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hoodoo12 · 2 years ago

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how was the show??

THE SHOW. Oh man, THE SHOW. I had such a good time, thank you for asking! (it sparked a lil idea for a s-m-u-t-t-y story, so I'm happily typing away at that atm too!)

It was an audience of "standard" theater goers (older people who hold season tickets) + Beetlejuice fans. Fun combo. After coming from seeing it on Broadway with so many rabid fans, sitting in an audience that wasn't intimately familiar with it was a lot of fun. Kind of like being able to see it with new eyes again! At intermission I kept hearing things like, "This show is . . . interesting. Definitely different," from the older patrons. The old guy sitting next to me was talking to his wife and did some internet research on the show and Justin before it started; I managed not to fandump all the information in the world on them, lol

Even though the show was "sold out" there were plenty of seats open, including the one beside me. I wish I could have taken so many people who have put up with my fangirling about it for so long.

As for the performances! Kate grew on me as Delia. She is still no Leslie, but she seemed more comfortable in the role. Everyone did, actually. Everyone's cohesion and interactions were much more relaxed and natural compared to when I saw it last month.

Isabella knocked it out of the park of course. She really is a stellar Lydia. Will and Brittany still have great vibes together. Justin was amazing. Simply amazing. He really plays up to the audience and milks reactions. His improv background is so obvious; he has impeccable timing as to how long he can stretch a bit: the initial laugh, the increased laughter that comes when it continues, the dip in laughter when it becomes awkward, then the uptick again because it's so ridiculous. He did that twice: when he was sitting on Adam's lap (so much humping) and a sustained, almost a minute long scream after Lydia runs into the Netherworld.

I love that he added a little lore to Beetlejuice's background with the whole "Katherine Hepburn herpes" bit (if you don't know it, let me know and I'll write it out behind a spoiler). His Beetlejuice still sounds and gives off more of a menacing Keatlejuice vibe, which ngl, I am really digging.

My one complaint was that most of the cast seemed to rush through their lines. I know the show, but I bet if I didn't I would have had difficulty picking up on some of the words/lines from all the cast members except for Karmine and Justin.

One super weird thing was that during "What I Know Now", when it's "never smoke cigars in bed" the line was changed to "don't take too much Sudafed" and that actor was wearing a mask. Like a rubber face mask with fake hair that you could buy at a Halloween store. W-the actual-F?! It was just so out of place. I don't know if it was Matthew Michael Janisse (who made his Maxie Dean debut last night) and they wanted to cover his face for some unknown reason, but it was so bizarre I couldn't stop watching him in that scene.

Now onto the stage door! It was a different experience compared to what goes on in NYC. I don't know if people were starstruck or what, but . . . man. It was painfully awkward and I was just another fan standing there with them. There were only like 12 people waiting. All had BJ swag and several were talking about the bway show and stuff. When the actors started coming out, though, the other fans just acted deaf and dumb.

First was Will Burton. I clapped for him and told him what a good show, then since everyone else just stood there I walked up to him and started chatting. He asked if I wanted my playbill signed, I said sure; he asked if I had a pen and I said, "no, I'm the worst" so he dug around in his bag and found his own, lol

That type of interaction happened with.all.the.actors. Nobody waiting seemed to recognize any of them. Like WTF??

When Abe came out, I said, "Thanks for thr good show, Abe" and he zeroed in on me. "HOW DO YOU KNOW WHO I AM?!" he asked. I told him I saw him in NY, and yes, it was very creepy, lol lol. We talked for a while too.

I met Sean McManus, Lee Price (had a looong chat with him; he's a DEAR and such a good dancer! Holy crap I want to see him as Beetlejuice!!!), Kate, Isabella, Britney, Jesse, and Justin.

It was all the same with everyone standing around the stage door; if I didn't start talking/thanking the cast, they just froze like they had no clue what was going on. No one even seemed to recognize Justin! Like, this sweaty guy with black nails and smeared eyeliner was the star of the show you just watched! Since everyone else was frozen or whatever, we talked about stuff not related to the show. (I told him I liked his boots. He told me he stole them. hahaha--no, that was a true story.) I got the worst (or best? lol) photo of the two of us together.

So I guess the take away is: stage door in the city you see them in because that fan crowd (at least the size of it) is not anything like the NYC crowd.

I'm seeing it one more time before it leaves the area. If you get the opportunity to see it, do! It's worth it!

#beetlejuice #beetlejuice tour #justin collette #collettejuice

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dreamed-for-not · 9 months ago

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I have now seen Beetlejuice 4 times and seen 4 different actors.

10/14/22 - Alex Brightman

1/3/23 - Will Blum (his last performance)

2/21/24 - Justin Collette

2/27/24 - Matthew Michael Janisse

#tonight was probably my last time ever seeing Beetlejuice #which has got me feeling some kind of way #unless they do a west end production #which is oooking less and less likely by the day TBH

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brokehorrorfan · 3 years ago

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All the Haunts Be Ours: A Compendium of Folk Horror will be releaed on December 7 via Severin Films. The Blu-ray box set features Kier-La Janisse's new documentary, Woodlands Dark and Days Bewitched: A History of Folk Horror (also available separately) plus 19 folk horror movies.

The films include: Avery Crounse's Eyes of Fire (1983), Djordje Kadijevic's Leptirica (1973), Otakar Vávra's Witchhammer (1970), Konstantin Ershov and Georgiy Kropachyov's Viy (1967), Kåre Bergstrøm's Lake of the Dead (1958), Viðar Víkingsson's Tilbury (1987), Mario Andreacchio's The Dreaming (1988), James Bogle's Kadaicha (1988), Ann Turner's Celia (1989), Ian Coughlan's Alison's Birthday (1981), Marek Piestrak's Wilczyca (1983), Janusz Majewski's Lokis (1970), Ryszard Bugajski's Clearcut (1991), Brunello Rondi's Il Demonio (1963), Mariano Baino's Dark Waters (1993), Ben Wheatley's A Field in England (2012), Chris Newby's Anchoress (1993), Alan Clarke's Penda's Fen (1974), and James MacTaggart's Robin Redbreast (1970).

Also included are various short films, a CD of the Woodlands Dark and Days Bewitched soundtrack composed by Jim Williams (A Field in England, Possessor), a CD with Arthur Machen's "The White People" short story read by actress Linda Hayden, and a 126-page book with writings by film scholars, authors, and historians.

All films have been restored in high definition from the best available vault elements. The lengthy list of special features are listed below.

Disc 1:

Woodlands Dark and Days Bewitched special features:

Introduction by writer-director Kier-La Janisse

Interview with animator Ashley Thorpe

Outtakes - What is Folk Horror?, Harvest Hymns, Terra Assombrada

Folk Poetry recited by actors Ian Ogilvy Linda Hayden set to Super 8 footage

Trailer

Disc 2:

Eyes of Fire special features:

Audio commentary with author Colin Dickey

Interview with director Avery Crounse by historian Stephen Thrower

Crying Blue Sky - Alternate longer cut restored in 2K from the director’s personal 35mm answer print

Short Films:

The Legend Of Sleepy Hollow (Sam Weiss, 1972)

Transformations (Barbara Hirschfeld, 1972)

Backwoods (Ryan Mackfall, 2018)

Disc 3:

Leptirica special features:

Interview with director Djordje Kadijevic

Štićenik - 1973 short film directed by Djordje Kadijevic

Interview with Štićenik actor Milan Mihailovic

Devičanska Svirka - 1973 short film directed by Djordje Kadijevic

Iterview with Devičanska Svirka actor Goran Sultanovic

Disc 4:

Witchhammer special features:

Audio commentary by Czech film historian Irena Kovarova

The Womb of Woman Is the Gateway to Hell - Appreciation by historians Kat Ellinger and Michael Brooke

The Projection Booth Podcast on Witchhammer

Viy special features:

From the Woods to the Cosmos - John Leman Riley on the history of Soviet fantasy and sci-fi films

Trailer

Silent Short Films:

Satan Exultant (1917)

The Queen of Spades (1916)

The Portrait (1915)

Disc 5:

Lake of the Dead special features:

Audio commentary by historians Jonathan Rigby and Kevin Lyons

Tilbury special features:

Audio commentary by director Viðar Víkingsson and screenwriter Þórarinn Eldjárn

With Enough Tilbury Butter, Anything Is Good — Interview With Karl Ágúst Úlfsson

Interview with actor Kristján Franklin Magnúss

White Spot in the Back of the Head - 1979 student film directed by Viðar Víkingsson

Interview with director Viðar Víkingsson about White Spot in the Back of the Head

Disc 6:

The Dreaming special features:

Audio commentary with director Mario Andreacchio

Trailer

Kadaicha special features:

Audio commentary with director James Bogle

Audio interview with actress Zoe Carides

Audio interview with composer Peter Westheimer

Behind the scenes footage

Trailer

Disc 7:

Celia special features:

Interview with director Ann Turner

Interview with editor Ken Sallows

The Rabbit in Australia - 1979 short film

Alison’s Birthday special features:

Interviews with producer David Hannay and actors Joanne Samuel and Belinda Giblin

The Devil Down Under - Video essay by film scholar Alexandra Heller-Nicholas

Disc 8:

Wilczyca special features:

Interview with director Marek Piestrak

Lokis: A Manuscript of Professor Wittembach special features:

Interview with director Janusz Majewski

Disc 9:

Clearcut special features:

Introduction by director Ryszard Bugajski

Audio commentary by scholar Shaawano Chad Uran

Short Films:

The Ballad of Crowfoot (Willie Dunn, 1968) with audio commentary

You Are On Indian Land (Michael Kanentakeron Mitchell, 1969)

Consume (Mike Peterson, 2017)

Disc 10:

Il Demonio special features:

Audio commentary by film historian Kat Ellinger

The Kid From A Kibbutz - Video essay by film historian Tim Lucas

Interview with Brunello Rondi biographer Alberto Pezzotta

Dark Waters special features:

Audio commentary by writer/director Mariano Baino

Deep Into the Dark Waters - Making-of feautrette with cast and crew

Disc 11:

A Field in England special features:

Audio commentary by director Ben Wheatley, producer Andy Starke, and sound editor Martin Pavey

Letterboxd Magic Hour - Woodlands Dark and Days Bewitched filmmaker Kier-La Janisse interviews director Ben Wheatley

The Music of A Field in England - Featurette with composer Jim Williams and director Ben Wheatley

Ben Wheatley in conversation with film historian Pete Tombs

Camera tests

Trailer

Anchoress special features:

Lockdown 1329 - Video essay by director Chris Newby

A Short Trip To Shere - Director Chris Newby documentars the location of the real Christine Carpenter’s anchoress cell

Disc 12:

Penda’s Fen special features:

Audio commentary by James Machin and Matthew Hale, editors of Of Mud & Flame: The Penda’s Fen Sourcebook

The Landscape of Feelings: The Road to Penda’s Fen - Interviews with writer David Rudkin, producer David Rose, and more

Robin Redbreast special features:

Audio commentary by William Fowler and Vic Pratt, authorsof The Bodies Beneath: The Flipside of British Film & Television

Interview with writer John Bowen

Short Films:

The Pledge (Digby Rumsey, 1982)

The Sermon (Dean Puckett, 2018)

Also included:

CD: Woodlands Dark and Days Bewitched soundtrack composed by Jim Williams

CD: Arthur Machen's "The White People" short story read by actress Linda Hayden with music by Timothy Fife and Missionary Work

126-page book curated by Kier-La Janisse and designed by Luke Insect with new writing by Andy Paciorek, Stephen Volk, Mitch Horowitz, Dawn Keetley, Sarah Chavez, Stephen R. Bissette, and Dejan Ognjanović, plus archival pieces and a breakdown of all the films in the set

#horror #folk horror #a field in england #ben wheatley #viy #severin films #dvd #gift #woodlands dark and days bewitched: a history of folk horror #kier-la janisse #woodlands dark and days bewitched #luke insect #eyes of fire #horror movies #horror film

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sserpicko · 6 years ago

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Announcing Winners WGA Awards 2019: ‘Can You Ever Forgive Me?,’ ‘Eighth Grade’

In a pair of upsets, “Can You Ever Forgive Me?” has won the Writers Guild of America’s adapted screenplay award for Nicole Holofcener and Jeff Whitty and Bo Burnham has won the original screenplay award for “Eighth Grade.”

The major television trophies went to “The Americans,” “The Marvelous Mrs. Maisel,” “Homeland” and “Barry” for the 71st Writers Guild Awards, held at dual ceremonies at the Beverly Hilton in Beverly Hills, Calif., and the Edison Ballroom in New York City. It was the last major awards show before the Feb. 24 Academy Awards.

“Can You Ever Forgive Me?,” based on the memoir of the late Lee Israel, topped the screenplays for “Black Panther,” “If Beale Street Could Talk” “A Star Is Born”; and “BlacKkKlansman.” Though the script for the comedy-drama — the story of how Israel discovered her talent for forgery — has received an Oscar nomination, “Beale Street” and “BlacKkKlansman” were regarded as the front-runners. It appears that the tale of the travails and redemption of a professional writer clearly resonated with Hollywood writers.

“I want to thank Lee,” Holofcener said in her acceptance. “She’d probably be sitting in the room judging all of us. She though she was the smartest person in the room and she probably was.”

A stunned Burnham credited star Elsie Fisher for his winning the WGA award. Burnham won over Alfonso Cuaron’s “Roma”; Adam McKay’s “Vice”; Bryan Woods, Scott Beck, and John Krasinski’s “A Quiet Place”; and Peter Farrelly, Nick Vallelonga, and Brian Currie’s “Green Book.” “Roma,” “Vice” and “Green Book” are all nominated for Academy Awards along with “The Favourite” and “First Reformed” while “Eight Grade” did not receive an Oscar nod.

“Eighth Grade,” which stars Fisher as an awkward teen dealing with the final week of eighth grade, also won the first-time Directors Guild of America Award for Burnham on Feb. 2. The film is also up for four Spirit Awards on Feb. 23.

“To the other nominees in the category — Have fun at the Oscars, losers!” Burnham joked in his acceptance. “No, I prepared nothing. This all belongs to Elsie Fisher who performed the script. No one would care about the script if she hadn’t done it.”

“Eighth Grade” is the first film to win the WGA Original Screenplay award without being nominated for an Academy since Michael Moore’s “Bowling for Columbine” in 2003.

“The Marvelous Mrs. Maisel” won the comedy series award for Kate Fodor, Noah Gardenswartz, Jen Kirkman, Sheila Lawrence, Daniel Palladino and Amy Sherman Palladino. Starring Rachel Brosnahan, “Mrs. Maisel” won the Emmy for best comedy series last year.

The final season of “The Americans” took the drama series award for Peter Ackerman, Hilary Bettis, Joshua Brand, Joel Fields, Sarah Nolen, Stephen Schiff, Justin Weinberger, Joe Weisberg and Tracey Scott Wilson.

Bill Hader and Alec Berg won the episodic comedy award for the opening segment of HBO’s “Barry,” “Chapter One: Make Your Mark” (“Barry”). They also won the new series award.

Stephanie Gillis won the animated award for the “Bart’s Not Dead” episode of “The Simpsons” — which was just renewed for its 31st and 32nd seasons by Fox — and showrunner Alex Gansa took the episodic drama award for the “Paean To The People” segment of “Homeland.” “Bathtubs Over Broadway” took the documentary award and “God of War” won the videogame trophy.

Hulu’s “Castle Rock” won the long-form original award and “The Assassination of Gianni Versace: American Crime Story” took the adapted long-form trophy. “Last Week Tonight with John Oliver” won the comedy-variety series cagtegory.

Chelsea Peretti hosted the West Coast ceremonies while Roy Wood Jr. was the emcee in New York. “All the glitz and glamor of the Oscars without the pressure of public interest,” Peretti said in her intro.

Jordan Peele’s horror-comedy “Get Out” won the WGA Award for original screenplay and James Ivory’s coming-of-age drama “Call Me by Your Name” won for adapted screenplay last year. Both went on to win the Oscar.

The WGA awards are mixed indicator of Oscar sentiment. Six of the last 10 WGA winners have gone on to win Academy awards over the past five years. The awards are decided in voting by the 17,000 members of the WGA.

The West Coast ceremonies included plenty of political commentary. Adam McKay, on receiving the WGA’s Paul Selvin Award for “Vice,” asked for a “beat of silence” for the million people who died during the invasion of Iraq.

Jenji Kohan, recipient of the Paddy Chayefsky Award, was unable to attend due to having to shoot the final episode of “Orange Is the New Black.” She said in a taped message: “I’ve been incredibly lucky to work with enormously funny and kind people. I love the people I work with. Life is too short to work with a******s, by the way. That’s my Public Service Announcement.”

Here are the nominees with the winners in boldface:

ORIGINAL SCREENPLAY

“Eighth Grade,” Written by Bo Burnham; A24 (WINNER)

“Green Book,” Written by Nick Vallelonga & Brian Currie & Peter Farrelly; Universal Pictures

“A Quiet Place,” Screenplay by Bryan Woods & Scott Beck and John Krasinski, Story by Bryan Woods & Scott Beck; Paramount Pictures

“Roma,” Written by Alfonso Cuarón; Netflix

“Vice,” Written by Adam McKay; Annapurna Pictures

ADAPTED SCREENPLAY

“BlacKkKlansman,” Written by Charlie Wachtel & David Rabinowitz and Kevin Willmott & Spike Lee, Based on the book by Ron Stallworth; Focus Features

“Black Panther,” Written by Ryan Coogler & Joe Robert Cole, Based on the Marvel Comics by Stan Lee and Jack Kirby; Walt Disney Studios Motion Pictures

“Can You Ever Forgive Me?,” Screenplay by Nicole Holofcener and Jeff Whitty, Based on the book by Lee Israel; Fox Searchlight (WINNER)

“If Beale Street Could Talk,” Screenplay by Barry Jenkins, Based on the novel by James Baldwin; Annapurna Pictures

“A Star is Born,” Screenplay by Eric Roth and Bradley Cooper & Will Fetters, Based on the 1954 screenplay by Moss Hart and the 1976 screenplay by John Gregory Dunne & Joan Didion and Frank Pierson, Based on a story by William Wellman and Robert Carson; Warner Bros.

DOCUMENTARY SCREENPLAY

“Bathtubs Over Broadway,” Written by Ozzy Inguanzo & Dava Whisenant; Focus Features (WINNER)

“Fahrenheit 11/9,” Written by Michael Moore; Briarcliff Entertainment

“Generation Wealth,” Written by Lauren Greenfield; Amazon Studios

“In Search of Greatness,” Written by Gabe Polsky; Art of Sport

VIDEO GAME WRITING

“Assassin’s Creed Odyssey,” Associate Narrative Directors Matthew Zagurak, Joel Janisse, James Richard Mittag; Narrative Director Melissa MacCoubrey; Story by Jonathan Dumont, Melissa MacCoubrey, Hugo Giard; Scriptwriters Madeleine Hart, Betty Robertson, Jesse Scoble, Diana Sherman, Kelly Bender, Jojo Chia, Ian Fun, Zachary M. Parris, Ken Williamson, Daniel Bingham, Jordan Lemos, Simon Mackenzie, Katelyn MacMullin, Susan Patrick, Alissa Ralph, Stephen Rhodes; Team Lead Writer Sam Gill; AI Writers Jonathan Flieger, Kimberly Ann Sparks; Ubisoft Quebec

“Batman: The Enemy Within,” Episode 5-Same Stitch, Lead Writer James Windeler; Written by Meghan Thornton, Ross Beeley, Lauren Mee; Story by Meghan Thornton, Michael Kirkbride; Telltale Games

“God of War,” Written by Matt Sophos, Richard Zangrande Gaubert, Cory Barlog; Story and Narrative Design Lead Matt Sophos; Story and Narrative Design Richard Zangrande Gaubert; Narrative Design Orion Walker, Adam Dolin; Sony Interactive Entertainment (WINNER)

“Marvel’s Spider-Man,” Story Lead Jon Paquette; Writers Benjamin Arfmann, Kelsey Beachum; Co-Written by Christos Gage; Additional Story Contributions by Dan Slott; Insomniac Games & Sony Interactive Entertainment

“Pillars of Eternity II: Deadfire,” Narrative Designers Alex Scokel, Eric Fenstermaker, Kate Dollarhyde, Megan Starks, Olivia Veras, Paul Kirsch; Additional Writing Tony Evans, John Schmautz, Casey Hollingshead, Nitai Poddar; Narrative Design Leads Carrie Patel, Josh Sawyer; Obsidian Entertainment

DRAMA SERIES “The Americans,” Written by Peter Ackerman, Hilary Bettis, Joshua Brand, Joel Fields, Sarah Nolen, Stephen Schiff, Justin Weinberger, Joe Weisberg, Tracey Scott Wilson; FX Networks (WINNER)

“Better Call Saul,” Written by Ann Cherkis, Vince Gilligan, Peter Gould, Gennifer Hutchison, Heather Marion, Bob Odenkirk, Thomas Schnauz, Gordon Smith, Alison Tatlock; AMC

“The Crown,” Written by Tom Edge, Amy Jenkins, Peter Morgan; Netflix

“The Handmaid’s Tale,” Written by Yahlin Chang, Nina Fiore, Dorothy Fortenberry, John Herrera, Lynn Renee Maxcy, Bruce Miller, Kira Snyder, Eric Tuchman; Hulu

“Succession,” Written by Jesse Armstrong, Simon Blackwell, Jon Brown, Jonathan Glatzer, Anna Jordan, Lucy Prebble, Georgia Pritchett, Tony Roche, Susan Soon He Stanton, Daniel Zelman; HBO

COMEDY SERIES “Atlanta,” Written by Ibra Ake, Donald Glover, Stephen Glover, Taofik Kolade, Jamal Olori, Stefani Robinson, Paul Simms; FX Networks

“Barry,” Written by Alec Berg, Duffy Boudreau, Bill Hader, Emily Heller, Liz Sarnoff, Ben Smith, Sarah Solemani; HBO

“GLOW,” Written by Liz Flahive, Tara Herrmann, Nick Jones, Jenji Kohan, Carly Mensch, Marquita Robinson, Kim Rosenstock, Sascha Rothchild, Rachel Shukert; Netflix

“The Good Place,” Written by Megan Amram, Christopher Encell, Kate Gersten, Cord Jefferson, Andrew Law, Joe Mande, Kassia Miller, Dylan Morgan, Matt Murray, Rae Sanni, Daniel Schofield, Michael Schur, Josh Siegal, Jen Statsky, Tyler Staessle; NBC

“The Marvelous Mrs. Maisel,” Written by Kate Fodor, Noah Gardenswartz, Jen Kirkman, Sheila Lawrence, Daniel Palladino, Amy Sherman Palladino; Prime Video (WINNER)

NEW SERIES “Barry,” Written by Alec Berg, Duffy Boudreau, Bill Hader, Emily Heller, Liz Sarnoff, Ben Smith, Sarah Solemani; HBO (WINNER)

“The Haunting of Hill House,” Written by Meredith Averill, Charise Castro Smith, Mike Flanagan, Jeff Howard, Rebecca Leigh Klingel, Scott Kosar, Liz Phang; Netflix

“Homecoming,” Written by Micah Bloomberg, Cami Delavigne, Eli Horowitz, Shannon Houston, Eric Simonson, David Wiener; Prime Video

“Pose,” Written by Steven Canals, Brad Falchuk, Todd Kubrak, Janet Mock, Ryan Murphy, Our Lady J; FX Networks

“Succession,” Written by Jesse Armstrong, Simon Blackwell, Jon Brown, Jonathan Glatzer, Anna Jordan, Lucy Prebble, Georgia Pritchett, Tony Roche, Susan Soon He Stanton, Daniel Zelman; HBO

LONG FORM ORIGINAL “Castle Rock,” Writers: Marc Bernardin, Scott Brown, Lila Byock, Mark Lafferty, Sam Shaw, Dustin Thomason, Gina Welch, Vinnie Wilhelm; Hulu (WINNER)

“My Dinner with Hervé,” Teleplay by Sacha Gervasi, Story by Sacha Gervasi & Sean Macaulay; HBO

“Paterno,” Written by Debora Cahn and John C. Richards; HBO

LONG FORM ADAPTED “The Assassination of Gianni Versace: American Crime Story,” Writers: Maggie Cohn, Tom Rob Smith, Based on the book Vulgar Favors by Maureen Orth; FX Networks (WINNER)

“The Looming Tower,” Writers: Bash Doran, Dan Futterman, Alex Gibney, Shannon Houston, Adam Rapp, Ali Selim, Lawrence Wright, Based on the book The Looming Tower by Lawrence Wright; Hulu

“Maniac,” Writers: Nick Cuse, Cary Joji Fukunaga, Amelia Gray, Danielle Henderson, Mauricio Katz, Patrick Somerville, Caroline Williams, Based on the Norwegian television series Maniac by Espen PA Lervaag, Håakon Bast Mossige, Kjetil Indregard and Ole Marius Araldsen; Netflix

“Sharp Objects,” Writers: Ariella Blejer, Scott Brown, Vince Calandra, Gillian Flynn, Dawn Kamoche, Alex Metcalf, Marti Noxon, Based upon the book written by Gillian Flynn; HBO

SHORT FORM NEW MEDIA ORIGINAL “After Forever,” Written by Michael Slade & Kevin Spirtas; Vimeo.com

“Class of Lies,” Written by Tessa Leigh Williams; Snapchat (WINNER)

“Love Daily,” Written by: Lauren Ciaravalli, Andrew Eisen, Aaron Eisenberg, Will Eisenberg, Alexis Jacknow, Nathaniel Katzman, Yulin Kuang, Nathan Larkin-Connolly, Alexis Roblan, Bennet D. Silverman, Ryan Wood; Go90.com

“West 40s,” Written by Mark Sam Rosenthal & Brian Sloan; West40s.com

SHORT FORM NEW MEDIA ADAPTED “The Walking Dead: Red Machete,” Written by Nick Bernardone; AMC.com

ANIMATION “Bart’s Not Dead” (The Simpsons), Written by Stephanie Gillis; Fox (WINNER)

“Boywatch” (Bob’s Burgers), Written by Rich Rinaldi; Fox

“Just One of the Boyz 4 Now for Now” (Bob’s Burgers), Written by Lizzie Molyneux & Wendy Molyneux; Fox

“Krusty the Clown” (The Simpsons), Written by Ryan Koh; Fox

“Mo Mommy Mo Problems” (Bob’s Burgers), Written by Steven Davis; Fox

“Send in Stewie, Please” (Family Guy), Written by Gary Janetti; Fox

EPISODIC DRAMA “Camelot” (“Narcos: Mexico”), Written by Eric Newman & Clayton Trussell; Netflix

“The Car” (“This Is Us”), Written by Isaac Aptaker & Elizabeth Berger; NBC

“Episode 407” (“The Affair”), Teleplay by Lydia Diamond and Sarah Sutherland, Story by Jaquen Tee Castellanos and Sarah Sutherland; Showtime

“First Blood” (“The Handmaid’s Tale”), Written by Eric Tuchman; Hulu

“Paean To The People” (“Homeland”), Written by Alex Gansa; Showtime (WINNER)

“The Precious Blood of Jesus” (“Ozark”), Written by David Manson; Netflix

EPISODIC COMEDY “Another Place” (“Forever”), Teleplay by Alan Yang and Matt Hubbard, Story by Aniz Adam Ansari; Prime Video

“Chapter One: Make Your Mark” (“Barry”), Written by Alec Berg & Bill Hader; HBO (WINNER)

“Halibut!” (“Santa Clarita Diet”), Written by Victor Fresco; Netflix

“Kimmy and the Beest!” (“Unbreakable Kimmy Schmidt”), Written by Robert Carlock; Netflix

“Pilot” (“The Kids Are Alright”), Written by Tim Doyle; ABC

“Who Knows Better Than I” (“Orange Is the New Black”), Written by Jenji Kohan; Netflix

COMEDY/VARIETY TALK SERIES “Full Frontal With Samantha Bee,” Writers: Kristen Bartlett, Samantha Bee, Ashley Nicole Black, Pat Cassels, Mike Drucker, Eric Drysdale, Mathan Erhardt, Joe Grossman, Miles Kahn, Nicole Silverberg, Melinda Taub; TBS

“Last Week Tonight with John Oliver;” Writers: Tim Carvell, Raquel D’Apice, Josh Gondelman, Dan Gurewitch, Jeff Maurer, Daniel O’Brien, John Oliver, Brian Parise, Owen Parsons, Ben Silva, Will Tracy, Jill Twiss, Seena Vali, Juli Weiner; HBO (WINNER)

“Late Night with Seth Meyers;” Supervising Writers: Sal Gentile, Seth Reiss; Writers: Jermaine Affonso, Alex Baze, Bryan Donaldson, Matt Goldich, Dina Gusovsky, Jenny Hagel, Allison Hord, Mike Karnell, John Lutz, Seth Meyers, Ian Morgan, Amber Ruffin, Mike Shoemaker; NBC Universal

“The Late Show with Stephen Colbert,” Head Writers: Jay Katsir, Opus Moreschi; Writers: Emmy Blotnick, Michael Brumm, Aaron Cohen, Stephen T. Colbert, Cullen Crawford, Paul Dinello, Ariel Dumas, Glenn Eichler, Django Gold, Gabe Gronli, Greg Iwinski, Barry Julien, Daniel Kibblesmith, Matt Lappin, Michael Pielocik, Kate Sidley, Jen Spyra, Brian Stack, John Thibodeaux; CBS

COMEDY/VARIETY SKETCH SERIES “At Home with Amy Sedaris,” Writers: Cindy Caponera, Paul Dinello, Jodi Lennon, Meredith Scardino, Amy Sedaris; truTV

“I Love You, America,” Head Writer: Dave Ferguson; Writers: Glenn Boozan, Leann Bowen, Raj Desai, Kyle Dunnigan, John Haskell, Tim Kalpakis, Opeyemi Olagbaju, Gavin Purcell, Diona Reasonover, Jocelyn Richard, Christopher J. Romano, Sarah Silverman, Beth Stelling, Dan Sterling, Nick Wiger; Hulu

“Nathan For You,” Writers: Leo Allen, Nathan Fielder, Carrie Kemper, Michael Koman, Adam Locke-Norton, Eric Notarnicola; Comedy Central (WINNER)

“Portlandia,” Writers: Fred Armisen, Carrie Brownstein, Jonathan Krisel, Karey Dornetto, Megan Neuringer, Phoebe Robinson, Graham Wagner; IFC

“Saturday Night Live,” Head Writers: Michael Che, Colin Jost, Kent Sublette, Bryan Tucker; Supervising Writers: Fran Gillespie, Sudi Green, Streeter Seidell; Writers: James Anderson, Kristen Bartlett, Megan Callahan, Steven Castillo, Andrew Dismukes, Anna Drezen, Claire Friedman, Alison Gates, Steve Higgins, Sam Jay, Erik Kenward, Rob Klein, Nick Kocher, Michael Koman, Alan Linic, Eli Coyote Mandel, Erik Marino, Dave McCary, Brian McElhaney, Dennis McNicholas, Lorne Michaels, Nimesh Patel, Josh Patten, Katie Rich, Simon Rich, Gary Richardson, Marika Sawyer, Pete Schultz, Mitch Silpa, Will Stephen, Julio Torres, Bowen Yang; NBC Universal

COMEDY/VARIETY SPECIALS 2018 Rose Parade Hosted by Cord & Tish, Written by Will Ferrell, Jake Fogelnest, Andrew Steele; Prime Video

Drew Michael Stand-Up Special, Written by Drew Michael; HBO

The Fake News with Ted Nelms, Written by John Aboud, Andrew Blitz, Michael Colton, Ed Helms, Elliott Kalan, Joseph Randazzo, Sara Schaefer; Comedy Central (WINNER)

The Oscars 2018, Written by Dave Boone, Carol Leifer, Jon Macks; Special Material Written by Megan Amram, Tony Barbieri, Jonathan Bines, Joelle Boucai, Gonzalo Cordova, Adam Carolla, Devin Field, Gary Greenberg, Josh Halloway, Sal Iacono, Eric Immerman, Jesse Joyce, Bess Kalb, Jimmy Kimmel, Molly McNearney, Danny Ricker, Joe Strazzullo; ABC

QUIZ AND AUDIENCE PARTICIPATION “Hollywood Game Night,” Head Writers: Ann Slichter, Grant Taylor; Writers: Michael Agbabian, Alexandra Kokesh, Dwight D. Smith; NBC

“Jeopardy!,” Written by Matthew Caruso, John Duarte, Harry Friedman, Mark Gaberman, Deborah Griffin, Michele Loud, Robert McClenaghan, Jim Rhine, Steve D. Tamerius, Billy Wisse; ABC

“Paid Off with Michael Torpey,” Head Writer: Ethan Berlin; Writers: John Chaneski, Rosemarie DiSalvo, Leigh Hampton, Katie Hartman, Amanda Melson, Larry Owens, Jennie Sutton, Michael Torpey, Jeremy Weiner; truTV

“Who Wants To Be A Millionaire,” Head Writer: Stephen A. Melcher, Jr.; Writers: Kyle Beakley, Tom Cohen, Patricia A. Cotter, Ryan Hopak, Gary Lucy, James Rowley, Ann Slichter, Dylan Snowden; Disney/ABC Syndication (WINNER)

DAYTIME DRAMA “Days of Our Lives,” Head Writer: Ron Carlivati; Writers: Sheri Anderson, Lorraine Broderick, David Cherrill, Joanna Cohen, Lisa Connor, Carolyn Culliton, Richard Culliton, Rick Draughon, Cydney Kelley, David Kreizman, David A. Levinson, Rebecca McCarty, Ryan Quan, Dave Ryan, Katherine Schock, Elizabeth Snyder, Tyler Topits; NBC

“General Hospital,” Head Writers: Shelly Altman, Christopher Van Etten; Writers: Barbara Bloom, Anna Theresa Cascio, Suzanne Flynn, Charlotte Gibson, Lucky Gold, Kate Hall, Elizabeth Korte, Daniel James O’Connor, Donny Sheldon, Scott Sickles; ABC (WINNER)

CHILDREN’S EPISODIC AND SPECIALS “Carnivorous Carnival: Part One” (A Series of Unfortunate Events), Teleplay by Joe Tracz; Netflix

“The Ersatz Elevator: Part One” (A Series of Unfortunate Events), Teleplay by Daniel Handler; Netflix (WINNER)

“For The Last Time” (Andi Mack), Written by Jonathan S. Hurwitz; Disney Channel

“Picture Day” (Alexa & Katie), Written by Ray Lancon; Netflix

“Warehouse Towel Fight” fka “Emil Strikes Back” (Prince of Peoria), Written by Marty Donovan; Netflix

DOCUMENTARY SCRIPT – CURRENT EVENTS “Black Hole Apocalypse” (Nova), Written by Rushmore DeNooyer; PBS

“Blackout in Puerto Rico” (Frontline), Written by Rick Young; PBS

“The Gang Crackdown” (Frontline), Written by Marcela Gaviria; PBS

“Trump’s Takeover” (Frontline), Written by Michael Kirk & Mike Wiser; PBS (WINNER)

DOCUMENTARY SCRIPT – OTHER THAN CURRENT EVENTS “Bitter Rivals: Iran and Saudi Arabia – Part 1” (Frontline), Written by David Fanning & Linda Hirsch & Martin Smith; PBS

“The Circus, Part One” (American Experience), Written by Sharon Grimberg; PBS

“The Eugenics Crusade” (American Experience), Written by Michelle Ferrari; PBS (WINNER)

“Into The Amazon” (American Experience), Written by John Maggio; PBS

NEWS SCRIPT – REGULARLY SCHEDULED, BULLETIN, OR BREAKING REPORT “Catastrophe” (60 Minutes), Written by Scott Pelley, Katie Kerbstat, Nicole Young; CBS News

“Las Vegas Massacre” (CBS Evening News with Anthony Mason), Written by Jerry Cipriano and Joe Clines; CBS News

“The Spotted Pig” (60 Minutes), Written by Anderson Cooper and Oriana Zill de Granados; CBS News

NEWS SCRIPT – ANALYSIS, FEATURE, OR COMMENTARY “100,000 Women” (60 Minutes), Written by Scott Pelley and Oriana Zill de Granados; CBS News

“On Broadway: Rodgers and Hammerstein” (CBS Sunday Morning), Written by Mo Rocca and Kay M. Lim; CBS News

“War Crime” (60 Minutes), Written by Scott Pelley, Katie Kerbstat, Nicole Young; CBS News

“Wounds of War” (60 Minutes), Written by Scott Pelley, Katie Kerbstat, Nicole Young; CBS News

DIGITAL NEWS “D.C.’s Biggest Homeless Shelter Is About to Close. Will Amazon Take Its Place?,” Written by Emma Roller; Splinter

“How To Not Die In America,” Written by Molly Osberg; Splinter

“Inside The Culture Of Sexism At Riot Games,” Written by Cecilia D’Anastasio; Kotaku.com (WINNER)

RADIO/AUDIO DOCUMENTARY “2017 Year in Review,” Written by Gail Lee; CBS News Radio

“RFK: 50 Years After Shots Rang Out at The Ambassador Hotel,” Written by Andrew Evans; ABC News Radio (WINNER)

RADIO/AUDIO NEWS SCRIPT—REGULARLY SCHEDULED, BULLETIN, OR BREAKING REPORT “5pm CBS News Radio Glor Newscast,” Written by James Hutton; CBS News Radio

“ABC News 6p Hourly 9-27-2018,” Written by Stephanie Pawlowski; ABC News Radio

“Remembering The Good, The Bad and the Brilliant,” Written by Gail Lee; CBS News Radio (WINNER)

“World News This Week 9-21-2018,” Written by Joan B. Harris; ABC News Radio

RADIO/AUDIO NEWS SCRIPT – ANALYSIS, FEATURE, OR COMMENTARY “John McCain: A Life of Service,” Written by Gail Lee; CBS News Radio (WINNER)

“A Tribute to Le Grand Orange,” Written by Thomas A. Sabella; CBS Radio News

ON-AIR PROMOTION (RADIO OR TELEVISION) “FBI 2018 Promo Reel,” Written by Ralph Buado; CBS

“Tribute to Star Trek for the 2019 Creative Arts Emmys,” Written by Sean Brogan; CBS (WINNER)

“Westworld: Season 2 Promo (Super Bowl spot),” Written by Jonathan Nolan; HBO

Source: variety

By DAVE MCNARY

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hesawifebeaterdanusethegun · 1 year ago

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This is totally OOC for me I know but guys I'm watching Beetlejuice the Musical again (and I'm really loving BeetleJanisse!)

#Beetlejuice #Beetlejuice the Musical #Matthew Michael Janisse #BJTM #Understudy time yall

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mastersprogram · 7 months ago

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OMG, MATTHEW !!

am i good at making gifs? no! can i figure out how to get them onto tumblr without killing the quality? no! will i do it anyway? absolutely!

#do we have a juice name for him yet??#I’m so used to seeing Justinjuice this is nice change #beetlejuice #beetlejuice musical #beetlejuice the musical #Matthew Michael janisse

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medium-observation · 2 years ago

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JUNE RELEASE!

Monty Python's Spamalot - Kennedy Center May 18, 2023 - Medium Observation Video | Matinée

Cast: James Monroe Iglehart (King Arthur), Leslie Rodriguez Kritzer (The Lady of the Lake), Matthew Saldivar (Patsy/Guard 2), Rob McClure (The Historian/Prince Herbert), Jimmy Smagula (Sir Bedevere/Dennis's Mother/Concorde), Alex Brightman (Sir Lancelot/The French Taunter/Knight of Ni/Tim the Enchanter), Nik Walker (Sir Galahad/The Black Knight/Prince Herbert's Father), Michael Urie (Sir Robin/Guard 1/Brother Maynard), Michael Fatica (Ensemble), Kaylee Olson (Ensemble), Ryan Kasprzak (Ensemble), Phillip Attmore (Ensemble), Daniel Beeman (Ensemble), Maria Briggs (Ensemble), Eloise Kropp (Ensemble), Daniel May (Ensemble), Shina Ann Morris (Ensemble), Kristin Piro (Ensemble)

Notes: Nice video of this hilarious show. Filmed from the orchestra. Lots of wideshots, which can lead to some washout at times. Beautiful zooms however on the cast (Alex Brightman fancam at times but it never takes away from the video!). Overall a great video of this Hilarious and perfect production.

NFT Date: December 1, 2023

Screenshots: https://flic.kr/s/aHBqjAEn7m

Video is $20

Hadestown - First US National Tour May 20, 2023 - Medium Observation Video | Matinée

Cast: Colin LeMoine (u/s Orpheus), Hannah Whitley (Eurydice), Matthew Patrick Quinn (Hades), Nyla Watson (u/s Persephone), Nathan Lee Graham (Hermes), Belén Moyano (Fate 1), Cecilia Trippiedi (u/s Fate 2), Dominique Kempf (Fate 3), Racquel Williams (Worker), Jemal Lee Harris (Worker), KC Dela Cruz (s/w Worker), Ian Coulter-Buford (s/w Worker)

Notes: Fantastic video of Colin's Orpheus Debut! there is a small head obstruction in the far left bottom that obstructs nothing but Hermes legs at times. This was a very unique and stressful show for the cast as they were down a worker and had everyone in the company on in the show. the show started almost 25 minutes late as they had to rehearse and change choreo. The lights hit in wait for me and the choreo change is quite fun to see and it's unique!

NFT Date: December 1, 2023

Screenshots: https://flic.kr/s/aHBqjAEEBp

Video is $20

Beetlejuice - First US National Tour February 19, 2023 - Medium Observation Video | Matinée

Cast: Justin Collette (Beetlejuice), Isabella Esler (Lydia Deetz), Britney Coleman (Barbara Maitland), Will Burton (Adam Maitland), Jesse Sharp (Charles Deetz), Kate Marilley (Delia Deetz), Danielle Marie Gonzalez (Miss Argentina), Abe Goldfarb (Otho), Brian Vaughn (Maxie Dean), Karmine Alers (Maxine Dean/Juno), Jackera Davis (Girl Scout), Matthew Michael Janisse (s/w Ensemble), Ryan Breslin (s/w Ensemble)

Notes: Big head obstruction on the left side of the screen where the crib, and Charles room is. it's worked around fine, but it's there and can be very distracting at times. besides that it's a great 4k video and it's a unique one, because they had asl and captions so the cast had to stick on script, which led to some fun choreo improv!

NFT Date: December 1st, 2023

Screenshots: https://flic.kr/s/aHBqjAsYaU

Video is $10

Videos can be purchased through me at [email protected]

#mediumobservation #beetlejuice #alex brightman #spamalot #hadestown #musical bootlegs

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nightmareonfilmstreet · 7 years ago

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Fantastic Fest Announces Second Wave of Films

New Post has been published on https://nofspodcast.com/fantastic-fest-second-wave-films/

Fantastic Fest Announces Second Wave of Films

A short 13 days from opening night, Fantastic Fest has announced their second wave of programming including the festival’s closing night film, Alexander Payne’s Downsizing. Stand outs for us here at Nightmare HQ include Bradfard Baruh’s debut Applecart (starring Barbara Crampton), the haunted house documentary Haunters: The Art of the Scare, and The Wheelman because Frank Grillo- ’nuff said.

Also announced were the Fantastic Fest Shorts Selections, and full details of the year’s Satellite Festivals in New York, Denver, and San Francisco. Below is the full list of film announcements, first wave announcements can be found here.

From the Festival’s Press Release:

AGFA + Something Weird Present: Bat Pussy and Secret Screening

American Genre Film Archive makes its triumphant return to Fantastic Fest with two movies that will rot your libido in the best way. BAT PUSSY, the world’s first X-rated parody, is what happens when an anonymous smut producer gets inspired by the 1960s BATMAN TV show but only has $5. It’s also what happens when your wildest dreams and most horrifying nightmares collide in an explosion of flaccid stupefaction. Next up, after years of detective work, AGFA presents the world premiere of a brand new 2K transfer of one of the most sought-after lost films in the history of exploitation cinema.

Lost Girls Book Launch: The Nude Vampire presented by Kier-la Janisse The Nude Vampire France, 1970 Repertory, 88 min Director – Jean Rollin

Jean Rollin’s THE NUDE VAMPIRE (1970) follows a sinister businessman who’s keeping a young vampire girl captive and experimenting on her in the hope that he finds the key to eternal life. The film will be screened in celebration of the launch of the new book from publisher Spectacular Optical, LOST GIRLS: THE PHANTASMAGORICAL CINEMA OF JEAN ROLLIN, the first examination of Rollin’s work to be written by all women critics, scholars and film historians, and will be introduced by the book’s publisher Kier-La Janisse.

3ft Ball and Souls

Japan, 2017 International Premiere, 93 min Director – Yoshio Kato

Four strangers come together to commit suicide using explosives. But they discover that every time they blow up, they’re sent back to just before they killed themselves.

Applecart USA, 2017 World Premiere, 86 min Director – Bradford Baruh

An idyllic weekend vacation to a secluded cabin turns deadly when the Pollack family discovers an unconscious woman whose sinister plans will pit the family members against each other.

Baasha India, 1995 Repertory/International Premiere, 165 min Director – Suresh Krissna

Superstar Rajinikanth plays a rickshaw driver with a history of violence in this genre-defining musical gangster romance epic from the director of AALAVANDHAN.

Bad Genius Thailand, 2017 Texas Premiere, 130 min Director – Nattawut Poonpiriya

A quartet of high school students are better at cheating than anything you’ve ever done in your life in this epic nail-biter about the standardized tests that level the playing field for all kids, smart and dumb, rich and poor.

Before We Vanish Japan, 2017 North American Premiere, 129 min Director – Kiyoshi Kurosawa

Kurosawa’s latest film is a sci-fi thriller about an invasion in which aliens must come to understand humanity through understanding human emotion — most importantly, our collective capacity for love.

Blue My Mind Switzerland, 2017 North American Premiere, 97 min Director – Lisa Brühlmann

BLUE MY MIND follows 15-year-old Mia (Luna Wedler) as she undergoes a life-changing transformation, one that leaves her examining her body and her very existence in a new light.

Brimstone & Glory Mexico, USA, 2017 Regional Premiere, 67 min Director – Viktor Jakovleski

Tultepec is a small Mexican town that celebrates its love of fireworks with a yearly week-long festival. This festival is captured in a glorious documentary that is pure cinema.

The Cured Ireland, UK, France, 2017 US Premiere, 95 min Director – David Freyne

A zombie virus has hit the world… but it has been cured. What’s next for the ex-zombies who have returned to normal? David Freyne’s debut feature throws lots of food for thought into the mouth of your mind.

Darkland Denmark, 2017 US Premiere, 113 min Director – Fenar Ahmad

An Iraqi doctor in Denmark seeks vigilante justice for his brother’s murder when the police come up short, biting off more than he can chew in a world of gangs, drugs and underground fight rings.

Firstborn Latvia, 2017 North American Premiere, 90 min Director – Aik Karapetian

Provocative Latvian director Aik Karapetian returns to Fantastic Fest with a new thriller that explores how far a meek architect will go to protect his dignity in the eyes of his wife in the aftermath of an attack.

Five Fingers Fro Marseilles South Africa, 2017 US Premiere, 120 min Director – Michael Matthews

A troubled young man returns to the town he fled as a youth and is forced to confront his past (and the town’s difficult future) in this gorgeous Xhosa language western.

Gemini USA, 2017 Special Screening, 93 min Director – Aaron Katz

Our understandings of friendship, truth and celebrity are challenged when a heinous crime tests the complex relationship between a tenacious personal assistant (Lola Kirke) and her Hollywood starlet boss (Zoe Kravitz) in Aaron Katz’s latest.

Gilbert USA, 2017 Regional Premiere, 99 min Director – Neil Berkeley

GILBERT is the story of Gilbert Gottfried as never seen before, both a behind-the-scenes documentary and a poignant look at the life of a comedian who has more layers than most people can imagine.

Good Manners Brazil, France, 2017 North American Premiere, 135 min Directors – Juliana Rojas & Marco Dutra

When lonely nurse Clara is hired as a nanny by wealthy Ana, she hardly expects anything like the friendship she finds with the lonely, pregnant woman. However, both women have dark secrets which will engulf all that they hold dear.

Haunters: The Art of the Scare USA, 2017 World Premiere, 88 min Director – Jon Schnitzer

Delving behind the scenes of one of America’s most beloved seasonal pastimes, HAUNTERS shows the world of the people who make the scariest houses, mazes and experiences that range from the traditional to the controversial.

Ichi The Killer – 4K Restoration Japan, 2001 Repertory/World Premiere of Restoration, 129 min Director – Takashi Miike

The yakuza occupy a murky universe with more twists and turns than the Shinjuku alleys they call home. The mysterious disappearance of a Tokyo mob boss triggers a hunt to find him, dead or alive. The search leads to the city’s most depraved clubs and sex dens and eventually to Ichi, the schizophrenic hitman behind the crime. Even more shocking is the discovery that the mastermind who hired Ichi is a fellow gangster out for revenge.

Junk Head Japan, 2017 US Premiere, 114 min Director – Takahide Hori

Humanity is dying. It’s been 1200 years since our rebellious clone workforce moved underground, and the only way we can survive is by plunging into the depths to learn more about our terrifying creations.

Jupiter’s Moon Hungary, Germany, 2017 North American Premiere, 123 min Director – Kornél Mundruczó

The most ambitious science fiction film of the year is also perhaps the most visually stunning. Aryan is a refugee who finds himself with the power to levitate after being shot. Stern is a disgraced, corrupt doctor. The two will meet and alter the entire world.

Les Affames Canada, 2017 US Premiere, 100 min Director – Robin Aubert

In the remote Quebec countryside, things are not well. A plague has infected the land, affecting almost all the residents of a small village. The survivors have to navigate their new existence as well as deal with the infected with an appetite for flesh.

Let the Corpses Tan Belgium, France, 2017 US Premiere, 92 min Directors – Hélène Cattet & Bruno Forzani

On a beautiful corner of the Mediterranean, Rhino and his men take refuge after the robbery of 250 kilograms of gold. The plan is simple: Wait and split. But some unwanted visitors are about to turn this idyllic corner into a bloodbath.

Letterkenny Canada, 2016 US Premiere, 151 min Director – Jacob Tierney

The spiritual successors to STRANGE BREW’s Bob and Doug MacKenzie, the rural residents of the fictitious town of LETTERKENNY deliver a hysterical slice of Canadiana in the comedy phenomenon chronicling the daily problems of hicks, skids, hockey players and Christians.

The Line Slovakia, Ukraine, 2017 North American Premiere, 112 min Director – Peter Bebjak

One line is literal, the border between Slovakia and Ukraine. Criminal Adam Krajnak (Tomas Mastalir) crosses it often, smuggling product and people. The other line is metaphorical, and crossing it leads to a death spiral of violence and vengeance.

Love and Saucers

USA/Canada, 2017 Texas Premiere, 67 min Director – Brad Abrahams

David Huggins, a 72-year-old man who claims to have lost his virginity as a young man to an extraterrestrial being, turned to art to express his interspecies romance and lifelong relationship with the otherworldly.

Mary and the Witch‘s Flower Japan, 2017 North American Premiere, 102 min Director – Hiromasa Yonebayashi

Directing the first film out of Studio Ponoc, Hiromasa Yonebayashi (WHEN MARNIE WAS THERE) creates the dazzling and heartwarming story of an ordinary girl who becomes an extraordinary witch.

The Merciless South Korea, 2017 North American Premiere, 117 min Director – Byun Sung-hyun

Cribbing liberally from the history of gangster films, Byun Sung-hyun’s hard-boiled Korean crime saga is filled with all manner of murder, deceit, double and triple crosses… and, oh yeah, slap-fighting.

Mom and Dad USA, 2017 US Premiere, 83 min Director – Brian Taylor

Selma Blair and Nicolas Cage are seemingly ideal parents until an unknown force causes their town’s adults to murder their offspring.

Mon Mon Mon Monsters! Taiwan, 2017 Regional Premiere, 112 min Director – Giddens Ko

A bullied schoolboy is teamed up with his tormentors to do community social work. While on duty, they encounter a strange creature which they kidnap, and take bullying to a whole new level.

The Prince of Nothingwood France, Germany, 2017 US Premiere, 85 min Director – Sonia Kronlund

Meet Salim Shaheen: Afghani auteur, prolific actor and one-man moviemaking industry. Along with his trusted troupe of actors, he defies all the odds in the Middle East to fulfill his dreams of making movies.

Professor Marston & The Wonder Women USA, 2017 US Premiere, 108 min Director – Angela Robinson

In a superhero origin tale unlike any other, this film is the incredible true story of what inspired Harvard psychologist Dr. William Moulton Marston to create the iconic Wonder Woman character in the 1940s.

Rabbit Australia, 2017 International Premiere, 99 min Director – Luke Shanahan

After a full year, Maude is still stricken by visions of her sister Cleo’s kidnapping. Believing that Cleo is still alive, Maude undergoes a suspenseful journey to find her in this stunning, atmospheric feature debut from Luke Shanahan.

Radius Canada, 2017 US Premiere, 91 min Directors – Caroline Labrèche & Steeve Léonard

When a man wakes up from a car crash with no memory of what happened, his first instinct is to find help. However, as he gets closer to civilization and other people, an ugly truth will rear its head and affect all those who surround him.

Revenge France, 2017 US Premiere, 108 min Director – Coralie Fargeat

Three rich male thrill-seekers discover that Jennifer isn’t the human sex doll that they assumed she was when they invited her on their isolated hunting getaway. Jennifer teaches them fundamental lessons about consent in a manner that they — and we — won’t soon forget.

Rift Iceland, 2017 Texas Premiere, 111 min Director – Erlingur Thoroddsen

After a phone call from his ex wakes him late one night, Gunnar drives out to a secluded vacation cottage to save Einar from himself, but what awaits him there is mystery and confusion.

SALYUT-7 Russia, 2017 World Premiere, 119 min Director – Klim Shipenko

Based on a true story, SALYUT-7 is the little-known mission to dock with an unmanned space station in order to stop it from crashing into Earth, a feat never before attempted in space history.

Thelma Norway, 2017 Texas Premiere, 116 min Director – Joachim Trier

A conservative young woman attending college in Oslo begins to fall in love while discovering her burgeoning supernatural powers in a stunning new film from Norway.

Thoroughbred USA, 2017 Austin Premiere, 92 min Director – Cory Finley

Two teenage girls in suburban Connecticut rekindle their unlikely friendship after years of growing apart. In the process, they learn that neither is what she seems to be, and that a murder might solve both of their problems.

Tigers Are Not Afriad Mexico, 2017 World Premiere, 83 min Director – Issa López

When her mother suddenly disappears with no one to care for her, young Estrella ends up on the street and joins a gang of children, triggering a dangerous and tragic chain of events in the third feature from Mexican filmmaker Lopez.

Under The Tree Iceland, Denmark, Poland, Germany, 2017 US Premiere, 89 min Director – Hafsteinn Gunnar Sigurðsson

On the outskirts of Reykjavik, the shadow cast by a tree triggers a feud between two neighboring families, with tragic and darkly comic consequences.

V.I.P. South Korea, 2017 International Premiere, 128 min Director – Hoon-jung Park

A notorious serial killer who happens to be the son of a defecting DPRK official sends South Korea’s National Intelligence, police from both states and even international brass into a mad political scramble in this thrilling neo-noir.

Vampire Clay Japan, 2017 US Premiere, 80 min Director – Soichi Umezawa

A class of art school hopefuls is stalked by blood-thirsty, flesh-hungry clay in this bizarre practical effects-heavy horror assault from THE ABCs OF DEATH 2 segment director and longtime special makeup effects artist Umezawa.

Vidar The Vampire Norway, 2017 Texas Premiere, 82 min Directors – Thomas Aske Berg & Fredrik Waldeland

Christian farmer Vidar has a boring life, living with his mom and tending sheep. When he wishes for more excitement he wakes up undead, hangs out with vampire Jesus and discovers that sometimes the party can go on too long.

Wheelman USA, 2017 World Premiere, 82 min Director – Jeremy Rush

Frank Grillo (KINGDOM; CAPTAIN AMERICA: CIVIL WAR) stars as the wheelman, a getaway driver thrust into a high stakes race to survive after a bank robbery goes terribly wrong. With a car full of money and his family on the line, the clock is ticking to figure out who double-crossed him and the only person he can trust… his 14-year-old daughter. All reasons to think fast and drive faster.

World of Tomorrow Episode Two: The Burden of Other People’s Thoughts USA, 2017 World Premiere, 22 min Director – Don Hertzfeldt

The highly anticipated follow-up to Don Hertzfeldt’s Oscar-nominated WORLD OF TOMORROW finds Emily Prime swept into the brain of an incomplete backup clone of her future self, who’s on a mission to reboot her broken mind. Continuing the tradition of the first film, WORLD OF TOMORROW EPISODE TWO was written entirely around candid audio recordings of Hertzfeldt’s five-year-old niece.

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