#martin ontiveros

[stinckers]

sticker mad

[thewindowofthesummerhouse]

Martin Ontiveros

[snappingthewalls]

[peekone]

Martin Ontiveros

[tenthousandyellowjackets]

Baphomaniac "Hallows Eve Edition" by Martin Ontiveros x TAG (2023)

[spankystokes]

Toy Art Gallery presents: "Sunset Creeper" edition Glampyre from Martin Ontiveros! http://dlvr.it/Stpk0S

[thammit]

Martin Ontiveros

[michaelcosio]

Eleventh and Twelfth Defendants Plead Guilty in Large-Scale Sacramento Cocaine and Heroin Trafficking Conspiracy

March 30, 2024

by John Todd

SACRAMENTO, Calif. — Maurice Bryant, 53, of Antelope, pleaded guilty today to conspiracy to traffic at least 5,000 grams of cocaine and 280 grams of cocaine base, and Steven Hampton, 64, of Sacramento, pleaded guilty today to one count of possession with intent to distribute at least 500 grams of cocaine, U.S. Attorney Phillip A. Talbert announced.

According to court documents, Bryant and Hampton are among the 15 federal defendants arrested in 2021 and charged in a 45-count indictment for trafficking narcotics as part of a DEA-led multi-agency operation targeting cocaine and heroin traffickers in North Sacramento. Bryant was intercepted during wiretaps in 2018 and 2019 trafficking kilograms of cocaine and cocaine base and was arrested in possession of two firearms and a bullet proof vest. Hampton was intercepted trafficking cocaine, cocaine base, and heroin, and arrested in possession of 949 grams of heroin, 567 grams of cocaine, and 34 grams of cocaine base.

This case is the product of an investigation by the Drug Enforcement Administration, the Federal Bureau of Investigation, Homeland Security Investigations, the U.S. Marshals Service, the Bureau of Alcohol, Tobacco, Firearms and Explosives, the U.S. Forest Service, the U.S. Postal Inspection Service, the Bureau of Land Management, the California Department of Corrections and Rehabilitation, the California Department of Justice, the California Highway Patrol, the Sacramento County Sheriff’s Office, and the Sacramento Police Department. Assistant U.S. Attorneys Cameron L. Desmond is prosecuting the case.

Bryant and Hampton are scheduled to be sentenced on July 11, 2024, by U.S. District Judge Troy L. Nunley. Bryant faces at least 10 years in prison and a maximum of life in prison and a $10 million fine. Hampton faces at least five years in prison and a maximum of 40 years in prison and a $5 million fine. The actual sentences, however, will be determined at the discretion of the court after consideration of any applicable statutory factors and the Federal Sentencing Guidelines, which take into account a number of variables.

Five defendants have already been convicted and sentenced for crimes related to the conspiracy: Jason Tolbert, 45, of Sacramento; Charles Carter, 36, of Sacramento; Michael Hampton, 57, of Vallejo; Arlington Caine, 48, of Rio Linda; and Bobby Conner, 51, of Sacramento.

Five more defendants have pleaded guilty and await sentencing in April and May 2024: Andre Hellams, 40, of North Highlands; Jerome Adams, 56, of North Highlands; Dwight Haney, 52, of Sacramento; Tyrone Anderson, 43, of Sacramento; and Mark Martin, 63, of Sacramento.

Charges remain pending against the following defendants: Yovanny Ontiveros, 41, of Sacramento; Alex White, 61, of North Highlands; and Wilmer Harden, 52, of Elk Grove. The charges are only allegations; the defendants are presumed innocent until and unless proven guilty beyond a reasonable doubt.

This prosecution is part of the Organized Crime Drug Enforcement Task Forces (OCDETF) Strike Force Initiative, which provides for the establishment of permanent multi-agency task force teams that work side-by-side in the same location. The Sacramento Strike Force is a co-located model enables agents from different agencies to collaborate on intelligence-driven, multi-jurisdictional operations to disrupt and dismantle the most significant drug traffickers, money launderers, gangs, and transnational criminal organizations. The specific mission of the Sacramento Strike Force is to identify, investigate, disrupt, and dismantle the most significant drug trafficking organizations (DTOs) and transnational criminal organizations (TCOs) shipping narcotics, firearms, and money through the Eastern District of California, thereby reducing the flow of these criminal resources in California and the rest of the United States. The Sacramento Strike Force leads intelligence-driven investigations targeting the leadership and support elements of these DTOs and TCOs operating within the Eastern District of California, regardless of their geographic base of operations.

[pilipresh]

paula prieto - poco a poquito, 555; anxiety` [live session]

🤍 "poco a poquito" - Letra y música: paula prieto y Martin Ontivero "555; anxiety`" - Letra y música: paula prieto Live Session Músicos: Julian Gamboa Gabriel Gamboa Oscar Gamboa Sebastian Suarez Grabación, mezcla y master: Oscar Gamboa Dirección Creativa: Neww Creative, Inc. Joacim Rodriguez, Karla Gastelum, Erik Denysyuk Producción: Natalia Gaggero Edición y Color: Shane Mora thankyous <3 : Victoria Prieto Grant Drew

[doughmansland70]

Martin Ontiveros.

[stinckers]

Stinckers at Atomic Books (Baltimore) + Guzu Gallery (Austin)

[diarioelpepazo]

Su nombre volvió a ser noticia luego de la captura del cabecilla del cártel sinaloense. JUAN MARTIN MURILLO HERRERA La captura de Ovidio ‘El ratón’ Guzmán, hijo y sucesor de Joaquín ‘El Chapo’ Guzmán como cabeza del Cártel de Sinaloa, sigue dando de qué hablar en el mundo. Y es que, en las últimas horas, ha tomado relevancia el nombre de Adriana Meza Torres, quien sería la esposa del recién capturado narcotraficante. Meza, quien tendría el apodo de ‘La nueva reina del cártel de Sinaloa’, es hija de Raúl Meza Ontiveros, quien era lugarteniente de ‘El Mayo’ Zambada, y quien era conocido en la organización delictiva como ‘M-6’. Así mismo, sería hermana de Raúl Torres Meza, conocido como ‘El mini M-6’, según el periódico mexicano ‘El Universal’. La Unidad de Inteligencia Financiera (UIF) de México la tuvo en la mira desde el año 2019, cuando ocurrió el famoso ‘Culiacanazo’, día en el cual ‘El ratón’ fue capturado por primera vez. En esa fecha, las cuentas bancarias de la ciudadana mexicana fueron congeladas. En su defensa, Meza dijo ante la justicia del país azteca que ella, en realidad, se dedicaba a la agricultura, a la vez que buscaba algún amparo para que sus cuentas fueran descongeladas. Sin embargo, no habría obtenido este beneficio debido a la falta de declaraciones fiscales de su parte. En redes sociales existe numerosos contenido sobre ella, en el que se puede ver como vive rodeada de lujos y comodidades, luciendo vestidos costosos y siempre maquillada. Todo esto ocurrió durante el mandato presidencial de Enrique Peña Nieto; gobierno el cual tenía la intención clara de congelar las cuentas bancarias de Meza, presumiendo que la mujer sí tenía una relación sentimental con Ovidio Guzmán. Meza, en cambio, argumentó en su defensa que las pruebas que indiquen alguna relación de sus cuentas bancarias con economías ilícitas son inexistentes, por lo que el congelamiento de sus finanzas atentó contra el derecho del libre desarrollo de sus economía, la cual reafirmó que se basaba en la agricultura, cuenta el mismo diario.   No obstante, la Secretaría de Hacienda y Crédito Público (SHCP) aseguró que sus finanzas sí estarían correlacionadas con una organización llamada ‘Los Chapitos’, conformada por los hermanos Alfredo y Iván Archivaldo Guzmán Salazar, así como su supuesto marido y su hermano Jesús Guzmán López, pues habría actuado como prestanombres, según informó ‘El Universal’. Pese a ello, en octubre del 2022, un juez ordenó considerar carente de razón la investigación, luego de que se conocieran transacciones a modo de cheques y comprobantes de pago de su trabajo en cosechas de maíz entre el año 2012 y 2015. Para recibir en tu celular esta y otras informaciones, únete a nuestras redes sociales, síguenos en Instagram, Twitter y Facebook como @DiarioElPepazo El Pepazo/El Tiempo

[fresherbrine]

by Martin Ontiveros

[bizarrobrain]

Artist: Martin Ontiveros

[houseofvans]

ART SCHOOL | Q&A with Martin Ontiveros (PDX)

The art wizardry of Portland based Martin Ontiveros has appeared in various galleries, albums, posters and has even been transformed into diabolical toys and figurines. Ontiveros’s graphic ink and brush style is meticulous and bold, transforming his horned and demonic creations into fun and bad-ass pop occultism. We’re excited to chat with this ink sorcerer in our latest Art School where we talk about technique, studio days, and what is coming up for him the rest of this year. 

Photographs courtesy of the artist.

Introduce yourself?   Hello, I’m Martin Ontiveros, also known as Martinheadrocks, illustrator and wizard. “Marty” to my closest friends and family. I live in Portland Oregon, I’m left-handed/ambidexterous and I have a large ginger cat/familiar named Zeus. Nice to meet you.

How do you describe your art to folks who have never seen it before? Pop-occultism? Creature Chic? What you might find inside an ancient tomb or temple from a previously unknown civilization.

Who were some of your early artistic influences that really inspired you to draw? It started with Star Wars in 1977, and Mad Magazine, especially the work of Jack Davis. Childrens book art by Jim Flora. Books and movies about UFOs, cryptids, phenomena, ghosts and black magic when I was a kid. Later it was Heavy Metal Magazine and the underground artists of the 60s and 70s, S. Clay Wilson, Greg Irons, Spain, etc. 80’s punk and metal pioneer artists like Mad Mark Rude and Pushead. Derek Riggs and his Iron Maiden covers. 

Lots of rock album art. Fantasy/conceptual artists like Mike Ploog, Boris Vallejo, Frazetta, Richard Corben. That was all the stuff that built up the desire, but what really got me drawing were the indie comics of the 80s with people like Marc Hansen, Matt Wagner, the Pander Bros, David Boswell, Dori Seda, Mary Fleener. I really really wanted to make comics by the time I was 17-18. I’ve since discovered it’s not for me. Art of the Ancient World, Mesopotamian and Mesoamerican in particular. There’s more to this list, I’m an old man now and have seen a lot, but we don’t have all day.

What’s a day like in the studio for you? And take us through your artist process –from start to finish on a piece. I used to start work when it was already well into the evening and would go until after the dawn, but in the last couple years I’ve reversed that schedule. Now I usually get up around 4am. I still get the benefits of nocturnal studio time that way, at least until the sun is up—no one bothers me and it’s quiet. I’ve become a Daywalker—I have all of the vamipre’s strengths and none of the weaknesses.

 A typical day is trying to stay focused while fending off my own distractions (I’m ADD) and steering around having to leave the house for anything, ha. I always start with a bit of doodling to warm up a little, then jot down a thumbnail sketch of whatever’s on the agenda that day—usually very small and rough, just to set the composition and borders. 

Sometimes I’ll spend extra time fleshing out details on certain aspects of the drawing, say a helmet or insignia. Then I’ll figure out my dimensions and either draw to size or use my trusty proportion wheel to do it smaller if need be. Next is the hard pencil stage. I like using 2H or 3H lead which is rough on the paper but much less messy than a soft lead. I don’t work with a loose outline, I need a solid and tight map to work from and when I have it on lock, I’ll transfer it to my final surface. 

That method goes for both a black and white ink piece or a painting. I’ll warm the brush up by laying our some strokes on scrap paper and when I feel like I got a grip on it, off I go. If it’s a painting, I lay all the color and shading out first, then put down the linework. And even if my pencils were tight, there’s always room for improvisation, a tweak or two, especially when I’m inking—some happy accidents come up now and then. I should mention that I sometimes have to chuck a drawing and start the process all over again, even if it’s close to completion because if it isn’t working, screw it. It seems wasteful and time consuming and I could probably avoid it by going digital, but I choose to do it old school.

What’s your tool of the trade medium-wise? And is there a new medium you’re looking to try in 2018? I swear by my brush and ink. Nothing gives me more satisfaction. The artists I’ve always admired most are handy with a brush line. Not to say I don’t like pens, it’s just that I’m not as steady using one and leave them for doodling. I love papier mache, it’s not a new medium to me, but I’ve yet to know how to make the time to do it more so let’s say that that is my goal for 2018. If there was any other medium that I’d choose to do over drawing, it would be that.

You’ve worked on many collaborations with bands and created some awesome cover art and posters. What has been your favorite collaboration and what would be a dream collaboration be? Oooh. That’s a toughy. I did a tour shirt for Mastodon this past year and I have to say that was likely the pinnacle so far. When I caught their show later, it was thrilling to see people buying it at the merch table and to know there’s maybe hundreds more out there wearing it. Dream collaboration…probably the Melvins. Or Alice Cooper? But with the Melvins I know I could just probably do me and not worry about whether or not I’m a good fit. I’m not what you would call “conventional”.

What are you listening to when you’re painting your various creatures and demons? Give us five bands you’re checking out at the moment. I listen to music when I sketch/conceptualize and switch to podcasts or play a favorite movie or show when I’m really into the process, it’s comforting to hear people talk during the heavy work for some reason. It’s another long list but some of my go-to bands are High On Fire, Sleep, Windhand, Black Cobra and Slayer. That’s if I want it crushing. If I’m doing something trippier, it’ll be Om, Black Sabbath, Pink Floyd, Dead Meadow, that kind of thing. Podcasts are generally true crime or comedy.

What’s been the hardest challenge being an artist? What do you tell folks who want to travel down a similar path? I don’t recall the artist’s name who said it, but to paraphrase, the quote was that art can often be a dark and lonely pursuit for us. I believe he was referring more to the fact that we spend a lot of our time working in solitude which is inherent, yet it can also weigh you down emotionally. That really speaks to me, even more so because I’ve also wrestled with depression for most of my life. 

Your work can be so entwined with your sense of self-worth, so I suppose the hardest challenge for me is to not let my heart sink when something I make doesn’t receive the attention I hope to get for it. People can be fickle though. I try to remember that, and move on to the next thing. With that in mind I guess I tell folks to make sure they get out of their lairs when possible and share their frustrations with other artist friends, foster a support group of sorts because it helps to know you aren’t alone out there with all these feelings. That and maintain a regular paying job when they start out, because man…it can be tough making a living at it.

In another dimension, what would you be if you weren’t an artist? I’d be that weird old sorcerer living somewhere in the woods that the villagers speak of in whispers. Benevolent, but not to be trifled with. So, not too much different from what I am in this dimension, just with blue skin, maybe.

What are your favorite Vans?  Chukka Low? Old Skool? Era? (I had to look up the actual names). Basically low padded ankle with laces, and always dark colors with a black toe because I don’t like my vision being drawn down to my feet moving under me. I honestly don’t wear any other brand of kicks. I keep a pair of Slip-Ons for doing things around the house. Vans makes good jeans too.

What’s the art scene like in your part of the woods? What do you like the most about where you’re living these days? The scene that I know here is primarily illustration, at least that’s what I keep my eyes out for. Lots of sweet, supportive people without attitude and many that are good friends. There aren’t as many galleries as there used to be but there are other venues to get your work out there. I’m now in a part of SE that I’ve never lived in before, at the edge of being outside of Portland proper but only just so. It’s mellow and quiet here and most things I need are within walking distance. I got a couple stores, a good Mexican food place, a bar, you get my drift. I do wish some of my besties lived closer by though. And a decent art supply store.

Since this feature is called Art School, can you give us your most helpful art tip? This probably won’t make me popular by saying it, but learn the difference between homage and theft. Yes, it’s fun to pay tribute to an artist’s style or someone else’s pop culture/intellectual property now and then, I’ve done it, we’ve all done it, not shaming that…but the difference is, if ALL you’re doing is copying, it comes off as creatively lazy. I don’t care how many followers you may gain from it. Come on. If you’re skilled enough to copy someone else’s shit, you’re skilled enough to make up your own content. Raise the bar, people. Don’t lower it.

What’s on the horizon for 2018? New merch in my shop, a group show in Mexico City, more band stuff, my first trip to NY ever, toy releases, designs and customs, a collaboration or two, hopefully a couple of conventions later in the warm months. I’d like get back into painting on a larger scale and figure out how to take it slower in general, make my work really level up, you know? There’s always room for improvement!  

Follow Martin | Website | Instagram | 

[tenthousandyellowjackets]

Baphomaniac "Samhain Spectre Edition" by Martin Ontiveros x TAG (2024)