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lonelywretchjervistetch · 6 months ago

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The Superman Logs: MAWS Season 2 - Episodes 1 - 3

Well, hey, it's me again! My Legion of Super-Heroes DCU essay series has been more difficult than expected to put together (for a whole buncha reasons, I won't get into it), but I also haven't written much on this blog in a while. So, may as well get back into the swing of things, which I've been planning to do regardless. Just needed an excuse, and oh look! My Adventures with Superman just released their long awaited second season! And hell, better now than ever!

Since three episodes have released, with some new characters introduced, I may as well jump in. I'll also say that, from now on, I'll be posting actual character retrospectives and concepts on here, in a style similar to what I've done before, but looking at my headcanon versions of characters, as well as already existent versions and adaptations of characters. Spoilers ahead, by the way. Not gonna go crazy with spoilers, but they'll be there, so, you've been warned! And so, without further ado...

Episode 2.1: More Things on Heaven and Earth

This episode focuses on some of the fallout from the first season, but most importantly gives us and Clark a few answers about his origins. It also throws a pretty major change to Clark's origin our way, but I won't get ahead of myself. The purpose of this post is to look at these episodes from a fan's eye (or an overly picky nerd's eye, but whatever) and inspect them for what happened, and what may be coming. And I have a theory here, so hang tight with me.

As I said, amongst the smaller revelations about Jimmy's quickly decaying fortune and Task Force X discovering Kryptonite (fuck), and the normal shojo stuff between Clark and Lois that is genuinely cute, one of the first big things we get is Clark and Jor-El finally having a conversation. And I gotta say...I really like this version of Jor-El.

Now, I've done a retrospective on Clark's parents before, in my DCCU essay series that you're more than welcome to check out, but at the time of writing that essay, I hadn't yet seen MAWS' version of Jor-El. And I hope we get to see more of Krypton in this universe as well, because I appreciate what they've done so far! We've gone back to the origin of Krypton as a conquering empire, destroying itself by war and inner conflict. Classic, nice. Jor-El, once again a voice of calm scientific reason amidst the chaos, sees fit to send his son to another world as the planet of Krypton is being destroyed. Again, classic stuff. But this version of Jor-El is different from most for one reason: he seems more caring than most.

Don't get me wrong, we've seen kinder versions of Jor-El in adaptations and original source material (although recent comics have COMPLETELY fucked his character into straight-up villainy; thanks a lot, Brian Michael Bendis, GODDAMN IT). And most versions of the character want and support Kal-El being a hero to the down-trodden. But the vast majority of them are a bit cold and clinical from beyond the grave. Obviously, part of that is the fact that the Jor-El that interacts with Clark is basically always a computerized duplication of his personality, but still. We rarely ever get a Jor-El that expressed emotion towards his son, or even acts like...well, like a father.

But this Jor-El simulation? In a short period of time, he gives advice to his son about his love life, he tells his son about his origin story without dicking him around constantly (lookin' at you, Smallville), helps his son as best as he can from the grave, and expresses how proud he is, while addressing him by his Earth name! And most importantly, he does something I have NEVER seen a version of Jor-El do in any of his incarnations.

He...hugs Clark. Maybe that sounds like the exact opposite of a big deal, but it kind of is. This is somebody who Clark can miss. Somebody who, were he to live, Clark could've had real connections with. Somebody who is...well...a dad. And come on, have you ever seen a version of Kal-El who feels like a caring dad? Not a father, a dad. Somebody you can talk to, somebody who can give you fatherly advice, somebody who would give you the world if they could, and is proud of you and your accomplishments. A dad. Sure, an idealized version of one, but still. It's something I've never seen in Jor-El, and I honestly love this version of the character. Hopefully, we get to see more. Especially because of the...OTHER big revelation to happen in this episode. But BEFORE getting to that, I wanna touch on the smaller-but-important stuff.

The crashed Kryptonian ship from last season becomes the classic Fortress of Solitude in this episode! Now, I've barely talked about the Fortress of Solitude, but it's one of the most classic of superhero headquarters in comics. Usually composed of either ice or crystal, and on one of the two poles (Antarctica, in this case), this is typically a Kryptonian repository of knowledge for Clark to visit. There's a bit of a trend that says the more alien Superman is, the more he spends time in the Fortress. That is to say, it's a symbol of his Kryptonian heritage, and he uses it as his knowledge of the past increases.

Now, based on the events of this episode, the usage of the Fortress is something yet to be seen. Jor-El, who's traditionally the guardian of the place, appears to be gone for the time being. He may come back yet, though, especially as we see if the effects of the Kryptonite are long-lasting. In either case, this floating temple of ice is here to stay for the time being, and we'll see if this version proves as useful and seminal to the Superman story as others have. Oh, and for the record, by favorite version of the Fortress is from Smallville, but this has my favorite design for the Fortress thus far, from the outside.

But Jor-El isn't the only thing in this Fortress during the episode. Task Force X shows up with a new member, whom I can't find in GOF form outside of this one above. But yeah, this is also a comic book character, a little-known Rebirth-era one named Damage AKA Ethan Avery. Now frankly, Damage is...a choice to use, especially considering that he was an attempt at a popular character that nobody's really bit into, and is also basically DCs version of the Hulk. MAWS decided to tone down his appearance significantly, but he's presumably kept his army origins, and added Kryptonian technology to augment himself here. Arguably, there were other characters that could've filled this role, but I do get the feeling that we're not quite done with Damage yet. We'll see what becomes of him in the future.

That said, we also get a far more interesting character reveal in the form of Hank Henshaw, an employee of STAR Labs (who also makes their first appearance in this series), former classmate of Lois Lane, budding astronaut, and potentially the future Cyborg Superman! Which is...kind of a big deal, especially considering that I have a hunch that Damage may turn into this series' version of Doomsday. Oh, did I not mention that? Pet theory, and I don't want it to happen, but we'll see. We'll see. In any case, are we hinting at a Death of Superman arc down the line? It'd be too soon for it now, but who knows how far this series is going to go? But continuing with the villain talk...

We get yet another glimpse of those familiar three circles, and confirmation that this technology is indeed Brainiac! Looks like we're taking from the Superman: The Animated Series version of this character, making Brainiac affiliated with Krypton and Kryptonian technology before the fall of the planet, as well as getting hints from last season that Brainiac is involved with the current remaining vestiges of the empire and their conquering forces. And that reminds me...there is one more little hint that we've gotten about something. And I have a hunch about it.

So, the other big villain revealed in the end of last season was a bruiser in a Kryptonian battle suit, speaking with Brainiac. The symbol on their chest was roughly Z-shaped, leading most people (me included) to assume that this was classic Kryptonian villain General Dru-Zod. But, uh...another likely suspect just reared their head. One who may have been raised by Brainiac technology their entire life up until now, in the tradition of the Kryptonian conquerors of old. One who has a last name starting with Z. And I think you know where I'm going with this. Because, in this episode, we (and Clark) found out about...

Clark has a surviving cousin, Kara Zor-El. Yeah. I realize that she's a part of the House of El, and their naming conventions mean that the girls take the name on their father, BUT...last name starting with Z. Just saying, I think the bruiser in the armor very well COULD be Kara Zor-El, wearing a new crest, rather than that of the House of El. We know for a fact that Supergirl appears in this series, but who's to say she starts as an ally of Clark's? Especially considering that she has no actually familial memories of him. Which reminds me!

That's a hell of a change, huh? No older cousin turned younger cousin this time; Kara and Clark are the same age! Who knows, maybe we will get time-dilation or suspended-animation shenanigans, because we still haven't been introduced to the idea of the Phantom Zone or such folderol in this universe, but as it stands now, Clark and Kara are age contemporaries! A very different take that I'm not sure we've ever actually seen before in media adaptations of Supergirl. And this Kara hasn't been raised by her parents AT ALL, as far as we know. Meaning, we're going to see a VERY different version of this character. Exciting!

There was some other stuff seen here too, like more Cat Grant, and the hinting at another major antagonist that I'll talk about with the next episode, but still, this was a good amount of set-up for what's to come! With that in mind, time for episode 2!

Episode 2.2: Adventures with My Girlfriend

OK, before I bring up anything about this episode, I have only one real comment: a REAL Superman villain, baby! WHOO! Up until now, we've had pretty bastardized versions of Superman villains, for the most part. Mr. Mxyzptlk was even a drastically different version of the character, while still being faithful to the original. But no, we now have the best adaptation of a major Superman villain in this series in the form of Joseph Martin, AKA Atomic Skull! And damn, this dude is a bruiser, and a great looking one at that!

There are a few versions of Atomic Skull, with a few different identities, but the Joseph Martin is the most iconic in terms of appearance and ability. In the comics, he's the second Atomic Skull, and a human college student whose metahuman genes are activated via a Parasite-related explosion, triggering an absorption and generation of radiation, as well as a mental break that makes him think he's a character from one of his favorite movies. Comics are weird. Anyway, Martin's continued to be a foil of Superman's, mostly acting as a mook or powerful obstacle, rather than a mastermind of plotter of any kind. It's still awesome to see the character, and this is a somewhat faithful version of him as a result. Hell, him working for another organization that gave him these powers is sort of a reference to the first Atomic Skull (whom some of you would recognize from Young Justice), Albert Michaels, who worked for STAR Labs until joining up with a terrorist group that wanted to take out Superman.

And of course, we get yet another villain FINALLY confirming his appearance: Lex Luthor. Yeah, a lot of us figured this out last season, and it's nice to see him FINALLY making his fully red-headed appearance. Interesting...very interesting. And he's partnered up with Checkmate and Amanda Waller, a winning combination when it comes to villains. This is, of course, not the first time this has happened in media, comics and otherwise. The two famously teamed up when Lex became president for a minute there, and had an incredible joining of forces in Justice League Unlimited. So, not an unprecedented combo by any means!

Other than this, we get confirmation of Amanda's pure villainy (even worse than a lot of other versions, scarily enough), the rivals to her position in Checkmate, Clark and Lois' first argument, Clark getting the Beacon that'll help find Kara, and the official hiring of the Newsboy Legion working under Jimmy Olsen alongside Steve Lombard for Flamebird! Lots of stuff, not to mention setting up tensions between Clark and Sam Lane. But not much else for me to report on here. SO, moving on to episode 3!

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Episode 2.3: Fullmetal Scientist

Hoo boy, THIS is a hell of an episode when it comes to references! We start off with a literal bang with the scientist that Superman saves, Silas Stone! You may know this guy better because of his son, who's referenced briefly as being 9 or 10. This is, of course, Victor Stone, AKA Cyborg! If this series gets a future lasting into the Teen Titans era, we have a contender for a member! Only time will tell, but this is a neat name drop! Plus, who knows where Silas is gonna go from here...

Then, right after that (and a cameo of The Flying Newsroom, a Daily Planet helicopter in the comics reduced to a toy helicopter owned by Flip), we meet AmerTek Industries, CEO Thomas Weston, and the most important character spotlight in this one...

Vicki Vale is back! OK, obviously, not the most important character in this episode, but lemme milk this a little. Vicki (who is VERY tall, by the way, holy SHIT) made her appearance as sort of a heel at the end of last season, and has now apparently become a rival for the Daily Planet this season, reporting for the Gotham Gazette. I can't wait for this to inevitably lead us to our Gotham cameos, which may hopefully include you-know-who, but her rivalry with Lois here is pretty fun, and sets up some new conflicts down the line for our central couple!

As for Amertek, I should talk about Thomas Weston and the...other cameo made in this episode. Weston is straight out of the comics, as the CEO of AmerTek Industries, a weapons manufacturer based in Baltimore and Washington D.C.. They're important to the comics of one character in particular, who I'll obviously get to, but I want to mention the OTHER thing introduced in this episode...considering how...upset it makes me. Because once again, this series completely RUINS a major Superman villain by turning them purely technological. And if you've read my previous essays, in which I develop a cinematic universe Superman, as well as my desired villains...you'll know why I'm upset.

LOOK HOW THEY MASSACRED MY BOY

Seriously? THIS is Metallo in this universe? God...DAMN IT! Look, I can already tell that Lex is going to use Kryptonite to stabilize the power core in the chest, giving us a Kryptonite beam that fires from their chest like the REAL Metallo, but GODDAMNIT AGAIN! The point of Metallo is that he's humanity corrupted! He's not JUST a goddamn ROBOT! Seriously? This was a slam dunk character for this show; should've been an easy one! But...I dunno, maybe the real version of the character will appear. I just...really hope that this isn't it. But that said, Metallo is sadly not the real highlight of this episode. Still...dammit. Dammit dammit dammit.

One of the other highlights of this episode, before I forget to bring it up, is the extension of Superman's bioelectric field as one of his powers. This is a recent comic book expansion, which has been hinted at as a possibility since the '90s. Basically, Superman generates a bioelectric field of invulnerability which, with enough focus or external energy input, he can extend past his bodily boundaries and around others. It's the reason bullets bounce off his suit without rupturing the fabric itself; they're actually bouncing off his microscopic bioelectric field. Comic books, what can I tell ya? Anyway, it's a very anime power, which is this series vibe, and I can't help but think he'll figure out how to focus that into some kind of energy blast by the end of the season. Time will tell!

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But the REAL big feature of this episode is, of course, John Henry Irons, AKA Steel, one of the most prominent supporting characters in the Superman family. His role is extremely important to the Superman mythos, and this is already a fantastic version of the character. It also does something with him I rarely see with the character, and makes him TALLER than Superman, considerably so! He's also a bigger guy, and as a bigger black man myself (well, not vertically), I appreciate the representation quite a bit!

Of course, even though we get to see him in the suit with the hammer, it's obviously soured when Lex Luthor and Checkmate buy Amertek and the Steel suit, as well as all the Metallos. Like I said, Lex'll stabilize the Metallo units with Kryptonite, but it's NOT THE GODDAMN SAME, NOW IS IT? In any case, what we're likely to get is John creating his own Steel suit, closer to the classic suit we usually see in comics and adaptations. I may actually do a full retrospective of Steel, since he is one of my favorite characters. I feel like I'm short-changing him here, but understand, Steel is one of the best supporting characters in DC, who became a major hero in his own right. Hell, his niece Natasha Irons, who's also name dropped in this episode, is a major hero herself! With her and Victor Stone confirmed to exist in this universe, I can't help but think that we're setting up something special in the future.

With all of that said, that's the summary for these three episodes. I'm actually a bit inspired to do some character retrospectives now, but please let me know if you have any requests for retrospectives. Thank you to the (probably 3 max) people who read this essay, and I'll probably see you after the next three episodes! Unless, of course, something massive happens that requires my prompt response after episode 4 or 5. Honestly, we'll see what happens! In any case, see you later!

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ljones41 · 4 months ago

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Views on the STAR TREK Franchise

VIEWS ON THE STAR TREK FRANCHISE

The spring of 2024 saw the final season of "STAR TREK DISCOVERY", the seventh series in the TREK franchise, which began in 1966 with "STAR TREK: THE ORIGINAL SERIES". This realization led me to contemplate my viewing history of the franchise and my personal opinions of those television shows that I had bothered to watch.

*"Star Trek: The Original Series" (1966-1969)

Set during the mid 23rd century, "STAR TREK: THE ORIGINAL SERIES" depicted the adventures of the Starfleet ship, USS Enterprise (NCC-1701) and its crew led by Captain James T. Kirk. This series lasted for three seasons and later, spawned an animated series in the 1970s and a series of movies between 1979 and 1991.

My father was a big fan of the series. I first saw it after it reached syndication. I might as well be honest. I did not like "THE ORIGINAL SERIES" when I first saw the reruns as a kid. It took the 1980s movies for me to appreciate them. Somewhat. But even after all of these years, I do not have a high opinion of them in compare to some of the other shows. And after years of watching the Trek franchise, I really wish that the franchise's creator, Gene Roddenberry, had never created this rule that humanity had evolved in a space of 200 to 300 years. I found that illogical and in the end, I believe that it proved to be a problem for all future TREK productions. Also, I was not impressed by the series' third season. I still remain unimpressed. The writing for "THE ORIGINAL SERIES" seemed to have spiraled into a decline by this last season.

*"Star Trek: The Next Generation" (1987-1994)

During the 1970s, Gene Roddenberry created an animated series for the franchise called "STAR TREK: THE ANIMATED SERIES". I never saw it. But I certainly saw the second live-action series, "STAR TREK: THE NEXT GENERATION". Airing between 1987 and 1994, this series depicted the adventures of Captain Jean-Luc Picard and his crew aboard the USS Enterprise (NCC-1701-D), during the mid-24th century.

"THE NEXT GENERATION" proved to be easier for me to become a regular viewer. At least for several seasons. I did not like Season One that much. I found most of the writing less than stellar. Once the series had moved past Season One, I became a deep fan. However, there were times when I found Jean-Luc Picard and his crew a little hard to swallow. Like "THE ORIGINAL SERIES", I believe "THE NEXT GENERATION" had went a bit overboard in presenting Humanity as evolved. This was especially conveyed in its portrayal of the majority of the main characters as ideal Starfleet officers. I found it a bit off putting. And I also found it difficult to keep up with the series' last two seasons. Like the first season, I was not that impressed by them. Mind you, I believe Season Seven had provided one of my favorite episodes of the entire TREK franchise - namely (7.24) "Pre-emptive Strike". However, I found many others like the Season Six episode, (6.10-6.11) "Chain of Command", vastly overrated.

*"Star Trek: Deep Space Nine" (1993-1999)

Although familiar with both "THE ORIGINAL SERIES" and "THE NEXT GENERATION", the 1993-1999 series, "STAR TREK: DEEP SPACE NINE", was the first I had started to view on a regular basis. At least during its first two seasons. Then I became bored with the show and stopped. Why did I become bored with "DEEP SPACE NINE", I do not know. Several years had passed before I gave it another chance and eventually viewed it on a regular basis.

Unlike the other Trek shows, "DEEP SPACE NINE" was set aboard a space station that Starfleet was managing on behalf of the recently liberated homeworld of Bajor. The station, Deep Space Nine, also stood guard to a wormhole that led to the Gamma Quadrant and an alien empire. "DEEP SPACE NINE" was the first TREK series that Gene Roddenberry played no role in its creation. And the series proved to be the first one that starred a person of color, actor Avery Brooks, as Commander-later-Captain Benjamin Sisko.

For years, I thought "DEEP SPACE NINE" had the potential to be the best within the franchise. It featured multiple-arc narratives that permeated with politics and moral ambiguity. But I had noticed a few things. One, it reminded me too much of J. Michael Straczynski's science-fiction saga, "BABYLON 5". When I heard accusations that it had plagiarized the latter show, I was inclined to believe those accusations. I still do. More importantly, I think "BABYLON 5" handled its ambiguity and multiple story arcs a lot further and with better writing than "DEEP SPACE NINE". And once the series dove into the Dominion War arc during the last two seasons, I found it increasingly difficult to stick with the series. There were aspects of that arc that I enjoyed, but there were other aspects that I found frustrating . . . including the Dominion's occupation of Deep Space Nine in early Season Six. I also felt frustrated by the transformation of the Cardassian character Gul Dukat from a multi-complex villain to a one-dimensional antagonist by late Season Six. Despite being promising and a genuinely first-rate series, I do not believe "DEEP SPACE NINE" had ever really fulfilled its potential.

*"Star Trek: Voyager" (1995-2001)

Like the previous TREK series, "STAR TREK: VOYAGER" made history with its own first. It became the franchise's first series to feature a woman as the lead character. Actress Kate Mulgrew was cast as Captain Kathryn Janeway, the commanding officer of the USS Voyager (NCC-74656). An alien named the Caretaker forced Voyager, Janeway and her crew into the Delta Quadrant, while they were searching for her Security officer, who had volunteered to act as a spy aboard a Maquis starship, commanded by a former Starfleet officer. As it turned, not only did the Caretaker draw Voyager into the Delta Quadrant, but also the Maquis crew. After a violent encounter with a race called the Kazon, the Maquis ship is destroyed and both crews merge under Janeway's command, as they set out to return to the Alpha Quadrant, some 70,000 light years away.

Unlike "THE NEXT GENERATION" or "DEEP SPACE NINE", I did not watch "VOYAGER" from the beginning. In fact, I had avoided the series like the plague for several years, due to the fandom's negative opinions of it and my own struggles to keep up with "NEXT GENERATION" and "DEEP SPACE NINE". But during the beginning of the series’ Season Five, a relative had convinced me to watch one of the series' episodes. I did . . . and became immediately hooked. While watching Season Five, I also began watching the show’s earlier seasons on Syndication. And I became even more of a fan. I can honestly say that "VOYAGER" was not the franchise's best series. But I thought it was still pretty damn good and viewed it just as good and bad as "NEXT GENERATION". Do not get me wrong. I thought "DEEP SPACE NINE" had the potential to be the franchise's best series. But I believe it had never lived up to that potential and in the end, struck me to be just as good as "NEXT GENERATION" and "VOYAGER".

"VOYAGER", like the other shows, had its share of flaws. Season One tried to portray most of its characters like those from "NEXT GENERATION". Once the series stopped trying to portray the Voyager crew like ideal Starfleet officers (aside from a few), and stamped them with their own brand of craziness and ambiguity, I managed to really enjoyed the series. I have also enjoyed the show's two-part episodes and their Holodeck/Holosuite episodes more than any other series. Aside from Season One, the only other series I am not that fond of was Season Six. That season had featured a handful of excellent episodes. But in the end, the series during its sixth season seemed to be going through the motions. Thank goodness I enjoyed the other five seasons, especially Season Seven. "VOYAGER" is the only TREK show in which I actually enjoyed the series finale.

*"Star Trek: Enterprise" (2001-2005)

Following the end of "STAR TREK VOYAGER", the TREK franchise decided to create a series that served as a prequel to "THE ORIGINAL SERIES". Set in the mid-22nd century, during the 2150s, "STAR TREK: ENTERPRISE" depicted the adventures of Captain Jonathan Archer and his crew aboard the USS Enterprise (NX-01), during the years right before the creation of the United Federation of Planets. "ENTERPRISE" proved to be the only TREK series that used a pop-influenced song as its theme.

In the end, I tried to enjoy "ENTERPRISE". I really tried to embrace this show. I had no problems with the series being a prequel to the other shows. I enjoyed the relationship between Enterprise's First Officer, Sub-CommanderT'Pol and its chief engineer Commander Charles "Trip" Tucker. I also liked the Chief Medical Officer, Dr. Phlox. There were a handful of episodes that I enjoyed very much. I really enjoyed the Xindi story arc of Season Three. I just hated it ended with the ship being thrown back into Earth’s past . . . again. I loathed Season Four, but loved the Mirror Universe two-part episode, (4.18-4.19) "In a Mirror, Darkly". To this day, I regard it as one of the best TREK episodes I have seen. But overall, I never really became a fan of the series. It had failed to grab me the way the three TREK shows between 1987 and 2001 did. And when the media had announced its cancellation after four seasons, the announcement did not exactly come as a blow to me.

*"Star Trek: Discovery" (2016-2024)

Despite the negative comments I had heard about "STAR TREK DISCOVERY", I was determined to watch the show. Eleven years had passed since the cancellation of "ENTERPRISE" and my curiosity had to be appeased. Like "DEEP SPACE NINE" and "VOYAGER" before it, "DISCOVERY" made history by its casting. The series featured the second female lead. However, it also featured the first woman of color as the lead. "DISCOVERY" also made history by featuring a biracial, LGBTQ couple as part of the cast.

I watched the first season of "DISCOVERY". And I loved it. The series started out in serialized form from Day One by following the narrative formula of "BUFFY THE VAMPIRE SLAYER" - a multiple episodes arc within one season. Most of the characters struck me as ambiguous, including the leading lady. I also loved how that first season set up the conflict between the Federation and the Klingon Empire. I do wish that leading character Michael Burnham had served as Discovery’s commanding officer from the beginning. Instead, her rank as a Starfleet Commander underwent changes, due to her role in the Federation-Klingon War. However, if Burnham had started out as Discovery's captain, I wonder if I would have enjoyed her Season One arc as much as I did. The casting of Martin-Green as the series' star proved to be controversial on many levels. Certain fans resented her position as the show's lead. They especially resented the revelation of her character, Burnham, as Spock's adoptive sister. These fans accused the showrunner of forgetting that the half-Vulcan/half-Human officer had never mentioned an adoptive sister in previous TREK productions. Yet, they had forgotten Spock's penchant for never discussing his family, unless circumstances forced him to do so.

Despite the hullaballoo over Burnham's character and the series' serialized arc, "DISCOVERY"'s Season Two featured another season-long arc - the Federation's conflict with a a rogue artificial intelligence. Unfortunately, this season featured Captain Christopher Pike as Discovery's temporary captain and the unnecessarily long presence of Spock, thanks to some contrived writing. Although many fans and critics enjoyed Anson Mount's portrayal of Pike, I found it dull and pretentious. Pike seemed to reek of what many regarded as the traditional Star Trek leading man, but without any real spark. Matters grew worse when the showrunner made the decision to send Discovery and the series into a new direction - namely 900 years in the future. Why? I had already written about that decision in another article. Needless to say, this decision changed the series' style and tone, making it difficult for me to enjoy the rest of the show's run. I tried to stick with "DISCOVERY" during its third and fourth season . . . and gave up. The only good that came from this period was Burnham's promotion to the starship's captain.

*Other Trek Series (2020-Present)

Between the second and third seasons of "STAR TREK DISCOVERY", the franchise's showrunners released "STAR TREK: PICARD", a sequel to "STAR TREK: THE NEXT GENERATION". Set around the beginning of the 25th century, the series focused Jean-Luc Picard dealing with his retirement from Starfleet and aging. I honestly thought this was going to be a limited series. Instead, "PICARD" lasted three seasons. Unfortunately. I enjoyed Season One, although I found the season finale badly written. I tried to give the series' second and third seasons a chance. Season Two proved to be some badly written mess involving time travel and an exploration of Picard's childhood. Season Three was more or less a convoluted nostalgia trip featuring "THE NEXT GENERATION" cast, the shapeshifting Changelings from the Dominion War and the Borg.

In 2022, the franchise released "STAR TREK: STRANGE NEW WORLDS", a spin-off of "DISCOVERY". The series featured the adventures of the USS Enterprise (NCC-1701), while under the command of Christopher Pike. The same Pike from Season Two of "DISCOVERY". The series managed to impress a great number of Trek fans and television critics. It had failed to impress me, aside from a handful of episodes. "STRANGE NEW WORLDS" seemed nothing more than an updated version of "THE ORIGINAL SERIES", only with the very dull Pike in command. Although it has not finished its run, I gave up on the series before the first season ended.

*Conclusion

Although I had enjoyed Season One of "STAR TREK DISCOVERY" very much, a part of me wondered if it had been wise for the TREK showrunners to allow the franchise to continue. I am sorry, but I feel that aside from "DISCOVERY"'s first season, the franchise seemed like a ghost of its past. I think the franchise should have ended after the cancellation of "STAR TREK: ENTERPRISE". Or perhaps after "STAR TREK: VOYAGER" had ended its run, four years earlier. I believe author F. Scott Fitzgerald had been right when he had proclaimed in his most famous novel that one cannot repeat the past.

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