#max wasnt even aged up. he was still literally 10

[mockingbirdshymn]

hi um please block this user <3333

this. individual decided to literally reblog my own post and say they were a maxvid shipper. please block them <3333

idk if theyve ever interacted with any of the people who follow me's posts but if so, uhhhh, ESPECIALLY block? idk what to tell ya man

i checked on their page for confrimation because i didnt know if it was a joke or something and they are indeed a proshipper who does indeed ship maxvid (i didnt have to scroll too far)

[the-wee-woo-royal]

an unpopular renegades opinion?

Remeber my lovely followers that this is my opinion therefore if u give me shit your an ass and I will fight back.

Ok... that Evander is actually a kind of nice guy, if we got to know him better.

Hear me out before you yell at me please-

So Adrian says they he's layed back and pretty chill. Fun to be around. Now we can safely assume Adrian was raised around evander therefore knows him pretty well, probably like family.

Another safe guess is that the council is like family to him, they grew up together and work along side eachother and such.

But we'll get back to that...

So this man was probably born during the Age of Anarchy ( I forget where but it says he's the youngest, so another safe assumption). He was raised in fear and hate, when he was with the Renegades it didn't really change ya knoe. He was fighting bad guys and did what had to be done so he, his found family, and city folk wouldn't get hurt and die.

Now take that and add it to the books. Evander probably became used to the bad life style back then and ptsd is definitely something he (and all the council) would have.

If you were a guy who was raised in a fight and is still constantly fighting, your won't get better.

(I know iv said assume a lot but it would make lots of sense) We can assume that he hasn't gotten better. It's not exactly his fault, just being born in the wrong time and coping the wrong ways.

Next point...

Yes, I agree that wanting to give a minor a death sentence is not cool. It's down right evil.

Let's look at Evander's reasoning for a moment:

... roared Blacklight. "Do you have any idea how many thousands of people died at the hands of Ace Anarchy and his minions?"

Blacklight yelled. Which was weird since adrian said he was chill, and adrian knew him better. So back to the point I put on hold(go back up bc im not typing it out again)... he's scared and angry. Some rando working for Ace Anarchy tried to kill one of his besties and said bestie's son (hugh & max im case u didnt get it)and is threatening the saftey of his home, a place he's been rebuiliding for 10 years. Again, i safley ssume the council basically family, and that had to have hurt and scared him.

Everyone acts rash when they are threatened/scared, if u havnt your lying.

Now this is a guy who is constantly under pressure, grew up in hate and had his family and home threatened. Yeah and probably not in the best mental state (and in all honesty none of The Council are). This dude ain't right in the head at the moment. Being the good guy wasnt working so he did some things. Bad things.

Keep in mind that all the other Renegade characters were going to let te execution and Neutralization happen, Hell, Danna even defended Agent N multiple times. It was a good ol' team effort and if the fandom can look past literally everyone else then... *😜*

Before you look at me weird, keep in mind that this is Trilogy is a work of fiction. I would never ever endorse this irl. But this is a book with characters that don't actually exist (to much dispare). So as fictional characters they can get three redemption arch or sum with consequences (ofc) and be... kinda ok.

Now, i never said he was the best guy in the books but belive that if we had more time, we could've seen the nice and "Fun-Uncle" Evander, the real Evander Wade when he finally got his shit together.

😁🖎

If you would like me to elaborate somewhere or have questions please comment or dm, I promise I'm not evil, just compassionate.

[eggoreviews]

12 ‘Unpopular’ Viddy Game Opinions

I’ve seen this topic floating around a lot, but didn’t think I had enough ‘unpopular but maybe not’ opinions about games to make a post. Turns out I do! So if you see this and I say something blasphemous, remember it’s just my opinion and my personal experiences with the games I list. Hope you enjoy or hey, maybe even agree with some of this!

Note: Can’t stress enough. This is just me. Also, spoilers under the cut!

12. The opening of Kingdom Hearts II isn’t as terrible as everyone says

Okay, so it’s not brilliant, but at the same time, I don’t think it’s the worst. For those not in the know, KH2′s opening is a basically a massive slog where you play as a character you don’t know or care about with seemingly no real link to the events of the previous game. The general consensus is that there’s some interesting stuff in here, but it’s buried among endless dialogue that really doesn’t mean much. And they’re right, but I really think there’s some great stuff here that people tend to gloss over. The music and the motif of Twilight Town is atmospheric, there’s some genuinely intriguing plot elements that are woven into Roxas’ story and believe it or not, the stuff that happens here is intrinsic to the rest of the game. So yeah, it drags on a little, but I don’t think KH2 would be miles better without this opening.

11. I loved Breath of the Wild’s final boss

One of the problems I see talked about with Breath of the Wild is that the boss fights are fairly mediocre, especially the very last one, Dark Beast Ganon. And I couldn’t disagree more. I think every boss in the game is wonderfully crafted, intense, challenging and great for testing you on what you’ve learned throughout the game by encouraging you to make creative use of your slate powers and the flurry rush technique. And while Mr. Pig Man at the end here is sort of easy and short, it serves as a brilliantly epic finale to damn near perfect game. While the difficulty is mostly gone after the mammoth fight with Calamity Ganon, it’s still just as intense as you frantically fire off arrows into the massive beast in front of you. Plus, the design of this thing is one of the best looking monsters in the game, so I really don’t understand the dislike for this ending.

10. I really like Crash of the Titans

Okay, so maybe childhood nostalgia has something to do with this pick, but every Crash fan I’m aware of seems to hate this game. But I don’t really know where the hate comes from! I played the PS2 version of this and I thought it was a genuinely fun 3D platformer with a variety of locations, good visuals, well-designed boss battles and even a vague story you can sort of follow! The game’s main gameplay feature is also brilliantly integrated, as using Aku Aku to possess various monsters throughout the game keeps everything interesting. One thing I will say though, that tiger dude you have to fight about halfway through is the most annoying thing I’ve ever had to endure in a game.

9. Life Is Strange: Before the Storm is BAD

I loved Life Is Strange when it first dropped, so I was beyond excited when they announced a prequel from Chloe’s perspective. But I really think they dropped the ball and they dropped it hard. But everyone else seems to adore this game! For me, this wasn’t a touch on the original. For a start, they dropped out one of the main mechanics of the first game, the time travel, which they then replaced with a much less interesting ‘Backtalk’ feature, which was then only used about twice throughout the game. Instead of interesting, developed characters reacting to genuinely dangerous or heartfelt situations, it felt to me like a bunch of one-dimensional teenagers who are edgy for the sake of being edgy. Chloe spends the majority of the game being a dick to her mother and bunking off class to spend time with Rachel, who she has literally known for like a day and their sudden relationship drops out of nowhere. Not that I didn’t enjoy the emotional moments of their relationship, it just didn’t feel like it stemmed from anywhere, unlike Max and Chloe from the first game. And the game’s attempts at villains were also rubbish compared to the first, with Damien (random scary knife guy who doesn’t really tie into the plot that much) and Eliot (who doesn’t appear for the whole game and suddenly goes full incel on Chloe when she breaks into Rachel’s house). Yeah I think you can tell I had some problems with this one.

8. Dishonored: Death of the Outsider was also a hot mess

I LOVE the Dishonored series. The first game and its DLCs are amazing, the second game was arguably even better. And then this happened. In this one, you play as Billie Lurk, a character I love, and Daud comes back, a character I also love. But both of them are incredibly badly written and it doesn’t feel like there’s any development to them or even much reason for them to do what they’re doing. This entry took the mystery surrounding the Outsider and basically did a big poo on it, giving us the revelation that he was apparently HUMAN this whole time. I think that was the nail in the coffin that made me sort of think this was a bit rubbish. While the combat and side missions were as brilliant as ever, the level designs felt less creative than other entries in the series and lacked variety or colour, all the side characters were entirely forgettable and to wrap it all up, they killed Daud offscreen. Out of nowhere, they just killed him, mentioned it offhand in a cutscene and that was that. If you like this game, fair enough, but it kind of baffles me that more people don’t see this in the game.

7. Mario Galaxy 2 is good. It’s just sort of good

Some people cite this as being one of the best 3D platformers of all time, and that’s fair enough, but I just kind of see this one as ‘good’. Sure, it has a good, satisfying control scheme for the most part, the level design is creative and the bosses and puzzles are pretty standard for a Mario title, but still enjoyable. However, sometimes, the floaty physics and weird knockback effect from jumping into walls led to quite a lot of unfair deaths, especially if I’d been punished for messing up already by losing a life, only to then immediately be punished again by falling into the void. Plus, I found Yoshi near impossible to control at some points with the motion controls. So yeah, this one is genuinely enjoyable, but I don’t think I’d personally put it with the best of all time.

6. I LOVE Dragon Quest IX TO DEATH

This is a game in a legendary franchise that consistently almost always see ranked at the very bottom of the pile in the series. But I really don’t understand how or why. Okay so your protagonist and party are basically silent and don’t have a lot of character, but I don’t see this as a reason to totally write off the game! The side characters, villains and story are all amazing and well-developed, the world is huge, colourful and interesting, the monsters are brilliantly creative and Dragon Quest’s signature lame sense of humour is gratefully carried through the whole game. The music is always brilliant and atmospheric and the bosses are just as memorable as each character you meet. What was everyone’s problem?? This is genuinely one of the best RPGs I’ve ever played and if you haven’t had a chance to pick it up, it is so, so worth it.

5. Sonic Adventure is a broken mess

So before I kick this one off, I’m not someone who hates Sonic and I’m not here to slate the whole franchise, but considering this game is often considered to be one of the best in the series, I thought it was definitely worth addressing. When I first played this, I literally couldn’t believe this was made in 1998, AFTER Mario 64 and yet it’s so broken! The physics and control scheme are totally wonky and hard to control, the unending amount of glitches make a fair amount of the stages almost unplayable, the voice acting and facial animation is cringey and oddly broken and yet, this was all on the Dreamcast. The most powerful console of the time. And I don’t think I even need to mention how boring some of the later stages get, with Big the Cat’s fishing section being the main offender. I can’t vouch for Adventure 2 as I haven’t had a chance to play yet, but I really hope it isn’t like this.

4. Dragon Age Origins is the best Dragon Age

Dragon Age has always been a popular RPG series, but I think it properly shot to fame once Inquisition dropped in 2014. And don’t get me wrong, I liked Inquisition! The world was colourful and expansive and the characters were fairly memorable, but I still think the best experience you can get is in the series’ first entry, Origins. While it’s pretty easy to see that it’s slightly dated considering it’s ten years old now, the best characters and story in the series I think is here. Each companion you recruit is varied and developed and the story wraps up brilliantly in the end with each companion and army you meet playing a different role in the final battle. Plus, I kind of can’t forgive Inquisition for making Leliana lose her sense of humour and making her kinda boring.

3. Oblivion is better than Skyrim

Okay so I’m not sure exactly how unpopular this is, but I just thought Oblivion was miles better than Skyrim ended up being. Just to clear it up, I still love Skyrim and I thought it built on the series’ combat system and variety of enemies really well and still provided an enjoyable experience. But Oblivion feels like more of an adventure you feel at home in. The story is dense and full of twists and turns. The soundtrack has some of the most atmospheric music I’ve ever heard, the world is full of bright colours, each city is vastly different and has its own lore and I found some of this to be absent from Skyrim. I’d go into more detail, but I think the simple fact is that Oblivion had so much more I liked than Skyrim.

2. I don’t think The Witcher III is all that amazing (in some regards)

This by no means says that I don’t like the game, because I do, but I think it has more flaws than people let on. Now, don’t get me wrong, a lot of the stuff people praise about this game is true, the quests are in-depth and masterfully crafted, the characters, especially Geralt, are extremely memorable. In fact, Geralt is one of my favourite game protagonists. But most of the problems I had were in terms of the gameplay. The combat, while fast-paced and satisfying, can sometimes feel a little finicky, so a lot of precision is needed. However, I felt that the world itself didn’t particularly interest me and the music is often ambient but outside of combat, isn’t anything special. Mostly though, the leveling system I found to be a bit wonky. I did absolutely everything I could in the first area of the game; all the side quests, treasure hunts, killed a whole bunch of monsters etc. And then I arrive in the second area and find I’m too underleveled to do literally anything. The majority of the quests have too high a level cap, a lot of the monsters kill me very quickly. And because the bulk of EXP farming is in the quests, I’m sort of stuck in an endless loop of constantly not being strong enough to do anything. On top of that, all my equipment keeps breaking and I’m finding that repair kits are extremely few and far between and that makes me even WEAKER. It’s something I’m gonna need to persevere with I think, but hey, this is just my experience with it.

1. Ocarina of Time, as amazing as it is, may have overstayed its welcome as best game of all time

I reckon this might be the most controversial, so it’s number 1. Let me preface this by saying I really like Ocarina and I agree that it was innovative for the RPG genre at the time. There’s a hell of a lot in this game that we have to thank for the games we have today. But considering how far the gaming industry has come since then and the sheer amount of high quality games we’ve been getting year after year, is still fair to call this the best game ever? When more recent games have taken what Ocarina started and built upon it? Games like Breath of the Wild, Horizon Zero Dawn, Red Dead Redemption II, God of War all gave us expansive, beautiful worlds and a story you can really get stuck into. And all the time, more and more games of this caliber are coming out. So yes, of course Ocarina of Time deserves a place in the hall of fame, it was revolutionary and still holds up really well today! I just can’t help but think there have been plenty of games since then, as flawed as some of them may be, that have improved upon the formula tenfold since Ocarina’s release.

Thanks for reading if you got this far! Just to reiterate, these are all just my opinions and my experiences with the games I mentioned, so pls don’t attack me. Got any viddy game opinions you think are sort of not popular? Drop them down below if you feel like it!

[viralhottopics]

‘I’m like a secret assassin’: Poo Bear on writing for Justin Bieber, Skrillex and Sam Smith

The songwriter aka Jason Boyd has been writing hits for more than 20 years, but his collaboration with Bieber on Where R Now? made him an overnight sensation. It literally changed music, he tells Elle Hunt

You may not have heard of Jason Boyd, better but not widely known as Poo Bear, but youve heard him.

After more than two decades as a songwriter and producer of mostly R&B and pop, his fingerprints are on hits for an array of artists including Usher, Chris Brown, and Lupe Fiasco.

Peaches & Cream by the R&B quartet 112, which spent 25 weeks in the Top 40 in 2001, is one of his. So is Caught Up, Ushers fifth single from Confessions. And Work, one of Kelly Rowlands most successful solo works.

Poo Bear was 14 and still in high school when he co-wrote his first hit, Anywhere, for 112; he is now 38.

He considers his low profile the secret to his longevity; people tire of the same old songwriters and producers. It might not mean that your music isnt great anymore; it might just mean they might just be over it, he says. For me, it was a blessing to stay under the radar so they couldnt really get tired of me … Im like a secret assassin. You dont even know its like, oh, Poo Bear did that.

His star is in fact the highest its ever been, thanks to a boost from a musician whose own could not have fallen much lower. Poo Bear was instrumental in Justin Biebers turnaround from one of the worlds most-loathed celebrities to electronic dance music superstar, co-writing much of his 2015 album, Purpose.

Just weeks after Bieber brought his megatour-stroke-victory lap to Australia, Poo Bear is in Sydney for the world premiere of Afraid of Forever, a documentary about his career, produced by Red Bull.

Softly-spoken and earnest, with the trademark greeting happy birthday (because youre supposed to feel like that every day), he seems a little bemused by the attention.

Poo Bear: Ive watched songwriters, writers, producers, even artists that Ive written hits for come and go. Photograph: Dustin Downing

Ive watched songwriters, writers, producers, even artists that Ive written hits for come and go, he says, speaking to Guardian Australia at the Star casino on Wednesday morning. But to the world, it looked like Justin Bieber was my first success.

When Bieber and Bear were first introduced in Las Vegas in January 2013, they bonded over their shared love of R&B, with Bieber a fan of many of the artists Bear had written for.

Both were raised by single mothers in low-income, religious homes, and both entered the music industry at a young age. As Bieber once put it, they kind of just vibed on a personal level.

Poo Bears parents divorced when he was eight; two weeks later, a tornado destroyed the family home in Connecticut. He and his mother and brother spent nine months homeless before moving to Atlanta, Georgia, for a fresh start made possible by a donation of $4,000 from their church.

Bear signed his first record deal four years later. Bieber was the same age 13 when he was discovered on YouTube by his longtime manager, Scooter Braun.

Braun disapproved of Bear when he first started spending time with Bieber, concerned he was a bad influence at a time when the young singers star was already in a nosedive. (Bear did once characterise his early friendship with Bieber as making bad decisions with a minor smoking weed and getting into trouble.)

[Braun] did try to separate us, and that brought us closer. Over time, I understood it … This was a kid hed been raising since he was 13 if I was in that situation, I probably wouldve been a little overprotective too. (Braun is now Bears manager as well.)

Poo Bear and Bieber eventually collaborated on Journals, an unassuming compilation of mostly R&B singles released at the end of 2013. It was never intended to be a commercial hit, says Bear; Bieber was exercising some creative freedom and taking tentative steps out of child-stardom a transition to which Poo Bear proved crucial.

People always say, I wasnt really feeling Justin, but it wasnt really for them. It was always for kids and little girls. When Journals came out, it opened up the world to this other side of Justin that we never knew existed.

Most Top 40 hits are collaborations between producers, who make the beat, and top-line writers such as Poo Bear, who come up with melodies and lyrics. Photograph: Dustin Downing

At that time, Bieber was almost exclusively known for abandoning his pet monkey to customs officials, spitting on fans from a balcony, and urinating in a restaurants mop bucket.

Theres no time for failure; theres no money for failure, the producer Scott Storch, with whom Poo Bear collaborated closely between 2005 and 2008, says in Afraid of Forever.

Compared to the songwriting-by-committee approach and safer bets such as the Swedish hit-making powerhouse Max Martin Biebers insistence on working with the relatively unknown Poo Bear constituted a risk, and at a time when his future was at stake.

The foundations for Biebers comeback were laid in a whole campaign devised by Scooter Braun, says Bear: The [Comedy Central] roast and everything that was all Scooters idea.

Poo Bear and singer-songwriter Justin Bieber at Poo Bears Grammy Party at Serafina Sunset on February 10, 2017 in West Hollywood, California. Photograph: Rodin Eckenroth/Getty Images

But public relationships could only do so much: it would take a hit to cement Biebers return, and that pressure was on Poo Bear.

The breakthrough was Where R Now?, imagined by Bear as a piano ballad. Then Skrillex turn it into a movie, he says, almost with awe.

Skrillex and his fellow producer Diplo had heard the demo of the track, and expressed interest in it as a single for their upcoming collaboration as Jack .

In their hands, the wistful ballad became springy and cinematic, with a throbbing beat and a dolphin-cry chorus that was revealed to be Biebers voice, digitally manipulated beyond recognition, in a slick New York Times video about its production.

Its influence is inescapable now; in February 2015, when it was released by Jack with Justin Bieber, it was utterly new. It literally changed music, says Bear. It took a while, but it ended up catching on. It was played, oh my God, so much on the radio.

Where R Now paved the way for What Do You Mean?, the lead single off Purpose and co-written by Bieber, Poo Bear and just one other. It was an immediate hit the first number-one of Biebers half-decade career and introduced to the charts the Caribbean-influenced tropical house sound now so ubiquitous, even Ed Sheeran has dabbled in it. (Its like, out of all the people, I would have thought you would be somebody to do something different, says Bear, slightly accusatorially.)

Two more number-one singles followed, while Purpose itself debuted at number-one on the US Billboard 200 album chart. It topped album charts in 11 other countries, and was nominated for album of the year at the 2017 Grammys.

Bieber was back.

It was done, says Bear. Nobody could take it away from him. I dont know about the rest of the world, but America loves redemption. They love giving people second chances.

With the momentum behind Bieber came unprecedented attention for Poo Bear, who gave the first extensive interview of his career to the New York Times in October 2015; at the time, he didnt even have a Wikipedia page.

At the same time, he is under no illusions that he is now a celebrity.

I like going out and having very few people coming up to me because they read the credits and they know, he says. I see my friends who have superstar lifestyles, and its great to have hundreds of millions of dollars, but at the same time, its a sacrifice of your own sanity.

He has, however, quadrupled his pre-Purpose fee in a bid to retain some exclusivity in the face of increased demand. Now he is working with Skrillex and UK singer-songwriter Sam Smith on projects that, he hopes, will throw out the sound he pioneered 18 months ago and which has been widely aped since. (He makes a conscious effort not to listen to popular music: its not inspiring.)

Finally, Ive reached a place where if Im working with an artist, they allow me to just do whatever I feel, he says. Growing up it was like, we want another Peaches and Cream. Then you realise … why would you want a 2001 Mercedes Benz when Im making 2018 Benzes?

Read more: http://bit.ly/2nRVfsl

from ‘I’m like a secret assassin’: Poo Bear on writing for Justin Bieber, Skrillex and Sam Smith