#maybe i'm done maybe i'm not again good ideas not so well executed with some really nice scenes but others biting them in the ass

[halfdent]

on caped c/rusader Harv . the last two episodes felt like the best decisions they made with the character . It was almost like 'okay right decisions good job but wrong Harvey . " like if that last episode happened to my baby girl ? ;-; it would be far more of a loss . BUT I also understand that they were playing Bruce as an asshole too and they reflected each other and both changed , Bruce changed because of Harvey and seeing him actually get upset about him at the end was a nice beat but they had missed so many beats before that . It's hit and miss . Everytime Harv apologised for Twos and was accepted I was like :] that's nice . And I liked all those moments and the restaurant scene a lot . I still can't trust T/imm with Barbara after everything but her and Harv teaming up was wonderful .

I also thought , and no disrespect to the voice actors I'm sure they were doing their best with the directions they had but honestly they were the wrong voice overs for the parts of Bruce/Batman and Harvey/Two Face.

I need directors to understand that the best Harvey Dent NOT TWO FACE [ because this is paramount before even thinking of Twos ] is a Harvey who baby girls his way all over the place . The results don't lie .

[nimadjart]

Happy halloweeen. :)

This is the commentary track(?) to my digitober. It's just rambling, so don't expect anything too interesting.

This first picture came out on a whim, I originally didn't intend to do anything for this october. I had just arrived home from helping my mom out with something, and was in a good mood. I think this picture, as sketchy as it looks, reflects that feeling. I'm content with it - and it's halloween themed! All the better.

For the second, I tried to follow the "official inktober" list (something I'd drop quickly in the following days). I'm disastrous at making backgrounds, so I gave it a shot for practice sake. I think it's not a bad result, it almost kinda tells something of a story.

"Boots", hah. It's not terrible, but it's also missing a lot of polish. I think the idea behind it works well for a cute/sexy picture of Angewomon. Maybe some day I'll revisit it? I should put more practice into drawing the human form in the meanwhile lol.

I really dislike the fourth one. I think Lianpunmon deserves better art, so I'll definitely do it again some day. My skills are so undeveloped, it's very obvious seeing this poor hatching.

Speaking of hatching, I bit more than I can chew with this one. The composition isn't interesting enough either, and just like with Lianpunmon there's no story here. At least Angewomon seemed to be interacting with the viewer lol.

The sixth is something I liked better. It's kinda shody, but there's something of an urban fantasy thing going on.

The Vamdemon one I can see the faults: I need better line control, the shapes aren't locked in as well as they should be. Yet, I'm partial to it…

Rapidmon deserves better lol. I still really dig the idea behind this drawing, I just wish I'd have given myself the patience and time needed to render a kickass explosion.

SkullGreymon, I have little to comment. It has zero story, but it's carried by the vibes. It's the first (and arguably last lmao) time I think I was cooking with the halftones.

The tenth is arguably the peak of the entire month. It has some story, a neat composition, and acceptable execution. Strangely enough it was one of the quickest to make: I had an idea, and it came out in a few minutes (compared to some other drawings where I was fighting for my life), and it ultimately was one of the most interacted with drawings in my entire blog. Funny how that goes.

I like a lot the Piemon one, as bland as it is. It's like a design piece, more than a drawing. It helps that the perspective deformation hides my poor linework haha.

I went too hard on the Mephismon X one, to the detriment of the piece. Instead of adding texture, it just looks dirty. Damn.

The thirteenth one was my poor attempt at making a background. Originally, Bakemon was gonna have this devious, whimsical look, but as I finished drawing the stairs I thought "I'd be kinda tired after climbing a few floors", so I changed Bakemon's expression to reflect that. Just a little trivia.

The Jesmon is what I'd argue was my peak. Shapes are locked (as best as my skill lets them), values worked well, it told a story. It's my favourite of the month.

Fiftenth was made, mostly, trying to catch some Adventure buff to the ammount of interactions I'd get. I mean, I had fun drawing the characters, but the reality is that I had petty reasons. I don't dislike it though.

I know exactly what I wanted to do with the sixteenth, and I didn't achieve it. Looking back, I think I should've done it in BW, rather than grayscale, to make it pop more. Fix the composition too. It's too plain. Shame, I really like Lilithmon X's design.

Seventeenth was also one where I just phoned it in. I think the values are all over the place; though I do like the harsh light. Impmon is a lot of fun to draw, all things considered.

Greymon was fun, lots of fun to draw. But this was another piece where I went too crazy trying to use halftones, I ended up making something that lacked impact or presence. I do like, in a self deprecating way, how the background seems okay until you look at it directly and see that it's kinda bad lol.

I made Nefertimon's torso too long! I only realized when I was doing the finishing touches lol. Yet I like the whole thing a lot, I think the texture and lightning kinda sells it as a photo (the white border was an attempt at selling that further). Saw someone refer to it as "the last thing I see before I die", and that comment might stay with me forever lol.

The twentieth is another I had a clear picture in my head as to what I was actually hoping to make, but failed to. Instead of landing some sort of finish, it's on a weird gray (lol) area. Making clouds is hard y'all.

Twenty one is one where I managed to stick the landing to what I had in mind. I think the composition needed a few more minutes of baking, but overall I'm content with the result. Death-X-DORUgoramon is a complex design, so any degree of succesful translation is a win in my book.

I think I needed to draw some more background Kuramon for the twenty second. Y'know, to really sell the swarm thing. It's kinda too clean.

Before twenty three, I had never given myself the time to draw a tree shilouette. It was fun to turn off my brainfor a bit and just draw line, after line, after line, after line. I did the tree first, and then I tried to figure out how to make Shurimon. Originally, I wanted him to be hunched over more dramatically, almost as if he was climbing down the tree, but I was incapable of drawing it in a satisfactory manner. So this is what I got.

Twenty four is so bad! I think Monitamon came out fine, but the background elements are so poorly done! I'm so embarrassed! lol

Kabuterimon was really fun, very dramatic looking. I think it has some serious readability issues with the hands, but I don't dislike the idea I had at all.

Hackmon's drawing was done almost like a sibling piece to the fourteenth, Jesmon's. Like, Huckmon is somehow watching his exhausted future, yet he stands stoic. On it's own, I think it's plain. Like, it has some charm, but it's lacking in impact compared to the fourteenth. But maybe that's for the best of the story?

The Wizarmon sticker came through me realizing I wasn't practicing my lineart! So I did a sticker instead. This was actually version two, but number one was so bad I had to redo it. Despite it being a humble sticker chibi, it's overall the day I spent the most time drawing.

Twenty eight came from me realizing I hadn't done any Alphamon! So I did what I thought would look badass. As much as I like Alphamon, though, his shapes are difficult for me to grasp so it came out shoddy and weak lol.

Twenty nine, Ragna Lordmon vs Ragnamon, was hurt by me recording it. While an exciting thing to do, I felt like I wasn't allowed to do anything but move forward quickly, or to change things (I'd have moved both Ragnamon and the main Ragna Lordmon body closer to the center) that would've made the composition flow better. It's not an abject failure, and the video is fun to watch, but still…

Dorumon is a simple piece that I was a bit surprised to make. My birthday is not information I tell people, but I was just compelled to share a bit of myself. I dunno, it feels weird. I'm weird. It came out cute at least.

And at the last! Noble Pumpmon again. I'd love to tell you that I applied everything I learned throughout the month and it's my best piece and stuff, but that isn't the reality. It's a better show for a similar amount of effort compared to the October 1st drawing, but it's not some crazy good display of betterment. A bit, yes, but less than I had hoped.

If you made it this far into this silly wall of text I wrote, I thank you. I thank everyone who interacted with my drawings, it pleases me a lot to see that someone gave it a like, or a share, or a comment. I learned about myself, and my limits, through this experience. It was tiring, but setting myself the goal of "make a drawing a day" was, paradoxically, liberating. Like, now I had a reason to draw! (despite me having some comission work to do lmfao). It was nice. This was one of the most entertaining octobers in recent years. Thanks again to everyone who participated in some fashion.

[n0tamused]

dottore having to dispose of a faulty clone (maybe bc they were threatening reader) and then handfeeding reader parts of it like cannibalism as a metaphor for love…. do we see the vision or is this a little too 𝓯𝓻𝓮𝓪𝓴𝔂 💔💔

A/n: pookie you're all good, thank you for feeding my brain worms with this idea I'm sending you smooches. I do hope I executed this well. I had a lot in my head that I wanted to write for this but I didn't want this to turn into a word scramble so here's this. Enjoy <3

Content: Dottore x GN reader, dark content(?), a bit yandere, implied unhealthy relationship, implied cannibalism, cannibalism as a metaphor for love, idk what else to tag as I never posted something like this so if anything else needs tagging feel free to lemme know

Words: 735

Several candles lined the polished oak table, its surface smooth and almost sticky, the light rippling over the dark lines of the carvings on top like little light bugs chasing one another. The golden hues danced over the plates as well, but the dim light scarcely allowed for a good look at the dishes.

The fork extending forward to your lips was the only thing that held your attention long enough to be observed, taken in fully, lips closing around the bit of meat and vegetables. The juice and oil fills your mouth, sinking past your teeth and around your gums, the taste is rich yet stale all at once. You couldn’t comment on it, you didn't know what to say about it. Not with the Doctor sitting at your side and being the one to feed you so, so gently.

It's hard to remember when was the last time he looked so gentle, kind even, perhaps when he was lighting up the candles with such care, as if his own breath would blow the flames into a blaze, allowing you to see your plate in full.

The meat was well done, seasoned to your liking, and something told you it was Dottore’s own hand who prepared it, gave it his all to make it so perfect for consumption. Parts of him were laced through every sensation, every smell and every bite. Your own plate is set before him and he's cutting all your bites, spearing pieces of meat and salad onto the fork before feeding it to you, making sure you ate well.

The dull ache in your arms is brought back into memory as you languidly chew on a bite, and your fingers absentmindedly touch over your sleeves over where the bruises lay, feeling the ache grow.

“Do they still hurt you?” His voice called out amidst smoky smells and brown fog, calling you to the present. “Have you gotten any rest at all, my dear?” He added, his head tilting in your direction, his bird-like mask not allowing you for a glimpse of his ruby eyes, but from underneath you can see glimpses of the scars peeking through, teasing your eyes. For some reason he chose to wear it here, now, only puzzling you further. 

“No.. no.. they're fine… I’ll get some rest later tonight, sir..” you reply as you swallow and watch how he grimaced at the title, and you nearly cough from how big this bite was, but you would have taken a bigger bite had Dottore allowed you to feast yourself. Perhaps not, but you told yourself you would. Be it the rich taste or some other factor, you yearned to take up each bone from the meat and lick it clean, sucking out the marrow from within and letting it melt into your guts.

Would he be satisfied then?

Would you be?

The candles flicker. He's still looking at you

“Are you still afraid? I've already told you so, and explained it many times. You have nothing to fear here. This was just an error in the system which will not ever happen again.. and you shouldn't have been around to witness it, anyhow..”. You have to wonder how he can say all this with so little fear. Then again, the clone was his creation. He knew it inside and out, every crevice and every wire.

“I understand.. it's just that.. I'd rather not face the others now..not after that..” 

Truth be told, having him around was also slightly unnerving, as he wore nearly an identical face as the one that harmed you. They were the same, but also not. He was gentle, but he was not.

The one that hurt you was long disposed of and would never harm you again, but Dottore was once the one that hurt you, and now he has poured himself out before you, all for your pleasure and the sweet poison of safety and love.

He hopes to convey it to you through each meticulously put bite, every sip he graces your lips with. He had cut himself open for you and would do so again, just as he hurt you through that error. It came as easy as drinking and breathing. 

“That’s understandable. I assure you are safe, and however dark the night may get - I'll be there with you… But for now, you must eat, not fear. Open wide..”

Ⓒ n0tamused. Do not repost, translate, edit, and/or copy any of my works. Likes, comments, and reblogs are appreciated.

[0nlyhere4phil]

Rating All of Dab and Evans New Outfits (except the randomized ones)

Starting with Dabs Everyday:

Um. No this was not the serve they thought it was. First things first I hate the silver, it makes no sense, Phil doesn't have silver hair. Next THE BOOTS! THE BOOTS ARE FOUL THEY DON'T GO WITH ANYTHING! This look would have been acceptable if it wasn't for those fucking boots. The sweater is good and the pants were fine (should have gone with green though), but those boots ruined it. Overall 5/10. They took my boys drip away.

Next His Formal:

This had potential to be something good. I don't hate the idea of the outfit, but the way they executed it was horrible. They needed to change the shoes, add some makeup, and some accessories THEN this would have been camp. If the shirt was a white and not pink it would have been nicer. If they had tied in the green or blue into other parts of the outfit it would have been a look, but honestly this might as well be randomized. No thought was put into it in my opinion. Overall a 4/10

Next His Swimwear:

It's fine. At first I thought it didn't make sense for Dab to be wearing something like this, but actually it makes a lot of sense LOL. So yeah this one is fine. 6/10

Next His Hot Weather:

What the fuck? At least the colors go together, but other than that it's bad. If they had made the shirt a more fitting one, maybe like a tank top, it would have been good. For the shoes...why did they keep those? They could have just put him in some plane white shoes or slides, but they put him in those. I'll give it to them they do match the color scheme, but other than that it's a flop. Overall this is just a mess 3/10

Next His Cold Weather:

This is actually fine. The only complaint I have is I wish they made the shoes a black boot, but other than that this works. 9/10

That's it for Dab. I'm sad they took his boho artsy aesthetic away. Moving on to Evan.

Evans Everyday:

This is great! I love his new hair a lot, I'm glad they stuck to a good color pallet, and I'm glad they let his ankles breathe. Literally the only thing I would have done is choose a shirt without the hand coverings, but that's just a nitpick. For Dan and Phil this was a really good cohesive fit. 10/10

Next His Formal Wear:

Another serve from Evan Pancakes. The only thing that would have made this perfect was if the pants were darker, but other than that it's still a really good look. 9.5/10

Next His Sleepwear:

Nothing much to really say other than it's sleepwear. I do like how he has a cohesive color pallet going on. Overall it's cute 7/10

Next His Party Wear:

This is really cute. I like the top, I love the nails, the pants could have been better but they're not hurting my eyes, and he has accessories! The only thing that irks me is the shoes, I feel like they don't match the rest of the outfit. Other than the shoes though this outfit is quite cute. 8.5/10

Next His Swimwear:

So, personally I feel like Evan wouldn't wear something like this. I feel like he would be a long trunk with a tank top kind of guy. It's not bad, because it's not much, but it's not good cause it just doesn't match Evan. 3/10

Next His Hot Weather:

Ummm no. Again I feel like this doesn't match Evans vibe. I like the color blue on him though. Other than that it's kind of a mess. Those flip flops don't match the rest of the fit, and the random glasses confuse me LOL. 2/10

Next His Cold Weather:

This is really nice. This matches his vibe perfectly. 9/10

That's it for Evan! Honestly they did a really good job on him.

So, that was Dab and Evans new wardrobe, it could have been better it could have been worse. Depending on how this is received and on if I really wanna do it, I'll make one of these for the Howlters.

[0rb0t]

my problem is that I like my ships best if they maintain as much of their canon personalities as possible.

If they bicker or fight or are prickly in canon, I'm okay with them doing that as a ship, too! It feels natural!

With sonadow, I hadn't shipped them in a while because I hated how Shadow's personality had become from the 2010s until like. Sonic Prime. Shadow ISN'T a bully!!! He fights AGAINST bullies. He can get competitive but usually only with Sonic. He's serious, he doesn't quite get small talk or some sayings, and his resting face LOOKS PISSED but he's just standing there.

I loved Sonic Boom as an AU, but when Shadow's personality became that in the main continuity, I was devastated. It felt like the executives took a character so beloved by us shy people, looked at his superficial design and went "Yeah this guy is an edgy dickhead"

We didn't call him edgy because of his design or attitude, we called him that because his narrative was SO MUCH DARKER than Sonic's or anyone else's. But that became the norm, everything became about Shadow being an edgelord asshole who threatens people and calls them weak and pathetic. He went from some guy who was dedicated to saving the world and keeping the peace to some jerkoff who'd tell people to kys all the time. And I was so, so sad.

And then Sonic Prime happened. And I was afraid at first to try to open my heart to the writing, because Shadow had been done dirty SO MANY TIMES...

But suddenly, Sonic AND Shadow, AND THEIR DYNAMIC was GOT. It's like they UNDERSTOOD. I'm still not a fan of the idea of Shadow not having friends, but it feels more like he doesn't have friends because he's afraid of that vulnerability RATHER THAN because he's being written as a bully.

AND IT BRINGS A TEAR OF JOY TO MY EYE. My awkward baby was back, the guy who focused on the mission so hard he'd miss the finer details at times. But also, the guy who cares SO MUCH but can't express it properly for the LIFE of him.

The guy who grabs others by the hand to pull them forward, to run WITH them. Who keeps warning Sonic not to trust so blindly because he is WORRIED about not just the consequences of the big picture, but also what that will do to his friend.

Sonic being too busy being sassy and playful that he can't realize that this IS Shadow caring, it's just not as open or casual or bubbly as his other friends. Shadow can't do that; it's just not the way he is. He's more stiff, he hates attention, he'd rather be in the background, he comes across as awkward when he's trying to be cool or serious.

But he actually seems to RELAX a bit around Sonic, and they work SO WELL together. Their personalities are TOTAL OPPOSITES but they ALWAYS attract. Magnetized together.

And it feels SO GOOD to see that understood, and written GENUINELY. AFTER 15 YEARS OF SEGA GETTING IT WRONG, we're finally giving Shadow his integrity and core BACK!!!!

And I prefer seeing ship art of them that reflects this. I used to draw so much sonadow back in the day, but I just don't anymore. Maybe I can get back into it, since I'm still too picky about fanon sonadow.

But GOD does it feel GOOD to see my boys respected narratively again!!!!

[fayes-fics]

A Job Well Done

Pairing: Benedict Bridgerton x fem!reader, Modern AU

Summary: Quickie, office sex after being reunited.

Warnings: 18+ smut, minors DNI, quickie vaginal sex, office sex, semi-public sex, workplace sex, exhibitionism.

Word Count: 1.5k

Authors Note: Request fill for Anon (ask HERE) who wanted quickie office sex with Benedict. This is lighthearted, almost crack in places tbh. Unbetaed. Thanks to my discord peeps for help with some ideas for this one. Enjoy <3

You barely make it through the door into the fancy corner office before clothing is wrenched open, both so desperate. You’ve been away on a business trip for two weeks, but it feels like two months. 

“Fuck, I missed you,” his words hiss on your lips as your kisses land wet and hot, open mouths just taking from each other.

“I missed you too,” you can barely gasp, fighting off your knickers under your skirt.

“Shouldn’t we wait until we can go to one of our places after work?” he checks.

“No, here,” you insist and back yourself against the wall, pulling him by the open fly right into you, moaning at the crush of his chest against yours.

“Really?” he sounds disbelieving, even as you roughly yank down the front of his underwear and shimmy it down his hips along with his trousers.

“Yes, really. Just make it quick,” you confirm, wiggling your skirt up around your waist, revelling in his groan as you grab his cock and pump it in your hand, standing on tiptoe to line him up with your aching pussy. 

He splutters the most adorable noise as his hot tip slides inside you, and you groan loudly in his ear.

“Say you are going to fuck me til I can't walk straight,” you command through gritted teeth.

“Okay… that,” he stumbles, still slightly stunned by the speed and ferocity this is happening at.

“Say it!” you demand.

“You already did!”

You grab his face and make him look into your eyes. “Ben. I need you to say the filthiest things to me. I'm so horny, please; don't be embarrassed.”

“We are at work! Isn't it enough we are doing this in full view of London and its recently arrived visitors!?” his voice slightly incredulous, gesturing vaguely at the floor-to-ceiling windows looking out on the crowds pouring out of St Pancras International a couple of storeys below.

“The glass is mostly reflective; they can probably barely see us,” you dismiss, hands grabbing his bottom and sinking fully onto his cock. “Fuck yesssss!” you hiss, eyes rolling back at the sheer delight of being so filled again.

“Is this revenge?” he exhales raggedly, a hand heavy on your hip as he adjusts to your heated cling. “Fucking in Ant’s office? Cos your PA told you he fucked Kate in yours?”

“Maybe,” you look askance, feeling called out but still pushing up onto tiptoes and sinking back down again as he groans with you.

His face morphs into a crooked grin, and his tone changes. “Well, why didn't you say before?” his voice turning into a velvet rumble. 

You gasp as he grabs one of your legs, hooks it over his arm and proceeds to take control just as you wanted. You moan your appreciation as he immediately starts to slam into you. You make a quick mental note that family oneupmanship is apparently an excellent motivator for him before you lose all capacity for thought.

If HR ever finds out about this, an executive fucking a junior colleague, there will probably be trouble—so it's a good thing HR reports to you. You co-founded this business with Viscount Anthony Bridgerton and have run it successfully together for the last five years. Three months ago, Anthony brought his younger brother into the firm in a decidedly nepotistic hire of in-house graphic designer after his art business stalled. You fought Anthony about the optics of it until about three seconds after you clapped eyes on one Benedict Bridgerton. And then, well, you agreed your company definitely needs someone to design PowerPoint templates or whatever he does. You resisted flirting with him for precisely two weeks, just enjoying his arse walking up and down the corridors every day doing fuck knows what.

But then it was the work party, and honestly, who can be held responsible when Anthony manages to score a whisky sponsorship? You'd be a lousy co-founder if you didn't indulge, frankly. And so you did. And you proceeded to flirt outrageously until Benedict took you up to the roof terrace and had you screaming at the London skyline. Since then, well, you've been together at every opportunity. It's especially thrilling that Anthony doesn't have a damn clue about it, either.

“I'm going to fuck you til you can't walk straight,” he growls, just as you wanted, slamming into you so hard your bra strap catches on the textured wall through your shirt.

“Oh fuck yes,” you mewl your appreciation, tipping forward to bite his neck, not entirely gently, until he hisses and moves faster.

Then, as if he can read your mind, still buried inside you, he suddenly picks you up, spins around, and almost throws you down onto Ant’s glass desk, never leaving your body.

“Oh, you fucking genius,” you compliment, grabbing his shirt greedily and pulling him on top of you, uncaring that you are sending Ant’s stationery and fancy tchotchkes flying. Your mouths meet in an artless, hot-breathed kiss, and then he starts to move again, wrapping your legs around his hips and standing up to drive into you hard.

You start to yell his name and all the praise you can think of, knowing Ant’s office is soundproofed like yours. His cock drags all the places inside that turn off your brain, not capable of anything but chasing more and now and more again. 

“Not so sure the glass is particularly reflective, by the way,” he states almost casually as he keeps pounding into you. “Pretty sure we are drawing a crowd.”

“Then fuck me really good,” is your only breathy response, unwilling to tip your head back and look down at the people below. At least at this angle, they shouldn’t be able to see his cock ploughing into you. And everything else is covered by clothing… mostly. You could just be having a very vigorous wrestling match. Kind of.

“Exhibitionist, hmm?” he hums, leaning over you and kissing down your neck.

“You’re the one who took me on the roof terrace our first time,” you point out, closing your eyes and enjoying the slide of his warm lips on your skin as he thrusts so deep you swear you’ll still feel it tomorrow.

“Guilty as charged,” he murmurs, bemused, a little out of breath now, his tongue lathing hot on your throat.

Then, there’s no talking for a while as you skate closer to your peaks. Desperate hands grab bodies and table edges, growling and moans, hot wet kisses, the sturdy glass desk withstanding his harsh strokes even as your whole body rolls on the surface. 

Then, with a dangerous smirk, he winds a hand between your bodies and flicks his thumb against your clit, and you scream. It’s the little extra sensation you need to break, calling his name, your nails scratching down his clothes, biceps clinging to him as your pussy clenches hard around him, floating somewhere on a blissful cloud, eyes screwed shut, as he growls at your vice-like grip on his cock. A few artless thrusts, and then he is stilling, groaning loudly in your ear and collapsing on top of you as he spills inside.

After a few panted moments, you feel yourself returning to the room, the power of speech returning.

“Oh god, that was just what I needed,” you huff, sated, a fuzzy, languid, bone-deep satisfaction only he can seem to provide. 

“You are welcome, boss,” he sasses with a playful smirk.

“You don’t report to me,” you point out, swatting his arm gently.

“Shame… I think I’d get an excellent review and a hefty raise if I did,” he gloats a little, dropping a quick kiss on your lips.

“I will neither confirm nor deny,” you volley back, pushing him off your body and standing up, shuffling your skirt back down your legs. 

You feel a little unsteady in your gait as you dip down to collect your underwear from the floor.

“There are, however, two things you can do for me?” you smile as he rezips.

“Anything…” 

“Tidy your brother's desk,” you nod towards the mess. He rolls his eyes, accepting his fate, seeing as it was his decision to throw you upon it.

“And?” He prompts you for the second thing as you make final adjustments to your appearance.

“Be naked in my bed by the time I get home,” you breeze as you reach for the office door handle. “Feel free to tie yourself spread eagle to the bedposts if you’re feeling adventurous,” you end with a wink.

“How exactly am I supposed to do that with only one set of hands?” you hear him call after you as the door closes behind you.

With a huge grin, you saunter down the corridor, phone in hand, already texting him a reply.

Y/N: You’ll figure it out. You’re the artist, after all.

BB: I’m a landscape painting artist, not an escape artist.

Y/N: potayto, potatoh…

BB: I’m getting a round of applause from what looks like a stag do outside, by the way…

Y/N: See? There’s your glowing performance review. 

BB: … 🤷‍♂️

Y/N: 😘

Benedict taglist: @makaylan @foreverlonginguniverse @iboopedyournose @colettebronte @aintnuthinbutahounddog @severewobblerlightdragon @margofiore @writergirl-2001 @heeyyyou @enichole445 @enchantedbytomandhenry @ambitionspassionscoffee @chaoticcalzoneranchsports @nikaprincessofkattegat @baebee35 @crowleysqueenofhell @bridgertontess @fiction-is-life @lilacbeesworld @angels17324 @broooookiecrisp @queen-of-the-misfit-toys @eleanor-bradstreet @divaanya @musicismyoxygen84 @benedictspaintbrush @miindfucked @sorryallonsy @lilithseve @cayt0123 @hottytoddyhistory @truly-dionysus @fictionalmenloversblog @zinzysstuff @malpalgalz @panhoeofmanyfandoms @kinokomoonshine @causeimissu @delehosies @m-rae23 @last-sheep @kmc1989 @desert-fern @starkeylover @corpseoftrees-queen @magical-spit @bunnyweasley23 @how-many-stars-in-the-sky @amygdtjhddzvb

[safetycar-restart]

while i come up with some free use content...... have some bp!charles for tomorrow.....

okay see maybe i'm a bit dense since this includes cunnilingus but it's not f!reader who receives it????? so it counts????? i mean i'd write one either way. doesn't matter!!!!!!

okay well

i'm thinking pulling charles to the restroom at a fancy ferrari event, locking the door behind you for obvious reasons. and it's no surprise that charles is all over you. you're surprised he's not leaking through his suit, not just his underwear.

and, as per usual, he looks like a god either way. that tiny waist. he’d look so good with his leg hiked up against a sink in a restroom at a place full of people and associates who know him for being ferrari's golden boy, getting his cunt ate while he's wearing his expensive suit with the ferrari badge, trousers down at his ankles.

which is exactly what's going on, of course.

he's gripping onto the sink for dear life, his eyes are closed and his mouth is agape, and he's trying so so so hard to be quiet, all that's leaving his lips are pants and soft whimpers, little whispers of "mommy" and "please", but trust me, if he could be loud? he'd be fucking tearing the walls down.

and it's absolutely no surprise as well that he's making a mess when he cums, he's dripping by the time it's all done. he's breathing heavily, repeating "thank you" over and over again as you spill praises into his ear, pulling his panties and his dress pants up. he shifts his legs a little, he feels the... more wet than sticky feeling over his inner thighs and his panties, and he whines at it. and the poor thing can barely walk. his legs are shaking like crazy when he straightens up, and he's relying on you holding him to get him back among the people.

and if they can't tell what happened just now, then that's just amazing.

THE IDEA IS GREAT BUT THE EXECUTION IS NOT BECAUSE. I DON'T KNOW?????? THE MONTH OF NOT WRITING JUST ABSOLUTELY RUINED MY ABILITY TO DO SO??? hope u enjoyed either way i love charles i love u all 🙏🙏🙏

📓 ANON THIS IS BRILLIANT OH MY GOD! NOT WRITING FOR A MONTH HAS CERTAINLY NOT RUINED YOUR WRITING ABILITY I AM IN AWE OF THIS. This is perfect. 10/10. Exactly what kinktober is all about.

Firstly, he would have been horny the entire night. Because of course he is! He's at a fancy event with his mommy! His mommy is in a fancy dress and he's at his mommy's side the entire night and even though he's the one who was invited and his mommy is his plus one, his mommy is the one leading him around and starting most conversations and he feels like a good little slut being shown off.

He behaves himself for about an hour and a half, and then he reaches his tolerance for how long he can stare at your chest in a fancy dress before losing his mind and you need to get him somewhere private before he starts crying. He needs attention! Right now!

You can see it immediately when he gets desperate, moves from having an arm your waist to clinging to your arm, trying to nuzzle against your nest cause he's needy! His mommy needs to help him!!

So you take him to the bathroom, thanking the heavens that the bathrooms are big cubicles with their own sinks. You lock the door behind you, and instantly Charles is on you.

He's whining in your ear, clinging to you because mommy!!

You chuckle at him, pushing him up against the wall and feeling him up. He melts under your touches, relaxing against the door as you unzip him and cup his pussy through his panties. You can feel how wet he is.

He immediately starts to buck against your hand, seeking any stimulation he can. You wish you had the time to tease multiple orgasms out of him, to kiss every inch of him and make him absolutely soak the bed.

But at most you have a couple minutes to make him cum in order to calm him down. So you have to be quick.

He whines when you step away, trying to get closer again because any space is unacceptable, but then you take him by the shoulders and drag him to the sink. You make him lean against the sink, pulling his panties down and parting his thighs.

And oh god he's so turned on. The poor thing! His pussy is bright red so wet, clenching around nothing.

You get down on your knees, because you have to taste him.

You just start by licking his clit, getting into a rhythm of sucking and licking his clit, inserting two fingers into him and curling them upwards to keep pressure on his G spot. He cums embarrassingly quickly, crying out and clenching around your fingers, having to bite on his own hand to keep himself from screaming.

The moment it's over you stand up and pull him against your chest, letting him collapse against you to recover. He breathes hard, mumbling 'thank you' softly against your shoulder, relaxing into your arms.

When he's caught his breath, you pull his panties and pants up, zipping them up for him and then giving him a nice kiss.

"Thank you mommy," he tells you, "you always take such good care of me."

"Of course darling!" you tell him, giving him another kiss for being so good, "you're my good boy!"

He sticks to your side for the rest of the evening, happy and soft, feeling satiated and he genuinely enjoys the rest of the event because he's feeling all soft and subby and his mommy is taking care of him!

[skyeslittlecorner]

can you post some photos on chapter five? ive been struggling to get to it and im impatient if ykwim 😭😭

Don't worry anon, I got you covered! Let's break this chapter for three parts - one for story and for one for both H-scenes. There are a lot of things to look forward to~

Warning: HEAVY SPOILERS BELOW THE CUT. In fact, I'll try to shorten the whole thing and focus on plot-relevant facts, so for those who want to go through chapter 5 on their own, come back when you're done! (Or just skip to h-scene, they are marked.)

Ch5 - STORY

First, I would like to warn that my opinion about it may be unpopular. As someone who hadn't paid much attention to Hades before, I fell in love with it after this episode. I adore ch5. A lot of people hate these boys to the core for what they did, and I understand and respect their opinion, but I'm with Hades here. I would love to analyze their behavior in more detail, but we don't have time for that today.

Summarizing this chapter is going to be hard because a lot of things happened. Let's go!

We start by going down a slide sponsored by Leviathan and his Lovecraftian friends (TM). But worry not! It seems we have friends even in the realm of death. Say hello to grandpa!

We talk a little, being in a questionable mood. Well, who wouldn't be? But we have the opportunity to know Solomon better, and I'm getting to understand why all devils love him. By the way, it turns out that we are his last descendant.

Sorry Solomon, you're still a peepaw.

He also advises us not to be afraid of Leviathan and not to be submissive to him, and then in a brilliant way he sends us back to the world of the living. Of course, our beautiful king is delighted.

We take Grandpa's advice to heart and finally stand up to Levi. He's surprised, but he doesn't try to kill us again (for now). We witness him hanging one of his subjects, who dared to ask about an accident from 311 years ago.

Fun fact. Devils must have much stronger spines. Do you know how people used to die by hanging? The first methods involved cutting off oxygen, but later they involved into breaking the cervical spine and this was considered a standard hanging execution. Leviathan must be gentle (how bad it sounds in this context), he could kill instantly with a loop like that.

Back to the point. We find out that we also have a noose around our neck, and Leviathan makes use of it. We're hanging, but we finally begin to meet Leviathan's nobles one by one.

Glasyal plots (and ends up hanging for it), Foras argues with him, along the way we learn that Leviathan needs us in his plan, and, you know, maybe killing us isn't the smartest thing he can do. Only Barbatos realizes that maybe it's a good idea to stop hanging us like wet laundry. He's the only one so openly nice to us.

Remember that.

Another fun fact, our MC is of medium height (~160 cm I guess). Leviathan is 187cm, Foras should be similar. I only noticed this because I myself am 180 cm so they are not so strappingly tall for me.

Foras wants to take us away from Levi and explain everything calmly, but the king does not agree. We learn that the guys know where the seed from the Tree of Knowledge is. We're supposed to go with them, and we have about a 50/50 chance of survival. Also, we have the opportunity to see a very rare phenomenon, a joking Leviathan.

Sweetie.

Colossally shortening the rest, the cavalry arrives! You didn't have to. I haven't had time to fuck them yet.

And this cavalry is very much at odds with the nobles of Hades. Most of the time is them arguing. Fortunately, they didn't kill each other…

...because Barbie decided to kill us.

Barbatos is poisoning us to force Bimet and Valefor to join the plan. While we are unconscious, we have flashes of Leviathan's past, which is too sad to analyze considering that we are about to jump to hot scenes now. Besides, most of us already know what this is about. Experience it for yourself. Really. We also learn that not only angels experimented on children, and a little about Mammon's childhood.

In the end, we learn that in Ch6 we must visit the abandoned laboratory in Tartaros, where the seed from the tree of knowledge should be, because as Solomon's descendants, we may be the only ones who will not be killed by it.

Ch5 - VALEFOR H-SCENE

(I really wanted to post CG from Valefor's scene here, but I don't know if Tumblr will block it.)

TIME FOR DESSERT!

Bimet is the first to realize that we lack devil energy. He wants to take care of it, but Valefor brushes him off, sends him to scout, and overall Bimet is our wingman, what a bro lol

Since we are away from Satan and Gehenna, we cannot summon Minhyeok's room. MC thinks she's outgrown it anyway. So we can count on the next scenes to be more and more creative.

It all starts with us telling Valefor that he reminds us of Mammon. And what a beast it brings out of him.

And he loves it.

...aaand then, someone wants to interrupt. Bimet informs us about this and goes to chase them out. Valefor stands with us at the door to see if anyone else is coming. Yes. Naked. With us. In us.

Fortunately, no one catches us and after the entire session we fall asleep in our knight's arms.

I really would like to do more screenshots, but tumblr is blocked… and there's one more part to come.

Ch5 - LEVIATHAN H-SCENE

At least you look beautiful and the platform won't block you.

And here's what I love the most. It was sick. I'd love to experience it again.

I would love to make a whole post ONLY about this and just leave the screenshots.

We are in Leviathan's office, and he interrogates us when we feel like we are lacking devil energy. We want to go to Bimet, but do you think our jealous king will allow it? Oh no no no. And of course, his hands land on our chin and then our neck. He doesn't like our hickeys.

We start asking him valid questions like "why are you jealous of us if you hate us?" So he silences us with a kiss. A deep, suffocating kiss. This is also how Leviathan discovers that we gain their energy through "intercourse with the devil".

And how can I not fall in love with this idiot.

The conversation that follows gives us some light on his approach to sex and to relationships in general. Which is… sad. It fits him perfectly, but it's sad. And I would also like to analyze this someday, this character is beautiful and how he's written is even more beautiful, especially from writer's point of view. He does not want the admiration of his people or the hatred of angels. The only thing he can believe and consider to be sincere is that someone's dislike. This is something that might actually turn him on.

At first he rules, he asks questions and he hangs us. And he does everything he can to piss us off. He hands us a whip and lowers us down.

Just disliking him isn't enough, and he works diligently to make us hate him. He insults Minhyeok, us, wishes us dead, and the more he sees our anger, the more he gets excited and talks more. He knows that we are connected to Satan and we will know how to release our anger. On him.

He finally got what he wanted. We straddle him and, with the help of Satan's strength, begin to strangle him. Neither you nor he are gentle.

Also, his words (unfortunately, I already have a limit on screenshots). "Do not bite your lips. Bite mine instead." I beg, let me violate him even more.

Compliment from Leviathan, nice. In the end, we fall asleep cuddled up to him, and he has no intention of giving us up to anyone. As in the case of Sitri, he only opens up to us when we are so unconscious that we do not see his softer side.

꧁:･ ✡ ･:꧂

AND THATS ALL! What a ride it was, I hope I was a good guide. One day I will go into the Hades boys in more depth, but for now, let this be a shortcut for everyone who is still struggling with ch5.

[schlatt-love-bot]

Chuckle Diner (Prologue)

so, i've been a little influenced by my current obsession with bistro huddy on tiktok as well as a few ideas i've seen floating around here on tumblr of executive chef!schlatt x hostess!reader, and thus chuckle diner was born. this is simply the prologue—the first chapter i'm hoping to post some time this weekend!! enjoy, and let me know your thoughts below~

Moving to a new city was never easy, especially when you just up and left your old life behind. Fresh starts were exciting to you—you enjoy the thrill of meeting new people, making new connections, and the idea of starting over again—but no one warned you before you left your small town two states over how hard it would be to adjust to life when you had little to no money left in your savings. 

“I don’t know, man. I just thought things would click for me when I left home. I thought the puzzle pieces would start fitting into place, that life would get easier.” You sighed, sipping the last few drops of your drink before putting the empty glass back on the bar and turning to the patron beside you. 

“Well, I think you’re just not putting in the effort to make things better. Have you even considered starting to look for any jobs around here, (Y/N)? I can’t keep supplying you with free drinks forever.” Charlie let out a chuckle before signaling to the bar tender to serve you both one more drink and then to give him his tab. Charlie was one of the first people you met in this small town, at this exact bar where you two sat now. He was one of the only people in the place to go out of his way to talk to you—and not just outright flirt with you like the other fine specimens in the joint had done. Needless to say the two of you hit it off, and you’ve made a pact with him to meet at the bar at least once a week to check in and see how one another is doing. 

“Well…I haven’t exactly started…it’s just hard! I’m not really qualified for much, I just barely graduated high school, and I never went off to college…” Your voice trailed off, while Charlie shook his head. 

“You know, this diner down the way is actually looking to hire, I’m a regular there since a couple of my other friends work there. Maybe you can apply there!” He says, a glimmer of hope in his eyes as you take a moment to consider his proposal. 

“A diner Charlie? Really? I’m not fit to be in the kitchen, and I’m not the most coordinated person in the world so being a server is definitely out.” You said, looking at him with disappointment. 

“Good thing for you the position they're looking to fill is for a hostess, and they’re in desperate need. Swing by tomorrow morning and I can guarantee you’ll be getting yourself a job.” He says, finding a pen and a scrap piece of paper on the edge of the bar to write down the location of this diner before sliding it over to you, finishing his drink, and leaving you to ponder. 

Chuckle Diner, you read in your mind. Maybe it wouldn’t hurt to give it a chance in the morning. 

__________________________________________________________

prologue complete! let me know what y'all think!! i'm really excited about the potential this series has!

[gffa]

Have you watched the First Okiro's recent Star Wars video? He made a really interesting case about how TLJ Luke was a form of character assassination. When I saw the ask you answered about how Luke treasured Yoda and read the last paragraph, I thought maybe you'd agree.

https://youtu.be/r0I86ii2N_8?si=-oHY6dQsFBsSAfPv

Hi! Honestly, I pretty much refuse to watch any Star Wars video essays anymore because so many of them are anti-Jedi and I don't think it's fruitful for any of us for me to put myself through that, they don't gain anything, I don't gain anything, etc. So I have no idea what the case being presented in the video is, I'm only going on "character assassination" in TLJ and how I actually disagree. I mean, I think it was poorly executed in some ways, but that the basic concepts of it are ones I actually think are the best parts of the movie. My problems with TLJ's Luke story is that I think the extremity of it was too much, that him being on the island for six years without contact with anyone was too long for how I see Luke, as well as I think the structure of having Han die and not showing that deleted scene of Luke mourning his death, of having Luke interacting with Rey but making it all about Ben, none of that worked for me. But what does work for me is that the idea of overcoming pain and suffering is a one-and-done deal is just not how Star Wars or the Force works. Luke very nearly fell to the dark side in Return of the Jedi, that wasn't just put there for the aesthetics, that was something he was genuinely teetering on the edge of, he was raining hell down on Vader when slicing away at his arm, Sidious genuinely felt the anger and rage roiling inside Luke, he had to struggle to turn away from it and embrace what it meant to be a Jedi.

That's not a one time struggle--that's something characters face their entire lives. And if you include the Disney comics (which are really good imo), Luke struggles with loss and pain and anger after the defeat on Bespin, he has to struggle through not falling to the dark side again. And, hell, even MARK HAMILL says that Luke's fall down the reactor shaft on Bespin was akin to him basically trying to commit suicide because he was so devastated. So I think it's fair that Luke could struggle with that again later in his life, I think it's fair that after pouring everything of himself into building up the Jedi again, to have it torn down by someone he loved, someone that he may have bordered on attachment to (as Star Wars and the Jedi define it--love and attachment are not the same thing, attachment is the desire to hold onto something/someone so tightly because you can't live without it and thus you can't see it clearly, which I think I could believe of Luke, that he was so blinded by his desire for what he wanted for Ben that he couldn't be objective about him, just like he struggled with loving his sister so much that rage boiled inside of him when Palpatine threatened her and Luke's friends on the second Death Star), that he retreated because this felt so massive and he felt like he was the only one who could build this school and that he pulled these kids into this life. Like, it's fair that Obi-Wan struggled with Anakin's betrayal and cut himself off from using the Force on Tatooine, so I think it's fair that Luke struggled with Ben's betrayal and cut himself off from using the Force on Ahch-To--they both had to process that grief and it's not always a perfect path when it's someone you love that dearly and were so incredibly close to. Ultimately, the entire speech Luke gives is one that is DESIGNED to be knocked down, he is literally standing in front of the First Order and facing them down with his laser sword at the end of the movie, Rian Johnson literally says that it was Luke's personal failure, not the failure of the Jedi religion, and Luke finds his feet again. And that's my guy!!! The guy who makes mistakes, but is such a core of goodness and compassion and care for others that he eventually gets over these massive hurdles placed in front of him, and so that part of Luke's story worked for me. I'm just not wild about the finer details of how it was actually executed, even if I think it's fair to point out that Rian Johnson was handed a pre-existing situation that he then had to reverse engineer a backstory for with an extremely limited time to do it, because apparently THEY DIDN'T PLAN OUT THE TRILOGY AHEAD OF TIME for fucks sake.

[soulfulazrael]

Who am I and what I write. The tale of a weird as all Hell fanfic I put too much time into about an odd ship.

So... If anyone here cares I am a Hazbin Hotel and Helluva Boss fanfic writer (and I am 23/24 year old. Depressing isn't it?). Although I can't exactly call myself the biggest fan anymore. I do love the potential those series have and the ideas in them, but I am not a nut over the execution. In fact I say it is pretty bad in many respects and I think Viv and her writing team do not utilize the full potential of what they have on their hands.

What I want to do is well... Do something I would prefer this world they created to be. So I make several odd as hell Fics. Or at least one now. As you can see from the image about Stella and Moxxie (art btw is made by talented @Caffe1neW1tch on twitter). Now I know, I KNOW how she is in the show... I can explain my case. I do change her character quite significantly from what she is in canon show (as I do so with MANY other things). To something I would prefer her to be. Something while still deeply flawed being more dignified than what she is in Helluva Boss season 2 as I think the direction they took her character was severely disappointing. I can't say they retconned her, but I have to say they went overboard with the direction she was taken. Way too far into just pure Hate Sink. Something I would prefer if it wasn't done at all with a character tied to such a potentially interesting conflict.

Not to mention the direction Vivienne took the world of Hell and it's characters... I must say. I do not enjoy how easy it is to say who is good and bad in both of her shows and how similar Hell is to Earth. It honestly robs the setting of it's potential as it is perfect place to explore some deeply disturbing characters with interesting alien mindsets and their own unique conflicts as it is hard to grasp who are you supposed to root for in the end. But both Hazbin and Helluva greatly miss the mark on that front as every character is either without a shadow of a doubt a good guy (that at most cries, swears and likes to tell sex jokes because I guess that's enough to say character has depth these days) or are so cartoonishly evil and stupid they make Team Rocket look competent and make Micah from RDR2 and Erebus from 40k say "THAT'S NOT SUBTLE ENOUGH!". Not to mention how similar so many of her characters are and how limited their interactions are, the treatment of Heaven, the confusing character arcs... You know what. Issues with both Hazbin and Helluva are too many to count, too many for this post, but I also say they are not TERRIBLE shows, they are just shows that disappoint me at every step for the last few years.

And now I get to the crux of this elongated point. Again. I'm writing fics and one of them is Song for the Quiet Bird. A fic I say is best to read on a site AO3 (but it is also on Fanfic site if it's up to your speed) where I try to explore hell in more meaningful ways and make their culture more unique while telling a story of a very strange ship which is Stella and Moxxie. And do not worry, I am not going on any "Millie is dead" kind of cop out. I am into doing things in an easy way. And here is the link to it:

I also make another fic called Torments of Sinners and Imps which you may find on my profile as well which delves more into Angel and Moxxie, but that one for now is on a break. In a way Song is too, but I do hope I'll post a chapter for that one soon (personal issues and family issues).

Alright, if anyone is interested or sees this post I hope that you will enjoy my take on this series. Will post something more here? I dunno. Maybe? But anyway I just want more people to see it and maybe give their opinion on it which is what I always want to hear.

And I may post more things about what I do not enjoy in those shows and how I think they could be fixed. Talking about several things in both shows that irk me the wrong way.

Also given how deeply I go into the worldbuilding in my fics I may also post some stuff about how I made some things work there and things about culture of Hell I came up with and mythology there... Or maybe just talk about some philosophical mumbo jumbo that I sometimes think of. But whether or not I do it, especially consistently will be another story. If anyone sees this, thanks for sticking around. If anyone is interested in my works or opinions share your thoughts. If anyone hates my guts for the things I write about and my opinions of these series... Can't say I am surprised some people do hate those. You are free to share your discontent too. I welcome all voices. At least until they make my head hurt, then I just take a nap.

Anyway. I rambled for long enough. Again check out the fic if you are interested. Wont force you. If you do so leave a comment which is the most important thing for me when I write something. Hearing what people like and don't like. Have a good one and I hope you enjoy yourself. If not with my story then in your life whoever you are (as long as you are not a total POS).

[pink-tonic]

A New Week, New Trouble📰

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Warnings: Mentions of the reader's scar

I walk to school with both of the siblings. Last week on Friday, they were asking me where I went on Thursday, and I had to lie. I really had to. I didn't want them to get worried. But Taeko's satisfaction made it all worth it. She happily told me and Taro that Mr. Rana wasn't at school anymore, and the rumors of him getting arrested started to spread quickly.

"There really isn't a dull moment at this school," I remembered Taeko told me, and I can't tell if that's a good or bad thing. It makes things interesting, but it would be nice to have a normal week for once. I feel that ever since coming back to school, after the death of that first-year, everything has been different. It's like we crossed a point of no return as a school.

Either way, I still need to think about how I'm going to execute my own plan of sending Ayato to jail. How will this work? Maybe taking a picture of my scar would be a good move? It's evidence of his attack, but then again, there is no evidence that it was actually him. I know it was him because I experienced it, but outsiders looking in won't know that. Plus, he cleaned up all the evidence, and I doubt there would be any evidence left since it's been weeks since it's happened.

As I'm taking off my outdoor shoes, I start to hear what people are saying. I expected to hear conversations of Mr. Rana being arrested last week, but I heard something else.

"Wait, he's back? I thought he got kicked out."

"Why would the headmaster let him come back?"

"Remind me never to go to the incinerator."

"Did you hear? The leader of the delinquents is back!"

I guess my hopes of this week being normal are gone. Now, the leader of the delinquents is back. He's been gone for seven or so weeks because right before the murder of the first-year student, he was suspended. I'm sure people would have blamed him for the first-year's death, but he wasn't on campus at the time.

I never really talked to any of the delinquents, and I think it's better that way. I have no business with them, and they have no business with me. It would be best if I stayed clear of them.

︵‿︵‿୨♡୧‿︵‿︵

The day went by fast and it actually felt kind of normal, only for the fact that the leader of the delinquents came back, but as long as I didn't get involved it could actually be a regular week.

I go to the club room and I start to set it up with the siblings. We arrange the tables and chairs into a makeshift circle. When we're done, the other club members start to come in with their snacks and drinks. They each take their usual seat and scatter their snacks on the glossy, wooden tops of the desks.

I see the clock hit four o'clock and I take my own seat. "Alright, I know what happened on Thursday, which made it so the paper couldn't be published. I know some of you told me in person or texted me the information. So, this week, let's try to make something great! What ideas do you guys have or what ideas have you been working on?"

"Oh!" One of the female's club members raises her hand quickly.

"What do you have?" I ask, wondering and a little excited about what idea she might have.

"So... I went to bother someone for an interview," she said with a bit of embarrassment in her voice.

"Really? Who was it? I hope you didn't annoy them," I tell her, slightly scolding her since when we ask for an interview, I tell them that we should be as respectful as possible.

"Well, it's with one of the delinquents."

"What?" All the club members except me yell out in unison. They then start to whisper to each other about who the delinquent is since it could be any of the boys or girls, or even the leader.

"But there is one problem," she tells us with a bit of worry in her voice.

"What is it?" I ask as I tilt my head to the side.

"Well, I can't be the one to interview him. I annoyed them so much that they asked for someone else to do it, and they said that they wanted to talk to our leader," she quickly tells all of us. Her words don't fully process in my head, but it did for the other members.

I can feel all of them look at me with worry, and I know that I have to make them feel better towards my safety. "Alright, I'll talk to him. Did you set up a time?" I ask her, hoping that the time is a good time for me.

"He told me after all the clubs are done."

"Alright, I'll go," I then look at the rest of the club members, "Any other ideas?"

︵‿︵‿୨♡୧‿︵‿︵

"You seriously want to go by yourself? Are you crazy?" Taeko asks me with both worry and anger.

I nod my head, "He wants to talk to me, and besides, I don't have bad blood with him. I don't even talk to any of them. I'm sure that I'll be alright," I try my best to make her less worried.

She lets out a sigh out of exasperation, "Just don't be so sure. C'mon, Taro."

Taro waves to me and yells out,'Good luck'. I wave back with a smile. I quickly start to make my way to the side of the school. It doesn't take long for me to make it, but I do find it a little creepy that the school is this quiet. Just earlier today, people were talking their heads off about the leader of the delinquents coming back.

As I walk closer to the incinerator, I see a tall figure standing at the entrance of the small structure. As I keep walking, my eyes widen. This isn't one of the regular delinquents. This is the leader. I start to get nervous, but I need to remind myself that if he sees that I'm nervous, he will use it against me.

I make it to the entrance of the incinerator, and I can feel the leader of the delinquents looking at me. I could feel his sharp eyes look up and down my body. It made me feel nervous, but I had to recompose myself. I can't let him know that I'm nervous around him.

"So you're the leader of that little reporter club, huh?" He questions me as he sees me walk up to him.

"Yeah, and one of my club members told me what happened," I told him as I stood in front of him. I stand up straight and look up to him. I curse myself because of my shorter height.

"God, she's annoying," he tells me without any hesitation, "Tell her not to come back here, or I'll make the girls set her straight."

"Yeah, I'm sorry," I quickly apologize to him, "I'll make sure she doesn't do that again."

I'm about to take my leave and leave the school, but I can hear his rough voice call out to me. I turn around and look at him.

"What is it?" I ask him, wondering what he would want from me now. I thought I took care of everything he needed. What more could he want?

We both stand in silence. He doesn't say anything and just looks at me. "Is there something wrong?" I ask, hoping that I would get an answer and leave.

I swear for a moment I could see him blush, but maybe it was because he was embarrassed. He most likely forgot what he wanted to tell me, and I was proven right.

"It's nothing. Just leave."

I quickly leave and make a beeline towards the exit of the school.

[zukosdualdao]

Im glad to read the takes of a fellow zuko stan :)

Honestly, it feels like people just hate on him way too much lately. The posts ive seen on twitter, on tik tok, on tumblr... Do people just not like him anymore? Why did everyone turn against him so suddenly? I've been hoping it's something temporary, just a trend, but. I don't know anymore. People mock his disability, spit on his trauma, wish death on him and interpret everything he says or does in the worst possible way. I saw someone crying about how entitled he was because he took aang's seat when watching the play just the other day lmao. Another person wrote about how mysoginistic he was because he didn't remember katara's name when asking about kya's death to sokka? There are those who even call him a colonizer on the same level as iroh lmao. It seems their justifications for all the salt they throw his way are along the lines of "he's been loved for too long, aang stans have suffered way more, people just watched the show again and realized how bad he actually was, he's catching strays since his fans keep setting him up, his fans paint him as perfect and erase every bad thing he's done" etc etc. I'm all for criticism and deeper character analysis, but this is just said in bad faith. I also think it has a bit to do with how different engagement has become in fandom spaces recently (things people support in fiction need to be morally correct) and well, zuko was the perfect target. He's done bad things, sides with the villains for a good portion of the series, redeems himself but there are things he still has to work on... I don't know, it's been getting to me. There are many other harsh things ive read said about him (like implying how every single member of the gaang hates even after redeeming himself), but i honestly don't have the energy to delve into each and every one. His arc was poorly executed and his development was badly written now, apparently. I kind of just ranted here, i apologize. Im very happy to read the posts of someone who genuinely likes him and doesnt throw him under the bus to defend or elevate other characters...

hi! i'm glad you're enjoying my blog <3 and no need to apologize for the rant, i'm always happy to talk about zuko!

about to theorize a bit as to why it seems like maybe zuko has become a more contentious character, but it should be noted i have not been exceptionally, actively involved in the fandom very long. i loved atla as a kid, have retained fond memories, have witnessed some discourse from the fringes over the years, but only recently has it overtaken my brain to the point of making a whole blog about it. lol. so, like, grain of salt, etc.

i think a big part of it is what you said - in the last few years of fandom in particular, it feels like there has been a huge upswing in purity culture, moralizing liking/not liking certain ships or characters, and an overall increase in very black-and-white thinking. there's also an emphasis on "holding people accountable" (good in theory), often without specifying what, exactly, that looks like (less good). the idea then becomes that if you've done harmful things, there's no way you can ever make up for them and should just, like, hate yourself for all eternity and also die, probably, which is not actually helpful to anyone.

so, i think for those who ascribe to that mindset, zuko is a prime candidate for them to criticize. and while there's nothing wrong with criticizing a character or their arc or writing if you truly have a problem with it, as you've said, a lot of the time, criticisms against zuko don't seem to be made in very good faith. after all, a big part of zuko's arc is having to unlearn some very black-and-white thinking. also, zuko is not a real person. he is a character, and therefore a narrative tool, and if we want him to be 'held accountable', we need look no further than the story itself, in which he is probably the character the narrative holds the most accountable for his actions due to his prior status as a villain.

(it reminds me a bit, actually, of another favorite character of mine: alec in the tv series shadowhunters. he starts out the story already in a heroic role, unlike zuko, but a big part of his narrative is unlearning some prejudiced cultural mindsets and challenging not only his previous ideologies, but his conception of himself and the people in his life as well. as a result, alec can look sometimes more obviously flawed than the other main cast, but the point is that the narrative asks him to examine those flaws and change and introspect and grow in a way that it doesn't always ask of other characters when they are showcasing their own flaws. which does make me thing about zuko vs. aang in the atla narrative.)

the other thing i think is contributing to zuko's more contentious status in the fandom is how long atla's been in the cultural consciousness, and how common it is for things that used to be popular to cycle through to people starting to criticize or actively hate it to people saying "no, actually, it's still pretty good, you just don't want to like a popular thing" (this is me rn), to maybe eventually getting popular again/at least in certain subsects of the audience. zuko was probably one of the most talked-about aspects of atla for a long time, and while i can understand how that could get frustrating (because there are some other really great characters and aspects of the story!), that's not, like, for no reason. people connected with and admired his story for a reason, and many still do, and (in my humble opinion) that is because it is one of the most thought-out, intentional, and nuanced character arcs of the show.

the ableism, i think, really gets to me because like... even if every criticism from the people who hate him were 100% accurate and said in good faith (they're not, but let's pretend for a minute)... that still wouldn't be an excuse for ableism against a character with a prominent facial difference (or making fun of abuse survivors for the permanent injuries they sustain from abuse.) if zuko had never redeemed himself and stayed a villain, it would still be wrong to talk about his scar and abuse the way some of his detractors do. and the show agrees with me! you know how i know? the only two characters to ever make fun of zuko's scar are villains in the narrative: zhao and azula. ("make fun of" might not be quite right for zhao, since what he said - "you have the scar to prove it" - is far more matter-of-fact than azula imitating him by covering her eye or "make sure they get your good side", but he's absolutely being a huge jerk about it.) other characters react to zuko's scar in all sorts of different ways, even when he's still in a villain/antagonist/anti-hero role: zuko's crew is horrified to learn how he got the scar, song sees a point of connection and tries to reach out to him, but, while i think well-intentioned, she breaks a major boundary by trying to touch his scar when he hasn't conveyed he's okay with that, jet makes assumptions about his background because of it, lee, the kid from zuko alone, asks with curious, childish naivete how he got it, only for his father to reprimand him for asking, aang reacts with annoyance/boredom to azula's ableist joke, and katara trips over her words to correct him when zuko thinks she's essentially calling him "scary to look at". not all of these interactions are positive, but the characters (all of whom are written as pretty sympathetic, even if also flawed) aren't outright trying to make fun of him for it, and the narrative never implies he deserves to be treated as less than because of it, even before his redemption.

anyway. if people don't believe in characters' (and, hell, irl people's) capacity for growth and change and don't want to have nuanced discussions about how trauma can impact these things, i mean... that's their prerogative, but i don't understand why they enjoy the show, because those are big parts of it (and not just wrt zuko.)

i know it can be frustrating, anon— trust me, i get very frustrated. but i promise you, there are plenty of people out there who a) still love zuko and his story and b) are capable of and willing to talk about things with nuance and in good faith. i'm happy to be part of that corner of fandom, and i bet you can manage to carve out a space where more people like that exist, too! <3

[royboyfanpage]

oooh ok i have a roy question for you! you mentioned in your 'favorite thing about roy' post that him killing electrocutioner was in character for him (i think i agree), could you expand on that? also, regarding rise of arsenal*, is there anything else from it that you think has bits of good characterization, or at least could have if actually done well?

*which imo is pretty awful and poorly executed (and i hate the idea of antihero/villain roy SO much). dead cat panel my beloathed.

Hi, thanks for the ask!

I'm gonna preface this and say I totally agree with you on hating Rise of Arsenal. I know some people really like it, and I can respect that, but personally I really didn't like it. It did it's job of making me cry (every time I have to collect panels from it I tear up), but other than that it was very much just shock value and didn't show much care for any of the characters portrayed in it imo. I also didn't like the way that Roy killed the electrocutioner, I said in my original post that it felt like a villain origin story and I stand by that, it reminds me a little of the Joker movie in some ways which isn't a positive.

That being said, I do think that Roy killing the electrocutioner was in character. I don't think Roy's a killer, which is what RoA seemed to imply (very "one bad day"-esque), but I do think that Lian's death would be the one instance he'd make the conscious decision to take a life. I'm a little tipsy tonight so I can't think of any other examples and I don't have the energy to go searching through comics so take this all with a pinch of salt, but the one example that comes to mind is in his Arsenal mini, where he teams up with Vandal in order to save Lian. Sure, he ends up switching sides mid-fight, but Lian's alive and there's a very real chance that he can find another option to save her (which he does). But I think that comic demonstrates that Roy is willing to bend his moral code when it comes to Lian. I mean, in that same mini it shows something similar, him taking a life in order to protect someone else in the Checkmate flashback in issue 2.

I'm not saying that Roy's an anti-hero, in fact I think he's actually a really good symbol of what a hero should be most of the time, he's a genuinely good man who gets back up when he gets knocked down, and while he does have a reputation of being I guess 'sleazy' he's actually closer to being a boyscout. I can't remember where but it's like that issue in Outsiders where Grace says that Roy doesn't belong in the Outsiders, he's too much of a 'conventional hero' I guess.

But I also don't think his moral code is as strict as, say, Batman's. I know that Bruce did initially want to kill Joker after death in the family, but that whole comic was kinda a mess (Joker being an ambassador for Iran will always confuse the shit out of me), and the main conflict of UtRH was Bruce not killing the Joker, so I'm focusing more on what happened than intent. Although, that is actually another good comparison point for UtRH and RoA. Bruce had Clark there to stop him, whereas throughout RoA one of the biggest points (which I hate) is Roy's isolation. Dinah, who's consistently been one of Roy's biggest supporters, is barely present, and most of the people in his life either dismiss his grief or actively make things worse for him, which really made it easy to kill the electrocutioner. Anyway, I realise I've digressed a lot from the original ask.

Yeah, I do think that killing the electrocutioner was in character for Roy. Again with the Bat comparisons, excluding whatever the hell was going on after Jason died in Death in the Family, Bruce has to be Batman first. Bruce can't kill the Joker, because Batman can't kill the Joker. Roy? He's always been Roy first, at least in my opinion. A lot of the time his identity's at least somewhat public knowledge (Istg there's a panel where he says that, maybe in Titans '99, but either way he literally just wore sunglasses as his disguise for a big part of his hero career so I mean. Who's he hiding from.) Ever since Lian was born, he's been a father first hero second a lot of the time. It reminds me of that video of "would you kill for your kid", and I think Roy would. I think that without the fear of 'what'll Lian think', Roy would be pushed past that point needed to take a life. I don't think he'd become an anti-hero because of it, I hate pretty much everything post-RoA in the New Earth continuity in relation to Roy, but do I think he'd avenge his baby? Yeah.

And for the second half of your ask, the thing is I don't per se think Roy's characterisation was the issue. I think it was mostly the characterisation of everyone else around him. Roy should not have been that isolated during RoA. Plus the writing was all shit, it was just an excuse to have Roy relapse. I'm not saying that Roy relapsing was unrealistic after what happened to Lian, but it's clear that the writers genuinely didn't care about telling a story of grief and addiction when writing it, they just wanted something was maximum shock value.

So yeah. In conclusion, I hate RoA, it makes me cry and IMO it was really shitty writing, Roy would've killed the electrocutioner but not Like That, and where the fuck was his support system.

[being-of-rain]

Okay, time to write my thoughts on Empire of Death. Like the rest of the season, I've only watched it once so far. I think soon I'll binge all of Fourteen and Fifteen soon. And as with many of the episodes, I'll be interested to see what I think of the finale on a rewatch. Anyway, this post gets a little long-winded, and I hope readers will forgive me for feeling my way around my opinions on the episode as I go.

I've already said that I wasn't a big fan of the episode. But part of me thinks that Empire of Death is a very subjective one. People I've seen defending it have said that critics aren't engaging enough with the themes, and are being too nitpicky. That sounds familiar, because I know I've held opinions along those lines on other controversial Dr Who episodes. So in that case, what you think of the episode is going to depend on how you connect to the themes, and to the emotions. How much do you think the themes and emotions earn priority over other aspects of the story and how its judged?

Then again, I suppose I might be contradicting that when I say that there's some themes I liked in the episode, but (like in The Giggle,) I really didn't like how the episode executed them. The idea of Ruby's mum being an ordinary woman is something I like in theory and am not surprised by; celebrating the ordinary in the midst of the extraordinary is a signature move of New Who and has been the twist conclusion for quite a few story arcs already. But while it's done as explicitly here as it ever has been, the plot doesn't really manage to support it.

I'm sure I don't have to list a lot of the questions and nitpicks fans (including me) have here, but even the catch-all explanations of 'a god was interested in the mystery' and 'magic is in Dr Who now' don't feel like they really work for me. For the first because it feels out of character and contrived that Sutekh cares about this mystery at all, and if he does then why only this one? And for the second, well its unclear how or even if the magic unleashed in the 60th specials affect this finale at all, since Sutekh seems to have completely different origins to the other two gods (and if it does have bearing on this episode then that isn't made clear at all). You could say this is me getting hung up on nitpicks and details, and I really do hate letting those things get in the way of a story... but it's hard not to when those details are such a large part of the story. I don't quite agree with the harsh criticism of RTD taking advantage of the viewers or whatever (which I think has been said about every showrunner), but this arc/s and final two episodes are so geared towards speculation and building up questions in spectacular ways that brushing over them with not much of an answer feels... well, like a plot hole.

As a result, statements like 'this ordinary woman is so important because of what we thought of her' and 'time is memory and memory is time', while really lovely sentiments, and themes I'd love to see explored, only really make sense if disconnected from the rest of the story. To come back to my first paragraph, they're themes that you have to give so much priority to over the rest of the story that they basically become premises that need to be accepted in order to carry the plot, rather than the other way around.

Does any of this make sense? I think all this was to say: for me this story definitely doesn't earn the 'themes are good enough to ignore the details' approach, even though I love the themes. Never mind, that summary made even less sense.

Another criticism I had of The Giggle, and pretty much all of RTD's finales, is that RTD really wants to go for big emotional moments and let the emotions carry the plot... but the emotions just don't always hit for me, especially when it doesn't feel like the story's earned it. That feels like more of a problem in Empire of Death than ever before.

Maybe the scene with the biggest emotional impact on me (not a massive impact, but bigger than the rest of the episode) was the scene with the lady giving the Doctor the spoon, possibly because it felt so strangely divorced from the rest of the episode, like a scene from a different episode dropped in the middle.

Ruby's departure was... well for one, unexpected. I know she's in the next season, right? Is it a series 4 Martha come-back-as-a-guest-star situation, or a series 9 Clara the-departure-was-a-fakeout situation? Anyway, the departure was... about as satisfying as I've found Ruby's character arc. I really had hoped that her only important defining character trait wasn't 'orphan who wants to meet her bio mum,' but its hard not to think of her that way after this episode. I never really found anything to hook me on the character. Shame.

I'm going to sound like a broken record here, but I can't help but compare Ruby's arc to Izzy Sinclair's arc from the DWM comics. On an obvious level, Ruby's arc concludes with her successfully tracking down her bio mum while Izzy's arc concludes with her happily returning to her adoptive parents, no longer considering her 'secret origins' as a missing part of herself. And while I definitely prefer the sentiment of Izzy's story, I don't want to say Ruby uncovering her origins and gaining a new parent automatically makes for a bad ending to an adoptee's story. But I think just as important is that with Izzy, we really dive into why she feels the way she does. We learn in great detail how her feelings about being adopted connect to many other things in her life, not least her self image. In comparison, Ruby feels downright shallow. She's incredibly curious who her mother is, considering it part of her legend... and that's about it. It doesn't really affect her in any way most episodes. Maybe I'm being unfair here and I'd be less harsh after my rewatch, we'll see.

Unfortunately the resolution to the Sutekh plot also didn't satisfy me. Dragging Sutekh back through the time vortex to 'bring death to death' just... doesn't work for me. Not even on a storybook level, or fairytale level, or purely emotion-based level. It felt... idk... childish?, in a way I really didn't vibe with. But honestly I would've been happy it happened if, when the Doctor started listing planets he was bringing back, he mentioned Gallifrey and revealed the Time Lords were alive again and then we could all just move on. Sigh.

I think that's most of the major points. What else do I have to say?

The oppressive empty atmosphere of Sutekh's dead universe was cool. There was a scene with just Sutekh and his minion where everything beside them was intensely silent, which really hammered the point home. It's still funny/silly to me that the so-called god of music wanted this exact same thing.

Mel is still lovely, and call me a nerd but her recognising Six's outfit and later cuddling with Seven's was maybe the best part of the episode for me. Apart from that she sure spent a lot of time standing around with no dialogue. I finally got an answer to the question I'd been asking since November last year- if there'd been a reason Mel in particular was brought back to the show- and the answer is Not Really. I did laugh when a friend pointed out that there's plot-important computer hacking in this episode and during that Mel was told to go keep watch in the corridor.

Meanwhile Kate felt like she was parodying herself by trying to recruit Susan at the end of the episode. Teens work for UNIT because Kate can't be around someone for five minutes without trying to headhunt them. I saw Kate and the random soldier hold hands at the end but read it as (or maybe very much hoped it was) platonic and relieved to be alive.

I don't think I truly knew how much the Vlinx annoyed me until it was killed by Sutekh, and for one short moment I was filled with joy at the belief it wouldn't be coming back. Sorry the Vlinx.

The TARDIS has a laser that can be activated with a whistle? Huh? Did I miss something or is that just a fact? The only thing I could think to connect it with was the 'heart-of-the-Tardis-laser-beam' from Flux, which would make it much stupider.

I'm pretty sure Mrs Flood will be a new character, but heck if I know. She doesn't seem like Susan anymore. Oh yeah! So I guess Susan wasn't in this apart from one second of archival footage. Unless next season uses this as foreshadowing, it feels like a waste.

And that's all I can remember after one viewing! I believe the next episode is a christmas special by Steven Moffat? I've decided I'm excited for it. I think Moffat christmas eps have more hits than misses, as opposed to RTD finales.

[tobiasdrake]

We're in. And we are making bad choices.

For the record, I'm pretty sure that whoever attacked us slipped out the door into the panel room and is now hiding behind the giant vault door we had to open to get in here. But, just like Desuhiko wouldn't let us disarm security, Yuma won't let us go back out into the panel room and check.

Fink the Slaughter Artist is right there, guys.

Got stabbed. Three times, as a matter of fact, judging from the wounds in his back.

Honestly, as Slaughter Art goes, I'm disappointed. Fink had ample time and this whole room to use as his canvas. "On floor stabbed by knife" is about as mediocre of a presentation as it gets.

You're gonna have to step up your game, Fink. Check out the Nail Man crime scenes some time. Now that is dedication to the craft. I'm sorry but as a critic, I'm going to have to give this piece my lowest score ever: 76.5/100.

About fucking time. That's what I wanted to do a minute ago and you were like, "NOOOO We gotta check the body!"

We could be in there right now checking the body if you hadn't stopped me.

OH BY WE YOU MEAN "YOU'. Okay man. Nice to see the limits to your bravado are shining through again.

I mean that affectionately. I said back at Aetheria Academy that I get it: Desuhiko's job is undercover intelligence gathering. He doesn't work homicides. That's fair. I won't fault him for it.

But it's funny.

Okay, I can breathe. We'll be able to access the crime scene without choking to death on poison gas now. And I still think Fink is hiding behind that big metal door, so we might manage to corner them.

If they don't have an alternate point of exit then they have to get past us somehow. As long as we're thorough and don't rush to the scene like idiots, this should work out.

There goes that idea. If Fink isn't behind the door, then where the hell are they? That knife didn't levitate itself into Huesca's back three times.

I mean, it could have. Superpowers exist. But it didn't. He reacted to the presence of another human being in the room with him, so the killer was physically present. Somehow.

Super dead.

I'm intrigued by the whiteboard back there. It's possible that it's like that from use, but someone also might have done that to erase... something they didn't want made. If only there was a way to see what it looked like before.

...if we brought Halara here, they could use their Postcognition to see what the crime scene looked like at the moment the first witness laid eyes on it. Which would be....

Us! That would be us. Halara can use Postcognition to make this room resemble what it looks like right now, as we speak.

...

Okay, that's not going to be very useful. Especially when Shinigami can do the same thing.

I mean. Like. Almost half of the killings were me. So. I'm at a 7 victim body-count versus 11 victims not killed by me. Not counting the two Peacekeeper goons that Yomi had executed for failure.

If it makes you feel better, there's about to be more once Shinigami and I figure out whodunit.

Excuse you, Shinigami. My corpse-production rate is also probably unparalleled within the WDO. I've certainly killed way more people than any Master Detective I've met to date. Well, except maybe Halara.

Oh, this will look good on our rap sheet. Everyone, prepare to say hihi to Yomi when he walks on. I want us all to give him our biggest smiles and most pleasant waves, like there's absolutely nothing wrong with this scene at all.

He won't be fooled for a second but he'll certainly be taken aback by it, and that will be a funny sight before we die.

...actually, on second thought, maybe we could rearm security. Close the door, turn the traps back on, and let Yomi tear out his hair trying to figure out how to pry us out of here. Then we can take our time investigating the death.

Nope, too late. Plan A then.

HIHI BUDDY! How are you? I'm swell! :D

The latter, as a matter of fact. Good guess, man. I can't even begin to try and defend myself when we all know I'll be going 8-to-12 by the time the sun rises again over Kanai Ward.

Yuma, we should probably go with that plan. We can buy time for Halara to get here by... whatever method Yakou did and then kick everyone's ass.

Oooh, a party! We should definitely go along with that plan! I've been wanting a party since we first got to the sub. Maybe there'll be cupcakes.

Wait, no, these guys are fascists. Sprinkled donuts. The monsters.

HA! Distraction! I recognize that shrieking voice. The guy "dying in agony" outside is Yakou.

Watch for our chance to bail, guys.

DON'T TELL YOMI, YOU DIPSHIT. Oh my god. All that effort to create a convincing distraction and Desuhiko blurts out, "LOOK, HE'S DISTRACTING YOMI!!!"

Yuma, I know you're generally non-violent except for all the murders but slap him.

Oh hey, it's my CTU plan! Throw Desuhiko at them and run like hell! Fubuki, Yuma, this is our chance!

In seriousness, I have no idea how this would seriously work. Those two guys have guns trained on us and a third with a baton is at the door. Desuhiko's hug of doom wouldn't stop them from shooting us in the slightest.

But okay. I guess this is how we get out of here.

Least we can go hook up with Yakou and figure out a new avenue for--

Oh. Uh. Hi. You must be Fink. How's tricks....

Oh. That's how.

Shit.

Oh, shit.

Oh, shit, that wasn't a distraction! IT'S HIM! IT'S FUCKING HIM! YAKOU IS THE FIRST TO DIE.

I mean he was the most expendable. Out of everyone here, I'll miss him the least. But still. Fuck. I am not ready for people to start dropping dead.

Fink again. Tossed his cloak aside to reveal a lab coat underneath, just before 'rounding the corner and vanishing from sight.

Total poser move. Definitely Halara. :P

Another one of Fink's knives. They all have the same F carved into them. Fink likes to leave his knives behind at his crime scenes so everyone knows he did it.

We broke the tradition of two bodies in chapter three so that we could have two bodies in chapter four.

Hooo. Why Yakou? He was out-of-disguise so this wasn't a mistaken identify or anything. Which, on that note, why was he out-of-disguise? But. In any case. What could Fink have possibly had against Yakou?

Was this revenge? Did Fink cheat on his wife and Yakou exposed him? I have no idea what to make of this.

We are officially across the threshold. Our teammates are mortal now. That. Is terrifying.