#marti webb

[mariocki]

Cape Fear (1991)

"Let's get something straight here. I spent fourteen years in an eight by nine cell, surrounded by people who were less than human. My mission in that time was to become more than human. You see? Granddaddy used to handle snakes in church, Granny drank strychnine. I guess you could say I had a leg up, genetically speaking."

[waugh-bao]

@charlesandkeef Me too.

I’m not necessarily saying this is what did happen (or that it didn’t), but it does seem pretty convincing when you consider what the rest of their photos for 1964 (when this was taken) looked like. At the very least, 1964 was definitely the point of no return for Keith in his Charlie infatuation.

[the-cat-at-the-theatre-door]

I know that at least two Jellylorums were also Christines in "Phantom" (Marni Raab and Sara Jean Ford)--would you happen to know who some of the others were?

Are you looking specifically for Jellylorums that were previously Christines, or more like the general Phantom - CATS or CATS - Phantom pipeline? I can give you a decent list of both, since we'd be atom smashing two hyperfixations together.

Format: NAME OF PERFORMER - Role in Phantom (Role in Cats)

Sorted by part played in PotO - I won't be naming all locations of productions these individuals were in for the sake of some kind of brevity. Since you asked mainly for Jellylorums who have been Christine, I have taken the liberty to BOLD them for easy reference.

(Note that this is not an extensive list - just a bulky one - I was already getting too long in the tooth haha)

MAIN TRIO

Sarah Brightman - Christine Daaé (Jemima - OLC)

Nikki Ankara - Christine Daaé (UK 1st Tour) (Jellylorum - London)

Celia Graham - Christine Daaé (Jellylorum - RCCL, Palladium, UK Tour 2016 etc)

Theresa Borg - Christine Daaé (Jellylorum - Circus Tour 1999)

Maree Johnson - Christine Daaé (Guest Grizabella - Circus Tour 2000)

Myrra Malmberg - Christine Daaé (Young Grizabella - Gothenburg 1989 non-replica)

Katie Knight-Adams - Christine Daaé (Swing - UK Tour 1993, Jemima - London)

Mia van den Eykel - Christine Daaé (Jellylorum - Aus/Asia Tour 1995)

Iren Bartok - Christine Daaé (Jellylorum - London)

Zoe Curlett - Christine Daaé (Jellylorum - UK Tour 2003 - 2009)

Debra Stables - Christine Daaé (Jellylorum - London)

Josie Walker - Christine Daaé (Grizabella - London and UK Tour 1993)

Renée Knapp - Christine Daaé (Jennyanydots/Griddlebone - Amsterdam)

Lydia Gerrard - Cover Christine (Cover Jellylorum and Grizabella - Asia Tour 2022)

Marti Webb - Christine Daaé (Grizabella - London)

Colleen Besett - Christine Daaé (Jennyanydots - Berlin and Dusseldorf)

Els Bongers - Christine Daaé (Booth Singer - Amsterdam)

Teresa de Zarn - Christine Daaé (Sillabub - Broadway)

Diane Fratantoni - Christine Daaé (Swing - Broadway, cover Cassandra, Etcetera, Grizabella, Jellylorum / Griddlebone, Rumpleteazer, Sillabub)

Marina Prior - Christine Daaé (Jellylorum - Sydney 1985)

Steve Barton - Raoul/The Phantom - (Munkustrap Original Vienna)

Richard Todd Adams - Raoul/The Phantom (Cats Chorus)

Jeremy Hays - Raoul (The Rum Tum Tugger)

Bronson Norris Murphy - Raoul/Others - (Asparagus/Gus/Bustopher)

Brad Little - The Phantom (Old Deuteronomy)

Mark McKerracher - The Phantom (Old Deuteronomy)

Pierre-Yves Duchesne - The Phantom (Old Deuteronomy)

Ian Jon Bourg - The Phantom (Asparagus/Gus/Bustopher)

Ethan Freeman - The Phantom (Asparagus/Gus/Bustopher)

Peter Polycarpou - The Phantom (Asparagus/Gus/Bustopher)

Scott Davies - The Phantom (Asparagus/Gus/Bustopher)

Phyllida Crowley Smith - Meg Giry (Victoria)

Emma Harris - Meg Giry (Victoria)

Emmanuelle Guélin - Meg Giry (Victoria)

 Karin Seyfried - Meg Giry (Jennyanydots)

Julie Carlton - Meg Giry (Electra)

Sharyn Winney - Meg Giry Understudy/Ballet Corps (Tantomile, Sillabub, Swing)

Kathleen Mullin - Meg Giry (Rumpleteazer, Swing)

Kimberley Partridge - Meg Giry (Jemima)

Jeehyun Noh - Meg Giry (Jemima)

Claire Lander - Meg Giry (Jemima)

OTHER PARTS

Peter Kevoian - Monsieur Reyer (Asparagus/Gus/Bustopher)

Greg Castiglioni - Ubaldo Piangi (Asparagus/Gus/Bustopher)

Tony McGill - Assistant Conductor (Asparagus/Gus/Bustopher)

Andrew Keelan - Passarino (Walking Cover/Asparagus/Gus/Bustopher)

Wim Van Den Driessche - Monsieur Firmin (Asparagus/Gus/Bustopher)

Gareth Snook - Monsieur Andre (Asparagus/Gus/Bustopher)

John Dewar - Swing (Asparagus/Gus/Growltiger)

John Ellis - Ubaldo Piangi (Old Deuteronomy)

Nathan Patrick Morgan - Jeweler/Ubaldo Piangi Cover (Swing, Chorus, Asparagus/Gus/Bustopher, Old Deuteronomy, etc)

Saverio Pescucci - Dancer/Ensemble (Alonzo)

Sharon Wheatley - Replacement Page/Swing (Jennyanydots)

Katharine Heaton - Swing and Understudy (Swing/Jellylorum)

Karl Morgan - Dancer in the 2004 Film (Pouncival 1998)

Chrissy Brooke - Ballet Girl (Chorus Cat in 2019 Film)

Marisa Paull Gorst - Dancer/Ballet Girl (Swing)

Marise Dusheiko - Ballet Girl (Victoria)

Harriet Ho Yin Chung - Ballet Girl (Swing)

Myrthes Monteiro - Ensemble (Jemima)

Lucius Wolter - Ensemble (Walking Cover)

Matt McFarlane - Understudy Phantom/Raoul in Love Never Dies (Munkustrap)

Bradley Delarosbel - Unknown (Likely Ensemble) (Admetus/Macavity)

Stephen Morgante - Unknown - likely ensemble (Skimbleshanks/Swing)

Anton Luitingh - Resident Director/Possibly Played Raoul (Munkustrap)

And technically, Jack Rebaldi was supposed to play Monsieur André in the Theatre Mogador production of PotO, but that was tragically cut short and never came to fruition (justice for that cast).

[kwebtv]

Mark Goddard (born Charles Harvey Goddard; July 24, 1936 – October 10, 2023) Film and television actor who starred in a number of television programs. He is probably best known for portraying Major Don West in the CBS series Lost in Space (1965–1968). He also played Detective Sgt. Chris Ballard, in The Detectives, starring Robert Taylor.

In 1959, after just three weeks in Hollywood, he landed a role in the CBS Four Star Television series Johnny Ringo, having played the character of Cully, the deputy to Don Durant's character of Ringo. At this time, he changed his name to Mark Goddard at the suggestion of his friend and mentor Chuck Connors of The Rifleman. Goddard appeared as Norman Tabor in the 1960 episode "Surprise Party" of the CBS anthology series The DuPont Show with June Allyson. He was cast as Sheldon Hollingsworth in the 1960 episode "To See the Elephant" of the ABC Western series The Rebel, starring Nick Adams. He played Tod Rowland in the 1960 episode "The Mormons" on Dick Powell's Zane Grey Theatre. Goddard also appeared in The Rifleman as Marty Blair in 1962 in the episode “Mark’s Rifle.”

The Detectives, another production of Four Star Television, was a hit series which ran on ABC and NBC from 1958 to 1961; Goddard was signed for a role lasting three years (64 episodes). In 1963, Goddard appeared as Roy Mooney on the Perry Mason episode "The Case of the Potted Planter". In 1964 Goddard appeared as Richard on The Virginian in the episode titled "The Secret of Brynmar Hall." That same year he guest starred as a wild killer named “Boyd” in the episode “Journey For Three” on the TV Western series Gunsmoke (S9E36).

Goddard's next role was Major Don West on Lost in Space (1965–1968). A blossoming romance initially existed between West and Judy, the elder daughter of the Robinson family, but by the middle of the second season, West maintained an adversarial relationship with the hapless, sociopathic Dr. Zachary Smith

Goddard guest-starred on three ABC series, The Fugitive, The Mod Squad, and The Fall Guy and for a while, moonlighted as a Hollywood agent. In 1970, Goddard co-starred with Kent McCord and Martin Milner in an episode of Adam-12, in which he plays a friend of Pete Malloy (Milner), who is killed in the line of duty. The episode was titled "Elegy for a Pig" (so titled and announced by Jack Webb himself). Mark Goddard also played Ellie May's beau on the Beverly Hillbillies. Goddard played a supporting role in a 1974 episode ("Dark Legacy") of CBS's Barnaby Jones.

In 1979, Goddard starred as Ted Clayton on One Life to Live and as Lt. Paul Reed on The Doctors. Later, he starred as Derek Barrington on General Hospital. (Wikipedia)

IMDb Listing

[thesarahfiles]

On October 16, 1986, Sarah appeared with Cliff Richard in "Top of the Pops", other guests on that edition included Pet Shop Boys, Boris Gardiner, Marti Webb, Paul Hardcastle, Nick Berry, and Status Quo. 

[citizenscreen]

Composer Roy Webb was born on October 3, 1888 #botd

His work includes: NOTORIOUS - OUT OF THE OAST - CAT PEOPLE - MARTY

[kivrin]

Ok @paulinedorchester here you go.

Honeysuckle Weeks. Actress. Posh. You remember. Frightfully good as uptight Samantha Stewart in Foyle's War. Bit of a rackety personal life. Then she disappeared. Damn shame, really. But - look! - suddenly she's back. Every little bit of her.

"When I told my father I'd been cast in the musical version of Calendar Girls, his first response was

'We'll have to get you a tit job then!"" cries Weeks.

"I had to explain to him that it's not about showing off perfect bodies. It's more like the Japanese art of kintsugi where broken vases are mended with molten gold - and it's the cracks that make it truly beautiful and unique. At this stage in life aren't we all broken vases?"

Weeks, 44, is keenly aware of falling headlong into her own deep fissures, but we shall come to that shortly. Today lean and soigné, wearing a One Hundred Stars peignoir, she is casually elegant despite being worryingly hoarse after a cast night out at a Greek restaurant where there was dancing and plate smashing, washed down by liberal quantities of Retsina.

She is happily sharing a dressing room with two of her co-stars, Maureen Nolan (69) and Marti Webb (79), doyennes of musical theatre. And her sense of belonging is palpable.

This production, co-written by Gary Barlow and Tim Firth, is a tuneful retelling of the familiar and adored story of how the death of a much-loved husband saw a group of ordinary women in a small Yorkshire Women's Institute set about creating a nude calendar to raise money for charity. Weeks plays Cora, the church organist, a single mother and natural-born rebel.

"I was absolutely thrilled to be asked," says Weeks, who also happens to be a single mother and natural-born rebel. "Of course I said yes immediately, but it was a huge challenge. Not only do I have to sing and get my kit off, I have to do a Yorkshire accent and pretend to play the piano. I thought I might have to learn the organ as well but thank God I could cross that off one of my to-do list."

As far as the stripping goes, Weeks is relieved her character's proverbial coin landed on “tails rather than heads” which is to say no full frontal, but “I am butt naked on stage".

"Everyone is wonderfully supportive," she says. "We all look after one another and make sure nobody's too exposed. I'm not the best singer but I've taken lessons - at every performance the audience laughs uproariously and 99.9 per cent of the time we get a standing ovation, which feels magnificent."

[suspiciousmindsxo]

Artist, actor, and Country Music Hall of Fame member ELVIS PRESLEY’s influence is undeniable.

When Presley—at the time working as a delivery truck driver—first went to Sun Studio to cut a commercial record in July 1954, he had more or less found his style. The Tupelo-born King of Rock & Roll's first genre was country, though his sound was heavily influenced by R&B, gospel, and pop.

Presley was successful in the country market surprisingly quickly: the music of established country artists such as Webb Pierce and Carl Smith was adult in content and execution, and Presley gave younger country fans something of their own. Much of its verve came from R&B, but it was marketed as country music, and the best exposure Presley got in 1954 and 1955 was on the “Louisiana Hayride” and from country disc jockeys.

Though Presley’s diverse style was irresistible to young listeners, it was unwelcome to many country purists. Some in 1950s Nashville even felt Presley might destroy country music. In truth, he was very good for a younger generation of country musicians, giving them potential access to broader media exposure than their predecessors had enjoyed. Until his arrival, country music had been considered regional, and only a few artists, such as Eddy Arnold, had shaken off this stigma. Presley opened the door for younger country singers, such as Johnny Cash, Sonny James, and Marty Robbins, to reach a wider market.

[byneddiedingo]

Betsy Blair and Ernest Borgnine in Marty (Delbert Mann, 1955)

Cast: Ernest Borgnine, Betsy Blair, Esther Minciotti, Augusta Ciolli, Joe Mantell, Karen Steele, Jerry Paris, Frank Sutton. Screenplay: Paddy Chayefsky. Cinematography: Joseph LaShelle. Art direction: Ted Haworth, Walter M. Simonds. Music: Roy Webb.  

That Marty is such an engaging little movie is largely because Ernest Borgnine and Betsy Blair have such remarkable low-key chemistry together and Paddy Chayefsky's screenplay brings them together convincingly and keeps them apart smartly. Chayefsky does overdo the "what do you wanna do tonight" shtick, which kept contemporary comedians busy far too long, and the self-pitying Italian mama stereotypes of Marty's mother, Mrs. Piletti (Esther Minciotti), and Aunt Catherine (Augusta Ciolli), but it's on the whole a well-made script. Some credit is obviously due to the director, Delbert Mann, who also directed Chayefsky's 1953 teleplay on which the movie is based. It was his big-screen debut and won him an Oscar, but he never followed up with another comparable film -- his best later work was probably on two Doris Day comedies, Lover Come Back (1961) and That Touch of Mink (1962). Oscars also went to Borgnine, Chayefsky, and the film itself, and nominations to Blair, Joe Mantell as Marty's pal Angie, Joseph LaShelle's wonderfully atmospheric cinematography, and to the art directors. In fact, if Marty has any lasting claim to fame other than being a satisfying romantic drama, it's in the Academy's uncharacteristic recognition of a "little" film -- especially noticeable in the mid-50s when the prevailing Hollywood trend was to "give 'em something they can't get on television." Since they had already gotten Marty on TV two years earlier, the Oscar attention was especially surprising. It didn't signal any sort of trend, however: The following year, the best picture winner was Around the World in 80 Days (Michael Anderson), a typically bloated extravaganza loaded with movie-star cameos, and for the first time, all of the best picture nominees for 1956 were filmed in color. It was as if the Academy had said, "Fine, we did our duty, now let's get back to business."

[thelenazavaroniarchive]

5th October 2024.

Saturday 5th October 1974. Lena Sang in the Grugahalle, Essen Germany, at the RTL Golden Lion Awards. Abba won the award.

𝐒𝐮𝐧𝐝𝐚𝐲 𝟓𝐭𝐡 𝐎𝐜𝐭𝐨𝐛𝐞𝐫 𝟏𝟗𝟕𝟓. The People reported that Lena would be sponsoring her parents on Opportunity Knocks.

𝐓𝐡𝐮𝐫𝐬𝐝𝐚𝐲 𝟓𝐭𝐡 𝐎𝐜𝐭𝐨𝐛𝐞𝐫 𝟏𝟗𝟕𝟖. The Stage reviewed Lena’s performance at the London Palladium.

𝐌𝐨𝐧𝐝𝐚𝐲 𝟓𝐭𝐡 𝐎𝐜𝐭𝐨𝐛𝐞𝐫 𝟏𝟗𝟖𝟏. Lena sang in the recording of “A Century of Song” at the Royal Albert Hall. Recorded for BBC Radio 2 at 7:30pm. The show was broadcast on 26th December at 8:00 pm.

CONCERT PROGRAMME THE ROYAL ALBERT HALL" A CENTURY OF SONG" Celebrating the centenary of the MUSIC PUBLISHERS ASSOCIATION* * *BBC RADIO ORCHESTRA, Conductor HARRY RABINOWITZ With* VERA LYNN* * FRANKIE VAUGHAN * * ANNE SHELTON * * VINCE HILL * * JOAN SAVAGE * * BUCKS FIZZ * * MARTI WEBB * * ACKER BILK * * LENA ZAVARONI * * SEMPRINI* *JULIAN LLOYD WEBBER* * HUBERT GREGG* *MIKE SAMMES SINGERS* Introduced by DAVID JACOBS.

The full concert is on You Tube:

Part 1.

Part 2.

Lena is the first artiste in part 2.

𝐓𝐮𝐞𝐬𝐝𝐚𝐲 𝟓𝐭𝐡 𝐎𝐜𝐭𝐨𝐛𝐞𝐫 𝟏𝟗𝟗𝟗. The Irish Independent ran an article about Lena, anorexia and her operation.

𝐓𝐮𝐞𝐬𝐝𝐚𝐲 𝟓𝐭𝐡 𝐎𝐜𝐭𝐨𝐛𝐞𝐫 𝟏𝟗𝟗𝟗. Links to articles about Lena’s death:

𝐓𝐮𝐞𝐬𝐝𝐚𝐲 𝟓 𝐎𝐜𝐭𝐨𝐛𝐞𝐫 𝟏𝟗𝟗𝟗. In The Scotsman, The University Hospital, Cardiff denies that Lena's operation was pioneering.

𝐓𝐮𝐞𝐬𝐝𝐚𝐲 𝟓 𝐎𝐜𝐭𝐨𝐛𝐞𝐫 𝟏𝟗𝟗𝟗. In The Bristol Evening Post, Reg Winslet spoke about Lena.

𝐓𝐮𝐞𝐬𝐝𝐚𝐲 𝟓 𝐎𝐜𝐭𝐨𝐛𝐞𝐫 𝟏𝟗𝟗𝟗. In the Daily Record, Lena's family denied that Lena was going to marry Ray Dexter.

𝐓𝐮𝐞𝐬𝐝𝐚𝐲 𝟓 𝐎𝐜𝐭𝐨𝐛𝐞𝐫 𝟏𝟗𝟗𝟗. This Morning, Granada Television, The show contained a discussion on eating disorders following Lena’s death a few days earlier, with former Coronation Street actor Adam Rickitt (who suffered from bulimia) and advice from Raj Persaud. The illness was also the subject of a phone in later on in the programme.

𝐓𝐮𝐞𝐬𝐝𝐚𝐲 𝟓 𝐎𝐜𝐭𝐨𝐛𝐞𝐫 𝟏𝟗𝟗𝟗. Derek Jameson wrote about Lena in his his column.

𝐓𝐡𝐮𝐫𝐬𝐝𝐚𝐲 𝟓𝐭𝐡 𝐎𝐜𝐭𝐨𝐛𝐞𝐫 𝟐𝟎𝟎𝟔; Jeremy Simmonds book Number One In Heaven was published with a photograph and a few paragraphs about Lena.

[bewareofitalics]

The first bottom two pairs are Emotional Sandy, Baby Sandy, Second Chance Danny, and Boy Band Danny. I suspect Baby Sandy and Boy Band Danny get kicked off next - they're the ones I remember the least (the other two were featured heavily in the audition episodes).

Oh, the bottom four still get to perform? They don't do the sing-off until the end? I guess that's better than not letting the losers perform what they'd been rehearsing all week, but it does seem terribly inefficient.

It's musical theatre week! Max gets "Can You Feel the Love Tonight" and Laura gets "Superstar." Wow, so Danny and Sandy. Then there's Wholesome Danny with "Footloose" and Ballerina Sandy with "Take That Look Off Your Face," which make more sense.

Andrew Lloyd Webber, I'm sure you did actually know this, seeing as it's your song, but "Take That Look Off Your Face" was not "made famous" by Denise Van Outen. What about Marti Webb? And Sarah Brightman? And Bernadette Peters? You can compliment Denise without erasing history!

Bellhop gets "Burning Love" and Rock Chick gets "Don't Cry For Me, Argentina." I'm noticing a pattern of Sandys singing ALW and Dannys singing songs that technically have been in musicals. (I mean, "Can You Feel the Love Tonight" originated in a film musical, but Max did the pop version.)

...okay I guess I remembered wrong and Rock Chick wasn't complaining about there not being enough to act, just that she was having trouble "loving her song." So my reaction back then was probably, "But there's so much to act in it!!!!!!!!!" Also she pronounces "promise" like "prom-oss." It's annoying.

ALW jokes that he and David Ian should've called the Maria show "You're the Nun That I Want." Also, he would have liked the Dannys and Sandys to be "more diversified [...] in the type of performers," and yeah, the judges did pick a pretty samey bunch. Character type aside, Boy Band Danny is the only one who looks even a little "ethnic" (dunno what his background is, other than being Mormon, but apparently his last name is Basque?), and if I'm right about him not having lasted long in the competition, I suspect that's partly why. America! Though the voters were at least open-minded enough to pick a quirky Danny (who later came out as non-binary, even) and a brunette Sandy. And the Danny runner-up was blond, gasp!

Oo, group performance of "The Phantom of the Opera!" It's awkward. And ends with Kate Rockwell very abruptly doing the high note. Well, a high note, I don't think it's anywhere near as high as Christine gets. Which is fine, they're not auditioning for a soprano role!

Ambitious Danny sings "My Eyes Adored You" "from" Jersey Boys and Kate sings "Buenos Aires" (she does not have the low notes). The pattern holds. ALW did write songs for men, people! You made a Sandy sing one of them!

Hey, the pattern has broken! Hot Danny, the blond one, is singing... "Ease On Down the Road" from The Wiz. Yikes. And Spiritual Sandy gets "Memory."

WAIT WAIT WAIT they're doing the sing-off before any of the bottom four perform. The winners have to perform right after that, and the losers don't get to do their songs after all. Oh, that is mean. Also, they say who had the least amount of votes and it's Boy Band and Baby. I guess Second Chance and Emotional were helped by the power of the narrative, because their solo performances were not good. The sing-off song is "Tears on My Pillow," which Billy Bush says is from Grease. It was in the movie, but it's certainly not from there. The (main) judges decide who to save as a group, and David Ian delivers the verdict: Boy Band and Baby are staying.

Boy Band sings "That'll Be the Day" by Buddy Holly, no mention of it even being in a musical, though it does appear in Buddy: The Buddy Holly Story. And Baby sings "I Don't Know How to Love Him."

Tonight's judges' choices: Hot Danny and Laura (David Ian), Wholesome Danny and Spiritual Sandy (Kathleen Marshall), Max and Laura (Jim Jacobs), Wholesome and Laura (ALW).

And then, at last, Second Chance Danny and Emotional Sandy say goodbye with "Sandy" and "Look at Me, I'm Sandra Dee (reprise)." They do not have to give up any parts of their costumes or ride moons or anything.

[ghostlyerlkonig]

You said you have a record collection 👀

hi! You sent this so long ago I'm so sorry it's taken so long but yes I do! It's on the small side depending on who you'd talk to but it's something I enjoy very much.

This is she.

A total of 85, one not pictured is the Suzume sountrack because im listening to it atm. I think the ones I forked out the most money for/the coolest ones (cost not taken into account for some as coolness is subjective) are:

Mitski's Retired from Sad, New Career in Business (an unofficial pressing, if an official one ever goes out I will be getting it/I paided 35 for it on bandcamp as a "this grey area scares me a little" response.)

Mitski's Lush (also unofficial. Also paid 35 for it on bandcamp. Also plan to purchase any official pressing if it ever happens. Please let it happen.)

The Hobbit by Rankin Bass, full movie audio on two disks with the booklet.

Return of the King by Rankin Bass, cut down movie audio but still fun

An original pressing of Hesitant Alien by Gerard Way, which was still sealed and had the zine (Texas man did NOT know what he had)

Aerie by John Denver with the poster

Captain Fantastic and the Brown Dirt Cowboys by Elton John, with both poster and booklet, I'm pretty sure it's also an original pressing.

Snarkism by Tribe 8, with lyrics sheet

An original pressing of Gun Fighter Ballads and Trail Songs by Marty Robbins that my grandpa had

Full box set of Macbeth from The Shakespeare Recording Society

The Last Unicorn soundtrack by Jimmy Webb from Germany

The Hi-Fi Rush soundtrack by Shuichi Kobori, Reo Uratani, and Masatoshi Yanagi

One of the first pressings of iam8bit's Steven Universe sets (paid FAR less than I thought I would be since I bought it second hand)

The salmon pink color pressing of The Tale Of Princess Kaguya by Joe Hisaishi, it is probably my favorite of his scores, just above How Do You Live

And most recently the anniversary pressing of Seven Swans by Sufjan Stevens. It is so pretty and is my favorite of their albums.

They are all albums I enjoy, I tend not to buy unless I enjoy the album through and through, over half have been bought second hand, the old ones smell old, ive cleaned mold off one of them. I have a TON of John Denver. I don't get them because I think vinyl sounds better I just generally think it's a cool way of listening to music that we've invented. While I have more vocal albums, I do really like having soundtracks or other instrumental soundtracks because its nice to have one on while im writing.

Goal is to keep them in good health but im not going to stress over keeping them in mint condition.

if for whatever reason your wanting to see the whole collection, ill drop some screenshots of my Discogs collection below :) The picture is pretty blurry in the details.

My greatest achievement is getting that AT player for 30 bucks from a random guy. It was brand new.

Currently I'm waiting very impatiently for my pre-orders of the Bee and Puppycat and Nimona soundtracks from iam8bit to ship.

[ulkaralakbarova]

A college dropout gets a job as a broker for a suburban investment firm and is on the fast track to success—but the job might not be as legitimate as it sounds. Credits: TheMovieDb. Film Cast: Seth Davis: Giovanni Ribisi Chris Varick: Vin Diesel Abbie Halpert: Nia Long Greg Weinstein: Nicky Katt Richie O’Flaherty: Scott Caan Judge Marty Davis: Ron Rifkin Adam: Jamie Kennedy Harry Reynard: Taylor Nichols FBI Agent David Drew: Bill Sage Michael Brantley: Tom Everett Scott Jim Young: Ben Affleck Seth’s Mother: Donna Mitchell Neil Davis: André Vippolis Jeff: Jon Abrahams Mike the Casino Patron: Will McCormack Broker: Kirk Acevedo Michelle: Siobhan Fallon Hogan Office Woman: Judy Del Giudice FBI Director: Alex Webb Kid: Mark Webber Kid: Herbert Russell Kid: Christopher Fitzgerald Broker: Anson Mount Gay Restaurant Patron: Neal Lerner Sara Reynard: Taylor Patterson Susan Reynard: Marsha Dietlein Concierge: John Griesemer Abbie’s Mother: Marjorie Johnson JT Marlin Trainee (uncredited): Desmond Harrington Todd (uncredited): Spero Stamboulis JT Marlin Trainee (uncredited): Angelo Bonsignore Sheryl: Lisa Gerstein Film Crew: Producer: Jennifer Todd Producer: Suzanne Todd Casting: John Papsidera Art Direction: Mark White Supervising Sound Editor: Frank Gaeta Sound Re-Recording Mixer: John Ross Sound Effects Editor: Benjamin L. Cook Sound Re-Recording Mixer: Dorian Cheah Sound Effects Editor: Roland N. Thai Director of Photography: Enrique Chediak Assistant Costume Designer: Jill Kliber Writer: Ben Younger Co-Producer: E. Bennett Walsh Executive Producer: Richard Brener Editor: Chris Peppe Executive Producer: Claire Rudnick Polstein Music Supervisor: Dana Sano Sound Re-Recording Mixer: Joe Barnett Original Music Composer: The Angel Sound Effects Editor: Lisle Engle Music Editor: Lise Richardson Steadicam Operator: Will Arnot First Assistant Editor: Elaine C. Andrianos Production Design: Anne Stuhler Art Direction: Roswell Hamrick Costume Design: Julia Caston Associate Producer: Pamela Post Script Supervisor: Catherine Gore First Assistant Camera: Aurelia Winborn Still Photographer: David Lee Set Decoration: Jennifer Alex Nickason Key Hair Stylist: Quentin Harris First Assistant Editor: Pamela Chmiel Sound mixer: Peter Schneider Production Coordinator: Rita Parikh Movie Reviews:

[angstyandromanticwriting]

Ten random songs from my playlist and my favourite of them today as I have not yet finished the next writing instalment/prompt:

1. Feeling Good - Michael Bublé

2. Last Shot - Starsailor

3. Requiem on Water - Imperial Mammoth

4. I Would Do Anything for Love (But I Won’t Do That) - Meatloaf

5. Music - Madonna

6. Tell Me on a Sunday Please - Andrew Lloyd Webber, Marti Webb, London Philharmonic Orchestra

7. River Flows in You - Yiruma

8. Quand Vous Mourez de Nos Amours - Rufus Wainwright

9. Nobody Knows Me - Madonna

10. House of Gold - Twenty-One Pilots

My favourite today:

- House of Gold by Twenty-One Pilots - Enjoy! ❤️

[metamoonshots]

[ad_1] Introduced at present, Mash and TFTC revealed they've joined forces to shake up on-line media monetization and person engagement, introducing a set of instruments powered by Bitcoin and the Lightning Community. This partnership additionally marks the relaunch of the TFTC publishing platform, now that includes curated content material from authors like Parker Lewis, Jordan Schachtel, and Whitney Webb.Traditionally, on-line media monetization has relied on promoting and subscriptions, with the one type of multi-user engagement being conventional remark sections. Nevertheless, these legacy strategies have confirmed unsustainable, rigid, and fewer helpful to customers and companies. Mash and TFTC's new options goals to shift the way in which on-line content material platforms function.On the forefront of that is Mash's "Reactions" product. It permits customers to work together with content material by including their sentiments and opinions on to the web page, utilizing imagery and animations. These reactions could be each free and paid-for with micro-payments, made doable by the Lightning Community. The purpose of Reactions is to extend person engagement, time-on-site, and introduce a brand new income supply to help high-quality content material.“Publishers and creator experiences have been trapped in single-player mode, inflicting the group to bifurcate elsewhere, together with websites like Reddit,” stated Mash CEO Jared Nusinoff. “Our new Reactions product is step one to deliver all the person expertise and multiplayer mode again to the positioning, the place all stakeholders together with the creators profit and earn for the worth they supply.”Along with Reactions, Mash has launched a brand new on-page engagement hub for customers to interact with content material by way of voting, financial contributions, and donations. They're additionally getting ready to launch a clear revenue-sharing mannequin that distributes funds to all stakeholders, together with the positioning proprietor, creators, contributors, and different employees.TFTC has undergone a full redesign and growth to provide extra matters past Bitcoin, welcoming prolific authors like Robert Bryce, Parker Lewis, Jordan Schachtel, and Whitney Webb. This partnership with Mash permits them to offer curated, high-quality content material on numerous matters whereas making certain truthful and environment friendly monetization.“Our viewers has been craving curated, high quality content material past bitcoin,” stated Marty Bent, CEO of TFTC. ”The partnership with Mash permits us to have the ability to present these experiences due to the brand new methods you may monetize and share income with contributors pretty and simply. We’re ecstatic to companion with Mash and showcase a brand new method to make content material broadly obtainable and correctly monetized”The restricted beta for these writer monetization merchandise is now stay with choose publishing companions and platforms, and events can be part of the waitlist to be a part of this transformative journey. [ad_2]