#mark theme next

[jayparked]

hello new theme after 5 bajillion years we are so up

HELP LMAO

i hate changing my theme guys 😭 i don’t like change and it shows

[angelknives]

[edmunderson]

i wanted to do a theme i missed, so this is a throwback thursday femboy friday :)

(i wanted to do the theme video games, so i used my saints row boss mickey during his sr1 era which i guess makes this femboy lite?)

[summertimemusician]

Linktober Day 8

Constructs

Way too late if ya ask me because Nayru and Hylia have decided to forsake me but it's done. *Collapses* This one did NOT want to write itself no matter how hard I tried even if I have so many feelings about constructs, in the end Hozier, the SS and TOTK soundtrack carried this to the final stretch even if it's just a small drabble lol.

Mostly referenced this time though, something soft and nice about Sky and Reader and Constructs, can be interpreted as platonic or romantic. Day 9 and 10 prompts will be released on the same day if it all possible though depending if I actually get some darn rest and have the time (because Legend is being a bit difficult on the Linktober Shadow one in contrast to how deity is going and I have irl stuff to get done, hopefully this is good enough until then.).

Wild’s Sky Archipelagos couldn’t be different from Skyloft, though no less breathtaking. The eternal beauty of the sky ringing true and everlasting over the cloud barrier enforced by Hylia, though if the sky found in your favorite Godslayer’s was beautiful due to the life that thrived in the loneliness in spite of it all, of creating a community that would outlast the wish for entropy Demise attempted to enforce into the world with the black hole heart of his greed, then Wild’s was because of the echoes of what once was there, that it was lovely and beautiful even in ruin as nature reclaimed what belonged to it by right. That even if the people were gone they existed, they thrived and lived and loved and even in tragedy, that mattered.

And nothing reflected that better than the Constructs which of outlasted the civilization. Made out of now decayed copper and sturdy ceramic, made cute, so the people would remember to treat their new helpers kindly, and made sturdy so they’d remember the people who loved adored them and their built in sense of duty and kindness to aid any guest of friend in need and given voices so they could listen to them speak, to make them just a little closer to humanity.

‘Many of them are deactivated now,’ Wild had told you, the first time you’d all stepped foot onto the main island, it was disorienting for you and most of the Chain (except for Sky, because of course your heavenly, cloud trailblazing boy would have taken to the abandoned, atmosphere cold and echoing sun gold clear beauty of the sky island the quickest like a fish whom was questioned on their ability to swim or a falcon on their ability to hunt, you were almost jealous if not for the fact you or Four always made lunges for his collar – Crimson didn’t come with through the portal after all, nor First’s Russet’- when he attempted to follow Wild’s lead and in consequence give you heart attacks), the little beings of ceramic and old bronze completely non hostile, going about tending to the islands with their faint whirs of gears and whistles of self sustaining magic batteries, voices cold but calm, almost comforting and the first pieces of technology far away from Sky’s them that weren’t immediately hostile towards your boys, ‘Mostly the soldier ones, the Stewards have remained though. Carrying on with their duty, making the place homey even if the people are gone.’

Something about that gave you pause, lagging behind your group in a long abandoned garden, the scent of Sundelions and lavender tickling your nose and a deactivate Soldier Construct coiled up in slumber. Remembering the ancient robots in Sky’s Era, carrying on in their little pockets of time, unaware that the people they were created to aid have long since gone, that their time had long gone, of Fi, everlasting, ever sleeping Fi, bound to duty, always remembering the one’s who created her, of Sky who treated her as a friend, and always watching as people so very unlike him but achingly similar came and went, unable to do anything. Loving like a ghost.

“Guest?”, came a little mechanical chirp, you blink yourself back into awareness, a Steward floating over with a tilted head, jade ceramic earrings clinking, “If I may, you look troubled. May I offer unsolicited aid?”

You can’t help but chuckle, shaking your head gently, an idea stitching yourself in your mind like threads of silk upon a gown, “No no, sorry, I’m alright, I was just wondering. Is it alright if I come on by to pick some flowers? They’re lovely, you did a great job caring for them.”

It inclines their head, chiming, something close to delight, as much as it can express as a machine, “Ah, I see you were admiring them. If I may offer a bit of trivia, Sundelions were the queen's favorite, you may. Will you take care of them?”

You smile, gently reaching a hand to pat it’s head with a nod, it clicks and whistles, surprised, but doesn’t pull away, “Of course, may I ask you a few questions as well? I’d like to know how many Soldier Constructs are resting now.”

You should also ask Sky what Fi’s opinion is on flowers, as well.

It might be a bit silly, but they deserve it after so long.

(Later, much later, when the Chain notices you’re gone after talking to Zelda in the Temple of Time high up in the. Sky finds you in the garden, gently weaving blossoms into a crown, the construct from before amicably chatting with you as it tends to the Sundelions with a ring of flowers around it's long, long neck.

He joins you, and when asked what his and Fi’s opinion is on flowers, he tells you she won’t mind, much less him.

Later that day, Fi’s gains a crown of yarrow, bluebells and morning glories

It’s not much, but it makes Sky smile, you hope she likes them.)

[bisexualgerardway]

i have a sweet mcr irl friend (who is. a twitter guy and not a tumblr guy) but you all need to know that she just got the swarm tattoo and DID just bring an excessively zoomed in frank ass pic to the artist as reference . just kinda hoped the artist didnt zoom out at any point

[fingertipsmp3]

I fear I might be getting into star wars

[mcmansionhell]

on neuschwanstein castle (part 1)

This is an essay in two parts.

Neuschwanstein Concept Drawing by the stage designer (!!) Christian Jank (1869).

There exist in architecture clear precedents to the McMansion that have nothing to do with suburban real estate. This is because “McMansionry” (let’s say) has many transferable properties. Among them can be included: 1) a diabolical amount of wealth that must be communicated architecturally in the most frivolous way possible, 2) a penchant for historical LARPing primarily informed by media (e.g. the American “Tuscan kitchen”) and 3) the execution of historical styles using contemporary building materials resulting in an aesthetic affect that can be described as uncanny or cheap-looking. By these metrics, we can absolutely call Neuschwanstein Castle, built by the architect Eduard Riedel for King Ludwig II of Bavaria, a McMansion.

Constructed from 1869 through 1886 – the year of Ludwig’s alleged suicide after having been ousted and declared insane – the castle cost the coffers of the Bavarian state and Ludwig himself no fewer than 6.2 million German gold marks. (That's an estimated 47 million euros today.) The castle's story is rife with well-known scandal. I'm sure any passing Swan Enthusiast is already familiar with Ludwig’s financial capriciousness, his called-off marriage and repressed homosexuality, his parasocial obsession with Richard Wagner, his complete and total inability to run his country, and his alleged "madness," as they used to call it. All of these combine to make Neuschwanstein inescapable from the man who commissioned it -- and the artist who inspired it. Say what you like about Ludwig and his building projects, but he is definitely remembered because of them, which is what most monarchs want. Be careful what you wish for.

Neuschwanstein gatehouse.

How should one describe Neuschwanstein architecturally? You’d need an additional blog. Its interiors alone (the subject of the next essay) range from Neo-Baroque to Neo-Byzantine to Neo-Gothic. There are many terms that can loosely define the palace's overall style: eclecticism, medieval revivalism, historicism, chateauesque, sclerotic monarchycore, etc. However, the the most specific would be what was called "castle Romanticism" (Burgenromantik). The Germans are nothing if not literal. Whatever word you want to use, Neuschwanstein is such a Sistine Chapel of pure sentimentality and sugary kitsch that theme park architecture – most famously, Disney's Cinderella’s castle itself – owes many of its medieval iterations to the palace's towering silhouette.

There is some truth to the term Burgenromantik. Neuschwanstein's exterior is a completely fabricated 19th century storybook fantasy of the Middle Ages whose precedents lie more truthfully in art for the stage. As a castle without fortification and a palace with no space for governance, Neuschwanstein's own program is indecisive about what it should be, which makes it a pretty good reflection of Ludwig II himself. To me, however, it is the last gasp of a monarchy whose power will be totally extinguished by that same industrial modernity responsible for the materials and techniques of Neuschwanstein's own, ironic construction.

In order to understand Neuschwanstein, however, we must go into two subjects that are equally a great time for me: 19th century medievalism - the subject of this essay - and the opera Lohengrin by Richard Wagner, the subject of the next. (1)

Part I: Medievalisms Progressive and Reactionary

The Middle Ages were inescapable in 19th century Europe. Design, music, visual art, theater, literature, and yes, architecture were all besotted with the stuff of knights and castles, old sagas, and courtly literature. From arch-conservative nationalism to pro-labor socialism, medievalism's popularity spanned the entire political spectrum. This is because it owes its existence to a number of developments that affected the whole of society.

In Ludwig’s time, the world was changing in profound, almost inconceivable ways. The first and second industrial revolutions with their socioeconomic upheavals and new technologies of transport, manufacturing, and mass communication, all completely unmade and remade how people lived and worked. This was as true of the average person as it was of the princes and nobles who were beginning to be undermined by something called “the petit bourgeoisie.”

Sustenance farming dwindled and wage labor eclipsed all other forms of working. Millions of people no longer able to make a living on piecemeal and agricultural work flocked to the cities and into the great Molochs of factories, mills, stockyards, and mines. Families and other kinship bonds were eroded or severed by the acceleration of capitalist production, large wars, and new means of transportation, especially the railroad. People became not only alienated from each other and from their labor in the classical Marxist sense but also from the results of that labor, too. No longer were chairs made by craftsmen or clothes by the single tailor -- unless you could afford the bespoke. Everything from shirtwaists to wrought iron lamps was increasingly mass produced - under wretched conditions, too. Things – including buildings – that were once built to last a lifetime became cheap, disposable, and subject to the whimsy of fashion, sold via this new thing called “the catalog.”

William Morris' painting Le Belle Iseult (1868).

Unsurprisingly, this new way of living and working caused not a little discontent. This was the climate in which Karl Marx wrote Capital and Charles Dickens wrote A Christmas Carol. More specific to our interests, however, is a different dissenter and one of the most interesting practitioners of medievalism, the English polymath William Morris.

A lover of Arthurian legend and an admirer of the architect and design reformer John Ruskin, Morris was first trained in the office of architect G. E. Street, himself a die-hard Gothic Revivalist. From the very beginning, the Middle Ages can be found everywhere in Morris' work, from the rough-hewn qualities of the furniture he helped design to the floral elements and compositions of the art nouveau textiles and graphics he's most famous for -- which, it should be said, are reminiscent of 15th century English tapestries. In addition to his design endeavors, Morris was also a gifted writer and poet. His was a profound love for medieval literature, especially Norse sagas from Iceland. Some of these he even translated including the Volsunga Saga -- also a preoccupation of Wagner's. Few among us earn the title of polymath, but Morris' claim to it is undeniable. Aside from music, there really wasn't any area of creative life he didn't touch.

However, Morris' predilection for the medieval was not just a personal and aesthetic fascination. It was also an expression of his political rejection of the capitalist mode of production. As one of the founders of the English Arts & Crafts Movement, Morris called for a rejection of piecemeal machine labor, a return to handicraft, and overall to things made well and made with dignity. While this was and remains a largely middle class argument, one that usually leads down the road of ethical consumption, Morris was right that capitalism's failing of design and architecture did not just lie with the depreciated quality of goods, but the depreciated quality of life. His was the utopian call to respect both the object and the laborer who produced it. To quote from his 1888 essay called "The Revival of Architecture," Morris dreamed of a society that "will produce to live and not live to produce, as we do." Indeed, in our current era of AI Slop, there remains much to like about the Factory Slop-era call to take back time from the foreman's clock and once more make labor an act of enjoyable and unalienated creativity. Only now it's about things like writing an essay.

I bother to describe Morris at length here for a number of reasons. The first is to reiterate that medievalism's popularity was largely a response to socioeconomic changes. Additionally, since traditionalism - in Ludwig's time and in ours - still gets weaponized by right-wing losers, it's worth pointing out that not all practitioners of medievalism were politically reactionary in nature. However – and I will return to this later – medievalism, reactionary or not, remains inescapably nostalgic. Morris is no exception. While a total rejection of mass produced goods may seem quixotic to us now, when Morris was working, the era before mass industrialization remained at the fringes of living memory. Hence the nostalgia is perhaps to be expected. Unfortunately for him and for us, the only way out of capitalism is through it.

To return again to the big picture: whether one liked it or not, the old feudal world was done. Only its necrotic leftovers, namely a hereditary nobility whose power would run out of road in WWI, remained. For Ludwig purposes, it was a fraught political time in Bavaria as well. Bavaria, weird duck that it was, remained relatively autonomous within the new German Reich. Despite the title of king, Ludwig, much to his chagrin - hence the pathetic Middle Ages fantasizing - did not rule absolutely. His was a constitutional monarchy, and an embattled one at that. During the building of Neuschwanstein, the king found himself wedged between the Franco-Prussian War and the political coup masterminded by Otto von Bismarck that would put Europe on the fast track to a global conflict many saw as the atavistic culmination of all that already violent modernity. No wonder he wanted to hide with his Schwans up in the hills of Schwangau.

The very notion of a unified German Reich (or an independent Kingdom of Bavaria) was itself indicative of another development. Regardless if one was liberal or conservative, a king, an artist or a shoe peddler, the 19th century was plagued by the rise of modern nationalism. Bolstered by new ideas in "medical" “science,” this was also a racialized nationalism. A lot of emotional, political, and artistic investment was put into the idea that there existed a fundamentally German volk, a German soil, a German soul. This, however, was a universalizing statement in need of a citation, with lots of political power on the line. Hence, in order to add historical credence to these new conceptions of one’s heritage, people turned to the old sources.

Within the hallowed halls of Europe's universities, newly minted historians and philologists scoured medieval texts for traces of a people united by a common geography and ethnicity as well as the foundations for a historically continuous state. We now know that this is a problematic and incorrect way of looking at the medieval world, a world that was so very different from our own. A great deal of subsequent medieval scholarship still devotes itself to correcting for these errors. But back then, such scholarly ethics were not to be found and people did what they liked with the sources. A lot of assumptions were made in order to make whatever point one wanted, often about one's superiority over another. Hell, anyone who's been on Trad Guy Deus Vult Twitter knows that a lot of assumptions are still made, and for the same purposes.(2)

Meanwhile, outside of the academy, mass print media meant more people were exposed to medieval content than ever before. Translations of chivalric romances such as Wolfgang von Eschenbach’s Parzival and sagas like the Poetic Edda inspired a century’s worth of artists to incorporate these characters and themes into their work. This work was often but of course not always nationalistic in character. Such adaptations for political purposes could get very granular in nature. We all like to point to the greats like William Morris or Richard Wagner (who was really a master of a larger syncretism.) But there were many lesser attempts made by weaker artists that today have an unfortunate bootlicking je nais se quoi to them.

I love a minor tangent related to my interests, so here's one: a good example of this nationalist granularity comes from Franz Grillparzer’s 1823 pro-Hapsburg play König Ottokars Glück und Ende, which took for its source a deep cut 14th century manuscript called the Styrian Rhyming Chronicle, written by Ottokar Aus Der Gaul. The play concerns the political intrigue around King Ottokar II of Bohemia and his subsequent 1278 defeat at the hands of Grillparzer’s very swagged out Rudolf of Habsburg. Present are some truly fascinating but extremely obscure characters from 13th Holy Roman Empire lore including a long-time personal obsession of mine, the Styrian ministerial and three-time traitor of the Great Interregnum, Frederick V of Pettau. But I’m getting off-topic here. Let's get back to the castle.

The Throne Room at Neuschwanstein

For architecture, perhaps the most important development in spreading medievalism was this new institution called the "big public museum." Through a professionalizing field of archaeology and the sickness that was colonialist expansion, bits and bobs of buildings were stolen from places like North Africa, Egypt, the Middle East, and Byzantium, all of which had an enormous impact on latter 19th century architecture. (They were also picked up by early 20th century American architects from H. H. Richardson to Louis Sullivan.) These orientalized fragments were further disseminated through new books, monographs, and later photography.

Meanwhile, developments in fabrication (standardized building materials), construction (namely iron, then steel) and mass production sped things up and reduced costs considerably. Soon, castles and churches in the image of those that once took decades if not a century to build were erected on countless hillsides or in little town squares across the continent. These changes in the material production of architecture are key for understanding "why Neuschwanstein castle looks so weird."

Part of what gives medieval architecture its character is the sheer embodiment of labor embedded in all those heavy stones, stones that were chiseled, hauled, and set by hand. The Gothic cathedral was a precarious endeavor whose appearance of lightness was not earned easily, which is why, when writing about their sublimity, Edmund Burke invoked not only the play of light and shadow, but the sheer slowness and human toil involved.

This is, of course, not true of our present estate. Neuschwanstein not only eschews the role of a castle as a “fortress to be used in war” (an inherently stereotomic program) but was erected using contemporary materials and techniques that are simply not imbued with the same age or gravitas. Built via a typical brick construction but clad in more impressive sandstone, it's all far too clean. Neuschwanstein's proportions seem not only chaotic - towers and windows are strewn about seemingly on a whim - they are also totally irreconcilable with the castle's alleged typology, in part because we know what a genuine medieval castle looks like.

Ludwig's palace was a technological marvel of the industrial revolution. Not only did Neuschwanstein have indoor plumbing and central heat, it also used the largest glass windows then in manufacture. It's not even an Iron Age building. The throne room, seen earlier in this post, required the use of structural steel. None of this is to say that 19th century construction labor was easy. It wasn't and many people still died, including 30 at Neuschwanstein. It was, however, simply different in character than medieval labor. For all the waxing poetic about handiwork, I’m sure medieval stonemasons would have loved the use of a steam crane.

It's true that architectural eclecticism (the use of many styles at once) has a knack for undermining the presumed authenticity or fidelity of each style employed. But this somewhat misunderstands the crime. The thing about Neuschwanstein is that its goal was not to be historically authentic at all. Its target realm was that of fantasy. Not only that, a fantasy informed primarily by a contemporary media source. In this, it could be said to be more architecturally successful.

The fantasy of medievalism is very different than the truth of the Middle Ages. As I hinted at before, more than anything else, medievalism was an inherently nostalgic movement, and not only because it was a bedrock of so much children's literature. People loved it because it promised a bygone past that never existed. The visual and written languages of feudalism, despite it being a terrible socioeconomic system, came into vogue in part because it wasn't capitalism. We must remember that the 19th century saw industrial capitalism at its newest and rawest. Unregulated, it destroyed every natural resource in sight and subjected people, including children, to horrific labor conditions. It still does, and will probably get worse, but the difference is, we're somewhat used to it by now. The shock's worn off.

All that upheaval I talked about earlier made people long for a simplicity they felt was missing. This took many different forms. The rapid advances of secular society and the incursion of science into belief made many crave a greater religiosity. At a time when the effects of wage labor on the family had made womanhood a contested territory, many appeals were made to a divine and innocent feminine a la Lady Guinevere. Urbanization made many wish for a quieter world with less hustle and bustle and better air. These sentiments are not without their reasons. Technological and socioeconomic changes still make us feel alienated and destabilized, hence why there are so many medieval revivals even in our own time. (Chappell Roan of Arc anyone?) Hell, our own rich people aren't so different from Ludwig either. Mark Zuckerburg owns a Hawaiian island and basically controls the fates of the people who live there lord-in-the-castle-style.

Given all this, it's not surprising that of the products of the Middle Ages, perhaps chivalric romance was and remains the most popular. While never a real depiction of medieval life (no, all those knights were not dying on the behalf of pretty ladies), such stories of good men and women and their grand adventures still capture the imaginations of children and adults alike. (You will find no greater fan of Parzival than yours truly.) It's also no wonder the nature of the romance, with its paternalistic patriarchy, its Christianity, its sentimentality around courtly love, and most of all its depiction of the ruling class as noble and benevolent – appealed to someone like Ludwig, both as a quirked-up individual and a member of his class.

It follows, then, that any artist capable of synthesizing all these elements, fears, and desires into an aesthetically transcendent package would've had a great effect on such a man. One did, of course. His name was Richard Wagner.

In our next essay, we will witness one of the most astonishing cases of kitsch imitating art. But before there could be Neuschwanstein Castle, there had to be this pretty little opera called Lohengrin.

---

(1) If you want to get a head start on the Wagner stuff, I've been writing about the Ring cycle lately on my Substack: https://www.late-review.com/p/essays-on-wagners-ring-part-1-believing

(2) My favorite insane nationalist claim comes from the 1960s, when the Slovene-American historian Joseph Felicijan claimed that the US's democracy was based off the 13th century ritual of enthronement practiced by the Dukes of Carinthia because Thomas Jefferson owned a copy of Jean Bodin's Les six livres de la Republique (1576) in which the rite was mentioned. For more information, see Peter Štih's book The Middle Ages Between the Alps and the Northern Adriatic (p. 56 for the curious.)

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[j-rye]

oversteeping horse edition

[redstainedstars]

if you're still doing this 👀

Give me an f/o or an s/i and I'll assign them a birthday cake!

A description is appreciated but not required! Remember it's just a birthday cake so don't expect anything too fancy

[castrotophic]

not sure if anyone is interested in this but here is a list of the most joyfully vital poems I know :)

You're the Top by Ellen Bass

Grand Fugue by Peter E. Murphy

Our Beautiful Life When It's Filled with Shrieks by Christopher Citro

Everything Is Waiting For You by David Whyte

Lawrence Ferlinghetti Is Alive! by Emily Sernaker

Instructions for Assembling the Miracle by Peter Cooley

Catalogue of Unabashed Gratitude by Ross Gay

Barton Springs by Tony Hoagland

Footnote to Howl by Allen Ginsberg

Song of the Open Road by Walt Whitman

Tomorrow, No, Tomorrower by Bradley Trumpfheller

At Last the New Arriving by Gabrielle Calvocoressi

To a Self-Proclaimed Manic Depressive Ex-Stripper Poet, After a Reading by Jeannine Hall Gailey

In the Presence of Absence by Richard Widerkehr

Chillary Clinton Said 'We Have to Bring Them to Heal' by Cortney Lamar Charleston

Midsummer by Charles Simic

Today by Frank O'Hara

Naturally by Stephen Dunn

Life is Slightly Different Than You Think It Is by Arthur Vogelsang

Ode to My Husband, Who Brings the Music by Zeina Hashem Beck

The Imaginal Stage by D.A. Powell

Lucky Life by Gerald Stern

Beginner's Lesson by Malcolm Alexander

Presidential Poetry Briefing by Albert Haley

A Poem for Uncertainties by Mark Terrill

On Coming Home by Lisa Summe

G-9 by Tim Dlugos

Five Haiku by Billy Collins

The Fates by David Kirby

Upon Receiving My Inheritance by William Fargason

Variation on a Theme by W. S. Merwin

Easy as Falling Down Stairs by Dean Young

Psalm 150 by Jericho Brown

Pantoum for Sabbouha by Zeina Hashem Beck

ASMR by Corey Van Landingham

A Welcome by Joanna Klink

From Blossoms by Li-Young Lee

At Church, I Tell My Mom She’s Singing Off-Key and She Says, by Michael Frazier

Hammond B3 Organ Cistern by Gabrielle Calvocoressi

Sorrow Is Not My Name by Ross Gay

You Can't Have It All by Barbara Ras

We Were Emergencies by Buddy Wakefield

To the Woman Crying Uncontrollably In the Next Stall by Kim Addonizio

Monet Refuses the Operation by Lisel Mueller

[whoslaurapalmer]

waldo saying that smoke gets in your eyes was basically his and laura's song in the book (it was a song they heard for the first time together, a song that made her share something personal with him, that she'd just been rejected by a man she liked, a song that represented to waldo the magnitude of feeling between the two of them, something no one else could possibly reach or match -- and it's the last song he intends her to hear, at the dinner they were supposed to have together, the pinnacle of their relationship, the representation of their relationship) vs in the movie, it's not really their song, it's not even the same song, it's just a different song that was laura's favorite, and it's "not exactly classical," but it's a song that's hers, ostensibly, until you find out there are lyrics and the lyrics are about laura. because it is a song that also exists in a movie and exists to describe the movie, to describe an image of laura. specifically an Image of laura, the portrait of laura, assumptions about laura and a man's relationship with laura, waldo's relationship with laura, mark's relationship. you get what i'm saying. i don't even know what i'm saying

[mihanisms]

content: porn with no plot. written before caleb release and very self-infulgent; may not stay true to his character after release. I just want a domineering yandere man who wants to give me backshots and lock me up please infold please.

warnings: mean caleb, overstimulation, slight breeding kink, dumbification / themes of mindbreaking, very very lightly sprinkled angst. implied passing out due to sex? dark undertones, but caleb will never forget to give you good aftercare....after he fucks the everloving shit out of your system.

y'all have heard this a thousand times but caleb definitely likes to use his evol to hold you down as he fucks you. if you ever give him attitude, his evol will come out and you'll find yourself kneeling on the ground, his voice light yet carrying that underlying hint of strict desire as he tilts your head up with two fingers.

"it seems like a certain princess here has forgotten how to behave...again. do i need to remind you that you are the one being covered for by me, pipsqueak?" his gaze grows darker and darker as he speaks, his thumb brushing over your lips as you stutter out a response, giving him a pleading look to try and plead for mercy - but it wouldn't work on him. not anymore.

so when you find yourself being bent over the bed, his hips harshly thrusting into your g-spot, you could no longer muster any words besides broken apologies for mercy, hands gripping at the sheets as he repeatedly ruts against you, his voice rough and far, far from the sweet childhood boy you once knew as he growls into your ear.

"come on, princess, where did all your words go?" his hand pushes down on the arch of your back as his teeth find the nape of your neck, sinking into your skin and marking you as his. the only thing that escapes you is a weak cry, any response you try to muster up immediately interrupted by a well-timed thrust to your gummy spots or a harsh flick against your clit. you had lost count of the amount of orgasms caleb pulled from your body - hell, you weren't even aware you could cum this much from a single session. but you were left fucked dumb, the only thing on your mind being his cock sliding in and out of your gushing cunt as you fade in and out of consciousness. meanwhile, caleb's thrusts never once faltered, his cock splurting seemingly endless amounts of cum into your already-filled pussy. in the back of his mind, he wondered if your stomach would swell with his cum - or maybe, his child?

his eyes were wild with possessive lust as various ways he could keep you chained to his side emotionally, physically, or however else he could ran through his mind. maybe he could get you so dependent on his cock you couldn't live without it, although that seemed to already be the case with the way your hands were weakly gripping the sheets and your entire body was quivering under his touch, any protests silenced and replaced with soft mewls and pretty moans.

and when he finally, finally found himself satiated, he found his hands clinging to the curves of your body as he cleaned you up, your awareness long gone as he curled up next to you on the bed. his thumbs run over the apple of your cheek and his lips find the edge of your hairline as he leaves gentle kisses on your face. "you're finally home," he whispers in your ear, hands pressing your body against his. "and i'll never leave you alone again, princess."

[gloomwitchwrites]

141 with a partner who likes to bite

Okay, anon. I'll be honest. When I read this prompt, I immediately thought of "cute aggression." Not sure if that is what you meant or if you meant something else, but that's what I went with. Kinda. There are some more suggestive undertones in a few of these. I had a lot of fun with this one. Thank you so much for sending it in!

Presented in four double drabbles.

For the masterlist and how to submit your own request, click HERE

Task Force 141 x Reader (can be read as gn!reader)

Content & Warnings (per the warnings MDNI): swearing, biting, cute aggression, established relationship, teasing, flirting, suggestive themes

Word Count: 800

ao3 // main masterlist // imagines & what if masterlist

John Price

"Are you teething?” asks John. “Do I need to get you a pacifier?"

John sounds annoyed, but you know that he isn’t. Not really. He happily puts up with your shenanigans.

"Can't help it,” you reply, showing your teeth. “You're too tempting."

The two of you are curled up in bed. He’s trying to read. And you’re trying to annoy him. When John is shirtless and reclined in bed, you have a clear view of his muscles. The temptation is always there, and it’s a pull you can’t resist. The aggression isn’t violent. It’s just overwhelming.

Clearly not liking your answer, John grunts. He tosses his book aside, uncaring of losing his place. One moment you’re next to him, and the next you’re fully on your back, trapped beneath his weight.

Giggling, you playfully shove at him, but there is no intention to escape from him. It’s not like you could break out of his grasp if you tried. He is warm and taut. A weighted blanket. This is what you wanted all along. To be beneath him.

"Stop."

He nips at your throat.

"Fucking."

Then he nips at your shoulder.

"Biting."

Finally, John nips at your upper arm.

"Me."

Kyle "Gaz" Garrick

"Someone's going to think you're abusing me."

You grimace, even though Kyle’s tone is teasing and not at all upset. His arm and neck are peppered with small teeth marks. Most of them look like random little indents in the skin while others appear to be in the beginnings of bruising.

“I might have used excessive force,” you murmur, thumbing one of the marks.

Sometimes you can’t help yourself. The need to do it is overwhelming. Most times, you shake it off.

Kyle grins. “I like them. They’re little reminders.”

You laugh. “Oh yeah? Reminders of what?”

Kyle leans in, hand sliding up your back to grasp the nape of your neck. Pulling you close, Kyle lowers his voice. It’s all sultry smoothness.

"Of how many times I can make you come,” he coos.

“Kyle!” You lightly smack his chest, face heating as his gaze softens.

He shrugs. “You also just like to bite me.”

“Can’t help it,” you mutter.

“You’re like one of those small dogs,” he teases.

You roll your eyes. “Don’t you dare,” you scold.

“Adorable. Sweet at first glance.”

“Kyle.”

“Mean bite.”

“I swear to God, Kyle.”

“A—”

You place your hand over his mouth.

John "Soap" MacTavish

With Johnny as your bed, you spread yourself over him, head resting against his right pectoral. A rugby game is on. Johnny’s completely focused on the television as the two teams move about the field like small insects.

Johnny’s large, muscled arms are draped over your back, but his left bicep is dangerously close to your face. Every vein is pronounced. Tempting. You want to trace them with your tongue.

A naughty little urge creeps in. Makes itself known. Slithers around your brain to whisper that you should.

What’s one little bite?

It won’t hurt.

Like an itch that needs to be scratched, you lean forward, lightly chomping down on Johnny’s arm. The urge settles, the neurons in your brain content and happy.

Startled, Johnny jerks. Then, he laughs, arms tightening around you.

One second, you’re in full cuteness aggression. The next, Johnny is rolling you over, trapping you beneath him against the couch. Instead of you biting him, it’s Johnny biting you.

You shriek playfully, but he continues to nibble.

“Let me go,” you laugh. Smacking at him does nothing.

“You little goblin,” he mutters, dragging you off the couch and hauling you toward the bedroom, rugby match forgotten.

Simon "Ghost" Riley

Simon wears only a thin, black shirt, leaving his arms bare. Your mouth waters at the sight of the protruding veins and taut muscles. The urge to touch and taste is overwhelming. It burns bright and hot beneath your skin.

"What are you looking at?" asks Simon without looking away from the menu board on the far wall.

“Nothing,” you reply instantly, glancing away like you weren’t thinking about his muscles.

A few seconds pass, and then you slip an arm between his, clinging to Simon. He doesn’t react. The menu board has his full attention. Simon is more worried about filling his stomach.

Turning your face into his arm, the urge to bite down—to unleash the aggression—wells inside you like a tsunami. At first, you resist, reminding yourself that you are in public and this behavior is inappropriate.

But you lose.

Your mouth starts to open, teeth poised to lightly bite.

“My arm isn’t a chew toy,” says Simon out of the corner of his mouth.

"I didn't bite," you mutter.

Simon slips his arm out of your grasp and then drapes it over your shoulders.

He leans in close. "You can bite me all over later."

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[screampied]

GOVERNMENT HOOKER ?! — GOJO & GETO ☆

ᡴꪫ headline. what happens when you’re the popstar too? even better question: what happens when you show up to a show with no panties thanks to your band mates gojo and geto?

wc. 6.0k

warnings. fem! reader, popstar!gojo au, thrēesomes, semi-public themes, unprotected, fucking backstage, praise, dirty talk, geto showing gojo how to touch you, cucking, hair pulling, double penetratıon, size kink, manhandling, nipple play, oral (f & m receiving), gojo gets cancelled (again)

an. ignore alejandro that chapter never happened hahakdlf

popstar!gojo mlist

“um hello. if i wanted to watch you two make out i’d watch corn or something.” gojo pouts, scowl and all. he watches as his other bandmate—geto, the star bassist shove his tongue down your throat. he was so jealous, maybe having intimate relations with your two mates wasn’t the best idea but who cares, right?

“porn not corn,” you roll your eyes, pulling away from geto to stare at the popstar. gojo had the biggest frown on his face, he wanted some too. besides, it was about an hour before the show would actually start and he was bored out of his skull. he couldn’t help but roam his eyes all down your attire, the bedazzled rhinestones that stuck against the fabric, your fishnets, the way they effortlessly stuck against your skin. “what?”

geto leans back with a desirable slouch, tangled knots of his hair falling against his broad shoulders before he hums. “oh, he’s jus’ jealous. he wants to kiss you too, princess,” and geto briefly unstraps his mic that was attached near his chin. “to be fair though, gojo doesn’t know the first step on pleasing women.”

“uh huh, and you do?” gojo glowers, purposely sitting right between the two of you. the both of you dramatically groan, the mood suddenly ruined from the spoiled popstar before he slings an arm around you. “h-hey, pretty.”

and his voice cracks— oops.

you giggle and it only makes gojo’s pout deepen. he mopes and you cup his face with a cheeky grin. “satoru, stop whining. if you wanted to touch me too, you could have just asked,” and with irises as azure as a blue day sky, they dilate. gojo melts from your touch alone, a thumb of yours strokes his left temple and his attention’s suddenly captivated. “do you want a kiss too?”

“y- yes,” he stammers, hearing geto snicker directly next to him. he glares, uttering a, “shut up,” and as his eyes focus back towards you, he subtlety glances at your foxy glossed lips that were cutely pursed. “i wanna kiss you, please..”

it was winsome in a way. out of all the times gojo kissed you, he acts like this was his first time. but in actuality,

he’s always been a bit addicted to you. you sort of came out of nowhere, he’s always been a well known popstar all around the world but with you, he’s had to share his spotlight. not that he ever really minded, gojo would always share if it was with you.

currently—the two of you were touring together, you weren’t as influential to the famed pop genre, but you had a bit of a fanbase yourself. you started about a year ago, gojo was a … secret fanboy of you back when the two of you first met. he heard your voice and knew he had to have you.

have as in, have you as an opener for one of his shows which then turned to many. and now, he’s on his highly anticipated world tour with you. die hard fans immediately wanted to know more about you as you started to make your mark in the industry.

whilst your lips gingerly press against gojo’s, he lets off a sweet harmonic moan.

you taste so sweet, honeyed even.

gojo’s always had a craving for sweet things, you’ve just helped him indulge in it further.

a tongue of his runs against your bottom lip. he sucks on it succinctly, tasting the syrupy flavor of lip gloss that bedaubs over your lips. he deepens the kiss by a mile—gojo brings two hands toward your waist, two thumbs swiftly rubbing against your sides as each tongue rummages through and through. a smile compresses against your lips as you make out with him, sucking on his tongue and he whines for more.

“he’s gonna fall ‘n love at this rate,” geto titters, prying his best friend off. gojo pouts once the kiss devestatingly breaks. a slippery concoction-like string of spit wrests away from each lips as gojo exhales deeply. geto leans in to kiss underneath your neck before speaking in a perky purr. “hm, we’ve maybe got a good… what—” and the bassist glances at the watch that sticks to his wrist. “forty minutes left?”

“hey, don’t hog her,” gojo grumbles, and they’re both practically fighting over you. geto smugly grins, lowering his head towards your thighs to nip more near your cobweb-styled fishnets. you lie back against the sofa as the two both stare at you with such lust piercing into their eyes. “you’re so pretty,” he puffs, a thumb of his stroking against your chin.

“toru, c’mereee,” geto slyly says, ushering him with two moving fingers. gojo gets beside him and they’re both hovering over you. leaning back against the cushioned furniture—you sprawl your legs out a bit, tossing off your high inched stilettos. “feel how wet she is for me— eh, i mean us.”

you were a bit wet, profusely wet after making out with geto previously for so long.

with his hands meandering all down your body in the process, his knee goes between your thighs every few seconds. your laced panties were merely stuck together against your skin—gojo feels himself pant once he notices the little dampened spot near the middle of the cottony fabric. “hurry up though,” you stammer. “kento’s gonna kill us if we show up late for another show.”

kento nanami being gojo’s stern manager,

“i got you, princess,” geto hums, grabbing ahold of your wrist. gojo however was quite eager, desperate to run his fingers near your soaked entrance. “satoru, don’t drool over her now. have some manners.” he teases, showing him how to skim his fingers against your now exposed clit. your panties were now pulled to the side and you gnaw on your bottom lip to suppress a few of your incoming moans.

“shut up, s-suguu,” he scoffs, a thumb of his ghosting down your swollen slit. gojo’s already mesmerized, oh, you were sopping wet. it should be a crime to be this drenched. although— he’s a bit timid on what to do next. gojo leans right between your legs, planting a soft kiss near the inner crevice of your legs. “m-mmh.” he coos out, the scent of your arousal immensely pouring into his nostrils. you were so addictive, he barely even had a taste of you and he already wanted more.

“she’s pretty isn’t she,” geto whispers and as you look down, they’re both right between your thighs. greedy, you knew they’d probably share. geto playfully sinks his teeth into your thigh before he trails his face up. he creates a single licking trail against your folds and you moan. gojo watches, the direct spot he licks against was your sweetened clitoral hood. “get her wet, like this,” and his long black lashes close. the warmth of geto’s tongue already makes your back arch. he’s gentle yet precise—he slurps you for a few more moments before a stubby thumb of his prods inside of your pulsating clit. after a few quickened seconds he pulls away, furtively smiling at gojo. “can you do that orrr do i gotta hold your hand?”

“oh fuck you, man. i can eat pussy.” gojo glares, and their banter was always so entertaining to watch.

you giggle, seeing gojo’s annoyed frustration before the bassist gets up to stand. you glance up at him—he’s towering over you, immediately you lick your lips at the sight of his skin tight jeans.

oh, how they perfectly stuck against his skin, quite literally skin tight. he had such a big bulge already poking out, his zipper wouldn’t even zip fully. geto’s fly was proudly open, he hums to himself as he sees your eager hands paw against his pants. with a big hand grabbing onto the crown of your head, he cheeses. “hmm, you want a taste of somethin’ too, huh? need me to train those pretty vocal chords before the show?”

you nod, but his hand snakes its way to cup onto your chin. “words,” he purrs, a thumb peeling down your bottom lip. you moan once you feel gojo starting to lay his tongue flat against your cunt, relishing in your precious flavor. he’s already drooling over you, making you ten times more wet. gojo was gonna order something before performing—but eating you out was cheaper, and far more tasty than his original craving dish. “tell me what that throat wants, pretty.”

as you’re pursing your lips to speak, you moan at the way gojo’s right between your legs, teeth of his playfully gnawing near your thighs whilst he’s buried face full into you. “w- want your cock,” you mewl out with pretty polished eyes. geto’s jeans, the bulge was all pressed against your face— he yanks down his pants only to rub your face against the printed fabric. “suguru, need it.”

“fuck,” he grunts, feeling how you voluntarily roll out your own tongue, flicking it against the edges of his boxers. his bulge, it leaves you with a non-taste in your mouth, your legs start to quaver from gojo’s tongue. the popstar’s eating you out as if he’s haven’t had a good meal in years. he’s cutely moaning into your cunt, feeling the growing strain in beneath his briefs himself. geto delicately grabs a fistful of your hair before he raises a brow. “teeth, pull ‘em off with your teeth. we won’t use our hands today, baby.”

with a pout, you comply—leaning in, the pointed areas of your canines latch onto his underwear. its stretchy. you whine, reaching a hand down to touch yourself but gojo lightly smacks your hand.

“girl, ‘m eating.”

geto giggles, watching the pout on your face only squeeze against your expressions tighter. as you’re peeling his boxers down with your teeth, slowly, his thick cock springs out. it’s so big, and of course—gojo pauses to take a quick look himself. his jaw faintly drops at his best friend’s hefty size, and as he’s staring—geto catches him gawking before he sneers.

“oh, you’re lookin’ like you wanna suck me off too, satoru,” and he hums once he feels your tongue lick against his leaky base. “don’t be ungrateful, popstar. your meal’s right in front of you.”

“s-shut up,” he grumbles, feeling a sudden wave of heat wash against the entirety of his face. gojo goes back to sliding his tongue against your sensitive nub, listening to your sweet whimpers. you’re barely able to hold still. in the background, all that could be heard was the clamorous sounds of chants and screams—the audience, awaiting for their beloved satoru gojo who was currently occupying his own vocals between your thighs. he was never once to complain, the softly padded cartilage part of his nose swipes against your folds and your tummy zealously caves in. he licks you in all the right spots, licks that gradually turn into deep, sloppy sucks. “m-mhm, so sweet.”

“heyy,” geto whispers, craning your head to stare back up at him. as you’re met with the thickness of his shaft standing tall right in front of your face, you lean in to kiss the very tip of his frenulum. he groans, the outer parts of his abs clenching in pleasure. he couldn’t wait to feel the very inside of your throat, the tightness, the sheer warmth. with your tongue exploring everywhere—every specific spot, tracing the outline of his size, you whine.

with plump, spit-glossed lips—you dangle your jaw down a bit, preparing to take him inside. “good girl. no slobbin’ on it, okay? you don’t wanna be a messy girl this time, do ya? not before a big show, yeah?”

you reply with a subtle head nod, your sweet lips happily opening around his ample fat cockhead.

“yeah? you want me to really throat train you, that bad huh. warm up that pretty diaphragm?” geto sighs, his darkened arch brows lowering once you start to slowly sink your throat down onto his excited length. geto’s barely a few inches in and you feel a sudden pulse race down his dick.

so cute, geto keeps his eyes on you the entire time—occasionally, his eyes detour from you to gojo. he was already lost in your pussy as if it was a maze he’d never escape from. gojo’s all underneath you as you sit over him on all fours. his tongue had already located everywhere—his tongue making its metaphorical mark in every secluded area inside of your wet folds.

you were melting, muffled moans started to spew out of your mouth from gojo’s tongue and the sudden bitter taste of geto’s pre-cum.

sweet, yet bitter..

three perfect words to describe geto’s taste— it lives on your tongue for a long time before you start to lower your mouth down on him. it’s a tight fit at first, you can already feel a few sloppy remnants of your own saliva trickle down the sides of your lips. “ah,” you gasp out, grazing the tip of your tongue over the fat crown of his dick. a taste you wanted to always savor. you moan, feeling geto sneak a hand down to pry a bit more between your already openly exposed legs. he’s almost all the way down your throat before you start to suck him off. he’s so thick that you merely gag from the first few thwacks his tip makes against the roof of your mouth.

“wider for me. lay out that tongue, yeah,” and a thumb of his traces against the curvature of your lips. you can’t help the drool that’s starting to trickle down near the very corners of your mouth. you whine, feeling that pang of a throb welt within your folds from gojo’s slurping. he was in fact, a messy eater. he couldn’t help it, especially with how sugary you taste for him, the more his tongue traverses throughout every part of your walls, the more he craves for more. he yearns for more of your taste. gojo prods two fingers against your slit before running them down, whining himself from his poking boner that’s grinding against the sofa. geto pulls his dick out to smear his dripping tip onto your lips—only to then shove it back in. you breathe through your nose before you start to suck again. timelessly, geto’s hitting against the back of your throat with ease.

gojo’s tongue already has you feeling a sense of numbness in your toes, wiggling it was little to no use. you eagerly wanted to touch yourself but each time you’d even attempt, he grabs your wrist so you won’t distract him from his meal.

gojo was dead set on making you make a mess on his tongue. “m-mph,” you’d gasp out in a muffled manner, geto’s firm grip on your hair makes your eyes merely roll into its backing depths of your cranium.

the bassist gives you a sweet head pat, shoving you all the way in before pulling you out, your nose tickles against the curled black pubic hairs that glue against his skin and he grunts. the perfect throat for a singer. after this, he was sure you’d be hitting high soprano notes like his loser best friend of a popstar in no time.

in which you were though, as you’re still perfectly on all fours with your mouth occupied and gojo directly propped underneath you, eating out your cunt like a starved man. you gasp, a sudden feeling of agitation leaking into your arousal.

it was approaching,

with the abrupt twitch of geto’s brows, he was coming the same time you were. “s-shittt,” he swallows, the ball stuffed in his throat, known as the adam’s apple. it occasionally shifts inside of his neck continues to move as he lets off guttural moans. with the way your tongue teasingly glides across his sensitive slit, he’s steadily preparing to shoot such a whopping load down your throat. “good girl, gonna make me cum, gonna make me c-cum with that pretty tight throat, yeah.”

geto’s low voice judders a bit, he’s that close that he almost starts to spasm.

with a concise bite on his lip, stopping himself from drawing blood—he leers down at you, a thumb of his stroking your lip. you were a mess, amounts of your own drool seeping down the corners of your lips before he wipes it away. “c’monnn, cum with me pretty, make a mess on that loser’s tongue for me.”

“fuck you s-suguru.” gojo grumbles, the rapid tempo of his tongue having you start to feel all kinds of pleasurable feelings. your legs had already gave out. two hands of gojo’s grip against your ass, giving it a firm squeeze before you clench against his mouth. whilst gojo’s goading at you with his tongue, again—geto’s cock reaches all the way to the roof of your throat. your tongue dances against the prodding veins that coats his dick once more before within seconds, he shoots out.

he’s still got a hand cupped over your head. the leather of his glove on his right hand tugs against the hairs of your scalp as he’s emptying a gooey volume down your tongue. “ugh, ‘s it. so much i’ve been savin’ so much for you,” he pants, lengthy strands of his hair continuing to block his view of vision in his face. as geto’s abs tenses, the minute you taste the viscous spurts of his bitterly sweet cum, it slowly starts to drizzle in your mouth.

it pours down your throat like the niagara— not even seconds later and you finish also, body twitching and overcoming with the hypnotic feelings of ectacsy and fucking salaciously lewd nirvana,

as you rut your hips against gojo’s face a few more times, he grips your hips whilst you come undone. he groans, the tent in his pants practically poking through his designer ‘toru briefs that costs well over four hundred dollars. but leave it to the popstar to spend his money on pretty boxers, blue too, his favorite color.

geto inhales a single breath, nostrils flaring all up before he wraps a hand around his length—finally pulling it out of your mouth.

he had a sheepish grin while he stares at you being laid back against the couch, slouching, and that’s when he huffs, a thumb poking your cheek to open it. “l-let’s see that tongue,” and he rubs his swollen tip against the edges of your tremoring lips. you swallowed, lolling out your pink, needy tongue and gojo sits up to see also. he couldn’t help but feel a tang of jealously, he wanted your attention. “mhm, good girl. nice ‘n clean, swallowed it all ‘n didn’t waste a drop,” and his eyes peer towards gojo who had a cute scowl on his lips. ah, he was already starting to feel left out. “satoru, kiss her.”

“uh? don’t tell me what to do, i was gonna do that anyway,” he pouts, his pretty eyes rolling back.

such sass, geto snickers at him before he kneels down to bring you up close to him. gojo cups your face, inching his wet lips toward you before he presses his own against yours. you moan, feeling the popstar’s hands wander through your dazzled blouse. with the taste of yourself still residing on his tongue, you grow addicted immediately.

a hand of his ghosts around the back of your neck, pulling you close and another hand of his ghosts between your spread open thighs. “grind against me, y-yeah, fuck,” he whines, feeling you already rub against his body. gojo’s a sloppy kisser too. the moment his tongue delves into yours, tangling with your own, he starts to feel volumes of his saliva dribble out from his mouth.

messy, a perfect way to describe the popstar. he’s had plenty of action throughout his life— it usually comes with the fame, but he’s never felt like this with someone like you.

sure, this was probably all counts of unprofessionalism but he didn’t care. you didn’t care either. geto, well … he was just geto.

“princess, keep grindin’ against him like that ‘n you’re gonna make him cum through his sweats,” geto chortles, pulling you off of him to press his own lips against you. gojo grumbles, watching his two band mates make out — oh, it was just something about your taste that made them both so drawn to you. they were driven to your lips, to your taste, to you in general. like moths to a flame. geto’s kisses were more passionate and sincere, he wraps a hand around your neck gently, a thumb caressing the passageway of your throat whilst he starts to suck against your tongue. with lips crashing amongst each other, he parts your legs open just a bit more before he departs away. “can never get enough,” and he hums to his best friend with a wry grin. “satoru, aw. what? are ya mad at me?”

“i was kissing her, man.”

“more like swallowing her face whole, come on baby-”

as they continue to bicker right in front of you, gojo leans back against the couch and geto props up directly behind you. he yanks down his sweats from last minute rehearsal and you hover over him in preparation to straddle him.

“satoru, you’re pouting.” you point out, cupping his face. indeed he was, cute pink bottom lip sticking out and he’s about to melt at how hot you look on top of him.

“it’s because he’s gonna live up to his other stage name as a two pump champ.” geto yawns,

gojo glares, desperately wishing to wipe that sly smirk off of geto’s face. then again he wasn’t exactly lying. the popstar’s known for a lot of things but most importantly—he was known for being the two pump champ, how he could barely last a few solid minutes inside of a girl before he completely spazzes out, finishing prematurely.

that only happened sometimes,

according to gojo.

“i’ll fuck you,” gojo bleats.

“what?” geto smirks.

“i said fuck you.” gojo corrects himself, barely even comprehended what he said the first time.

“yeah? maybe later.”

“stop flirting,” you roll your eyes, lifting yourself a bit on top of gojo. feeling geto’s hands suddenly cling onto your waist, you let out a soft murmur. “can i take you both?”

in a hoarse whisper, geto sneaks a few kisses against your collarbone. “are you asking, princess?” and his touch alone sends you a plethora of shivers everywhere. you lean back against his chest, still straddling gojo before biting your lip—replying with a subtle nod. “ah, ‘toru she wants to take us both. got enough energy for that?”

he shoots him daggers and the bassist only grins.

“f-fuck, jus’ . . hurry up. ‘m fuckin’ hard,” he swallows, his own fingertips brushing against the very curvature of your rocking hips.

white strands of his hair practically binding against his forehead. he’s undoubtedly hard, feeling his breathing slow down a bit as he looks down. your wet cunt was all swollen and preparing to be destroyed by them both. you weren’t even sure if you could take them both at the same time time—but where there’s a will, there’s a way,

you were far too pent up to even think about tonight’s show. your throbbing only increases before you get a hold of gojo’s length. he’s more thin with a lot of inches while geto’s more thick and bulky. just picturing the mere image of them both stuffing you full has your panties in a twist. speaking of panties— they were still leisurely pulled to the side of you, not bothering to take them off fully.

“you’re so fuckin’ hot,” gojo mewls out, his voice sounds more like a whine than anything. it was a contest between the both of you though — who was the most louder. gojo satoru or your pussy, he couldn’t help it. his whines only continue to ring across the small, claustrophobic room the further you take them both. “that’s it, yeah. jus’ keep those pretty eyes down h-here.”

a shaky breath cuts out from gojo’s lips as you feel him start to gradually sink inside of your cunt.

you moan almost immediately, holding onto his thighs whilst geto’s right behind you, following the same. you’re straddling gojo and taking him from the front and also taking geto from behind. the entirety of your pussy was lukewarm, it makes gojo already start to spasm—a familiar candied texture lingers in his mouth, his saliva that trickles inside before he can eventually swallows. you’re so tight at first, the grip you have against them both does wonders..

if it was anything though, gojo would take pussy over publicity any day.

you felt way too good. it doesn’t take them long before they both start to bottom out inside of you. geto nips a few kisses near the outer areas of your collarbone—he could never get enough of your taste, both of them couldn’t.

you were sweet like candy, gojo always did have a sweet tooth after all. as they’re both easing their ways inside of your slick entrances, you slump back against geto’s chest. “fuck, ‘s right. nice ‘n slow baby. takin’ us both so well.”

the stretch was purely appetizing—your cunt instinctively squeezes down against them, clamping.

as you start to jerk your hips forward with them being all the way in, you feel geto’s hands slither its way inside of your dazzled blouse. near the very skirts of the fabric, he fondles against your neglected breasts, giving them a nice firm grab. the tips of his soft padded thumbs strum against your nipples and you whine. “f-fuck,” you moan out, your hips rutting against them both in harmony—in perfect sync. even the sofa’s producing a tune of its own with the constant repetitive creaking. with geto’s hands still roaming against your body, it trails down to your chest and near your tummy. he cunningly grins once he feels the written lines of his signature displayed on your body. his signature—earlier, you’d ask him to write his name on you and he was more than happy to oblige. the musk of the strong scented sharpie wafts through the air, his fingers slew against the neatly written words that spelled out ‘suguru’s favorite’ in bold.

as you’re riding gojo, he takes a peek himself at your exposed abdomen and he grunts under his breath. “fucker.”

“someone mad?” geto fake pouts, poking fun at his best friend and that only gifts him a glare.

you continue to grind your hips against them, feeling gojo’s touch gently caress the lower parts of your body. the blaring roaring chants outside of the room near the arena only gets louder. like most of his shows, it was pretty packed. gojo’s always getting sold out shows of around thousands of people just to see him perform live.

but oh, did his precious little fangirls hate your guts.

they didn’t just hate you, they loathed you.

they loathed how you just randomly came into the picture, how you came out of nowhere and started opening up shows for him. everyone always wanted in on the scoop though. who were you and just why was gojo so obsessed?

where there’s gojo’s intimidating length—there’s geto’s deliciously fat girth. you couldn’t pick out just who was stuffing you deeper, you felt everything all at once. you’re unwaveringly moving your hips against them both and your cunt’s squelching out such pleasurable symphonies. “ugh,” gojo groans, dragging your hips back and forth against him with his hands. you’re so pretty like this, the view he’s got of you just riding him makes his dick twitch inside of you. you’ve never felt so full, with both guys already bottomed out—you almost struggle to barrel in both lengths at first. “k-keep ridin’ me like this ‘n i’m gonna cummm.”

you’re working your hips against them both—geto still has his hands attached to your chest, gently seeping his teeth into the juncture of your neck. his tongue was so warm, he flicks his moving muscle against the piercing marks he’s left you on your collarbone.

so sweet..

with each hole, it’s both getting its fair share of fullness and every flavorsome inch you’re taking your mouth watering. it salivates quickly and not before long—you feel yourself convulsing from each of them. you feel a palpitating pang surge underneath your thighs as you bounce against them both. the couch suddenly shrieks in unexpected dismay at the piles of weight slamming against the furniture each second.

“relax, easy easy,” geto purrs against you, licking near the outer shell of your ear. you moan, his hands starting to feel elsewhere before he rubs a few circles against your folds. you gasp, your body jolting in response. the stimulation was almost too much to bare—too good, combining both shafts, you felt the fullest one could ever be.

within seconds, they’re both buried to the hilt.

you pierce your teeth into your bottom lip before you start to rock. gojo stares at your body—the cute halfway pulled up blouse that was shimmering in the light. once all pretty and neat, now wrinkled and practically ripped to shreds all thanks to the tight grips of the two stars. gojo loudly whines, a hand of his sticking to your hips like velcro before he starts to yoke your hips further into him. “goddamn, s-so warm, jus’ askin’ to be stretched by us both, fuck ‘m not gonna last.”

“like i said, two pump champ.” geto whispers, broad hands of his own clinging to your backside.

his best friend gives him nothing more but a glower again as you’re taking both of them from each hole. the stretch lasts for a good while, your gummy textured walls squeezes against them before you feel a sudden coil burst. so good, the way your hips roll and throw back against them was so hot. the recoil—geto’s personal favorite part. he loves to give your ass spanks as you continue to jerk and jostle against them both. bodies on bodies on bodies—gojo grunts lowly as he brings a hand to play with your ignored tits. a thumb of his grazes against your unclamped bra that was just barely shielding your soft plump mounds.

“f-fuck,” you moan, rocking your hips repeatedly, the chants from the area only grows louder until it’s a deafening roar. time was merely up but you could care less. the hot warmth of geto’s breath brushes against your skin as he slides his tongue against your neck. he loved to dig his pearly whites into the depths of your skin, giving you a playful nibble. he does all that only to kiss against the new marks that print into your skin. he wants more of you. “s-stretchin’ me out s’good.”

as you’re being mushed with them both — your breaths start to become more heavy and irregular.

wet, your cunt sloshes and sloshes from each movement and it’s so lewd. you’re jerking back and forth until the sofa’s squeaking out pretty melodic moans of itself. you’re sopping wet, you reach down to touch yourself and geto grabs your wrist. “nuh uh,” he coos against your ear. “this pussy’s for my hands only, baby.”

“and mine..” gojo pouts.

“yeah, no,” geto chimes, hearing your cute grumble before he touches your swollen cunt for you. “mmm, such a wet girl. can’t believe you were really gonna perform with a pussy this soaked. my my.”

gojo’s losing it underneath you—his face flushes before he’s dragging you quicker and quicker against him. sharp exhales leave from his lips and it’s not before long that you and him were both getting close—geto shortly following too. it only takes about a good few minutes before that familiar pool stirs into the deep abyss of your obscene heat. you felt a good parcel of nerves trigger all over you’re body and you can’t stay still. with your mouth hanging open, geto’s continuing to rub circles against your throbbing clit.

“c-cum, ‘m gonna cum,” you whimper pathetically, feeling the honed edge of his hips strike into you at a more hasty tempo. geto can’t keep his hands off you, they both can’t keep their hands off of you.

the minute you feel the fat head of gojo’s dick broach against that particular spot. you’re seeing all types of unnamed stars in your blurred vision.

it’s here, you’re long awaited orgasm—almost, it’s at the very tip of your tongue again, the very edge.

with the way your pussy’s responding to them both, you’re dripping like a spigot — not even caring that you’re coating each of their dicks with your saturated juices. “make a mess baby,” geto whispers, a hand wrapping around your throat as your ass pressed up against him. “cum on our dicks, yeah. ride satoru ‘till he fuckin’ whines.”

the pace only quickens—gojo lies back with his head already thrown back in defeat. “i’m gonna fuckin’ die,” he whimpers, his pulsing dick at its very peak. it feels so good for him that it almost hurts. gojo spanks your ass a few times for encouragement, feeling the tightness of his jaw clench down before he feels you wring around his crazed shaft. “h-hah, that would make a good track title. ‘m gonna fuckin’ dieeee.”

“s-shut up.” you moan, slinging your arms around the popstar. one glance at him and he’s already pussy drunk.

rightfully, you lean in to kiss him as you finally cum. as expected his tongue parts inside of you sloppily, masses of his famous saliva cascades down the sides. he was nothing but a mess for you. as you’re slowing your hips down, both of them approach their own individual releases. gojo’s hands run everywhere on your body, you shudder from his touch whilst you feel geto’s hips piston itself forward. your toes grow limp as you’re finally becoming undone—gojo follows as they’re both driving the thickness of their cocks into your slick, needy entrances.

as your legs lie flat, the both of them end up finishing at the same time. it’s so much, you’re feeling yourself get dumped and it’s already starting to overflow. gojo’s filling you from the front and geto’s taking care of you from behind. “easy, rock against him like that, yeah,” he hushes you, easing his thumbs against your hips in tiny little circles to calm you down. it’s trickling into you in such a slow way, gooey velvety portions of cum oozing its way into your pussy. it’s loud too, squelch after squelch reverberating throughout the entire room that it develops its own vibrato..

“touch her, ‘toru,” geto continues, latching his tongue against the miniature bite marks that press near your neck. the popstar was worn out despite it being just a few minutes. with heaving pants departing from his lips, he brings his hands to feel against your waist, your breasts, and back down between your legs. “she did so good for us,” and he kissed the top of your head, speaking in a rasp. “gonna perform with all this this cum stuffed inside, baby?”

“y- yeah,” you whine, feeling geto abruptly pull out to where you’re just bestriding gojo now. you take a quick glance down and your panties weren’t there anymore. you sigh, you really liked those. back to gojo—his dick that was still twitching inside of you grows flaccid and he whimpers at the faint jittery motion of your hips. “fuck, we don’t have to perform. can’t satoru just cancel the show?”

“and get dragged on twitter? heh, girl no..” gojo swipes a hand across his forehead as he’s still spilling such amounts inside of you. it’s a mess, the once flashy white sofa was all ruined with nothing but a salacious mixture of soaked liquids.

speaking of though,

as gojo’s catching his final breaths with you still hovering over him, he pulls out his phone. his sheepish smile turns into a look of horror once he opens tmz. skimming his eyes against the blue-lit screen, his lip tremors as he reads the bold red and black text. “famous popstar satoru gojo, bassist suguru geto and new opening singer heard screwing … backstage?”

geto deadpans and you furrow your eyebrows, getting off of him. “how?”

“idiot still has his fuckin’ mic on.”

gojo’s eyes widen as he stares in his peripherals at his mic. not again, and indeed it was very much on and operated. you could hear the echo grow louder from the arena just a few feet down now that it was against his lips. then it hits you, the ongoing chants from outside weren’t happening anymore. now, it was just pure booing. he uses two fingers to bring his mic up to the side of his mouth before switching it to autotune. “oops. no refunds….?”

[hauntedhowlett-writes]

BLOODTHIRSTY

PAIRING: logan howlett x vampire mutant!female reader

RATING: mature | WORD COUNT: 990

SUMMARY

when your next shipment of blood won’t be delivered to the x mansion for another two days, logan offers to help keep you fed.

part two, animal instinct

WARNINGS/TAGS

typical vampire themes (blood, biting), no use of y/n, reader being picked up, grinding, kissing

LINKS

masterlists | support for palestine

You're pacing the length of the kitchen, filled with anxious energy. There's a pit in your stomach, a gnawing pain that's keeping you awake and lying in your bed, staring at the ceiling wasn't helping.

You hear footsteps in the hall and pause, watching as the thick wooden door opens and Logan steps into the kitchen, flicking the light switch and bathing the room in brightness that hurts your eyes. He raises an eyebrow when he sees you.

"Can't sleep either?" he asks, sauntering further into the room. He's fully dressed, a tight white t-shirt stretching across his defined chest and biceps and a pair of jeans hugging his legs, covering boots that click against the tile with each step. Your eyes are immediately drawn to his neck, to the thin skin that covers his fluttering pulse, but you look away quickly in shame.

"Too hungry," you reply. He looks around the room.

"Well, you're in the right place for eating. There's plenty of food."

"Not the kind I need."

He tilts his head, assessing you. "You some kind of vampire or something?"

"Or something," you reply, dancing around the truth. You're not sure what you are, not exactly, but Charles has helped you unlock enough information to get by. "Anyway, Charles said the next shipment should be here in a couple days. I just have to make it until then."

"I could help you out," Logan suggests. You raise your eyebrows at him.

"Absolutely not," you snap. You move to leave, walking past him, but he wraps a hand around your arm to stop you.

"Why not? You can't kill me. You won't even leave a mark."

"You don't know what you're offering, Logan."

"I got a pretty good idea," he says with a huff of laughter. "You're a predator. I know what it's like to suppress that side of yourself."

You don't know much about Logan. He hasn't been at the X Mansion for very long, but he's made quite the impression among the staff. You can see why -- he's charming, handsome, rough around the edges. You know of his abilities but you don't know him, not really, and the fact that he's offering himself for your hunger is planting nasty seeds of suspicion in your brain.

"I can't," you whisper. He steps closer.

"Why not? Afraid you'll get addicted, sweetheart?"

He's goading you, tempting you. Your gums ache with the need to bite, to feed, to fill yourself full and find sweet relief from the pain of hunger. He pulls you closer and your treacherous body obeys, ignoring the warnings from your logical brain.

"Come on," he says. "You'll feel better."

It's been a long time since you've fed from a living person, having grown so used to the donor blood Charles is able to obtain for you through various channels, but the muscle memory is there.

You're chest to chest with Logan now, pressed so tightly to him that you can feel his heart pounding against you, can hear the rush of blood in his veins. He smells like the woods and smoke, an earthy combination that makes you a little lightheaded. He wraps an arm around your waist.

"You want it?" he asks. You nod. "Do it, then. I've got you."

You're helpless to it now, nothing in your mind except survival instinct demanding to be fulfilled. The prick of pain as your mouth grows crowded with longer, sharper teeth meant to tear and ravage and maim. You lean into him, running your lips against warm skin and relishing in the sharp breath he takes at the contact.

Like any predator, you give no warning, sinking your teeth into his flesh. Blood rushes over your tongue, warm and lush, invading your senses. His heavy palm settles on the back of your neck, cradling you to him, and the intimacy of it pulls a moan from deep in your chest.

"Fuck," Logan growls, his other hand tight on your hip. You lift your head to ask if he's okay, but the words are lost when he bends his knees and grabs the back of your thighs with both hands, urging you up. He settles you on the counter, fitting himself between your spread legs.

"Again," he demands, eyes wild and teeth bared in a snarl. You switch to the other side of his neck, biting down hard. He moans, loud and deep, hips flexing into yours. You can feel the hard length of his cock through his jeans and the friction against your core makes you whine and writhe against him.

You drag yourself away from him, licking your lips. His pupils are blown wide, the black of them nearly engulfing the gorgeous hazel of his irises. His gaze drops to your lips and he leans in, kissing you like a hungry animal, trying to devour you in turn.

He pulls away from you, begins to trail kisses down your jaw to your neck. You grow tense, the sudden realization that Logan's favor has devolved into something more hitting you like a ton of bricks.

You push him away by the shoulder and he stares at you with a furrowed brow, confusion coloring his features. His chest heaves with breath and his mouth is stained red, lips kiss bitten and slick. The wounds you would have left behind have already closed, leaving no trace of you on his skin. You swallow around the lump in your throat.

"Thank you, Logan," you whisper. You ease yourself down from the counter, the man stepping back slightly to give you space. "Goodnight."

He clears his throat. "Right. Hope you can sleep now."

"I hope you can, too."

You leave the kitchen, the weight of his stare on your back not lifting until you're in the hall and can take a deep breath. When you return to your room, you still can't sleep.

But it's no longer because of hunger.

Thank you for reading! If you enjoyed, please consider reblogging or commenting, I’d love to hear from you 💕

Divider by @/saradika-graphics

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