wonder if they've used the word 'lips' too many times? Well, this is a good place to start!

The Ultimate Guide to Writing Smut This is the first one I found and I go back to it frequently! There's also some great information about specific areas of sex that may not be common knowledge for first time writers!

How to Write Smut By @urfriendlywriter Another great source of information from different verbiage to use and a few tips to hel you along (giggity)

Smut Thesaurus By @prurientpuddlejumper just what it sounds like and you can never have too many words at your disposal.

6 Steps to Writing Better Sex By @chaoschaoswriting If you're at a loss or just want some more help this is antoher fantastic blog!

Writing Prompts NSFW By @seidenbros Need some dialogue? Or a story idea? Have a look!

#100 NSFW/Smut Dialogue Prompts By @a-cure-for-writers-block More? More. This is also a fantastic writing blog with lots to offer!

Intimate + Sexual Headcannon Questions By @petalsprompts Good questions to ask your characters to get to know them better and make more well rounded characters!

Smut & Mature (18+) Master List By @pendarling A great list dialogue prompts, scenarios, and helpful bits!

Poly NSFW Alphabet By @smaoineamhsalach Another great way to get to know your characters and maybe a handful of ideas for story ideas.

Kink Prompts Another from the previous blogger above and I didn't know what half of these are! I'll work on a kink dictionary next!

Writing Smut 101: Overcoming Smut Shame @slightlyrebelliouswriter23 There's a lot to be said for this particular subject! It's hard to write stuff like this, so how do you get over it? Start here!

How to Write a Kiss Scene By @youneedsomeprompts Yes!!! I still struggle with this one! There's a thousand ways to kiss, find your favorite!

Smut Oneliners By @deity-prompts you can never have enough one-liners!!

How to Write a (Great) Sex Scene Another great article for new smut writers

9 Tips for Writing Steamy Scenes More tips to help you wirte good steamy stuff!

How to Write Erotica and a Damn Fine Sex Scene A WEALTH if information on writing, structuring, and helpful tips!

@saradikahas a fantatic blog with graphics for you to use to add some fun to your posts. Things like MDNI Banners, 18+ Content Warnings, Support Your Favorite Writers and Reblog banners! They are free to use but she does ask that you reblog her stuff if you do! She's also a very talented writer and she writes some AMAZING Din Djarin stories!

Gay Sex Positions Guide This is a WONDERFUL adition and thank you so much @b7bubby for bringing this to my attention, I didn't have any resources for writing M/M fairings but this is a much needed addition to the spicy community! i've never written an M/M pairing and I feel like such an idiot for overlooking the need for a resource like this!

Writing the Perfect Kiss Scene provided by @writers-potiona fantastic little guide to writing better kisses!

If you find any other great smut writing resources feel free to tag me so I can add them to this list! Good luck with your writing! Now go write that story and LET THE SPICE FLOW!!!!

[izzys-bluebell-woods]

I feel like people have been quick to dismiss Mimzy's importance in Ep. 5

I've been seeing a lot of Mimzy hate, mainly on Reddit, where people are genuinely REALLY hating on Mimzy because she was annoying, interrupted Hell's Greatest Dad, and served no purpose in the episode.

Whilst the previous two points are down to personal taste, I feel like considering Mimzy's role in this episode nonexistent, or that she just exists for fanservice here, is greatly overlooking what this episode is about. There are two focuses to the episode, one of course being Lucifer and his relationship with Charlie, but it's also the deepest look into Alastor's actual character that we've gotten so far, I'd say significantly more than the finale. We see two sides to Alastor that both Mimzy and Luficier bring out, and I wanted to kind of highlight my thoughts and what the episode was trying to show us about Alastor that we wouldn't have gotten if Mimzy wasn't there.

Alastor's instant hostility towards Lucifer makes it incredibly clear that Alastor can't keep his cool all the time - his two biggest flaws is that he is power-hungry and incredibly petty. From what we know - and what is likely to be true considering Lucifer is shown to have no idea who he is - Alastor has never met Lucifer before this. If the theories that he belongs to Eve/Lilith in some way are true, there is reasonable ground to say that this immediate hatred towards him could be justified, maybe it was in some way Lucifer's fault that he's caught in this deal and this is his way of taking it out on him or trying to uphold his end of that deal.

But look how much his mask slips, look how annoyed and angry he is. If this was a font that he was doing to somehow make Lucifer intentionally mad at him for some sort of personal gain, he wouldn't have looked so murderous. Him just leaning down and hissing 'fuck you' right in his face was so shocking for the audience purely because no one has done that to him before, no one has pushed him so much.

This indicates that Alastor isn't just playing some sort of game, Lucifer genuinely got under his skin, because he is so obviously more powerful than Alastor and he HATES that. He hates being reminded that he's not the biggest meanest in Hell - this was explored more in his showdown in Adam, but at the time of this episode's release, this is the most flawed and 'human' Alastor has ever felt. He's dropped from this force of mysterious evil, to randomly picking a fight with the Devil himself because he was so catty about being shown up.

As further reinforced with him snapping at Husk when he also reminded him he wasn't as all-powerful as he sees himself to be, Alastor will lash out at those who make him feel like he isn't the one in control and pulling the strings of everything - we finally see a hint of motivation for him sticking around at the hotel at all.

But then there's Mimzy.

We immediately go from seeing Alastor at his worst, at his most aggravated and petty, to seeing him literally melt into a hug. The demon who, according to Viv herself, hates physical contact so much that he would distort and melt himself to get away from it. We so quickly go from being shocked that Alastor is behaving so spitefully to now having to take in Alastor being ecstatic to see someone who he considers to be a friend.

Having this be so directly after his massive tiff with Lucifer is so important. If this wasn't included in this episode, our only insight into the person Alastor actually is would be that he's an asshole. Picking fights with people just because he wants to stay on top, that its the thing he cares about the most. But Mimzy does come along, and we see that it isn't true at all - and its confusing, and that is so perfect.

You think you're getting somewhere with the person Alastor is, but you see that, hold on, there is actually a semblance of heart in there, here he is actually caring about someone. But what is so important about this being a relationship he shares with Mimzy, and something that couldn't at all be explored with, say, Rosie, is the kind of person Mimzy is.

Mimzy double crossed Alastor. And, according to Husk, this is a somewhat regular occurace. We can see that Alastor is annoyed at her, and I think most of us were prepared for him to do something to her like he was doing to those loan sharks a few seconds before this confrontation.

But...he doesn't. Not at all, he doesn't even snap at her. Perhaps scold her a bit, but other than that, he is so nice to her and just politely tells her to leave and that is that. He does more shit to Lucifer, who literally hasn't done nothing but exist in his presence, than someone who just trampled all over his ego by using him, both as a shield and, well, somewhat emotionally.

In this episode, Alastor is shown to lash out. Easily. All you have to do is be more powerful than Alastor, and he won't like you - that's the impression you'd get from his scenes with Lucifer alone. But we have his scenes with Mimzy as well, and you're being told, hold on, no, that isn't quite correct, because he's not acting the same here. What has Alastor got to gain from letting Mimzy get off of this with no repercussions? Mimzy, someone who has probably sold her soul to someone else and has absolutely no power at all.

Nothing. He does it because Alastor cares about her.

I don't think I would have considered his friendship with Rosie to be genuine at all if it wasn't for his friendship with Mimzy. Rosie is so powerful, and Alastor has so much to gain from being in close cahoots with her, but it's so clear that he doesn't care about that, but he sees her as an equal. If all we saw from Alastor in that episode was him lusting for power, it would render the way we see all his relationships with people to be of some gain to him somehow. ESPECIALLY Rosie and other Overlords like Zestial.

This makes Alastor and Mimzy's relationship arguably one of the most interesting in the show. Someone who is so powerful and unpredictable, who hardly cares for anyone other than himself, caring about this absolute gremlin of a woman. He likes Mimzy purely because she's fun to be around, a sentiment you might expect from Alastor, with his stated reasoning for joining the hotel being to laugh at people, but he's in no way laughing at Mimzy. You can tell that he doesn't intimidate her at all, because she has the absolute balls to pull off the loan shark thing with him.

Mimzy and Lucifer's interactions with Alastor has made him to be one, if not THE most interesting character in the show. Because you're exploring two contradictory sides of the same coin at once. One where he gets so worked up and angry over not having the power he sees himself as having, and one where he's visibly hurt that his long time friend used him. In one instance you have him pulling out all the stops to be as hostile as he could be to Lucifer without actually hurting him (even though he clearly wants to), and another where he has full range to hurt Mimzy as much as he wants to, but he doesn't.

Alastor cares about people. But also disregards people like playing cards. He is such a mixed bag, so far from being one note, and you wouldn't have gotten that insight without Mimzy.

[earlysunshines]

fright night

kim minji x reader

synopsis: in which your university’s halloween festival leads to you and minji beating around the bush — finally.

warnings: making out. like the best makeout scene i've written in a bit i think. ohmygdoajsdf ; minji is a loooooser but we all know this ; pining ; dumb gay women ; FLIRTING. they want each other SO BAD i was giggling writing this im ngl ; SO cute i loved writing this ohmygod ; anything else not mentioned ; not proofread

a/n: lately i’ve been going insane bc of minji like she’s just so gf… so… she’s so… i need her

kim minji is an idiot, she’s literally the dumbest person you know.

well, academically she’s actually a genius, but she’s clumsy and clueless nine times out of ten. unfortunately yet fortunately(?) for her, this is only more of the reason for you to be completely in love with her.

which is why your roommate is dealing with another one of your little attempts to deny your feelings again.

“i think i should just die.” you groan into yunjin’s bed. she watches you, your body lifeless after you roll over to face the ceiling. “everything was just normal.”

“‘just’ as in… a month ago…?” your roommate snickers, folding a t-shirt and placing it next to your torso. “i think you’re the only person i know who doesn’t enjoy being in love.”

yes: you’re in love with kim minji.

no: you do not enjoy being in love with her at all.

it’s not that she’s an asshole, it’s just the fact that everyone is also in love with her. she quite literally has a line of girls (and men, but none of them stand a chance) waiting for her. she’s kim minji, one of your mutual friends who happens to be the captain of the university’s soccer team—which is why the clumsy aspect of her is often overlooked. so to most, she’s just hot, but she’s more to you, much more.

and you? you’re just trying to get by. you’re not in the spotlight, you haven’t gotten hit on in months — you and minji are two worlds apart.

“this is a waste of time. she only sees me as a friend, she’s cute and athletic. compared to her the most astonishing thing i can do is make a t-shirt and wide-legged jeans to sell on depop.”

��you should make a t-shirt that says ‘kim minji i want you so bad please marry me—“

yunjin is cut off when her just-folded shirt is thrown right at her face. she groans and throws it right back at you.

“i hope you get the same fate as a side character in a horror film.” you groan, sitting up and glaring at her.

“aw, thanks.” she says dryly, rolling her eyes. “hey, speaking of horror… the halloween festival is soon. are you going?”

“i fear.” you sigh, shoulders sinking a bit.

your partner in crime outside of your dorm, danielle, had convinced you with a look filled with sparkly eyes and a sweet smile to help out with face painting. there would be a variety of people passing by and you were notoriously known for being able to draw really well despite being a fashion major. “art is art,” danielle had shrugged, and so she bribed you with some coffee to really commit to it.

“danielle got me to do the face painting stall.”

yunjin’s eyes widen as she sets down a sweater. “did she?”

“yeah. i’m the only one within the circle – other than hanni – who can draw more than a stick figure.”

“you’ve got that right.” yunjin snickers. “you think your wife will be there?”

“minji?” you tilt your head, to which yunjin responds with a raised brow. she got you there. “oh, um. maybe? why?”

“don’t act all unbothered now.” your roommate scoots you over so she can pick up a pile and stack them somewhere else. “if she’s also doing something for the event, i see it as an opportunity.”

“why would i willingly do that to myself? im going to look desperate.”

“minji is an idiot, we both know that. why would it matter? i think she’d be flattered to have you there. hasn’t she literally taken you home like… three times? girl, stop overthinking.” yunjin scoffs. “plus, you never look desperate. you’re a little too good at acting like you don’t care. don’t you think you’re driving her away? it’s like, you’re so normal and even distant in real life, i don’t want to say nonchalant because it’ll boost your ego, but unfortunately, that’s what you are.”

“you—“ yunjin raises both brows as you start to speak.

“she probably wants you too. i’ve noticed you guys talking more — don’t think i don’t notice you guys next to each other in between classes, even if it’s with your circle. kazuha asked if you were dating actually.”

“really?”

yunjin giggles, turning away from her closer and back at you. she stands right in front of you, towering over and looking into your eyes scarily.

“you want that girl so bad.”

“i can’t.”

“no, no. listen to me, you’re going to take this halloween thing as an advantage to make a move and also look hot. i don’t know how many more complaints about you being a bomosexual i can take.”

“i hate you.”

“okay then pay full rent.”

“i love you?”

yunjin laughs, picking up another pile of clothes and putting it away.

—

hanni is the one to text you out of nowhere the day after, something about “minji wanted you to eat with us, but heeseung is at the cafe.” 

you squint at the message. you had just reached your class, and now you’re being invited over to grab a bite with the girl you want so bad while the guy who wants you so bad is in the same area. there is no way you should be saying yes, you can’t. one: you need to get over minji. she’s out of reach, a mere dream. two: heeseung will be checking you out the whole time and might throw in a compliment or two. 

“i’ll be there in five.” you respond, sighing and pinching the bridge of your nose.

…

the café seems a little busy, but that’s not surprising considering it’s around lunchtime and the cafe is not too far from the university. the second you step in, your eyes find minji across the room. she’s mid-laugh with hanni, but the moment she spots you, her smile stretches wider, something bright and giddy in her gaze. it’s that soft, familiar look she gets sometimes—too open, too much—but you’re just as bad, trying not to look like you’re seconds away from smiling like an idiot as you walk up.

“hey, you,” she greets, her voice warm as she sidles closer, her shoulder bumping yours as you both look over the menu.

“hey loser,” you reply, nudging her back a little harder, a playful rhythm forming between you. she pushes back with a smile, and you retaliate, each shove barely more than an excuse to keep lingering in that small space between you two. she laughs, cheeks a little flushed, and you can’t help but feel like coming over was the better decision.

you order first, dismissing minji’s offer to pay for your lunch. she frowns but nonetheless lets you order first. you order a sundried tomato and mozzarella panini, stepping to the side after and glancing at minji, who’s still staring at the menu.

hanni and danielle have already ordered, so you wait near the counter for minji so the two of you can meet up with the rest together. 

much to your dismay, heeseung’s voice breaks through your little bubble. he steps closer, leaning against the counter a little too casually. “so, do you always come here, or did you just need an excuse?” his smile is easy, maybe a little too practiced, and his gaze lingers as he looks you up and down, more intense than friendly. 

you try not to visibly cringe, offering him a polite smile. “not really—just here with friends today,” you say, keeping your tone light but cool. but he doesn’t quite take the hint, his eyes not quite leaving yours. he definitely thinks there’s something in the air, something other than his cologne that is way too strong for your liking.

“you look cute.”

“oh um, thanks?” you purse you lips into a forced smile, watching him smirk confidently. 

“what are your plans after this? got class?”

before you can think of another way to steer the conversation away, you feel an arm slip around your waist, pulling you close, and you look over to find minji at your side. her smile is wide and a little mischievous, and there’s a hint of something defiant in her gaze as she looks right past heeseung, keeping her hand snug on your hip.

“oh, y/n!” she says brightly, voice layered with just enough enthusiasm to sound like a joke but there’s an edge that makes it feel like more. “i remembered something so funny, it’s about yunjin. you know, during practice she got hit in the head.”

she doesn’t even look at heeseung as she tugs you back toward your group, keeping her arm around you a beat longer than necessary. heeseung’s face twists slightly, frustration crossing his features, but minji doesn’t give him a second glance. she launches into a conversation about her classes, her hand slipping away from your waist as she nudges you with her shoulder once more, an unmistakable grin still tugging at her lips.

you two get the chance to converse and danielle and hanni, who are more than happy to have you there. you can feel heeseung and his group eyeing you from a mile away, but that doesn’t matter because minji is in front of you and keeping eye contact the whole time you complain about him.

both your order and minji’s are called out at the same time and for a second, it’s just the two of you again as you both walk up to the counter. her voice and her closeness are enough to erase the last few awkward moments.

 “you looked like you were having fun back there,” she murmurs, half-laughing, and you can tell by the gleam in her eyes that she noticed everything. 

you laugh, trying to shrug it off. “couldn’t have done it without you,” you say, brushing her shoulder with yours. she looks down, almost bashfully, a hint of pink coloring her cheeks as she smiles—a smile that lingers long after heeseung fades into the background once again and you two rejoin the others.

…

before you make an excuse to leave, although it’s not really an excuse more than a complaint about your professor assigning a grueling reading, you hug everyone. when it’s you and minji, you two hold onto each other for a split second longer than social norms until she pulls away. minji smells like flowers and vanilla – you could drown in her scent.

“are you going to the halloween festival this weekend?”

“oh, yeah. danielle is forcing me to volunteer.”

“that’s funny,” minji chuckles, “because hanni is forcing me too.”

“is that so?”

“uh huh, pumpkin carving moderator or something.” she says, biting the inside of your lip. “we should um, do you wanna walk around after? maybe drop your shift early and i’ll do the same.”

you grin, pushing minji’s shoulder with two fingers playfully.

“couldn’t find any other girl lined up for you to hangout with?”

“what other girls?” minji asks, genuinely confused. 

you’re being an idiot. yunjin would so punch you in the face right now, so you come to your senses.

“i– nevermind. i’ll see you around.”

minji waves. “bye.”

…

after you leave, minji settles into her seat beside hanni and danielle, trying to keep her expression neutral. she fails, the smile on her face noticeably smaller and her eyes a little more dim. her friends have known her too long; hanni catches on first, a knowing smirk spreading across her face.

“you look like a disappointed puppy,” hanni says, nudging minji with a grin.

“what? no,” minji replies, clearly flustered. “what are you saying bro.”

“you were practically glowing when y/n walked in,” hanni teases, leaning in. “and then suddenly turned into a sad little puddle when she left. you want her soooo bad.”

minji’s cheeks turn a soft shade of pink, and she tries to laugh it off, glancing at danielle as if for backup. but danielle’s watching her too, a gentle, encouraging look on her face.

“it’s okay, minji,” danielle says softly. “it’s… pretty obvious, you know? you like y/n a lot.”

minji rolls her eyes, looking away. “maybe i do. but it doesn’t matter. y/n’s just… she’s too… normal, you know? she’s always so unbothered, so unfazed by anything. she probably doesn’t even want me. i’m always chasing her.”

danielle shakes her head, a knowing smile touching her lips. “i wouldn’t be so sure, minji. just because y/n’s good at hiding her feelings doesn’t mean she doesn’t have them.” she places a reassuring hand on minji’s arm. “trust me, i think there’s more there than you realize.”

minji lets out a small sigh, her gaze dropping to her hands. “it’s just… sometimes it feels like i’m the only one who’s feeling this way, you know? like i’m the only one getting flustered or waiting for her to look at me like… like i don’t know, she see’s me as a good friend.”

hanni wraps an arm around her, squeezing her shoulder. “please. y/n’s about as subtle as you when you’re around. i don’t know how you don’t see it.”

danielle laughs softly, nodding. “give it time, minji. y/n might just need a little nudge, and besides…” she pauses, glancing around conspiratorially before leaning in. “if y/n didn’t feel something, you wouldn’t have caught her staring at you like that when she thought no one was watching. plus, the whole nudging your shoulders the whole time. you two are like fucking thirteen year olds in love, it’s kind of gross.”

minji looks up, hope flickering in her eyes as a faint, shy smile tugs at her lips. maybe, just maybe, she wasn’t imagining it.

—

“im literally going to kill myself.” is the first thing yunjin hears when you get home, followed by you dropping your bag and crashing against her on your couch.

“girl what happened?”

“kim fucking minji. she’s insane, she wants me to die, i can’t do this, i resign from being a lesbian can i please resign.”

“well!” yunjin laughs, pulling you in. you lean on her shoulder and cover your face with your hands. “do you want to tell me what happened?”

through your hands, your voice is muffled as you explain, “basically hanni invited me to grab lunch with her and dani and minji. she looked so cute and like, we kept bumping shoulders and she kept smiling when she did it and then i ordered and—”

“you’re rambling–”

“and then i waited for my order while she ordered and heeseung started flirting with me,”

“ew, heeseung?”

“the bane of my existence— yes. i told him i was a lesbian at least three times! oh my god, anyway that doesn’t even matter, i don’t even care because—yunjin. huh yunjin.”

yunjin blinks at you as you stand up, pacing back and forth on the carpet now. she can’t help but laugh at you when you stop in front of her and groan, “jennifer huh.”

“wow, this must be serious.”

“minji fucking grabbed me by the waist like some wattpad story and then kinda shooed heeseung away and yunjin her hands are so nice and they were on my waist and i want her so bad. yeah. i’m gonna just die.”

yunjin pulls you by the wrist so you’re back next to her. she looks at you with a raised brow, waiting for you to recover from your high (if that counts as a high, but maybe you’re just insane). 

“she wants you.”

“she’s playing with me.”

“you’re insane. you know hanni asked if me if you like minji earlier, right? talking about how minji looked so devastated after you left.”

“what?”

“oh my god. you know what, i’m done with you. you’re such an idiot that it’s pissing me off.”

you whine, pulling yunjin by her forearm and pulling her back, which earns a scoff. yunjin looks at your little pout and puppy eyes, but doesn’t give in. instead, she pushes you off, leaving you to deal with the events of the day on your own.

before she disappears into her room, she sighs, “you’re gay and useless.”

you sink into the couch a little more. “thanks.” 

—

the weekend comes by all too fast. even with your time consuming assignments, it feels like you’ve blinked and now you have to deal with the whole festival.

you’re in a snug white cropped baby tee that shows a decent amount of your abdomen, your hair is styled just a bit, and the makeup on your face is a little more glittery and highlighted than usual. on your back there’s angel wings that complete the look. 

(“she’s going to want you so bad, trust me.” yunjin assures as she does your eye makeup.

it’s nothing much, just some darker warm tones with a faint hint of purple and highlighter to make you really look like an angel.

“and…” yunjin adds a bit of highlighter to your cheekbones. she pulls away and gazes at her work, bringing her pointer to her lips and biting on it jokingly. “heyyy gorgeous.”

“shut up.”

“minji’s going to want you so bad.”

“shut. up.”)

yunjin drives the two of you to the festival, she also looks really good. while you’re an angel, she’s a devil, showing off her toned body from soccer so she can pick up some girls that night.

(“you’re such a hoe.” you groan, doing her makeup to make her eyes smoky and lips plump. 

she rolls her eyes while putting on her little horns in her hair, checking herself out in the mirror. 

“how do i look?”

“like a hoe.” you assure firmly, earning a shove. then, you slide a finger down her collarbone teasingly, winking at her. “a really hot one.”

your roommate chuckles. “save that for minji, y/n.”

“i hate you.”)

the halloween festival is lively, lights flickering under dark skies, and you slip through the crowd in your angel costume with yunjin. you’re not even sure if anyone’s noticed your costume details, but the reactions make it clear you look… well, good. or maybe that’s just yunjin who’s doing the attracting, but a man winks directly at you and you have to force back a look of disgust.

as you make your way to the face-painting stall, you catch sight of minji leaning against a booth, dressed as patrick bateman. she’s really hot, that’s for sure, and it’s nothing new. the loose, slightly unbuttoned dress shirt shows her collarbone, and you can’t help but think about how your lips would feel on them. the loosened tie around her neck makes her look really good; you feel like she’s pulling you in without trying. despite the purposeful tousled look, she looks effortlessly put-together, but the smudge of fake blood on her cheek adds a wild edge (and makes her look even hotter). 

her eyes land on you, and her expression shifts just slightly before she pushes off the booth, walking over with a slight smirk.

“wow,” she says, looking you up and down in a way that feels way too intense. “you’re really… pulling off that angel look. you look really good, y/n.”

you giggle, trying to play it cool. “you look pretty good yourself,” you reply, letting your gaze drift over her from the blood on her cheek to the undone buttons of her shirt. “i didn’t know patrick bateman could look this… hot.”

a faint flush creeps onto her cheeks, and she lets out a quiet laugh, rubbing the back of her neck. “yeah, well, didn’t know ‘angelic’ could look so irresistible,” she teases, but her voice softens as her eyes linger on you.

for a beat, the two of you just stand there, the energy between you charged. you’re painfully aware of the way she’s looking at you—like she’s holding back from saying or doing something, thouh—and you can’t stop yourself from mirroring that, a hint of want in your gaze. she clears her throat, shifting her weight from one foot to the other.

“well, i better get to moderating— i don’t want people accidentally slicing themselves instead of a pumpkin.” she murmurs, finally breaking eye contact but not before giving you one last once-over, her eyes lingering a moment longer than necessary. she brings her hand to your hair, using a finger to push away some of the strands framing your face. you gulp a bit, then again after she brushes her knuckles against your cheek. “i like this. the makeup.”

i like you. you fight back the confession.

“thanks.” you swallow, nodding. “well, i should,” you start, playing with her tie out of a burst of confidence. you tug on it just a little, catching her by surprise. her breath hitches just barely. “--get going. i’ll see you.” you say, dropping the piece of fabric in your hand. 

as you head toward your booth, the thrill from your brief encounter with minji lingers, leaving you more than a little distracted and hoping she feels it too.

…

you’ve painted more faces than you can count on one hand in only an hour, much to your surprise. if you were to do this full time you’d for sure develop arthritis the second week on the job. 

after your tenth person — some kid who just wanted two flowers on her cheeks — danielle taps your shoulder. you turn around, humming in response.

“you look beat,” she says.

your shoulders are drooping, your posture is much worse than when you started, and you’re moving your wrist in a every angle to stretch it out and relieve the soreness. 

“you think?”

“hanni says she’ll be over in a bit.” danielle assures, patting you on the back and massaging your back lightly. “the stall will close soon so we can all hangout after.”

“thank god. are the other activities closed?”

“not until before midnight – i think.” you sigh in relief, but danielle adds, “could you grab some stuff from the supply closet though? maybe some more white, blue, and red paint? maybe grab yellow and green too.”

she gives you those eyes again, earning a chuckle. “yeah, yeah. okay.”

“great! just go down and turn right, there’s a brown shed — it’s not creepy, i swear. it’s kind of modern actually.”

“something tells me you’re lying.”

“me? lying?” 

you roll your eyes and stand up, then you trudge on over down the gravel. you roll your shoulders back and massage your neck a bit, then fix your costume a bit. it’s funny; you’re at a whole festival and this is the only time you’re exposed to the groups of people, bright lights, and excitement all around — at least for longer than a minute.

turning the corner you reach a shed, one that matches danielle’s description. 

danielle isn’t a liar, she never lies — well, she never lies about anything serious. it’s quite modern inside, seemingly new due to the fresh paint smell. it’s lined with wooden shelves, each holding different items. the corners are filled with various decorations, ranging from not only halloween decor but also christmas and even valentines day themed trinkets. you laugh at the little cupid poster in the back, but recollect yourself and focus on the “task” at hand.

you have to rummage through the costumes in the corner to find a small box with face paint in it. the light in the shed isn’t on (there isn’t a switch, only some rustic-type light hanging from above in the middle of the building), so you use your flashlight to help you see clearer. 

it takes a bit more time to find the yellow bottle of paint, which is in your hand until you drop it from the sound of the door opening so suddenly.

you jump, gasping ever so lightly before turning around to see a very striking patrick bateman.

minji stands in the doorway, still looking as good as before, looking at you with a perplexed expression.

“what are you doing here?” she asks, looking around the area.

“minji,” you close your eyes, “you scared the shit out of me!”

“i’m sorry…” she says, jutting out her bottom lip and suddenly every ounce of fear is drained from your body. “i didn’t know you were in here.”

“danielle sent me to get more paint.”

“that's funny,” minji steps towards you, looking at the two paint bottles on the floor. “hanni sent me to grab trash bags.”

you don’t respond for a second because minji steps under the antique light above her. it illuminates her face in the best way possible, highlighting the smeared on fake blood and her features. you feel your throat tightening as you stare.

minji’s gaze softens, she steps closer.

“do you know where i could find trash—”

“yes, um, yeah, probably in the corner.” you choke out.

she chuckles, you swallow lightly. 

you take the stretch of silence to pick up the two bottles that had dropped out your hand and turn the flash on your phone off. you fix your tank top because minji is still within radius, but she’s busy looking for the trash bags, still.

“i’ll see you later?” you say softly. minji’s head whips around, and there’s a slight frown on her face. before she can respond, you hear a click coming from the door, then stare at the handle with furrowed brows. you reach over to twist the knob, but it barely budges. “what the hell?”

“what?”

“i think it’s locked. did you lock it?”

she shakes her head, her brow furrowing as she steps over, nudging you aside to try the handle herself. she pulls, twisting the knob a little harder than you did, but the door still doesn’t move an inch. 

“it’s locked.” she mutters, glancing at you with a hint of worry. “i think we’re stuck.”

you both stare at each other for a beat, the realization sinking in, and suddenly the small shed feels much smaller. you look away first, sighing before turning on your phone.

“i’ll call danielle.” you say, voice steady, though there’s a slight tremor as you dial.

“i’ll try hanni.”

you both dial. danielle doesn’t answer and you huff. you wait for minji, her phone against her ear, and the defeated groan is enough to tell you whether hanni answered or not.

“i guess they’re busy.” minji says, slipping her phone back into her pocket. 

for a moment, silence stretches between you both again, an awkward tension settling in. minji shifts, making a weird noise as she brushes dust off her shirt. you can’t help but find it cute. then she adjusts her loose collar, making you clear your throat and glancing around for any other possible way out; there’s none.

the only thing you catch is a window, a window that’s far too small and high for anything to happen.

“we’re stuck.” you mutter, looking back at minji.

“do you think dani and hanni will realize we’re missing?”

“they might be busy…” you pinch the bridge of your nose, resting your head against the door. “i have no idea how we’ll get out.”

you’re stuck with minji. kim minji. the hottest and cutest girl you’ve ever laid eyes on. the girl you think of way too much for it to be platonic. the girl who’s in a costume that genuinely has you considering ruining a friendship. the girl who’s leaning back against the shelf behind her right now, crossing her arms, and who’s eyes are flickering over you as she smiles.

“your costume is really something.” her voice is casual, like you’re not stuck in a shed. there’s also a warmth in her tone that isn’t hidden in the slightest. “i like it a lot. you look heavenly.”

if minji’s trying to ease the tension, she’s doing it very well. her stupid dad joke earns a laugh from you, and now you’re leaning against the door with one side of your body as you keep eye contact.

“thank you minji, your looks could really kill.”

she laughs, gums showing and eyes crinkling. you want her so bad. 

“that one was worse than mine.”

“no it wasn’t!”

she rolls her eyes. “it was.” she steps closer leaning her head against the same door and staring hard at every single feature of your face. she glances at your lips briefly, then back up. “bet you’ve turned more than a few heads tonight.”

“maybe,” you feel your voice growing quieter. “but i was stuck at the booth.”

“if i were at the booth i think i’d purposely stay just to see you. you look really pretty tonight y/n, i mean it.”

you blush. “maybe.” there’s a grin that you can’t keep off your face. “i’d say the same for you.”

she chuckles again, looking down at her slightly blood-stained dress shirt. “yeah, i think i took the pumpkin carving part a bit too seriously. got more guts on me than on the pumpkins.” she holds up her hands, still faintly stained with an orange hue, and shakes her head. “i’ll probably smell like pumpkins for a week.”

minji watches you turn to the side, covering your mouth to stifle a giggle. 

turning back, you’re mid-laugh when your eyes catch on a smudge of blood across minji’s cheek, just barely out of place. your hand moves without thinking, reaching up to brush it away with your thumb. the laughter fades, the shed shrinking around you, and everything slows, the only movement her skin warming under your touch.

minji’s gaze locks onto yours, intense and unblinking, and there’s something behind it that makes your heart skip. her eyes are barely liddied now, she swallows, biting down on the inside of her lip, before a slow, uncertain smile begins to take over her face. 

“you look so good right now,” she murmurs, her voice low, almost rough. her hand reaches up, covering yours, holding it there against her cheek, like she’s trying to commit the moment to memory, almost like it’ll end anytime – soon, or now.

you’re close enough to feel her breath, the slight catch in it. “good enough for you?” you ask softly, a smile playing at your lips, your words teasing, but your heart racing.

she chuckles, but it’s quiet, and her gaze doesn’t waver. “better than good,” she whispers, her hand falling from yours, trailing down to your waist, her fingers grazing the bare skin there, gentle, hesitant, like she’s testing the feel of you, seeing if you’ll pull away, but you don’t. minji smirks. “are you… seeing anyone?”

the question hangs between you, heavy and thrilling. you shake your head, your pulse pounding beneath her touch. “no one at all.”

she exhales, her voice barely above a whisper. “good.” her fingers press into your waist just a little more, her gaze flickering down to your lips, and you watch, almost dizzy, as she wets her own, her tongue darting out, just barely, the movement so subtle you’d miss it if you weren’t so close.

your hand moves from her cheek, trailing slowly down to the open collar of her shirt, brushing along her collarbone. her breath hitches, and her head tilts slightly, just enough for your fingers to press against her skin, her eyes closing for the briefest moment before she meets your gaze again. you don’t realize how close you’ve drawn until you feel her breath warm against your lips.

she glances at your lips for what seems the tenth time. you two are clearly vibrating on the same wave length, it’s evident.

then, with the faintest, almost imperceptible smile, minji closes the space between you, her mouth soft, warm, pressing into yours, a little unsure, like she’s savoring every second of it. her hand at your waist tightens, pulling you closer, her fingertips grazing the curve of your hip as she leans in, her other hand moving to cradle the side of your face, her thumb grazing your cheek. the world around you slips away, and all that’s left is her—the warmth of her lips, the feeling of her touch, and the overwhelming sense that every daydream you had is getting outdone by this moment. this real moment.

it’s so real when she pulls away with rosy cheeks. she looks at you nervously, as if she didn’t just take the oxygen from your lungs.

“was that alright?” she asks, sounding unsure. it’s cute, she’s cute, god she’s so cute.

“perfect.” you mumble.

your hand moves to where her tie is, it’s loose around her collar, making it easier for you to tug her right back into you. she gasps from surprise and groans into your lips, kissing you hard.

her fingers press into your skin and you shiver, parting your lips ever so slightly to sigh softly. minji smirks against your skin, trailing to your jawline with light pecks as you release your grip on her tie and snake your hand around her neck.

“i’ve–” a kiss to the side of your throat, “wanted to—” a kiss lower, “do this for—” and a soft kiss to the base of your neck, “so long.” 

your breath shakes after she finishes the sentence, she kisses your neck once more.

minji parts, moving you over so you’re is against some random, heavy box on the side of the shed and now both arms are around your neck. you’re a few more kisses in, mixed with content sighs and groans and handfuls of hair before you two almost bite each other’s lips off from the sound of the door opening. 

you barely have time to pull away, minji’s lips are still a breath from yours, her hand lingering at your waist. you both turn to see danielle, hanni, and yunjin standing in the doorway, eyes wide. you and minji spring apart, the movement so fast that it would be funny if you were witnessing the situation.

danielle’s shock morphs into a grin as she exchanges a look with hanni, and yunjin just has a hand over her mouth.

hanni’s mouth drops open before breaking into a smirk, her eyes flickering with pure satisfaction. 

“oh my god.” hanni breathes, relief in her voice. “it actually worked.”

before you or minji can respond, utterly confused considering they all look relieved rather than disgusted, yunjin takes one look at you and minji and bursts out laughing,

“i knew it! i knew you two would finally do something if we left you alone long enough.”

minji blinks, looking as if she’s still processing. you glance between them, your cheeks warm. “what?” you say exasperatedly, “what do you mean ‘finally’? what— what is all this?”

The three of them exchange looks before danielle nudges yunjin forward, her grin growing. “so uh, we might’ve had a little something to do with the door locking. maybe on purpose. maybe. perchance.”

“definitely on purpose.” hanni adds, crossing her arms. “we were all tired of watching you guys dance around your feelings. you two needed a push.”

minji stares at them with a mix of embarrassment and dawning realizaiton. then she glances at you, her face flushing before turning back to the trio.

“you all planned this?”

hanni nods, looking like she’s enjoying this way too much. “you guys are hopeless. you know? everyone could see that you two wanted each other except you two. who the hell nudges their friends like that? you both are like middle schoolers with their first crush.”

you exchange yet another glance with minji, who’s biting her lip. there’s a surprise mirroring on her face, and honestly it’s really cute. adorably cute. 

despite all the embarrassment, you can’t help but laugh, a little breathless.

“so… this was all a setup?” minji says, looking at them with a half-laugh, half-disbelieving shake of her head.

danielle shrugs, stepping aside to give you both room to leave the shed. “well, it worked, didn’t it?”

yunjin’s grin is teasing as she waves you both out, her eyes bright with excitement. “yeah, finally,” she echoes, a satisfied smirk on her face. you glance at minji, who’s still looking at you, and a shy, almost playful smile tugs at her lips.

and as you both step out of the shed, shoulder to shoulder, the knowing smiles of your friends after they glance behind, there’s a giddiness accompanying the space between you and minji.

they all explain something about your booths being over because you two were too busy making out — you barely listen — and minji nudges your shoulder again when they’re far enough to not hear her.

you turn, tilting your head a bit before she leans down a bit to mumble, “you know, i heard that if you don’t kiss me again, for at least an hour, bloody mary might show up in your room tonight.”

a laugh escapes your lips and you push minji, who’s grinning at you like an idiot. you roll your eyes and reach out to hold her hand, she squeezes yours excitedly. 

“that’s a new one. are you sure it’s true?”

minji quickly cups your cheek and steals a kiss, parting away to make sure your friends don’t turn around and tease you two relentlessly.

“that one just got rid of all the bad energy from before.”

“what bad energy?”

“the one that’s building up every second you don’t kiss me. it also builds up if you don’t go out with me for lunch tomorrow. or ever.”

you roll your eyes once more, then glance at your friends before kissing minji’s cheek.

“i can’t risk any of that, can i?”

[huellitaa]

⊹˚. ♡ true beauty

──★ ˙ ̟🎀 what being kind does to you

heightened self esteem

increase empathy and compassion

tend to be healthier in all areas

helps form new relationships

better mental health

decrease blood pressure and cortisol

increase serotonin, dopamine & oxytocin

contrary to popular belief kindness is not something that should be overlooked. we've been taught to be kind hundreds of times and yet some of us never actually do it.

one epiphany i've had recently is that humans are such bigoted creatures. we think we have the right to do whatever we like just because we're the dominant species on this earth. we are top of the biological hierarchy, so therefore we have the right to do whatever we like.

another thing i've found is that that fact often bleeds into people's attitudes. people are so fucking rude nowadays honestly. maybe it's the fact i live in england, maybe it's the fact people are so entitled in this day and age they think they can do whatever they like to everything and everyone with no repercussions, but kindness seems scarce nowadays.

how is food made? by the people who take their time to make it for you, be it your local supermarket or your loved ones slaving away in the kitchen all day.

how do we sleep? because we care enough about ourselves to make sure we get rest to be energised and refreshed the next day and for the days to come.

how do we have clothes on our back? because people care enough to weave pieces of fabric together just so we aren't walking around bare and naked every day.

you want to become more likeable? be sweet. be kind. don't sacrifice yourself for anybody, but take the time out of your day to do something for someone. it will make their day i promise, even if it doesn't then you've still made yourself happy 😭 ♡

🐰𓂃 ࣪˖ little kind things you can do

send a letter to someone

bake or make something for someone

compliment someone every day

have a clear out and donate to charity

smile at everyone and anyone

greet someone you might see often but don't really talk to

promote a friend's work

get someone to go on a spontaneous adventure with you!!!

hide a list of things you love about someone in their things if you're too shy to just give it to them

offer to take someone's photo if they're struggling like a couple or a family

do something sweet for your neighbours

learn how to say hello in multiple different languages

encourage and listen to someone even if you don't know them that well

talk to someone who looks lonely and chat with them, don't leave them out

make something random for someone who was nice to you for no reason

sit down and have a chat with someone struggling with homelessness

put a surprise note or cute drawing on someone's desk or workplace

we are so sweet at heart!!! everything we know is born from love!!! everyone is born good!!! it's only circumstances that make people stray from that.

please don't stop giving, please don't stop caring, please don't stop loving with your whole heart; hold the door open for someone, give someone something, smile at someone, pet an animal, do something just to bring joy and love into the world a little more. the world is filled with so many people who have strayed from the path of innocence and we need those people back.

to have a kind heart is to be beautiful. true beauty is not found in the skin, but in the mind. the more you give, the more you love, the more you learn, the more you smile, the more you enjoy, that is what makes the world beautiful, and that is what makes you beautiful <3

the most beautiful people are always the kindhearted ones who will live the most and make the most out of their lives. love is the only thing that holds this world together. please don't stop giving it, ever; it is the most beautiful thing this world has to offer

all my love 🫶💝

[mangocheesecakes]

Hi everyone, I've been planning on making a series of videos like the above on Instagram and Tiktok to help make content that will boost @mohamedmoner1994 and his wife Rewaa's fundraiser. I plan on making some for @yousefmoner's fundraiser as well.

I haven't been on here much because if you've seen my posts on my blog, things have been kind of hard in my personal life lately, and me and my family are currently trying to recover from the recent typhoon that devastated our region. So, I don't know if I can promote fundraisers much here on tumblr aside from reblogging, but I am still trying my best to help promote Mohamed and Yousef's campaign on other platforms. Layla, their organizer, has said that what's important is to make constant content and updates and make sure not to let a long time pass that people would start overlooking Mohamed and Yousef's campaign, so I thought this project might help with that somewhat.

So on that note, aside from reblogging this post, can I also ask you, if you have accounts on Tiktok and Instagram, to please like, comment, save, and maybe share on your stories this reel that I posted yesterday?

Link on Instagram

Link on Tiktok

And while you're on both these apps, please do follow the family's accounts and interact with the first few posts or the pinned posts on their grid:

Mohamed's Insta

Yousef's Insta

Rewaa's Insta

Karam's Insta

Laylay's Insta

----

Mohamed's Tiktok

Yousef's Tiktok

Karam's Tiktok

Layla's Tiktok

Please do take a little time from your day to give these accounts some engagement. If you are unable to donate, this is another way you can help aside from reblogging here on tumblr. Layla says that only the same people have been donating to their fundraisers and she has to beg every single one of them for just a few dollars. Help me bring more eyes to their campaigns.

You can also join me in my 1000 cranes project so that more content will be made that will promote their fundraisers.

(I will put on a separate post after this one the updates to the goals for each of these campaigns. Please help me reblog that one as well)

[drawdotstrings]

the people of penacony are still (yes, still) stuck in a dream.

disclaimer: i am not a theorist. i just want to present some very suspicious things i've found and speculate on some things because i am frankly going insane over this

firstly, did anyone else get deja vu when first starting the new trailblaze mission? march says the exact same things as she did in ena's dream when trying to get the trailblazer to get up. "wake up, wake up," and then "wake up! the sun's frying your butt!"

the trailblazer has the option to say that this sounds familiar in both quests. the similarities stop after this, but another thing i found weird was how the stellaron was only mentioned once by march and then, to my knowledge, never again. no more attention focused on the thing that helped cause all the disaster in penacony?

onto other things - in the new quest checking out, qingque says this:

that's exaclty how the 2.3 quest went as well. everything went smoothly, including the deciding of the future of penacony, which i personally thought was going to be much more difficult. after that, everyone just leaves in a silly unvoiced side quest. and we didn't get to say goodbye to firefly in the end. she didn't actually experience her third death either, did she? i thought her third and final death in the script would've been a bit more dramatic, at least.

after going to firefly's secret base and interacting with the railing, you get this dialogue. this is only available after completing the 2.3 trailblaze mission.

why would the writers want to point out that it's supposedly not an illusion?

on the radiant feldspar, you can listen to these two npcs talking about the astral express acquiring the airship. this npc should be very aware that they're in the dreamscape, being in penacony, right?

the whole thing with ena's dream was also covered up by the family, with the guests having no memories of it, so they aren't talking about still being in ena's dream. what was the reason for this dialogue, then?

this is from the ending cutscene for the 2.3 mission. we fixed that screen behind aventurine. so... why is it still broken?

yes, you could say that it's for the people who haven't completed the quest where it was fixed. but that quest, once upon a dreamville, is supposed to happen before this one, so it should be fixed anyways, right?

i personally don't think hoyo would overlook something like this and leave the cutscene inaccurate for a good portion of players and mess with the timeline unless there was a good reason. trying to hint that something's not right, maybe?

in an optional interaction on the radiant feldspar, welt says this:

...but that didn't happen. welt knows that jing yuan wasn't actually there, so why wouldn't he mention that at all? iirc, march, himeko, and the trailblazer don't mention anything amiss with this either, even though this is supposed to be a snapshot of the trailblazer's memory and it didn't actually happen. don't you think that's worth mentioning?

you also get these two pieces of dialogue:

both of which i find very suspicious. i tried to chalk it up to the trailblazer being paranoid after ena's dream, but they haven't expressed that anywhere else, and they're happy in these scenes. so... why would the writers put both of these here?

after interacting with these building blocks near the monitoring room in the dreamscape reverie, you get this strange dialogue:

i could be wrong, but as far as i know, from my experience and another person's, this dialogue only appears after the 2.3 update.

in this video, sparkle says this:

firstly, the answer is important. this question is repeated countless times throughout penacony's quests, and answered by multiple different important characters. second, it's also repeated countless times that in penacony, it's not just about being happy. there are so many people in the beautiful dream who are miserable, who threw their lives away to get there, who are forced to work tirelessly to try and fulfill their dreams only to get no where. both of the things she claims are untrue. it feels like they're trying to hint at something or distract us.

yes, you could chalk this up to sparkle being sparkle. but i don't know why they would put this in the official video saying goodbye to penacony if it was just that.

onto some smaller things - robin says this in the new checking out mission:

...they all woke up from their dreams already, no?

also from the aforementioned video:

why would they acknowledge that the audience isn't satisfied with the ending? they did that with qingque too, and with something March said at the end of the quest: "so even if there are parts of it that aren't really realistic nor logical, we still hope that their story gets a good ending when it comes." why would they acknowledge this three different times if the story is truly over?

it's also said that the astral express will run out of fuel in two warp jumps if we don't go on more trailblaze missions. why are we going to the xianzhou then, if we need to trailblaze to get more fuel?

one last thing. personally, the conclusion feels all too perfect. despite this, virtually nothing has changed for the people of penacony. the beautiful dream isn't any more beautiful than it was before. people are still spending all their money to get to penacony, still wasting the rest of their remaining lives away in the dreamscape, still failing to achieve their dreams after giving up everything. despite one crisis being averted, it isn't going to get any better for the people of penacony. is this really such a perfect ending?

-

there are definitely hints i'm missing, but this is what i have for now. if i find anything else, i'll put it in a reblog. also, most of these are things I've noticed myself, but I did get a few from MeganeSimp on twitter.

i know a lot of people were very happy with the ending of 2.3 - and i am too! i don't necessarily want this theory to be true, but i also can't ignore the hints that hoyo is giving us. well, i could, but they've been eating away at my brain for days now. sure, these could all be meaningless, but i don't think the writers would put all of this in for it all to mean absolutely nothing. they're hinting at something.

i am also not trying to say that everything that happened in 2.3 was fake. i believe it did all happen, just while everyone (or just the trailblazer?) was unaware that they were in a deeper layer of the dreamscape and couldn't get out.

alright, that's all. thank you for taking the time to read through this, i hope it wasn't as disjointed as it feels. also, there are admittedly many holes in this theory. if you have anything you want to point out that I've missed or that debunks this, please feel free!

[lecsainz]

stuck in the elevator

pairings: charles leclerc x fem!reader

warnings: Y/N freaking out and charles being a sweetheart, the elevator breaking down, cute french nicknames.

authors note: [SOMETHING COOL] because i really have no idea what to write here today 😭

word count: 1.1K

Charles Leclerc was in Miami for the Grand Prix, but he had to take a break from the busy atmosphere and have a moment to himself. He decided to take the elevator up to his hotel room when he saw a girl in there with him. He was on the phone and didn't pay much attention to her until the elevator suddenly shook, causing Y/N to stumble. The girl, Y/N, immediately started to panic, saying things like "I can't die yet" and "I have so much to live for". Charles found it amusing, but he knew he needed to comfort her.

"I think we're stuck," Charles replied, his eyes scanning the elevator buttons.

"What do you mean we're stuck? We can't be stuck!" Y/N started to panic.

"Hey, hey, it's okay," Charles said, putting a hand on her shoulder. "We'll get out of here soon enough."

"But what if we don't? What if we're stuck in here forever?" Y/N asked, her voice shaking.

Charles couldn't help but chuckle. "Trust me, we won't be stuck in here forever. And even if we were, I don't think spending eternity with you would be so bad."

Y/N blushed at his words, and Charles couldn't help but smile at her reaction.

They spent the next few minutes trying to press the emergency button and asking for help, but there was no response.

Charles leaned against the wall, "Well, looks like we're stuck here for a while."

Y/N groaned, "Great. Just my luck."

Charles looked at Y/N, a mischievous glint in his eye. "Well, ma chérie, I guess we'll have to find a way to pass the time then." he said, a small smile playing at the corners of his lips.

Y/N couldn't help but feel a shiver run down her spine at the sound of Charles' french.

Y/N arched an eyebrow, curious. "And what did you have in mind?" she asked.

Charles stepped closer, his hand reaching out to brush a stray lock of hair out of her face. "I was thinking we could get to know each other a little better." he said, his voice low and seductive. Y/N couldn't help but smile.

"So, Miami, huh?" Charles asked, leaning against the wall of the elevator with a curious expression.

Y/N nodded, "Yeah, I heard the Grand Prix is amazing, and I've never been to Miami before, so I figured why not?"

"Do you like formula one?" he asked surprised.

Y/N nodded. "Yeah, I do."

Charles' face lit up. "That's great! Do you have a favorite team?"

Y/N grinned mischievously. "I'm a Mercedes fan. I mean, have you seen Toto Wolff? He's a total babe."

Charles feigned offense, putting a hand over his heart. "Hey now, I'm a Ferrari driver. You're not supposed to like our rivals."

Y/N laughed. "Well, I can't help it. But I think your charming french accent could make me change my mind." Charles smiled smugly at the compliment.

"Well, I appreciate the sentiment. Maybe I can even convince you to switch over to Team Ferrari." He teased, his eyes sparkling.

Y/N raised an eyebrow, feigning consideration. "Hmm, I don't know. I mean, I don't think anyone can replace Toto in my heart." Charles laughed, shaking his head.

They sat in silence for a few moments before he spoke up again, "You know, there's something about being stuck in an elevator that's kind of romantic."

Y/N raised an eyebrow, "Really? I'm not feeling it."

Charles grinned, "Well, just imagine it. Two people, alone in a confined space, forced to confront their feelings."

Y/N rolled her eyes, "Oh please. There are no feelings here."

Charles chuckled, "Are you sure about that, ma chérie? I mean, you did say my french accent was charming."

Y/N's cheeks turned red, "I did not!"

They fell into a comfortable silence, both lost in their own thoughts. Charles picked up his phone and began scrolling through his photos.

"You know, I have some amazing pictures from Monaco," he said, showing Y/N a photo of himself overlooking the harbor.

Y/N leaned over to get a better look, her arm brushing against his. She quickly pulled away, but Charles didn't seem to mind.

"It's beautiful." she said, admiring the photo.

"It's my hometown. I was born and raised there." Charles replied with a smile.

S/N's eyes widened in surprise. "Really? I had no idea."

"Yeah, it's a special place for me." Charles said, his gaze lingering on Y/N.

As hours passed and they were still stuck in the elevator, Charles and Y/N talked about everything and nothing. They discussed their favorite movies, their dream travel destinations, and even shared childhood stories.

Charles found himself enjoying Y/N's company more and more as they talked. She was funny, intelligent, and had a unique perspective on life that he found refreshing. As the hours dragged on, they joked and laughed together, forgetting about the chaos of being stuck in an elevator.

At some point, exhaustion caught up with Y/N and she dozed off, her head resting on Charles' shoulder. He couldn't help but smile at the sight of her sleeping peacefully, her breaths steady and calm.

He brushed a stray strand of hair from her face and whispered, "Tu es tellement belle*." *you are so beautiful

When they finally got out of the elevator, Y/N woke up from her nap on Charles' shoulder, she felt a bit embarrassed but also grateful for his comfort during their ordeal in the elevator. She looked up at him and smiled.

"Thank you so much for being there for me, Charles. I don't know what I would have done without you," she said.

Charles smiled back at her. "Of course, Y/N. I'm just glad I could be of help. And who knows, maybe we can find ourselves stuck in an elevator again sometime soon," he teased.

Y/N laughed. "I think once was enough for me, but I wouldn't mind seeing you again outside of an elevator."

Charles watched Y/N walk away, feeling a sudden pang of regret. He realized that they hadn't exchanged numbers or made any plans to meet up again. He mentally scolded himself for being so caught up in the moment and not thinking ahead.

"*Merde." he muttered to himself. "I can't believe I forgot to ask for her number."*shit

But he wasn't about to give up that easily. He made a mental note to try and find her at the Grand Prix later that day, hoping to get a second chance to make things right.

As he walked away, he couldn't shake the feeling that Y/N had left a lasting impression on him. He knew he had to see her again.

[loveriotss]

Hii! Could you do some Mr.Compress headcanons pls? Tysmm! 💗

HCS OF HIM AS YOUR BOYFRIEND ⸻ atsuhiro sako / mr compress

INCLUDES — gn! reader, fluff, headcannons, drabbles/one shots WARNINGS — reader is implied to be part of the lov/lives together with the

main masterlist — mha masterlist ༊*·˚

he lovess bragging about you to the other members.

literally will not shut up!!

atsuhiro leaned back in his chair, a smug smile on his lips as he sipped his drink. across from him, sat twice who looked like he was being held hostage. "you wouldn't believe the day i've had," atsuhiro began, his eyes sparkling. "y/n cooked for me today! it was so remarkable and exquisite! they made this-" "listen man," twice interrupted, trying to put on a pleasant expression. "i'm really happy for you and i love that you enjoy your time with y/n! but..how long are you planning to keep talking about them? it's been like almost 4 hours."

dates with him are always unique and memorable. private magic shows, picnics in scenic spots or romantic candle lit dinners in secret places.

a HUGE gift giver!

he will go all out! oh you were eyeing a pair of cute shoes today? he stealthily compressed it and presented it to you proudly. or maybe you had to reluctantly leave a cute giant teddy bear behind at that one shop...only to find out that the marble atsuhiro left on your desk was actually the teddy bear!

yeah he's technically stealing them instead of buying but its the thought that counts! (he is a villian after all, what can you expect?)

he's not afraid to show you his love openly.

expect grand declarations of love, like surprise dates or writing you countless romantic letters as if he were a lovesick teenager.

the other lov members are sick and jealous of you two.

he always respects your personal space and boundaries and makes sure you don't get overwhelmed by his dramatic personality.

as much as he is confident and flashy in public, he's incredibly affectionate and sweet in private.

late night cuddle sessions while you two talk for hours on end, comfortable in each other's arms. honestly, that's his favorite part of the day.

he can be a bit possessive, but not in an oppressive way.

usually more dramatic and pouty when he's jealous, making the situation more silly than serious.

in the dim glow of your room, atsuhiro sulked dramatically on the edge of your bed. you were completely engrossed in your book, sitting with your back pressed against the headboard of your bed. "do you know," atsuhiro began, letting out a melodramatic sigh, "how dreadfully overlooked and unimportant i feel at this moment?" you glanced up, an eyebrow raised. "oh really? and what is that supposed to mean?". atsuhiro shifted, leaning forward with an exaggerated pout. "well, it's not everyday one finds themselves overshadowed by a book of all things." you giggled softly, setting the book aside. "aww are you jealous of a book?" "jealous?" he scoffed, "whatever made you think such a thing? i simply can't bear to see my amazing presence overshadowed by..pages. that's all!" "alright, oh great one, i apologize for this disastrous behavior of mine. please forgive me" you reply, matching his tone playfully. his pout softened into a smile, the dramatic flair melting into warmth. "well, perhaps if you could indulge me with a bit more attention, i may consider forgiving you." "yes yes, my attention is now all yours." you reply, wrapping your arms around him as you place a soft kiss on the top of his head.

NOTE — omg i can finally make posts with the asks!! it used to glitch for some reason before when id try to make longer posts with it 😭. anyways i kinda giggled while writing this ugh im so delusional 🤭🤭. also added two drabbles/one shots (idk what to call it) just becauseee. sorry if this might seem a bit ooc, i referred solely to google to get an idea of his personality because honestly i dont rmb shit of what he said or did in the anime 🧍.

©loveriotss — all rights reserved to me. please don’t try to copy/steal my work. please do not use any of my ideas/translate my work without my permission.

[weirdmarioenemies]

Name: Mino

Debut: Tetris

Tetris is all about blocks! You know that! Did you know that those blocks are called Tetriminos? Maybe you did! Geometrically, they are tetrominoes, shapes formed from four squares connected at the edges. "Tetrimino" is the official spelling of the ones used in Tetris specifically, which is a little confusing, but it's ok. Don't worry about it unless you are making your own game about tetrominoes! If you do that, be careful.

But what about the little blocks that make up the Tetrimino? These are geometrically called monominoes, but in Tetris, they are simply Minos! Humble little things. The game is named after Four, so what place does a measly One have?

If you ask me, they have all the place, because they are all over the place! There are no Tetriminos without Minos. Together, Minos are powerful, some of the most iconic and recognizable shape clusters in the world! Even in the form of a plush, The Tetris Company almost ALWAYS ensures that the individual Minos are visible. It is a part of the Tetriminos' designs at this point! The only exception I can think of is in situations unable to use their distinct colors, where other design factors are used to distinguish each. In this case, all but the I Tetrimino have their Minos visible, while I is just a solid color. Come on now, I. The most universally beloved Tetrimino, and you can't show some appreciation for the little guys who made you who you are? Sheesh!

While yes, Minos are a bit overlooked, they do indeed get the spotlight every once in a while! In game modes with items, you can expect that there will be one that turns all of your pieces into Minos, allowing you to instantly fill in gaps wherever you like. They are not particularly powerful, only able to clear one line at a time, but they ARE very convenient and easy to use!

Tetris Friends, my dearly beloved and departed Tetris Friends, uses Minos as the base for most of its avatars! I have already talked about these specifically, but I just want to point out these VERY default ones, each a piece of one of the classic Tetriminos, based on color... until the end, where we get what appears to be a Domesticated Mammal Mino! What are the implications of this? Have members of an intelligent species selectively bred the most docile of Minos together? Do Minos reproduce? Am I way off the mark, and is this Mino actually made of cookies and cream ice cream?

Finally, the reason I've been thinking of Minos in the first place! Here is a photo of the Tetris board game, with a single gray square in the Matrix. That's right! A Mino! In my opinion, this game is the most special Minos have ever felt. In this version, Tetriminos are dropped straight down into columns in the Matrix, and so they aren't as maneuverable as virtual ones. They can't be rotated while falling, and can't be slid into place to fill in any little notches.

This is where Minos come in! They are a sort of compensation for the lack of extra control, and can be placed to fill in extra space before dropping a Tetrimino. This is especially useful if you start with a Z or S block, since in this game, dropping one on a flat surface would leave a space no matter what! With a Mino, you can make a nice little ledge for your block to land neatly on.

This game's use of Minos really stood out to me! They're a major gameplay mechanic, they are explicitly named in the instruction manual, and, most importantly, they get their own PIECES. Physical, officially licensed, single Mino objects! They even get their very own color! A humble gray, not flashy like the rest, but distinct among all the others, and practical. A gray not to indicate a lack of interesting qualities, but instead, great potential!

There is no "official art" for Mino, so I just made the post's top image by editing some official Tetrimino art. Also, I have distinct memory of SOME official Tetris game, possibly Tetris Friends, referring to them as Tetrimonos. Does anyone else remember this? Please tell me if you do!

With that, we have reached the end of this post. But this is not the end of my fascination with Minos. In a way, it's only the beginning. In my Mino research, I have discovered some truly incredible things. Look forward to reading about them next week in Minos post part 2!

[ot3]

Just curious, what’s your opinions on Kristoph and Phoenix? I see you reblog ship posts about them sometimes and I’m really curious about your opinions on their dynamic both inside and outside of ship stuff, because I didn’t really know how to interpret Kristoph in particular. I think he’s one of the worse villains in AA tbh, it’s been a while so I may be misremembering, but I just didn’t… get that much substance from him?

kristoph is certainly a really hard character for me to fully develop an opinion on in isolation. i think the only area where i'm capable of saying anything about him i can back up with significant references to the text is in regard to his relationship with phoenix, because that's where the meat of his character interactions are. and more broadly because as a #phoenixhead my primary means of looking at the entire franchise is how things relate to phoenix. if you'd like to read about my interpretation of phoenix and kristoph's relationship more specifically i've got a post on that subject here. i think it's a character dynamic that has a TON going for it relative to the screentime if you're able to disregard fanon and look directly at what's in the text.

but more on kristoph individually

kristoph suffers from the same thing that all of aa4's major characters and plotlines do: not getting another game. there was clearly more to the gavin brothers' story we didn't get and will never get, and knowing that there's Something there we have absolutely no means of predicting or unraveling makes it hard to theorize. he kind of exists in a quantum state for me where i can see a ton of alternate perspectives on his character's complexities and just buy whichever one i'm feeling at a given moment. i personally wouldn't say he lacks substance because every interaction he has with any other character is, imo, very compelling and gives me a lot to chew on. but he's a character that's all questions and no real conclusions for sure.

i don't think he's a cackling machiavellian serial abuser. i think hes easily the kind of person who has the capacity to be emotionally abusive and manipulative to the people closest to him without being Pure Evil. because we have so little on him it's very easy to portray kristoph as the kind of sinister that provides whatever OP's favorite flavor of angst is. and i'm certainly no exception to that; i just happen to be a person who is into maybe some subtler flavors.

he's both one of ace attorney's most calculated villains, with poisoning vera's nailpolish being an incredibly cold maneuver that suggests a lot of foresight, and one of ace attorney's most brutal murderers, capable of getting aggressive enough in a moment to bludgeon a man to death with a bottle. i think kristoph can be understood as a character whose primary motivation is control, both over himself and others. there's that critical line in turnabout succession where he tells klavier he's out of control, and klavier says "whos control? mine, or yours?" his reputation is built on his ability to stay calm under pressure, and his ability to stay calm under pressure is built on his tendencies to preemptively engineer situations in his favor. the stuff with phoenix and the gramarye case represents what we can presume to be the biggest failure of his career.

i think this puts him very much in line with AA1's main villains. people like to compare him to dahlia a lot for obvious reasons and there's some fun to be had there but i think it lets people overlook how well he ties into AA1. redd white controlled the press and controlled the judges to get away with his blackmail ring. von karma controlled the witnesses to engineer his perfect cases. damon gant controlled the police and the evidence, and then controlled lana to control the prosecution. although those were all one-case villains i think kristoph justifies his larger scope in aa4 by the significant and longstanding personal connections he has to the rest of the main cast. kristoph represents the mirror image of those AA1 villains; aa1 shows the way the deck is stacked against the defense. kristoph shows what it looks like when someone tries to stack it in the other direction

i think kristoph plays an important part in the larger franchise by showing what corruption looks like from the defense's bench, and how this corruption takes a different cadence when it lacks the systemic power that the villains like gant had. i think his cold, calculated approach to defense works well as a foil to the type of defending we saw from phoenix who is all heart and charges in head first. i think apollo works well representing a sort of compromise between the two, being a little bit shrewder than phoenix but no less earnest. i think klavier, then, as a prosecutor who is much less aggressive than the previous 3 both personally and professional serves to further invert the expectations set by the trilogy in a way that's really satisfying.

is kristoph missing some pretty critical backstory that i would love to see? yeah. absolutely. but i think when you look at him as a story device rather than an underdeveloped character he adds a tonnnnn to the series. that said, i will die wondering.

[nightixx]

sooo I may be overlooking at things right now but hear me outt

After moon's dream/hallucinations or whatever the hell people wanna call this, I noticed a purple smoke (or idk the word but you understand) behind him

And many more thumbnails. We know that in the canon game (security breach), the virus is almost always represented by this color and with those rectangles + the aura. Now I'm not talking about vanny or idk, idc about her cuz this isn't about the canon game rn

I have many thoughts about this, because things happened before that and it could be related.

As I saw on some blogs (I can't find the one who wrote it but I know I've reblogged it), before ruin betrayed them, he said he wanted to infect ruin's virus into his own code to think like him which could be true since he really tried for weeks to think exactly like him and to have his informations. During his day off after his first breakdown after he saw old moon, sun was present the entirety of the episode, which isn't logic at all since it's MOON's day off not an episode of sun bringing food for 15 minutes ? Moon was alone in the house after a breakdown AFTER he tried to think like ruin AFTERR he said he wanted to inject the virus into himself. And strangely after that he started to act all nuts, maybe not just at the second episode but you can tell he went insane quickly, too quickly and it's too suspicious for me.

Back to the thumbnail, you can see thumbnails after thumbnails while scrolling on the channel that his aura gets more purple any time he's showing.

Now if we do the comparaison between ruin and moon reacting to the virus :

The virus accentuated ruin's personality into insanity. As we know, ruin is a melange between sun and moon. So we can say he was playful (sun's side) but with a kill code (moon's side) which made him a dangerous individual. He also lost his objective during the take over. Because yes ruin wanted to venge his friends but in the beginning he had the virus and it distracted him from his objective.

Now if we look at moon. The virus could have accentuated his personality (which makes him worse than old moon) and his goals (protecting his family, bringing solar back etc..). He's also losing his objective which is bringing solar of course. He doesn't know why he's doing it anymore.

I also remember when moon told Monty that he looked in his code and he found nothing. Kinda suspicious to me- he tended to lie back then too. I think he did really check his code to see if the virus was the cause of that. And of course when you add his poor mental state to begin with as he was grieving it doesn't help at all and makes things worse.

Anyways maybe it's my own paranoia talking rn but I just can't accept that all this insanity arc happened by Davis snapping his fingers

[nihongoseito]

how to use 〜じゃん／じゃない "isn't it?"

if you've been listening to people speak japanese casually, you've probably heard these conversational sentence-final particles! here i'll go over the difference between the two and then give their usages and example sentences. 行こう！

wait, doesn't じゃない just mean "not"?

you would be right about that! but as with lots of things in spoken language, intonation is key here. compare these two sentences in english:

it isn't pretty. (falling intonation)

isn't it pretty? (rising intonation)

clearly, these two sentences mean different things. they use different intonation, but even more obviously, the words come in different orders—in european languages, that's one of the easiest ways to tell a statement from a question. but as we know, in japanese, questions are made without moving words around; so, intonation alone with have to do the job! now, compare these two:

きれいじゃない。 (falling intonation) = it isn't pretty.

きれいじゃない？ (rising intonation) = isn't it pretty? / it's pretty, don't you think?

thanks to the rising intonation in the second sentence, instead of negation, we get a tag question. so if you're reading instead of listening, watch out for situations where you might have to guess or intuit what the intonation of the sentence is!

the difference between 〜じゃん and 〜じゃない

in terms of their conversational meaning or usage, these two particles are the same. however, in terms of "indexing" and social cues, じゃん is a bit more casual and じゃない can have a feminine tone. compare these sentences:

きれいじゃん？ (casual)

きれいじゃない？ (casual, feminine)

きれいじゃないですか？ (a bit more polite)

these sentences all feel very conversational, but depending on how you want to present yourself you might pick one over the others.

also, it's worth noting that じゃん only has the conversational usage: no matter the intonation, it can't mean "not" in regular statements (as far as i've seen, anyway!).

what's the difference between 〜じゃん／じゃない and 〜ね?

both these sentence-final particles ask for agreement or confirmation, as in these two sentences:

きれいじゃん？

きれいだね。

both of these could be translated as "isn't it pretty?" or similar. however, the tag question denoted by 〜じゃん is stronger than the tag question denoted by 〜ね. in other words, ending with じゃん is more like an actual question than ending with ね.

for example, if you said きれいじゃん？, you might be expecting your conversation partner to have had some expectation subverted. maybe you're looking at modern art, and they had initially expressed a disinterest in modern art; saying きれいじゃん？ leaves more room for them to change their opinion or even to disagree with you.

on the other hand, きれいだね is tantamount to a gentle statement, like you already know your conversation partner will agree with you. you might say きれいだね while overlooking a 絶景 (ぜっけい = superb view) such as 富士山 (ふじさん = mt. fuji) or 琵琶湖 (びわこ = lake biwa). after all, who could ever not find those きれい!

addendum: 〜じゃん with falling intonation

i watch someone on youtube who makes lots of designs in animal crossing, and when she is satisfied with a layout she often says 「いいじゃん！」, meaning "isn't that great!" or similar. but why is she using じゃん if she isn't actually asking for confirmation?

this seems to be an instance of a rhetorical tag question. in particular, the intonation of her いいじゃんs is falling, so it doesn't sound like a question. instead, she's making an exclamation out of a question. this is similar to what we might do in english with an exclamation like "isn't that great!", where we might pitch the sentence as a statement instead of a question. (and, to be totally clear, this person also says 「いいんじゃない？」 a lot too!)

例文 (れいぶん = example sentences)

高（たか）すぎじゃない？ = don't you think that's a bit expensive? この辺（へん）は神社（じんじゃ）が多い（おおい）じゃない？ = aren't there a lot of shrines around here? 疲れて（つかれて）いるんじゃない？ = aren't you tired? (don't you just want to go apeshit?) 全然（ぜんぜん）辛く（からく）ないじゃん？ = it's not spicy at all, right? やればできるじゃん！ = you can do it if you try! だから言った（いった）じゃん！ = it's like i already told you!

summary

in summary, 〜じゃん／じゃない are casual conversational particles you can use to make a tag question like "isn't it?" or "don't you think?", and they tend to have a rising intonation. of course, there are complications and exceptions to everything in language, so keep your eyes peeled and you'll definitely see more interesting usages of these particles!

as always, feel free to send me an ask if you have any questions/thoughts. じゃねー！

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