#matthew parkhill

[bluemoonperegrine]

Dot the I

I'm making time to watch movies and TV shows I've been meaning to watch but hadn't gotten around to. "Dot the I" (2003) is one of them.

Don't read the "Storyline" section on the movie's IMDB page, and don't look through the photos in the IMDB photo gallery. Everything is spoiled.

Anyhoo, this is an enjoyable if far-fetched movie that's a little rough around the edges. It's writer Matthew Parkhill's directorial debut, and a solid one. Parkhill was very, very lucky to nab Gael and not-yet-famous James D'Arcy, Natalia Verbeke, Charlie Cox, and Tom Hardy. They're fantastic.

Reasons to watch this movie:

It has the most plot twists of any movie I've seen, and they work.

Gael (I put him second to be slightly less of a gibbering fangirl. Did it work? 😂 )

You'll spend much of the movie wondering wtaf is really happening, like many of the characters.

Flamenco dancing! (I think that's what Verbeke is doing. Whatever it is, it's cool.)

Cox and Hardy being hilarious

Gael in a chicken suit

I watched this for free on Amazon Prime. Apparently it will only be available in the U.S. for another week or so, so USAmericans have a limited window.

[vintagewarhol]

[abirdie]

Gael García Bernal in Dot the i (2003, dir. Matthew Parkhill)

(these gifs also feature Natalia Verbeke and James D'Arcy)

Gifs are all 540px wide so you can click to see larger.

[other gael filmography gifsets]

[whatdoesshedotothem]

Friday 7 December 1832

7 50

11 25

fine frosty morning F46° at 8 50 at which hour breakfast with my father – Wilson and his man came at 9 – with them above an hour – Tate junior brought 350 hollies – I took them down to John – out at 11 ¾ - John Booth planting 2 or 3 thorns in the walk till 1 – then in ½ hour at Lidgate - took Miss W- the former of prayers I sent for from London for, and got bound at Whitleys’ in crimson Morocco purple watered-silk flyleaves and gilt edges had written in it under the short title on fly-leaf at the beginning: ‘vii. ixbr. [November] mdcccxxxii. Matthew vii. 21.’ [Not everyone who says to me, 'Lord, Lord,' will enter the kingdom of heaven but only the one who does the will of my Father who is in heaven] and on the fly-leaf at the end ‘vii. xbr. [December] mdcccxxxii’ AL’. Gave her this - and desired to have given into my charge sealed up all she had of Mr Ainsworth’s letters or anything �� reminding her that I had made up my mind and that my decisions were not like hers   I did not say one thing today and another tomorrow    that she needed not give herself anymore trouble I had decided for her and was determined    she said no no she could not go abroad   it could not be so   I said I was determined and should not attend to any no no she burst into tears I told her she should rather rejoice but that at any rate she had grieved enough over indeci[s]ion and I would forgive her grieving a little over my decision    she should I surely did not mean to take her abroad   said I should not exactly say what I intended but now that I knew her sister to be a well judging person I should do nothing that she would not approve   Miss W- said she had written to her    well then said I and  I shall write too!    ‘what to tell about Mr Ainsworth’    no said I I have no thought of that but I shall do what is necessary   at the close of this she really seemed better   perhaps this present plan will answer best  Miss Parkhill was in the room on my going in - spoke or rather bowed to her formally and on my going to point out where the cercis siliquastrum (Judas tree) I had brought her should be planted Miss P- left the room - she goes on Monday and Miss Lydia Wilkinson then comes to Lidgate of which I said I should be glad - on dinner being announced I went out and planted the little tree at or near the far end of the grass plot and then without returning to take leave set off home and got back about 2 ½ sometime at Lower brea with Holt and Azur (Assur?) Taylor about getting water – would cost £20 – 60 or 70 yards driving at 3/. and stones a – sometime with Pickles stubbing – his son not [here] then with Wilson in the library passage till he went a little while away at 4 – then again with Pickles and came in at 5 -  ½ hour talking to my aunt - told her I had talked to Miss W- of our going to York - taking a lodging - and that I should have Eugenie there  - said I had made up my mind should not pother myself  but Miss W- was not fit to be left at Lidgate and I should contrive some way for her - getting water from the 36 yards coal band (and hard and cankery) would cost £20+ perhaps getting good water in a lead pipe from the pump would not cost more than twice as much and would be much better worthwhile – good lead pipe 3/4in. bore would be had at 2/. a yard and laid down at 2d. a yard or less – dinner at 6 – afterwards wrote the whole of the above of today - will take Miss W- to York as soon after the rent day as I can   take a lodging be visited and being in good enough style and comfortable perhaps this will do the girl good and I shall see what can be made of her   feel at this moment well satisfied with this decision   at any rate I shall keep my power over her for the present at least -  John planted all the 350 hollies this afternoon – in the library above an hour sweeping and tidying after the joiners today who put up the 2 new oak doors etc - very kind letter 3 pages and ends from lady VC- from Rome (dated November 22) where they arrived on the 17th where the news of the death of old Cameron awaited them. Donald seems to have been much afflicted ‘his affectionate nature shines forth on this occasion with a degree of unselfishness and read good feeling which many wordlings could not understand - he was able to see Lady Northland yesterday and is now very tolerably composed’ - she wishes it were possible to cross the Simplon in March or April but fear it is out of the question and in that case she must urge him to leave her sooner ‘tho much against his will. How shall I bear to be left so many weary long months at such a distance! How I regret our coming abroad! my health is a force, I have cough or cold whatever’ - recommends Mrs Starke’s ‘directions to travellers’ as an excellent road book and very correct as to names and distances, with a variety of useful information - I have heard her called vulgar and not remarkably true in her history and chronologically but of that I am no judge - ‘Conder’s Italy’ I think a very nice little book, 3 small volumes’ - hopes I got her letter from Turin recommending the museum - pleased with all at Pisa - ‘I think the campo Santo will charm you’ - she thinks all the prints lean too much. Do not on any account miss the cathedral at Sienna - I never saw any so splendid - the carved pulpits of Belgium are mere toys compared to the marble one there’ - they did not go to Florence - she shall now miss going to Venice - the Northlands going to Naples – went into the other room at 8 40 – read over the courier – came upstairs at 10 ¾ - fine day – frosty in the morning – soft towards noon, and soft evening rather likely for rain – F46° now at 11 10 p.m.

[ulkaralakbarova]

When Kylie Bucknell is sentenced to home detention, she’s forced to come to terms with her unsociable behaviour, her blabbering mother and a hostile spirit who seems less than happy about the new living arrangement. Credits: TheMovieDb. Film Cast: Kylie Bucknell: Morgana O’Reilly Miriam Bucknell: Rima Te Wiata Amos: Glen-Paul Waru Graeme: Ross Harper Dennis: Cameron Rhodes Officer Grayson: Millen Baird Officer Carson: Bruce Hopkins Eugene: Ryan Lampp Judge: Ian Mune Hollis: Wallace Chapman Kraglund: Mick Innes Justin: David Van Horn Leslie: Nikki Si’ulepa Elizabeth Chalmers: Kitty Riddell Young Kylie (Voice): Lila Sharp Fitness Host: Louise Mills Film Crew: Editor: Gerard Johnstone Director of Photography: Simon Riera Production Design: Anya Whitlock Original Music Composer: Mahuia Bridgman-Cooper Second Unit Director: Luke Sharpe Production Design: Jane Bucknell Executive Producer: Chris Lambert Executive Producer: Ant Timpson Visual Effects Supervisor: Matt Westbrooke Set Decoration: Simon Vine Steadicam Operator: Joe Lawry Set Decoration: Stephen Jaimeson Art Direction: Lyn Bergquist Art Direction: Laura Smith Art Direction: Haley Williams Costume Design: Lissy Mayer Steadicam Operator: Alex McDonald Set Decoration: Graham Collins Gaffer: Nicholas Riini Gaffer: Tane Kingan Continuity: Rose Damon Steadicam Operator: Simon Tutty Executive Producer: Michael Kumerich Line Producer: Garett Mayow Executive Producer: Daniel Story Makeup Effects Designer: Jacinta Driver Assistant Makeup Artist: Kendall Feruson Makeup Artist: Vanessa Hurley Assistant Makeup Artist: Rachel Johanson Assistant Makeup Artist: Katie Jones Makeup Artist: Carly Marr Assistant Makeup Artist: Nikki Milina Assistant Makeup Artist: Miranda Raman Makeup Artist: Lauren Steward Production Manager: Ainsley Allen Third Assistant Director: Rachael Bristow Third Assistant Director: Esther Clewlow Third Assistant Director: Sarah Hough Third Assistant Director: Laurelle May First Assistant Director: Natasha Romaniuk First Assistant Director: Fraser Ross First Assistant Director: Katie Tate First Assistant Director: Craig Wilson Props: Shamus Butt Art Department Assistant: Meling Cooper Art Department Assistant: Hilary Crombie Assistant Set Dresser: Louise George Assistant Set Dresser: James Goldenthal Runner Art Department: Kathryn Lees Art Department Assistant: Brian Maru Assistant Set Dresser: Aimee Russell Art Department Assistant: Jaime Sharpe Concept Artist: Andrejs Skuja Art Department Assistant: Luke Thornborough Art Department Assistant: Wesley Twiss Dialogue Editor: Nich Cunningham Boom Operator: Matthew Dickins Sound Recordist: Phil Donovan Sound Recordist: Gabriel Muller Boom Operator: Stephen Saldanha Sound Recordist: Ande Schurr Sound Recordist: Mark Storey Sound Designer: Shane Taipari Sound Recordist: Ben Vanderpoel Digital Compositor: Stuart Bedford Digital Imaging Technician: James Brookes Digital Compositor: Johnny Lyon 3D Modeller: Rich Nosworthy Digital Compositor: Jesse Parkhill Stunt Coordinator: Aaron Lupton Stunt Coordinator: Steve McQuillan Stunts: Stefan Talaic Stunts: Shane Blakey Stunts: Joanna Baker Stunts: Daniel Andrews Lighting Technician: Sam Behrend First Assistant Camera: Nick Burridge First Assistant Camera: Alexander Campbell First Assistant Camera: Kelly Chen Lighting Technician: Tommy Davis Camera Intern: Woody Dean Lighting Technician: Hayden Dudley Lighting Technician: James Dudley Lighting Technician: Leigh Elford Camera Intern: Kalym Gilbert Camera Intern: Andrew Farrent First Assistant Camera: Julia Green Cinematography: Adrian Greshoff Lighting Technician: Mathew Harte Lighting Technician: Stacey Hui First Assistant Camera: Matt Hunt First Assistant Camera: Blair Ihaka Gaffer: Tony Lumsden First Assistant Camera: Tom Neunzerling Cinematography: Eoin O’Liddy Key Grip: Jeremy Osbourne Key Grip: Jim Rowe Lighting Technician: Richard Schofield First Assistant Camera: Richard Simkins First Assistant Camera: Cameron Stoltz Cinematography: Drew Sturge Camera Intern: Matt Thomas Lighting Technician: Jason Tidsw...

[discobar]

Prime Video ordina la serie Young Sherlock

Prime Video ha ordinato la serie Young Sherlock che vedrà Guy Ritchie (The Ministry of Ungentlemanly Warfare, The Covenant, The Gentlemen) in qualità di regista ed executive producer. Hero Fiennes Tiffin (The Ministry of Ungentlemanly Warfare, The Woman King) interpreterà il giovane Sherlock. La serie è scritta dallo showrunner Matthew Parkhill (Deep State, Rogue), che ne è anche executive…

[lignanolanotte]

Prime Video ordina la serie Young Sherlock

Prime Video ha ordinato la serie Young Sherlock che vedrà Guy Ritchie (The Ministry of Ungentlemanly Warfare, The Covenant, The Gentlemen) in qualità di regista ed executive producer. Hero Fiennes Tiffin (The Ministry of Ungentlemanly Warfare, The Woman King) interpreterà il giovane Sherlock. La serie è scritta dallo showrunner Matthew Parkhill (Deep State, Rogue), che ne è anche executive…

[hoodup]

[brandonimhotep]

No matter where life takes you – there’s no place like home. That’s at least true for Louisville native Victor Yarbrough. After growing up in St. Matthews, Kentucky, Victor relocated to England where he began a spirit import and export business called Victory Global. Now he’s expanding his business to the U.S. in a place that was once home. Victor has teamed up with his brothers, Chris and Bryson, to create the first Black-owned bourbon distillery in Kentucky. It’s called Brough Brothers Distillery, playing directly off their surname, Yarbrough. “First African American owned distillery in the state of Kentucky. So we’ve already independently verified that with some historians,” Victor told WLKY. The brothers run will the bourbon company out of a commercial space on Dixie Highway in the Parkhill Neighborhood, which they plan to open in February. In addition to bourbon, the brothers will also distill English gin and vodka. “We are working toward basically opening up the bourbon market and using our brand and understanding of Louisville and Kentucky to showcase the talents here,” Victor Yarbrough told Louisville Business First. “We understand what the economic impact would be if we were to open in the West End. Our goal, to a certain degree, is to act as a hub to help build upon the neighborhood.” https://travelnoire.com/brothers-first-black-owned-bourbon-company-louisville https://www.instagram.com/p/CIPUmFhAe6p/?igshid=1twlcymgzr3gu

[tenaflyviper]

Hispanic and Latin- American Horror Films: Part 3

Please note: Permanent link availability is NOT GUARANTEED.  I wish I could have had more links to offer, but I’ve tried to rely only on free streaming sites (and Youtube, for short films). Tubi TV requires signing up, but it is still 100% free (and it’s also available as an app on IOS, Android, Xbox Live and the Playstation Network).  I will do my best to update links when there are changes.

Part 1

Part 2

Bolivian Horror:

Blood-Red Ox (in post-production) - Rodrigo Bellot

Maleficarum (2011) - Jac Avila

Olalla (2015) - Amy Hesketh

Costa Rican Horror:

The Accursed (2010) - Adrián García Bogliano, Ramiro García Bogliano

El Sanatorio (2010) - Miguel Gomez

Ecuadoran Horror:

Impulse (2009) - Mateo Herrera

Island of the Dolls (2018) - Sebastian Mantilla (Ecuadoran co-production)

The Lady in the Veil (2018) - Josué Miranda

The Swamp of the Ravens (1974) - Manuel Caño (Ecuadoean co-production)

El último en morir (2015) - Carlos Larrea

El Salvadoran Horror:

Matlatl (2017) - Migue Siman

Guatemalan Horror:

Exorcismo Documentado (2012) - Rodrigo Estrada Alday

La llorona (2019) - Jayro Bustamante (Guatemalan co-production)

El sombrerón (1950) - Guillermo Andreu, Eduardo Fleischman

Honduran Horror:

Almas de la Media Noche (2002) - Juan Carlos Fanconi

Cuentos y Legendas de Honduras (2014) - Javier Suazo Mejía, Rony Alvarenga

Mala Nova El Tesoro De La Montaña Maldita (2018) - Wilfredo Leiva

Second Coming (2009) - Jose Zambrano Cassella

El Xendra (2012) - Juan Carlos Fanconi

Nicaraguan Horror:

Scared to Death (1992) (short film) - Frank Pineda

Panamanian Horror:

Absurd (1981) - Joe D'Amato (Panamanian co-production)

Diablo Rojo PTY (2019) - Sol Charlotte, J. Oskura Nájera

Paraguayan Horror:

Morgue (2019) - Hugo Cardozo

Error de imprenta (2008) - Nilfe Vera y Aragón

Gritos del Monday (2016) - Hector XIIX Rodriguez

Puerto Rican Horror:

Barricada (2010) - Vance McLean, José F. Vargas

The Caller (2011) - Matthew Parkhill (Puerto Rican co-production)

Uruguayan Horror:

Local God (2014) - Gustavo Hernández

The Silent House (2010) - Gustavo Hernández

You Shall Not Sleep (2018) - Gustavo Hernández

This list ended up being a much larger endeavor than I anticipated, but I had a lot of fun doing it, and I found many films I hadn't heard of before. The whole point of these lists is to explore and share the many flavors of horror and fear. Being scared (or, more accurately, having fun being scared) is near-universal across cultures. No matter how many films you've seen, there is always fresh, new horror to be found!

[abirdie]

Gael García Bernal, Natalia Verbeke and James D'Arcy in a publicity still (plus out-take) for Dot the i (2003, dir. Matthew Parkhill)

(the original photographer isn't credited anywhere that I can find)

[iredreamer]

I love and adore your scene breakdowns (discovering your blog has cleared my skin, watered my crops and brought peace to the valley- would you ever want to do one for the bit where Ann is hallucinating while her friend and Anne are staying at Crow Nest? And also do you know how much of that is true to life? Like, did Ann actually say that their relationship was repungnant, did she actually think about gay men being hanged? No demand though ofc and apologies if you've talked about this already.

hey :) thank you so much you’re too sweet

And now, first I’m gonna answer your questions about the real Ann Walker and then I’m gonna do the scene breakdown.

I’ve not read of Ann saying she thought their relationship was “repugnant”, I don’t know if she ever used that word (I don’t think she ever did but I could be wrong). Till now I’ve not came across it while reading the journals. Anyway, the situation was far more complex in reality. In Ann Walker’s life, sex, love and death had always been linked in some very tragic and unfortunate way (all her family basically died, one of her past “lovers” died, Mrs Ainsworth died and she, AW, committed adultery with Mr Ainsworth). She thought that all the death that surrounded her was somehow her fault. After the Ainsworth thing she starts developing a fixation on her sins. She writes to Anne: “It is not only death in this world, but a far worse death that I fear. If ever the prayers of a so true friend may ever avail for another, may yours be heard for me this night, that the gate of Mercy may not be forever closed upon me, for I am wretchedness itself”. Basically when her friend, Mrs Ainsworth, dies, Ann is reminded of her “thing” with Reverend Ainsworth and that’s what really breaks her, she feels guilty and ashamed. This leads to Ann Walker reconsidering her relationship with Anne Lister and asking herself how it would appear in the eyes of God. And this is when she starts to think that her “connection” with Anne is wrong and a sin.

In real life Ann’s condition was even worse than what we see in the series. From the companion book: “Fearing that she was approaching death, Ann begged Anne to read extracts from the bible aloud. Anne selected and ‘paraphrased the 10th of Matthew’, but it seemed that Ann was unable to be reached by its message of resilience and healing. Instead she preferred to cast herself as the subject of ‘Genesis Epistle, St James 1.6′, whose lack of absolute faith in the Lord’s ability to heal destined them to be cast adrift, ‘driven and tossed by the wind, like a wave in the sea’”. Their views on religion and faith were very very different. Anne Lister had reconciled her sexuality and her faith perfectly and she thought that if God made her like that, then there was nothing wrong with her. Ann Walker basically thought the opposite. The only one that could make AW feel a little bit better was AL. By January 1833 Anne Lister slept at Lidgate regularly.

“Did she actually think about gay men being hanged?”: November 27, 1832 > She [Ann Walker] had doubted whether it was right to engage herself to me if this sort of thing was so bad between two men it must be so …. I answered this in my usual way it was my natural & undeviating feeling etc. etc. but said I the moral responsibility is already incurred. She seemed better satisfied & asked me to go on Thursday – she is going tomorrow saying she would not let Mss P- [Miss Parkhill] go to Pye Nest & Mrs Dysons by herself for fear evidently of her gossip about us. [SH:7/ML/E/15/0155]. This is the only bit I came across where the Ann(e)s discuss male homosexuality.

In GJ all this happens in just one/two episode/s but in reality this thing went on for months. Ainsworth writes to AW for the first time on the 1st of November 1832 and he keeps writing for quite some time. AW’s health keeps getting worse and worse month after month till she basically has a mental breakdown and goes to live with her sister in Scotland in February 1833.

Now, going back to the fictional Ann(e)s, about that scene…the first thing I wanna say is that I love how Anne Lister reacts to it all. You can see how her attitude changes as the scene progresses and she understands that what Ann’s going through is really bad, worse than what she thought. From the way she replies to Ann at the beginning, and just from her facial expressions, it’s clear that she thinks this whole thing is just a big joke (not in the sense that she doesn’t believe Ann, but in the sense that for her, for Anne, all that’s happening doesn’t make any sense). Anne’s first reaction is almost dismissive, but her voice when she replies is sweet and calm: “Can you hear that?” – “What, the wind?” – Her answers are logical and sarcastic – ”And what are they saying about me?” – “You’re going to die.” – “Well, yes, eventually.” – She tries to reason with Ann, she tries to make her understand that what she’s hearing is just the wind or the noises of the house, nothing more. But when Ann says – “Don’t be glib!” – Anne starts to change her attitude.

As the scene goes on and Ann says more and more stuff about the voices she hears, Anne becomes more and more serious – “When you say voices, how many can you hear?” – “Ann, do you recognize the voices?” – “Are they always the same voices?” – She stops being dismissive or sarcastic and she starts really paying attention. I love this because it shows that she is a very good observer and she’s very quick to see the importance of the situation and understand what the person she’s with (AW in this case) really needs. She does this many times in the series and it’s one of her character traits I love the most.

I also love how physical she is during this scene. She’s always touching Ann, caressing her, holding her hands, holding her head to her chest, kissing her head. This is how Anne reassures Ann and shows her support, we’ve seen her do this in other occasions: in the scene in 1x03, when Ann’s on the floor, crying because she thought Anne wasn’t gonna come back to her and at the end of 1x05, after Ann tells Anne about Reverend Ainsworth. And I think it’s very important that AL not only gives emotional support but that she also gives physical support. Anne Lister understands that what Ann’s going through is not only emotionally exhausting but also physically exhausting, and she’s there for it, for all of it.

“They’re going to kill you as well as me, and we’ll both burn in hell for all eternity! Everlasting torment in hellfire!“ – In the bible it’s said that sinners who have committed a mortal sin will burn in hell for all eternity. And this is what Ann Walker believes. Ann believes to have committed a mortal sin, she was aware of the sinful act and its gravity and she committed it deliberately. When AW says they’re going to “burn in hell”, AL answers – “What? No!” – This is also an interesting reference to what real Anne Lister thought about all this, in fact she doubted the doctrine of “everlasting torment in hellfire” (”Miss Rawson and I agreed we doubted the doctrine of everlasting torment in hellfire” – 10th February 1833), she probably didn’t believe God could actually let someone burn in hell for all eternity. This shows us how different the Ann(e)s are from each other, and how Anne Lister used to “interpret” the bible in the way that suited her most, while Ann used to observe the common doctrine.

Ann talks about hearing three voices – “Men. Sometimes, there’s a woman.” – If you go back and watch Ann’s nightmare the only three distinctive voices we hear are of two men and a woman. Ann is repeating, in some way, what she heard in her dream: “Anyone who looks at a woman with lustful intent has already committed adultery with her in their heart. If your right eye causes you to sin, rip it out! Burn in hell! If your right hand causes you to sin. Cut it off! For it is better that you lose one of your members than that your whole body goes to hell! Hell was created for the devil and his angels. It was a place made for everlasting torment and punishment.“

All this is a paraphrased version of what’s written in the bible about adultery: Matthew 5:29 > “And if thy right eye offend thee, pluck it out, and cast it from thee: for it is profitable for thee that one of thy members should perish, and not that thy whole body should be cast into hell.” and Matthew 5:30 > “And if thy right hand offend thee, cut it off, and cast it from thee: for it is profitable for thee that one of thy members should perish, and not that thy whole body should be cast into hell.” These two sections happen right after Jesus said: “everyone who gazes at a woman to lust after her has committed adultery with her already in his heart.“ And then about hell, Matthew 25:41 > “Then shall he say also unto them on the left hand, Depart from me, ye cursed, into everlasting fire, prepared for the devil and his angels“.

Ann tries to find some peace saying the Lord’s Prayer: “Our Father which art in heaven, Hallowed be thy name. Thy kingdom come, thy will be done, on earth as it is in heaven. Give us this day our daily bread. And forgive us our trespasses. As we forgive those who trespass against us. And lead us not into temptation, but deliver us from evil, for thine is the kingdom and the power and the glory, forever and ever. Amen.“ She’s asking God to help her know His will, she’s asking to be forgiven for her sins, she’s asking for mercy. And she repeats this again and again while holding the Book of Common Prayer AL gave her.

So, I don’t really know where I’m going with this but, yes, all AW’s torments (in real life and in the series) come from the fact that she was unable to reconcile her sexuality and her desires with her faith and her religion. 

Other things about this scene that caught my attention and could be endlessly analyzed: • Anne’s calm and controlled energy that helps Catherine Rawson to deal with the situation and be a little less frightened of Ann • Anne saying “I was in my room next door” and making you go “was she in the room next door?” because she says it so naturally and she sounds so convincing (she has probably used that excuse many times before) that for a split second you believe her even if you know she was not sleeping in the next room • How Anne takes the weights out of the clock herself to get rid of anything that could disturb Ann’s sleep and how this really happened (she didn’t do it herself tho) • Ann Walker just clinging to Anne Lister as soon as Anne is back in the room because Anne is the only one who can make her feel a little better even if she’s also one of the reasons why she feels so bad. And of course Sophie Rundle who is just brilliant in this scene.

I’m gonna end this with two stupid things that I love lol 1. the face Anne makes after Ann told her that the voices are “in the clock” cracks me up. 2. how hot is Anne turning on that thing with which she lights the candle????

Well, I don’t know if I answered you, I hope I have :) have a nice day!

[35milimetross]

FOX estrena en primicia Deep State

    Mark Strong como Max Easton

Espionaje, adrenalina y supense son los ingredientes con los que se presenta Deep State, la primera serie de ficción producida por FOX Networks Group Europa y África, un thriller vibrante que se estrenará en exclusiva en todos los canales FOX de la región la próxima primavera, incluido también en FOX España, a donde llegará el lunes 9 de abril a las 23.05 horas.

Con un reparto internacional, que encabezan los actores Mark Strong (El topo, La noche más oscura, El círculo de oro) y Joe Dempsie (Juego de Tronos, Skins), Deep State se mete en las traiciones y luchas de poder de los servicios secretos internacionales, un escenario donde los enemigos no sólo están en el bando contrario y donde las amenazas pueden extenderse más allá del campo de acción, hasta poner en peligro a aquellos a los que más amas.

Dirigida y escrita por Matthew Parkhill (Rogue), Deep State se mueve entre la historia personal de un padre de familia que lucha por escapar de su pasado y los oscuros excesos del poder corporativo global.

Max Easton, el personaje encarnado por Mark Strong, es un ex espía alejado del servicio secreto y afincado en una zona de los Pirineos, al que sus excolegas del servicio, encabezados por George White (Alistair Petrie – El Infiltrado, Rogue One), Director de Operaciones del equipo especial formado por agentes de la CIA y del MI6 conocido como “La Sección”, volverán a reclutar para una una misión especial: vengar la muerte de su hijo Harry (Joe Dempsie). Pero lo que está en juego no tardará de aflorar y colocará a Easton en medio de una guerra de inteligencia encubierta, una conspiración que se beneficia del caos generado en Oriente Medio y una trama de corrupción en la que se encuentran implicadas poderosas corporaciones, dispuestas a hacer lo necesario para ocultar sus secretos y proteger su reputación.

La entrada FOX estrena en primicia Deep State aparece primero en 35milimetros.

from WordPress http://35milimetros.es/fox-estrena-primicia-deep-state/

[aliceyokinen]

Dot the I (2002)  Matthew Parkhill