#maybe believing anything the US tells you

[animeyanderelover]

I already did this concept with Dazai in those Hc's so I will not add him in here again.

Tw: Yandere themes, possessive behavior, obsession, delusional behavior, clinginess, manipulation, blackmailing, bribing, paranoia, attempted murder in Nikolai's part, isolation, abduction, death of reader in their previous world

Tags: @shumidehiro @izanami78 @leveyani

Isekai'd into their world

Nakahara Cuuya

🟠Bullshit! That’s the initial reaction that Chuuya has when he finds out. There’s a limit to how much he is willing to believe even though throughout his life he has seen some things you’d have to witness with your own eyes to believe in them. It is true that there is nothing about your past he has been able to dig up as your life has seemingly started the moment you were discovered by an elderly couple on the streets. You’ve always claimed that you couldn’t remember anything before you where found and since there has been nothing the police was able to find out about your past, they gave up on the case as you were slowly assisted into society. Chuuya doesn’t believe your claims though that you suffer from amnesia. He might be hotheaded but he’s been working for the Port Mafia for years now, has even been made an Executive. The one skill you develop in this position is to get a fairly good read on the person in front of you, on their body language as well as on whether or not they speak the truth or not. So whilst he has no solid proof about whether you lie to him or not, there is this intuition that he has in his guts that there is something you are hiding.

🟠His overprotective and paranoid thoughts tend to spiral so his first assumption is that maybe there is someone after you and that you’re on the run. If that is the case you don’t have to worry. Chuuya can and will provide protection if someone is after your life. The longer you remain silent about your past, the more impatient he grows. Chuuya hasn’t always been honest to you either, especially regarding his position in the Port Mafia. But you needlessly fuel his anxiety as you don’t reveal anything, only feeding his paranoid thoughts as he wonders what you could hide that is so atrocious that you don’t even want your lover to know. Yet when you tell him the truth finally, sensing that he is close to snapping, he gets mad at you. Are you mocking him?! Don’t lie to him now! He doesn’t believe you. He doesn’t believe you until you see yourself forced to reveal everything you know about him. You know about Sheep, about Arahabaki, about the Port Mafia and about so much more. Only then does he believe you. The truth did not ease his worries though. No, instead Chuuya feels betrayed. Betrayed that you have known everything about him from the very beginning.

🟠He can’t hide. He can’t pretend anymore either. What’s the use? You know everything about him. With no facade to hide anything anymore Chuuya grows weirdly aggressive yet vulnerable. He doesn’t know how he should deal with this situation where he had no control over what he reveals about you and what not. It is fucking weird to know that in your world he doesn’t even exist and is instead a fictional character. What do you even think about him when he stands in front of you? Do you even see him as a real person? With really nothing to lose anymore Chuuya just abducts you then and there, unable to come up with another solution on how to handle this situation. Obviously he doesn’t tell anyone else about you though as he himself has to properly come to terms with the truth. As heavy as the feeling of betrayal sits though, there’s also desperation and paranoia. Desperation because he feels like he deserves to find out more about you as well since you already know far too much about him and paranoia now that he understands that you’ve died before in your world. You can’t be fine after all that happened, right? He’s going to help you.

Fyodor Dostoevsky

🍎Fyodor has always deemed you to be someone who stands out from the common crowd, for reasons he doesn’t understand either. Perhaps it is because your eyes perceive what others can’t see as he will never forget his first encounter with you. The glimpse of pure fear in your eyes as you gazed at him, seeing the demon disguised as a man. The way your body flinched away from his touch as he reached out to you, sensing the doom that would befall you the moment he’d feel your body. Only very few people have ever been able to realise him for the higher being that he is and it is the fact that a common sinner like you sees right through him upon first meeting him that makes you special. Fyodor tests his theory out only once by cornering you, giving you no chance to hide behind others as you are left alone with him. The sadist in him is relishing in the untarnished fear he sees in your eyes, purple orbs gazing at you as you slowly move away from him. He doesn’t follow you but he doesn’t have to. You poor thing now can’t run away from him anymore. You’ve dared to catch the devil’s interest and for that you will greatly suffer for Fyodor only knows how to take and destroy.

🍎It is when he figures out that you have no past that you only deepen his obsession. It’s intriguing. No past sins to judge you by, no trace of an existence stained in impurity before you appeared in this city. No matter how much research Fyodor does, he’s unable to figure you out. You’re a mystery to him, to a messenger of God. Oh, it is indeed a dangerous game you are playing. What could you be possibly hiding from him that is so forbidden that not even he can know? It’s like you’re trying to trigger him and it is this lack of control, the inability to cast divine judgment upon you as you are incomplete without a past to hold you accountable for that leads Fyodor to do something he normally never does. He rushes the process slightly, lures you faster into the spider’s web until you are trapped. The first thing he asks of you to confess is your past, the one thing he can’t find out about you. What are you? Are you a sinner or are you something more? No normal human should be able to deprive him of information he can always gather. The time for your confession has finally come, the day of your judgement has at last arrived. Now then you little mouse, confess.

🍎If only you would know how much you fuel his obsession the moment you are forced to reveal the truth to Fyodor. A sinner always pays with death to free them of their sins yet you have already died in your own world before you were brought to his own. You are free, or at least freer, of sins than anyone else on this planet. So before this world can ruin you once more he is going to isolate you, to shield you from the impurities of this world. After all it is the duty of an angel to bring salvation to those who are worthy. Now he also understands why you were so afraid the moment you saw him. What was the first time for him to ever meet you was after all only the first time for you officially meeting him as you had seen him multiple times before as nothing more than a fictional character in your own world. Maybe there is a scientific explanation of how it is possible for you to be transported into a world that was only fictional in your old reality but Fyodor pushes another agenda onto you. Have you ever considered it to be the will of a higher being? Have you ever considered it to be a second chance given to you? Don’t you worry too much. He will help you flourish in this world.

Jouno Saigiku

♦️​BadumBadumBadumBadum. The melody of your heart when Jouno finds you one day stranded in an alleyway is certainly a good indicator of the fear and the anxiety currently swirling around inside your mind. Be assured though, he is here to help the little wounded puppy he's found himself right now. You'll just have to tell him who you are and where you are from and he'll get you safely back. That is at least the plan, the only problem is that you refuse his help. Hmm, that is strange. You're acting a bit suspicious, you know? Your little heart is telling him that his appearance seems to have only increased whatever stress you've already felt before. Is there something you're trying to hide from him? Even though his eyes are not able to perceive you, you don't strike Jouno as someone who has done something wrong that would force him to take actions against you. Still, he interrogates you, at least until he has gotten his confirmation that you haven't done anything criminal nor plan to do so. Technically that should be enough yet your heartbeat still hasn't calmed down. He's the reason. You're afraid of him. A reaction that usually only the bad guys have when seeing him.

♦️​The Hunting Dogs are heroes even internationally, normally citizens like you rejoice when seeing him. There are still things he'd like to ask you but you actually seem to gather some courage, tell him shortly that he has no reason to keep you trapped any longer since he has gotten his comfirmation. He isn't exactly pleased with the tone you use but he lets you go, though he's still quite dissatisfied with what he has gotten. As if fate is smiling down upon him though he soon has the pleasure to meet you again. You're still as close-lipped as the first time he met you but since he has now figured out where you work he decides to make acquaintances with your co-workers who are far more talkative. He can sense you standing there in the corner, your heartbeat going crazy as they tell him that you've recently started working here and haven't told them much about your past either. So you really just keep it a secret from anyone. That only makes him more curious, you know? With his position it is relatively easy to gather intel on you though it is when he is served with little to nothing that he truly starts realising that you must carry quite the secret around.

♦️​That is the kickstart of his obsession as he wants to figure out what it is you are hiding. What is the dark secret you don't want anyone to know about? His only clue lies in you and so he torments you with his visits, constantly attempting to guess what it is you are hiding only to never figure it out. How could he have known that you died in your previous life only to be reincarnated into a world that was purely fictional in your old world? It is after the abduction that you are left with no choice but to spill out the truth and as much as he would like to ridicule you for such an otherwise blatant lie, your heart is not lying. You're actually speaking the truth. And Jouno doesn't know how to reply to that, just staring at you with a furrowed face as if considering what the best response or even best reaction is to the truth he has so desperately wanted to know for so long now. You think that you see a glimmer of unease appearing on his face before he suddenly bends down, his hands grasping your chin. Just how much do you know about him? Even though you are his beloved Saigiku has ever considered revealing too much to you yet perhaps you already know too much, leaving him strangely vulnerable.

Nikolai Gogol

🕊️​To Nikolai you have always been entertaining. He has the fondest memories of the both you meeting for the first time, a sentiment you most likely don't share with him. After all it was obvious from the very first encounter that all that you felt for him was dread even though his disguise should have been immaculate, able to fool anyone else. He hides his sinister and twisted character wll when he needs to do so yet you have seen right through him and it is this seemingly keen intuition of yours that has gotten him so invested in you. Nikolai has never meant for this interest of yours to stay nor to develop into a burning passion that threatens to rip him off the wings he so desperately hopes to obtain. The demon threatening to steal his soul is none other than you, his crooked feelings for you spinning and turning as Nikolai finds himself trapped between two clashing desires. One is to obtain his freedom by murdering you, another one is his desire to keep you and share his sad fate of isolation and oppression due to his own feelings with you. It is a constant inner fight and more than just once has he considered ending your puny life yet there is one factor that ultimately stops him.

🕊️​He plans to torment you, to ruin the life you have so carefully built for yourself and the freedom you have in it yet it is the little information he can gather that has him pausing. No family, no friends, no past. You are essentially like a ghost who appeared overnight. He has no past which he could use to chain you down, nothing personal he could hold against you and that knowledge that he can't properly oppress you unless he knows about it torments him and only infuriates him more as if you were indirectly mocking him. Fine, he'll cut the games short then. When you wake up the next time, it is in a little cage with a cheerful Nikolai asking you how you're doing and if you have slept well. That grin only widens and turns into somethin hideous when he sees your eyes overflowing with fear. Yes~ Let that fear corner you and tie you down. Share your suffering with his own. There is still something, you precious dove, that he really needs to know. Only then can he fully drag you down to the bottom of despair with him after all. You need to tell him a bit more about your past. Your family. Your friends. He needs them for his plans. Imagine his surprise when he sees the relief appearing on his face.

🕊️​That grin on his face disappears as he realises the truth, even if only for a short moment. It isn't the fact that you are from a different world, it isn't that you died in your previous world either that sobers him down for one or two seconds. It is the realisation that you will always be freer than he will be. There are no family, no friends, no pets he could use to play with and to break you with. There is no information he can obtain about you unless you tell him yet here you are, knowing already so much about him since he was a fictional character in your old world. Half of your wings he will never be able to clip off. For one frightening moment his hands suddenly wrap around your neck and start squeezing down with enough force to have you gasping and choking before all of a sudden he lets go, leaving you to cough for air. When he bends down he has put on that playful appearance once more, whispering to you that it's still too early for you to die. He must say, you managed to catch him off guard for a moment there but that's alright. If things are more difficult there are more entertaining after all. He will make sure to plug every single feather off of your wings until you're just as broken as him.

[terukotime]

allow me to be super delulu for a second

if either Eden or Ace are the actual killer, that would mean one of them would be saying their secret quotes in the next coming episodes. but...do we really feel like the situation warrants them saying what their quotes are?

Ace's is: "I don't know what to do with myself anymore."

Eden's is: "You can't go back, no matter how hard you try."

Ace's feels a little strange to say in the trial. we're very close to unearthing the real culprit, and if Ace really is the killer, when would he say that? immediately upon being found out? the quote itself has their air of melancholy and defeatism, and even at his lowest, we know Ace isn't someone to concede or go down without a fight. and if he knows he's about to die, what's the point in saying "I don't know what to do with myself anymore" when he's not even going go be alive in the next few moments? He WON'T be doing anything with himself anymore, he'll be dead.

Eden's, while not as strange of a thing to say as Ace, is also kind of peculiar. when would she say it? while she's admitting to the murder? if Eden did it, sure, it's believable that she'd feel some regret, but the setup to her being the killer feels very odd now that we've gone through this big emotional moment between her and Teruko. honestly, after all that, if Eden really is the killer, i'd be more inclined to believe she WOULDN'T regret killing Arei. it'd seem like her crying and pleading was all just emotional manipulation. it also seems strange to me that Eden would have already had it in mind to kill Arei when she and Teruko found Ace, and took the opportunity to steal the tape to carry it out. i could definitely be wrong, and please correct me if i am, but i think the attempted murder was the same day as what happened with Eden and Arturo? honestly, even if it wasn't, it just feels weird to me that Eden would find some way to disguise her handwriting, set up a murder method even more elaborate than Nico's original version, and then do the whole trial pleading and sobbing for people to believe she didn't kill her and actually have regretted her actions. that shit is so premeditated that everything Eden has done thus far feels like immense emotional manipulation. while that could still be possible...it's not really that satisfying, i'd say. who knows, maybe i'm in severe denial, but i just think this characterization of Eden would be really weird. it would feel less like a betrayal of "man, this character i liked turned out to be awful", and more like a betrayal of "man, this character i liked has made a 180° in their personality without any foreshadowing of having a darker side to them".

and i'm just still really hung up on Hu. her secret quote, "I want to pay for what I've done. But even then, I still want to live." makes total sense in the context of this trial, especially after her secret reveal. and while it's pretty unlikely she took the tape from the gym, there's no guarantee that the person who took the tape at the time HAS to be the murderer. i'm just still hung up on the fact that it feels like there needs to be one last, big twist before the true killer is revealed. a moment where Teruko comes to her realization and the culprit is selected before she makes any actual accusation against them. we already knew Eden and Ace would be the ones Teruko was going to interrogate in the selection because of her explanation. just given how drdt has been written thus far, i feel like they wouldn't hand the potential answer to us like that so easily. like we wouldn't get to the point of selecting the culprit with the story already telling us it can only be one of two suspects.

it's entirely possible that i'm just coping and am refusing to accept that one of my favorite characters is actually the culprit. or that drdt could have a trial that isn't greatly written. it's totally fine if i'm wrong and Eden or Ace really is the killer, i definitely won't enjoy it much but it's not my story, nor would it completely make me drop drdt.

i honestly just needed to rant LMAO. this episode left me with a LOT of feelings.

[krispycreamcake]

hello! I really like your writing! If you don't mind may I please request headcanons on how laito would react to someone (a bride or classmate or something) who always tried to make him laugh by telling him jokes and stuff. please and thank you!

Headcanons on how Laito would react to someone always trying to cheer him up

🃏- Now everyone knows Laito is always in the mood for fun

🃏- Well to be fair, his fun and other people's fun are two entirely different types of fun

🃏- Usually he likes to mentally mess with you, tease your mind, make your head spin because he gets a sick thrill out of it

🃏- That isn't to say he's not one to indulge another person's idea of what it's like to humour oneself

🃏- Be it a bride, a friend, a classmate, he'll lend you an ear

🃏- Don't be fooled, his patience is extremely thin and unless you're the peak of comedy, he'll get bored quickly and easily turn the conversation around into something that benefits him

🃏- Now, if you're strong willed and can ignore his words and actions, he'll respect that

🃏- If anything, it makes you more interesting, which then makes him want to listen to more of your futile attempts to make him laugh or sport a smile

🃏- Let's say it's lunch hour and you're sitting at his table. Depending on your relationship, he'll either leave you and your jokes high and dry to go make out with some girl in a broom closet, or he'll entertain you

🃏- Over time of course, his tolerance grows and he doesn't believe himself when he eventually starts enjoying your company and your positive nature

🃏- He's grown accustomed to having you around and subconsciously counts on you to improve his mood

🃏- Maybe he got a scolding from Reiji just before school and he's ticked off, tell him how he looks emo, you might get a smirk (you will)

🃏- He'll probably minimize this feeling as nothing other than boredom (he's afraid to admit he doesn't feel completely numb around you)

🃏- It's such an odd thing for someone to genuinely want to make his day better by giving him something without him having to do anything in return

🃏- See this is where it'll kinda fuck him up

🃏- It's not about the jokes or the great atmosphere you seem to carry around yourself whenever you guys are together

🃏- It's the fact that he's having trouble coping with the idea that someone wants him to feel good without the use of sex

🃏- So maybe you're trying to use him, get closer to him and when he's his most vulnerable, you'll strike at him when he's fully exposed

🃏- He cannot have that be a possibility, he'll lose his shit

🃏- A part of him is glad that despite all his bullshit, you're there for him in your own way

🃏- Another part of him is telling him to run far far away

🃏- By attempting to getting close with Laito, even if it's something as simple as jokes and smiles, he'll consider it a major red flag and might not know what to do with himself

🃏- After all, what if he's wrong and he just pushed away the only person that cared about him?

🃏- Humans, women, people, feelings, society. It's all just too confusing for him

🃏- "Ne~ Bitch-chan, you're so quiet. Ah- I get it, do I need to tell you a joke today? Or should we improve your mood some other way hm?"

[hellodragonkit]

Beetlejuice Beetlejuice Opinions and Points.

SPOILERS... obviously.

Ok I watched the movie, and ... some things that are my own personal thoughts and possible points I noticed. And some things I have seen others point out to where this is just my over all opinion and its kinda long.

The backstory lets not forget beetle is a unreliable narrator as proven by the first movie as Julliard and Harvard did not exist while he was alive, and unless he was possessing someone when they graduated its unlikely he said the truth. - so I don't think he gave us the full backstory. Maybe yes he did marry her, but given he never dies on screen and previously stated point. I just find it hard to believe that he drank a poison then had enough strength to chop her up as much as she was, if it was actually effecting him. i find it far more possible he had already been poisoned so often he was immune at that point. and was just pissed his new wife tried to do him in. Also in first movie it was suggested with the red mark he hung himself... maybe he tried to take over the death cult and had to do himself in for a quicker death?

the Newspapper. Yes it did say people were falsely accused of offing themselves at death, I think this was to help clear up the plot hole that would have been with Astrid's dad. And maybe be a red haring for Beetle. Next few points are BeetleBabes related so if you don't like the ship, please move on.

He gave her autonomy in his power. During the therapist scene when he "sewn" her mouth shut, it was less truly sewn and more duct taped. She had the ability to remove it, yeah he had it stick long enough for a gag, but not much more. He didn't force her.

The Contract and Nullification of it. Beetle wrote the contract, and he worked as a dead con man for years, he knew the handbook inside and out. He wrote up the contract for Lydia to sign and save her daughter, knowing there was a Massive Loop hole. even blowing a hole in the "back door" of the Neither to insure the loop hole was as big as it could be the second he had her sign, obviously with a bit of theatrics for both signing and explosions. But would we expect anything else from him?

Delia calling him: when Delia died, she called him asking to go to Lyd's wedding. He did so no questions no strings. Any other deal he always asked for something in return but for Lyd's step mom he didn't charge a dime, possibly because he felt Lyds would be upset if she missed it, and didn't get to say good bye.

Rory Beetle obviously didn't like him, could tell he was scamming Lyds, and yeah he probably could have sent him off but instead had to prove to Lydia why that guy was bad, hence why he used truth serum. He need to make sure she wouldn't go back to that guy once he was gone again. It was even hinted he heard her talking in the graveyard rushing to the church that she was not ready to marry.

He planed to go away. His song at the end, was not one of love and togetherness. MacArthur Park is more of loss and remorse. He was saying Goodbye to Lydia! Not permanently anyway

He set up sending away Deloris and helped the contract become Null When Deloris burst in through the door, the wind didn't effect Lydia, or Beetle, or Delia but the book slid to Astrid as easily as it had moved away, He moved it to her, conveniently on the page to summon sand-worms and how to brake the contract.

He stalled for the cops I find it funny how in the first movie he summoned a Man of the cloth and the guests. But this time he had both, and unlike the first time he wasn't rushing... he took his time to sing a whole song and to let the Neither cops show up, possibly also baiting Deloris to take care of her but I'm still not sure on that bit. ether way He had won, he had Lydia, the pastor, and guests. But instead he did a song and dance, a song that I already pointed out was one more of goodbye.

He let Lydia send him away. Beetle loves to make a entrance, he also may love to make a exit. he has also shown he can silence someone for just saying his name once. But instead of silencing her or taking over her voice as he had before. He started a dramatic plea, showing her he was getting sent away, showing her he was going to let her send him off.

The ending given the fact he may have over heard about Rory, And all the other notes, he could probably see Lydia wasn't wanting marriage at that time. But I also feel... he just likes the chase. What fun would it be if the Coyote already caught the road runner? he didn't mind her sending him away, because it means he could keep trying to get her to call him willingly. Over all this is just my ramblings that I don't have any friends irl who may appreciate them or be able to properly counter lol And if you made it this far thank you. And I hope you liked the movie as much as I did.

[rambleonwaywardson]

Clegan Astronaut AU - Part 18

Masterpost Read on AO3

AU Summary: the boys as modern day NASA astronauts. Taking place in 2025, Bucky is about to head to the moon as mission commander of Artemis III while Buck is CAPCOM at NASA. Established relationship (obnoxiously in love).

Author's Note: As an update, I am eyeing another chapter after this followed by an epilogue. A nice, even 20 parts. Thank you, as always, to everyone who reads, comments, shares, and otherwise supports this fic. I love you all so much. Now for some healing!

---

December 11 Nassau Bay, TX

A house is nothing but four walls and a roof, a place to live, a place to sleep. It doesn’t have to be anything special. It doesn’t have to mean anything at all.

A home, on the other hand, tells a story. Its walls are infused with the memories of a life lived, for better or worse, within their bounds. It’s made what it is not because of its structure, but because of the people who make it their own, all the little moments etched in time.

Growing up, Gale thought a lot about the difference between a house and a home, never quite sure which one he had. The little house he grew up in was nothing special. He doesn’t remember it fondly. He doesn’t have a particular desire to remember it at all. And yet, when he thinks about the off-white walls of that old living room, he can see himself playing on the carpet in front of the worn sofa, flying a toy F/A-18 Hornet through the make-believe sky. It had been a birthday gift from his dad, who was arguably proud of his son, if absolutely nothing else, because of his interest in aircraft. 

Gale can see his father leaning against the wall by the door, watching him. Little Gale looks up at him with an excited grin as he makes whirring little engine noises, and his father gives a barely-there half smile back – Gale had to get that facial expression from somewhere, after all.

He can also remember the day he didn’t hear his dad calling his name because he was lost in the clouds, dreaming about flying a real jet someday. He remembers the way his dad stormed into that same living room, ripped the toy jet from his tiny hand. The way he sneered at the pale, vulnerable look on his child son’s face, scolded him for daydreaming when he should have been doing his chores. Maybe it was taking out the trash. Or doing the dishes. Or sweeping the porch.

Or maybe he did nothing wrong and his dad was just drunk again. 

Either way, Gale remembers the way his dad threw that F/A-18 at the wall, the way the wing snapped right off. He remembers the way his dad shoved him when he cried, called him pathetic, said he needed to start acting like a man.

Later on, his dad repaired the wing with some super glue, but it never looked quite right again.

Gale has a lot of memories like that. A little good mixed with a lot of bad. The walls of that house told a story alright. He just doesn’t think it’s a story that ever earned it the title of home.

When he remembers the kitchen – light yellow walls, gray cabinets, a gas stove – he thinks about early days of his childhood, clinging to his mom’s bright, flowery skirt as she baked cookies that tasted like heaven. He remembers her light, comforting voice saying his name. He thinks about how she let him lick the spoon, asked him what sprinkles he wanted to use, let him help put the dough on the baking sheet with small, innocent hands. 

But then he also thinks about setting the kitchen table for dinner, his dad burning his arm with a cigarette for breaking a glass. Or maybe it was a plate. He thinks about fingers wrapped tight around his teenage throat when he came back home too late one night. He can practically feel the bruises, hear the impact of being shoved unceremoniously against the door. Next time he was late, his dad threatened, he’d spend the night in the yard with the dog. 

Other than the fact that it was nearing December and night time temperatures were below freezing, Gale couldn’t decide if that would be so bad. He got smacked for that, too. 

When he thinks of the small master bedroom, he thinks of his mother. One day there, the next day gone. He remembers the smell of her perfume filling the room. Little Gale, still too young to understand why she wasn’t coming home. Why that scent would fade away, becoming nothing but a memory, something to pop up randomly here and there in his adult life and fill him with some sense of longing. He thinks about his father cleaning out all of her clothes, chastising Gale for not wanting to get rid of any of it, for trying to sneak out a shirt or a scarf that smelled like her. 

Then there were two. Hardly a family, and far from a home.

The house on Nassau Bay couldn’t be more opposite.

He stands in the middle of the living room, looking around at the life he’s built. Warm, light beige walls decorated with artwork, prints of aircraft and spacecraft, photographs of his de facto family. Framed pictures of him and John are scattered around. In the middle of the room, across from their TV, is a coffee table, two armchairs, and a well-worn gray couch, semi-permanently occupied by Pepper and sometimes Meatball. Morning sunlight fills the room, leaving patches of light on the hardwood floor.

Gale has spent the last hour adjusting the furniture layout – spreading out the coffee table and chairs to make space, shifting the couch back so it’s under the window, putting away stray dog toys and shoes, cleaning up the blankets and pillows he’d been using to sleep out here – just to make it easier for Bucky to move around in a wheelchair or on crutches. He even rolled up the rug to keep the floor even.

He’s been obsessively doing anything and everything he can to make their home a comfortable space while Bucky heals. He bought a shower chair for the master bath and a plastic cover to put over Bucky’s cast to protect it from water. He bought an assortment of loose sweatpants, flannel pants, and shorts so Bucky has more options for what to wear over his cast. The kitchen has been stocked with his favorites of late. Soup, chicken and rice, or eggs for when he’s not feeling well. Or richer things like pastas and casseroles. There’s orange juice and smoothies and jell-o. And Marge – who rested a hand on either of Gale’s shoulders and told him to take a rest – is making chocolate chip cookies. 

As Gale stands back and studies his work in the living room, trying to decide if it looks alright, his chest feels tight in a way he can’t quite explain.

As a young adult, he never bothered with buying a house, choosing instead to rent something out wherever he was stationed with the Air Force. When he and John both got selected to the astronaut training program based in Houston, they intrinsically knew that it was the right time to take that step. A sort of settling down, even though they were preparing to quite literally launch themselves off the face of the planet. Admittedly, they didn’t spend too long looking for a house, seeing maybe two or three local listings which were all perfectly fine. Then one day, Benny, who had been accepted into the program the year before, mentioned that a house down the street from him was for sale.

Gale fell in love with it the moment he saw it. And John loved it because Gale did.

It’s a one story, ranch-style house on a quiet street just a 5 or 10 minute walk from the water. A beautiful white brick and stone exterior with a sweet little front garden that they try to plant flowers in every year – an endeavor that often includes Gale trying to find plants that match the climate and sun exposure of their yard, while Bucky insists on “experimenting.” There’s also a backyard with a large patio for entertaining and enough grass space for the dogs to run around. 

Gale remembers the day they moved in, sweating from the July heat but grinning from ear to ear with the excitement of a young couple on the verge of their future. Before they even started unloading the U-Haul, he stood in the middle of the empty, echoing house, staring at the walls, the ceiling, the windows. He couldn’t believe it was theirs. A place they could really make a life together. A place that he could call home, maybe for the first time in his entire life. Bucky found him standing, wide-eyed, in the living room. He wrapped his arms around Gale from behind, kissed him on the cheek, ducked down to rest his chin on his shoulder. 

“Welcome home, angel.”

Gale remembers dragging the couch through the door, collapsing down on it that first day. They sat, leaning against one another, surrounded by shoddily labeled, mixed up cardboard boxes full of their belongings. Exhausted, Gale said something noncommittal about getting to work unpacking. But John pulled him to his feet, kissed him silly, lead him to the bedroom where their new mattress lay on the floor, bed frame yet to be constructed. 

They lived off cereal and takeout for several days in a row, but they sure did break in every piece of furniture, every surface.

He remembers hot, desperate reunions when they each returned from their respective ISS expeditions, touching each other for the first time in six months. Their hands roamed over one another’s bodies with an insatiable desire to relearn every inch of each other. Bucky would grip his waist so hard he thought it might bruise, pressing him against the wall or the bed. Gale would twist his fingers into Bucky’s hair, kiss every place he could touch. He remembers it being rough and kind, a sense of desperation driving them to claim one another all over again as if the last time they were together was a lifetime ago.

He remembers late nights with their friends, Curt crashing on the couch, Benny or Marge in the guest room, sometimes Rosie or Alex on the floor. Midnights spent drinking and laughing, dumb jokes and good people. He remembers this house being filled with more people than it was meant to hold, buzzing with life.

He remembers the day they brought Pepper home, almost a year ago now. She was nothing more than a tiny, 10 week old ball of fluff with one ear still flopped over. He remembers the way they sat on the rug in the living room with her that evening, completely enamored with their new addition. “We’re a little family now,” Bucky said, smiling at Gale as he held the puppy up to his face. Gale scrunched his nose and closed his eyes, laughing as Pepper licked his cheek. Next thing he knew, Bucky’s lips were on his, and he felt himself melt a little inside.

Family. Home. Family. Home. 

They’re not words Gale takes lightly. They’re words that he will protect. Even though they’ve only been here a handful of years, this house tells their story, memories built on memories that he holds close to his heart in a way he never knew he was allowed to before. 

When he thinks of their kitchen, he thinks about making pancakes on Christmas morning, flour everywhere, chocolate chips and blueberries and chopped bananas spilling across the counter. Bucky singing along to the Christmas songs on the radio. He’d pull Gale close, plucking the spatula from his hand, and convince him to dance with him around the island until they were both giggling like children and the pancakes were starting to burn.  

When he looks at the front door, he thinks about all the times Bucky flung it open, yelling “honey I’m home!” as he walked inside. Sometimes he’d bring flowers for the vase in the window or pastries from Gale’s favorite bakery. He thinks about stumbling through on their wedding night, eager and drunk on nothing but love for each other. 

When he thinks about their yard, still drenched in sun and warmth in the middle of December, he thinks about the day he and Bucky stood in the middle of it, holding tight to each other's hands as they held the keys to their new home. He thinks about washing their cars in the summer, chasing each other with the hose. He thinks about Pepper and Meatball running outside to greet him. He thinks about standing in the driveway and watching Bucky teach some of the neighborhood kids how to ride a bike up and down the quiet road. 

Of course, the house holds bad memories, too. Fights they’ve had, times they’ve lost their temper, raised their voices, slammed a door or walked away. Times Gale cried alone because John was in space for months on end and he missed the closeness, the warmth, the weight of John’s head resting on his chest, the soothing sound of his heartbeat. Times John got drunk for the same reason, wanting nothing more than to hold Gale tight and kiss him in the dark. Still too fresh in Gale’s mind is the memory of collapsing to the floor, Marge rocking him in her arms because he didn’t know if his husband would come home alive. 

The walls will hold onto that memory. They won’t let him forget that the life he built here with John Egan very nearly became nothing but a flash in his mind, moments to look back on fondly, with a watery smile and a choked sob, a whispered I miss you. 

That almost might never leave. It’ll be months before Gale can wake up in the morning secure in the knowledge that his husband is here with him. It’ll be months before he stops jolting awake with tears in his eyes and a scream in his throat. It’ll be months of hard work and pain and frustration to make Bucky feel whole again. 

But it’s time to start pushing forward. 

Gale has never been a particularly religious man, but he will gladly thank whatever Gods may be listening, because his prayers were answered. Starting today, two weeks after splashdown, there will be memories of John coming home to add to all the rest.  

“Buck?”

Gale looks over to see Rosie standing in the entryway to the living room. 

“Ready to go?”

Taking one last look around, Gale starts to nod, then stops short. “The mirror.”

He didn’t replace the damn mirror in the master bath. Benny was the one to clean the bathroom, dispose of the glass fragments and scrub the tile until it was free of Gale’s blood. Gale’s barely even stepped foot in there in weeks, choosing instead to use the guest bath. 

Marge appears from the kitchen. “Benny’s on his way with a new one,” she assures him. “We’ll get it set up before you’re back.”

Gale doesn’t know what to say, so he nods dumbly as he twists his wedding ring around his finger, trying to quiet the storm of worries and hopes and needs and fears buzzing around in his head. Marge steps towards him and pulls him into a hug. “Take a breath, hon. He’s coming home.”

—

It’s raining, just the littlest bit. It’ll be done by the time they walk through the hospital doors, but dark clouds gather in the sky, casting shadows over the ground and darkening the hospital room. It makes Gale’s heart constrict with an unease, a sense of foreboding. He tries to shake it off, because he’s not in his bedroom on a stormy night. He’s not being jostled awake by Benny. His world isn’t crashing down with the water falling from the sky.

He leans against the doorframe of Bucky’s hospital room, hands shoved in his pockets, and he watches his husband for a moment. Bucky is looking out the window, watching the rain fall, the cars go by. He’s dressed in the same shorts and Air Force Thunderbirds t-shirt as he was the day before. A half finished plate of scrambled eggs, potatoes, and fruit sits on the tray beside him from breakfast, seemingly pushed aside and forgotten. Gale wonders if he didn’t finish because he felt sick or because he’s protesting hospital food. 

He looks healthy, despite the whole being in a hospital thing. That damn cold lingers, making him stuffy, his face sore from the pressure. His lungs protest when he breathes too deeply, or sometimes even when he doesn’t, and the cough won’t go away. Not to mention the broken leg. But he has color back in his cheeks. His eyes are clear, his face unworried. His heart beats steadily, and he’s able to breathe well enough without the cannula.

“Hey, darlin’,” Gale says at last.

Bucky turns his head, and he stares at Gale for a good second or two, uncomprehendingly. But then a grin spreads over his face. “Hey, angel.”

Gale feels his heart swell, and he takes a deep breath before stepping into the room. As he sits on the edge of the bed, Bucky grabs his hand and presses a kiss to his knuckles. 

“How ya feelin’ today?”

Bucky shrugs, looking down at their intertwined hands. He coughs once, holding his breath for a second to prevent it from getting worse. “I ain’t dead.” He squints, cocking his head like something is bugging him, but then he looks up and meets Gale’s worried gaze. “Almost went down in history for the wrong reasons, huh?”

John Egan. First astronaut to die on the moon. What a headline that would be.

Gale chuckles even though the acknowledgement of that damn almost makes him feel physically ill. “Think you’re goin’ down in history?” He forces back the flashing mental image of a tri-folded flag, a three volley salute, a missing man formation. 

Bucky’s eyes have that mischievous glint back, that look of invincibility, like he’s daring the universe to take another stab at him. “Oh yeah. The world will remember John fuckin’ Egan.”

And the thing is, Gale knows they will. 

By 1pm, Major John Egan is being discharged from the hospital. Paperwork complete, Gale carefully packs up every single get-well card, along with Bucky’s clothes and medications. Beary Egan gets carefully tucked into the top of the duffel. 

Over the past few days, Nurse Clara has kindly worked with them, teaching Gale how to help Bucky with daily tasks: things like changing clothes, safely getting in and out of the wheelchair, covering the cast with plastic to take a shower, and anything else that may be hindered by his lack of mobility. She patiently answers every question Gale has, and he has a lot. 

With the IV removed, Clara and Rosie stand by as Gale, all by himself, helps Bucky slowly get to his feet. With a few curse words, one panicked moment where Bucky nearly topples over, and a lot of strained encouragement – “we’re alright, we can do this, look at me, sweetheart” – Gale manages to help Bucky change into fresh clothes. The whole ordeal – while far more pleasant than the process of getting Bucky suited up on Starship and Orion – has Bucky swearing as he grips Gale’s hand or shoulder so hard his knuckles turn white, leaving accidental bruises on Gale’s pale skin. 

It’s a bit cold out, so the outfit of the day is black and gray plaid flannel pajama pants and a black t-shirt with an astronaut on the front. Above and below the astronaut are the words “Houston, I am the problem.”

A gift from Curt and Alex.

Finally, Gale helps Bucky shrug on a black zip-up hoodie and get settled into the wheelchair. Bucky forces a smile as he sits down, even leaning forward to kiss Gale on the cheek. “I love you,” he whispers.

They leave the hospital with a detailed rehabilitation, check-in, and physical and occupational therapy schedule. They also leave with a hefty hospital bill that Harding won’t let Gale so much as see, stating that NASA will take care of it.

Bucky doesn’t speak at all on the way home, not seeming to notice when Gale tries to ask him things like “how are you feeling?” or “excited to see Pepper?” He just stares out the window and watches the dark clouds roam across the sky, his brain too tired to do anything else. Gale has found himself wondering, in the last week, if there’s a reason why the brain fog is better on some days and worse on others. Other than night vs. day, he can’t find a rhyme or reason as to why Bucky gets confused sometimes, why he seems to fade away here and there. The doctors assure him it’s normal with the injury he had. Just like the shaking hands and fine motor control, it’ll take time. Gale hopes they’re right, but he still feels a painful worry twisting in his chest when he notices it. 

When they pull into their driveway, the word “home” pops out of Bucky’s mouth, and Gale reaches over to squeeze his hand.

It’s only when they pull to a complete stop, really taking in the sight of their house, that they notice the Christmas lights newly strung up along the roof, a strand of brightly colored bulbs joined by sparkling white icicle lights. Gale certainly didn’t have time to hang them, and it’s the middle of the day, but they’re lit up anyways, welcoming Bucky back with some holiday cheer. In the back seat, Rosie says “would you look at that,” and he reaches forward to rest a hand on Bucky’s shoulder.

Bucky focuses on those lights for a moment, and Gale watches the way they seem to ground him, waking up his brain a bit more as the blues and reds and greens reflect in his eyes. He squeezes Gale’s hand back. 

When his offer to help is declined, Rosie hauls the wheelchair out of the car, leaves it in the driveway, and heads inside to give the newlyweds some space. As Gale helps Bucky to step out of the car and sit down in the chair, though, he sees that not everyone got the message. He catches a glimpse of curly red hair on the porch of the house across from them, and he can’t help but smile. “Incoming,” he whispers to Bucky.

Bucky looks up as he settles into the chair, blinking away the fatigue, and his face brightens when he sees Maggie. Jane rushes out the door after her, grabbing her shoulder. “It’s alright,” Bucky says quietly, and Gale relays this information, shouting across the road.

Maggie immediately breaks away from her mom’s hold, barrels down the steps, checks both ways before crossing their quiet street, and she stops just short of colliding with Gale. Always so expressive around them, the little girl suddenly turns shy. Unsure what to do, she half hides behind Gale as she takes in the sight of Bucky in a wheelchair for the first time, his cast visible at the bottom of the pant leg.

Bucky’s smile doesn’t leave his face, though, and he tilts his head to peer around Gale’s legs until he’s looking Maggie in the eye. “There’s my favorite little astronaut.”

With a gentle hand on her shoulder, Gale nudges her forward. “Go on,” he insists. With a hesitant little stutter step, she moves out from behind him, looking up at him as she does so. 

“I told you he’d come home,” she says. Matter of fact. Like there was never a single doubt that John would survive.

Gale wishes he could have been that certain. He envies the way children view things like life and death, through a lens of naivete where the people they care for are invincible. He’s grateful, though, that Maggie was spared the worst. That she never knew the full story. 

She doesn’t notice the way he bites his lower lip to choke back a sharp, startled inhale, but Bucky does. He glances at Gale, eyebrow raised with a myriad of questions that he can’t ask, but then he looks back to Maggie. He grabs her small hand in his even though his fingers shake, and she grips back so he doesn’t have to focus on holding on.

“Sounds like you were very brave while I was gone,” he says to her. 

Maggie nods. She has this determined set to her eyes, a seriousness all over her face as she stands in front of him. Yet her voice is small and innocent, and Bucky hopes she’ll always stay this strong and kind. “I knew you wouldn’t leave us forever,” she tells him.

It’s Bucky’s turn to bite back tears, because, even though he knows, on some level, that it wasn’t really up to him, she’s right. He hides the thickness of his voice and the tightness of his throat with a cough that’s been tickling at his chest anyway. He directs it into his arm away from the little girl, then rubs a hand over his face. After he blinks a few times, willing away the wave of emotion that he’s sure will only get higher and higher throughout the day, he looks at Maggie again. 

“Learn to ride that bike yet?”

Maggie shakes her head. “I waited for you.” 

Gale remembers her words clearly, ringing in his ears. That awful day feels like years ago and like yesterday at the same time. The day he felt like his soul might disintegrate into the stars if he had to take one more breath without knowing if Bucky would survive. “He’ll come home. He has to. He promised he’d teach me how to ride a bike.”

“Might have to wait a bit longer. Until I get this thing off my leg.” Bucky pulls up his pant leg to better show the cast extending from knee to foot.

Maggie stares at it for a moment, unsure what to make of it, before she crouches down and runs a finger over the rough texture with a frown. She inspects the names written all over it – Curt and Rosie and Alex and Gale and more she doesn’t recognize. “Can I sign it?” 

Bucky tells her of course she can, and Gale digs around in the duffle until he finds a few colorful sharpies to offer. Maggie chooses the purple one. 

“Where’s a good spot?” Bucky asks her, leaning over to analyze the cast with her even though it hurts every single part of his body to do so. Maggie squints her eyes, analyzing her options, before she points to a spot above his ankle, right under Gale’s name. She looks at both of them for approval before uncapping the marker. 

She signs her name in big, slightly wobbly letters: MAGGIE with a carefully drawn heart at the end. 

“Perfect,” Bucky says, grinning at her as Gale takes the marker back. Then he adds, “by the way, that drawing of us? Museum quality.” He’s referring to the one that Jane brought to the hospital, of Maggie and Bucky on the moon together. Maggie rolls her eyes at his dramatics but looks pleased anyway. “You sure you wanna be an astronaut, not an artist?

The girl nods vigorously, her curly red hair bobbing against her shoulders. “I wanna be just like you,” she tells them, once again like she doesn’t have a single doubt in her mind. “I’m gonna go to space someday.”

Gale feels emotionally drained at this point, unsure how much more he can take even though everything about today is edged with hope and homecoming. He swallows thickly and puts a hand on Maggie’s shoulder as he glances back towards her house, where Jane is sitting on the porch. She waves to him. He looks back down at the girl, a little in awe at how he and Bucky have somehow managed to mean so much to her. How she has managed to mean so much to them.

“Well,” Bucky says. “If you’re so sure about that, I have something for you.” Gale takes his cue and rifles through the contents of the duffle bag until he finds Bucky’s PPK. Safely tucked into the bottom of it is a small, clear plastic envelope, which he lays in the palm of Bucky’s hand, face up so Maggie can see. 

Inside the plastic is a thick, heavy coin about two inches wide, engraved with braided edges and the Artemis III logo in the center, designed by the crew members themselves. A big red “A” with the middle line swooping out to the left, fading from red to blue as it loops around the moon and ends with the Orion capsule docked to Starship in front. Overlapping the right side leg of the A are the roman numerals III in dark gray. Printed around the edges are the names of the astronauts: Egan, Biddick, Rosenthal, Jefferson. 

“Do you know what this is?” Bucky asks Maggie. She shakes her head. “It’s a challenge coin,” he tells her, going on to explain that a challenge coin is carried by members of a special group, signifying their membership. Every big NASA mission gets its own challenge coin, and all of the crew members carry a few of them. 

Bucky kept one for himself and traded one with one of the Navy guys on the USS Portland, so this is the last one he took on board Orion. “This coin is very special,” he tells Maggie, urging her to take it. So carefully, she plucks it from his palm, holding it up close to her face so she can read the names. “I carried it with me on the moon.”

Maggie’s eyes go wide, shooting back to Bucky, who grins at her. He presses his palm to hers, the coin in between.  “Now it’s yours. Something that’s touched the stars. See? You’re on your way to being an astronaut.”

Maggie’s smile broadens, and, as she clutches the coin in her hand, she throws her arms around Bucky’s neck. It’s awkward over the chair as she tries to avoid jostling his leg, but she isn’t deterred, squealing an elated “thank you” as she holds on. Bucky wraps one arm around her in return.

When Maggie pulls back, Gale kneels down beside her, even though the pavement is still wet from the morning rain, and he wraps an arm around her. “Why don’t you flip it over?”

Maggie does so, and she runs a finger over the back of the coin, feeling the texture of the raised image. An astronaut on the moon, the Earthrise and the stars in the sky behind him. “Is that you?” She asks Bucky. 

He laughs. “Could be.” 

Gale points to the lettering along the bottom of the backside. “See that?”

“What does it say?” Maggie asks, rubbing her thumb over the italicized words. 

Bucky recites them to her, but his eyes are locked on Gale the entire time. He watches Gale silently mouth the phrase along with him, not only the mission motto, but a promise to one another. “Ad lunam. Ad astra. To the moon. To the stars.”

—

With Maggie safely back across the street, Gale wheels Bucky up the walk to the front door. As he turns the knob and pushes it open, Rosie appears on the other side, holding it for them. 

“Welcome home, darlin’,” Gale says as they enter the foyer.

Bucky smiles tiredly as he takes a deep breath that rattles his chest and nearly causes him to cough again, but it’s worth it to smell the scent of home. He tilts his head. “Cookies?”

Gale chuckles, but doesn’t answer, wheeling Bucky past the foyer and into the living room. The moment they’re within view, he’s met by a chorus of “Welcome home!” and the sight of his closest friends sitting around the slightly rearranged living room. 

“Astrofag!” Curt calls out from his seat in the middle of the couch. On one side of him is Marge, Benny on the other, while Alex sits in one of the armchairs. Rosie trails in behind Gale. A banner with hand-lettered words is strung across the back wall: “We’re glad you’re alive!” More space balloons float around it, and in the time that Gale and Bucky were outside, Rosie has already displayed all of the get well cards from the hospital on the side tables and tv stand.

“Did you miss me?” Bucky grins, holding his hands out to the side like a risen savior as Gale eases him to a stop in front of the coffee table, close to the empty armchair.

“Had enough of you for a lifetime,” Benny jokes, calling back to what Bucky said to him in the hospital nearly two weeks ago. He gets to his feet, though, and walks over to Bucky, leaning down to give him a side hug.

“I almost died, you have to be nice to me,” Bucky claims as he returns the hug.

“And how long does that last?”

“Until Gale quits gettin’ all nervous every time I cough or somethin’.” Every time he coughs. Every time he zones out. Every time he feels nauseous or complains about his head hurting. Every time his fingers shake and he can’t hold his own fork or move his own wheelchair.

Everyone looks at Gale, who, in the presence of his best friends, doesn’t even try to hide his blush. He secures the brake on Bucky’s wheelchair before sitting in the armchair beside him, and Benny returns to his seat while Rosie sits on the floor between the couch and the coffee table.

Bucky nods to a tray of cookies in the middle of the table. “Who made those?”

“Marge,” Alex says.

Bucky just about groans. “Thank god. They’ll be good then.”

“Hey,” Gale shoots back, offended, as Marge laughs.

Bucky waves him off. “I know you didn’t make ‘em, doll. Got my head on straight enough to know you’ve been with me all day.”

Marge gets to her feet to grab a cookie and hand one to him across the table. “I made them how you like them.”

Milk and semi-sweet chocolate chips, but not too much of either so that there’s parts of the cookie with no chocolate at all. It’s called balance, he told her once during a late night trauma-dumping/baking session.

Bucky takes the cookie, biting into it as he closes his eyes. Silently, he’s so fucking grateful that he hasn’t felt any nausea today. “Real food,” he mutters.

Gale scoffs, even though this ‘perfect cookie’ was his own recipe to begin with. “Not sure a cookie counts as real food.”

Bucky flips him off, his middle finger still not quite able to get all the way up without the others, and he takes another bite. It’s been too damn long since he had some quality snacks. It’s better than wheat chex, that’s for sure. And he’d take the wheat chex any day over the bland desserts they tried to give him in the hospital.

The guys – and Marge – stay for a bit, talking and taking comfort in being all together again, all of them alive, home, on the road to healthy. When Bucky starts to drift, going quiet as it becomes more and more difficult to focus on the conversation, everyone makes their excuses to head out, leaving the Buckies alone to rest. 

Benny returns ten minutes later with an overenthusiastic husky straining at her leash – the antithesis of rest – and he passes her off to Gale through the front door before leaving them again. The dog knows immediately, her paws tippy-tapping on the hardwood as her tail wags so hard Gale doesn’t know how it doesn’t hurt. “You’re gonna have to stay calm, baby girl,” he tells her.

“Come on, Buck,” Bucky calls from the living room. “I’ll be fine.”

When Gale finally walks Pepper into the living room, Bucky has managed to get himself turned around to face them. Gale keeps her on a tight leash as they walk forward, holding her back from flat out charging at Bucky. Her entire body is wiggling as she tries to pull away. “Easy, babe,” Gale tells her.

When they finally reach Bucky, he loosens the leash, and Pepper immediately presses her nose to Bucky’s knees, his thighs, his cast, his hands, any part of him she can as she wags her tail and pants. She looks like she’s smiling, completely overwhelmed with the excitement of her other person finally being back where he’s supposed to be. Bucky laughs and scratches behind her ears and under her chin, letting her lick and sniff and press her head against him. He grimaces when she nearly jumps on the chair, bumping his bad leg, before Gale catches her and tells her firmly to stay down. Bucky hardly cares, though, his fingers clutching weakly at her soft fur, unwilling to let go.

“Hey, Pep,” he says, his voice strained with emotion. He tilts his head as he strokes her ears, his eyes fluttering closed so that Gale can see stubborn tears clinging to his eyelashes. Bucky takes a deep, rattling breath, and he stares at the dog as she sits loyally beside his chair, watching him with the same love in her eyes. She rests her head on the armrest and licks his hand gently.

Bucky gives her a wobbly smile. “Thought I’d never see you again.” 

Gale sets a comforting hand on his shoulder, and time seems to freeze for just a moment. One perfect moment. A snapshot of their little family.

That afternoon, Pepper wolfs down all of her food, totally unprompted, for the first time in days. 

—

For the first time since the morning of November 19, Gale sleeps in their bed.

He’s hardly stepped foot in this room except for this morning, when he took a deep breath, told himself it was time to get his shit together, and set about changing the sheets, getting everything ready for John to come home. Sharing this bed feels so familiar, and yet so different. He finds himself holding his breath, like if he disturbs the moment, breathes too loudly, blinks too hard, then it’ll simply evaporate, and he’ll be stuck in the same Purgatory that he was nearly a month ago. He tries to ground himself in Bucky’s warmth, the familiar shape of his body, his scent – different than usual due to being in the hospital, but somehow still him. Smoky and sweet. 

It’s December. Even in Nassau Bay, Texas, the current night time temperature is near 40 degrees, and yet Bucky insists on sleeping shirtless while Gale tucks himself into an old NASA sweatshirt. At first, Gale worried about Bucky getting too cold, what with the pneumonia and the head cold and the TBI. But Bucky wouldn't hear it. “You’re gonna make me overheat,” he said. 

Now, Gale doesn’t mind so much that he can feel Bucky’s skin beneath his hands. Warm, not cold. Alive, not dying.

They don’t sleep at first. They lay awake in the dark, Gale curled up with his head on Bucky’s chest. His cheek and ear nestle against Bucky’s bare skin, and he listens to the beating of his heart. Their hands cling to one another, and Bucky plays mindlessly with Gale’s fingers. That same old habit that he’s had since they were in college.

Gale wonders when such little things will stop making his chest constrict in anxiety and relief.

“I know you broke the mirror,” Bucky says eventually, his voice cutting through the silence.

“Mmm.” Gale doesn’t deny it. 

“I ain’t dumb. It doesn’t even have the same frame.”

“Benny replaced it this morning,” Gale says passively, even though he’s staring dead ahead in the darkness, ublinking. 

“You punch it or what?” Bucky knows his husband. He knows how stoic everyone thinks he is, how calm and collected Major Buck Cleven tries to be. But he also knows that Buck – Gale – can snap.

“Mmm. The morning I found out.”

“Straight to the dramatics.”

“Benny woke me up,” Gale drawls, his voice steady, measured, even though Bucky doesn’t miss the nervous undertone in the way it shifts. “I thought you’d be dead by the time I got to JSC.” He says this matter-of-factly. He doesn’t tell Bucky that he imagined his entire funeral, word for word, breath for breath. “It was touch and go for a while there.”

“I was the one dying.”

“You were passed out those first few days.”

They’re quiet for a while. Slowly, slowly they’ll learn what the other went through. Someday, they’ll fall apart late one night or early one morning, and it’ll all spill out in a tidal wave that threatens to crush them under the weight of this aftermath. They’ll hold each other tight and try to hold back the sobs and remind each other to keep breathing, remind each other that they’re still breathing. 

But it’s not time. Not yet. It hurts too much, and they don’t have the words. Right now, they’re not sure that they’ll ever have the words. Right now, all they can do is hold on tight.

There was never anything that could break them, Marge said at their wedding. They may have come damn close, but here they are, unbroken.

So they sit in silence. Gale counts Bucky’s heartbeats. One. Two. Three. Four. Five…

When he hits thirty-two, Bucky says, out of nowhere, “It was like I could hear you.” As if he’s been thinking over something troubling for some time now. 

Gale tenses. “Mmm?”

“W-When I was, um…” Bucky takes a deep breath. He coughs once, weakly, and it jostles Gale. But he rests his free hand on the back of Gale’s head, holding him there, not wanting to lose that reassuring weight. “I guess I was unconscious. Those first days after I… after…”

Why is it that, in the dark, it feels easier to talk about the hard things, and yet it’s harder to find the right words?

“You were in a coma,” Gale says. “Completely non reactive.” That’s what Dr. Huston told him. What Curt told him. 

“I know,” Bucky agrees. He makes a breathy, frustrated sort of sound, and Gale can imagine him squeezing his eyes shut, clenching his jaw as he tries to figure out how to say what he needs to say. Gale waits patiently.

“Everything hurt so bad,” Bucky finally explains. “I could feel it. I could hear Curt sometimes, too. But I couldn’t move. I couldn’t fuckin’ think. I-I was just… I couldn’t… Fuck.” It was like he was floating, not part of the world, not part of his body, but in so much goddamn pain he wanted to scream. He doesn’t know how to tell his husband that, though. 

Instead, he pushes forward to what he needs to tell Gale now. “But it was like you were in my head. I heard your voice. It made me… it made me keep breathing, y’know?”

Gale goes completely still, eyes wide, unblinking, not breathing. Bucky’s fingers try to grip his hair, but can’t seem to close around the strands. Gale grips Bucky’s hand. He bites hard at his lower lip.

Bucky’s voice gets thick and tight, and Gale can hear his chest rattling as he breathes, threatening another coughing fit. “I-I knew I had to… I had to…” Another painful pause. “I had to get back to you.”

Gale holds back the wet little gasp that wants to tear through his gritted teeth. A tear drips off of his nose and onto Bucky’s bare chest, and he wonders if Bucky feels it. He tucks his face against the warm skin, needing to be as close as possible as he curls around Bucky’s body in a way that makes it unclear if he’s trying to hide against it or protect it from the world, make sure it can’t break any more than it already has. 

“I couldn’t leave you,” Bucky chokes out. Gale can’t see his face, but his husband’s voice alone is enough to cave his chest in with a crippling kind of sorrow. “I couldn’t do th-that to you. I had to… I needed…”

Gale can hear the tears building up in Bucky’s voice now, and he wants to make them go away. Yet he knows they both need this. They both need to feel this pain, let it drown them, just for a little bit, as they grip so tightly to each other that their fingerprints become embedded into each others’ souls. They need to face it, or they’ll never be able to move forward. 

“It’s okay,” he whispers.

“I-I think I…” Bucky takes a careful, controlled breath. He thinks about the stars he could see through Starship’s window, flickering in the darkness. He thinks about the pain burning like fire through his body and his brain. He thinks about wanting to die, near begging a god he didn’t believe in to carry him away from that damned place because death must be better than whatever he was going through. 

But in the darkness, a star shines on. A heart beats. A mind dreams. The Earth turns. And even when he couldn’t wake up, when he was consumed in agony from the inside out, Bucky thought of his husband. He heard his voice, saw his face, wanted nothing more than to hold him tight and hang on forever. And even when he wanted to give up, he fought to stay.

Bucky’s breath shudders, and he feels tears dripping down his cheeks. He closes his eyes. “You’re what kept me alive, Gale.” 

You’re the reason I had to stay alive. The reason I had to come home. 

You are my home. 

Gale is quiet for a long time, listening to Bucky’s heartbeat. He presses his lips against Bucky’s chest. “Don’t tell Curt that,” he whispers.

Bucky laughs wetly. He can feel Gale’s tears against his chest, and he strokes his husband’s hair. “I know,” he says, “But. It was you, angel. It was always you.”

—

It’s 1am when Bucky asks Gale if he’s still awake.

Gale, still tucked against Bucky’s side, nods sleepily. His eyes drift open, taking their sweet time adjusting to the darkness of the room. He shifts just slightly, making Pepper huff in annoyance where she lay curled up right at his feet.

He presses his lips to Bucky’s shoulder. “You okay?”

He waits so long for an answer that he wonders if Bucky actually said anything at all. But eventually it comes: “Hurts.”

“What does?”

A pause. “Everything?”

Gale nods again in understanding. Leg, head, chest, ribs. In that order. Possibly his back as well.

“I’ll get you some pain killers,” Gale says. He reluctantly pushes himself away from Bucky and crawls out of bed, his foot getting caught on the blanket as he goes. His mind flashes back to the way he scrambled out of bed on November 19th, sheets tangled around his feet as the room tilted, Benny approaching him like a wild animal.

His heart beats faster, faster, faster.

“Thanks, hon.”

Gale takes a breath. He walks to the kitchen, flicks on the lights, reaches for the little orange bottle of prescription pills sitting on the windowsill. He stares at the tiny print, remembering the doctor’s instructions. One pill every 6 hours as needed. He does some mental math, concludes that it’s been well over 6 hours since the last dose, dumps a tablet into his hand, and fills a glass with water,

When he returns to their bedroom, he finds Bucky sitting up with a pillow behind his back, looking at a too-bright phone screen – Gale’s too-bright phone screen. Gale turns on the lamp on Bucky’s bedside table. “What’re you looking at?”

Bucky sets the phone on his thigh so he can take the pill and glass of water, swallowing both down. Gale glances down at the phone, and he finds that the saved email from their wedding photographer is pulled up, the cover photo of the digital album displayed on the screen.

Bucky sets the glass down on the table, the bottom of it rattling as his hand shakes. He looks up at Gale, who is still hovering over him. “Thought we could look at them. Together.”

Gale can’t quite bring himself to smile, his brow scrunching into something pained but full of love. “Yeah,” he whispers. He walks back around to the other side of the bed, stopping to scratch Pepper on the head, and he sits back against the headboard. Tucking his legs beneath the covers, he presses himself against Bucky’s side.

Bucky offers him the phone, too tired to focus on making his fingers work right, and Gale opens the album once again.

It’s strange, really. These are the exact same photos that Gale looked at before. Some of them – especially those of John in the groom’s suite – he’s stared at and stared at, unable to look away and unable to move forward. These photos carved a hole into his chest even as he fell in love with every image, at one time thinking that if he never got to see his husband again, at least he would be left with such perfect, life-filled photographs. 

They made him sob and they made him panic. They made him chuck his phone away because they filled him with too much everything and he was overloaded with the weight of it. They made him grieve.

But here they are. The same exact pictures, and they look completely different somehow. When the gallery opens, Bucky sinks down so his head rests on Gale’s shoulder, and Gale wraps his arm around him. He balances the phone on Bucky’s chest and turns to press his nose into his hair. 

Bucky’s lips curve into the most genuine little smile the moment he sets eyes on the photographs of Gale in the bridal suite, and it hits Gale in the weirdest of ways that, even though he’s seen these specific pictures a handful of times now, Bucky hasn’t. This is the first Bucky has seen of Gale’s pre-ceremony experience. “You’re…” Bucky huffs out a disbelieving breath. “God, Gale, look at you.”

While Gale holds the phone, Bucky uses a finger to swipe from photo to photo, pointing something out here and there – how he didn’t realize Gale was so nervous, too, or how lovely Marge looks or how much he loved that white suit – or sometimes just staring with his hand poised over the screen like he’s eager to get to the next one but reluctant to move away from the one he’s on. He stops for a long time on a candid of Gale standing in front of the mirror, looking down with a nervous smile on his face as he adjusts his cufflinks. The light coming through the windows hits just right, making his suit seem brighter and his boutonniere pop. It highlights the freckles on his cheeks that Bucky sometimes likes to kiss or poke at. 

Gale thinks he hears Bucky whisper the word “wow.”

“Sorry I ain’t that pretty all the time,” Gale jokes self-deprecatingly.

Bucky turns his head, glances up at him. “You get more and more beautiful every day, love.” He reaches a hand up to grab Gale’s chin, satisfied at the way it makes him blush. Gale feels the metal of the wedding band rub against his jaw, and he motions for Bucky to keep going through the album. 

“Ah, look at that handsome man,” Bucky says when he gets to the pictures of the groom’s suite. “Whoever gets to marry him sure is lucky.”

Gale scoffs, hiding his face in Bucky’s hair. He squeezes Bucky’s hip with the hand wrapped around him and whispers, “I am.” 

“Holy shit I was nervous,” Bucky admits as they scroll through. Gale stops him every once in a while, wanting to look at certain photos for just a little longer even though he’s drilled them into his mind already. Bucky biting his lip anxiously as Rosie fixes his cufflinks, Bucky kneeling down to pet the dog, Bucky with his head thrown back in a full body laugh, looking beautiful, carefree, happy.

They reminisce over their first look, feeling like they’re there all over again, seeing each other for the first time, reaching out to touch, at a loss for words.

And then it’s on to uncharted territory, the photos that Gale never managed to get to. He takes a deep breath, and he decides right then and there that it’s okay. After everything, right now, they get to look at their wedding photos together. Just like any love-struck young couple.

One small step on the road to normal. 

“Someday I’ll thank her for holdin’ you up while I was gone,” Bucky says when they get to a picture of Marge walking them down the aisle. Gale can only nod, because nothing he could ever do could ever repay her for, well, everything.

“Were you crying?” Gale asks as he zooms in on a picture of them at the altar, holding tight to each other’s hands. Bucky is biting gently at his lower lip as he looks at Gale, and his eyes are glistening in the light. 

“I don’t know,” Bucky laughs now. “I was so focused on gettin’ my vows right. I don’t even know.”

“Wait,” Gale smirks and leans his head down, trying to get a good look at Bucky’s face. “Are you crying now?”

Bucky shakes his head, but he also scrubs at his eyes with his hand. He presses himself even closer to Gale, if that’s possible. “I have a head injury,” he says meekly.

“Yeah, sure,” Gale drawls, kissing the top of his head.

There’s a few pictures of the ring exchange, and Gale remembers how badly Bucky’s hand was shaking that day. The irony of it claws at his throat, but neither of them say a word. He remembers how fast his own heart was racing. He remembers the feeling of that cool silver band sliding over his finger. He remembers the look in Bucky’s eyes.

They spend a long time looking at the series of photos from during and after their kiss, remembering how the entire world disappeared in that moment, just them, their own universe, the greatest love story ever told. Naturally, they’ve barely kissed since Bucky returned. 

“Tomorrow I’m gonna kiss you like that,” Bucky promises.

“Why tomorrow?”

“Cause the meds are kickin’ in and I’m too comfy to move.”

That would make Gale smile, but he finds he already is. He’s barely stopped this whole time, even when the pictures bring tears to his eyes and shove a lump into his throat. He holds Bucky tighter.

After the ceremony photos – Bucky jokingly declares that the best one is the one of Meatball and Pepper crashing their kiss – there’s plenty of staged photos of the wedding party and even more of John and Gale. And then there’s the reception.

Speeches. Curt and Marge standing on a chair. The newlyweds holding hands at their table, whispering into each others’ ears, kissing sweetly like no one was watching even though everyone was watching. People dancing and laughing. Gale dancing with Bucky, with Marge, with Chick. John having a dance off with Curt and Alex. Cutting the cake – Bucky smashing a piece into Gale’s mouth. Kissing through the icing, staining their lips blue. John and Gale on the mezzanine, John kissing him on the cheek. Gale tossing the bouquet over his shoulder. All of their Air Force friends, Benny included, scrambling over each other to catch it like it was a football and they were trying to win the Superbowl. Meatball grabbing it in the chaos and running full speed through the reception hall.

Gale laughs as he sees those photos for the first time. “I didn’t even know that happened.” When he doesn’t get a response, he looks down at Bucky. “You still with me darlin’?” 

“Mhm,” comes the reply. And Gale realizes that Bucky is struggling to keep his eyes open. But he blinks and glances up at Gale. “That was the best day of my life, you know.”

Gale’s lips part, but he doesn’t have anything to say. He wants it to have been the best day of his life, too. But after everything… 

Gale doesn’t believe in miracles. But as far as he can tell, the day Bucky splashed down in the Pacific was as close to one as he’ll ever get. So after everything, is it strange that he thinks the best day of his life isn’t the day that marked the rest of his forever, but the day that kept that forever intact? The day John came home to him. 

He can’t bear to say all that, though. So he nods as he turns the phone off, and he wraps his arms more fully around his husband, feeling the warmth of his bare skin and the reassuring weight of his upper body. He finds himself feeling comfortable, safe, secure, not afraid. He almost feels like he could just nod off right here. “It was a damn good day,” he agrees. 

Within moments, Bucky is drifting off in his arms, relaxing into his embrace. Carefully, slowly, Gale eases them both down, so they’re laying more comfortably on the mattress, but he doesn’t let go. And for the first time since early October, together, in their own bed in their own home, they sleep.

—

December 12 Nassau Bay, TX

It’s raining.

For real this time. At least, John really hopes it’s real.

He sits on the couch and stares out the window, listens carefully. The house is filled with that eerie but comforting light of an afternoon rain storm, gray and blue and green with a daylight sort of darkness that settles over everything with hardly a shadow. 

Drops of water drip down the windowpane, and Bucky watches them. He presses his finger to the glass and traces their path as they roll down. He listens to the steady beating of raindrops on their roof. He pretends he can smell the fresh earthy scent of a storm mixing with the salty air of their home on the bay. He pretends he can feel the cool water sliding over his bare skin, plastering his hair to his forehead. 

The rain has been falling for over half an hour now, and his heart reaches out to it. He has to wonder if it’s real, or if it’s only a dream. He often wonders that – was all of it a dream? Is it all a dream? Will he wake up one day, still on Starship, and find out his trip home, his successful failure, wasn’t real? Maybe the accident never happened. Or maybe it did and he never actually woke up.

Or will he wake up one day in this very house, learn that he never went to the moon at all? Will he be shipped off to quarantine to do it all again?

But his leg throbs with his heartbeat, and sometimes his head still spins. Every cough reminds him he’s alive. He holds onto Beary Egan as he sits on the couch, Pepper at his side, and while many things are blurry or missing, there’s so much that he can recall in such detail. If he closes his eyes, he can see the surface of the moon stretched out before him. Nowhere and everywhere. But he was there.

“John?”

Bucky’s brain takes far too long to understand that someone is saying his name. When he finally tunes in, for a second he thinks it must be Curt or Rosie. Checking on him, trying to get him to eat something, telling him it’s time to do this or that thing that is going to cause him pain but is necessary anyways. 

But the voice says his name again, followed by a gentle “darling?” and a smile slips over Bucky’s face. 

He turns his head to see his husband, leaning against the doorway to the kitchen. His hair is unstyled, soft and messy. He’s wearing jeans and a black sweater. Bucky is once again wearing his own Yankees sweatshirt – if for no other reason than to make it smell like him again. For now, it smells like Gale, and it makes him feel safe. 

“You okay?” Gale asks. He raises an eyebrow in concern. He looks at Bucky like that a lot now – concerned.

The truth is, everything hurts. Everything feels icky. Everything about Bucky’s body feels wrong and out of control. But he nods. Because right now, he is actually okay. 

He woke up in his husband’s arms, his dog at his feet. Gale made him pancakes, and when he couldn’t quite stomach those, he cut up a bunch of fruit and let Bucky drink as much orange juice as he wanted. Gale told JSC he wouldn’t be in today, and they spent their morning watching a movie on the couch while Bucky scrolled through their wedding photos again. Lazy and domestic, just trying to heal.

Bucky reaches an arm out towards Gale, making a grabbing motion with his hand. Gale’s face softens and he walks across the room, settling on the couch beside Bucky. He wraps his husband in his arms, and together, they stare out the window at the water falling down onto the Earth.

Gale closes his eyes and takes a deep breath in, holding Bucky tight. He presses his nose against the dark curls at the back of Bucky’s head, where that shaved patch is finally growing back. He tries to remind himself that John is here, in his arms, safe, not going anywhere. He tries to block out the rhythm of the rain, wills it to stop.

All he can think about is that night, a storm pouring buckets over their town, when Benny woke him in the darkness. 

One single moment can change the way you see even the most fundamental parts of the world. Something that once was beautiful, now bears nothing but pain. Fear and grief. That’s the song sung by the rain.

Gale listens to its melody, wondering if it’ll ever change its tune.

“You know,” Bucky says. He presses his whole hand against the cool window glass. His eyes flick momentarily to Gale’s, then back to the view of their backyard. “The rain is one of the things I missed the most.”

Gale blinks. “Mmm?”

Bucky nods. “The moon is so… empty,” he says, frowning. “I mean, it’s amazing. It’s beautiful. I wish I could go back. But it’s quiet. Unchanging. Dry. I missed water.”

Bucky seems to drift away again after that. One moment, he looks focused, speaking purposefully. The next, his eyes go a little hazy and the expression just drops from his face. He leans his head against Gale’s shoulder, and he stares out the window. Gale half expects him to fall asleep, but just as he’s about to ask Bucky if he’s still with him, Bucky shifts, tilting his head in thought.

“I remember wanting to feel the rain. I’d pretend I could feel it running over me, soaking my hair. I pretended I could taste it on my tongue. Like when we were kids, y’know? Playin’ in the puddles.”

Gale stares thoughtfully out the window, trying to see it in the same way. His heart beats a little too fast, though, when he can’t shove away the memory of that morning. 

He tries to smile weakly, pressing his lips to the back of Bucky’s head to hide the way he wants to cry at the memory mixed with the visual of John here, in his arms where he belongs. “Come on,” he says.

Bucky looks at him questioningly, but he doesn’t have a chance to resist because Gale is already standing up, crossing the room, retrieving the wheelchair. And then he’s lifting Bucky in his arms and settling him into it.

Bucky shifts in the chair, grimacing as he tries to get his leg positioned right. “What are you doing?” 

Gale puts a finger up and walks away again, leaving Bucky alone in the middle of the living room in a chair that he’s hardly any good at maneuvering on his own. But he returns moments later with the plastic cover for Bucky’s cast.

“We’re gonna go outside.”

Bucky blinks at him, then glances out the window again. “In the rain?”

“Mmm.” Gale kneels in front of Bucky, and Bucky watches as Gale gently lifts his bad leg, slips the cover up over the cast and secures the top of it at his knee. Then he helps Bucky get his leg in a comfortable position again. “Good?”

Bucky nods. Gale pats his good leg gently before getting back to his feet and wandering over to the coat closet. He hands Bucky one of his warmer raincoats so he can pull it on over his sweatshirt. “What?” Bucky asks when he notices Gale watching him do it. “I can get my own jacket on, Buck.”

What he doesn’t realize is that every time he does some menial task on his own, Gale’s heart is working to mend itself back together. Because Bucky doesn’t know the conversations Gale had to have with Dr. Huston and Smokey. He doesn’t know how terrified Gale was that Bucky would never be able to do these things again.

But outwardly, Gale just rolls his eyes, because Bucky doesn’t need to know all that. Not right now. He pulls on his own coat, ruffles Bucky’s curls as he steps behind him, and pushes him towards the front door. Pepper, finally convinced that they’re doing something worthwhile on this tired, rainy day, gets up from the couch to follow behind them.

The last time Gale stood in the rain, he was dressed in nothing but his work clothes. He stood frozen, drenched to the bone, unable to feel anything at all. Sandra had to save him. His mind flashes to that moment as he walks out the door, pushing Bucky out in front of him. He nearly freezes when he feels the cold raindrops hitting his face. He doesn’t bother to put his hood up.

But he notices something: he can feel it now.

As Gale wheels him out to the driveway, Bucky holds out his hands and looks up, closing his eyes as he feels the fat, heavy drops splashing onto his skin, soaking into his hair. Even on the Gulf, the rain is freezing in December, but it makes Bucky feel more alive than he has since he woke up in Starship half dead. 

Gale steps out from behind him and takes his hand. “So you didn’t have this on the moon?”

Bucky laughs. “If we did we’d have colonized it by now!”

Pepper runs in circles around them, darting from one side of the driveway to the other with her face to the sky, her thick fur slowly getting matted down. They both laugh as she gets down and rolls in the grass, staining parts of herself green. Gale knows he’ll have a hell of a time giving her a bath, but it doesn’t matter. 

He watches Bucky take in the vibrant world around them. The fresh smell of the rain and the salt of the bay. The bright colors of the Earth, the sound of the raindrops pounding the ground. Their house, their street, their dog, the trees and the grass and the water streaming down the road. All of it so alive. 

When Bucky’s eyes finally reach Gale again, he stops. He raises an eyebrow, a grin brightening his face even as his hair is soaked to his head and his flannel pajama pants have no hope of ever being dry again. “What?” He asks. 

And Gale realizes he’s been staring. He knows he must look like a wet dog, but Bucky looks at him like he’s the most beautiful thing in the world. 

“I missed you,” Gale says. Like it isn’t obvious. Like those words can possibly encapsulate what he means.

Bucky reaches out his other hand and looks at Gale expectantly. “Help me up.” 

Gale looks skeptical, but he hauls Bucky to his feet – or, foot. He keeps one arm around Bucky’s waist, keeping him steady, and Bucky grabs onto his shoulder for balance. They’re getting better at it. 

“Now what?” Gale laughs. 

Bucky doesn’t say a word. Just ducks his head down and presses his lips to Gale’s. Gale freezes in surprise, but it’s not even a second before he closes his eyes and has to remind himself that he needs to be the strong one, keep himself steady, even as he melts. They grip onto one another, holding on for dear life, and Bucky kisses his husband like it’s their wedding day. 

Gale sighs into it, and he feels Bucky smile. They’re both soaked to the bone, but it doesn’t matter. Nothing matters other than the two of them together, right here and now. 

Because, finally, they’re home. 

[anonymityisfunwriter]

Question...? The End - “It’s just a question.”

Pairing - Steve Rogers x Reader Summary - After years of back and forth, years of unknowns, a lifetime of questions, it's time for answers.

Question...? Mini Series List | Steve Rogers Masterlist

"Looking back on it..." Steve can't quite find the words to finish the sentence. He shakes his head, "Jesus."

You slightly tip your glass, "We've been through a lot together."

He knows that you're too nice to say what the reality of it is. Steve put you through a lot.

And sure, you two have been through a lot together. All the awkward phases, the growing pains, romantic mishaps, miscommunications, circumstances.

Looking back on it, you were his constant.

Most of the time, you were his only constant.

Rather than staring at the glass in his hand, he keeps his eyes locked on you. There was so much history there. You were right, there were so many times that he could've done more, tried harder. He could've fought for you.

He swallows the lump in his throat, “I don’t know what to say.” 

You shrug, swirling the lonely ice cube in your glass, “I think that was always part of the problem. It’s why we never worked.”

“I - I’m sorry.”

And just like all those times before, you fight to tamp down those feelings that never fail to arise when Steve is near. You've come to accept this. You know this. You and Steve don't work. Accepting that is so much easier than pushing him out of your life. “It’s not like I told you how I felt.” 

Steve knew it wasn't the whole truth. Sure, you'd never out right said that you had feelings for him, but you'd given him so much more than he gave you. And every single time he was too scared of ruining everything that he ran like a coward. 

"But you were the one that held us together. You gave me so much." 

You snort, "Like your first kiss?" 

"I would've waited a hell of a lot longer if it weren't for you. I didn't kiss a single girl in high school." 

"Bullshit." 

"It's true," Steve insists, tipping his glass in your direction. "Ask Bucky. Besides, I was too hung up on you to even look at another girl." 

You shake your head, rolling your eyes, "That's not true." 

"It is. I was just - I was so damn scared of ruining our friendship." 

"Then why did you kiss me at our college graduation?" 

Steve wasn't sure. To this day, he couldn't decide it is was his ultimate moment of weakness or moment of strength. "Better question: Why do you think I broke that dickhead guy's nose last year?" 

"Male ego?" 

"I was jealous," Steve deadpans. "I was so fucking jealous. I was upset because some asshole that was nowhere near good enough took the girl I wanted my whole life. And worst part, I still wasn't brave enough to tell you how I felt."

You slowly exhale, "I think that maybe things worked out the way that they were supposed to. Maybe we just - we weren't meant to be." 

His eyebrows pull together, "Do you really believe that?" 

"I don't know."

“I just - I wish I would’ve put up a fight. I wish I would’ve told you how I felt - how I feel.”

Your eyes snap up, you heart stuttering. “Feel?”

His heart pounds in his chest. This was likely his last chance. His chance to not be a coward. A chance to finally get the girl. “Feel. Present tense.”

Your eyebrows pull in, demanding and curious, “And what do you feel?”

“I feel like I should’ve gone after you after we kissed the first time. Like I should’ve told you that the reason I got so angry you kissed Bucky in high school was because I wanted to be the only person that you kissed. Like I never should’ve left your house that night in college. I feel like I’ve been in love with you since I saw you that very first time.”

“Steve…” you whisper, too choked up to say anything but his name.

“I’ve looked for that feeling everywhere. I’ve looked for that meteor strike everywhere and the only place I’ve found it is with you. You lit up my life. Everyone else, everything else, is second best compared to you.”

“It shouldn’t be this hard, Steve.”

“Then let me carry us for a while. Let me hold us together. Let it be my turn.” He reaches out, his hand gripping yours from across that empty bar stool. He sucks in a soft breath, clearly warring with himself. In this moment, he feels like he did all those years ago. The best friend that was never good enough for the girl. The girl he watched and wanted more than anything. This was his chance to be brave for once, to finally speak now. “I think I've always known.” 

You quirk an eyebrow, “Known what?” 

“I think I’ve known it since we were kids," he continues. He stands up from his bar stool, closing the distance between you and him. He reaches out, his fingers ghosting over your cheeks. "You’re my forever. You’re my endgame. And I’m sorry I didn’t treat you like that. I’m sorry I let things come between us. But I’ve always known that. Even if it scared the shit outta me sometimes. I belong with you. You belong with me. It’s us. That’s how this story ends. It’s us.”

"Steve..." you whisper.

"Can I kiss you?" You suck in a sharp breath as he cups your face, lifting your jaw until your lips ghost over his, "It's just a question."  

You know it's not just a question. Not really. Not anymore. You lick your lips in anticipation, "Is it?" 

"No," he finally admits. "It's an answer." 

Question...? Mini Series List Inspired By Taylor Swift Steve Rogers Masterlist

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[shadystranger]

—So what changed your mind?

The damnest thing

DEAN: I-I-I don't need you coming up with some way to stop me. I-I-I don't need to get shaky on this thing.

Sam, you tried. And I love you for trying.

Sam, you're the last person I could tell. The last person I could be around because you're the only one that could've talked me out of it. And I won't.

Okay, Sam. Let's go home. Let's go home. Maybe Billie's wrong. Maybe. But I do believe in us.

I can't keep waking up every morning with this false hope. I'm done trying to find a cure, Sammy. I'm willing to live with this thing forever.

—Dean, listen to me - whatever you're doing, whatever you've done, please...

I let Rudy die. How was that not evil? I know what I am, Sam.

—You summoned me because you knew I would do anything to protect you.

DEATH: It's for family [the world] that you must [kill Sam].

SAM: This is where you tell me you're gonna pull the trigger? DEAN: Yeah, it is. We don't have a choice, Sam.

SAM: Now you - you want my permission? (Stammers) You want me to say I'm cool with losing him and losing you all at once? 'Cause I can't do that. I won't say that, 'cause I... (getting emotional) No. I've already lost too much.

Dean? Dean! (Sam is still running, yelling for Dean.) Dean, don't! Dean? Dean! No, no, no, no, no, no, no, Dean! Hey, hey, hey! Dean!

DEAN: Look, man, I get it. I get it. We have lost way, way too much. And it's hard not to feel like just... cashing out. I felt like that. After Chuck, back at the crypt. But you know what brought me back? You did.

SAM: I know, I know, I'm sorry. I know. But... but what I'm saying is that I don't feel free. and... and sometimes it's... it's like I-I-I can't even breathe. But maybe tomorrow. You know, maybe I'll... I'll feel better in the morning. DEAN: And what if you don't? SAM: I don't know.

DEAN: what I found out about Chuck... it's like-it's like I wasn't alive. Not really. You know, like, my whole life I've never been free. But now... now me and Sam, we got a shot at living a life. Without all this crap on our backs.

DEAN: Chuck has to die. He has to! Otherwise he'll keep us tap dancing forever, and I can't live like that, man! I can't live like that! I won't! SAM: Just put it away, and we'll figure it out, Dean, we'll find another way, you and me. We always do. [Dean uncocks the gun and puts it away.]

I mean, the world is ending...... the walls are coming down on us...... I look over to you and all I can think about is: I just didn't wanna let you down.

[lala-blahblah]

I absolutely cannot sit down and write a nice version of this bc my brain says no, but i would like to let you all know I'm thinking of a fanfic where older Edgeworth is moving back to the US (or japan, whichever universe you subscribe to) and runs into Nick in the store while buying mass produced art to hang on the walls of his new house.

And Nick is like "dear god do you want your house to look like a dentist's office. Please do better" (in a friendly way, they are too old for rivalry at this point) and so Nick invites Edgeworth to come over and take any of his old artwork from college, since it is just sitting in a portfolio in a closet somewhere. And Edgeworth agrees to come over and look through Nick's old stuff together. There are themes of 1) growing older and like reflecting on the past and 2) Nick's character trait of finding meaning in challenges vs Edgeworth's tendency to stick with what he does well. In my head I imagine that Nick was good at art and it came somewhat easily to him and that bored him, and he was drawn to law in part because it was hard and it excited him and made him want to try harder. And i think tying that in with fatherhood, like it being unexpected and hard but something he thrives at because he feels good when there's a challenge. Potentially also touching on how like, when he lost his badge he felt very listless and depressed because he wasn't being challenged anymore, there wasn't anything to drive him and motivate him. And I think Edgeworth would be impressed by seeing Nick's old pieces (I assume he hasn't seen much of his art before) and wondering why he didn't choose to pursue art further. He also thinks about how art had always put him off personally because he couldn't get it "right" right away, and on the other hand how the structure and logic of law came easily to him, which led him to become a lawyer. I think he measures his self worth by his success in his field because he never had the support to believe he had intrinsic value as a person and maybe wasn't so good at making emotional connections with people. So that big contrast between them is so interesting... I think Edgeworth would be jealous of Nick's bravery in pursuing something he was bad at without giving up and Nick would be jealous of Edgeworth's success in law, but in a subdued way as they've grown older.

A far as actual scenes in the fic, I think I would use Nick's art as a conduit for my own agenda to have them talk about topics that are of interest to me... I would like Edgeworth to feel out of his depth for once and for nick to be the confident one as he talks about something he is well versed in, and for edgeworth to have to face that discomfort and also be a little impressed intellectually with Nick. I think I would do that by having them look through some abstract art Nick did (my intro painting classes were all abstract so we could focus on color mixing and getting comfortable with the medium). Edgeworth compliments Nick on a painting with a bunch of colored squares in gradient clusters and then gets embarrassed when Nick tells him those were just color mixing swatches. Alternatively, in my mind they are both asexual and I think even though this feels like a hallmark cliche I would have Edgeworth flounder and be very embarrassed over Nick's old figure drawing piece. I feel like Nick would be like "no you don't understand it's all very professional and normal when we draw them, like it's just about learning the shape language" and Edgeworth would be like "this is very improper and I don't know how to react can we please not look at naked people!". I don't think i would do both, but something to upset the power dynamic for a moment would be interesting! Nick is always the awkward one I want to see him shine for just a moment enough for edgeworth to go "wait what... i've known him for so long but perhaps i don't really know him at all..."

I would want Edgeworth to end up taking a series of 3 canvases Nick did in an oil painting class that were still lifes of objects the teacher had set up around the classroom. I headcanon that Nick actually far preferred drawing people to objects and rebelled against the assignment by hiding his reflection in one of the objects in each drawing- the top of his head is hidden in an ornament on a christmas tree, his eye is reflected in the shine of a china vase, etc. So it's a little secret, and Edgeworth kind of likes that... it is sweet in a way to see a much younger Phoenix captured in time like that. Something Edgeworth will be reminded of when he sees the paintings but nobody else will catch onto

I would want to layer this with a fatherhood storyline... I think i would frame it as nick inviting edgeworth over to dinner with him and Trucy and Edgeworth stepping into this domestic family life as a visitor and witnessing how its transformed Nick, like seeing him from a different lens. I think after they pick out paintings and have dinner they sit around talking. Trucy had been sitting with them, earlier she showed off some magic tricks and gave Edgeworth a picture of hers from the fridge to add to his new art collection (it's a rainbow dolphin and a sea turtle wearing top hats. Nick says she's in her Lisa Frank era). But she's been quiet for awhile and Nick realizes she's fallen asleep and it's like 11. He's like, crap, i screwed up i should've paid attention and gotten her put to bed, I'm a bad father and I have an audience for this failure. And on top of that, I already failed at being a lawyer, no matter what I try I always disappoint everyone. It's an unexpected moment of vulnerability there... like he's seemed so put together and grown up to Edgeworth this whole time like a whole different person, but he's not a different person he just has different sides to him. And this moment is one where edgeworth can be like hey, no, you're a great dad, and I'm impressed by you and everything you achieved. And I think that could lead into vulnerability from Edgeworth about his relationship with his dad and how he misses him/how he feels like he hasn't really been loved by anyone since his dad died, and how Trucy is lucky to have someone like Nick in her life.

Nick excuses himself to carry Trucy to bed and Miles starts cleaning up the kitchen. I would give a moments pause here to talk about the strange intimacy of going through someone else's kitchen cabinets and drawers, you feel like a stranger there trying to put yourself into someone else's shoes to understand how they live in this space. Maybe he guesses the right drawer for the silverware first try and he feels a little spark of connection. like "we are different in many ways but we are alike enough that we look in the same place for our spoons". Details on the kitchen too about the kid safe plastic bowls and knives that indicate a child is part of the household, that the household has been built around the child, in fact. Edgeworth lives alone and I imagine things are kind of fancy for him (he's a man who wears a cravat so he probably has fine china right). It's completely different from this shabby mismatched cutlery that Nick has, but this kitchen has personality. Maybe he wouldn't mind having a kitchen like this so much. This is a hint at him being lonely, being included in this family unit just for a day has given him this curious sense of longing, for what he isn't sure... does he want kids? Does he want Nick? Does he just want to be part of a family? These are confusing questions and he would much rather not feel anything at all, but unfortunately it is late and he did have a glass of wine with dinner so emotions are Happening.

He hears Nick sigh tiredly as he comes into the kitchen, and Edgeworth starts to ask him where his tupperware is when suddenly Nick is wrapping his arms around him and Edgeworth is Very Tense because he's never good at knowing how to act in situations like this and he and Nick have never been on a hugging level before and he's not sure what this is even for. Then Nick is like "I keep thinking about what you said earlier, about feeling alone ever since your dad passed away. I didn't know, that's such a long time to feel alone. I don't want you to think you're on your own". Edgeworth relaxes a little bit because now he knows what the hug is for and what he's supposed to feel from it. Its very kind of Nick to worry but its unnecessary and he says so. He has colleagues he's friendly with and people from law school he keeps in touch with, he's alright. And Nick says he knows but he also knows it's difficult living the way they do, and what he means is single and in your thirties. Because everyone else is getting married or living with a long term partner or at the very least dating and their lives are focused on that relationship as the center of their being. And when you don't have that, not only is it harder to relate to the people around you but it is harder to feel like you matter in people's lives, because they all prioritize their partner before their friends. And maybe their situations aren't exactly the same (Nick has a daughter while Edgeworth lives alone) and maybe their choices were made for different reasons (Nick used to date and didn't mind it but didn't see a need to prioritize it. Edgeworth found himself unable to distinguish with certainty whether or not he was actually romantically interested in people, and rather than make the wrong choice he decided he would rule out error by choosing no one at all). But regardless, they both know first hand the isolation that comes with trying to carve a path for themselves that does not include a life partner in a world where everyone else comes in pairs. And Nick is reaching out across that emptiness saying hey, we might both be building different lives, but there's room for you to be a part of mine if you want.

Outloud, Nick says "Really, Miles. You aren't alone in this." and Edgeworth says "Well, Phoenix, neither are you". And he stands there and lets his friend hug him, and it doesn't feel like butterflies but it does feel solid and warm and good. And he doesn't even worry about whether he's supposed to let go by now or not, because it's nice, not being alone.

They stand there in comfortable silence for a long moment before Nick speaks again. "hey, remember when you used to hate me? And look at us now." Edgeworth turns his head sharply. "I never HATED you, Wright. I simply thought you were foolish and a waste of my time." He realizes a little too late that this is probably a rude thing to say to the person that just gave you a pep talk, but Nick just laughs, his head still resting on Edgeworth's shoulder. Looking at him from this angle, face almost fully hidden, Nick could be any age at all. It's easy to imagine for a moment that he's the same nervous version of himself that stood across from him in the courtroom for the first time all those years ago. The only thing breaking the illusion is the subtle streaks of silver that cross his temples. Not entirely sure why he does it, Edgeworth kisses the top of Nick's head. He feels odd about it the moment he does so, realizing it comes across not as a platonic or romantic action but as a gesture suited for a dog or pet of some kind. Nick looks up, looking confused but not displeased. "What was that for?" "It was a thank you I suppose". Miles steps away now, still uncomfortable with perceived failures even if those failures are just in social interactions, and begins to gather his things while Nick gets down a tupperware from a cabinet. "Thank you, for the dinner and for the paintings." Edgeworth continues. "I'd like to repay the favor once I get settled into the new house. Trucy's invited too, of course". As he says it, he realizes he genuinely is looking forward to seeing them again. Nick walks him to the apartment door and they say their goodbyes while Edgeworth tucks the paintings (and Trucy's dolphin drawing) under his arm.

He gets halfway down the hallway when he hears Nick calling after him. "Hey! Miles! Take an art class with me sometime" Newfound friendship or not, Edgeworth just looks at him in disdain. "what, so you can show off your superior art skills? No thank you, Wright" "No, for fun. You can make things of your own to hang on your walls. We can do something I've never done before so we're evenly matched. Like printmaking? Origami? Um, pottery?" Edgeworth bristles at the suggestions but takes a moment to acknowledge why he's feeling that way; again, it's that fear of failure. But he's enjoyed himself today and deep down he thinks it could be fun to try something new, not with the goal of being perfect at it but with the goal of spending time together. Nick surprised him today. Maybe he can surprise himself. "... I would consider pottery" Edgeworth admits. And Nick looks really happy about it. "Great. I'll book us a session then. It'll be fun, you'll see. Edgeworth shakes his head, but there's no malice behind it. "Have a good night, Phoenix" "You too. Get home safe Miles".

Edgeworth gets home a little before midnight and props the three canvases against the moving boxes still stacked up in the foyer. Tomorrow, he'll figure out where he wants to hang them. Right now though, he walks over to the bare fridge and carefully pins up Tracy's dolphin drawing. There's a lot more work to do, but it's already starting to feel like home.

[mcflymemes]

ALIEN (1979) PROMPTS *  assorted dialogue from the film, adjust as necessary

the other members of the crew are dead.

this is the worst shit i've ever seen.

anybody ever tell you you look dead?

alien life form. looks like it's been dead a long time.

i should reach the frontier in about six weeks.

can you hear me?

what was your special order?

you read it. i thought it was clear.

what about our lives, you son of a bitch?

how do we kill it? there's gotta be a way of killing it.

that's bullshit.

you still don't understand what you're dealing with, do you?

you admire it.

look, i've heard enough of this, and i'm asking you to pull the plug.

i can't lie to you about your chances, but... you have my sympathies.

something has attached itself to him.

we have to get him to the infirmary right away.

wait a minute. if we let it in, the ship could be infected.

you know the quarantine procedure. twenty-four hours for decontamination.

listen to me. if we break quarantine, we could all die.

look, could you open the goddamned hatch?

i can't do that, and if you were in my position, you'd do the same.

this is an order.

the ship will automatically destruct in t-minus five minutes.

you bitch!

you are my lucky star.

i find that hard to believe.

what would you like me to do?

i'll get my own answers, thank you.

some of you may have figured out we're not home yet. we're only halfway there.

what kind of transmission?

you were gonna leave us out there!

when i give an order, i expect it to be obeyed.

unless somebody has got a better idea, we'll proceed with [name]'s plan.

oh no. you're out of your mind.

i say that we abandon ship!

we take our chances and just hope somebody will pick us up.

i'm for killing that goddamn thing right now.

will you listen to me, [name]?

you don't know that.

that's the only way.

we'll go step by step and cut off every bulkhead and every vent until we have it cornered, and then we'll blow it the fuck out into space.

is that acceptable to you?

that's amazing. what is it?

please don't do that. thank you.

you let him in.

by breaking quarantine, you risk everybody's life.

maybe i should have left him outside.

maybe i've jeopardized the rest of us, but it was a risk i was willing to take.

i do take my responsibilities are seriously as you, you know.

you do your job, and let me do mine.

you remember anything about the planet?

what's the last thing you do remember?

we're on our way home!

i don't trust him.

i don't trust anybody.

it's a robot!

let's get the hell out of here.

there is an explanation for this, you know.

i'm sorry, can i say something?

we don't know if it's intelligent.

i wanna go home and party.

you don't dare kill it.

how long before the ship blows?

why don't you just fuck off?

it looks like a warning.

i can't see a goddamn thing.

get out of the room!

the first thing i am going to do when i get back is get some decent food.

open the door!

oh god, it's moving right towards you!

get out of there! behind you! move!

this place gives me the creeps.

whatever it was, it was big.

i'll get the shuttle ready.

wait a minute. there's movement.

where's earth?

something's different down here.

it's got to be around there somewhere.

[ruewrote]

𝑠𝑎𝑦 𝑚𝑦 𝑛𝑎𝑚𝑒.

PAIRING: jj maybank x fem!reader WARNINGS: no comfort, unrequited love, no use of y/n GENRE: ANGST SONG INSPIRATION: bored by billie eilish WORD COUNT: 568

navigation | inbox

you and jj sat on the beach, the sound of waves crashing gently in the background. the atmosphere was relaxed, but tension simmered just beneath the surface.

you had been friends for years, but lately, something had shifted. every laugh felt a little more meaningful, every glance lingered a moment too long. you couldn’t shake the feeling that you wanted more.

“hey, jay?” you started, your heart pounding as he turned to you, curiosity in his eyes.

“can i ask you something?”

“sure, what’s up?” he replied, a playful smile on his face.

you took a deep breath, gathering your courage. “i’ve been thinking a lot about us…and, well, i really like you. like, a lot.”

his expression faltered for a moment, and you could see the gears turning in his head. “come on. we’re best friends. you know that.”

“i know, but i can’t help how i feel,” you insisted, your voice firm but gentle. “it’s not just a phase or a crush. it’s real.”

jj rubbed the back of his neck, looking away as if he was searching for the right words. “but… what if it doesn’t work out? what if it ruins everything between us?”

you felt your heart sink. “jj, it doesn’t have to ruin anything. i just wanted to be honest with you.”

he shook his head, a frustrated laugh escaping his lips. “you’re talking about feelings like they’re so simple! you know how things are around here. i can’t just—”

“can’t what? acknowledge that we have something special?” you interrupted, unable to hide the hurt in your voice. “i thought you felt the same way.”

jj met your gaze, his expression conflicted. “i do, but it’s complicated. we’re…we’re a mess as it is. i don’t want to screw this up.”

“you said it, it’s already a mess,” you argued, feeling the heat of frustration rising. “but we can figure it out together. isn’t that what we do?”

he sighs, running a hand through his hair. “i just can’t wrap my head around it. i don’t want to lose you, and…i’m scared.”

“you won’t lose me. but if we don’t try, we might lose something even better.”

jj looked down, his shoulders slumping. “i can’t deal with the risk right now. i’m sorry.”

you took a step back, feeling a mix of disappointment and heartbreak. “so what? you want to pretend that this doesn’t exist? pretend i didn’t just tell you how i feel?”

“don’t say it like that!” he snapped, frustration creeping into his voice. “i just…i’m not good at this stuff, okay?”

taking a deep breath, trying to process his words. “maybe you need more time,” you say quietly, fighting the tears that threatened to spill. “but i can’t just sit here waiting for you to figure it out.”

jj’s expression softened, but you could see the conflict growing within him. “i want to, y/n. you have to believe that.”

“i wish i could,” you replied, your voice trembling. “but right now, it feels like you’re pushing me away. and i can’t do this if you’re not all in.”

you wouldn’t let this define you, but you couldn’t deny how much it stung. the connection you shared was real or at least you thought it was, but if he wasn’t ready to embrace it,

maybe it was time to think about starting to let go.

comments and reblogs are appreciated ♡

© ruewrote 2024.

[rockoblanco]

Americans will look you in the eye & literally be like “yes im aware that the US government has lied about pretty much every single international affair over the past century, which has resulted, and continues to result, in the slaughter of literal dozens of millions of civilians across the world along with the catastrophic destabilization of entire regions that still live on to this very day, but the news told me that this one place is a crazy dystopian dictatorship so actually they’re right this time & if you try to even hint at anything otherwise you’re a brainwashed insane piece of shit” without ever using a single brain cell lol

[emdotcom]

The Mario movie thing is so funny to me. Here, look at this:

Sonic movies (1, 2, & w/ 3 on the way) come out, does INCREDIBLE in box office, decimates Marvel films, who previously had a stranglehold

Nintendo sees this, wants a piece of that pie, buckles down to make a Mario movie Incorrect order of events, as pointed out here! Mario movie announced before the public knew about Sonic movie.

(Potentially because the previous Mario movie was so out there, did poorly, & was disliked by fans & then promptly forgotten,) they pair with Illumination, a studio that is largely known for making very sterile films

Btw, is it just me that finds it weird that there is no mention from Nintendo or online of the previous movie, in all this? Maybe I'm the only one who remembers this film idk

They announce casting. Everyone immediately boos because they cast Chris Pratt as Mario.

Immediate outrage, as Charles Martinet, the voice of Mario for DECADES, was not cast in his claim to fame roll

There is a (unsourced) rumor that a test screening for the film was met with disappointment, making Nintendo unhappy

Slightly corroborating this, Nintendo buys Dynamo Pictures, to make Nintendo Pictures, with the intent to make future movies in-house

Anticipation for the movie likens it to other sterile animated movies of the last 10 years, like the Minions movies

Trailer comes out.

People continue to boo Chris Pratt, a bad cast for a beloved character who is putting 0 effort into his voice, in comparison to all other VAs putting in 110%

Chris Pratt goes to bed "depressed," at seeing the response I was incorrect, that is an older article, about when he was thanking his wife for providing a healthy child, to which people drew immediate parallels to his ex-wife's son, who has many health complications & needed many surgeries.

But with your help, we can make him being depressed after media backlash reality!

Lol, &, may I say, lmao.

[mechaness]

First of many

So much had happened. Nasiens had found her biological family, she found out about herself, she almost died... but now her hero was with her again.

When the battle was decided, a few words were exchanged and someone gave Percival a cloak so he could cover up. He hadn't even realized he was naked. He apologized, though it was clear he didn't see the issue.

After a while, her new family (she had to present them to Ordo as soon as she could!) left her alone with him, sharing knowing smiles.

Nasiens couldn't stop looking at him.

Percival... She smiled.

"So you are a fairy now? That's so cool!" Percival's voice was so soothing to her. How had she missed his smile!

"Yes... I'm not used to flying, though..."

"But now we can fly together!" Percy said, laughing. He grabbed her hands and gently lifted them up. Nasiens was shocked but soon started smiling again. A little spin in the air, and she was laughing along with him.

"I just can't get used to the height..." she admitted looking down, feeling cold sweat in her forehead. It had been fine in the battle, but now... She looked up at Percival, thinking how silly she was being. Something gleamed in his eyes.

He threw her one of his winning smiles and she felt her heart stop.

"Well, that's easy! Just keep looking at me!" His face was too close to hers, but then again, he had never been good at respecting people's personal space.

And Nasiens couldn't think of anything better to look at than his eyes. He always managed to calm her down. She could do anything as long as he's with her.

"See? You can fly really high if you want!" Like a spell being broken, she looked down. She almost let out a scream. They were so high up she could barely see the ground!

Her arms moved on their own, hugging Percival. She hid her face in the crook of his neck, trembling.

Percival was shocked. Not because of the hug, he loved Nasiens' hugs, as different as this one felt. However, she felt like dead weight. Had she stopped flying?! Of course she wasn't in any real danger as long as he was there to hold her, but...!

"Nasiens?!" He could hear her mumbling nonono again and again, "I'm sorry! I thought...! Are you ok?" He was so worried about her and Nasiens was still trembling, but she managed to answer,

"Ye-yeah..." she looked up. She was again at a loss for words. She knew Percival was still Percival inside, but he was really big now, and tall, and... she could feel her face aflame. "Yeah, I'm... I'm good. I was shocked, I guess..." she couldn't look him in the eyes anymore.

Percy was silent for while before he spoke again.

"You really feel different now, uh..." Nasiens eyes widened at his comment.

"Wh-what do you mean? Is it bad?" Percival's silence made her a little nervous. He wasn't looking at her anymore. She forgot to ask again though, since they landed in the hollow part of a cave, up in a mountain, and the sight amazed her.

"It's beautiful..." she said. Percy agreed, but he wasn't looking outside. His eyes were fixed on the pretty girl he was holding by the waist.

Screw pretty, he thought. Nasiens had always been beautiful, but now... It was like a whole other level. The way she held herself felt different. Also,

"You got boobs now!" he shouted, almost giving her a heart attack. She almost tripped, blushing like crazy.

"Ye... yeah..." she put her hand on her chest. They weren't even that noticeably, but... "the whole thing feels weird..."

"Bad weird?" he sounded genuinely curious.

"N... no, I don't think so. I never felt bad being called a boy, but now... I like this. Being a girl, I mean. It feels right, but I'm... not used to it yet. Not completely, at least. Is that weird?"

"I don't think so! Anyway, Nasiens is Nasiens, no matter what! You are amazing!" when he looked at her, he could see that gentle smile of hers that he loved so much.

Nasiens was so grateful. Of course Percival wasn't fazed. He was just Percival. He hadn't even questioned her change, something which she she was grateful for. She couldn't even imagine how she could start explain the whole thing to him.

She was thinking how much she loved this side of his and was so deep in her thoughts, she didn't realize when Percival got behind her.

"You gotten slimmer too, right? Right?" his poking sent shivers down her spine. What was his obsession with her back?!

Nasiens felt her face aflame again.

"Please, don't do that!" she almost screamed, taking a step back.

"Why? Can't I touch you?" he sounded so innocent, she almost felt bad. But when she looked up again she saw how serious he was. She felt taken back. He had never looked at her like that before, not like this.

How could she tell him that the only thing she wanted was for him to touch her all over... it was just so embarrassing to admit!

She felt her true feelings coming forward before she could stop herself.

"Well, if you a-!" a flashback made her stop. A painful memory crossed her mind and she felt silent.

Anghalhad.

She felt her blood boil.

"...you know what. I think it's best that you don't." She turned, not before giving him the iciest look he had ever seen. That kind of look was never directed at him! Percy got worried.

"N-Nasiens?! Are you angry at me? I hate it when I make you angry!" he ran to her. He grabbed her hand so she couldn't get further away from him. She flinched and stopped, but she didn't look at him. "I'm sorry, did I say something bad?"

"You got Anghalhad to touch, don't you?" she said, immediately regretting her words. It wasn't Percival fault, or Anghalhad's for that matter. Plus, she knew Percival didn't understand these kind of things! She barely could, after all.

"Yeah, I guess..." Percival's voice made her angrier and she felt so ashamed. She took her hand back, snapping at Percy.

"See?! Go to her for all I care!" she looked down, hiding her eyes as best as she could. She couldn't face him like this...

"Wha...?! No! I don't want to! I want to stay here with you! Nasiens!" he grabbed her by the shoulder, shaking her a little. He had to make her understand...!

Were those tears?

"Nasiens...? What's wrong?" she lifted her arm, trying to wipe her tears with her sleeve.

"I... I'm a horrible friend! I don't hate Anghalhad, I actually like her... but thinking about you two...!" she put her hands on her face, trying to control herself. "Who am I to say anything? You are free to do whatever you want...! But I hate it! I hate the thought of you two-!"

Percy hugged her so tightly she almost couldn't breathe. She felt his hand grabbing her hair, same way he had done early that day.

"P... Percival?"

"I won't touch anyone else!" he exclaimed, shocking her. "I don't really get it, but I thought of some else touching you and that made me angry, so I guess it's the same for you? Is that it?"

"Ye... yeah."

"Is it because you love me?" Nasiens felt trapped. She was about to protest when...

"Cause I love you too!" he said, his smile so bright it blinded her. He caught her so out of guard she almost fainted.

"Well," he continued, "I love all my friends... but with you... love falls short. Does that make sense? I want to hold you forever..." Percy said, snuggling to her. Looking down he saw her eyes, so full of hope and love, he couldn't help but smile. Nasiens smiled back.

"Y-yes, it makes sense. I... I feel the same way." Nasiens couldn't believe it. She confessed! She managed to do it and now...

"Good!" he grabbed her waist again, lifting her from the ground, "then it's settled!"

Nasiens felt tears forming again, this time from happiness. Things could be so easy with him sometimes... but then she remembered their little argument. She blushed again.

"A-about before... I don't mind, you know... but, you have to ask."

Percy was confused for a moment. Then it hit him.

"Really?!" he had pulled her down a little. His face was so close to hers...!

"Ye-yeah."

"Can I, then?" he asked. His lips were so close to hers, she felt her heart about to explode.

"Yes..." she tried to close the distance and...

"NASSIE! Percy! Dinner time! Come on, where-! Oh, there you are!" Tioreh shouted, appearing out of nowhere.

"...what are you two doing?" she asked, innocently.

It was a rare sight, if you asked her. Nassie with her face all red, pushing Percy away. Her hand was on Percy's face and he looked miserable, ignoring Tioreh and trying to get close to Nassie.

"But you said I could...!" he whined.

"QUIET, PLEASE!"

Tioreh had never seen Nassie so embarrassed. It was fun!

Later that night...

Nasiens couldn't believe it. They had almost...!

But the moment had been ruined.

She put her hands on her face, sighing. Maybe some other time... She was fixated in the fire next to the log she was sitting on, deep in thought.

"Nasiens! I was looking for you! Look!" Percival's voice took her out of her trance. She looked up to see him better, confused in what was she supposed to be looking at.

He placed a white flower on her hair.

"I knew it! It suits you!" he said, making her blush yet again. She gently touched the white flower with her fingers. "You look beautiful, you know!" Nasiens felt her blush deepen. She was going to get a fever from blushing so much...

"Thank you, Percival..." she smiled at him and he smiled back, love in his eyes. He sat down next to her and she rested her head on his shoulder, sighing.

"Man, that sucked, uh?" he suddenly said, looking down at her. "I really wanted to kiss you."

Nasiens was definitely getting a fever.

"Re-really? Honestly, I did too..."

Without much thought, Percy turned and grabbed her by the waist, surprising her. He flew them away from the dinner and the rest.

In the air, with the moon shining brightly, he looked at Nasiens. He smiled, closing the distance between them.

"Can I?" he whispered.

Nasiens laughed. He really took it to heart to ask first.

"Of course...!"

Their laughter filled the night. At least for tonight, everything was going to all right.

[harpyface]

My thoughts on the volta do mar

In-game, the Volta do Mar method was created to travel through the pale, being first used in the first successful voyage into the pale. Apparently it took years to develop the method, a "strict psychological regimen imitating the creation process of poetry."

In real life, the volta do mar is a Portuguese (volta do mar is Portuguese for 'Return from the Sea') sailing practice of, in simple words, sailing further out into the sea to avoid sailing directly against the wind and then catching winds that then move in the correct direction (useful since portugal is slightly north of the equator, blah blah wind directions)

While watching a playthrough, Joyce's description of Lely's tattoos reminded me of this 'return from the sea' business. Lely's tattoos are a history of his service, but originally the tattoo was a custom of sailors "mark[ing] their bodies to map their travels." "The sailor's soul would use it to fly back home if they should die abroad. This is a sort of… contraption. To be reeled back in by." If a sailor died, their soul would 'return from the sea'(😮).

The pale is likened to the ocean many times in Disco Elysium, so these tattoos and the volta mantras are very similar. They are linked even more when we see that the tattoo custom was begun "right after the discovery of Insulinde," so the creation of voltas and the creation of this tradition kind of bookend the eighth expedition. Likening the irl volta do mar practice and this in game example got me thinking about how exactly in-game voltas are used and created.

(Interesting note, Joyce describes these tattoos as "the silver cord" linking the soul and home, whereas irl, the concept of the silver cord is supposed to link the soul and the body.)

Personally, the concept that is pale was hard enough for me to grasp (even with it being an established fictional concept with, like, words to describe it.) It's "the opposite of reality," it's a property that suspends other properties, and it can damage human minds. According to Joyce, dialectical materialists argue that "pale somehow *consists* of past information, that's degrading. That it's rarefied past, not rarefied matter."

"They call it the *blend-over of the self*. The pale does not only suspend the laws of physics, but also the laws of psychology, maybe History, even… The human mind becomes over-radiated by past."

We can assume that this 'blend-over of the self' is true because of the Paledriver, who is observably pale-radiated and lost in worlds in lives that her body hasn't lived.

Operating on this theory, the pale is made of information, and I would also like to argue that pale is made of not only past information, but also future information, and information about alternate timelines.

In the moralist vision quest, we hear entroponetic crosstalk of Kim from the future *and* arguably an alternate timeline if he ends up in the hospital and doesn't end up at the islet. So pale is basically all information and possibilities.

The only explicit example of a Volta do Mar is from the Insulindian Miracle thought, and it's song lyrics from What If by Teho Teardo & Blixa Bargeld. This thought establishes that voltas are 1) Taught in schools and 2) Repeated like mantras while travelling. The voltas aren't mentioned in Sacred and Terrible Air, by name at least. Zigi does sing Helvetti, by Kauko Röyhkä & Riku Mattila, in pale, but that's explicitly a song and not a poem, and obviously he doesn't need to resist the effects of the pale (and if fact doesn't want to drive away the pale, based on his reaction to Nilsen's 'Communism is white' speech when it started to ward off the surrounding pale.)

When Joyce says that the method is a "strict psychological regimen imitating the creation process of poetry," my thinking was that it can't be as simple as reciting poetry while travelling through the pale. It might be, but wouldn't the process *be* the process of creating poetry and not 'imitating' it? Of course, it could just be referencing the research it took for the explorers to be able to safely traverse the pale, but I wasn't satisfied with that.

(I'll admit, when I first began building this theory, I didn't know that we had an explicit example of a volta, and it stumped me for a bit, but I think it works still.)

I've seen interpretations in which the poetic nonsense of voltas force the person to focus on reality/on their own mind, to focus on the next word in the sequence. But using the real world volta do mar technique as a base, I started building my own theory by considering that the voltas mirror the technique of the irl volta do mar. Voltas would be  performed by a person going deeper into the pale (whether mentally or physically) in order to somehow escape the effects more easily.

Having already established that the pale is information, it makes sense that the way to manoeuvre it would be via words and concepts. Prior to remembering The Insulindian Miracle thought, my theory was that, instead of pilots being *taught* previously written mantras, they were taught to create poetry while immersed in the pale. The pilot's mind would then grasp the floating information that is pale to string the words together into a distinct phrase/poem, intentionally going deeper into the pale to get enough material to work with. With the resulting phrase, it would be grounding enough to bring the pilot back to reality.

However, all of that is irrelevant when you consider the volta that Harry was taught.

Or is it?

The Insulindian Miracle solution says that "you were taught it at school. It is one of the Volta do Mar mantras repeated on the voyage that lead to the discovery of the Insulindian isola." I could interpret it as saying that voltas are written in advance, or that *historical* voltas are taught in grade school, just like we're taught historical documents or literature. Maybe children of Revachol are taught about the voltas that the discoverers of their isola used simply for academic knowledge. 

And as Joyce says, the Volta do Mar is also used by "other troubled souls even to this day." Ordinary people may not have access to the bank of information that is the pale, but they do have their own troubling thoughts that they can pick words and concepts from to still go through the same process that I've described in order to calm themselves or relieve stress.

I do want to analyse Kim's Volta do Mar skill at a later time using all of this, but right now this is what I have to offer :)

(An excellent post that I was inspired by is about the connection between water and memories by @/57sfinest, which I would like to briefly reference at the end of all this analysis. Imagine it as a triangle, one point is the ocean that the sailor's souls would have to return from (or the irl ocean that the volta do mar was used for, if you like), the second point is the past and memories, and the third point is the pale, the "rarefied past." It's all connected.)

[winepresswrath]

I'm causally interested in basically all Fallout ship combinations, but I really need Walton Goggins/evil wife. plz make this good for me, show.

[fisherrprince]

oh so alisaie’s exaggerated bully behavior is 80% fanon. saying this she casually picks up a large rock