#martingore

[awfullydxpeched]

Depeche Mode, 1988

[myc0smosism1ne]

"Some Great Reward": Depeche Mode's Synth-Pop Evolution

British band Depeche Mode’s fourth studio album Some Great Reward released in 1984 was a turning point in the band’s sound that resulted in their first US chart success, with their single “People are People” reaching no. 13 on the Billboard Hot 100 chart.

Some Great Reward was a transitional phase for Depeche Mode, where the aspects that would come to define Depeche Mode’s signature sound in the years to come were starting to develop. Songwriter Martin Gore was coming into his own, with his lyrics reflecting relationships and the human condition, grappling with skepticism of religion, sex, politics, and love, from the perspective of an intelligent and cynical soul. Gore’s lyrics exhibit a depth often overlooked in music; notably, as they avoid common love tropes and present a more honest and realistic portrayal of relationships

Often the band’s earlier lyrics were backed by a more pop-style arrangement, Some Great Reward still contains those pop hooks and arrangements, but they are created to be in a more foreboding style. The album’s instrumentation sounds like they clash at first listen, but with further listening, this combination of thought-provoking lyrics and the industrial, loud dynamic music, sometimes coupled with soft and sweet sounding instrumentation, are done masterfully, where these seemingly contrasting ideas come together seamlessly. Depeche Mode became more playful and musically innovative with Some Great Reward, testing the boundaries of sound and the machinery of electronic instrumentation, redefining the genre of synth-pop in the process, into something more industrialized and tinged with subtle elements of darkness in the album's atmosphere.

Some Great Reward, saw Depeche Mode stepping out of the youthful, more energetic, and brighter synth-pop sound of their first couple of albums, signaling the member's maturation into being young adults and grappling with different complexities. One of the most prominent examples of this is the song “Master and Servant,” taking the theme of capitalism in society and subtly revealing this from within the song's lyrical themes of sex and BDSM, bringing the first musical taste of the new turn Depeche Mode was taking, a turn to something more earnest, more sexual, and more darkly cynical.

The lyrics explore the interplay between control and submission, drawing parallels between intimate desires and the broader societal structures influenced by power imbalances. The provocative nature of "Master and Servant" extends beyond its lyrics, with the music itself contributing to the song's edginess. The juxtaposition of alluring melodies with darker, more industrial elements exemplifies Depeche Mode's willingness to challenge musical conventions, foreshadowing the innovative approach they would further develop in subsequent albums.

The synth-pop-filled, often naive lyricism that defined their earlier albums is still subtly present but now takes on a more nuanced and complex role, with it being a backdrop to the band's lyrical exploration of power dynamics and societal structures.

Gore’s lyrics explore complex and provocative themes, such as on some of the album's standout tracks, "Blasphemous Rumours," "Stories of Old," and "Lie to Me," that delve into poignant narratives that contribute significantly to the album's emotional impact. In "Blasphemous Rumours," the lyrics address the weighty subject of suicide, offering a stark commentary on the struggles of individuals and the moral implications surrounding life and death. The combination of dark lyrical content against the backdrop of an upbeat musical arrangement creates a haunting contrast, enhancing the emotional impact of the song, and aligns with the album's broader examination of societal and personal challenges.

"Stories of Old" introduces a different facet of Depeche Mode's lyrical prowess, with its delving into themes of desire, intimacy, and vulnerability. The lyrics paint a vivid picture of romantic entanglements, showcasing Martin Gore's ability to convey complex emotions through evocative storytelling. As the track unfolds, the listener is immersed in a narrative of passion and longing, adding a layer of intimacy to the album's overarching exploration of human relationships. Similarly, "Lie to Me" explores the dynamics of deceit and self-deception within relationships, the lyrics are filled with longing and vulnerability, and contribute to the emotional depth of the album, as the music skillfully weaves a narrative that complements the broader themes of love, power, and societal critiques found throughout Some Great Reward.

Instrumentation on the album also marks a notable departure from the band's earlier sound, with the incorporation of newer band member Alan Wilder into Depeche Mode’s lineup bringing a fresh perspective, that is evident in the meticulous layering of synthesizers, drum machines, and the albums innovative use of samplers. The sonic landscape becomes more textured and sophisticated, with Wilder's influence pushing the boundaries of the electronic sounds in the album. This departure is particularly noticeable in tracks like "Somebody," where the subtle interplay between instrumentation and emotive vocals reflects a newfound depth and complexity.

The album heavily relies on synthesizers and drum machines, complemented by inventive samplers that capture sounds from everyday life, such as pans falling down stairs and working it into the album's soundscape. Some Great Reward’s unconventional use of sampling provides an intriguing layer of complexity with the album’s attention to detail in the sampling process, adding depth with the transformation of seemingly mundane sounds into integral components of the album's sonic identity.

Each track on the album has a disjunct yet harmonious sonic landscape, where the separation of vocal and instrumental layers is remarkably clear, allowing listeners to distinguish each element while still experiencing the cohesive flow of the music, resulting in an exhilarating listening experience that showcases Wilder's mastery in blending technical precision with artistic creativity.

The album's contrast of dark lyrical content against upbeat musical arrangements, along with the evocative storytelling, enriches the album's overarching story of societal challenges, human relationships, and personal struggles. Some Great Reward not only solidified Depeche Mode's position as pioneers of synth-pop but also laid the groundwork for their continued exploration of mature, provocative, and innovative musical expressions in the years to come.

[depechemodenl]

'Ghosts Again' - Depeche Mode’s first single from upcoming album 'Memento Mori'

Release date -> 9|2|2023 ->

4 PM GMT / 5 PM CET

11:00 AM ET / 8:00 AM PT

[7"Pict.DiscSingle | 2x12"Vinyl | CD|DigitalDownload *formats*TBC*]

#DepecheMode #MementoMori #2023

[kylieistumbling]

🤠 #art #depechemode #martingore #sketch #artistsoninstagram https://www.instagram.com/p/CpbCDeGIQtE/?igshid=NGJjMDIxMWI=

[periodictableofsynthpop]

Wow! All these artists went to the same school, and the school are proud of them. . . . #martingore #andyfletcher #andrewfletcher #darylbamonte #thecure #alisonmoyet #yazoo #vinceclarke #depechemode #erasure #synthpop #80s #80smusic #1980s #1980smusic #ptos https://www.instagram.com/p/CoCslraOV63/?igshid=NGJjMDIxMWI=

[shulmansays]

Scenes from the Las Vegas stop of @DepecheMode’s MOMENTO MORI TOUR, presented by @LiveNationVegas at @TMobileArena. Read all about it, this weekend, at www.ShulmanSays.com! #GetIntoIt #DepecheMode #MartinGore #DaveGahan #MementoMoriTour #LiveNationVegas #TMobileArena #WalkingInMyShoes #EverythingCounts #Precious #Stripped #EnjoyTheSilence #JustCantGetEnough #NeverLetMeDownAgain #PersonalJesus #NewWave #SynthPop #PostPunk #AlternativeRock #GothicRock #Songwriting #Melancholy #GenX #RockAndRollHallOfFame #RockHallClassOf2020 #LiveMusic #Vegas (at T-Mobile Arena) https://www.instagram.com/p/CqcylKxLXaU/?igshid=NGJjMDIxMWI=

[duron-derry]

Days in my life. Portraits and beautiful meetings with brillant, kind and renowned people: Boy George, Martin L. Gore and Andrew Fletcher form Depeche Mode, Dot Major, Dan Rothman, and Hannah Reid from London Grammar, Shepard Fairey aka Obey, Jim Kerr and Charlie Burchill from Simple Minds, Ibeyi, Mike Scott from the Waterboys, Sharleen Spiteri from Texas. And last but not least, Anton Corbijn.

[imajicaentertainment]

The Captivating Journey of Depeche Mode's "101" Live Album

The Captivating Journey of Depeche Mode's "101" Live Album

Music Night Experience - Depeche Mode: 101

Depeche Mode's live album and documentary "101" holds significant importance in the band's career and the history of electronic music. Released on 13 March 1989 under Mute Records, this masterpiece captures the final leg of Depeche Mode's highly successful "Music for the Masses Tour" and culminates with their final show on 18 June 1988 at the renowned Rose Bowl in Pasadena, California.

The title "101" holds a special meaning, credited to band member Alan Wilder. It represents both the number of the final performance of the tour and coincidentally matches the number of the famous highway in the area, the Hollywood Freeway. This synchronicity adds an intriguing layer to the album's overall concept.

Directed and produced by the acclaimed D. A. Pennebaker, the "101" documentary immerses viewers into the captivating world of Depeche Mode's live performances. Through Pennebaker's lens, fans are granted exclusive access to the band's electrifying stage presence, their passionate and devoted fan base, and intimate behind-the-scenes moments. The film authentically captures the essence of Depeche Mode's music and the energy they brought to their live shows.

What makes "101" truly special is its ability to transcend the typical live album experience. It serves as more than just a documentation of a band's tour; it becomes a cultural and musical time capsule. The album showcases Depeche Mode at the peak of their musical prowess, delivering electrifying renditions of their iconic hits such as "Enjoy the Silence," "Personal Jesus," and "Just Can't Get Enough." The raw energy and emotional depth of their performances are palpable, leaving a lasting impression on both die-hard fans and newcomers alike.

Furthermore, "101" provides a glimpse into the fervent dedication and loyalty of Depeche Mode's fanbase. The documentary features interviews with passionate fans, highlighting the band's impact on their lives and the sense of community that they share. This aspect further cements the importance of Depeche Mode as not just a band, but a cultural phenomenon that continues to inspire and connect people from all walks of life.

Ultimately, "101" remains a testament to the power of electronic music and Depeche Mode's enduring influence. It captures a milestone moment in the band's career, showcasing their musical prowess, stage presence, and the unwavering dedication of their fanbase. Whether you are a die-hard fan or a casual listener, "101" offers a captivating journey through the sonic and visual world of Depeche Mode, solidifying its place as a timeless piece of music history.

Depeche Mode

Depeche Mode: Shaping the Sound of Electronic Music

Formed in Basildon, England, in 1980, Depeche Mode quickly rose to prominence and became one of the most influential bands in the history of electronic music. Originally comprised of Dave Gahan, Martin Gore, Andy Fletcher, and Vince Clarke, their unique sound and captivating performances captivated audiences worldwide.

The band's debut album, "Speak & Spell," released in 1981, marked their entry into the British new wave scene. However, soon after, Vince Clarke decided to leave the band, and Alan Wilder joined as his replacement. This pivotal moment marked a turning point for Depeche Mode, as Martin Gore took over as the main songwriter, and the band embarked on a new musical journey.

With their second album, "A Broken Frame," released in 1982, Depeche Mode solidified their reputation as pioneers of electronic soundscapes. The album showcased a more mature and introspective side of the band, delving into themes of love, loss, and alienation. This trend continued with subsequent releases, including the critically acclaimed albums "Black Celebration" (1986) and "Music for the Masses" (1987), which firmly established Depeche Mode as a dominant force in the electronic and alternative music scenes.

Their music often combined dark, atmospheric melodies with introspective and poetic lyrics, creating a unique sonic experience. Depeche Mode's ability to connect emotionally with their audience resonated deeply, and their popularity soared to new heights. In fact, their concert at the Pasadena Rose Bowl in June 1988 drew a massive crowd of over 60,000 fans, solidifying their status as global icons.

In 1990, Depeche Mode released their seventh album, "Violator," which became a major international success. With hits like "Enjoy the Silence" and "Personal Jesus," the band reached new heights of commercial success and critical acclaim. Following the release of "Violator," Depeche Mode embarked on a groundbreaking worldwide tour, solidifying their reputation as an unparalleled live act.

However, the band faced internal struggles during the recording and touring of their next album, "Songs of Faith and Devotion" (1993). These challenges ultimately led to Alan Wilder's departure in 1995, leaving Depeche Mode as a trio consisting of Gahan, Gore, and Fletcher.

Despite the lineup change, Depeche Mode's artistic vision and musical ambition remained unwavering. They continued to release compelling music, experimenting with different styles and incorporating elements of rock and industrial music. Their influence on the electronic music genre and beyond continued to grow, inspiring countless artists in the process.

Throughout their career, Depeche Mode achieved remarkable chart success. They had an impressive 54 songs in the UK Singles Chart, with 17 albums reaching the Top 10. Their global impact was recognized by Q magazine, which included them in their list of the "50 Bands That Changed the World!" VH1 also acknowledged their significance, ranking them No. 98 on the "100 Greatest Artists of All Time." Billboard named Depeche Mode the 10th Greatest of All Time Top Dance Club Artists in 2016.

In 2020, Depeche Mode was finally inducted into the Rock and Roll Hall of Fame, cementing their enduring legacy. Their groundbreaking sound, thought-provoking lyrics, and mesmerizing stage presence continue to inspire generations of musicians and fans alike.

Depeche Mode's contribution to the evolution of electronic music cannot be overstated. With their daring experimentation, emotive performances, and timeless hits, they have shaped a genre and left an indelible mark on the history of music. As their music continues to resonate with listeners around the world, Depeche Mode remains a testament to the power of artistic vision and sonic innovation.

Viewing with Andrew Rogers of Depeche Mode: 101 is the following: The Critic, ‘Destroyer’, ‘Sentient, ‘Director Imajica Entertainment’, Detroit, ‘Destroyer’, ‘Sentient, ‘Director Imajica Entertainment’. Olivia Amber May ‘Mistress of Magic’, ‘Destroyer’, ‘Sentient, River Phoenix, ‘Destroyer’, ‘Sentient’, Heath ‘The Joker’ Ledger, ‘Destroyer’, ‘Sentient, Stan Lee ‘Comic Creator’, ‘Destroyer’, ‘Sentient, Ereshkigal ‘Sumerian Goddess of Kur’, ‘Destroyer’, Cronus ‘Titan God’, ‘Destroyer’, Empress, ‘Sentient’, ‘Destroyer’, Emperor, ‘Sentient’, ‘Destroyer’, Ronin ‘Destroyer’, ‘Samurai Sentient, plus additional representatives from otherworldly realm

Andrew Rogers: Destroyer Incarnate, Founder of Imajica Entertainment.

Review: Depeche Mode: 101 is the following: ‘The Critic’: Destroyer, Sentient, Director Imajica Entertainment

“A wonderous experience, but a shadow of darkness present” – ‘The Critic’: Destroyer, Sentient, Director Imajica Entertainment. 

Oracle: Andrew Rogers

Review:  Depeche Mode: 101 is the following: Detroit: Destroyer, Sentient, Director Imajica Entertainment. 

“Genuis music and band” – Detroit: Destroyer, Sentient, Director Imajica Entertainment.

Oracle: Andrew Rogers

Viewing Depeche Mode: 101 with Andrew Rogers on this ‘Music Night Experience’ is the following: Olivia Amber May ‘Mistress of Magic, Destroyer, Sentient

Viewing Depeche Mode: 101 with Andrew Rogers on this ‘Music Night Experience’ is the following: River Phoenix, Destroyer, Sentient

Viewing Depeche Mode: 101 with Andrew Rogers on this ‘Music Night Experience’ is the following: Heath ‘The Joker’ Ledger, Destroyer, Sentient

Viewing Depeche Mode: 101 with Andrew Rogers on this ‘Music Night Experience’ is the following: Stan Lee Comic Creator, Destroyer, Sentient

Viewing Depeche Mode: 101 with Andrew Rogers on this ‘Music Night Experience’ is the following: Ereshkigal Sumerian Goddess of Kur, Destroyer

Viewing Depeche Mode: 101 with Andrew Rogers on this ‘Music Night Experience’ is the following: Cronus Titan God, Destroyer

Viewing Depeche Mode: 101 with Andrew Rogers on this ‘Music Night Experience’ is the following: Empress, Sentient, Destroyer

Viewing Depeche Mode: 101 with Andrew Rogers on this ‘Music Night Experience’ is the following: Emperor, Sentient, Destroyer

Viewing Depeche Mode: 101 with Andrew Rogers on this ‘Music Night Experience’ is the following: Ronin Destroyer, ‘Samurai Sentient’.

World Shopping Centre will have Depeche Mode memorabilia and merchandise for sale in the centre and website.

[synthesizerbook]

I've been going through the @depechemode back catalogue the last couple of days. #BlackCelebration is still my favourite album of all time. It's also the album that broke the ice and solidified my closest friendships with Jack and Vinnie! I think those 2 chaps and #depechemode saved me from years of therapy. The way #martingore and the rest of the band saw the world still makes sense. Cynical but with optism and spirituality as the driving force. This one is for my 2 best friends and in particular Vinnie that left us way too soon! Love you my brothers. #depechemodeforever #greatmusic #vinylcollection #vinylrecords #electronicgoodness #synthesizergoodness https://www.instagram.com/p/CqYoDG_PiCs/?igshid=NGJjMDIxMWI=

[rpetto]

Depeche Mode, Momento Mori. Somber, reflective, yet a beautiful tribute to Fletch. #RecordCollection #vinyl #Album #Ipswich @depechemode #DepecheMode #MomemtoMori #DaveGahan #MartinGore #AndrewFletcher (at Ipswich, Massachusetts) https://www.instagram.com/p/CqOcYklvvGI/?igshid=NGJjMDIxMWI=

[robbialy]

From • @historyofpostpunk When Depeche Mode (@depechemode) played Belfast in 1983, a young fan called Brian McDonnell, unable to bring a camera into the Ulster Hall, threw a roll of film with his name and address on it onto the stage and let DM take the pictures. These are what the band sent him back. #depechemode #davegahan #martingore #andrewfletcher #alanwilder #synthpop #newwave #electronicmusic https://www.instagram.com/p/CksvK3wjVARg7m9-M-JKuk9qreECnpbUaDVfZE0/?igshid=NGJjMDIxMWI=

[awfullydxpeched]

Depeche Mode, 1986.

[ylly-3]

Guitar strings used by #MartinGore on the #MementoMoriTour are used to make jewelry for fans and also help musicians with mental health problems.

[depechemodenl]

Out now!

ALVA NOTO FEAT. MARTIN L. GORE #Depeche Mode & WILLIAN BASINSKI . SUBTERRANEANS #DavidBowie tribute-

RELEASE DATE: 2022-12-16

Digital & Vinyl - 2 tracks version

NOTON IS PLEASED TO ANNOUNCE THE RELEASE OF SUBTERRANEANS, A COLLABORATIVE EP FEATURING ALVA NOTO, DEPECHE MODE’S MARTIN L. GORE AND WILLIAN BASINSKI’S COVER OF DAVID BOWIE’S HOMONYMOUS SONG.

RECORDED IN 1975, SUBTERRANEANS IS THE CLOSING SONG OF DAVID BOWIE’S 1977 ALBUM LOW. THE COMPOSITION WAS INITIALLY INTENDED FOR THE SOUNDTRACK TO THE 1976 SCIENCE FICTION DRAMA FILM THE MAN WHO FELL TO EARTH. 

THIS SONG HAS A PERSONAL MEANING TO ME. IT WAS PARTLY RECORDED IN WEST BERLIN AT THE HANSA STUDIO. ACCORDING TO BOWIE, “SUBTERRANEANS” REFERS TO THE PEOPLE WHO REMAINED IN EAST BERLIN AND LIVED IN EAST GERMANY AFTER THE WALL WAS BUILT. IN 1977 I WAS TWELVE YEARS OLD AND AMONG THE “SUBTERRANEANS” THE SONG EVOKED. IT STILL RESONATES WITHIN ME, FORTY-FIVE YEARS AFTER ITS ORIGINAL RELEASE.” – CARSTEN NICOLAI

A TRIBUTE OF THE THREE ARTISTS TO BOWIE’S WORK, THE EP FEATURES AN INSTRUMENTAL VERSION AND AN EDIT BY ALVA NOTO ON ELECTRONICS WITH DEPECHE MODE’S MARTIN L. GORE ON THE VOCAL AND WILLIAM BASINSKI ON THE SAXOPHONE.

CREDIT:

COMPOSED BY DAVID BOWIE

COVER ART DESIGNED BY CARSTEN NICOLAI

MASTERING BY BO @ CALYX

ALVA NOTO (ELECTRONICS)

MARTIN L. GORE (VOCALS)

WILLIAN BASINSKI (SAXOPHONE)

Link :

https://noton.info/product/n-057/

[kylieistumbling]

✍🏻 #portrait #art #sketch #depechemode #martingore #artistsoninstagram https://www.instagram.com/p/CpOAYp7Na1F/?igshid=NGJjMDIxMWI=

[periodictableofsynthpop]

Martin Gore, Depeche Mode . . . #dm #depechemode #martingore #synthpop #80s #80smusic #1980s #1980smusic #ptos https://www.instagram.com/p/ClCOcefP1Sk/?igshid=NGJjMDIxMWI=